#spoilers (?) for ch 2 of what i'm writing >>

[xxscarletxrosexx]

Kiss Distance: When Feelings Can't Reach | Linguistic Analyses on Rick & Rachel's lines foreshadow for TwiYor, DamiAnya, and Marthanderson from Ch. 105.5 (PART 1)

This is gonna be a take from the linguistic + literary lens regarding Rick and Rachel's lines from Spy x Family's Ch. 105.5.

Spoilers beware.

So let's talk about the film: Kiss Distance.

On X/Twitter, all I said was my analysis senses were tingling. There was a strong linguistic and creative writing/literary devices indicating foreshadow from the movie, and this just surprisingly got attention.

So now, I'm finally addressing this specific section in a long analysis post.

I cannot stress how much I love Endo-san's short chapters. There are so many things going on in terms of literary devices, and now, I think he plays with linguistics in them. I believe that the last time he did this was during Ch. 90.1 when we learned that Ania's name turned into Anya. I remember freaking the hell out that linguistics was touched upon, cuz honestly, what manga does that? Someone is finally paying attention to linguistics in a story, and it's just further pulling me into my rabbit-hole fixation and obsession with Spy x Family.

Although the chapter is only 5 pages long, it has SO MANY THINGS TO COVER. I won't be able to do that in this post, but I DID cover the entire thing in a video analysis that you can watch here:

What I will mainly cover in this post will be the film: Kissing Distance and the characters (Yor, Anya, Becky, and Martha) watching it + post-watching it. I cannot stress the ridiculous efforts embedded in just 3 pages, so I need to divide these sections into a linguistic lens (part 1) and a literary lens (part 2).

Let's start with the linguistic lens.

Spelling reflects language association + cultural history + maybe it's a meme too.

Spelling reflects language association

At the top right corner of page 2, we've got some English texts on the movie's billboard. "Interesting" and "Entertaining" are stacked on the left while "Movie" and "Theater" are stacked on the right.

Of these words, the word that stands out the most to me is Theater. English experts recognize that there are 2 spellings of this word: theater and theatre. These spelling tell you that it is either American (theater) or British (theatre).

I'm no expert on geography, but I believed that Ostania and Westalis were loosely based in Europe. I think I read someone talk about the architecture in Berlint also reflected European style houses--I'm so sorry that I can't recall who addressed it. The wars also felt like they were influenced by WWI and WWII. But what I do know is English it's my goddamn expertise. I'm not gonna be an uptight ass about pointing out every nook and cranny of inconsistent English, because that's just a whole lot of work for a creator and his team can do, realistically speaking. If Endo-san wanted perfect control in the language he's portraying in SxF, then he would need a dedicated team of linguists to help with translations. It may surprise you but there are many variations of a language (ex: English has AAVE. It's still English but used by this group of speakers--more on this later). But this is a hell hole of work, so I'm giving him so much slack on it as well as the translators handling the translations (like, really. No hate. Thank you for your services <3).

Another caveat: the English translation may also be a reflection of the translators. Maybe they favor American English than British English--who really knows? But I digress.

I'll stick to what I already know of the Ostanian language: It's English (variety is unspecificed, feels American) + Japanese.

Spelling shows cultural history

Next, let's address that these are adjectives slapped on a movie billboard. Normally, American movie theaters do not post adjectives. They post about the movie, the actors, etc. Comments about movies theaters being "family friendly" are subtext under the current film, etc. Here's an example of a movie theater from the 1950s found on gettyimages:

So this brings me to consider that English is being used as kazari eigo which means 'decorative English' in Japanese. In Chris Broad's (AbroadinJapan) words:

"... English in Japan is most commonly used as a form of cheap decorations and prestige, or value to a product and because so few people here understand it, the companies that plaster English all over their products and items rarely bother to check that it makes any sense." Reference:

Maybe it's a meme

This chapter, overall, felt really silly. There were silly drawings, silly play on words, silly foreshadows, etc. I couldn't help but think that maybe Endo-san was throwing in something amusing in these small things (cuz he's got attention to detail). Is it:

Interesting Entertaining Movie Theater OR Interesting Movie Entertaining Theater

It reminds me of:

Endo-san does have a tendency to incorporate memes into his manga/anime. Like... was Anya's jump not a Jojo's meme...? //sweats

I don't know if I'm severely poisoned by JJBA memes but, yeah, I saw it since the day this chapter came out. I just thought:

ANYA = DIO BRANDO

Anyway... whether it was intentional or unintentional (for this section), I love when mangakas incorporate something meme-y

2. Ricky's English Variety

This is where I went berzerk in this chapter with all of these small linguistic details. Ricky's speech says so much about him.

His introduction of himself is that he's a broken razor. Essentially, he's painting the bad-boy ML image. But he's not just any bad boy. He's a bad boy with issues controlling himself/the situation. In other words he's toxic and not good for us healing men/women //joking. However, out of all of these words, the one that stands out to me is shaddup. His speech suddenly changed because romance conflicts need to have a wall between the main couple. In this case, other than Ricky's pompadour, it's his speech. What we have here is a clash between English varieties.

To understand what is variety in linguistics, you might be familiar with these words: language, dialect, vernacular, and accent. Language is the most obvious, but dialect, vernacular, and accent can be a lil confusing to distinguish. So here's a definition and a chart I made to help distinguish them:

- Language: a system of communication that uses words, grammar, and spelling to convey meaning, languages can be spoken, written, or signed-- Ex: English, Spanish, Arabic, etc. - Dialect: is a variation of a language that is spoken by a specific group of people, such as a community, culture, or region. It includes differences in vocabulary, grammar, and how the language is used -- Ex: American English vs. British English vs. Australian English - Vernacular: is a type of dialect that's used by the "common people" of a region. It's a non-standard dialect that's spoken rather than written. Vernacular language is often made up of slang or regional terms -- Ex: African American Vernacular English (AAVE) - Accent: is the way people in a specific group pronounce words, which is also know as the prosody of speech. Prosody refers to the tone and musicality of someone's speech -- Ex: Boston accent

In Summary (a simplified version of the above info): Language is the standard language (aka what you learn in grammar class and in public speaking class) Dialect is born from language where it becomes variations of the language and adopts different grammar, vocabulary, and language use (like American English vs. British English vs. Australian English) Vernacular is a type of dialect used by "common people" and often include slang words and regional terms (think African American Vernacular English, or AAVE) Accent is a type of dialect that is mainly focused on prosody, or how a person pronounces a word (think Boston accent)

Now that you understand the linguistic terminologies, here's a fun exercise to show you what I see:

Ricky predominantly uses the standard English language in the film:

The moment a language's word has a (legitimate) spelling change, it automatically turns into a dialect (which touches on my previous topic about theater vs. theatre).

These are Ricky's English accents:

Finally, this is Ricky using an English vernacular:

POP QUIZ!

Now that you know what English variety is, can you guess which one Ricky has? If you guessed dialect, then you're half a step there. If you guessed accent, you're so close! But the correct answer is vernacular. This is because accent overlaps with vernacular, but accent stops at word pronunciations. Vernacular has accent and slang.

3. Discourse Analysis on Ricky's Vernacular

You should now have a good understanding of Ricky's vernacular, but now let's talk about why this is significant in discourse analysis.

Linguists who specialize in discourse analysis are responsible for analyzing why and how people speak a certain way. Many linguistic features are observed (lexicons, syntax, phonology, semantics, etc.) but what they share in common is who it's presented to. They're looking at the relationship between interlocutors (people who take part in the dialogue/conversation). In other words, depending on who you converse with, the way you speak is affected.

You may have already realized that Ricky is code-switching (a speaker switches between one or more languages and/or varieties) between standard English and his English vernacular.

Now, pay attention to who Ricky speaks to and when he code-switches.

We can observe in the above panel that Ricky uses standard English when speaking to Rachel. This is because Ricky has linguistically profiled her.

How am I so sure that he's linguistically profiled her? Well, because the majority of human beings unconsciously linguistically profile their appearances. Linguistic profiling does have a similar general word: stereotype. The only difference is that based on appearance, we make a split-second assumption and decision on how we talk to that person.

In this case, Ricky spoke first (exercising dominance through initiation) and used standard English. From a linguistic lens, Ricky is telling me: hey, I know I look like a bad boy, and you may have linguistically profiled me as someone who didn't have good education, which would have reflected in my speech, but I'm more than competent to use standard English. And because I can use standard English, I'm on the same equal playing field (metaphorically and linguistically speaking) as Rachel.

But then, notice the moment, Rachel tells him that she hates Ruffians like [him], Ricky's replies with an accent of shuddap (shut up). Linguistically, he's drawing a line between them. This also indicates that they're no longer on the same side before adding his threat: "I'll cut you!"

In this scene, notice Ricky's accent comes back again, but who is it directed to? An enemy or someone from his linguistic background. He uses this accent with an interlocutor of the same English variety background to make it clear to the person he's beaten up that he's speaking in the "language" that they both completely understand.

But, the moment Ricky speaks to Rachel, he reverts back to standard English. What this means is that Ricky is linguistically assimilating/aligning himself with Rachel to show that he's on her side. This can also mean that he's making himself appealing to her through discourse. On the other hand, Rachel makes herself appealing through physical means (her taste in clothing has changed--more on this under literary analysis).

In this scene, Ricky changes appearance (more on this under literary analysis) and he speaks using standard English. But the moment he loses his pompadour, guess what happens?

Ricky goes back to his true self and shows it through using English vernacular.

Rachel has never changed in her English, so she's always been true to herself. It's Ricky who goes through these changes. And it becomes a beautiful and romantic moment of a man undergoing change not only visually but linguistically.

4. Language parallel/mirroring between the anime and the manga

The fact that Endo-san decided to give Ricky an English vernacular in the English translation of the manga reflects his attention to details between the manga and the anime adaptation.

Linguistics in Anime (what you hear)

Maybe you've noticed, maybe you haven't, but Takuya Eguchi, Loid's voice actor, ingeniously incorporated different prosodic features when assuming roles for [redacted], Loid Forger, Twilight, and Robert. Catte-b covers this in her Leitmotifs in the Spy x Family soundtrack. Piracytheorist also provided a video demonstrating Loid, [Redacted], and Twilight's voices. In both posts, Eguchi's changing voice is called timbre (Catte-B and Piracytheorist have a music background). Timbre is defined as:

In other words, timbre is an individual's voice quality or vocal signature. It's how listeners can recognize a singer regardless of what song they sing and how anime watchers can identify a VA's voice by the character's name in another anime--there's just a certain quality in a person's voice that makes them identifiable.

Because of this definition, timbre is unfortunately not the correct terminology. Using vocal/voice timbre when describing vocal register, at the end of the day, is just pitch. Catte-B and Piracytheorist, however, are not wrong in their analyses. They have correctly identified one of the characteristics of speech and even provided vocal qualties (sharp, flat, soft, etc.) but the more appropriate term should be prosodic features.

I want to highlight the most important thing about prosodic features and it's the features that make it up: intonation, stress, rhythm, pitch, and pauses.

Intonation: is the variation of pitch across a phrase or sentence. > in a way, it's creating a melody when speaking. > its purpose in spoken language is to convey meaning. This is usually the case in tonal languages that require a specific pitch to indicate a word. However, in English, intonation is present when we ask a question (the last few words tend to be higher-pitched) vs. a statement which is either consistent in pitch or can sometimes be lower-pitched. Stress: involves giving prominence to one or more syllables in a word. This is achieved through increasing the length, volume, or pitch of a syllable, or by changing the vowel quality. > stress is important for helping listeners understand meaning / word class and distinguish words during rapid speech (ex: address, graduate, permit etc.) > it can be used to emphasize a specific word of a sentence (ex: Where did you go last night? vs. Where did you go last night? vs. Where did you go last night?) Rhythm: refers to the sense of movement and flow of speech. It's a combination of stress, length, and number of syllables. > mostly concerned with syllables and larger parts of speech rather than phonetic segments like consonants or vowels > important for making speech sound flow well and helps us understand what's being said > 2 most common types of rhythm in language are stress-timed and syllable-timed (English typically uses a stress-timed rhythm) Pitch: indicates highness or lowness of sound. > A person's pitch can reflect friendliness and warmth from the upper register (higher pitch spectrum) to mysterious and sexy with the lower register (lower pitch spectrum)--or at least, this is a consensus opinion that I've heard in English-speaking communities when it comes to the opinion of an individual's vocal pitch for both men and women. Pauses: a break in speaking or a moment of silence that can help add structure to the speech. Pauses have several functions: > gives listeners time to comprehend and digest the information > can be used to emphasize words or ideas > helps speakers transition between ideas > prevent rambling > can signal speech breaks, especially in languages that utilize pausing as a prominent cue > can denote high-information content

There are more prosodic features listed like juncture, loudness, duration, and tempo, but this is where it'll get too specific. Rhythm kinda already accounts for duration and tempo. Juncture is relating to annotating pauses (like indicate when a pause is greater than a certain milisecond), and loudness could kinda fall under the category of rhythm.

Timbre isn't listed as a feature, but I think it should simply because timbre is what makes your voice your voice. And because timbre is the "vocal signature", the shouldn't change--not unless you're as vocally talented as Tara Strong, who can easily change her timbre with different characters.

Eguchi-san does, however, have some roles where his timbre does change, specifically as Shuuji Hanma from Tokyo Revengers and Kazuya Kujou from Gosick (he does have some moments when he slips back to his familiar timbre).

Now that you have an understanding of what prosodic features are, you'll be able to hear that Eguchi-san's timbre doesn't change as [redacted], Twilight, Loid, or Robert. I believe Eguchi-san intentionally kept the same timbre for [redacted], Twilight, Loid, and Robert because they're all staying close to home. You can still recognize it's still the same person. But what changes are other prosodic features (intonation, pitch, rhythm, stress, and pauses). The following video is from Piracytheorist's post and the YouTube video is from Calle-B.

Here are my descriptions of the 4 voices:

[Redacted] - Intonation: N/A. Japanese is not a tonal language. - Stress: vowels and consonants are even for syllables - Rhythm: slow and steady - Pitch: low register, feels like it can be the middle (makes sense since this is the voice he's born with) - Pauses: frequent pauses (also, no way in hell you can convince me to measure the mili-second of his pause) - Tone: warm and soft - Other quality(-ies): reminds me of slight head-mix dominant (60% - 70%). In singing, a mixed voice is when a singer mixes his/her/their head voice and chest voice together (you might commonly know this as belting). But with mix voices, the singer can choose to make it an even mix of both head and chest, or leaning to either more head or more chest. Twilight - Intonation: N/A. Japanese is not a tonal language - Stress: consonants, vowels, syllables, and long phrases are rushed - Rhythm: his speed is fast. it's like water gushing out - Pitch: low(est) register. This is probably the deepest voice he can go while maintaining his timbre - Pauses: They only exist when a completed thought is finished. Twilight, BREATHE, man - Tone: cold and sharp - Other quality(-ies): sometimes his low register have a bassy quality to it Loid Forger - Intonation: N/A - Stress: His consonants and vowels are spoken fast in some syllables but also have a slight elongation typically towards the last few words of a completed thought - Rhythm: fast like Twilights, but has an upbeat rhythm to it - Pitch: upper register (it's the customer service voice lol) - Pauses: It's a mix of Twilight and [Redacted]'s. He has moments where he pauses after a long completed thought. Sometimes, he pauses in between a few words/syllables. Pauses feel irregular here--like he doesn't know if he should relax of speed up (as if he's being pulled to either Twilight or [redacted]'s pause pacing) - Tone: sounds cheerful - Other quality(-ies): 80% head-mix voice. The chest voice is still there, but head voice stands out Robert - Intonation: N/A. Japanese is not a tonal language. - Stress: elongated vowels and consonants -- similar to [redacted]. - Rhythm: originally slow and drawl. But as soon as he realizes that "Robert's mission is over", he starts speaking fast like Twilight - Pitch: low register and soft - Pauses: He has similar pauses to [redacted]. There seems to be a lil bit of longer pauses to indicate passiveness (reinforce the boring image of Robert) - Tone: monotone and soft - Other quality(-ies): head voice. The chest voice seems to be absent (chest voice is perceived as the power in singing and speech) as to reflect Robert as someone who is small and doesn't have much personality (as to not stand out during this identity). This voice is achieved by keeping your voice low but above a whisper. When "Robert's mission is over", the chest voice emerges and his head voice becomes head-mix.

Prosodic features are best accurately portrayed in discourse, meaning it's exclusively for speaking, not writing. So, how can Endo-san incorporate any linguistic feature in writing? We've already answered that with the analyses above: spelling.

Linguistics in the manga (what you read)

I've already went into great detail about spelling reflecting dialect, so I won't regurgitate what I've already covered. Instead, I want to focus on the fact that Endo-san actually acknowledges and uses prosodic features to mirror the 2 mediums of Spy x Family. This is significant because it reinforces the mirroring characters between Ricky and Loid. After all, it's going to be a foreshadow. Normally, I'd talk more about foreshadow under a literary lens, but for once, foreshadow is illustrated through linguistics.

In discourse analysis, the way you speak almost always portrays your identity.

Ricky's English vernacular is his real speech. > [Redacted]'s voice is Loid/Twilight's real speech, which often came out in the presence of Yor Forger.

Ricky speaks in standard English to mask his real voice and make himself more appealing to Rachel. > Loid's voice is used to mask both Twilight and [redacted].

Ricky gives up his pompadour (the most important thing in his life--which also happens to be a part of his identity) to destroy the "barrier" between him and Rachel. In doing so, he goes back to speaking with his English vernacular. > FORESHADOW: Loid will give up one or two of his identities for Yor (it might be Twilight and/or Loid). In exchange, [redacted] will come back.

Another possible foreshadow is what Rachel says about recognizing the importance of Ricky's pompadour to him. Because Rachel is a parallel character to Yor Forger, it can be implied that Yor would recognize how important Loid's identity is to him. In a previous analysis, I mentioned that Ch. 90.1, is the closest thing to an identity reveal. When Yor carved out Anya's name as Ania, she never once questioned it. She also didn't question when she had to carve another sign and spelled it with Anya. I'm aware of the caveat in this claim, such as Yor lacking education in Ostanian orthography which is why she doesn't react.

Be it grasping at straws or not, Yor has the emotional maturity to bounce back from the shock of an identity reveal. Yes, Yor would be sad and hurt to find out that Twilight is a spy from the opposition, but she would understand. They know they're both orphans because of the war. Yor already has a positive bias towards Loid based on observing his behavior at home, in his efforts to provide a better future for Anya, regardless of blood relationship. The point is, Yor is already infatuated with him and her feelings for him will influence her compassion and understanding for the person he's become, so bouncing back from feeling betrayal (not the romantic kind) would be faster for her than Loid.

Loid, on the other hand, may have more reluctance towards accepting the identity reveal (this is also mentioned in my Ch. 90.1 analysis). This is mainly because he's been conditioned to be skeptical and overanalyzing. So, he'll definitely need time to brood and reflect on their situation. Or, maybe he just might have already reached a point where he's just tired, and deflatingly accepts the situation. He'll self-loathe himself for being Westalis's best spy only to have married a legendary Garden assassin--seeing both as a win and loss (he'd be the type to say that he should be dead right now because his identity was revealed to the deadliest enemy). The confession of their love for one another just might be the thing to smooth out the wrinkles.

Someone once commented that, technically, losing Twilight as an identity isn't technically a loss. Twilight was born from a sacrifice. Loid technically isn't a loss either since he was born as a role for Twilight to play. Which leaves [redacted]. Like the film for Ricky, [redacted]'s foreshadowed arrival is just an opportunity for him to come in full circle.

PHEW.

This was a long linguistic analysis of these few pages, and in real-time this took me 8 hours to write. I did lose a night of sleep cuz my brain hyper-fixated on writing this. Help. But we're not done yet. The knowledge that you've acquired will definitely be beneficial through a literary lens in part 2.

I'll update this post with a link when Part 2 is finished.

[fuzzybirdie]

Hero Of Changing Faces

Ch.3 pt 2

Looking arround, even if everyone got out of the way of the blast, the tracks would likely fall on everyone after. Danny was running on instinct when he grabbed Biker who was furthest away and threw him into Actual Bat. He then started growing an ice shield arround everyone.

The thing about his core's abilities is that they're way stronger than his basic abilities. Yes, he could make an ectoplasam shield more quickly, but that would break on impact. His ice was more tiring, and he would have to let go of the ice on the ride, but it wouldn't break unless he let it.

The shield was paper thin at first, but then he let go of the ride and it grew to arround an inch before the blast.

The girl in overalls hugged a guy(?) In a studded leather jacket as he(?) yelped at the sound. The mother hugged her kids as they stared up in amazement, and the gentleman just watched him appraisingly.

The rails feel through the flames with a loud creak and clang. They bounced off the ice and tore into the ground.

Only once the flames died and metal stilled did danny release the ice. Three other people were running up to them. One dressed in black and blue, one covered in primary colours, and the daylight one, Signal.

As the shield lowered, the gentleman thanked both him and the bats, "I'm sorry, but i need to find my family"

"That's fine," Actually Stealthy (the one in black and blue) said "Spoiler will be at the gate, she'll help you find them, Mr. Wayne" The gentleman nodded and ran off.

The rest of the bats wasted no time getting everyone evacuated and checked for injuries. Another person who looked like a bat showed up soon after to help.

"So, you're a Meta?" Colourblind Test asked.

"What's a Meta?" Danny immediately shot back, as everyone in earshot winced for some reason.

Colourblind Test squinted at him and opened his mouth to say something before Big Bat inturupted. "Of course," he grunted, "there are no Metas in Gotham," before nodding at Danny and stalking off.

Signal sighed and hopped over. "Sorry about Batman "(His name was actually Batman??)" and Robin. The whole No Metas In Gotham rule is more to warn aginst going out thinking you're invincible then getting hurt."

Robin (apparently) aborted his angry squawk halfway through and stalked off to Nightwing.

"All well and good, but that still doesn't answer what a Meta is."

Signal stopped short of his next sentence and gaped like a fish at him for a few moments. "Are you serious?" He ended up choking out.

Danny nodded and gestured for Signal to continue.

"Right! Ok then, Well, I'm... a Meta"

A blank stare

"Right, doesn't help. So, a Meta is anyone with extraordinary abilities. Usually humans who've been through some sort of life-or-death situation, or exposed to some sort of compound that releases latent abilities. A prime example of the latter there would be the Flash family, or Poison Ivy."

Danny was to busy thinking about how perfect of a cover this was to think of how he knew exactly none of those names."Alright, cool cool. I need to tell my parents. And my sister... Oh Ancients, everyone nearly just died."

Signal nodded as if he were waiting for that fact to hit. "Come on, I'll help explain it to your family, and get you checked for shock." Danny nodded, so exhausted enough to forget his hair was still all snowy.

~~~~~~

first / prev / next

masterpost

So! Who noticed the cameo beforehand! I wouldn'tv'e! (Edit, i actually didn't realise he was there at first. Wrote the first chapter and was just 'who is that?' Then i started ch.2 and was like 'Bruce Wayne?!?!?')

I should also note how I'm gonna use names before the next arc starts.

The name I use while writing will be determined by the name most characters will be using for them in the scene. Like how Duke was refered to as 'Duke' until he put the Signal suit on. Then he was 'Signal'.

This is important because for reasons to be explained, Danny has 9 of them.

[alexanderwales]

My web serial, Worth the Candle, has been adapted into a webcomic. This was thanks to my agent, who I have a great fondness for, since without him I would have to spend time trying to make connections and call people and do a bunch of work that I don't know how to do and am not good at.

I was offered the chance to write the webcomic, but declined, mostly because writing Worth the Candle had taken four years and was pretty draining, and was a story that I feel like I'm done with, minus some editorial stuff, answering fan questions, and the odd bit of promotion. So my level of involvement is that I get the pages as they come in, make some comments on them, and generally just give feedback which they are free to ignore.

So let's talk about some of the adaptational changes! You can read the first three issues on Webtoon here, or the first eight issues if you're willing to pay, and the books start here, but I'll assume that you haven't read either, and there won't be substantial spoilers because I'm talking about stuff from the very beginning. Actually, I guess there will be some spoilers, but later on, and I'll mark them, mostly having to do with some foreshadowing that the webcomic does which I didn't do.

(I licensed the rights to make the webcomic to WebToon and took my money upfront, they didn't ask me to write this post, I have not actually asked the artist/writer why they made these changes, it's just me guessing and commenting, for fun. Edit: My agent has informed me that I'm mistaken, I do get a cut. So apologies for the misinformation, and hooray for me, I guess I signed the contract ages ago and just forgot the details.)

Character Design

Here's how Juniper Smith is described in the books, ch 2:

I won’t belabor my physical description. My friend Greg had once said that I looked like someone had chosen ‘default’ for every option in the character creator, which I’d tried to laugh at but cut kind of deep. I wasn’t handsome, I wasn’t ugly, none of my features were very prominent, my eyes were blue, my hair was brown, average build, average height … After Greg had made his comment at one of our D&D games, my nickname had been ‘default’ for a while, at least until I stopped pretending to find it funny, and even after that my friends would use similar lines to trash talk me, saying that I was “the most generic man alive”, “a white bread with skim milk motherfucker”, or “the human equivalent of vanilla ice cream”. Not that I was any less of an asshole to them.

This is how he looks in the comic:

I would more or less give this full marks.

In terms of other aspects of character design, Juniper is here given a black shirt with a red symbol on it rather than the stock white t-shirt he's wearing in the opening chapters of the first book, probably in the interests of adding in some visual variety. On the page, it's perfectly fine that every person in the first 50k words is wearing basically the same stock outfit. In a visual medium, I do think that you need that pop. I do think it's interesting that Juniper is wearing the same clothes in the classroom as he is on the plane, implying that when he transmigrated his clothes ... came with him? I don't know.

The other major character of the first section is Amaryllis, who is a major character in the entire work. Here's her description in the book:

Standing by a workbench, among various car parts, tools, and cans of unidentified fluids, was the most beautiful girl I had ever seen.

I’m not really sure what protocol is here, in terms of prose. I mean, I don’t want to sound like a creep, so maybe I should stay as generic as possible and tell you about her dark red hair pulled back in a braid, the glacial blue of her eyes, how starkly alert she looked as she peered over the parts in front of her, or her grease-smeared clothes. Save for her eyes, I wasn’t really focused on any of that. My mind was consumed by tracing her curves, the shape of her chest in her blood-stained t-shirt, the fullness of her lips and the delicate way she had them parted -- and yeah, it was pretty fucked up that the splatter of blood on her shirt wasn’t worth rating much of a mention. I was consumed with staring at her and thinking how gorgeous she was, until I noticed that she was having a powerful effect on me, at which point different parts of my mind were given over to marveling at the sensation of being so attracted to a girl, and others were still focused on her.

Imagine that someone spent a few years studying your likes and dislikes, running through video of your every private moment, somehow surreptitiously hooking up EKGs to measure your physiological responses without you knowing. Then imagine that they sat down with that data and the best photo manipulation artists in the world and made the absolute perfect picture to cause your heart rate to spike, a jolt to run up your spine, butterflies in your stomach, and a cold sweat on your palms. Then imagine that they did this again, over and over in slight variations, until they had a full 4K 60fps 3D movie to show you. That was what it was like watching her.

And here she is (as she's introduced) in the comic:

Aside from the change in clothes, which in the book are the same white t-shirt and blue jeans that everyone else is wearing, Amaryllis has a scar on her face, of unknown provenance. This was probably added for visual variety, but I do find scars to be very fetching, and in one of the early versions of Worth the Candle she did have one (patterned off a woman with an extremely attractive facial scar I had met, the kind of facial scar that looked like it was applied by a Hollywood makeup artist specifically to give a touch of the exotic and mysterious, except she was a just a Midwestern mom).

And of course Amaryllis was always going to be an adaptational challenge, because the books are told through Juniper's eyes, and she's The Most Beautiful Girl in the World to him, and conventionally attractive to everyone else. Juniper tries to be normal about this. But if you're in the visual medium, you have to show both how Juniper feels and how she actually looks, and attractiveness is just so incredibly personal. My wife and I get in these kinds of discussions a lot, where she'll think someone is good-looking and I'll say "him?" or vice versa.

I think the above panel in particular is a good middle ground, a glamour shot that snaps back to the reality of their first meeting:

(The void gun she's holding there is much different from the one described in the book, not something cobbled together from spare parts and void equipment, but this is another very minor change that I would assume is meant for communicating immediately that this is a lethal weapon, and there's probably not a place for explaining how and from what it was cobbled together, which is also under-explained in the book for reasons of pacing.)

Story

I've read the first nine episodes, and overall, it's hewing very closely. There are a few bits in particular that stand out to me in how they're handled.

Spoilers for later in the series follow, I guess.

These are the opening lines of the webcomic. This is much stronger foreshadowing than I used, and I like it. Part of Juniper's backstory is that he's been deeply depressed and self-destructive, and he's slow to open up about this with other characters or the reader. The "it" that he couldn't go through with is, then, suicide. In the books? This comes very very late. Juniper being depressed after Arthur's death is brought up after the first major arc, halfway through what's now Book 1, and gets more explicit as the books go on, eventually getting to Juniper talking about his attempted suicide with people and grappling with it like ... almost halfway through?

I don't know what the plans for the webcomic are, but my guess is that they're setting up for much, much later on in a way that I didn't. This was always a background element, something that informed Juniper's character, not so much the suicide attempt as the feeling that came after, this understanding that yes, he did want to live, a heady, energizing kind of "I guess I don't have the way out that I thought I did" sort of thing.

So I take it as a good sign that this is the opening line. It points toward them understanding where they're going.

One of the other major adaptational changes is that they signpost Arthur's death with a memorial on his desk:

When I was getting pages, this was one of the first moments where I was like "yes, this is a good change, visual storytelling to replace my walls of text, flows and offers indirect information". I am very happy with the adaptation thus far, and stuff like this is what I love about adaptation in general, the need to grapple with the strengths and weaknesses of the medium.

Content Rating

Worth the Candle gets grim and dark in places. It at least attempts to grapple with serious things. The webcomic is rated Young Adult, and I'm not sure how they're going to handle the later stuff, but I can talk about how they're handling the stuff now, and what I think it means overall.

First, there's a lot less swearing. Worth the Candle in its entirety uses the word "fuck" ~1200 times. Granted, this is over the course of 1.6 million words, so a fuck density of one every 1.3k words, and some of those are in the verb "soulfuck" rather used descriptively, as exclamations, etc. My personal feeling is that this doesn't matter basically at all. I don't think I notice when someone isn't swearing unless they're using corny substitutions or trying to get cute with it.

Second, the violence is toned down in that YA way, where they're still showing much of the same things, just not with the same level of visceral detail. When a Marvel comic has someone thrown into a wall, they're no blood or snapping of bones or mangling of bodies, at least if it's a comic at a certain rating (I have definitely read some edgy 90s comics that do go hard on the violence). I think, overall, that this isn't my preference, which might be obvious from the way that I try to write fight scenes and such. But I'm also sort of inured to this toning down of violence, since it's omnipresent.

Third, there's the sex stuff, and ... well, it hasn't come up in the webcomic yet. I think I laid out my reasoning for why I think sex scenes should be written/included in Why to Write a Sex Scene, but the brief version is that sometimes you're showing how characters relate to each other, what they think of each other, and the sex scene shouldn't always just be something that's skipped over and left to the reader's imagination, because things happen, there are moments of communication, it can and does develop a relationship in the moment rather than after the fact. Plus a little titillation is, in my opinion, usually good.

The great thing about writing webfic is that no one can stop you from just including three solid chapters of hardcore pornography in the middle of your story. I have never done that, but I could is the point, and I would only get complaints from people who have no power over me. That same freedom doesn't exist here, and ... yeah, it makes my heart sink a little bit.

Fourth, there's some of the more mature content stuff, the topics that might not be broached. I don't know how they're handling that, so I reserve judgment, but I think my opinion is probably going to be "well, you do what you have to do", and if my version of the story is superior because there are no brakes, then I can be smugly superior about that.

Conclusion

This is already a fairly long post, and there are a few other things that I could have remarked on, but I think this is all the most interesting stuff.

Alright, just one real quick: Arthur is adaptationally more attractive, though this is also how Juniper sees Arthur and I think by the standards of webcomics, this is actually sort of necessary. Most of the flashback cast is not described until much later on, and by then you kind of know and understand them from the things they've said, if you can keep track of them. Many of the flashbacks are nearly disembodied. But if you're showing Arthur early, then the first impression he's going to make is in his appearance, and that really anchors people.

So overall, I am happy with the adaptation. There are challenges ahead, and I'm thankful that I'm not the one who needs to tackle those challenges.

[dont-offend-the-bees]

DontOffendTheBees' DBDA Fic Masterpost

Or, essentially, my 2024 Ao3 Wrapped because this show is all I've posted on main all year 😅 But it's nice to be back in the swing of writing and it's been such a rough year, so I'm gonna take a minute now to bask in the glow of my accomplishments 💛

(please note fic links are to Ao3, and fics are locked to be visible to registered users only!)

Ongoing Fics:

Oh, Lonely Bones, Have You Forgotten? (M, 31.9k, ch. 3/4, Charles/Edwin)

A haunting little odyssey of Edwin finding his earthly remains, and figuring out where the hell to go from there. Was hoping to finish this off before the year was out but pain and other projects sadly got in the way! Don't worry, she will be complete one day, I swear!

Somewhere Beyond the Sea (T, 7k, ch 1/5, Charles/Edwin)

A sweet and magical Payneland Ponyo AU, written originally as a Secret Santa gift and then ballooning WAY out of proportion! I'm so, so excited for how this one turns out!

One-shots:

The Kind of Light That Means Just Love (When My Baby Smiles at Me) (T, 1.4k, Charles/Edwin)

Where it all began, a little ficlet I wrote based on a writing group prompt which made me realised how much fun the character voices were to play with. Short and sweet, Charles takes photos of Edwin and finds ways to be cheerful about it even when he doesn't show up in them.

Outside Looking In (T, 3.6k, Charles/Edwin)

Outsider POV fic in which Charles and Edwin are overhead having a very strange but sweet conversation while in their older disguises. While this was an early fic and there's probably some stuff I'd change about the dialogue if I wrote it now, I'm so fond of it and I'm touched by the response to it - ESPECIALLY in the form of Robin's incredible gifset! (this gifset MUST be reblogged by everyone, btw.)

The Scenic Route (T, 2.1k, Charles/Edwin)

A short, sweet little agency outing and Payneland get-together, written in large part to daydream of a better world of public transportation while I was stuck standing on a cross-country train for two hours.

No Rehearsing It, No Reversing It (T, 9.3k, Charles/Edwin)

Mandatory 'Charles massively overthinks getting together with Edwin' fic, a comedy of errors, featuring foiled kissing schemes, party games, flimsy excuses, and my first fateful foray into discovering how fun Cat King is to write.

’Cause You Cut Through All the Noise (M, 5.3k, Charles/Edwin)

First day of Payneland week, what a time! Edwin helps Charles calm down from a panic spiral with a healthy application of sweet, gently non-sexual dom/sub play, featuring sweet words and soothing games of cat's cradle.

Though We're Strangers 'Til Now (T, 4.7k, Charles/Edwin)

Payneland week day 2. One of my more out-there concepts; in the campy tradition of Saturday night British fantasy telly a la Merlin or Atlantis, Charles and Edwin take the mythological roles of Theseus and Ariadne. This fic exists in large part due to @every-moment-a-different-sound making me aware of Payneland week and asking me to collaborate, and once again, it is COMPULSORY that you go and reblog their GORGEOUS SHOWSTOPPING INCREDIBLE GIFS.

I Got Sunshine in a Bag (T, 1.2k, Charles/Edwin)

Payneland week day 3. The little script-format fic where (spoiler alert) Charles confesses his feelings to Edwin in the safe haven of his own magical bag of tricks. Sweet and silly!

Something I Can Turn To (T, 2.4k, Charles/Edwin)

Payneland week day 4. The AU where Charles and Edwin are alive in the same era, and helped each other survive the brutality of their teenage years. This one was so lovely to write and there's a little bittersweet hollow in my heart carved out for it. This fic also spawned this absolutely lovely art by @yasartmeme (GO REBLOG, GIVE IT LOVE) and a collection of related stories by several wonderful authors. Every time someone else dips their toe into this universe it warms my chilly little heart.

If the Shoe Fits, Then I Won’t Try It On (T, 2k, Charles/Edwin)

Payneland week day 5. Another outing with the disguises; pre-canon, Charles and Edwin on a case, getting used to their new magic disguises and constructing dubious backstories.

Spinning on That Dizzy Edge (M, 1k, Charles/Edwin)

Payneland week day 6. Short little flirty, steamy, fun date night with Charles and Edwin in a haunted pub, with a piano <3

Lived My Whole Life Before the First Light (M, 7.3k, Charles/Edwin)

Payneland week day 7. AKA the attic scene, as told in a soulmate AU. A few people who don't generally like soulmate AU's have told me this one plays with the concept in a way they found interesting and refreshing! Suffice it to say there's a happy ending, but not of the sort generally associated with the genre. And this one comes with yet another mandatory-reblog gifset, this one by @mellxncollie, which is SO beautiful and should be in an art gallery and truly such an honour to bestow upon my little words 💛

We Glimpse Each Other Out of Phase (T, 3.7k, Charles/Edwin)

Another little instalment in the Alive AU of Something I Can Turn To, this time a bittersweet domestic scene on a sleepless night in the kitchen.

Wise Men Build Their Houses on Rocks While the Rest of Us Settle for Skeletons (M, 2.2k, Cat King/Edwin)

First foray into Catwin! (or at least first on the main account 😉) Edwin digs through the Cat King's magical artifacts; and finds an ominous relic of his past lives.

Sink Your Teeth Right Through My Bones, Baby (M, 0.6k, Charles/Edwin)

First of the spotify wrapped inspired ficlets! A little glimpse into Edwin's mind as he and Charles cautiously approach a new dynamic in the bedroom.

Looks Like We’re In for Nasty Weather (T, 0.6k, Charles/Edwin)

Wrapped ficlet. Edwin and Charles brace themselves in the face of an ominous supernatural storm brewing.

Keep Me Warm, Love Me Long, Be My Sunlight (T, 1k, Cat King/Edwin/Charles)

Wrapped ficlet, and preview of the Ghostcat 1920s AU currently in the works by myself, @dear-monday and @tw0-ravens! In a sun-drenched loft in the last days of summer, Thomas contemplates what he has, and when he'll lose it.

Should I Cool It, or Should I Blow? (M, 1.9k, Cat King/Charles)

Wrapped ficlet. The Cat King confronts Charles after another little enemies-with-benefits hook-up for a little clarification on what, exactly, he's doing with his life.

And that about wraps it up for 2024! But I'll keep adding underneath this post when I inevitably write more -- so I'll be seeing you guys in '25! 🥰 Thank you thank you THANK YOU everyone who's shown me such incredible support over this year, this has been such an unbelievably fun fandom experience and I'm excited to sink my teeth into even more and longer fics next year 💛💛💛

My 2024 Writing Stats:

Works Published: 19 Word Count: 89,859 Top 3 fics (by kudos): 1. Outside Looking In 2. No Rehearsing It, No Reversing It 3. The Scenic Route

[thebadjoe]

BAD JOE'S DRDT CH.2 CRIME SOLVING THEORY PART 6

Wow! It's been a long while, but it's finally here! DRDT Chapter 2 is back with part 2 starting since more than a week ago!

...Oh? What's that? There's some reveals that is damaging my theory and I should get to fixing? Awwww, man.... what a drag.... I am so doomed... nanchatte!

Anyways, hi! It's me, the dude who makes-overly-complex-and-ridiculously-long-theories-in-the-hopes-of-trying-to-solve-the-murder-case-that-not-many-people-agree-with-for-more-reasons-than-my-theory's-word-count. (Okay, the last part about the reasons is probably not true... yet!)

I am back yet again with some more updates regarding my theory.

NOOOOO!!! NOT AGAIN!!! PLEASE, I DON'T WANNA READ ANOTHER GODDAMN DICTIONARY LENGTH OF A THEORY POST!!!!

Woah! Calm down, imaginary self that is under the impression that some people were way too overwhelmed by my latest part of the theory post! You have nothing to worry about!

It would be silly of me to rewrite all of it again with some small changes. I will of course link up my part 5 later as source of reference, but really, all I'm gonna be doing here today is point out the newest problems with my theory ever since episode 12 and 13 and give my personal thoughts on those.

Also, to make sure that people hasn't forgotten what I've been all about since the beginning, I will do a short recap of my theory, displaying only what's most relevant to the murder case.

Besides, ain't no way I'm writing something this long ever again (except for maybe trying to solve the future chapters, but that's a matter for the far future).

With that said, I feel obliged to point out that this is spoilers for the fangan Danganronpa Despair Time Chapter 2, up until episode 13.

With that out of the way, let's get to it!

Hey look! I still remember how to use that show more button again, hurray! (I'm really sorry again to @1moreff-creator and everyone else who's been reading my very first posts last year that didn't have a show more button)

So, first things first, I'd like to apologize in advance because as amazing the episode 12 and 13 were, I will not be doing a reaction post of said episodes. I think I'm just too lazy to actually display my whole stream of consciousness through two whole videos and I think it is safe to say that practically all of us had a very similar reaction to those episodes.

What was the common reaction, you may ask? Well, it's simple, really... it went something like... OMG, THIS IS SO FUCKING HYPE! OMG!!! THAT WAS SO INSANE!!! THE DRAMA!!! DAVID BEING DAVID!!! THE LEVI REVEAL!!! THE FLASHBACK PART 2 SCENE!!! OMG, WHAT IS EDEN DOING?!! AREI IS HOLDING DAVID'S HANDS?! WE'RE FINALLY TALKING ABOUT THE MURDER METHODS?!?! OMG, SO GOOD!!!

...right? Yeah! I thought so! :D

Although I may not be showing proper and precise reactions to these episodes, if you're interested, I'd definitly recommend reading @venus-is-thinking 's, reactions on episode 12 and episode 13, @1moreff-creator 's reactions on episode 12 and episode 13 and @accirax 's reactions on episode 12 and episode 13. They're pretty good reads (and no, I'm not just saying this because they all believe that Eden is the culprit, I swear!).

And for those who are totally blind or new to my shenanigans, yes, I do believe that Eden is the culprit behind this murder case.

There is indeed a few problems that arose ever since the latest episodes, so to make sure that everyone is up to speed with what I'm gonna be talking about, I'm now going to be doing a short recap of the events, according to me.

--------------------------------------------------------------------

THE RECAP

DAY 1 : The day where everyone receives their mixed up secrets and explore the second floor. DAY 2 : The day where the attempted murder on Ace happened. DAY 3 : The day where Whit suggests David to chill for the evening in the relaxation room. DAY 4 : The day (morning) of the body discovery announcement.

Ever since Arei bullied Eden who then cried and exited the playground on DAY 2, that was what triggered Eden to decide to commit murder for the sake of escaping this hellish killing game. Knowing that her secret is that she kissed a girl, I deduced that she's probably trying to escape because she misses her beloved dearly.

So while she was off screen during most of that day, she spent time making plans for the murder set up and narrative, which is why she decided to share Arturo's secret (as seen in the flashback).

During the evening of DAY 2, Ace was working out in the gym, then he hears a conversation happening between David and Arei in the relax room. The conversation that Ace was quietly listening to did not happen in the evening of DAY 3, but rather the evening of DAY 2. Ace lied about when he was listening to that conversation.

At some point during the conversation or perhaps even after the conversation, Eden sneaks up on Ace and knocks him out with the turpentine that anyone could've gotten access to that day. Ace is Eden's chosen murder victim.

Sometime later, Eden eitheir used a letter or called out Arei's name to lure her into the playground or somewhere close to knock her unconscious with that very same turpentine. She then moves Arei's body into the relaxation room to lock her up inside because of the specific nighttime rules regarding that room.

Eden also brought old spares of clothing to cover Arei's body to make sure she doesn't get stained with starch from the water misting formula from the relaxation room.

During the night of DAY 2, she prepares the murder mechanism in the gym with some needed tools from the storage room and some wire that she took out from possibly a grandfather clock that she may have in her dorm. I deduced it as such because of Whit's description of everyone's dorms being suited to their needs.

I also deduced that there is actually a switch to turn on and off the fans, which is important since the attempted murder involved the fans. As Eden finished setting it up, as she was about to clear up with evidence, she heard someone using the elevator.

She hid in the dress up room, then Nico enters the second floor, looking for Ace to kill him. As Nico explores the gym, Teruko shortly enters the elevator to get to the second floor as well.

Teruko, looking for her spares, runs into Eden, who was hidden in the dress up room. After some talk, they heard a loud noise coming from the gym, which they both take a look inside.

Upon seeing this mess of a crime, Eden realised that her murder plan failed and that she needs to come up with a plan B really quick. So while she is taking time to "process this emotionally", Teruko was investigating.

Eden finally comes up with a plan B and figured that she needed to get her hands on the roll of tape ASAP. She managed to do so with a sleight of hand when Ace "suddenly wakes up", knocking Eden out of the way, distracting Teruko in the process.

Later that night, Eden proceeds with her plan B by making a murder mechanism in the playground. She also took the rope from the storage room. Once it's all properly set up, all's left was waiting for the relaxation to unlock at 8:00 AM on DAY 3.

In the morning of DAY 3, she retrieves Arei's unconscious body and proceeds with murdering Arei. Then, she proceeds to conceal the body somewhat behind the curtains in the relaxation room. She also grabs her glove, her monopad and the necessary materials in the dress up room for the next step of her plan.

She spends the rest of the morning to prepare her disguise trick. Then during lunchtime, Eden spends a short amount of time disguised as Arei to hide the actual time of death.

Once lunchtime is over, she returns to eitheir her or Arei's dorm to remove the disguise, spend time cleaning up, relax, power nap, etc. Then, during the evening of DAY 3, she spends time with Hu to fabricate her perfect alibi.

Later that evening, David explores the relaxation room. That's when he notices something wrong with the room and becomes the first person to discover Arei's dead body.

For some personal reasons, David brings the body back into the playground and hangs it by the swingset. Eitheir he or Eden (earlier in the morning) balls up the clothes and hides it in the closet of the dress-up room. Then, in the morning of DAY 4, David grabs everyone's attention to the fact that Arei is missing right before the secrets reveal. Then fast forward a bit, then we get the BDA of Arei

--------------------------------------------------------------------

And there ya go, that's my recap regarding how I believe the murder case happened. Pretty short, eh?

HELL NO!!! THAT WAS STILL PRETTY LONG!!! AHHHHH!!!!

Eh... I guess I couldn't really make it that shorter, my bad! If I tried to make it any shorter than that, it would've been extremely confusing.

Ah! Speaking of which, if you're confused in the sense that it feels like none of this should work at all, and there's a lot of contradictions and whatnot, then I would heavily recommend reading my actual theory post. I am not going to spend time refuting with people in the comments about points I've already pointed out in my previous post.

However, if there are things that are unclear to you, things that you do not understand and want to know what I'm talking about, please, feel free to ask away! I will help in any way I can.

With that out the way, I guess I can now start with pointing out the pr-

HAH! THERE IS A MAJOR ISSUE WITH YOUR THEORY!!! BASED ON EPISODE 12, THE MURDER COULD'VE ONLY HAPPENED IN THE MORNING OF DAY 4 BECAUSE OF THE BODY SWING! YOU'RE DONE FOR!

Ah... yeah... that! Of course! That's not a problem!

!!!

Let's talk about it first, shall we? :D

--------------------------------------------------------------------

AREI'S BODY SWING : CONFIRMED TIME OF DEATH???

I'd like to come clean with something, everyone. Ever since I came up with the theory that murder happened at a totally unexpected time, there was something that was constantly bothering me.

That's right, I was very well aware of the body swing happening during the BDA ever since the beginning.

HUH?! Then all this time, you wrote all of this despite knowing that?!

Correct! I'm really sorry about that, but please, understand that I had a very good reason for it. For you see... everytime I saw it, I was often under the impression that this was simply an eerie effect / animation, to give a more dramatic intensity towards the BDA, without meaning anything. I legit thought it could be a thing, I swear!

But despite all that... I couldn't help but feel uneasy about it. Deep down, I felt like that maybe there was an actual meaning to it, maybe it was an actual clue that I shouldn't disregard. But I figured that because of my theory beliefs, then it would be rather unlikely that it would be used as evidence.

But alas, I was wrong about that. The body swing plays a very important rule in determining what happened in this murder case. I cannot deny that fact, especially since Teruko brought it up, plain as day. Despite it seeming like it damages my theory, I'm thankful that the dev finally cleared that little doubt I had since then.

Then you admit it, the murder actually happened in the mor-

Oh, not so fast! Let's not jump to conclusions just yet, alright? Arei's body swinging by the swing set doesn't quite exactly prove that the murder occured during the morning of DAY 4. The body swing only proves that someone messed with the body by the swingset.

W-What?! That doesn't make sense! The murder clearly happened in the morning of DAY 4!

Nuh-uh, not quite. You believe it clearly happened in the morning because that's what the cast concluded on top of Charles pointing out that the culprit could've clearly fake the time of death by saving the fishes for later.

But unless we have decisive evidence that the murder happened in the morning, we can't be 100% sure that the murder happened in the morning of DAY 4.

From the looks of it, you just seem very desperate, if you ask me.

At first, when episode 12 released, I kind of was... up until I figured out a fairly logical solution to it. That's right! I have a way to explain who made the body swing and why.

You're not going to suggest that David did all of what he supposedly did in the evening of DAY 3, but instead in the morning of DAY 4, right?!

Nope! Not at all. Disregarding the facts that it wouldn't really make sense and that he'd have to move the body out of the relax room anyways before nighttime (because of the water misting rules), David actually has an alibi in the morning of DAY 4.

(As does Veronika too as she was with them in the cafeteria)

With all of these reasons mentioned above, as much as I initially wanted to make it somehow possible that David came back to the crime scene to mess with the body somehow, it just isn't possible.

So instead, someone else did it.

Then out with it already, you staller! Who is it?!

There is only one possible candidate that would make the most sense in that scenario : Eden. Eden is the person who messed with Arei's body in the morning of DAY 4.

WHHAAAAT?!?! WHY WOULD SHE DO THAT?! THAT'S SO RISKY!

That's what I initially thought at first, not gonna lie. But then... something hit me : Eden doesn't have an alibi for the morning of DAY 4 eitheir.

I thought that there would be absolutely no need for Eden to come back to the crime scene a certain short amount of time before the BDA, so instead, I needed to reverse my way of thinking.

What could she possibly aim to do that would prompt her to come back to the crime scene last minute?

Considering the facts (based on my theory, mind you) that she killed Arei in the morning of DAY 3, hid the body somewhere in the relaxation room, built up an evening to night alibi with Hu and that David was the first person to discover it during the evening, there is a simple explanation behind it.

Arei's BDA was meant to be triggered much earlier than the morning of DAY 4. The original intent behind this whole scheme was to have the BDA trigger during the evening of DAY 3.

That doesn't make sense!

No, that's wrong! It does make a whole lot of sense. Think about it. Let's say you were a participant in this killing game and were in David's shoes during the evening of DAY 3... you come across a dead body in the relaxation, what would you do?

!!!

That's right, you wouldn't just mess with the body and move it somewhere else, now would you? Aside from freaking out, the most natural and human thing to do would be to gather help.

If it were anyone else than David who discovered the body in that exact scenario, they would cry out for help, tell everyone that they found Arei dead inside the relaxation room, which would then result in a body discovery announcement.

But what if the person who found the body were to personally ask for Hu's and Eden's help, wouldn't that ruin her plan since it wouldn't trigger the BDA?

There's an easy solution to that. Eden could've simply decided to find more people to share the news to meet up with the corpse. This wouldn't ruin her plan in the slightest.

Quite the opposite, actually. If the body were to be discovered and trigger the BDA during the evening, it would solidify her air tight alibi even further as she wouldn't have any possible timeframe to commit murder in the evening as she was spending time with her friend Hu.

Ugh, so what? It didn't really happen anyways because of David being David! That doesn't change anything!

Actually, it does change things considerably. If you put yourself in the culprit's perspective where the whole intent was to have the body discovery happen in the evening of DAY 3 and that during the whole night, nothing happened, you would certainly find that very strange.

The culprit would be clearly confused, yet really curious to find out what even happened.

Couldn't she have taken a look much later during the night?

Perhaps, but she figured it would've been pointless. The reason why is that if she thought that nobody found the body, then the body would've still remained hidden in the relaxation room which would then be currently locked away because of the water misting.

So instead of checking it out during the late night of DAY 3, Eden decided to investigate during the very early morning of DAY 4, sometime past 7:30 AM.

But the relaxation room is still locked up until 8:00 AM! Why not wait until then?

It's simple! She just wanted to be there a little bit in advance to make sure she can enter the room as early as possible. And so... while she is waiting for the relaxation room to unlock, she probably figured that she should take a look around the other rooms, why not?

And thus, that leads to Eden finding the body being hung by the swingset, alongside fishes scattered around the floor for some reason.

To reconfirm, I still believe that David is the first person who discovered Arei's dead body in the relaxation room and that he's responsible for hanging her body alongside placing those fishes by the playground.

Okay, Eden discovers that the body has been moved to the playground? What now? Everything's already in place, so what could she possibly do with the dead body?

Well, since the BDA was not triggered on the evening of DAY 3, she figured that she may as well put Arei's monopad back into the corpse's pockets.

But what about her missing glove? Why didn't she return that as well if she wanted to return her monopad?

That's a good point, that's for sure. But there are two easy fixes to this counter argument. First one being that she simply forgot about the gloves. No one's really perfect, after all. She was so concerned about the body not being discovered yet that this completly slipped her mind.

The second fix would be that it would've been way too risky to try to retrieve the glove. Maybe initially, Eden, after she removed her disguise, she placed the clothes and the glove back into Arei's dorm. So if she wanted to retrieve the glove, she'd have to return to Arei's room, unlocking it with a monopad that isn't her own.

Would she really risk that again after making this much progress without getting caught so far? Like imagine if she tried to take that risk one last time only to get caught, that would be quite the devastating result, wouldn't it?

Ok, fine. Nevermind the gloves. Is that all she did?

Pretty much, yeah. She returned the monopad back into her pockets, which moved the body somewhat.

...

Well, it's also possible that she tripped and moved the body even more by accident. Or perhaps she felt like she was in such a hurry to avoid getting found out that she accidently bumped into Arei's dead body.

...Are you kidding me? There's no way that's gonna be enough to move the body for this long!

Well... maybe her being there at exactly 7:30 AM is not the exact time. She could've been there a couple minutes before 8:00 AM, which could make this possible.

But that's ridiculous! There's no way Eden is strong enough to make the body swing that way. To make the body swing for a good amount of time, she'd need more than just accidently bumping into the body! It needs considerable force.

And I'll stop you there. If you've read my last theory post, you should know by now that I'm a firm believer that because it's a work of fiction, anything that seems unlikely can become possible.

The main thing we should take from Arei's body swinging during the BDA is that at some point in time during the morning, someone messed with the body, proving that someone was there during the morning of DAY 4.

And there you go, that's my whole explanation as to how Arei's body was swinging during the BDA that doesn't necessarily mean that the murder occured during that exact morning.

If you're not quite convinced yet, there is a certain part of my theory that begins to make a lot more logical sense with this solution in mind. Take a look at this!

Thanks to the solution I suggested, these two lines become a lot more fitting to my updated theory. Here's why!

If Eden were to explore and find the body hanging by the swing set during the morning of DAY 4, she would know that at least 1 person found the body, but not who exactly.

Because of Whit's silly comment, Eden immediatly thought of the body in the playground and jumped to the worst conclusion : Whit is the person who found the body first.

So if they were to open the door to the playground, the BDA would not trigger since Eden is the culprit. So in a moment of panic, Eden uttered : "Teruko, wait--".

It is still pretty much the same as what I had in mind according to the previous part of my theory post, except that it works a whole lot better now that Eden personally saw the actual state of the dead body in the morning of DAY 4.

So there you have it. This seemingly major problem for my theory actually turned out to be very beneficial for my theory after all! Ah, the joys of making logical sounding deductions! My theory should be saf-

HAH! YOU THINK YOUR THEORY IS SAFE FROM HARM YET?! WRONG!!!! IN EPISODE 13, THEY ACTUALLY SHOWED HOW THE MURDER MECHANISM WORKED! NOT ONLY IS EDEN TOO WEAK TO OPERATE IT, BUT THEY PUT FISH WATER INSIDE THOSE JUGS! SINCE THEY REVEALED THAT MURDER METHOD, IT HAS TO BE THE SOLUTION. YOUR THEORY IS RUINED! GOOD DAY SIR!

Oh, you mean this?

Oh no, this murder mechanism is different from mine and this one requires a certain amount of strength that Eden possibly doesn't have! And the fishes! Since they brought it up, then there's no way my theory can work! Whatever shall I do??? It's joever.... just kidding!

I don't mean to alarm you guys, but the current proposed murder mechanism idea actually has flaws. Let's talk some more about the murder mechanism in the playground, shall we? :)

--------------------------------------------------------------------

TERUKO'S CURRENT MURDER MECHANISM IDEA : RIGHT OR WRONG???

Before I get into it, I'd like to remind everyone that just because we've been shown how the murder may have been done for the first time means that's how it actually happened. Let's not forget that they spent so much time arguing and discussing about the secrets that they barely ever talked about the murder case in itself.

So if anything, episode 13 is practically just them beginning their actual work! Mistakes are bound to happen. We shouldn't jump to conclusions just yet. Besides, there is actually a problem with this murder mechanism.

I'll present it to you in pictures to show you what I'm talking about.

The taped up wrists. This was practically the decisive proof that this wasn't a suicide nor could it have been an assisted suicide. So now that they've introduced a murder mechanism in an actual episode... what's actually the point of the taped wrists in that scenario?

If the culprit used exactly this kind of murder mechanism, then there would be absolutely no need to tape up her wrists together.

Maybe it was to stop Arei from trying to struggle?

Nope. If that was the case, we would've seen much more signs of struggle coming from Arei. There may be scuffs on the ground, but there's absolutely no other form of injury on Arei aside from her broken neck.

Well, I saw a theory where the accomplice was Levi and he could've easily overpower her!

(I believe that was something that @1moreff-creator theorized, if I recall? At least, that was the theory pre part 2)

It used to be borderline possible, but not this time anymore! Thanks to the first two episodes of part 2 of chapter 2, it seems extremely unlikely that Levi wanted to work with the culprit as an accomplice.

Not only because of what we find out regarding his secret, what kind of character he is, but also because of something he said in episode 12.

I don't know about you, but this doesn't look like something an accomplice would say at all, right? If the culprit was someone who didn't have an alibi in the evening, it would be a different story, but the most fitting theory for having Levi work as an accomplice is to work for Eden, who happens to have an alibi in the evening as you already know.

So since we gotta take Levi out of the equation, then we don't really have much other possible candidates who could've easily overpower Arei to the point where taping up her wrists would've helped better on that regard.

Therefore, the most logical solution would be that Arei was knocked unconscious with the turpentine. But since that's the most likely scenario, then what's up with the taped wrists?

If the taped wrists weren't used to prevent any remote chance for Arei to try to get out of this situation, then it must've been used as part of the murder mechanism.

But since the murder mechanism as shown by Teruko doesn't explain the taped up wrists whatsoever, then this becomes a discrepancy. Therefore, that can't be quite the correct answer to solving the how this murder mechanism works.

And since this murder mechanism idea is flawed, it also means that there's no guarantee that the jugs contained fish water inside, they could've simply gathered water somewhere else or perhaps there jugs were already filled with clean water to begin with.

Because this murder mechanism idea is flawed, there's no guarantee that the culprit used this method which required some unknown amount of strength, but an amount of strength regardless (unless the author wants to pass it off as anyone could've done it since it's easier to do it by spinning it, I'm not sure).

Because of that flaw, my theory isn't affected by the murder mechanism idea that Teruko suggested since there is no guarantee that this is the correct answer.

So yeah, there's no problem whatsoever! Also, as far as I'm aware, since the release of the latest episodes, I have a very logically sound reason to explain the taped up wrists as shown in part 5 of my theory.

To give you a small reminder, it was for something like this!

(Whole murder mechanism not properly shown in the drawing because I'm lazy as heck, but just take a close attention to the arms)

By having Arei's arms go between the pillars of the seasaw, you can make it so that she can't get out of it by taping her wrists together, which plays an important role in the murder mechanism. Not going to elaborate further, if you want to know more, you gotta read the big post right there!

And there you have it! Those were the two main concerns that could've negatively affect my theory, but fortunately for me, it doesn't. In fact, it supports it even more than before.

Especially regarding the David / Arei conversation flashback (shown from David's memory's perspective). This conversation told us a lot more between these two, do you know what that means?

That's right! It means that Ace is full of shit! There's no way he didn't hear anything else. The only way he could've not hear anything else is if he gets snuck up from behind and gets knocked out with the turpentine, but it could've easily simply been Ace witholding that information to make David look more suspicious.

Therefore, if he lied about this, he could've also easily lied about when he actually overheard that conversation for his own selfish gains!

There's also a few couple other points that could further support my theory, but I don't feel like going over every single little detail as of now. I mainly wanted to solve these two issues and nothing else.

So, DRDTers, I need to ask you the following : Do you still believe that I am delusional with this overly complex theory of mine? :)

Thanks for reading another one of my big posts, as usual!

Edit : Go read the finale of my theory next, it's worth it!

[shaotie]

masterpost for my rottmnt ao3 fanfics. My bio on ao3.

*I write rottmnt angst. often heavy on the angst and Leonardo-centric.

*Rise of the Teenage Mutant Ninja Turtles art and fics is my obsession hobby. I don't earn anything from this, I just like sharing with other rottmnt fans, enjoy!

I'm not an artist I just like drawing 🙂

**WARNING** most of my fanfics are rated mature or explicit for graphic depictions of violence, discretion is advised, and not every story has a happy ending but I always tag my works on ao3 so you know what to expect.

*unless drawn on paper or otherwise stated, all art and videos are done in Ibispaint, and credit goes to Nickelodeon and the wonderful artists who worked on Rise of the Teenage Mutant Ninja Turtles.

*links below may contain SPOILERS for my fanfics.

* * *

random rottmnt stuff

- When We Were Young (music video based on an ao3 fic, link in description)

- Rise Movie 'What if...?' (portal art)

- "Took You Long Enough" (sad comic)

- Please Don't Go, I Love You So (music video)

- Krangified Leo (Leo's Returning Debut au)

- What's Up Danger (music; rise movie fight scene)

- Leo Wins, Donnie Loses (Brooklyn Nine-Nine)

- April Cheap Thrills (music video)

- A Fishy Situation (comic)

- Leo's Sacrifice Epic Mashup (Death X Kai Theme)

- "Remember Me" || comic || music video || updated video with lyrics

- Yesterday (music video)

- Tag, You're It (music video)

- One Life (music video)

- Insane Inside video (music video - compilation from my different rottmnt aus)

- Gonna Have the Best Night of My Life (happy fun music video 😀)

- My Strange Addiction (music video)

- Leo with hair (Shell in the Cell/Bad Hair Day)

- Leo as Gaston (Beauty and the Beast 1991)

- Vampire Leo

* * *

works published on Archive of Our Own:

You Ruined EVERYTHING! (completed on ao3)

- cover art || summary

The Infection (completed on ao3 )

- summary

Seven Years (ongoing)

- chapters list with links

- my art dump pg 1 || pg 2 (this is where I posted all my Seven Years art)

- Alone in the Prison Dimension - Alone with HIM (comic)

- Cry (music video)

- sneek peek (art plus summary)

- "I'm Doing Just Fine" (music video)

- Nothing's New (music video)

Where Loyalties Lie (ongoing)

- chapters list with links

- my art dump pg 1 | pg 2(this is where I'll post all my Where Loyalties Lies art)

- WLL Leo & LFLS Leo crossover (comic)

- Lots of Love

- "How Long Did You Think We Could Make it?" (music video)

- Cold Boi (ch 61 comic)

- ch 51 The 'Good Little Slave' (art and excerpt)

- 'Just Like You' (music video)

- "I Believe" (music video) (comic)

- "We Can Face This Thing Together" (music video)

- "We Can Face This Thing Together" (comic)

Two Minutes . . . And Counting short story turned into a short series (completed on ao3)

- 'Loss' art (cover picture)

- 'Loss' speedpaint (with sad Rise music)

Alternate happy ending for Two Minutes (first fic in series):

a. Doing the Impossible by DiresNightmare

b. Healing From the Impossible by Shattered_ontheInside (me)

Life: The Ultimate Sacrifice (completed on ao3)

- my art dump

- Let's Be Friends art and excerpt

- Let's Be Friends art (zoomed in on Leo)

* * *

unpublished works that may eventually make their way to ao3.

1. A Ninja’s Greatest Weapon series (complete series but rewriting into my current writing style before posting)

- "Who Said I Was A Hero?" video || comic

- "Does That Make Me Insane?" (music video)

- "Fun" art and excerpt

2. Where You Belong (completed)

- my art dump

- "Red" art and excerpt

[biggie-chcese]

concepts for kurumi wendy gumshoe gabs because why the fresh fuck did they not give her any like actually hey kodaka can we talk-

(rain code spoilers btw)(also gab will stop sounding like a word to you)

im gonna try to structure a kurumi gumshoe gab set but i will not be writing the conversations out bc im sorry girl but 1. im not obsessed with her enough to basically write a fic and 2. i think the conversations would still be comparatively dull due to yuma's function being "the normal one" to contrast the rest of the kooky cast and kurumi's function as essentially the same thing but also as a love interest and exposition dropper. but i still wanna at least give a model of what her conversations would be like for funsies. I'll be mixing what i think would realistically happen if they gave her gabs and also what i think should happen. alright let's get started

first off, obviously they shouldnt be available until after ch 2. maybe in ch 3 you get a new gab page and yuma can start finding new gabs out in the overworld (what sort of gem color would she have??? jade? is that too close to vivia's emerald? i dont wanna say some shit like rose gold). im not coming up with locations and hints sorry idc that much.

GAB #1

the first gab is them jumping over the hurdle of "wait we don't really have much interaction besides investigating murders and blushing dumbly" which is primarily what irks me in the game's efforts to push her as a love interest. at least let us watch yuma spend some god damn time with her holy shit WHYYY doesn't she have any fucking gumshoe gabs I'm going insa-

erm anyway let's make em have a casual talk abt something. yuma would probably start off like "this is the first time ive really been alone with kurumi ahh i dont know what to say this is awkward ahhhh" and shinigami gets rightfully annoyed with his cuckly behavior. but in an effort to save the awkwardness yuma asks her about her work as an informant. i think she'd enthusiastically spout off about it and how her grandfather inspired her (though keeping it vague because i think she could save more talk of missing family members for later). maybe she talks about her first forway into her informant work and a certain mishap that occured, yuma has to guess what happened bc she's a little embarrassed about it (this is whwre the dialogue options come in). but it's completely harmless. maybe she got spotted by the person she was tailing and then got a slap on the wrist and sent home. yuma finds it a little endearing, shinigami gives the bond level up message, and there. solid conversation. next

GAB #2

yuma asks her what exactly got her so interested in detectives. did she read heroic novels about them? did she see their noble efforts in the headlines? was she personally saved by one? the possibilities are endless and could all be answered here. actually lets have her teasingly make yuma guess here. poof, there's your dialogue options.

maybe she can even have a little kookiness as a treat and accidentally let the true nature of her admiration for detectives slip for a moment where it pretty much crosses the line of "that's a bit creepy". not towards yuma but still something a bit off putting like obsessively keeping track of her favorite detectives' activities or having information about their personal lives she absolutely shouldn't have (informant + proud participant in WDO stan culture is a dangerous combo) but she also misses doing that because now kanai ward is isolated. yuma could also be like "wait isnt what you were doing then a bit too much?" but it gets dismissed by shinigami telling him they levelled up their bond

Threeeeee!!!

this one should be about aiko methinks. yuma catches kurumi in a down mood and asks what's up and it goes from there. she gives us more detail into her friendship with aiko and maybe she could even actually acknowledge the deaths of those theatre club girls and mention how chillingly quiet the club has gotten. she tells yuma that she tries not to think about it, but the empty space they left behind is immense... yuma's dialogue choices may be to try to cheer up/comfort her. thank you, next

4

perhaps now she can talk about her grandpa (and also maybe drop how that home situation is cause girl where are your parents). she could talk about her mission in finding him cause he must be out there!!! somewhere!!!! this shit could be sentimental or smth. she could say something about kanai ward's nearly extinct species of people who are still fighting for the truth and how even when things are dangerous she remembers that no one else will do it so she's gotta step it up. she'd pivot that over to saying how glad she is that the master detectives are here bc of that, and yuma could have dialogue options where the correct choice is basically saying he admires her for that. idk. next

The Fiverrrrrrr

final gab. i was gonna be funny and say "probably another love confession like fubuki's and then yuma hits her with the nuh-uh" but due to the nature of the epilogue i actually dont think it does exactly that. maybe kurumi is stuck on a small, separate thing she's investigating and she summarizes what's up. i think it could potentially be a more personal problem or at least something she can connect to (another girl in school missing a family member? idk) so that it's a bit obvious she's more frustrated in not finding any leads. yuma helps her out a little in finding a lead (this is where the dialogue choices come in) and after thanking him, kurumi is like "y'know, we make a pretty great team" (flirting, but yuma doesnt read it that way.) shinigami groans and maybe even fusses about how she's yuma's partner but this goes ignored. and of course yuma's dense ass is like yeah i think you have the makings of a great informant and detective and he essentially coworker-zones her. kurumi then asks about how they could still maybe possibly work like this together perhaps maybe 👉 👈 🥹 after solving kanai ward's ultimate secret and yuma happily agrees. this will make his choice in the epilogue to fuck off to florida without much of a goodbye even funnier.

anyway thats it for my kurumi gumshoe gabs thanks for reading

[yuseirra]

ONK theories: how the ryosuke incident played out & the character's motives/about how the manga will go

ONK SPOILERS CH 155 and beyond:

To get straight to the point, I've correctly guessed all the key elements of the latest chapters of this manga. I'm quite confident in my abilities, so keep making posts about onk... I should stop.. I'm nervous talking about work that's still in progress but well!!! When will I be able to do this again!!

Although I'm usually terrible at solving mysteries and just watch while going "Oh~ Oh~," this manga is more about emotional analysis than deduction, so I've been able to guess a lot of the major points correctly.

Here's what I've guessed right:

Aqua has romantic feelings for Kana.

Ai liked Kamiki quite a lot and was considering him in her future plans.

Kamiki wanted to take responsibility for the children, but Ai hid and disappeared to protect him and avoid burdening him.

This process likely occurred unilaterally without Kamiki knowing about Ai's feelings and circumstances.

I got all of this right. There are some minor differences in the details. Ai didn't just like him quite a lot, she loved him deeply and informed him about the pregnancy (though she said it would be difficult to keep the baby), and they broke up after that.

Having guessed these things consecutively, I have a good sense of what these characters' personalities are like and what actions they'll take, so I'm motivated and have been continuously writing about it. I'm quite confident in this area.

Previously, I wrote a post about something odd during the dome performance celebration incident, but I didn't consider Nino at that time. Even then, I felt that Kamiki didn't seem like the culprit.

Please read that post first, as I plan to continue writing from there. I'll put the rest in the read more for viewers who scroll past!:

In that post, I focused on three possible scenarios.

It’s true that Kamiki leaked the address to Ryosuke. That isn’t a lie, and that character probably believes he is responsible for Ai’s death because of it. So, with that as the baseline, I came up with three possibilities:

If Kamiki and Ryosuke weren’t acquaintances from the start

If they were acquaintances and went to the hospital for Ai’s delivery with a common purpose

If they each had different purposes but met near the hospital on Ai’s delivery day and became acquaintances then.

Except for the first case, the assumption was that the "middle school boy" near the hospital on Ai’s delivery day was Kamiki. However, with Nino entering the picture, I started to think it might have been Nino who was near the hospital.

Therefore, I think it’s most likely that Kamiki is case 1.

There are reasons why it isn't case 2, which you can see if you read the post. Even if it were case 3, I concluded that Kamiki likely had no intention to harm Ai.

So, why do I think it’s most likely that Ryosuke and Kamiki weren’t acquaintances?

If Ryosuke, Nino, and Kamiki are connected in some way,

the one most likely to be acquainted with Ryosuke is Nino.

Ryosuke is a big fan of B-Komachi and Ai and even personally handed over stardust sand at a handshake event. If Ai remembered him as a fan, he must have been either extremely enthusiastic in his activities or conspicuous in some other way. Given Nino’s interest in and jealousy of Ai, it’s highly likely she took notice of Ryosuke.

If Nino found out that Ai planned to have babies, she might see it as an obstacle to Ai’s career as the perfect idol. So, she could have coaxed Ryosuke by revealing this information and formed some kind of collaboration.

From my perspective, Kamiki doesn't seem like the type to have any aversion to the idea of having children with Ai. Even if he thought Ai left him because she got pregnant, she told him she wouldn’t keep the babies before leaving. So, if he later found out that Ai did have the babies, his reaction would likely be one of confusion or curiosity rather than dislike. Something like 'Why did she have them when she said she wouldn’t?' And then, I think his reaction would go beyond surprise to possibly even happiness.

The character’s attitude towards the main characters, the twins, is pretty tender. Even if you assume "Mephisto" is his song, he calls out to the children telling them to come after him. He shows no signs that he intends to harm them. It just makes sense to me that he does care for Ai and his twins. They're his kids too. I keep talking about this, but Kamiki's said he was glad Aqua got to meet and talk with him in 153 and it makes sense given this character’s past personality that he has a father's heart. What he says seems genuine.

Nino is different. Nino cares about Ai, but I don’t think she has positive feelings about Ai’s babies. The whole group went on hiatus because of those babies (which made Nino realize the group revolves around Ai). Ai not only focuses on being an idol but now has something else to focus on because of them. To me, it seems Nino not only hates Ai but also desperately wants to preserve Ai as an idol. She doesn’t want that image to be tarnished at all. If there’s something that threatens it, she might want to remove it. The issue is how extreme she would get. If Nino knew about Gorou’s death, she would realize that someone died because of her actions, which could lead to her breaking down. That could have caused her to act out even more. Nino’s mental state, based on the few panels we’ve seen, seems really unstable and destructive.. the way Ryosuke's been.

When Kamiki and Ai were dating, he didn’t show any signs of being obsessed with Ai’s idol work, like saying, “Wow, you shine so brightly, I want to preserve that image.” At least, based on the movie arc, he seemed to have had a normal relationship with her, aside from his terrible life circumstances. I'm thinking he changed to his current ominous self after Ai’s death. Up until just before they broke up, he seemed fine. There wasn’t a big difference from when he was younger.

The "IDOL" song was a spoiler. It had the stance of, “Our invincible idol Ai, I’ll protect you no matter what. I can’t forgive you for being less than perfect, and I can’t forgive myself either for being this way.” That perspective came from a fellow member. That’s why Nino, who is obsessed with Ai’s "perfection" and would be hostile or at least unkind towards the hidden "children," fits this profile.

For these reasons, I think it was Nino who was at the hospital and collaborated with Ryosuke.

Did she really intend to go as far to harm Ai’s children in a physical sense? That, I don’t know yet...

And then the first attempt failed; Gorou died.

Ai returned to her activities, hiding the existence of the children and doing well. Perhaps, that led Nino to think, "Is this enough...?" and kept low for for 4 years. She had her own career going too and if Ai was performing beautifully, there wasn't a need to take more action.

But then Ai tried to show the babies to her boyfriend... If things had gone well and Ai and Kamiki had become close and interacted well with the children, Ai might have even tried to reveal everything... Maybe Nino wanted to prevent that from happening.

Looking at chapter 132, which shows a glimpse of Nino's insanity, it seems (surprisingly) that Nino didn't want Ai to die either. Ai was very significant to Nino, right? She hated her, was jealous, and wanted her gone, but didn't actually wish for her to die. If someone like that disappeared, it would feel more than liberating; it would feel empty. Nino doesn't seem all that sane. For this character, Ai became an obsession at one point, and losing Ai meant losing her "idol". Kamiki, on the other hand, while he also idolized Ai to some extent, speaks as if he understands that Ai was just an ordinary person. To him, Ai was the love of his life and partner. He liked her differently, not just as an idol to be worshiped.

Nino probably coerced and used Ryosuke again, giving him a knife to scare Ai, which led to her death, resulting in Nino's "regret." Maybe she even arranged for Ryosuke and Kamiki to meet? That bouquet of flowers...; I mean, could it be that Kamiki really asked to deliver flowers to celebrate the dome performance? If Ryosuke was introduced to him as Ai's fan by a B-Komachi member, Kamiki could've just lent the flowers to him to pass it on his stead. Isn't that possible? Am I thinking too optimistically? But it's not because I like Kamiki's character that I interpret it this way; (if he's the one who killed Ai, I'm ready to grab him by the collar and spank him anytime) it's just that his personality shown around that time doesn't fit with him intending to "scare" Ai. He's too mild..;

I can't quite guess how Kamiki and Nino, or Ryosuke and Kamiki, met.

I think it's more likely that Ryosuke and Kamiki met shortly after Ai’s phone call. Honestly, I can’t really picture Kamiki and Ryosuke being long-time acquaintances. What would they do together? Is there anything that would keep them in contact? Meeting his girlfriend’s hardcore fan—what’s the point? It would make sense if Kamiki had the intention to harm Ai, but I believe Kamiki when he says he didn’t actually think Ai would be killed. This seems true to me. I don’t think he could have imagined that the person who killed Gorou wouldn’t kill Ai. Up until that point, Kamiki was probably still relatively gentle. He hadn’t darkened yet.

We need to look at Kamiki’s personality. Even when someone like Airi, who exploited him, died, he was mentally distressed. The timing is a bit tangled... thinking about it, did that happen after the main characters were born? I think this guy was simply... entranced by Ai? As Aqua says in the very beginning (chapter 2), he’s like a moth drawn to a flame, unable to stop himself even as his wings burn and he falls. He seems to genuinely like Ai a lot. He probably blames himself for her death and can’t stop. Omg I just noticed, Aqua’s line is strikingly similar to what's described in "Fatal"...

Kamiki and Nino seem to cooperate, I think their common goal is related to Ai.

After meeting with Ruby, Nino says that no one can surpass Ai, not even her daughter, and she wouldn’t accept it.

In contrast, Kamiki was actually happy when Ruby showed the potential to surpass Ai. He was disappointed when he thought she just wanted to resemble Ai.

From this, it seems they both do want to find someone who can surpass Ai.

Nino can’t accept such a person, but does Kamiki feel the same way? If so, his reaction to Ruby should have been different. I think their intermediate goals are the same, but they might want different outcomes.

I suspect that Kamiki is searching for someone who can replace Ai to offer as a tribute to a "god." Thinking that he simply can't accept someone surpassing Ai and kills them seems too simplistic given the songs. The songs clearly express the desire to find a way to fill the "Lack of AI" (absence of Ai). The songs really seem to reflect Kamiki’s feelings. He is looking for a way to revive Ai or at least meet her again, and there is likely a character in the story who can make that possible. In a world where gods can reincarnate souls, there would be someone with the persuasive power to claim they have such abilities, whether it be real or just a mere taunt.

Ruby is the one who showed that potential, but considering that Kamiki just passed by Ruby in chapter 155, it doesn't seem like he would harm her. I closely examined chapters 153-155, and no matter what, he doesn’t seem like a crazy person who would harm his own daughter for the sake of his wife/girlfriend. If Ai hadn’t died, he would really have been the kind of person who could have raised the children with her as she envisioned. After Ai's death, he strayed off and is now firmly on the wrong path. That’s probably why Ai asked the main characters to help him, she knows what kind of person he originally is.

Continuing on, "stars" are likely the "gods" of this universe. The black star is a "god who loves absurdity and irrationality" and probably possesses great power but demands a high price in return. It seems that Kamiki is influenced by that.

In the anime, Akane's star eye color is different. That might be because it's an imitation. The humans truly inhabited by gods are different. Ruby, Aqua, Kamiki, and Ai are likely to have something inhabiting them.

The white star and the black star may each correspond to the "god who loves humans" and the "god who loves absurdity and irrationality" mentioned in chapter 144. The line "キラキラお星様宿したあなたのeyes(Your eyes with glittering stars in them)" in Fatal’s lyric could imply that Ai may also be a person inhabited by a star=god. Pay attention to the word "宿した" in the lyrics. The original Japanese lyrics can be translated like this: "your eyes that the sparking star that dwells within"

宿した< I looked it up, and it can be translated as "bears" or "conceives" "dwells".. it seems like a "star" was blessing Ai, it lived in her as she was alive (the fact that there's a "god that loves humans" oddly works with how Ai's whole life was about loving, too..)

Coming to think of it, didn't this manga start with a disclaimer that "this story is fiction"?

Then, is this manga in fact a stage meant for the gods?

Wow, and I JUST noticed as I went back and checked, the first scene of chapter 1 has the exact same quotes compared to what Kamiki says in chapter 153.

Fiction being "Fabricated, exaggerated, and everything inconvenient being completely concealed".

But Aqua rebuts him saying what he's made isn't one:

With the basis being Ai's love was genuine and therefore "true".

I have a feeling that the conclusion of this manga might be something similar.

It might be that everyone is like pawns in the game of gods, but the sincerity within them is all genuine.

The development is somewhat ambiguous... but this manga is definitely well-structured. There are certainly a lot of hints, and I see that things mentioned in the very beginning are being brought up again in the latest chapters? Still. So, looking at the bigger picture, maybe we don’t have to worry too much.

There's no new chapter this week... I backed up some drawings on Pixiv without knowing about the break. If I had known, I would have drawn a bit more before uploading... ;v;) well, it'll have to do!

Maybe now is the time to really sit back and watch patiently.

If things go the way I think they will, I can draw a lot more stuff, so I wonder how it will turn out...

The songs are definitely spoilers, for one thing.

They’re definitely related to the development of the story. It feels like they’re spoon-feeding us, but I'm not sure what exactly they’re spoon-feeding us. The creators seem to have a lot in mind.

[bon-is-gone]

Spoilers for the new danganronpa despair time episode Ch 2 episode 15

.

.

.

.

.

.

.

Okay I know I KNOW this might sound insane but hear me out.

What if, and this might sound like I'm grasping at straws (which I am), Ace somehow SURVIVES his execution? In my opinion, Ace hasn't really been explored ALL THAT MUCH (even tho yes he did have his epic moment in this episode which I think is really good!) I just think that maybe we could have him made atleast an actual relationship with someone other then Levi since it then was revealed that he didn't care about literally, anyone? I mean even Arei managed to make some friends (Eden specifically) And since no one cared about em back then, maybe if Ace somehow survived his execution, the characters would care more about him?

Not that the reveal of him being the blackened was bad or anything! Also, writing characters and stuff is hard! I know that from first hand experince since im making a series of my own (atleast trying) I just wanted to have his character be explored more, ya know? Plus it would be a cool twist since I don't think I've ever seen a character survive their execution (Minus in the First official danganronpa game where Makoto survives his execution. That's the only one I actually remember tho.)

STILL LIVED THE EPISODE THO, REALLY GOOD WORK 👍

[duchessonfire]

Savior Carl!AU re-read Part 1 Chapter 3

Follow-up of my re-read of Part 1 Chapter 2. If you're not interested and don't want to have your dashboard spammed, you can block the tags Duchess reads and Savior Carl AU reread.

Commentary for Part 1, Ch 3 below the cut (spoilers for part 1 ahead):

Fun fact: I used to hate the title of this chapter ("Wives and candy"). When I was writing part 1 in 2021, I wrote this title as a placeholder on my word document because I figured I'd think of something better down the line. Then, when I finished the chapter and was ready to post, I had not, in fact, thought of something better. So I just added it as the title chapter but I hated it. All the other chapter titles came to me very easily and were super evocative: "I'm Negan", "The hard way is the only way", "Don't stop until you see blood". All of them were direct quotes from either Carl or Shane so they felt very poetic to me. And then... there was "Wives and candy". Definitely the odd duck of the bunch. In fact, I remember changing it to something else soon after posting (it was 4 years ago so I don't remember what it was) and then still being dissatisfied so I just changed it back to "Wives and candy".

The thing is, this chapter really is about wives and candy. For all that I dislike the title, it works because its simplicity encapsulates what this chapter is about: rewards.

Negan sees the wives as rewards. It might sound obvious but it's something that always strikes me when I rewatch "The Cell" episode (7x03) where Negan tells Dwight he's been doing a good job with Daryl so he tells him to pick any wife he wants to spend the night with as long as she consents to it. This scene is always mindboggling to me because Negan is so deeply possessive and territorial that it feels almost OOC. He gets so angry when he and Amber talk about her cheating in the "Sing Me a Song episode" (7x07, aka my fave episode ever, aka the single greatest thing to have ever happened on tv). He talks sweetly to Amber, up until that moment when he reminds her the wives aren't allowed to cheat on him, and you can see his barely restrained rage. For a while, I had a hard time reconciling those two aspects of him, that someone so possessive could so casually offer his wives to a soldier as reward. Until I realize that Negan doesn't really see the wives as people, but as objects that are his to share as he wishes. What bothered him about Amber cheating on him wasn't that she slept with another man, but that she did so without Negan's permission. Negan doesn't really have any feelings for the wives. He can be tender with Amber, and there's definitely chemistry and maybe even understanding with Sherry, but it's all extremely shallow and superficial. He doesn't love them, doesn't care for them, doesn't do much other than provide them with luxuries. At the end of the day, the wives serve a purpose: to be warm and nice bodies for men to escape reality in. It's what Negan himself does (he tells Eugene in 7x11 Hostiles and Calamities that there's nothing better than conversation with a nice-smelling woman to make him feel like a man again) and it's what he offers Dwight. And in chapter 3, it's what he offers Carl, first by sending the wives to keep him company, and then by literally offering Carl to have sex with one of his wives as reward for saving his life.

Chapter 3 is Carl's first introduction to Negan's harem. He knew of the wives before, but he had no interest in them (he doesn't even recognize that Tanya is a wife at first, because the wives stay in their apartments and rarely mingle with the other people of the factory).

even before getting shot he never paid too much attention to the wives. He’d learned what he could about them, just as he had with everyone else in the Sanctuary, but he’d never pushed it past names and previous occupations. The role they play for Negan makes him uncomfortable, like something deeply private that should be kept secret instead of being paraded around for everyone to see. Carl isn’t stupid, and he isn’t ignorant. He knows what sex and love are. He’s seen it with his mom and Shane in the beginning, and he’s spent half of his adolescent life with Glenn and Maggie, and not so long ago, he saw Shane trying to put on his best face for Jessie, back in Alexandria. But Negan doesn’t act with his wives the way Glenn or Shane looked at women like his mom, or Maggie or Jessie. It isn’t love, it’s possessiveness, and probably something more physical that Carl just avoids thinking about.

This whole chapter is about Carl's relationship to women and to heterosexual relations, the weight that they carry and how they affect the people around him. It's why this part of the chapter is so focused on female characters and, more specifically, their influence on the male characters. The flashbacks are about Jessie and Shane. Carl dreams of Beth. He interacts for the first time with Sherry, Tanya, Frankie and Beth. Sherry, especially, makes an impression on Carl.

Carl at this point of the story is so sexually repressed he's bordering on asexual. It's something that I explore more in part 2, but having to grow up in the apocalypse, being isolated from anyone his age, and being constantly focused on survival has emotionally and sexually stunted Carl. He's 18 but has never had more than puppy love for Beth (and it's no coincidence that this happened when his mom was still alive and he still felt reasonably safe to act like a kid). And yet, in spite of this, Carl notices how sexual feelings affect Shane when he meets Jessie. He sees it again in the infirmary, when literally every man around him is sexually attracted to Sherry (Negan, Shane, Carson and Joey the Savior). He's both highly aware of people's sexual desires and completely unaware of his own.

Which leads to one my favorite things about this chapter, and something that still haunts Carl even though he never allows himself to think about it: how Negan views women.

One night, after spending the whole day with nothing to do but watch Amber cover every single one of her finger and toe with nail polish, Carl dreams of Beth, Jessie, Enid, Rosita, Sasha and Maggie, all watching over him in black dresses and heels.

This one short passage encapsulates so much about Carl's feelings in this chapter. It shows how aware Carl is of Negan's predatory instincts toward women (but also toward everything and everyone else) as well as his (very founded and justified) fear that Negan's hunger for power and conquest is endless, that he will marry every single woman Carl has ever met, dead or alive, that they will all join his harem and don the wife uniform. It's a scary vision and it's one that becomes likely the more he knows about Negan's far-reaching empire.

During the whole chapter, Carl is haunted by the wives' smell and their flowery perfume. So far, Carl has mainly been in contact with Saviors and workers, but his convalescence is his first time being in contact with the wives' lifestyle: how clean they are, how impractical their clothes are for the apocalypse, how their days are spent in leisure doing nothing but read and paint their nails. It shocks him, and while Negan sees the wives as a distraction for Carl in the infirmary, something to make his stay there more pleasant, like the soda cans and candy bars he sends to Carl's bedside, to Carl they are a burden and an uncomfortable reminder of his own disabled state. In fact, getting away from them as quickly as possible is a big incentive to him speeding up his recovery. None of the women Carl has been around before were like the wives. Maggie, Sasha and Rosita are all fighters, trained for survival like him. In a way, they are similar to female Saviors like Arat or Laura. But the wives are presenting Carl with another path to survival that he never considered, one where their skills are applied in the bedroom rather than in the wild. This harsh reminder of the sexual world of Sanctuary - Negan's sexual world especially - is not a pleasant one for someone as sexually repressed as Carl. And yet, it's a world that will change him irremediably.

I was so excited to write about Carl and Sherry's first meeting. While Carl has never thought about Sherry other than in passing when he heard about her escape with Dwight, Sherry has obviously been thinking about him:

“He likes you,” she says as she reshuffles the card.  “Carson?” The corner of her mouth lifts up, like they just shared a secret joke. “Negan,” she corrects. Carl frowns at her, and she elaborates: “I heard what happened before you got shot, at the market and then in the Saviors’ mess hall. He likes you.” Carl snorts. “He keeps threatening to kill me whenever I piss him off.” “And yet, he hasn’t.” “Not so far.” Sherry places her cards in neat row on the covers. “He’ll hurt you, you know?” Her voice doesn’t waver, still perfectly even, like they’re just talking about the weather. “That’s what he does to the people he likes. He hurts us to see how much we can take. It’s his idea of fun.” She’s right, he knows that. He has seen it first-hand, the way Negan keeps taunting him, humiliating him, pressing Lucille on top of his shoulder, knowing exactly that every time he does, Carl keeps seeing Glenn and Abraham’s bloody faces. And yet, it irks him to have Sherry say it out loud, as if someone else acknowledging it makes it worse. “He hasn’t done anything to me,” he points out, because it’s technically true. “Not so far,” she replies, her eyes never leaving the cards, a dam of paper delicately erected between them.

Sorry for quoting this entire dialogue, but it means so much to me. Sherry is the first person in Sanctuary to see Negan's interest in Carl for what it is: dangerous. Sherry knows Negan more intimately than most, is probably closer to him than anyone else, as was made abudantly clear in 7x07, and she knows better than anyone that Negan's interest in Carl can lead only to disaster (while people like Carson see it as an honor). It's the first time anyone has talked to Carl about something that he has noticed himself - how interested Negan is in him, how the close interactions between them deviate from the norm - but that he never wanted to dwell on. She recognizes the cat and mouse game that Negan is playing with Carl and tries to warn Carl, but at this point in the story, Carl is not ready to hear it. If anything, he's upset that Sherry would remark on it, which is something that reflects the downward slide that Carl is on. He knows that Negan is "bullying" him (that's how Carl views Negan's interest in him) but he feels protective and possessive of that bullying. This Carl is starved for attention, the attention that Shane gave him unconditionally when he was a child, the attention that changed and became abusive when Shane was training him after his mother's death, the attention that started to shift away from him when they got to Alexandria, only to be given sparingly when Jessie wasn't around, and that finally vanished completely once they joined Sanctuary. Shane has done nothing but isolate Carl from the people around him, making Carl dependent on him for any kind of attention. Unbeknownst to Shane, however, Negan has been watering Carl's withered garden (little Queen Charlotte reference for any Bridgerton fan).

I could go on and on about this chapter and all it means to me despite the really bad title, but this post is far too long already so I'll wrap it up with this:

“I’m sorry, does this look like a fucking resort to you? Do you see me sipping Mai Tais on the beach? Yes, work. I’ve invested a whole lotta time and resources in you, kid. I expect it to pay off. So from now on, every day from noon to sundown, you’re gonna be my assistant. You’re gonna follow me around, watch, listen, learn, and generally do whatever the fuck I need you to do. And don’t expect to sleep in in the mornings. I want you working on your aim every second you’re not with me. First with those darts I generously provided for you, then with a gun aimed at dead ones in the courtyard, until I feel confident that you can leave the Sanctuary without shooting someone in the ass. Anything you wanna add to that?” Negan’s tone doesn’t suffer any objection and to hear him have so much faith in Carl’s ability to get his aim back is entirely unexpected. “I… No, I – it’s just I thought you were gonna send me away.” “Send you away? Kid, I don’t know what kind of crack-head-level, bullshit-inducing drugs Carson’s been feeding you, but you ain’t going anywhere. What makes you think otherwise?” Carl looks away, suddenly self-conscious. “It’s – I mean… I just thought – with the eye, you know.” Negan’s surveys him with his piercing gaze for a moment, before his expression turns softer. His tone when he speaks is understanding: “Carl, I’m not sending you away. Like I said, I’ve invested in you and I plan on having you around here for a long time. So you’re stuck with me, kid.”

On top of having one of the greatest lines Savior!AU Negan has ever said (I've never had a Mai Tai, but boy do I want one now), this scene lays the groundwork for everything that will happen after. The eye changed everything for Carl. It made Shane abandon him but it made Negan more interested in him than ever and, in turn, it made Carl's allegiance shift from Shane to Negan.

Conclusion; tldr: Chapter 3 is Carl's introduction to the world of the harem. He's sexually repressed so he doesn't realize that his discomfort of the wives is already rooted in jealousy. The wives, and especially Sherry, represent a world that seems wondrous to Carl: one filled with leisure and luxury and comfort and, most importantly, Negan's attention. By taking a bullet for him, Carl bought himself Negan's gratitute, a very rare thing that Negan tries - and fails - to reward with material objects (candy, sodas, sex with the wives, comic books). Negan is desperate to repay Carl for what he did, not knowing that the one thing Carl needs most of all is what Negan is already giving: his attention.

[unluckycryptid]

So two new updates regarding the Rise of Red!Miraculous Ladybug AU fic

-

If you haven't seen it yet, I posted Ch 5 of The Wonderous Adventures of Ladybug and Chat Noire! Check it out below.

Summary:

“My Lady… please,” Chat Noire begged. The heroine in front of her stopped walking but stayed facing forward, her face obscured from Chat Noire’s line of sight. But from where she stood, she could see as Ladybug shook her head, her partner’s hands clenching and unclenching at her sides. “Chat Noire, I- I can’t,” said Ladybug, her voice cracking ever so slightly that Chat Noire would have missed it if it weren’t for her hearing. Before Chat Noire could push any further, Ladybug grabbed her yoyo and swung off, her message clear: don’t follow me.

I also wrote a companion piece to the chapter and posted it separately as a two-shot! Check it:

Summary:

Companion piece to Ch 5 of The Miraculous Adventures of Ladybug and Chat Noire explaining what happened to Red in her encounter with Chat Blanc, and how it all came to be. Ch 1 - The Encounter (Version 2.0) Ch 2 - The Incident

~

Check out my Chapter Notes for all three chapters below!

Warning: Spoilers

Author's Note Before I put up the Deleted Scenes:

So, I originally posted everything on pretty late on Oct 31st in order to get it all in for Whumptober. I woke up the next morning and read it before I went to work and then decided that I hated it in a way that the original ending was cornering me and would have had me deviate from my overall plan for the main story. I decided, alright, I'm just going to delete the whole two-shot and spend some time fixing it to better align with to the main story's future and motivations.

For those of you wondering, what could I possibly have written to cause me to delete the first version? -> I had Red kill off Chat Blanc of the alternate timeline.

It was great for Whumptober, but would require dozen more chapters of main timeline!Red overcoming that trauma which... I only have 12-13 chapters planned for this story and we're already on Ch 5. Plus, I wanna do a reveal and post-reveal stuff within those 12-13 chapters so... yeah I'm already running out of time with that.

But overall, the whole writing process was pretty rough, ngl. In context, I wrote three chapters in the time it would take me to write one chapter, and each of the three chapters were fairly lengthy for me. And I had to make sure all 3 chapters had to intertwine together.

I always knew I was going to have the Aftermath chapter in the main story. As for the Encounter and Incident chapters, it was originally going to be all one chapter, but it got wayyyy too long for my taste so I ended up splitting it into two separate chapters and then posting it as a two-shot.

I also had to make sure that each of the chapters' motivations flowed into each other. It was kind of difficult since I wrote Aftermath first, so I had to backtrack and figure out what scenario would those memories come into play during the Encounter chapter. Incident also had a bunch of problems considering how the first draft of it that I wrote, while good, didn't follow the motivation for either Aftermath or Encounter, so I had to keep rewriting it until it all worked.

And like I said, I wrote the last scenes of Encounter the day I posted it and then I posted it... bruh never doing that again. I definitely should have sat on it a little longer but rewriting it with a bit more time makes me more confident in it as a chapter now.

I'll post the deleted scenes across the three chapters below. Most of them are going to come from The Chat Blanc Incident. I'll post the Version 1.0 on a separate post since this will get too long.

Read The Encounter Version 1.0 Here

-

Deleted Scene 1 - The Encounter - First Meeting

“Chat Noire, what happened here? What happened to you?” Red asked. 

The girl in white ignored her question in favor of stepping into Red’s personal space, intrigue in her gaze. Before Red could step back and ask about the sudden proximity, the other girl reached out and cupped a hand around Red’s cheek. Red watched as the white clawed hand softly grazed her cheek, the other girl pulling her hand back as soon as it made contact, a look of wonder and disbelief dawning on the girl’s face. 

“So you’re not just one of my ghosts haunting me,” the girl in white chuckled in what sounded like relief. 

Red only looked at her behavior in bewilderment before the girl stopped and switched her tone to an interrogatory one, “You’re not supposed to be here. How are you here?”

Red hesitated. Despite the fact that her partner was someone she would trust with her life, just one look in the other girl’s eyes told Red that she shouldn’t say anything about Bunnyx and his portals in time. 

“It doesn’t matter how I’m here. I just need to know what happened, Chat Noire, both to you and to Auradon,” said Red, “I want to help.”

The girl narrowed her eyes at the red and black superhero. “You’re not My Lady, are you,” she stated, “Or else you would remember what happened.” The bitterness in the girl’s tone sent chills down Red’s spine. 

“Chat Noire…”

“Please, it’s Chat Blanc now,” the girl in white—Chat Blanc—corrected.

-

Deleted Scene 2 - The Incident - First Betrayal

“Red, how could you?” the heartbroken voice of Chloe asked, tears streaming down her cheeks as a pair of Card soldiers held her down on her knees. 

“No, Chloe don’t listen to her. Please believe me, I didn’t know anything,” Red begged, dropping down to her own knees in front of the blue haired princess. She reached out to cradle her girlfriend’s face, but the girl flinched as far away as she could given her restrictions from Red’s touch.

“Oh, come now, daughter, you needn’t keep acting. Your plan worked as you said it would. Though it was a bit convoluted if you asked me,” said Queen Reina Hearts of Wonderland as she inspected her nails with disinterest from her throne on the stage. 

All around them, the aftermath of chaos remained. Family Day had come around and Red’s mom had made an unexpected appearance. Although Red had been taken aback by her mother’s unannounced presence, she was even less prepared for the moment her mother had interrupted the Principal’s Family Day Speech by tossing a deck of magical cards in their air, infecting the unfortunate few that were touched by them, some being the Card soldiers they had previously faced, thus revealing her identity as the Card Queen. 

Before Red or Chloe could even think about transforming into their alter egos, the Card soldiers had grabbed Chloe’s mother and held her hostage, forcing the two heroes to surrender. Once it was clear that neither Red nor Chloe would fight back, the Card soldiers surrounded the blue haired princess along with the rest of the civilians not infected by the cards of the Card Queen. However, they left Red un-surrounded as the Queen of Wonderland marched up to the stage, declaring loudly at how proud she was of her daughter. 

“What plan?” Chloe demanded in a low growl, betrayal laced her in gaze. 

Before Red could answer, Reina spoke for her, “The one to acquire your miraculous, of course.” She said as if it were an obvious fact. 

“No! Chloe-”

“And imagine to my surprise when she suggested that we could also get vengeance on dear Cindy over here at the same time,” continued the Queen of Wonderland as though Red had never spoken. 

“Reina, you let my daughter go right now. Your quarrel is with me,” Chloe’s mom—Queen Cindy—urged from her spot, also in the same position as Chloe though she had been taken off to the side of the stage. 

Reina glared in her direction and waved a hand. At the motion, the General Jack of Diamonds, who had been holding Cindy down, struck her in the face. In response, Chloe screamed and thrashed uselessly under the grip of the Card soldiers holding her down. Red attempted to run to Chloe’s mom’s aid, but was stopped by the Jabberwocky landing in front of her.

The Queen of Wonderland rolled her eyes and continued addressing Chloe, “She revealed her identity to me as soon as she got her miraculous, telling me that she had a plan to make me proud. A plan that would allow Wonderland to take control over all of Auradon.”

“That’s not true!” Red yelled desperately. She was abruptly cut off by the feeling of something covering her mouth and pinning her arms down to her sides, but when she attempted to turn to see her assailant, her eyes met empty air. Nonetheless, the force persisted and she could feel breathing behind her. Red’s eyes widened. It was the Cheshire Cat. She realized in horror that to everyone else, it looked like she was just idly standing by, watching the whole thing.

“I will admit, it took me by surprise that she was admitting to being the pesky, newly debuted ladybug hero that had foiled my plan as the Card Queen, but after I revealed such the fact, she asked me to keep playing the role for her plan to work,” the Queen of Hearts gloated falsely, “I agreed, of course. I trust my daughter completely. She had finally told me it was time to make our move once she revealed that she finally had your complete trust, going as far as to pursuing a relationship with you to do so.”

Red tried her best to fight the grip of the Cheshire Cat on her but it was no use. Her mother decided at that moment to descend from the stage and stand directly in front of a helpless Chloe who had no other choice but to look at her.

The Queen sneered as she crouched in front of the blue haired princess, “Did you really believe that my daughter could ever love someone like you? The daughter of the commoner queen? The spare heir? The mere sidekick of your little duo?” 

The Queen reached out and grabbed Chloe’s chin, satisfied at the tears streaming down the girl’s cheek. 

“You and your filthy mother will get what you deserve, thinking you had a chance to stand with the rest of us,” she sneered before her expression changed to a one of consideration, “Though perhaps not all is lost with you. Perhaps you can be deserving of my daughter’s love after all.”

“What do you want from me?” Chloe spat. 

Reina grinned wickedly, “Call upon your transformation and let me make you one of my Card soldiers,” before Chloe could voice a rejection, the Queen turned her head towards the direction of her mom’s captivity, “or else.”

She released her hold on Chloe’s face and stepped back, waiting for the girl’s next move. Naturally, Chloe’s eyes wandered to Red’s looking for any sort of guidance. Red tried her best to shake her head no but the Cheshire Cat puppeted her head to make it look like she nodded in approval instead.

Without any more options, Chloe gave in.

“Plagg, transform me.”

The transformation washed over the blue haired girl in front of the whole school to see. Chat Noire soon found that the hold of the Card soldiers had been released and that she was free to stand up. She did so slowly, keeping her gaze fixed on the Queen of Wonderland who only smirked as she took out a card from her deck.

Red could only watch in horror as her mother approached her girlfriend and placed the magical card on the silver bell that hung around the girl’s neck. The bell blackened and the black cat heroine was swallowed up by the card’s magic. A second later, the magic dissipated and Red’s stomach dropped.

Kneeling on the ground to her mother was her girlfriend dressed in all white.

“Rise, Chat Blanc,” her mother commanded and the girl stood up immediately. Red’s blood ran cold. There was no trace of her partner—her girlfriend—in there. Her mother continued, “I have given you the power of infinite destruction, and with it you will lay waste to this despicable world… starting with her.”

Reina pointed a finger in the direction of Chloe’s mom. 

No. She couldn’t let her do this. She couldn’t let Chloe kill her own mom. Red struggled against the Cheshire Card Card with all she had, managing to free the hand covering her mouth, but that was enough.

“Tikki! Transform me.”

As soon as she felt the transformation wash over her, she used her superstrength to break free from the Card’s clutches and fight her way over to Chloe’s mom. She dodged, weaved, and kicked the Cards holding down Chloe’s mom to her best ability, but even with her super abilities, she was quickly overwhelmed by the number of Card soldiers her own mother had on hand. 

Slowly, Chat Blanc made her way in front of her mother, regarding the woman as though she were a mere speck of dust. Chat Blanc raised her hand and wordlessly called upon a cataclysm, the power manifesting in a white color just like its holder.

“Please, Chloe don’t do this!” Red cried out from under the dozens of Card soldiers holding her down, “Please, you can fight this!”

“Hush now, daughter, she can’t fight this.”

-

Deleted Scene 3 - The Incident - Chat Blanc's fury

The girl’s cold gaze turned on her now, “You know, Red. You were right. My death would be worthless. But everyone else’s…”

“Don’t do this, Chloe,” Red begged as she started backing away in fear, “I-I’ll stop you.”

Chat Blanc walked toward her with her hand raised above her head. She summoned another cataclysm and to Red’s horror, it kept growing and growing. ‘Infinite destruction’, her mother had said. There was no fighting this, even as Ladybug. 

Chat Blanc seemed to know this, too. 

“I’d like to see you try, Princess.” 

And then the world went white.

[ponett]

Got a spoilery ask about SLARPG regarding Melody's character arc and, to a lesser extent, the ending, so I'll put this below a read more!

Anonymous asked:

Heya! I adore adore adore SLARPG, and have latched pretty hard onto Melody and Harmony's dichotomy for a while... I was wondering whether you saw Harmony more as an obstacle to Melody's growth, or something to be worked on and reconciled with more like Madeline and Badeline from Celeste? Unless it's spoilers of course. It's one of the few threads left open after the game, and as a plural woman myself I was just curious. X3

I'll say up front that I've generally avoided stepping in and telling people what The One Correct Interpretation is for a lot of things in SLARPG. I didn't intend for Melody to be read as plural, since in the story Harmony is a parasitic outside force, but I also understand where that interpretation comes from and won't tell folks they're wrong for relating to her like that. That's just the beauty of art. We can relate to things however we want. I just wanna make sure my personal framing is clear before I talk about the thought behind Melody and Harmony's relationship

Harmony is more of a literary device than a character. While she's not an alternate personality for Melody, she's also not really a full person in her own right. I don't think about Harmony having her own arc. She's a magical force that occasionally externalizes Melody's darker, more self-critical thoughts for the audience, where normally she would keep them to herself. She has her own design and name to make the dialogue boxes easier to follow. I also keep it intentionally vague whether or not other people would be able to see Harmony because I find that understated uncertainty more fun.

On a literal level, Harmony is a magical parasite, and therefore an obstacle to be overcome. She's not supposed to be there, straight up. But because she's just the embodiment of dark thoughts that Melody is already having, there isn't really much point in "defeating" Harmony to me - which is why things play out the way they do.

Even if Melody got rid of Harmony, she would still have to deal with those feelings. It would be a purely symbolic victory. And symbolic victories like that are often satisfying as hell in fiction, but in real life you can't defeat your shadow self to stop those 3am "what if my friends are only pretending to like me" thoughts. So instead, Harmony is something Melody needs to cope with and minimize. It's not about getting rid of bad thoughts forever, but rather learning how to deal with them better. And that's an active, life-long process. And so Harmony remains, but Melody is working on having healthier relationships with both her loved ones and herself.

I'll also say that, while I love Celeste, Madeline and Badeline's arc is mostly irrelevant to the way I write Melody and Harmony. (I don't think this ask is accusing me of plagiarizing Maddy Thorson or anything, to be clear. I'm just on a tangent since the comparison was brought up.) SLARPG began development in 2015, so the Harmony scenes, and Melody's arc as a whole, were already planned before Celeste came out. While I worried about getting compared to a much more popular game, I stuck to my guns, knowing that my story was different enough to stand on its own. If anything, I just avoided specific phrases like "reflection" or "I'm a part of you" to try and keep people from just pointing and going "Celeste reference!"

Unfortunately the "wow this is just like Celeste" comments were unavoidable, as were the newfound generalizations about what all indie games about trans girls with anxiety must be like because there are two (2) whole games that share some common story tropes, and it seems like the ending may have thrown some people off because of expectations created by Celeste. But what are you gonna do? I at least avoided my absolute nightmare scenario of Deltarune Ch.2 doing glitch aesthetics or giving Susie and Noelle a kiss mechanic lmao

[midnight-mourning]

Good morning, mourning! is it possible for you to show us how you make an outline for writing a chapter sometime in the future? like what does your first rough rough draft look like?🤔

also whats your favorite vine/meme at the moment?🫣

Hi pip!!

I can actually show you RIGHT NOW as I keep all my outlines (for the most part) saved in their respective chapters

*added a read more post-answering bc this got LONG lol*

So, it's sometimes a bit dependent on the fic, what I'm writing at the time, and where I'm at in the process. I usually have two different methods I stick to and typically combine in some manner:

bulleted list of important scenes/ideas to expand out upon from there (typically how I start out ideas for oneshots)

big blurb paragraph of a flow of ideas from start to finish (typically how I start out chapter-based fics, and what I do for Confused Spirit)

From there, I'll then combine the two methods in some way if it's a oneshot, and if I'm struggling to get the words flowing for a chapter-based fic, I'll use the list to expand out upon things I wrote originally. For example, this was ch. 34's outline (spoilers for those who haven't read it yet):

and then the list I added once I got started properly, which I crosssed out as I went along. Fun fact, you can see where I hit a moment of greatness in that last bullet and the chapter came together as a whole from there:

the blacked out is things I've pushed back for later (or just general spoiler stuff), so you can see that inital plans and even those I make WHILE writing the chapter are still subject to change as I go into actually writing it. Another good example would be from ch. 32:

in this case, I went back and added to the original outline (I think you can tell where lmao) and didn't utilize a list

I'd love to find chekov's gun, bc that one was REALLY good if I'm remembering correctly but I think it's buried somewhere in the Dialogue Dump unfortunately 😔

Adding on to that, I write a lot of scene ideas/mainly dialogue for things that happen in the future as the ideas don't typically come to me in chronological order. the party from 33? like a month into writing the story. the team meeting Michael? mid-arc 2. Chekov's gun? the start to midway point in the first couple days of writing and then basically finished within by the middle of august (started in July for those that don't know)

My point being that there's a lot of things that I have saved for certain arcs/plot points that I then insert into their proper place in the story once I find where that is. For arc 3 in particular I took the approach of gathering all the dialogue i KNOW was going to be in the arc, wrote my lil blurbs for all the chapters, and then started placing them accordingly. stuff has (and probably will continue to) gotten shuffled around, but for the most part has stayed in their original places.

a rough rough draft beyond that is basically adding to those base scene ideas (sometimes in order, sometimes not) typically writing dialogue and then filling in the blanks from there! sometimes if I'm lucky I can write a chapter from (mostly) start to finish in a span of four hours or so but that's only when i'm REALLY cookin'

Sorry for the super long winded response, didn't realize how much I wrote until I did it 😅

TL;DR, blurb of ideas, organize those ideas/add to them or adjust, full send it from there (with the potential help of some dialogue along the way)

As for my fav vine/meme currently? Probably the lump fish guy, everytime someone says 'very mindful, very demure' (I am not on tiktok so I do NOT understand this one) I instantly think 'very beautiful, very powerful'

thanks so much for the lovely ask!!! <3 <3 <3

[xincountry]

Why and How Kunigami Rensuke Can Still Score in BM vs PXG

mega copium by certified kunigami glazer aka me... spoilers until ch 283. if 284 leaks come out right now and disprove this entire essay please pretend i never posted it

Like. This is Copium Supreme. I do not genuinely believe this is realistic, it's just what I want to happen, so I'm trying to find evidence to back it up.

The evidence, since BM vs PXG started.

1. Chapter 248.

In the entire NEL arc, this is the first encounter we have directly with Kunigami in what is assumed to be Wild Card. Right before the PXG vs BM match. Based on descriptions he himself, Noel Noa, Reo etc have given us—quotes like "The Wild Card... was an experiment to create a "vessel". Someone with the same physique as Noel Noa.", and Noel Noa himself explicitly referring to Kunigami as "wild card copyman". To me, this is some kind of foreshadowing that Kunigami may actually do something in this match, because I just cannot understand why else this snippet of Wild Card will be given here otherwise.

I wonder what on earth could've broken his resolve for him to become like this after it. But interestingly here also, Ego explicitly says "Abandon your ego." And then:

2. "Kunigami's ego is still burning" — Isagi Yoichi, Chapter 255.

They're dangling the Kunigami character development right in front of me I swear. Since Wild Card, this match has been the most clear-headed (for lack of better word) we've seen Kunigami, when he's always come across as conflicted or unnecessarily (almost pretentiously at times) obnoxious and rude, especially when he didn't have the skill to back it up sometimes. (Like in chapter 213 with the Egoist 4 and going "I'm not interested in that reunion shit" etc—but when you see how they treat him, despite how much he's changed, it should've been more obvious that he's never changed at all. Maybe) In a way, I perceive this as his ego "reawakening", or at least morphing to fit the limbo between the old hero him, and the him now, changed by Wild Card.

As I'm writing this, for all we know, this is just another "build up" to the Wild Card reveal in the post-NEL/Japan U20s arc, and I wouldn"t even be surprised. But to that, I ask, again and again: why now? Why bring up the idea of Kunigami's ego "still burning", the memory of them sharing steak together after Isagi's assist during their Team Z days, now?

I think there's definitely an impending chemical reaction with them happening at some point—again, remember that this happened Before Kaiser/Rin's awakenings in chapters 260 and 271 respectively, but I think there is potential for them to team up again if the three minutes for Star Change System runs out/a Kunigami subsitution—and for their chemical reaction to actually be successful.

3. Noel Noa subsituting Kunigami out for Igaguri

Really, this match feels like the perfect time for Kunigami to awaken, properly. He's playing against Shidou, and his time on the field to keep him at bay is being replaced by the person he's supposed to copy and Igaguri. Arguably a character which is not liked because he really just feels like the lowest of the lows—and yet during 2nd selection he took up a spot that could've very much been Kunigami's. Which, well. Just Kunigami's bad luck.

Chapter 276

Narratively, I get it. Igaguri here is being used to contain Rin—in a way, the way Kunigami was marking Shidou. But at the same time I just really think its neat how they're really making Kunigami face up against his second selection rivals—the people who ruined his life.

4. What happens after the Star Change timer runs out?

In the Barcha match, Kunigami is subbed out for Isagi after he fails to contribute to the team's attack, and after that Noa subs himself in when Lavinho does—as he always does, but crucially, this is the event we're facing now in BM vs PXG. After the Star Change timer runs out, Noa subs in Kunigami and says this:

Chapter 167

Somehow, I think after the events of Chapter 255, and Kunigami having to play against Shidou, he'll have a different feeling when he's told to mimic Noa. That could be a segue into Kunigami's awakening as his "new ego", or it could be me just being copium.

Another thing that is similar from the Barcha match and PXG is Isagi's chemical reaction/assist to Kaiser. In chapter 283, we see Isagi try to defeat Rin by intentionally putting himself in a "supporting role" for Kaiser to block Rin's shot. This is explicitly stated as a "talented learner x talented learner" chemical reaction.

Chapter 283

Now, parallel to the very first match in the NEL with BM vs Barcha, where Isagi passes to Kunigami instead. The scores are perfectly identical right now: 2 - 2 on both sides, and Kunigami scores.

Chapter 167

Specifically, Isagi tells Kunigami "Awaken your flow. Let's destroy Kaiser and this team." In a way, this is very much what is happening in the match against PXG, where Kunigami entered flow while defending against Shidou—instead of "this team" the destruction could be redirected towards PXG instead?

Kunigami's ego

We know Isagi has been trying to categorise the people on the field into different "ego types." I'll like to talk about this first: world-type and self-type, and how this plays into the "genius" vs "prodigy (talented learner)" ideas that Isagi/Ego brought up.

Chapter 267, Chapter 282

By this definition, Kunigami is a genius: someone who has strong beliefs in their own talents, born with extreme physical abilities, etc. "Self-style/genius" people also feel what they believe in/like is of the most importance, emotions which help them further develop their ego, which is evident in people like Shidou ("my soccer"/"it's a biological need"/"explosions"), Itoshi "I Need To Surpass My Brother" Rin, etc. This is also evident when in chapter 255 where Kunigami manages to completely shut down Shidou, motivated by the desire to get some sort of redemption for what he did to him:

Chapter 255

As a prodigy (world-style ego, someone who can adapt and "use" the talent of geniuses to do good. Where the geniuses are concerned about the one goal they score, the world-style ego prodigies are more concerned about the environment and the circumstances that lead up to that goal, and their attempts to contribute to it.) I think Isagi will need to learn that he has an arsenal of geniuses (Kunigami) on his team, and more than just trying to beat a genius like Rin through the nature of being a genius (aka: fixation on certain emotions and obsessions to improve), or the prodigy x prodigy chemical reactions he wanted to form, he needs to make use of a genius. Kunigami being one is really important, because I think he's gonna get subbed in after the Star Change timer runs out, given that there's really only 10 seconds left on the clock.

Chapter 284 and beyond

The title of chapter 284 is titled "Soul". I am literally hoping for the love of all things bright and beautiful and amazing that this is referring to Kunigami's soul: trying to resolve his conflicting two halves of being an emotional hero and being a cyborg. Like please. This is all I ask for—given that the timer on the Star Change at the start of 283 was literally 10 seconds I hope in the time it took for Rin to scream Isagi Isagi Isagi Isagi and shoot and when Gagamaru blocked it I hope the ball went out of play and now they have to subsititute people or something. Please.

Also, with the U20 Japan arc coming up and Sae probably being on the team with the other bluelockians hence revealing Sae's (S)Pain Backstory I can't really find a space where Kunigami would have his true time to shine as a Wild Card survivor—given that Noel Noa, the guy he's supposed to be a copy of, will only be here for this arc presumably like he'll go back to Germany after the NEL. I think. There's also the impending Chekov's gun of Chigiri's ACL reinjury which I'm not looking forward to and I'm really hoping it doesn't happen (my shipper brain has turned it into "Kunigami sees Chigiri injure his ACL on the field, is reminded of all the times they spent together, and has an awakening" and now I'm trying to avoid that scenario) so. Really. Please.

@ Kaneshiro, when you say Kunigami has a focus/awakening, I hope you mean in these next couple of chapters.

[chdarling]

Hey CH :)

This is me checking in on your welfare, I hope you're doing well!! You're a wonderful author and I'm so so glad that TLE is just?? Up for free?? If TLE had a price, it would be worth every penny. This is your obligatory reminder of the day that you're cool as hell and an inspiration to many aspiring authors.

All of that being said..... Wellll 😅 I totally understand if it's not possible but could you please reveal when the last chapter might be up? Or whose it might be? Or,y'know, just any sort of teeny tiny spoiler?? And how long might the break(A VERY WELL DESERVED BREAK, I'd like to emphasize) be, after TLE 2? Maybe like... 2 years? Maybe more? Please let us know if you can.

Have a great rest of the week, you're a star, and your readers love you <33333

Thank you so much ❤️

Unfortunately, I can’t really answer your question about TLE3, because I genuinely don’t know. I am not far enough along in the writing process of TLE3 to give any sort of estimate, and I really don’t want to give a timeline that I don’t adhere to (as I did many times with TLE2) because frankly, that makes me feel rotten. And, on a personal note, my life in general is just chaos right now. I don’t even know what I’m doing next month, let alone how long it’s gonna take me to write a novel length fanfic in my free time 😂😂

Right now I’m focused on getting back to just enjoying the process without any self-imposed pressure, and I feel confident the story will flow from there. When I have a better idea of a timeline, I promise I’ll share that here. ❤️

Regarding the final chapter, I’m not sharing any spoilers or POV yet, but I will say I’m going to TRY to get it out this weekend. It might not happen, but I’m really determined so 🤞🏼

Thank you so much for reading and sharing your enthusiasm ❤️❤️❤️

[sunnydaleherald]

The Sunnydale Herald, Tuesday, November 26

Giles: Josephus du Lac was buried here. He belonged to a religious sect that was excommunicated by the Vatican at the turn of the century. Buffy: Excommunicated *and* sent to Sunnydale. There's a guy big with the sinning. Giles: You remember the book that was stolen from the library by a vampire a few weeks ago? Buffy: Yeah. Giles: It was written by Du Lac. Damn it! I let it slip my mind with all the excitement. Buffy: I'm guessing it wasn't a 'Taste of the Vatican' cookbook.

~~Buffy Episode #21: "What's My Line, Pt I" ~~

[Drabbles & Short Fiction]

Foolish (Buffy/Spike, T) by veronyxk84

Dominance (Angel/Spike, E) by Fanlifemiracle

Before Dawn (Dawn/Giles, E) by prairiekretch

Gambit (Buffy/Angel, E) by aboutafox

Twin of the Slayer (OC, Ensemble, G) by Mimobtvs

Forged in shadows Ch. 9 (Angel/Lindsey, E) by CloudSeeker

Группа крови Ch. 1-4/4 (COMPLETE) (Buffy/Angel, T) by B_E_S

Opposite Attraction Ch. 3/6 (Angel/Spike, T) by MamaBewear

Gadding About Ch. 1 (Buffy/Spike, E) by Lierdumoa

Aegis Ch. 31/? (Xander, T, multiple xovers) by dogbertcarroll, Narsil

Smoke and Leather Ch. 10/? (Spike/OC, M) by EagleAlwaysFliesAlone

[Chaptered Fiction]

Urgo’s Return. Ch. 1-2/? (Ensemble, G, SG-1 xover) by Callarose_aka_FireDragon

Miss Summers Goes to Washington Ch. 1/ ? (Buffy/Faith, M) by storiwr

Words Inside a Shell Ch. 1/? (Spike/Reader, E) by Ma6icki

The Motion of Her Ocean Ch. 1/? (Buffy/Spike, E) by sunalso

Unbroken, Chapter 15 (Buffy/Spike, E) by Blade Redwind

Carol of a missing lipstick , Chapter 5-8 (Buffy/Spike, G) by rossshin

Evaporate, Chapter 3 (Buffy/Spike, M) by Soulburnt

Soul Searching, Chapter 5 (Buffy/Spike, E) by CheekyKitten

Dear Journal , Chapter 10 (Buffy/Spike, M) by Desicat

Ship of the Line: Walk in Dark Places Ch. 15 (Xander, M) by KnifeHand

[Images, Audio & Video]

Artwork:Buffy & Angel () by nugge-is-my-duckie

Artwork:AtS Cartoon () by paulgadzikowski

Artwork:Xander () by nightheartcomics

Artwork:Buffy & Spike () by smoochiekissies

Artwork:Buffy & Spike () by izachin

Artwork:Faith, Kendra, & Buffy () by sideartblog999

Video: bangel x like real people do () by bangelism

[Reviews & Recaps]

PODCAST: Episode 51 - Attack of the Purple Ninja! (Enemies) by The Sunnydale Diaries

PODCAST: ATS 306 - Billy by Another Buffy Podcast

[Community Announcements]

Tuesday Prompts: Memory Lane by comment-fic

The Buffy x Giles Writing Event is now open by thecrazyknight

[Fandom Discussions]

Y'all this is a piece of history right here. by glamourweaver, sorrelchestnut, denizoid:

shiny happy people is like wow by all-seeing-ifer

honestly i think cordelia was probably a potential slayer. by xaeyrnofnbe

How long was I gone? by Manestaltan

how could they not notice?? by GainOver5676

Wanted to gush for a moment about just how GORGEOUS our Giles is! by Jdobbs626

No Spoilers please - first time watching Angel, up to season 3 episode 13 by A_lurker_succumbed

Is season 5 the best season? by East_Mushroom683

Dawn by Human-Hospital6696

XANDER YOU RUINED EVERYTHING THIS EPISODE!!!! | S3 E7 “Revelations” by The_Fullmetal_Titan

Who do you all think was in the right here and why (BtVS subreddit) by No-Iron5889

Who do you all think was in the right here and why (AtS subreddit) by No-Iron5889

Poor Joyce….. by tomatocreamsauce

Innocent victim of the day by timmorris82

If SMG left after season 5 by Particular-Employ326

What do you think of their analysis of Spike in Fool For Love by Cailly_Brard7

What would you uncanon? by Remarkable_Mud6377

Cordy and Fred friendship potential by darinani

Is Lorne green because of Lorne Greene? by ginime_

Anya Jenkins Once Rudely Said by Past-Throat-6788

What is the exact moment of true happiness for Angel? by Ok-Supermarket-7506

What are your theories about what happened after season seven? by X3vyW3vy

What are some moments in the Buffyverse that the writers unintentionally made a "good guy" (figure of speech, women included as well of course) feel like a villain to you? by PristineSituation498

Giles is Always Ripper by No_Introduction_4136

Angel in a Hell dimension by brwitch

Rewatch and podcasts by Kimmyb325

Angels curse makes no sense by Sweaty_Affect9363

What instruments are used here? by LessTrack6622

Someone posted this on a Buffy page and got an unexpected comment from the crew! by PyrrhuraMolinae

Rewatching Angel, and realized that Spike isn’t the only person who tried to turn a family member by thequeenofsastiel

in Lover’s Walk Spike said about Dru by aphony-cree

I wished Kate and Angel had become a couple. by BabyBlueN7

How many episodes of buffy had guns? by unpaid_official

Gunn Appreciation Post by No-Iron5889

Submit a link to be included in the newsletter!

Join the editor team :)