Lunatic by Dan Mazur - *** - Probably a 5 star rating in terms of the artistic quality and visual storytelling of the book (my appreciation for the sheer amount of thought and skill in technique was heightened by the little making-of appendix at the end,) but it hasn't stayed with me in any meaningful way, so I'm going rate the experience a three.
The Saga of Didrik of Bern translated by Ian Cumptsey - **** - My brother and I roared with laughter as we read aloud this fourteenth century Germanic-Scandinavian legendary cycle. How do I even begin to give a sense of what a strange set of stories this is? I'm decently steeped in medieval lays and tales of chivalry, but I had previous been exposed mostly to the French and English traditions. This - is something else. King Arthur's knights often fall, but when they do, there is a sense of tragedy to it, and noble deeds abound aplenty too. Didrik of Bern and his men are plain boors and their exploits are full of unintentional comedy. When Sir Eckia showed up briefly with the manners of a French tale of chivalry, the contrast could not have been clearer. I am going to treasure Weiland Smite, Wideke, Detsleff the Dane, and Hagen for years to come. At least now I know what all those illuminations with a knight breathing fire are about.
The Trial of Sherlock Holmes by Leah Moore - *** - Moore clearly has a love for the real Holmes and Conan Doyle, and she does an acceptable job evoking his atmosphere whilst taking it in her own direction. (I was about to say "invoking his spirit," but given Doyle's occultist tendencies, it felt too much like a pun.) However, the mystery itself was weak, but not in the way Doyle's mysteries are sometimes weak, and the ending didn't pay off with the resonance it had clearly tried to build up to.
Wayfarer by K. M. Weiland - **** - Oh, I thoroughly enjoyed this one! Superpowers in 1820 London, written with intelligence? Yes! While not a perfect book, it was so eminently my sort of book. I loved the cast, and I grew quite attached to Will. The theme of God being no respecter of persons was an interesting spine for such a story, and I liked the light touch with which it rant through the story. The progression of story beats was very satisfying. Atmosphere-wise, I feel like Weiland has watched the 2009 Little Dorrit, and she certainly loves her Dickens in general - so many little homages to him throughout. There were areas that could have been improved, but the book was just so tailor-made for me I don't mind.
The Garden of the Gods by Gerald Durrell - *** 1/2 - The final book in the Corfu trilogy. On the one hand, the eccentric characters and the lush naturalist passages are as wonderful as ever. However, I do note with dismay that there was decidedly more crude content to skip over than in some of Durrell's previous offerings (The first book was published in the fifties, and this one came out twenty years later - I suppose his publishers let him get away with more.) However, with the application of some blank stickers and a black marker, it's an enjoyable book. I'm a little sad to come to the end of the trilogy. Not that Durrell doesn't have at least five or six more memoirs I haven't read, but they won't have glorious Corfu and Spiro and the villas by the ocean. And I probably won't be seeing so much of Larry, Leslie, Margo, and Mother in the remaining books.
Still in progress: Made for Love by Fr. Mike Schmitz, The Valley of Fear by Arthur Conan Doyle, The Day is Ready for You by Alison Malee, The Nicholas Nickleby Story by Leon Rubin, The Shyness and Social Anxiety Workbook by Martin M. Antony, The Father's Tale by Michael O'Brien, The Epistles of St. Paul
DNF: In Calabria by Peter S. Beagle. I am thoroughly miffed about this one, because I was really enjoying the reflective prose and the ideas about inspiration and even metanoia in Bianchi's relationships with Romano, Giovanna, and the unicorn. But then late in the book and rather out of right field we got some content I didn't find acceptable popping up, so I had to leave it unfinished. I was about 70% of the way through - not far enough to count on my yearly challenge. Grr.
I think a good deal of the coming month will be devoted to finishing my books in progress, but I'll probably add something new so I can have an audiobook on the go after I finish Valley of Fear. I feel like I should pick a classic with some depth (possibly a full-cast Shakespeare play? I should finish "Othello"), but I also want to do A Conspiracy of Kings.
Für eine lange Zeit hatte ich die Portugiesen aus Augen und Ohren verloren – jene Finstermeier, die mir anno 1995 gemeinsam mit Paradise Lost den Gothic bzw. Dark Metal näherbrachten. Unzählige Male rotierten damals „Wolfheart“ und das für meinen Geschmack noch potentere „Irreligious“ in meiner ersten vernünftigen Stereoanlage – Letzteres ein Album, welches für mich vom Intro bis zur „Full Moon Madness“ derart stimmig war, dass sich etwa ein gutes Jahr lang aber so rein gar nichts an metallischer Konkurrenz daran messen konnte.
Danach wurde es zumindest in meinen Räumlichkeiten still um den lusitanischen Metal. Lediglich 2003 fiel mir mal wieder ein Moonspell-Werk in die Hände, doch konnte mich „The Antidote“ überhaupt nicht dazu bewegen, diese Band wieder so zu mögen und zu verfolgen wie zu Mitte der Neunziger. Es schien mir, wie unerträglich passend, ein regelrechtes Gegengift zu allem vorher Gehörten und so glorifizierend Erinnerten zu sein… und so ebbte diese akustische Beziehung wieder gänzlich ab.
Und nun das: das vorliegende „Extinct“, übrigens verpackt in fein-morbidem Coverartwork des Septicflesh-Fronters Spiros Antoniou, vermochte mich ab dem ersten Takt abzuholen, auf den Beifahrersitz zu packen, festzuschnallen und auf seine wohl durchdachte, weil sauberst durchkomponierte Klangreise mitzunehmen – auf eine Fahrt über mondbeschienene Landstraßen, umsäumt von blutroten Feldern und brennenden Bäumen, nach Medusalem und weiter.
Die thematische Schwermut erfährt hierbei eine musikalische Leichtigkeit, die vor Eleganz nur so sprüht. Ein helleres Schwarz sah ich selten – etwas anbiedernd und dennoch genügend entfernt von Kitsch und allzu breitem Mainstream. Auch der sporadisch gehörte und wohldosierte orientalische Anstrich steht den jeweiligen Stücken in seinem orchestralen Gewand hervorragend zu Gesicht.
Die Songstrukturen sind simpel gehalten, der Klargesang des Herrn Ribeiro überwiegt, zeitweise eingestreute Growls wirken nicht fehlplatziert, alles ist sauber arrangiert und klangtechnisch feinstens aufeinander abgestimmt. Einzelne Titel hervorzuheben fällt mir hierbei schwer, hat doch ein jedes seinen eigenen Charme.
Es vergeht eine düsterromantische Dreiviertelstunde, bis zum sanften Ausklang von „The Future Is Dark“, nach welchem ich dachte, den passendsten Abgang dieses dunkelroten portugiesischen Weines erlebt zu haben… aber neiiiiiin: „La Baphomette“ hat etwas dagegen. Ein komisches Element musste wohl dann doch noch sein – und so bespaßt uns der Bariton zum guten Ende noch mit ein paar simplen Französisch-Vokabeln, eingebettet in Trauermarsch-Gebläse und Barpianisten-Geklimper. Eine den Gesamteindruck nicht schmälernde Randnotiz.
So steht es nun da, ein neues Moonspell-Dunkelding – so eingängig wie mein erstes Fahrrad, aber hoffentlich langlebiger – schöne, homogene Asche!
MOONSPELL - EXTINCT
4 ****
----- In Fact -----
Genre: Dark / Gothic Metal
Label: Napalm Records
Release: 06.03.2015
Spieldauer: 00:48:06
Moonspell Official Facebook
Tracklist:
01. Breathe (Until We Are No More)
02. Extinct
03. Medusalem
04. Domina
05. The Last Of Us
06. Malignia
07. Funeral Bloom
08. A Dying Breed
09. The Future Is Dark
10. La Baphomette
SEPTIC FLESH "Mystic places of dawn", CD 1994 (The superb first album of Hellenic Dreamy Emotional Doom-Death Metal).
1. Mystic Places of Dawn
2. Pale Beauty of the Past
3. Return to Carthage
4. Crescent Moon
5. Chasing the Chimera
6. The Underwater Garden
7. Behind the Iron Mask
8. (Morpheus) The Dreamlord
9. Mythos (I. Elegy / II. Time Unbounded)
Everything in quotes “” have no artist details or no info could be found when going through the emails. these are probably part of an archive .zip / .rar
If you identify these titles as yours, let me know.
If there are typos ( more than likely) again, let me know.
[ some names seem to have been removed by the far too efficient text file alphabetical sorting thingy. ]
"2021 07 28"
"2021 May 19"
"abandoned4"
"brief theme for ending things"
"buddhaone"
"build 3"
"delprado hotel"
"dissolved metal salts that coat your lips with a bitter film"
"Dorv 2"
"dying"
"Encounter TK1"
"enddub.blk"
"Evangelica Church Group Birmingham"
"experiments 5"
"first breath comma second breath"
"Foghorns Rough"
"Frequency Scanning"
"Gurenda"
"hello 2&3"
"indulgent overtones"
"intro"
"jen edit"
"lonely waits"
"lotafun 21"
"nextex it"
"no, I think someone is recording us"
"omniglot"
"premix rough"
"prince earl"
"Ratchets 7"
"render navina"
"see the sun"
"skipping new"
"soundscape"
"soundtrack"
"TDO5"
"Theme from Public Transport"
"TMC-06"
"track 01"
"turbu"
"unmastered"
"wavestation"
"zoom016"
1 of 100
1976
8 Track Dogma
A Farewell to Hexes
Accursed Volts
Ada Stockwell & Lippy Kid
Adi Carter
Adjectivals
Afrotull
Aldo Rox
AM Web
Amongst the Pigeons
Andrea Careddu
Andrew Ramsey
Andy Blip
Andy McDade
Another Dead Weirdo
Antoni Maiovvi
AOTCI
Apalusa
Apta
Arvik Torrensen
Assassin of Sound
Audio Obscura
Aula Deft University of Technology
Autoflag
Autumna
Ave Grave
Awful Collider
baze.djunkiii
Bazrah
Ben Tye
Bernard Grancher
Betamax Warriors
Bipolar Explorer
Bit Cloudy
Blaiddwyn
Bless This Machine
Blood Everywhere
BMH
Boodlam
British Detail
Calico Jack
Capricornio
Cevan
Charlie & Lol1
Chelidon Frame
CLAIR
Claro Correcto
Co-Pilot
Course Correct
Cowboy Flying Saucer
Cuts
D. McCann
D. Taylor
Daft
Danny Carnage
Darren Hannant
Datassette
David McNicol
Desert Petunia
dESUS
DFF Sound System
Ditchburn Band
Distant Animals
Dog in the Snow
[dOOM] dESUS
Drew Five
Dundass
Dusty Ohms
Earthborn Visions
Earthshine
Eat the Sun
Ed Spess
Eduards Ozoliņš
Egone
El Ghou
Electric Talk
Electroaurora
Elizabeth Joan Kelly
Elli Shnoo
Em Downing
Eoin MacIonmhain
Espetacara
EV
Everon Goen
Exit Chamber
Famished for Blonds
Fantasy Sequence
Finlay Shakespeare
Flexagon
Forces of Good
Four Italian Pep Pills
Fragile X
From the Benthic Zone
Garden of Surreal Dreams
Gasmantell
Gemma Cullingford
Georgia
Gone Caving
Grant Basma Horsnell
Grant Forrester
Gusset
Half
Hazard Radio
Heavy Cloud
Hengist Pod
Hi-Tech Criminal
Hirsig
Hole in the Machine
Holmes & Atten Ash
Holychao
Hornbeam
Human Concept
Hymettus Woods
Idiogram
JD Twitch
Jack Blake
Jackaman
James Graham
James Oldrini
James Sandford
Jamie Cameron
Jane Pitt
Juxtagon
Jeff Styroid
Jim Jarmo
Joe Ahmed
Joe Muggs
Joel Shea
John Rushton
Jonathan Higgins
Junklight
Junkyard of Silenced Poets
K.
Karl D'Silva
Kate Arnold
Kim Moore
Kinver Pond
Kitty Turner
KKP 1489
Komputer
L/F/D/M
Lament_Config
Lathave Park
Lefthave Plank
Leiyun
Leptonandon
Levi Fuller
Liam Kendal
Limited Ability
Lomond Campbell
Louzy
Luke Hansbury
Mabel Gwen vs Rusty Sheriff
Malady of Knots
Mark Healy
Mark Wilkins
Masios
Matt Nix
Matthew McCourt
Matthew Thomason
Meadow Pixie
Mechanical Lobster
Megalophobe
Melony Klein
Miriam Ingram
Meridian
Michael Begg
Michael Denny
Mike Smalle
Mike Tupling
Milk and Cheese
Millz Davis
Mitsubishi Cunliffe
Mode 7 Project
Modulator ESP
Moray Newlands
Mr Kong 95
Mr Kristoffa
Museleon
Mute Frequencies
Myrrhman
Nad Spiro
Nat Lyon
Naylee
Negative Response
Neve
Nicolas Corniglion
Nonalogue
Old Man
Oliver Lacon
OOO EEE OOO
Openchannel
Outside Other
Owen Sound
P6
Palmer Eldritch
Panamint Manse
Passenger Pieon
P. G. Warren
pHactory
Portobello Drone Choir
Posthuman
Pracownik
Prequel Tapes
Prince Video
Production Unit
Pye Corner Audio
Rave Sir Robin
Re:Search
Remote-Control_Rectum
Repeared Viewing
Richard Sandling
RJ Ellmer
Robert Griffiths
Roberta Fidora
Robyn Gibson
Rockets in the Trees
Roland Oakes
Ruaridh Law
Sadie Maskery
Saguenay
Salford Electronics
Salvatore Mercatante
Samantha Fox
Sansuro 77
Scanner
Scott Smigiel
Scumbag Radio
Seapup
Secret Nuclear
Security
Semispecific Ensemble
Schestokken
Shiranai Hito
Sheer Zed
Signal
Signal Jammer
Silas Andersen
Simon Fisher Turner
Simon Heartfield meets Megaheadphoneboy
Sizike
Skeleton Worm
Slateford Mods featuring MC Dead Kennarty
Slow Down Missy
Snooks
Solo1
Soundhead
Spacelab
Spiral Dial
St James Infirmary
Stephen Boyle
Steve Emerson
Stock Photography
Strangest Pet on Earth
Stuart Cook
Subversive Recluse
Swardh
Tambay
Teishi-1
Time Destroys All Things
The Bookshop
The Cairnsmore Conspiracy
The Domestiques
The Family Germ
The Last Ambient Hero
The Leaf Library
The Nameless Book
Thee Adversary
Thelonius Martin
Todd Snow
Tom gunn Nash
Toxic octopus
UBO
Unseen Hands
Veryan
Vitruvian Skies
Von Heuser
Walthamstow Home Keyboard Laboratory
Warrior Bob
Waves of Nightinglaes
William Wild
Wizards Tell Lies
Writers Bloc
Xelis De Toro
Yol
Yvette Haynes
Here’s a moment I got on camera, when they started playing Prometheus and Spiros looked down at me. He knew that Prometheus was my favorite song. Look at that tiny fuckin smile.
Before the Rooster Crows - 2020 from Gabriel Athanasiou on Vimeo.
In a small Greek village, Anna, a woman in her 40s, can't handle her husbands' cheating anymore.
Make sure to rate the film on IMDb: imdb.com/title/tt10031730/
-------
• Nomination for Best Short Film at the Hollywood Verge Film Awards 2020
• Nomination for Best Drama at the Hollywood Verge Film Awards 2020
• Official Selection at Symi International Film Festival 2021
-------
Directed by: Gabriel Athanasiou
Written by: Ioanna Kaltsidou
Produced by: Film Lemon
Production Manager: Jim Kallifatidis
DOP: Theologos Vavdinoudis
Art Director: Angelika Mouchsiadou
Costumes: Christina Sarri
Sound Mixer: Pelagia Xatzinikita
Make-up: Dimitra Avramidou
Production Assistant: Anna Antaboufi
Original Score: Petros Apostolidis