#spider-man: no way home spoilers

[sersi]

Spider-Man: No Way Home (2021) Daredevil: Born Again (2025 - ) 1.05

[nyeddleblog]

Unrequited. [Part 1]

Pairing: Andrew! Peter Parker x Fem!Reader. Warnings: Felicia Hardy, a little suggestive, interrupted. Summary: You're Peter Parker's roommate and you're so done with the amount of women that come into your apartment.

Chapter 1: Thin Walls.

"Please, please, please" he begged, hips jerking upwards as she let her hips grind against his. His eyes were hazy, lingering on the way her arms stretched, wrapping around his shoulders, "I promise to make you feel good, baby. Please, I need to feel you."

She left a kiss on his jaw, then another on his cheek, and when she reached the edge of his lips, he let out a whine that would have made him embarrassed in any other situation. Right then, however, it just made her let out a breathy laugh against his mouth and he could feel his pants growing tighter. 

She was everything.

"You sure you want this, Peter?" 

He nodded mindlessly, he didn't really hear what she said, he would just agree to anything that woman asked if it meant being hers, and when she dropped to her knees, another whine left him.

She was being so sweet, softly pushing him against the bed, playing with his zipper, palming him through his jeans. Peter threw his head back, a lazy grin forming on his lips as she settled her eyes on his. He reached for a strand of her hair, and played with it. 

She left a chaste kiss on his hipbone, another on his lower stomach, and when he felt the sloppy kiss against the fabric of his boxers, he groaned.

Then he heard the loud thud on the wall, and finally recognized the presence of his roommate on the next room. He incorporated quickly, but Felicia was pulling on his boxers and he couldn't help the "Fuck" he whimpered at her touch.

"Peter, for fucks sake!" you yelled, and he bit his lips cringing, "Stop being a slut!"

Felicia looked up at him and she didn't seem annoyed, no, she looked absolutely angry. He licked his lips, ready to explain but she was already standing up and picking up the thin blouse he had taken the sweet time of unbuttoning.

"Sweetheart...!"

"Don't fucking 'sweetheart' me, Parker" she hissed, carefully clasping her stilettos, "You told me you lived alone!"

"I told you I was alone." he corrected her gently, zipping up his jeans as he tried to reach for her, "She wasn't supposed to be here, Felicia. Please"

"I'm sorry, darling, but I don't like having an audience."

She gracefully walked out of his room and guided herself around his apartment. Peter heard the dim laughter inside your room as he followed her, a laughter he could only pick up because of his heightened senses, and he was going to confront you about this.

"Honey, we can just be quieter..."

"I'm not a teenager to be playing around like this" Felicia took a hold of the doorknob and turned to look at him, "Maybe make up a code next time? Put a sock on your door or something, I don't give a shit."

And she left.

Peter turned to look at his roommate's door. He inhaled sharply.

He called for you.

He saw the doorknob move, then saw you peek your head out behind the wood and give him a small smile, "Yeah?"

"Was that necessary?"

"I mean," you took a good look at Peter, eyes scanning him up and down shamelessly. You would never admit it, but he looked delicious all hot and bothered, "It was to me."

"You say that like it happened often" he tried to argue, but you raised an eyebrow and leaned against the door frame, making him remember the other times. He sighed, "Okay, I can understand how that can be annoying..."

"You know, Peter..." Your voice was laced with a mix of amusement and irritation "There's a whole world out there full of people who don't involve me in their intimacy, yet I came to live with the only one who does, and not in the good way."

Peter ran a hand through his hair, feeling the blood run to his cheeks. "Look, I'm sorry, okay? It won't happen again, I don't even think she'd..."

You cut him off waving your hand, "You're something else, Parker" you said, shaking your head as your gaze softened, "Seriously though, knock it off. I'm not your personal filming crew, and, like she said, I'm definitely not your audience."

Peter opened his mouth to respond but you turned around, "Don't bother. I'm going to bed. And next time, maybe try a motel room? Or, better yet, invest in some self-control." NEXT PART.

[cbartonscoffee]

my one takeaway from the daredevil suit introduction scene:

[underthewaterlily]

✰⋆yellowjacket!reader x civilwar!spiderman✰⋆

Warnings: None other than some very mild cursing

A/N: No one asked for this, but I was watching AntMan when I had this idea and could not get it out of my head.

..............................................................................................................................

After defeating Darren Cross, Hank realizes that Scott will eventually need some form of backup, but it can't be Hope because he's not ready to possibly lose her. So Hank does his thing (similar to how he found Scott) and discovers you.

He knows that the mantle of Wasp could only be filled by Hope since her mother was the original. So he decides to make his own yellow jacket suit completely different than the original. It's primarily black with yellow accents, has two wings on the back, a pair of laser shooting wrist cuffs (affectionately named 'stingers' because of their ability to deliver sting-like pain), and, of course, loaded with Pym Particle.

He finds that you have the intelligence and wit it would take to be the yellow jacket, but you have all the compassion and empathy the previous yellow jacket severely lacked. The only downside is that you are definitely on the young side, so he would only contact/recruit you if it was absolutely necessary.

Welllllll, then civil war happens, and Scott is called to arms by freaking Captain America, so now Hank knows shit is going to get serious, and Scotts going to need all the help he can get (even if that help is from a severely under-trained teenager).

He quickly sets up a test for you involving a staged robbery at the gas station you were in to see if you're ready. You manage to outsmart the robbers, de-escalate the situation, and get all the hostages out. The very next morning after passing the test, you were at Hanks's house greeted by a very enthusiastic Scott (who keeps calling you "sidekick" instead of your real name) and a very pissed Hope, who can not believe her father is giving the yellow jacket suit to a "pre-schooler."

You have three weeks to prepare yourself for the big fight. You have been told of all the possible terrible outcomes of the fight, but you're not backing down. You've been given the opportunity to do something right, and you will not turn it down. Also, you get to work with THE Avengers (well... half of them, anyway).

Right before the big fight at the airport, Hank uses his influence to gain intel and finds out Tony has recruited Spider-Man for his team.

When you leave for the fight, you expect Hank to give you a big pep talk. Instead, he gives you two rules...

#1. Stay away from that spider boy... if Stark recruited him, then he's obviously no good.

#2. Don't die

You could make no promises about rule #2, but rule #1 sounded incredibly easy... or so you thought.

[jayrealityv1]

Look, I know any & all similarities that Molly might have with Tom Holland's Spidey are purely coincidental. And that the comparisons we like to make as a fanbase are usually nothing more than just facetious memes.

But at this point, I can't help but find it hard to deny that this scene alone has truly solidified Molly as Tom Holland.

[starpunz]

ABSOLUTE SPIDER-MAN

to summarize his story

In the Absolute DC continuity, it’s based on the idea of a character losing a fundamental aspect regarding their character, that is tangent to their existence, and to see the outcome. Spider-Man was hard, because he’s currently a cuck in the comics, so, the only real thing he could lose is his identity of Peter Parker. Not that everyone knows who he is, not that he only does Spider-Man in his life, but the identity of Peter Parker is literally dead.

In this world, without Peter Parker, he is essentially raised by loving parents, leading to him to pursue greater lengths in his education, without any of his relationships, he changes essentially everyone in this universe. The Jackal works with the US government to develop a new team for them, codename: SINISTER SIX. Peter was currently an undergraduate of Jackal’s and uses his DNA from a science experiment he assigned to make the clone of Peter, Ben. He does this with other classmates of his who all dawn identities of iconic villains, forming the superhero team: the sinister six. However, due to the lack of Peter humanity, after being sent a mission, the hero department known as SHIELD is bought out by Osborn industries for needed funding as their field work was too expensive. Ben finds out about Norman wanting to use their team for essentially terrorism against other countries for exploitation of their resources, and effectively kills Norman. Harry sees this event unfold and without his mask, frames Peter Parker who dies by the hands of the Sinister Six, who now have a new leader, Green Goblin (Harry). Ben and Jackal go into hiding in the sewers, and New York falls into 24/7 viewing by the Sinister 60, a team of 10 in each territory of New York while the actual 6 go out on Norman’s original idea.

With a Spider-Man with no ties to his own humanity, how does he find the will?

[broadwayfan92]

Same vibes

[floyds-posts]

Just saw" acros the spiderverse " and i can honestly say that not only this is way better than the first one but it completely shit on no way home

Ps : even thought the story was mainly focus on miles, gwendolyne maxine stacy carried this movie on her fucking back.

[tomhardymyking]

My face when I read that there were people who still believed the supposed and absurd leaked plot of 𝑽𝒆𝒏𝒐𝒎 3, the one about *"SPOILERS"?* the little boy that supposed is going to be saved in 𝑴𝒂𝒅𝒂𝒎𝒆 𝑾𝒆𝒃, who would be 𝗣𝗲𝘁𝗲𝗿 𝗣𝗮𝗿𝗸𝗲𝗿 from 𝑽𝒆𝒏𝒐𝒎's universe, and that then 𝗘𝗱𝗱𝗶𝗲 𝗕𝗿𝗼𝗰𝗸 would take care of him as his stepfather 😧

I hope that with the photos of the 𝑽𝒆𝒏𝒐𝒎 3 filming and with what I will say they know that it's 99% false, since the 𝑴𝒂𝒅𝒂𝒎𝒆 𝑾𝒆𝒃 movie is set in 2003, the boy, by saving him, would be about 17 years old in 𝑽𝒆𝒏𝒐𝒎's movies, well, like 𝗧𝗼𝗺 𝗛𝗼𝗹𝗹𝗮𝗻𝗱's in 𝑴𝑪𝑼, almost an adult 🙏🏻 (and it comes from 4chan ... )

But, I wish and hope, that plot never comes true at any time in any way... 😅

⠀⠀⠀⠀

Mi cara cuando leía que había gente que aún se creía la supuesta y absurda trama filtrada de 𝑽𝒆𝒏𝒐𝒎 3, la del *¿"SPOILERS"?* niño pequeño que supuestamente va a ser salvado en 𝑴𝒂𝒅𝒂𝒎𝒆 𝑾𝒆𝒃 sería 𝗣𝗲𝘁𝗲𝗿 𝗣𝗮𝗿𝗸𝗲𝗿 del universo de 𝑽𝒆𝒏𝒐𝒎, y que después 𝗘𝗱𝗱𝗶𝗲 𝗕𝗿𝗼𝗰𝗸 cuidaría de él como su padrastro 😧

Espero que ya con las fotos del rodaje de 𝑽𝒆𝒏𝒐𝒎 3 y con esto que diré sepan que es 99% falsa, ya que la película de 𝑴𝒂𝒅𝒂𝒎𝒆 𝑾𝒆𝒃 está ambientada en 2003 y el niño, al salvarlo, tendría unos 17 años en las películas de 𝑽𝒆𝒏𝒐𝒎, pues como el de 𝗧𝗼𝗺 𝗛𝗼𝗹𝗹𝗮𝗻𝗱 en el 𝑼𝑪𝑴, un casi adulto 🙏🏻 (y viene de 4chan ... )

Pero, ojalá y espero, que nunca se haga realidad esa trama en ningún momento de ninguna manera... 😅

⠀⠀

[nyeddleblog]

Unrequited. [Part 6]

Pairing: Andrew! Peter Parker x Fem!Reader; Mentions of past Gwen Stacy x Andrew! Peter Parker; Mentions of Mary Jane Watson x Fem!Reader. Warnings: Swearing, betrayal (kinda). Summary: Night patrol after dinner, hero fight. A/N: I know, it's been a while. But hey, I'm a professional now; just graduated college.

PREVIOUS PART.

Chapter 6: Nightly routine.

You didn't know Peter was Spider-Man and despite living with you for seven years, Peter had made inhuman efforts to keep you out of it. He'd let you think anything that filled the blanks; that he was a womanizer, a lovesick puppy, an incredibly dedicated student, a workaholic, a freak or all of the above at the same time, but never Spider-Man.

He'd started to make some really good excuses and you weren't home most of the time, so it wasn't that difficult to keep it hidden... But seeing Gwen starting to get drunk and blurting some anecdotes of their relationship was walking on thin ice. 

At some point during the night, you had stood up to go to the bathroom and Peter took that moment to look at his ex in the eyes and tell her, "She doesn't know."

Gwen frowned, raising an accusatory finger that made him feel like shit. He knew that during the whole night, you had his back. You spoke of his achievements, held his hand when Gwen spoke to her husband on the phone, and opened up about the girl you had been talking to recently, just to keep Gwen out of asking about his love life.

This felt like like the worst type of betrayal.

"You need to tell her, Peter." 

Gwen had seemed to sober up at his confession, and he frowned.

"She can't know, Gwen" he insisted, taking the dishes into the kitchen to wash them, "I can't put her in danger, not like I did with you."

The blonde crossed her arms, looking cautiously at the still closed bathroom door, "You're already putting her in danger, Peter. She's been living with you for seven years."

He shrugged in his place. He was cautious.

"Peter, it's not about her putting herself in danger anymore" she stated firmly, following the gaze that was actively avoiding her, "It's about someone finding out it's you and coming after her. She has to be warned."

"And what about you, huh?" he answered lowly, "No one's come after you."

"I'm barely in your life, Peter" Gwen said in a soft tone. She noticed how his eyes traveled from her eyes to her lips and then, slowly, descended to the dishes in his hands "She lives with you, she deserves the heads up."

Peter nodded. They heard something you said, neither actually caring but nodding and smiling your way either way. And Gwen called it a night.

"I'm sorry to leave like this," she'd said sweetly, "But my mother actually expects me to come back, so I need to do it before I'm in no state to go back home!"

She gave Peter a look and took her phone out to ask for an Uber. 

When she left, you gave him a bright smile, "That went well!" and you walked towards the kitchen to check, "Oh, you washed the dishes? I was going to do that..."

Peter shrugged. You sat on the counter, swinging your legs, "Should we do something? We could watch that one movie you've been wanting to...!"

A loud crash was heard on the street. 

"Jesus..." you let out, hopping off the counter and giving a few lazy steps towards their balcony, "Peter, a car just crashed into the restaurant downstairs..." You turned to face your roommate. He was nowhere to be seen, "Peter?"

The bathroom door shut closed, you sighed and poured a bit more wine in your glass to settle on the couch.

Peter left then. He tiptoed across the hallway and made his way to his room silently, sneaking out his window and into the city. He heard the ambulance arriving to the scene and tried to figure out the reason behind the accident. 

It didn't take much, however, his spider sense warning him about a very near threat and he was already avoiding the car thrown in his direction, able to cushion it's collision with the web thrown it's way. A family was inside. 

He looked back.

"Out already, Aleksei?"

In response, a low, guttural growl, echoed in the damp night air. His massive figure loomed over the wreckage, the remnants of the other car twisted like discarded tin and the harmed couple had already been extracted by a few bystanders.

Peter knew he was gonna have to distract this idiot  for the ambulance to take them safely.

"Well, this is just great," he muttered loud enough for him to hear, adjusting his mask. "A family outing, a near-death experience, and now I've got a really angry rhino on my hands. Just another Saturday night in the Big Apple."

Rhino charged towards him then, the ground shaking and he could hear the civilians let out a horrified gasp. Spider-Man, however, met him head-on, his body taut with anticipation. 

"Alright, big guy, let's dance!" he yelled, shooting out a webline to anchor himself to a lamppost. With a playful grin, he leaped, aiming a swift kick at Rhino's armored leg. "How's that for a warm-up?"

The massive villain swung a haymaker, sending a shockwave through the air. The family inside the car let out a scream, but Spider-Man dodged with acrobatic ease, his spider-sense tingling with the impending impact. He turned towards them, reaching to take them out.

He was yanked away.

"You know," he teased, "For a guy in a rhino suit, you're surprisingly graceful."

The rest of the fight was draining. It wasn't because he punched hard and was stubborn, no. It was because the people in New York never seemed to learn that they weren't supposed to linger around a superhero fight, specially when they have all the chances to escape, so he had to work twice as hard to keep Rhino from harming any civilians. 

With a satisfied hum, Spider-Man dusted himself off. He knew he should probably go back home to check in on you, so you wouldn't think he was taking the shit of his life, but after a quick glimpse at their window and catching your head thrown back, asleep, he understood he may as well patrol around for a little longer.

That decision was the turning point, however, because stopping a robbery may be a common thing for him; but encountering a beautiful, charming woman and having to walk her home, on a beautiful dark evening, accompanied by a cheerful, endearing conversation, was not.

TAGLIST: @marcspectorondeeznuts @slutfortheblog @chaoticaptendyte @thecannibalkiller @darious @m3iami @trasshy-artist let me know if you want in or out of the taglist<3

[alperen1emre]

SPİDER MAN 2099

👉🏻🫵🏻👈🏻

[clueless-fan-critic]

Spider-Man: Across the Spider-Verse: The Edge of the Sony’s Spider-Verse.

Alright. Let’s get to the meat of the business sandwich.

Spider-Man: Across the Spider-Verse is the sequel to 2018 smash hit film Spider-Man: Into the Spider-Verse that honestly broke all of my expectations about the film being a two-parter with too much info. I honestly loved the movie just as much as the first with its iconic animation style, charming characters, and impactful story. Directed by Joaquim Dos Santos, Kemp Powers, and Justin K. Thompson, it felt like the film was greatly cohesive without any confusion to the plot. It feels as if the film was not just a mandatory assignment but also a passion project made in the years before it was production. While I’m a fan of Marvel and the MCU (to some degree), I’ve definitely became a Spider-Verse fan.

Let us get into this Spider-Man classic once again.

The Animation

Alright. Let’s get this out of the way.

The animation was incredible and awe-inspiring much like the first film, but pushed into overdrive. Each animated world has its own style that reflects a different version of Spider-Man. From Hobie Brown’s collage-like style to Pavitr Prabhakar’s bollywood inspired environment. Gwen’s dimension is especially colorful with the watercolor style reflecting her comic book covers. Almost every character has a distinct style to their animation from 1960s campy to 90s angst. While the movie visually stunning and dynamic, let’s get into what’s going on story wise.

The Characters

The main characters of the movie are definitely Miles Morales and Gwen Stacy. They both are different sides of the story that reflect the theme of who someone is as Spider-Man and what kind of story they have or what they want out of life. In a way, it continues the ideas and themes about expectations with choosing their own path in spite of others’ opinions and expectations.

Afro-Latino protagonist Miles is someone who’s dealing with the crossroads of who he wants be while grappling with the expectations from his family. He’s also struggling with balancing his two lives as a teen and a superhero with his responsibilities to his family. When face-to-face with Miguel O’Hara, the Spider-Man of 2099, and the fact about canon events, Miles chooses to go against it believing he can save people without risking the Spider-Verse. The phrase “I can do both” is what caught my attention because it is possible for some people, but not a choice for Spider-People in that they must experience canon events for the sake of the Spider-Verse.

Gwen is faced with the rigid expectations of what it means to be Spider-Man and how she faces the choices she makes. Gwen makes the decision to go against Miguel and the Spider-Society to save Miles on the wrong Earth, deciding to become her own hero that she wants to believe in.

The Spot, Johnathan Ohnn, is the main villain of the movie with his power to make dimensional portals after the collider exploded in the previous film. They at first portray him more of a joke character, but then slowly build him into a terrifying threat with colossal amounts of power at his hands. This is shocking because I always thought of him as a lackluster villain despite having a cool power. They actually made what could of been a joke into someone more terrifying in concept alone.

The numerous cameos from the Spider-Society range from interesting to hilarious. One of them is an obscure spider-person in a wheelchair and with crutches named Charlotte Webber or Sun-Spider of Earth-20023. Others include a cowboy, cat, t-rex, and even dune buggy. They all could just be glorified cameos with no substance, but they actually bring out the abstract craziness of the Spider-Verse and what it means for future of the franchise as a whole.

The Story

The whole story centers around Miles Morales and his journey into becoming Spider-Man, but also Gwen’s journey and how the Spider-Verse is being threatened by the Spot.

The villain is definitely the Spot and his crusade to destroy Miles, but the antagonist is Miguel O’Hara’s ideology about the Spider-Verse. Miguel’s insistence of maintaining the order of the Spider-Verse goes directly against Miles’ idea of what it means to be Spider-Man. Miles wants to save his father from a fated death as a police captain, but Miguel wants to let it play out so that the universe isn’t destroyed because of canon events.

The idea of canon events creates the division among the Spider-People where they choose to let people die to preserve the universe or risk its destruction. This idea is pretty similar to what Doctor Strange presented in No Way Home with letting the villains die than risk the universe. I think because Miles doesn’t follow the canon, he can break the cycle that all the Spider-People endure and have them even question the very system they follow.

I liked how the story left us on a cliffhanger that made us crave more of the movies and possible spinoffs. Leaving us wondering what will happen to Miles on Earth 42 with his evil doppelgänger or what Gwen’s plan is now that she’s leading a splinter team against Miguel and the Spider-Society.

Afterword

Spider-Man: Across the Spider-Verse is a miracle in the landscape of sequels and two-parters. It has pushed itself to a whole new level of animation with unique colors and styles. The story and characters are pushed to their limits with dilemmas of preservation and duty along with freedom of choice and finding one’s way. It reminds us that no matter who you are, you can still be unsure of what you want and still be okay with questioning things.

Now I can’t wait for Beyond the Spider-Verse next year.

[heiressofnerdiness]

If I had a nickel for every time I saw a Spider-Man movie where a mentor-like figure with magic red webs/ropes told Spider-Man to let people that were “supposed to die” die, but Spider-Man said “man screw that, that’s not what being Spider-Man is supposed to be” and did everything in his power to change fate at the possible expense of the multiverse, had guest appearances of Toby Maguire and Andrew Garfield, and ultimately ended on a cliffhanger, I’d have two nickels, which isn’t a lot but it’s weird that it happened twice right

[ordinaryschmuck]

SPOILERS FOR ACROSS THE SPIDER-VERSE BELOW!

I do like how Across the Spider-Verse kind of fixed the plothole of why Vulture went to Morbius’ universe and why Venom (and maybe Electro) went to the MCU.

The Spot punched a hole into the multiverse by bringing in Miles’ spider, and Peter and Doctor Strange only made that hole bigger. Those holes then caused villains to show up at random and Doctor Strange’s spell might have done something to make them glitch less, if at all.

Since both those movies were technically Sony properties, does this mean that this was planned from the beginning?

HELL NO! I’m honestly more willing to believe that Marvel and Sony are fumbling the bag in making the multiverse a thing and Chris Miller and Phil Lord just showed up to go, “Alright, idiots, let’s fix your shit.”

Still, appreciate it.

[starkskypines]

thinking about how some of the best mcu characters are alone when that’s the opposite of what they wanted. how to be a hero they had to be without what they wanted, how they had to give something up. how giving that thing up would’ve destroyed anyone else. peter parker had to give up all his friends, lost his family, in order to be the hero that saves the world from multiversal collapse. wanda maximoff had to give up her family in order to save westview. then she choose a path of darkness to get them back that ended in her defeated. what she wanted was her family and she doesn’t get it. all that power and for what? as uncle ben said, “with great power comes great responsibility.” and now Loki. unlike Peter and Wanda his circumstances weren’t a product of his decisions. he spent centuries getting do-overs, trying to figure it all out. and what he figures out is that heroes and gods don’t get what they want. he wanted his friends, his new family. he didn’t want to be alone. none of these three did, but the right choice, the choice that makes them our hero is that sacrifice. they give up what they want. the ultimate selfless act.

[tinkerbelldetective]

I HAVE TO SHOUT THIS

NORMAN OSBORN IS CUTE.

Also

IN NO WAY HOME HE IS SO SAD AND ALL WRAPPED UP IN A HOODIE AND DOING SCIENCE