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whiteliuwhite · 6 years
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小綠你過的有點太爽這是FINAL了歐下週該陪哥上班了蛤~ #Vespa #pk100 #LIFESTYLE #VINTAGE #SPEEDLOOK #ORIGINAL
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admeci · 5 years
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Important Types of Presets in Adobe Premiere Pro
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Adobe Premiere Pro is a video editing software provided by Adobe Systems. This application is a widely used software that can be installed in both Mac OS and Windows. Adobe Premiere Pro is used for editing high definition videos, commercials, films.
This software is used by many whether it is a big production the company, television, news channels, marketing professionals, multimedia designers, YouTubers or small businesses like wedding planners and other small production houses or even individuals working on home videos. 
Adobe Premiere Pro provides plenty of tools and effects to make any video entertaining and interesting.
Premiere Pro is the leading tool that is being used for all types of video editing projects by professionals. In Premiere Pro we can import video, audio and other graphics from our external storage. 
We can import the number of video clips, images, and other graphics to make a video too or we can import videos and images together and make a video with them.
We can edit the video with number of tools option provided for example razor, crop, zoom, skip, rewind, pause, forward, and etc.
There are many more such features that have added to the latest version. Check them out here -  New Features in Adobe Premiere Pro CC
After editing the video, we must save the file and render it. If we find the video to be satisfying, we can export the file to a necessary source which makes it easy to distribute. Videos made or edited in Premiere Pro with correct resolution (for example 720p*1080p, 1920p*1080p) can be played in any display whether it be laptop, tab or phone.
To work in an efficient way, get to know about the keyword shortcuts of Premiere Pro.
What are Effect Presets in Adobe Premiere Pro?
Adobe Premiere Pro provides us different effects presets which helps us while editing a video.
In Premiere Pro Effects panel contains all the presets that are used. It contains some popular effects which are made for the specific purpose we can use them in our videos to save our time and energy rather than configuring a new effect from scratch. We can customize each effect and save them as a preset for future use. We can then use those effects according to our needs in a clip or a video. We can also save the keyframes which we created for the effect.
To create and save an effect follow these steps:
In order to create an effect, you need to go for the timeline where you can pick up any clip that you want to save as a preset.
Now, head to effects control panel and select the effects that have to be saved. Press Ctrl+click for windows and Command+Click for Mac OS to select more than one.
Then go for the panel menu by clicking on the Effects Controls panel. This is located on the top upper right.
Then choose Save Preset.
Now, you need to define the name that wants to give to your preset in the Save Preset dialog box.
After that, you can choose Scale, Anchor to in point, Anchor to outpoint which will specify how Premiere Pro handles the keyframes when the preset is applied to the clip.
Finally, click Okay.
Above we saw how to create and save Effects on Presets panel.
How to Apply, Copy, Paste, and Remove Effects from a Clip?
Now, let's take a look at how to apply, copy and paste or remove effects from a clip.
Apply Effect: - We can apply one or more standard effects on a single clip. We can simply drag the effect option from the panel and drop it on the desired clip in the Timeline panel. Or we have another option, we can pick up the clip in the Effects panel to apply effects on it. You need to double click on it. To adjust the applied effect on the clip, go to the Effects panel and adjust the options. Increase or decrease the values to see the changes it brings then set the values as desired. We can also apply the same effects multiple times throughout the video.
Copy and Paste Effect: - We can easily copy and paste any effects from one clip to another by selecting the effect from the and pasting it on another clip.  
Remove Effects: - To remove an effect from a clip select the clip go to the Effect Controls panel, select the effect and press the delete or backspace. To remove all effects from the clip, go to Effects panel again. Choose Remove Effects.
Available Effects in Preset Panel
Till now we have seen what are Effect Presets, create, apply, copy and paste and remove them now let’s see how many Effects are available to us in the Presets Panel by Adobe Premiere Pro.
Bevel Edges
Blurs
Convolution Kernel
Lens Distortion Removal
Mosaics
Pips
Solarizes
Twirls
Lumetri Presets
Cinematic
Filmstocks
Monochrome
Speedlooks
Technical
To encapsulate the blog in some short lines effects, I can say that presets in Premiere Pro are important for us while editing a video whether we are making the video with clips or images. Presets allows us to use many different effects on clips and images that make our video interesting and entertaining.
For thorough knowledge, join the Premiere Pro training course from ADMEC Multimedia Institute Delhi. ADMEC Multimedia is one of the finest video editing training institutes in India. It offers the career-oriented video editing courses that furnish the successful to the aspirants.
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karingottschalk · 7 years
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Coming Soon: Review of Digital Film Stock (DFS) 3D LUTs for the Natural Look of Analog Film
Coming Soon: Review of Digital Film Stock (DFS) 3D LUTs for the Natural Look of Analog Film
Links: Color by LookLabs – DFS from Color by LookLabs: Explained Color by LookLabs – Digital Film Stock from Color by LookLabs Color by LookLabs – Film is Back with a Vengeance
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huseon4 · 5 years
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En İyi Video Düzenleme Programı - Adobe Premiere Pro
Video düzenleme programı, en iyi video editleme programı ve hatta youtuberların kullandığı video düzenleme programı denilince akla gelen ilk program Adabobe Premiere Pro CC‘dir. Bu program gerçekten profesyonel videolar yapabileceğiniz. Hayal gücünüzün yettiğince size imkanlar tanıyan ve bu imkanları hayal gücünüzden görsele dökmenize yarayan profesyonel bir video maker dır.
  Yıllar geçtikten sürekli olarak kendini yenileyen ve yazılımlarını geliştiren Adobe uzun yıllara dayanan deneyimini bu programa açıkça yansıtmış. Adobe After Effects‘ten çok daha fazla olan bu program geçtiğimiz yıl son sürümünü yayınladı. İşte size son sürümden bazı güncellemeler.
2015.3 Versiyon
  Hafif proxy’ler oluşturun
Sisteminize yük bindirmeden her türlü aygıtta düzenleme yapmak için yüksek çözünürlüklü ve düşük çözünürlüklü formatlar arasında kolaylıkla geçiş yapın.
İçe aktarırken düzenleyin
Videonuzu arka planda aktarılırken hemen her formattaki çekimi düzenlemeye başlayın. İşiniz bittiğinde Premiere Pro kopyalanan medyaya geçerek kameranızı meşgul etmez.
Geliştirilmiş performans ve sağlamlık
İlk olarak sunulan Apple Metal ve H264 donanımsal kod çözme (yalnızca Windows Intel Iris) desteğiyle aygıtlarınızda daha fazla gerçek zamanlı efekt uygulayın ve atlanan kare sayısını azaltın.
Renklerle çalışmak artık daha kolay
Lumetri Color araçlarındaki yeni HSL yardımcılarıyla renkleri ayırıp hassas ayar yapabilir, beyazları dengeleyebilir ve hassas gölge ayarları yapabilirsiniz. Tek bir tıklatmayla yeni SpeedLooks hazır ayarları uygulayın.
Zaman kazandıran kısayollar
Zaman Çizelgesinde ana karelerde gezinmek ve tek kareleri yakınlaştırıp uzaklaştırmak için klavye kısayollarını kullanarak daha hızlı düzenleme yapın. Kısa süre önce sunulan Efektleri Kaldır komutunu kullanarak belirli efektleri hızla kaldırın. Videolarınızı yayınlarken hızlı olun.
Sanal gerçeklik video desteği
VR video moduyla kaydırma ve eğme kontrollerini kullanarak deneyimi görüntüleyicinin bakış açısından önizleyebilirsiniz.
Açık altyazı
Altyazının ekranda kalması için açık altyazı oluşturun. Kullanıcılar artık açık ve gömülü altyazı arasında seçim yapmaya ek olarak altyazı fontunu, rengini, boyutunu ve konumunu seçebilir. Nasıl çalıştığını öğrenin ›
Yüksek çözünürlüklü formatlarda yerel olarak çalışın
En yeni yerel dosya formatları için devam eden desteğe Red Weapon eklendi.
Genişletilmiş dil desteği
Arapça ve İbranice dahil olmak üzere yerel alfabeleri kullanarak daha fazla dilde başlık ekleyin.
Doğrudan sosyal medyada yayınlayın
Videoları YouTube, Facebook, Vimeo ve şimdi de Twitter gibi popüler sosyal medya sitelerinde hızlıca yayınlayın.
Kitaplıklarla daha iyi işbirliği
Salt okunur Creative Cloud Libraries’de bulunan varlıkları kontrol ederek bunların değiştirilmeden veya silinmeden ekip üyeleri tarafından kullanılabilmesini sağlayın.
Güncellenen Kitaplıklar çalışma alanı
Yeni Kitaplıklar çalışma alanı, filtreli Adobe Stock araması ve lisanslı Adobe Stock varlıklarını tespit etmeyi kolaylaştıran yeni simgelerle doğru içeriği daha hızlı bulun. Kitaplıklarınızdaki tüm videoların uzunluklarını ve formatlarını görün ve video önizlemelerine bağlantı alın.
Ve çok daha fazlası
Diğer özellikler: Renk kontrol yüzeyleri için destek ve daha iyi parlaklık kontrolü, geliştirilmiş çözünürlük ve Rec. 2020 renk uzayını izlemek için geliştirilmiş Lumetri kapsamları.
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karingottschalk · 7 years
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LookLabs: Coming Soon – DFS by LookLabs
LookLabs: Coming Soon – DFS by LookLabs
http://looklabs.net/blog/blog-165
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karingottschalk · 6 years
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We have been following Australian director/cinematographer Paul Leeming’s progress in creating, refining and updating his Leeming LUT One unified, corrective Look Up Table aka LUT system for popular mirrorless and DSLR hybrid cameras and camcorders ever since we launched the ‘Untitled’ project. 
Leeming LUT One began as an effort to transform the Panasonic Lumix DMC-GH4’s ‘Cine-D’ aka Cinelike D video picture profile into the most accurate, most realistic rendering possible and has expanded to encompass a range of cameras including those made by Canon, DJI, GoPro, JVC, Sony and more, with support for the Blackmagic Pocket Cinema Camera 4K and Fujifilm X-T3 and others coming in the near future. 
Mr Leeming continues to refine Leeming LUT One with version 801 for Panasonic being the most accurate yet, setting a new industry benchmark for realistic colour rendering for video footage shot with the Cinelike D, V-LogL and HLG profiles for editing in Rec. 709 movie projects. 
Panasonic Lumix DMC-GH4 with Panasonic Lumix G Vario 14-140mm f/3.5-5.6 Power OIS and Panasonic DMW-GGH3 battery grip.
Panasonic Lumix DMC-GX8 professional rangefinder-style camera with Panasonic Lumix G X Vario 12-35mm f/2.8 Aspheric Power OIS lens.
Panasonic Lumix DC-GH5 with Panasonic DMW-BGGH5 Battery Grip and Panasonic Leica DG Vario-Elmarit 12-60mm f/2.8-4.0 Aspheric Power OIS zoom lens.
Panasonic DC-GH5S with DMW-BGGH5 battery grip and Panasonic Leica DG Vario-Elmarit 12-60mm f/2.8-4.0 Aspheric Power OIS zoom lens.
Recently I put Leeming LUT One 801 to the test with Cinelike D footage from my Panasonic Lumix DMC-GX8 camera, the one that goes with me almost everywhere everyday, and the results were, as usual, impressive.
Better yet, correcting footage with Leeming LUT One then adding film simulation or creative looks LUTs produces rich grading with a lush and easy-to-grade tonal range.
Many independent moviemakers shoot video for the same project on several cameras including in multi-camera interview set-ups, and Leeming LUT One is invaluable in reducing time in the colour grading suite matching footage from all those different cameras, especially when exposed according to the principles of ETTR aka expose-to-the-right.
In all the following examples, I graded quickly and minimally to simulate the look and feel of the subject at the moment I shot it, to be as realistic as video permits.
Skin tones in mixed available light with Leeming LUT One 801 and LookLabs’ Digital Film Stock Fujifilm Eterna 500T
Cinelike D video footage straight out of Panasonic Lumix DMC-GX8.
Leeming LUT One 801 applied to Cinelike D video footage straight out of Panasonic Lumix DMC-GX8.
LookLabs’ Digital Film Stock Fujifilm Eterna 500T LUT added to Leeming LUT One 801 applied to Cinelike D video footage straight out of Panasonic Lumix DMC-GX8.
Slight curve applied to LookLabs’ Digital Film Stock Fujifilm Eterna 500T LUT added to Leeming LUT One 801 applied to Cinelike D video footage straight out of Panasonic Lumix DMC-GX8.
Reds, greens and blue in strong sunlight with Leeming LUT One 801 and Leeming LUT Quickies v8 Basic Balanced v8 Lighter
Cinelike D video footage straight out of Panasonic Lumix DMC-GX8.
Leeming LUT One 801 applied to Cinelike D video footage straight out of Panasonic Lumix DMC-GX8.
Basic Balanced v8 Lighter from LeemingLUT Quickies v8 added to Leeming LUT One 801 applied to Cinelike D video footage straight out of Panasonic Lumix DMC-GX8.
Slight curve on Basic Balanced v8 Lighter from LeemingLUT Quickies v8 added to Leeming LUT One 801 applied to Cinelike D video footage straight out of Panasonic Lumix DMC-GX8.
Greys and greens in weak sunlight with Leeming LUT One 801 and LookLabs Digital Film Stock Kodak 5218
Cinelike D video footage straight out of Panasonic Lumix DMC-GX8.
Leeming LUT One 801 applied to Cinelike D video footage straight out of Panasonic Lumix DMC-GX8.
LookLabs Digital Film Stock Kodak 5218 film simulation LUT added to Leeming LUT One 801 applied to Cinelike D video footage straight out of Panasonic Lumix DMC-GX8.
Links
Leeming LUT Pro – “Leeming LUT Pro™ is the world’s first unified, corrective Look Up Table ( LUT ) system for supported cameras, designed to maximise dynamic range, fix skin tones, remove unwanted colour casts and provide an accurate Rec709 starting point for further creative colour grading.”
LookLabs – Digital Film Stock aka DFS – “DFS instantly gives you the natural look of film and the most flexible set of LUTs on the market. The DFS bundle includes 19 LUTs that perfectly emulate the most popular Kodak and Fuji film stocks. DFS comes in both REC.709 and LOG video formats and all SpeedLooks camera patches work with today’s most popular digital cinema and mirrorless cameras. DFS even makes your Android videos look like film!”
Help support ‘Untitled’
Clicking on the links below and purchasing through them or our affiliate accounts at B&H Photo Video, SmallRig or Think Tank Photo helps us continue our work for ‘Untitled’.
Olympus M43 lenses – B&H
Panasonic Battery Grip for Lumix GH3 and GH4 Digital Cameras – B&H
Panasonic DMW-BGGH5 Battery Grip – B&H
Panasonic M43 lenses – B&H
Panasonic Lumix DC-GH5 Mirrorless Micro Four Thirds Digital Camera – B&H
Panasonic Lumix DC-GH5S Mirrorless Micro Four Thirds Digital Camera – B&H
Panasonic Lumix DC-GX9 Mirrorless Micro Four Thirds Digital Camera with 12-60mm Lens – B&H
Panasonic V-Log L Function Activation Code for DMC-GH4, DC-GH5, and DMC-FZ2500 – B&H
Paul Leeming’s Leeming LUT One 801 for Panasonic Cameras Including Lumix GH5 and GH5S is Available, More Versions to Come We have been following Australian director/cinematographer Paul Leeming's progress in creating, refining and updating his Leeming LUT One…
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