#specifically talking about the enjoyers of the new characters

[meowsticmarvels]

dont fuck with p5t fans theres like 5 of us

[tequilamoonrock]

// i know some people aren’t happy with the new chapter update but honestly i really like it!!! i think the new killer looks super cool and her power is really fun - it definitely works better on indoor maps where you can trap commonly used areas. PLUS the new survs are super cute do not be surprised if thalita enters my muse list very soon!!

the main thing i thought was underwhelming was honestly just her mori, and even then i like it - i just wish it wasn’t a carbon copy of freddy’s tbh

ALSO the update to macmillan’s estate????? is so fun????? i got a match there and immediately started exploring and i hid among the mannequins and the killer found it funny enough she didn’t immediately kill me

[flowerandblood]

Ask Game for readers who would like to tell their favorite authors that they love them and their work

copy, paste and send to your favorite writers the phrases that you think best reflect their work and make them smile

👀 eagerly await updates from you every day ⏰ admire how fast you write and that you publish regularly 💀 your scenes of violence grab me by the throat 💌 love your answers to other people's asks about your stories 🤡 love the way your characters use irony 💖 adore literally everything you write 🥵 your smut scenes make me die of thirst 💔 your angst scenes ruins me every time 🍓 your fluff scenes always make me feel pleasantly blissful 🩸 living for your terrifying, disturbing psychos 🎀 you describe tender, soft intimacy wonderfully 🧠 love how your brain works and how you solve plots 🌺 you make me root for your heroes every time 🍄 love how crazy some of the scenes you write are 🩰 have been waiting for a writer like you all my life

🌞 reading your works cheers me up and makes me feel better ⭐️ everything you write draws me in immediately 🎨 Iove your references to art, history, mythology, culture 💡 your ideas are always fresh and surprising 🧸 often go back to your old stories to re-read them 🍀 you can describe emotions and feelings perfectly 📗 when I read your story I feel like I'm reading a book 🧩 adore how you connect different threads together 💐 love your female characters and what they are like 🧶 your dialogues are as if real people were talking to each other 🧊 the changes your characters make don't feel forced 💎 you perfectly portray the mind and thoughts of your characters 💧 there were times when I cried reading your stories 🌌 I love that your stories create whole additional universes 😱 your fics have amazing, unexpected plot twists 🎵 specific songs remind me of your stories 🍇 your intimate scenes are written with great taste 🍆 love the way you write male characters 🪀 your stories are very easy, quick and enjoyable to read 🔮 when I think that nothing will surprise me anymore, you do it 💣 you can build tension in your stories incredibly well 🎬 love to imagine your stories as if I was watching a movie 🎱 you write very satisfying, non-obvious endings 🎩 while waiting for your new chapters I read old ones 🧛‍♀️ crave your new stories like a vampire craves blood

[scourgeofmyownbrain]

Edit: I MADE AN UPDATED ONE GO LOOK AT THAT ONE IT'S BETTER I CITED MY SOURCES AND SHOWED MY WORK AND EVERYTHING

Ladies and Gentlemen, Bitches and Bastards, Witches and Wizards, Mothers and Fuckers. Esteemed robot enjoyers, I present to you a semi-accurate height comparison of Bumblebee across the multiverse (as of July 2024). This really helps visualize the truly staggering differences between universes, at least height-wise. Also, three of these characters are Canonically the Same Guy; guess which ones.

I spent way too much time on the chart in the back it's not even funny. I will probably make more height charts for more TF characters and universes in the future. Don't expect it soon though, because when I make these, I am fueled by pure I-Got-Bored-At-Work-And-I-Have-Decided-To-Fool-Around-With-Robot-PNGs, and that fuel supply is inconsistent at best.

Hey Fun Fact, Did you know that Generation 1 Optimus Prime is around 19 Feet Tall? Bet some of you already knew that. I have no ulterior motives for bringing this fact up, what are you talking about.

My height explanations are below the cut, because you couldn't shut me up if you tried.

In an order:

Gen 1 - ~10 feet (the wiki says greater than 3 meters so I rounded up to the first whole number because round)

Netflix Cybertron Trilogy - ~10 feet (He looks identical to Gen 1 so... the reason his photo looks weird is because I couldn't find a good full body photo with him standing straight up facing the camera so I put two images together to make the worst looking photoshop job you have ever seen)

Earth Spark - 10 feet (There is no confirmed height yet but using a screen shot of him standing in front of a barn door I was able to make a reasonable guess.)

Animated - 12 feet (I have no genuine source for this, I think this info is just someone's guesstimate, but it seems reasonable. He's a tiny two door mini car, how big could he be)

New Live Action - 15 feet (The wiki hath declared. Also do we have a name for this universe because we need one I don't want to keep saying like 6 words to differentiate this one from bayverse)

Bayverse V1 - 16 feet (This is like the first 3 movies minimum, I don't remember when he hits his growth spurt. also wiki my love)

Cyberverse - 18 feet (I'm gonna be honest, the only info we have is from a really shitty screen shot of a magazine. SO if any one has a copy of this book from the video below, a high quality scan would be greatly appreciated and I will kiss the ground you walk upon. Yes I found the video where the screen shot comes from leave me alone)

Bayverse V2 - 18 feet (movie 4-5 I can't remember which one, I'm not re-looking this up. I fucking love the bayverse tho, this is the only universe with concrete and consistent this-character-is-this-height info)

Aligned Cont. WF/FOC - 20 feet (video game info screens you god send, kiss me sweetly)

Aligned Cont. TFP/RID15 - 21 feet (I do not know exactly where these numbers were found, but I fully fucking believe them. Just by looking at these characters on the show I can verify these numbers in my mind. They made specifically this universe to be full of freakishly tall robots for some fucking reason.)

And for any one who doesn't know, the three tallest are the same guy. Like the 20 feet tall one and the 21 feet tall ones, same guy. The ones in three wildly different art styles and designs. Let that sink in...

I fucking hate the aligned continuity why is that one my favorite.

[alexanderwales]

Turning Off Your Brain and the Critical Lens

Alright, let's start with this: there is a thing called a critical lens. It is a way of looking at a piece of art, examining what it's saying to us about itself or its subject or themes or whatever.

There are many critical lenses. Because this is something that's mostly only taught at the college level, most of them are (in my opinion) mired in academic language and not actually all that interesting in and of themselves: I think if you read a dozen stories through a feminist lens, you really start to think "okay, yeah, I get it". Different readings of different texts through different lenses can be great fun though, and it's one of my favorite parts of media criticism, and something that I wish people were more explicit about.

I'm going to talk about the Barbie movie, because it's easy. The feminist lens is obvious and in my opinion intended: it's the thing that the movie is most trying to be about, and as a consequence, it's something that probably has the most critical meat. But you can also read the movie through other lenses, and ask what it has to say about capitalism, about race, about neurodivergence and queer theory and game theory and a bunch of other things.

Some of these readings are Unintended. The author (in this case, hundreds of people working together on the film) did not intend for you to look at the movie to see what it's saying about, say, American Imperialism. Probably.

I personally enjoy unintended readings. I like teasing apart a book to see what it's saying about different things, and how it's saying it, and what the assumptions it's operating under, and whether this creates anything interesting when I bring a different set of assumptions. I think the writers and actors of Winter Soldier were not trying to say anything in particular about masculinity, but fuck it, let's watch the movie and think about it.

Sometimes people will watch something and recommend that you turn your brain off. Sometimes they'll say this to you just as you're about to start in on some critical analysis of something that definitely was not made with that critical analysis in mind.

Here's how I think of "turning off your brain": it's a critical lens. It's not a critical lens in the sense that academics might use it, but you're looking at this piece of media from a specific viewpoint, and that viewpoint is "omg they're in love" or "fuck yeah" or "no, don't go into the basement!". There are certain pop genres that greatly benefit from being viewed this way, at least in terms of pure enjoyment.

When I sit down to watch a romcom, I can do it with male/female social dynamics in mind, or I can do it with "aw, I hope these kids get together" in mind. One is the intended reading, and I don't think that it should get all that much privilege for it, but I do think generally it can result in better enjoyment. I love media criticism and consider it to be one of my main hobbies, but if you fall in love with one particular way of viewing media and only use that single one, you're going to have a bad time.

I write and generally enjoy rational fiction, which comes with its own lens, which I guess we can call the rational lens. If you sit and view a work through the rational lens, sometimes you can have fun with it: you try to work through the systems as presented and the actions of the characters and think about how you could make everything make sense. The way to do this that's not very fun is to look at a work through the rational lens and conclude that the author is dumb, the characters are dumb, and the worldbuilding is shit. I guess this can be fun if you have a sense of smug superiority, but I personally do not.

One of the things that I love about media criticism is that you can sometimes extract weird and new things out of a work. One of the things that I love about fanfic is that you can take a deliberately strange reading of a work and then write as though that reading was true. You can look at Batman and say "what does this say about income inequality" and then start writing and say "this is about income inequality now". You can look at Winter Solider and find a reading where Cap and Bucky are gay and then write it out.

Where I think people fail in a way that's personally annoying to me is that they take their preferred reading and then loudly claim ("ironically" or not) that this is the One True Reading against which no other readings can stand. Sometimes "that is not The Point of [thing]". I think you get that a lot from the "shut off your brain" crowd, but I've seen it from other places too, and I would attribute it to people talking past each other, sometimes not even realizing what critical lens they're using.

If you're talking to me, you can just say "non-preferred lens" and I'll understand, or maybe I'll say "wat" because I might forget this blog post moments after I write it.

[ohnoitstbskyen]

Hey, so I made this account because I thought it was the best place to reach you for this. I was able to attend EVO2024 and got to talk with a lot of the devs for 2XKO. I thought you'd like some of the insights I found based on your latest Braum trailer reaction.

When asked about the more pastel style for the new beach background, they said they were experimenting with slightly different styles for Bgs and seeing what fits (they also mentioned how the map felt like a breath of fresh air given how little moving parts there were in comparison to the others). They actually have a whole post-processing system in place for backgrounds to quickly adjust color values, shadows, and lights in case visual noise does become a concern.

You were also spot on with the difference in facial bone density between Braum and the other more serious characters like Darius or Illaoi. Braum was specifically modeled for that expressive animation fitting for a strongman.

Interestingly, a lot of the LOR elements from Braum's kit were actually a necessity in redesigning his move-set for a fighting game. Designers needed to come up with new ideas to fill in certain gaps in his playstyle, and looked to LOR and other media for inspiration. This feels a lot more natural then Riot forcing the homogenization of the leauge universes which I do not think was a factor in creating Braum afaik.

A final thing I'd like to add is there are actually very few animators working on the project (around 3-4). Since 4-5 champs are constantly being worked on at the same time, animators are constantly jumping from champ to champ as bits and pieces of each character's kits get finalized-- which I thought was a very cool pipeline structure.

Anyways I hope you found this either informative or enjoyable and wish you a good day!

Oh that is REALLY interesting! Thank you so much for sharing this!

[imthepunchlord]

How would you rewrite Chloe’s arc in Season 2?

So, personally, I would've just gone ahead and redeemed her. There are various reasons to do so.

She's strongly color coded for Bee, suggesting she would get it. It would be weird if she didn't (shame they didn't do the same to Nino, especially learning that Peafowl wasn't even lost originally, it was added to Volpina last minute).

There were promos and building up confirming she was going to be a hero, and implications that she was going to be part of a team and working with the heroes.

And with the introduction of Lila, and the implication that she was going to be a new antagonist, you didn't need two mean girls to be against Marinette. Much less sorta 3 with Kagami who dabbles in the mean girl trope. Only exception is to have multiple mean girls is to have them face off against other characters than just Marinette, but they're set on that so there should be some sort of change.

Chloe getting a redemption and being a hero is a natural go to.

So Chloe's redemption, I believe, should start off with a loss of power. Something that will humble her for she cannot continue as she is.

And as I've talked about using Lila to push the agenda of Chloe's redemption before, let's talk about another option: using Audrey herself.

Audrey easily could've been another means of pushing the Chloe redemption agenda. She could've been a solid foil to Chloe, by being mean and ruthless, but she's actually hard working, dedicated, and lives with integrity for her career. Things Chloe is not.

And excited to have her mom here, as this is love not freely given, making Chloe want it, it's dashed when Audrey is unimpressed and unhappy with Chloe and how she is.

For not only does Chloe not do her own work and lives live in leisure laziness, living off her parents hard earned money (at least in Audrey's case), but having the audacity to steal another inspiring designer's design and hire an designer to copy it at a competition that Gabriel Agreste hosted (Audrey's never been so embarrassed), Audrey is here to give her entitled daughter a reality check.

She cuts Chloe off on all of her enjoyments.

Sabrina is banned from the hotel. The butler is expected to go over Chloe's work to make sure it is hers and not Sabrina's.

Chloe is expected to get a part time job. She wants to spend money, she needs to spend her own. She'll get the rest of her saved funds at 18.

And, Chloe is to get involved in the fashion industry. If she's going to tarnish it with her laziness and arrogance, she's going to work to make up for it. Specifically, she is going to approach the girl she stole from and make up for her actions.

And at first, it's all terrible for Chloe.

Homework is hard. It's bad enough that Chloe has to stay after school to get a mentorship by the teachers (as no student wants to mentor her, except for Sabrina, who isn't allowed near her, and Adrien but he's busy). At first, Chloe did discover that she could trick Bustier into doing her own homework for her, but Audrey caught on quick and mean Mendeleiev took over.

The part time job was impossible. Chloe kept getting fired. But it wasn't her fault!

Most customers were beneath her service!

They couldn't expect her to touch out of season clothes!

She had to leave work early because she got dirt under her nails. A clear emergency.

There was no way she was going to wear a hairnet, that was going to ruin her hair.

Chloe was just starting to think her mother would let it go when Audrey put her foot down and had Chloe work for her own company, and Chloe was not allowed to quit or be fired, and was to do the work or else she wouldn't be allowed in her own suite. She would have to sleep on the second floor suites.

The threat was scary enough for Chloe to suck it up.

And the worse one... Chloe needed to go and make it up to Marinette. Chloe dragged her feet on this so much that Audrey dragged Chloe there, apologized to Marinette first, then pressured Chloe to apologize. She told Marinette that Chloe here was to work for her and make up for her dishonesty. When Marinette tried to back out and say it's fine, Audrey insisted.

And so Chloe become Marinette's assistant. She would model for her. She would go fetch materials Marinette needed or help carry things when Marinette went out shopping.

It was weird for both girls and neither of them liked it.

But under Audrey's critical eye, Chloe kept up with all these awful changes to her life, but at some point, there was a shift.

Chloe was able to solve a problem without Mendeleiev's guidance. She did it on her own. She... actually felt proud of that. She wondered what else she could solve without the teacher... Oh! And she'll have to show this off to Adrien and Sabrina tomorrow!

At her part time job, Chloe got her first paycheck. And that felt really good. Money she earned herself. This was hers. Not her father's. Not her mother's. This was Chloe's own money. She was so happy that she, weirdly, didn't feel like spending it. She wanted to hold onto it.

And, extra weirdly, she and Marinette are... talking. They're discussing the big name fashion designers and their thoughts on them. They share their criticisms, or the ideas of what they would like to see. Chloe is even sharing her own thoughts on what Marinette creates and Marinette listens and considers it. And Marinette has actually crafted attire and accessories with Chloe in mind, something that is just gifted away, no strings attached, given from someone that doesn't love her unconditionally like her father does. It kinda... felt like it mattered more. Daddy gifts her items so freely that many of those items she just throws away, but anything Marinette gives doesn't feel like that.

Gosh, who knew Marinette had actual tastes? And she didn't quite mind being around her.

Chloe had to wonder what was the world coming to?

Chloe though did still keep her mean streak. Anyone that irritated her or when she bored, she would pick on. Though when Marinette said soemthing, she backed off a lot more than before. She reasoned it's because technically her 2nd boss. But it did make her annoyed. And Cesaire's smug face added to it.

But one day, Lila starts to mess with Marinette and without thinking, Chloe intervened, roasting Lila while she had the chance. It ended poorly as Lila became an akuma and came after her, but Ladybug offered Chloe a lot of praise, much to her glee. And then, Ladybug presented Chloe with a little box.

A box that evidently held the Bee Miraculous.

"Honestly, you're more wasp than a bee," Ladybug said, the box still in hand.

"Excuse me!?" Chloe gasped in full offense.

Ladybug continued, "But I think you're on the way of becoming one. And maybe Pollen will help you get there."

The box was set in her hand, opening on it's own, and in a flash of light and a warming greeting from a little bee thing, dawned the day Queen Bee arose to work with the heroes, bringing her own mean sting to the team.

[cheeseanonioncrisps]

Something I never hear anyone talk about in the 'why are Young Adults (late teens to early 30s) reading so much Young Adult (teens) fiction These Days' discussion is how surprisingly difficult it can be to transition from kids books to adult fiction.

And I don't mean in terms of content. Forget themes, characters, plots, etc. I'm talking pure practicality.

As a kid, most of the books you read are calibrated to you exactly. Your local library likely has a 'children's' section, and that section is likely split into smaller sub-sections based on age group. 0-5, 5-8, 8-12, teen. A lot of your interests and experiences are pretty easy to guess at based on average developmental stages (eg. most 16-18 year olds will relate to Coming Of Age stories), so it's probably pretty easy for you to walk into a bookshop or library and find a book aimed at you specifically.

But get to 18 (or younger) and start straying into the 'adult' section, and suddenly nothing is calibrated anymore. When people complain that all 'grownup fiction' is about white middle class heterosexual couples going through angsty divorces in their mid-forties, this is what they're complaining about. They can't find books they can personally relate to, or that are about topics that they are interested in.

And yeah, sure, books shouldn't have to be relatable to be good or enjoyable. But there's also nothing wrong with wanting to read a book about young people, when you're young. Or queer people, if you're queer. Or people from your particular culture, religion, or ethnicity.

Even if we ignore the relatability aspect entirely, there's also nothing wrong with wanting to read a fantasy book that isn't just 'Tolkien but drearier' or a sci-fi that wasn't written by some guy in the 1960s who thought that women were just another kind of alien.

The problem is, fundamentally, that finding the books you like amid the haystack is a skill that most people are not being taught.

As a result, when they get past YA and try using the old tricks of just picking up whatever is on the bestseller list at the moment, or whatever their local library is currently touting as their 'book of the week', they frequently end up with something that isn't suited to their tastes.

And maybe they love it and it opens up a whole new genre that they'd never considered, but more often they hate it but feel obliged to slog through because this is a 'grownup book' and they have decided they want to be a 'grownup reader'.

A few times being burned like this, and they come to the conclusion that all adult fiction is boring, and that the people who read it are all either mature geniuses of the type they could only hope to be, or slogging through like they were and only pretending to like it.

Thus they run back to the familiarity of YA—which is fine, to be clear, there's nothing actually wrong with reading YA as an adult— but there's every chance that somewhere on the bookshelves is a potential favourite author of theirs that they will now never know because they were never taught how to find them.

[asleepinawell]

sorry if this seems a bit out of the blue, but ever since youve been posting about fallen london, im a bit curious about it! What is the game about and where can I get it?

oh no worries! I'm happy to ramble about it

fallen london is a free to play browser game you can find here. the basic premise is that sometime in the 1800's the entire city of london is engulfed in a swarm of bats and then falls through the earth into a cavern a mile below. this is the neath, a huge underground cavern where london sits on the shore of a vast ocean. queen victoria is still around locked in her palace being a typical shitty british monarch, who, amongst other things, decided that 1900 was cancelled and we were just going to have 1899 for a second time

things are a little...different down there. humans are far from the only ones running around. there's devils, rubbery men (think mind flayer vibes), clay men, and the shadowy cloaked figures running the bazaar (and the city) called the masters. death mostly isn't permanent and the dream world is a little too real. also, most importantly, cats can talk! and there are tons of them! and tigers too

it's got victorian, gothic horror, dark humor, lovecraftian vibes. also it's extremely queer as is everything the dev, failbetter games, makes. something I especially appreciate is that you don't have to give your character any particular gender (though you can) and some of the little avatars are very gender neutral:

since it's free to play it comes with the normal things that type of game has such as real money transactions (completely optional and unnecessary for enjoyment (though some of the bonus side stories you can buy are extremely cool)), limited number of actions you can take (max of 20 at a time and refills 1 per 10 minutes). it is definitely grindy too though there's so many things to do (cannot emphasize the insane amount of content enough) I will usually just switch things up every so often

it's single player for the most part but you can ask friends to assist you in certain actions and there are some specific items that can be sent to other players

(if you like the setting but not the free to play part you can check out mask of the rose which is a visual novel they just released set right after london fell. it's a romance but with full aro and ace options (which I actually preferred) and a murder mystery. that one is a normal just buy the whole game deal and I think it's on most platforms. there's also sunless seas and sunless skies which take place in the same world but are a very different type of game and would require their own post. all of these have great writing in them)

but back to fallen london. it works based off of 'storylets', or little short stories when you usually do a skill check to accomplish something in return for advancing the story, levelling your skills, and reward items. you unlock more and more things as you go and get access to new stories and areas. here's an example of one of the little activities and its resolution

since it's a game designed to be able to play endlessly there isn't really a way to lose or game over. you can die but dying is just a minigame of its own and sometimes even a thing to do purposefully. (the only actual way to die is the notorious story called seeking mr eaten's name which you may have seen me post about, which is a very unique story that will permanently erase your character at the end. why you'd ever want to do that would also be its own post. it's pretty hard to stumble on accidentally I think and extremely well-marked as a thing with severe consequences that you probably shouldn't do. or should you...)

anyway I'd definitely recommend giving fallen london a try if you're interested in the premise and aesthetic

[kale-of-the-forbidden-cities]

Della Vacker post

I made this doodle of her while i was supposed to be working on artfight refs, but not to worry! i finished those just in time today :>

notice the Vacker registry pendant and prime sources chain. Notice how anxious she looks!

and now for the playlist which will make more sense after you've read the headcanons. You don't have to think it's perfect or in character, that's okay, it's just stuff i came up with

and now under the cut is my 15 page google doc thoughts of Della Vacker, from when she started dating Alden to Legacy-ish?? warning i think they get worse as they go, don't focus on the stuff after book 1 time, i'm not sure if i like it as much as i do the other as far as writing and wording goes and stuff

if you do take the time to read this, comment on it as much as you want!!! it feels good when people point out specific parts hehe

TW: mentions of eating disorders and ~uncomfortable age gaps~

Alden and Della had sort of an arranged marriage, with Alden on Della's match lists when she was sixteen, and her parents saw and were delighted to see a Vacker as her number one, but Della tried to argue, saying he’s a hundred years older, but by the time Alden got his next list she was nineteen and invited to his Winnowing Gala. Della was standing among all these girls who were mostly at least 30 years older than her, and she was terrified. She didn’t feel good enough to be there. She felt out of place. But Alden’s parents seemed to really like her, though she couldn’t tell if that was because they actually did or if it was just because she and Alden were each other’s top matches. She felt super weird about it, and he felt weird about it too, but despite the age gap, they were kind of pressured into getting together. 

And at first it was sooooooo awkward. They didn’t feel comfortable around each other, and Della still felt like a kid next to him. Not to mention the sheer perfection of him, and the other Vackers. This is where some other headcanons start coming in, with Della not feeling perfect enough, and she began to develop an eating disorder. 

This whole thing is so stressful for her, but her parents are happy, and Alden seems happy, who is she to ruin it? She was once an enjoyer of gossip, but now she's part of it, there were speculations about her from the very first date with alden, and she's not used to it! She's not used to being in the spotlight! 

Della: (surprised) I'm... I'm in the news? 

Alden: Oh... Yes, that happens. 

Della: ... But I only just started dating you- is- is that even public yet? 

Alden: No, but we did go out yesterday... 

Della: ... but I'm not a Vacker... I can't... (trails off) 

Alden: ...

Della goes for a walk in Atlantis and feels everyone watching her, and she can't take it, she feels like she's crumbling under the pressure (even though not that many people were actually looking or saying or thinking anything bad, but she saw a few people glance her way, someone pointed at her and whispered) and she breaks down, tears start to well up, and she tries to get somewhere to be alone, but it's Atlantis, she can't just leap away, she has to go back the way she came, and she's crying and she can't breathe and people are really staring now and really talking about her and someone tries to come help but she doesn't think that's what they're there to do, she runs away, she's running through crowded streets until she finally makes it out, and once her bubble thing lets her go she sits on the ground and sobs.

And of course people saw this whole thing, and they were talking about her all over again, but this time it wasn't just speculation about her relationship with Alden, this time it was people saying she wasn't fit to be a Vacker, that she was unstable and unpredictable and mentally ill for... crying? Well then, she can't let anyone see her cry ever again.

And at some points she wishes Alden would leave her or break up with her or something but after the stories and stuff about her were published he just hailed her and asked if she was okay. And this was before she'd read them. He seemed to care about her, and Della just thinks she's bringing shame on him, but he assures her that she isn't, and it's okay, and that it will blow over and that there's no reason to worry.

She becomes very familiar with that phrase, and learns to take it to heart. She's okay. He's okay. Everything is okay. even when she feels like dying, even when she realizes she hasn't eaten in three days and almost passes out in public and she feels terrified whenever she goes out with him and everything feels like too much and goddamnit why won't he leave her what does he still see in her why couldn't she have just enjoyed her after-foxfire years normally why why why???

But then as Alden cares for her and he doesn't leave her and he smiles for real, his smile is so unlike all the pictures she's seen, it's so soft and small and hesitant and his eyes look so gentle and happy and oh prime sources, after three years she's really falling for him and oh no this is awful, she feels so conflicted. She wanted him to leave her but now she doesn't want to leave him. 

After four years they finally share their first kiss, and it's... real. 

It's by no means a long kiss, but it feels like forever, time slows as thoughts race through Della’s mind and she thinks oh no. And then they pull apart, and she's tearing up, and mentally beating herself up for it, which only makes her need to cry more, and she can't breathe but Alden doesn't seem to get it, he's confused, he looks hurt, he asks whats wrong, so she chokes it down and tells him she's okay, just... really happy. I get emotional, she says with a forced laugh. 

And she accepts her fate. 

She’s trapped. 

Unless Alden ever has a sudden change of heart, she can't go anywhere.

Della was raised religious, but it wasn't nearly as strict as the Vackers. That's another thing she has to get used to - she has to carefully learn every ritual, all the history she might need to know, she doesn't want them to think she's not good enough. She has to fit into this family, and if she's a square in a circle hole, then she'll just have to cut off her own corners to fit. 

She didn't really expect it to go this long - she had three boyfriends when she was in Foxfire, but they all went by super fast, obviously. And they were never serious. But Alden was serious. Her parents wanted her to be serious. the Vackers were serious. 

Alden and Della obviously took things very very slowly, mostly due to the age gap and how uncomfortable they used to be around each other. They'd kissed twice after five years of dating, and it still feels so... new. They're careful in public, Della isn't herself anymore. She used to be so much happier. Now she's an empty shell, and sometimes life doesn't feel worth living.... but she's okay, she's okay, she's okay. There’s no reason to worry. Everything is perfect! She learns how to force a smile when people begin speculating about her mental health again... and she's not eating. She doesn't feel perfect enough. She hates her body, her face, her hair, she hates how ugly she feels standing next to Alden, her boyfriend, though that word feels wrong on her tongue. Even after a decade, she still messes up, says the wrong things and gets weird looks and she feels like the world could swallow her up, she could get murdered and it would be her fault.

Alden of course notices this, because, duh, he's not blind, but he doesn't know what to do. He waits for a few months, trying to let it pass because he's not good with words and... maybe if he pretends she's okay, she'll be okay. he just has to believe it and treat her as he has been - he does care, he just doesn't know what to do. He's trying to believe, but it's getting so hard to pretend because oh god she just collapsed in the middle of the room and she's not waking up and he's not very strong but he can pick her up easily and take her to the couch and he sits by her as he waits for a physician and he's trying so hard not to cry, but maybe she's worth crying over, he's so scared for her. Pretending everything was okay wasn't what she needed at all. He should have done something.

Della obviously ends up fine, but she doesn't talk to Alden about it. He apologizes and asks if she's okay, and she assures him he is, she says sorry, she promises to do better.

And she’s okay. 

She takes a deep breath and forces herself to eat. 

To prove she’s okay. 

She even hides the scale from herself for a few months. She's okay.

Well, now that she knows her limits she can be even better than before. 

Time flies by, and Alden and Della are closer than ever. They're not as close as the average couple that has been dating for a year, even though they've been together for ten, twenty, thirty. They love and care about each other, but there's.... something. Della gets better! She makes friends with some of Alden's friends, Grady and Edaline. They're also much older than her, but she's older now, too, so age shouldn't matter like it did when she was nineteen. Still, she feels the need to be polite in the same way she is to Alden's family. Despite that, it's... nice to be around them. To have conversations with Edaline while Alden is out, to have friends! She hasn't had those since the world started to judge her! Nobody wanted to be caught up in that kind of drama. She meets Edaline's sister, and they get along even better! Until she runs into her in the street and they talk for a while, and then the next day there's a picture of them in the news! Juline is a bad match, how could Della forget how could she mess up so badly how could she be so selfish to want anything for herself, how could she have slipped up like that!!!

She apologizes to Alden as soon as she sees him, then stops talking to Juline. Edaline has seen the article, and while this kind of thing doesn't matter to her, she understands why it would matter to Della. She's observant. She can tell that Della isn't okay. She and Juline talk, and they agree to let her go without asking questions. She clearly doesn't need more stress. Della is anxious to talk to Grady and Edaline for a bit after that, but when she does, they don't even bring up her suddenly cutting Juline off. Della wonders if she should bring it up, but she doesn't want to start trouble. So she pretends everything is fine and resists the urge to ask Eda how her sister is doing. 

This would be the time where Della would start visiting the Forbidden Cities and learning how to defend herself - going to the human world is freeing, but it comes with its risks. She's cautious not to get caught, and she's careful not to get hurt while she's there. In the Forbidden Cities, nobody knows her. She learns both how to hold her Vanishing for a long time, but also how to resist the light passing through her with each step she takes. Humans definitely don't blink in and out of sight as they walk. She learns a human language (in my headcanon it's Spanish, which she later teaches to her kids, while Alden teaches them English). She’s interested in human culture.

Luzia gifts Everglen to Alden, and he has it rebuilt, because the pressure to make things permanent with Della is starting to grow - he's been in relationships before, and they've all gone by so fast compared to this one. He feels differently about Della, he's actually gotten to know her, he thinks he's seen her at her worst. Della hears the whispers about marriage and gets terrified. She could really be Radelle Vacker. It's not the name she tried on at thirteen, fantasizing about marrying into the family, just for fun. It's an actual possibility.

Della had been living in an apartment since her twenties, she never felt like she could handle getting attached to a house the way most elves do. Besides, she liked the limited space - there was less to do with it, less options, but so many ways to decorate and make it hers. Unlike everything else in her life. Just because she appreciates beauty and fancy things, well, it doesn't have to be big to be beautiful. That was her place of peace. But then... Alden suggested she move into Everglen with him, after it gets rebuilt. And how could she say no? She can't. She hasn't said no to Alden once in all these decades. Not like he was too sure of what to do, either. Their relationship was the best pace it could have been for the two of them. And so Della moves into Everglen, and... gives up her apartment. And Everglen is big. It makes her feel small and anxious. But she'll get used to it. One time she had to cross the house to get a cup of water in the middle of the night - it was so eerie. She kept a cup by her bed from then on.

Another thing she gave up was her trips to the Forbidden Cities. She still wanted to go, and definitely could have, but she just stopped being able to find the time to visit as frequently, and eventually stopped going altogether. 

Now that they were living together, of course, people found out and started saying things and making more assumptions about Alden and Della's relationship, things that Della did not even feel nearly ready for - and they're not even married! They don't even share a room, let alone a bed! She feels kind of gross when she thinks about it for too long. but she's okay. She's getting good at this.

Until, to "celebrate" or whatever, Alden's parents suggest a family gathering at Everglen. Of course, Della is there. She already felt uncomfortable around Alden's parents, so she didn't expect it to go that well, but she wasn't expecting the sheer number of fancy intimidating and perfect Vackers that were there - she felt like scum next to them. And with the way some of them looked at her, she might as well have been. She made herself eat so they wouldn't go making assumptions about her health or mental well being, but after dinner, she excused herself and threw it all up in the bathroom. It wasn't even on purpose, she just felt that nauseous. She couldn't stay away for too long, though, because this was Alden's house, and being Alden's girlfriend, she'd surely be missed. So she gathers herself and returns for dessert, which she isn't able to stomach much of. She didn't notice until that night, but Alden seems so... stiff. And unnatural. Around the rest of his family. He's smiling, but that's not his smile. Della knows his smile! And she starts to wonder if Alden ever feels like she does. Despite how much he truly seems to belong here. Unlike she does.... she's not good enough.

And then Alden stands up and says he'd like to announce something, and he talks for a bit, then he mentions Della and she's forced to focus and listen and she doesn't even remember what he said, just that he wasn't looking at her, he was looking at his parents, while talking about her, and then he reached into his cape and turned around and kneeled down and

“Della, will you marry me?” 

And she freezes up and everything stops and her heart pounds in her ears and she feels like she might throw up again and then she chokes up and looks Alden in the eyes and the tears come before she can stop them, but she doesn't stop them because.... people cry at proposals all the time. It's normal. It's... an emotional moment. That's why she's crying. She's just. so. happy.

So she covers her mouth with her hands and says what she knows she has to say.

“Yes.” 

Except it's muffled and squeaky and choked so she nods to get her point across, she slowly stands up and steps towards Alden, and something in his eyes changes as he wraps his arms around her. Understanding, maybe? He's just as trapped as she is, isn’t he?

She cries into his chest, but they're definitely not happy tears. She can force a smile and pretend they are, but that doesn't make it any better. For a moment all she hears is herself sobbing and Alden's heartbeat, pounding much too hard for someone who could be truly at peace. Then the applause starts, and she cries harder, making herself feel even sicker. But this is the first time she's let tears fall in - no, has it really been a year? Has it been more? Less? She doesn't know. But it's been a while. And it's all coming out at once and the rush of hands clapping is taking over but she has to breathe. breathe. breathe. Alden rubs her back, and she focuses on that, she focuses on his smell.

And she breathes. 

In, out. 

She’s okay. 

She’s crying, but she’s happy, right? 

How could she be anything but happy? 

She’s… engaged. 

To Alden Vacker. 

So many people would give anything for this. People would crash weddings for a chance at marrying Alden Vacker. The world envies her. She even loves Alden! And she knows she does!

So why isn’t she happy??? 

Where’s the feeling she’s been missing for so long? 

She stands by the door as the Vackers leave, squeezing Alden's hand as she nods and smiles at each of the Vackers leaving. She's never even seen most of them. She recognizes Alden's parents, and of course Luzia Vacker, Fallon Vacker, Orem Vacker, and a few others she's read about in elvin history. She really is a part of them now.

But she doesn’t feel good enough. 

Her smile falls as soon as the last ones leave, and Alden isn't looking at her, and they need to talk about what to do, they need to talk about what happened, they need to celebrate, they need to...

Alden speaks up first. 

And he says,

“I’m sorry.” 

And he walks away. 

Della stares after him, feeling the light pass through her. She doesn't know how to feel. Alden just apologized... for proposing to her? She should feel hurt, but... she gets it. She's sorry, too.

She goes back over to the table to clean up all the plates left there, with the intent of getting her mind off of things, but... it's a giant table. It's overwhelming. She sits down and takes a half empty glass of wine that isn't even hers. She takes a deep breath and releases it in a long, slow, sigh.

She doesn't even finish the glass, but she feels sick like she's had five or ten. Or, she feels like what she thinks it'd be like? She's never actually gotten drunk, but she knows it can make you throw up. In any case, she knows she will not be getting drunk tonight. She needs to keep it together. She's okay.

The next morning, they act like they normally do, but they both know of the unspoken tension, the hurt and guilt and shame because of that disaster of a proposal that neither of them wanted to do yet. Especially not like that, in front of the Vackers. Della used to fantasize about her dream proposal - it would have been somewhere beautiful, maybe under the stars, remote and quiet. Certainly not in a well-lit room with every Vacker looking at her. She imagined tears, but she also imagined being happy. She imagined looking into her lover's eyes and smiling softly, and kissing them. Not whatever happened last night. 

But who is she to complain...

For a week, they try to pretend everything is like it was, like it has been... But then they both realize that it will never go back. They can’t go back. So they start planning the wedding. And we all know how that went. 

If you look closely in pictures taken when Alina was trying to get Alden to run away with her, you might see a glimmer of hope and desperation in Della's eyes, mixed with the shock and anxiety that was there already. For a moment Alden looked like he was about to leave and go with her - but then he snapped out of it. He was being beguiled. 

Of course, it could have just been the angle of the picture that painted that look on Della's face.

The Vackers are all freaking out after the wedding, but most pin the blame on Alina alone, and most are pleased with the end result of it - and they almost seem genuine when they smile at Della now. For once she's done something right? Do they think she handled it well? 

And honestly? Della is much happier in the week following the wedding - it's their "honeymoon period," in which they mostly just stay in Everglen where it's quiet and the world can't get to them. They invite Grady and Edaline over for tea, but that's the extent of their social interaction. For a short while. Then they're expected to go back to normal. They have to go out to work, they have to talk to people, and of course endure the speculation on what other things they could have been doing during that time. 

Now Alden and Della aren't great at communication but at this point with all the rumors and expectations to continue the Vacker family line, they do have to talk about it at some point. They just.... might procrastinate a bit.

Until finally, Della is the one to bring it up. 

She asks if he wants kids and he blinks, then says he doesn't know. He asks if she does, because if she does, he'll go along with it, of course. But she says she doesn't know either. They sit there at the table for a few minutes, neither looking at the other. They're not used to talking or making decisions together. Most of their decisions had been made for them until now.

So they wait a bit longer, until the pressure from their families and society becomes too much and they agree that they do want kids, even though they're still not sure. Except they've never even slept in the same bed... so they start there. And it's nice, actually. They no longer feel awkward just being around each other, and sometimes they cuddle, without saying anything. They'll lay down, and by morning Della is curled up in his arms and they're sharing a blanket. It's nice.

But they know they have to take it a step further eventually... and there's a big difference between cuddling fully clothed and... having a child. The last time Della had ever done anything remotely sexual was when she was a teenager, and Alden has even less experience. They don't even feel comfortable changing with the other there. They don't know how they're going to do this.

Okay, so they think, "well, Grady and Edaline have a kid, maybe we should talk to them.” And so they do! Which is like, really big for them, opening up and communicating and talking about their relationship with someone else - it's big. And scary. But... they're in the same boat. They're in this together. And soon, almost a year after they said they would... They have a child.

Both of them are really scared, because they didn't exactly have the best relationship with their own parents or the best childhood, and when Della finds out she's pregnant, she tells Alden immediately, and... he cries. He tries to pretend he's just happy, but Della has pulled that trick too many times for it to work on her. She sits by him, takes his hand, closes her eyes, and quietly admits that she's terrified. She tells him her fears about not being a good parent, and Alden is nodding along. He feels the same. He takes her hand, kisses her forehead, and promises that they'll do this together. But they have to talk about things, just like they're talking now. Della touches his cheek, wiping off a tear, and says, "I like it when we talk like this. It feels good." she leans on him, and he holds her.

And Della learns to take better care of herself, because it's not just her. She's actually eating every day, especially since Elwin noticed that she was a bit underweight when he first checked her. She grows more and more anxious the more time passes, and is constantly hailing Edaline to ask if x thing is normal for pregnancy. Edaline helps calm her by telling her baby stories about Jolie. She even gives her some of Jolie's old baby things, and Della is very grateful. Alden is just as stressed, and spends lots of time taking care of Della and figuring out what to prepare. When it was too early in the pregnancy to really start setting up a room yet, he tried to baby proof the entirety of Everglen, which is obviously impossible with all the wide staircases and tile floors and fancy crystal and sharp corners. But he tried. He settled for baby proofing the part of the house where Alvar's room was going to be, right by Alden and Della's room, then adding a baby gate in the hallway. This was not his idea, he was still trying to do the whole house when Edaline had to stop him.

Grady and Edaline bring Jolie over a lot and she tells them all about all the stuff that used to be hers, and when they knew Alvar's gender they let her help choose names. Being a brutally honest child (I think like 9 or 10, correct me if I'm wrong) she made a face at one of the names Alden suggested.

Of course, preparing for Alvar wasn't the only thing stressing Della out. They tried to keep it on the down low for a while, but of course the world found out about Della being pregnant. And there were so many predictions and speculation and people were even bringing up her "mental health struggles" (not that she doesn't have those, but they literally just saw her crying in public once) and wondering how she could be a good parent and how her child would turn out as an adult. Edaline saw how this was getting to her and told her to stop reading them so she wasn't as stressed, and finally convinced her by saying it'd be better for the baby if she could like. chill out a bit. 

And then Alvar is born, and everyone cries, and yes, Della is stressed and anxious and scared but they are happy tears! She can't help but smile as she looks at Alvar, so small and fragile and she wants to shield him from the harsh reality of the world. Alden seems almost scared to hold him, like he's afraid he'll break him if he messes up or does something wrong. He sits down by Della so she can help him make sure he does it right. Grady, Edaline, and Elwin are there to help if needed. Jolie is at Brant's house (I believe they’ve met by now). Della closes her eyes and breathes, and the moment is so... perfect. really, truly, perfect.

For a long time, things are great! they really couldn't be better... Alden and Della aren't perfect at parenting, but they're doing their best. They're managing a balance between their work and family fairly well. Like I said, they're not perfect. They do mess up. A lot. And they're super hard on themselves. But... they're trying. Alvar is growing up fairly happy, and when Jolie is old enough, she (and sometimes Brant) babysit him sometimes. Alden and Della are closer than ever with Grady and Eda, and Jolie, too. For the Vackers, the Ruewens are the first example of a healthy family that they've gotten to see.

Now, they say all good things must come to an end. 

Della is the happiest she’s been. Ever. 

And then Jolie dies. 

Everything fell apart then. the Ruewens were like family to Della and Alden, and Jolie was almost like a daughter or niece to them. And for Alvar? She had been a part of his life before he was even born. His special stuffie belonged to her, and he couldn't even fully grasp the concept of death yet. He kept asking where Jolie was, and Della couldn't explain it to him. Alden couldn't either, he'd never been good with words. Della had to keep telling him that she went away and she's not coming back, trying to explain death while still reeling from the shock of the news herself. At one point she got up and locked herself in the bathroom for a while, away from Alvar's questions and away from everything. Alden spent most of his days in his office, working. Della, on the other hand, had to take a break from work for a while. She knew the moment she left Everglen, she would be judged for grieving, grieving wrong, not grieving enough - whatever she did, it would be wrong. And it wasn't even her child who died. She wanted to comfort or help Edaline and Grady somehow, but she couldn't. She couldn't even get out of bed for a while. Alden didn’t really know this, because he'd been sleeping in his office.

All of this really affects Alvar's little child brain, but we can talk about his trauma another time. The planting happens, and the Vackers are right at the front. Alvar has finally gone quiet, and he seems to realize that she's really not coming back. He tries to go over to Brant after the proceedings, but he's kinda... unstable. Alden tells him it's time to go, so Alvar gives Brant a hug and goes back to his parents.

Even though they got that bit of closure, they're still broken. There's a wound that cannot be healed. A hole that cannot be filled. Della's mental health plummets, and for a bit, there is nobody taking care of Alvar. He plays alone in his room until he gets bored and goes to his parents room, where Della is usually curled up in bed, thinking too much and not thinking at the same time. Alden comes in one night and lays down next to her, reaching out his hand like they did when they were still figuring out how to be comfortable together. Della places her hand on top of his, and they sit there for a long time. Alvar comes in and crawls between them, placing his tiny hand on top of Della's. The three of them fall asleep there. 

Slowly, they recover. In a year they're seemingly okay again. But nothing is the same. Della and Alden are more distant from both each other and Alvar. And the wound never healed, only scarred over.

And whether that feeling of something missing affected their decision to have another child is up to speculation, but they did have another child. Part of it was also because Della felt like she had failed Alvar, that she had let him down when Jolie died, and she didn't know how to talk to him or fix things. He wasn't doing bad in Foxfire, he was actually doing better than Della had. But Alden didn't seem to think it was good enough. Or rather, his parents didn't. Alden didn't really seem all that bothered by anything Alvar was doing. He had a habit of getting too wrapped up in work, especially after Jolie died. But Alden's parents sometimes hailed him or came over, mostly to tell him how disappointed they were in how he was raising Alvar. And Della heard them blaming her, a few times. But she didn't know how to fix it. And he was still a level one - surely he had time to turn out okay?

They end up having Fitzroy Alden Fallon Avery Vacker, whose initials they did not think through (Jolie would have thought about it). But this time they feel like they're having this child alone. sure, it's their second one, but there's still no one to just... be with them. Help them. Della is still anxious, but she has no one to stop her from looking at the news, no baby stories to look back on except Alvar's, though even his have turned sad. Jolie was there for so many of them... 

Over time, they become a lot stricter with Alvar. And as Fitz (and Biana) grow older, both Alden and Della begin trying to force them into perfection. Alvar is so different and so unwilling to fit into what their family is supposed to be that Alden and Della have all but given up on him. And for Alvar, well it obviously doesn't feel great to be given up on, which really only makes him further apart from the others. He feels out of place everywhere. At home he isn't perfect enough, he has too much of an attitude, he's placed last in priority. At school, he's a Vacker. He can't escape it. It's who he is.

Prentice's mind break (if I'm mathing correctly) happened while Della was pregnant with Biana. And Alden was never really the same after it. He'd never been very talkative, but he became more distant than ever. He barely left his office, kept forgetting to eat or drink water or sleep. He got better over time, but he still smiles much less than he used to.

When Biana is born, the public doesn't really know how to feel about her. Two children is fine, but three? Isn't that pushing it a bit? So Biana grows up with people asking everything of her, but half expecting nothing. She was so scared she wasn't even going to manifest (which is a bit unrealistic but with the way things were exaggerated, she thought being talentless was very likely. Della was also very afraid of this possibility).

The happiest years for anyone in this family were from when Alvar was born to when Jolie died. Things don't seem like they'll ever be better.

Alden is forcing Fitz and Biana to be perfect to protect the family legacy. Della is forcing them to be perfect to protect them. She knows how cruel the world can be. But her “protection” doesn't come across in the best way. At home, she subtly brings attention to all their little flaws, and when they go out, she makes sure they hide them all. When they cry, she gently tells them not to, that it's okay, that they're okay, everything is okay.

After Alden recovered from the mind break, he suddenly started talking to Alvar (who was struggling a lot with Neverseen stuff and depression and an eating disorder at the time) more. And he wouldn't let Della know what they were talking about. Della stopped trusting Alden. Not that she ever truly had, but this was different.

And Alden and Della grew further apart. Nobody would know, of course, since when they're out in public or when others are around, they act as in love as ever. But sometimes they go all day without talking to each other. Della spends time with Fitz and Biana, takes them places, teaches them how to survive in this family. She teaches them how to be the best version of themselves. They are 3 and 5. Alvar is at school most of the day, and out doing... whatever until nearly sunset. Della could ask, but Alden seems like he has it covered, so it doesn't really matter. She knows she's starting to be apathetic again, and she doesn't want to be, especially when it comes to her kids, but it's so hard not to.

But then Alvar enters the elite levels, and Alden starts spending more time with Fitz. He keeps him in his office all day, but then Della goes in once and Alden is alone. Where is Fitz? She asks him, and he informs her that he's at a friend's house. Where did Fitz get friends? She should be happy for him, but something about all of this feels so wrong. But she doesn't press further. If she shows that she doesn't trust Alden, will people use that against her too? So she doesn't even question it, and instead works on becoming closer with Biana, so Alden can't take her away, too. Maybe she's being overdramatic about it, but that wrong feeling hasn't gone away. Maybe it's just anxiety. Maybe she's fine. No, she is fine. It's not a maybe. She's okay. Their family is okay.

This also creates a divide between Fitz and Biana, who used to be close as little kids. But now Fitz is disappearing every day, and Della is keeping Biana away from him and Alden, and Alvar never comes home, except briefly during breaks and weekends, but then he goes to stay stars know where. Fitz and Biana have vastly different personalities. Biana has learned to be confident and defensive, while Fitz... well, he doesn't know how to act around people. He's learned to depend only on Alden, because nobody else trusts him and he can't trust anyone else. The golden years of this corner of the family are far behind them, and now all they have is perfectionism, distrust, and a facade.

Della thinks that by bringing attention to all Fitz and Biana’s little flaws and imperfections, by pointing them out in subtle ways, she thinks that will give them a chance to "fix" them before the world notices and attacks them for it. She tells herself she wishes someone had done this to her before she had to learn for herself to be perfect. 

Fitz started going to foxfire, and Della can tell he's not really okay. Did they ever get him enrolled in tutor sessions? Maybe that's where he's been going off to? She hasn't been paying enough attention. They used to have dinner together as a family every night, but then Alden got busy, Fitz started bringing his food up to his room when he started school and became swamped with way more homework than what can be good and normal for an eleven year old. So Della usually ended up sitting at the table with Biana after making some food. She figures this is a good meal to skip. Two meals a day is more than enough.

Suddenly, everything changes. Suddenly, Sophie is there, and Fitz seems so much less tired. He seems less stressed. He joins Biana and Della for dinner, and sometimes even Alden sits and eats with them as well. Things are far from perfect, but Alden is smiling genuinely again. Only sometimes, but it's there. Della decides she likes this change. But she also realizes something...

Fitz was always either away or sick, Sophie was in the forbidden cities, where there are lots of human illnesses (she knows from experience). Alden never told her why he had Fitz get up so early to talk to him alone, Alden never talks to her anymore, goddamnit- what was Fitz doing? Alden couldn't have found Sophie. He couldn't have, she knows for a fact he never leaves! He was meeting with the council right before Sophie arrived with Fitz, in her strange human clothes, and Fitz was wearing human clothes and prime sources, she's thinking about this too much and she can't breathe - this has been going on for so long?? How could she not have seen?

No, she needs to stay calm. She... needs to talk to Alden about this. He's been busy today, but she takes two plates of food to his office in the evening, gently opens the door, and sits by him. Alden clearly thinks this is unusual, but she can't tell if it's in a positive or negative way. But that's not important. They need to talk. After a few bites of food, she prepares the question. Were you sending Fitz to the Forbidden Cities? she prepares it in her mind, has it on the tip of her tongue, she opens her mouth to speak, but what comes out instead is...

“How was your day?” 

Alden blinks, like that's not what he was expecting. It's not what Della was expecting either. But she's not ready to confront his lies, she's not ready to face the reality of the danger Fitz was in for quite possibly eight years? And that's how Alden and Della end up sitting in Alden's office for hours, having the longest, most normal conversation they've had in years. They sit together and watch the sun set. Della leans on him. She missed having someone to hold her. Alden missed the feeling of being loved.

Alden and Della sort of work on mending their relationship after this, but they don't really talk about Fitz and what Alden had him do. Della never feels ready to bring it up, and eventually she puts the whole thing out of her mind. After all, Fitz is fine, it's like it never happened. But it did happen, and she doesn't notice the ways this affected Fitz because she's too busy pretending everything is fine and forcing him to do the same! Sometimes it's less pretending and more just. lying to herself. Trying to trick herself into believing. One of the ways she's done this for herself these past decades is telling herself that other people have it worse. If someone is suffering more than her, her pain doesn't matter. going to the Forbidden Cities kind of ingrained this in her brain more, as she saw people who were literally starving to death on the street, and here she was, living in this fancy mansion with a good husband - after all, he's not abusive or anything, and she really loves him. Things are just… weird, sometimes. And she sort of ends up passing this mentality down to Biana and Fitz? There's a time in Flashback where Fitz says it's only fair that all this is happening - because everyone else in the friend group had a really hard time at least at one point in their life, and usually over a long time - he's fine! He's had it good. How could he complain?

Alden went to Exile with Sophie in book 2, but nobody knew about it. Well, nobody was supposed to know, until Sophie transmitted to Fitz and got him all freaked out. All Della really knows is that he got hurt on a mission from the Council, and he really didn’t seem to want to talk about it. When she tried to ask, he used the “no reason to worry” phrase three different times in that conversation. He was clearly stressed and upset about something, but he convinced her to drop it. He ended up falling asleep in his office that night, but that happens sometimes. Everything was looking bright for everyone else, until the Opening Ceremonies. You all know what happened there, so i’m not gonna go into it, but when Alden’s mind broke, Della was devastated. As far as everyone knew, he wasn’t coming back. He was dead, they had a planting for him. She didn’t eat for days. Alvar was basically taking care of the whole family, because Alden was gone and Della spent most of her time by Alden’s side, trying to bring him back. Alvar tried to convince her to leave every day, until one day he snapped and yelled at her, he’s gone and he’s not coming back, stop hoping. It was the same kind of thing she had told him when they lost Jolie. 

But unlike Jolie, Alden did come back, and the Vackers tried to erase the phase of their life where he was gone. They wanted to pretend that Keefe was right, that everything had gone back to perfection in Vacker Land. But this kind of thing leaves a lasting effect. They were afraid to even talk about what had happened with Alden, for fear that he’d break from the guilt of being gone and affecting them like that. Della still visits his Wanderling sometimes, not to mourn, but... for some other reason. There’s something surreal about looking at the tree, knowing full well Alden is okay at home. 

Another quick thing I want to touch on is in book 3 when Alden and Fitz went to help with Fintan’s mind healing. Della and Biana spent the afternoon and evening together, trying to do fun things to take their mind off of things. But then they heard about the fire and saw pictures before Alden and Fitz had even come home, and they understandably freaked out. The fire had consumed half of Eternalia, how could they have gotten out? How could they be okay? But they were, and both Vackers were strangled with hugs as soon as they got back. 

Della went with Fitz and Biana to join the Black Swan, partially because she wanted to, partially because she felt she should keep an eye on them and keep them at least semi in line, and partially because she wanted to escape the world and their pressing stares. And Everglen, a little bit. Juline was there, of course, but Della didn’t really know it was her. 

When Squall wasn't busy and didn't need to rush home, Della actually ended up talking to her a bit. Della was a little more honest (key word a little) with her because she obviously wasn't like the general public - she's a Black Swan member. At one point Squall actually thinks Della is about to call her out on being Juline when Della tells her she reminds her of someone she used to know, and hey, she's a Froster, too! But Della seems genuinely unaware as she sort of explains what happened with this old friend of hers - she's a bad match, and Della was seen talking with her... and she felt like she had no choice but to cut her off. Squall listens, but only half processes it because she's waiting for the "you're Juline aren't you?" But it never comes. 

After Alvar’s betrayal, Della knew a lot of people blamed her for how he ended up. After all, how could Alden Vacker have gone wrong? It was clearly Della’s influence that caused this. And she blames herself, too. She gave up on him. She didn’t talk to him enough. This whole thing also made the distrust in the Vacker family a lot worse - either Fitz or Biana said in Lodestar that it was like their parents wanted to know everything they’re doing, every place they go. They didn’t trust them. Fitz and Biana were growing closer after everything that had happened the past few years, but Della and Alden didn’t trust them, didn’t trust each other. This led to a lot of arguments between them and the kids, maybe not screaming matches, but raised voices and slammed fists and fighting back tears. When Keefe joined the Neverseen, Fitz shut himself in his room until school started again. He got quieter, and started to feel like he couldn’t trust anyone, even his sister, who he’d been taught to keep secrets from at a very young age. Della wanted to fix this somehow, she didn’t want to lose them like she’d lost Alvar - She wouldn’t give up on them. But she ended up just becoming overbearing and seemingly nosy. She thought she was helping. 

If I remember correctly, the others got told that Squall is Juline in Lodestar when they came to pick up their kids from Rimeshire. Juline gathers everyone and says she has to tell them something, and when she reveals it, Della's smile drops faster than it ever has and she feels blood drain from her face. Juline never looks directly at her, and Della is panicking, thinking about how Juline must hate her. She wonders if she should try to push her away more, but... at this point what does it matter? Fitz and Biana already spend lots of time with Dex, and they just slept over at the Dizznees- she joined an illegal organization with them for stars’ sake! So... it's fine. It's okay for her to be here, at rimeshire, talking to Juline. The world is changing, and people have bigger things to talk about than Alden Vacker’s wife sharing a conversation with Juline Dizznee. As they leave Rimeshire, Juline meets her eyes and offers a small smile. Della nods in return. 

When Alvar had his memories wiped and returned to Everglen, Della was determined to help him. She had this second chance, she wasn’t going to ruin it. She wanted to really believe he’d changed. But then Alvar got his memories back, and in front of the whole world at the celestial festival, he told everyone how his parents had given up on him. Della and Alden were watching that entire thing, as the world watched them, and Della couldn’t breathe. She watched Fitz threaten to kill Alvar, and for a few horrifying moments she thought she was about to lose both of them. And it was her fault, wasn’t it? That’s what everyone said. They blamed her. Alvar blamed her. She wouldn’t be surprised if Fitz and Biana blamed her, too. 

Ever since what the world has canonically deemed the “Scandal at Everglen,” things in the Vacker family have not gotten better. Alden had been talking to Fitz about matchmaking for a while, encouraging him to pursue Sophie as a romantic interest. Eventually they do get together. Della tries to be happy for him, but she still sees this and thinks, maybe give them time. If she could go back, she would have wanted to enjoy her life before committing to the Match forever. She’s almost relieved when Sophie and Fitz don’t work out. She thinks it’ll be better for Fitz in the end. She knows he’s been isolating himself from his family, from the world after the Scandal at Everglen, which is understandable. They all seem to think he’s crazy. He’s seventeen, and he almost killed his own brother, right there. But Della was watching, too, and she saw that it was Gethen doing the manipulating. Using the right words, would they make Fitz turn out like Alvar? The thought still chills her to this day. 

I don’t really have a good way to wrap it up other than I don’t think anything good will be happening to the Vackers anytime soon (except Biana, she seems to be doing relatively good compared to the rest). But yeah those are my Della thoughts :) 

Lastly, art tags:

@cutebisexualmess @void-kill @lemon-girl-in-devil-town @keefe--sencen @tastetherainbow290 

@myfairkatiecat @awful-amateur @aspenaspenaspenaspenaspen @necromycologist @cosmxc-ars3hol3

[absolutebl]

Do you have any recent recommendations for JBL TaiwanBL and KBL? Been rewatching only bls from 2021 2022 and I feel like I'm out of the loop for the more recent ones.

Maybe something from this year or late last year?

Great JBL, TaBL, and KBL from 2023 & first half 2024

asker added:

Genre = mostly anything. But pls avoid homophobic trauma (like Jazz for Two).

Fair. Okay here we go!

2023 Recs!

I picked mostly 9s and 10s for you with a few 8s I felt specifically might suit your taste.

I Cannot Reach You AKA Kimi ni wa Todokanai

Japan Netflix

This classic friends-to-lovers BL is everything Japan does best. Angsty. Emo. Aching. Driven by real thirst. Yamato is deeply in love with his childhood bestie, Kakeru, and has been for ages, unable to hide his ungainly damaging high school need. He wants Kakeru in every way possible and it oozes off of the screen. Kakeru is silly and a little simple, but not frenetic or overly camp about it. He is earnest, and genuinely wants to keep Yamato in his life which means giving a romance (and gayness) a fair chance. We watch him realize his affection and what form it can take in a truly authentic way. This show was impossibly kind to both of its lead characters and I felt almost honored that I got to watch something so lovely and rare play out on my screen.

Our Dating Sim

Korea Viki

This is a perfect short form KBL, an office set reunion romance featuring geeks that really suits 8 eps with no fluff and no chaff. Just comforting and yummy. I adored every aspect from the casting to the pristinely simple premise to the quietly smooth execution. Sure it’s low stakes, but that makes it high domesticity and extremely warm and gentle. This is a fuzzy blanket of a story - a cozy BL. It lives in my rewatch pile and you know what’s best about it? Every single episode is in that pile. There’s no skipping with this one, it might be good natured and calmly sweet but it’s tight and the pacing is excellent.

I don't hand out 10/10 often (over 700 BLs watched, stil don't hvae 10 10/10s yet), these both got that from me in 2023. I consider both of them perfect BLs.

My Personal Weatherman AKA Taikan Yoho

Japan Gaga

This style of live action yaoi really only works from Japan. Basically: boys who fell in love in college end up living together but both are so repressed they actually don't realize they're in love. It's higher heat than we usually get from Japan's HEA stuff, and that part is also very well done, but it leaned into the "why don't they just talk for fuck's sake?" trope which is only exacerbated into undiluted frustration by the fact that they're already fucking. It's great, but watching requires more patience than usual, even for Japan.

Our Dining Table AKA Bokura no Shokutaku

Japan Gaga

A lonely salaryman (+ talented cook) gets accidentally adopted by a college kid and his little brother. I was always gonna love this show if they stuck to the original yaoi (which is very dear to my heart). And they did! Paralleling it almost exactly. It’s a quiet & cozy little parable of found family alleviating loneliness. Possibly too slow for some but definitely high up there for me as the best of what Japan can do with softness (like Restart After Come Back Home). It’s only flaw (if I dare say such a thing) is that it is not really “romantic.” Lovely & sweet but the romance beats are being used to build a family relationship, not just couple intimacy, but that's OK with me. This is a very safe show for anyone to watch.

Jun and Jun

Korea Viki

A delightful office romance about an ex-idol who joins cubical life only to find his new boss is his first love. Others boys are sniffing around too. Operative word being "sniffing" as much of this romance involves smell. With a snappy (sometimes even raunchy) script, enjoyable sides, a pretty as peaches cast, and descent chemistry this show made up for in style what it lacked in substance. I like fluff. I loved this. I smiled every moment I was watching. With tons of rewatch potential (especially the last few eps), my only caution is this is for fans of the BL genre only, I don’t think it’ll work for anyone else.

Love Tractor

Korea iQIYI

Most of this country-set BL had me feral for the beautiful broken city boy and his hot young farmer. Hyung romance, puppy/cat pairing, open frankness meets jaded reserve, language play, water hose frolicking, only one bed, just all my favorite tropes. This show was basically a light-weight Restart After Come Back Home and I’m not even slightly mad about that. But (and you knew there was a “but” comg) something about the cringe of the final 2 eps and the impermanence of the ending (both of which highlight the fact that ultimately these 2 are I’ll-suited: too different and too far apart) left me with the feeling that they probably won’t last as a couple. However, in this case, rare for me, I forgive it this finale for my love of the rest.

The New Employee

Korea Viki

So good, SO QUEER, so soft, a near pitch perfect office BL with conflict derived from that setting. Also found family and a lesbian bestie. Sweet & innocent (and out) Seung Hyun scores the office internship of his dreams. On his first day at work he gets into it with his cool reserved (and also v gay) boss. As you do. Frankly? This is what I wanted from this new crop of office set KBLs ALL ALONG. Rainbow rice cakes forever! Directed by queer activist Kim Jho Gwang Soo (Just Friends?) partly set in the same neighbourhood as the To My Star house. Gotta love WATCHA (Semantic Error, Light on Me).

Unintentional Love Story

Korea iQIYI

OMG the plot, forced into a totally understandable betrayal, falling in love despite himself, put into a corner he can't get out of, the AGONY, the eyes EMOTING at us in PAIN A boy who just lost his job due to faked corruption charges accidentally discovers his ex-boss's favorite artist, now a recluse. Evil manager offers him his job back if he can convince the artist to rejoin society. Instead, they fall in love. I found the artist a bit stiff and reserved but Gongchan (maknae of B1A4) is a fucking GIFT - he carried this show (which I do not expect from the idol element). He was lumous with extraordinarily expressive eyes, just drown in the emoting abyss. The external conflict, social tension and pressure is complex and beautifully executed, plus Korea gave us legit side dishes (NOT a love triangle, hally-fucking-luya). I’m not sure on rewatchability, and it didn’t whip me into a verbal frenzy the way some KBLs do, but it still gets a solid 9/10 for those damn eyes alone.

A Breeze of Love

Korea iQIYI

Tsundere insomniac grump reunited with his sunshine jock ex (human sleeping pill) who now hates him. Basketball is also involved. While the simplicity of a reunion plot makes this more cohesive than most KBLs, it is a tad stiff and slow, never managing to lift itself out of "pretty and pretty enjoyable" - I liked it but I don’t think I’m going to remember much about it. 

Bon Appetit

Korea iQIYI

Romance between an office worker the man from his past next door who cooks well. It was very sweet and cute tale of food as love in the All the Liquors family of KBL. I’m not wild about it, I did enjoy it, I was happy to have it show up on my dash, but ultimately it will simply become one of the KBL crowd.

Why R U?

(Korean adaptation of Thai original) iQIYI

Korea decided to remake, of all possible Thai BLs, Why RU? And that is exactly what we got: a short form, clean & pretty, slightly confusing, uneven chemistry, all the same tropes KBL that kind of cliff-noted the original but with none of the heat or complex relationship dynamics. I just … what world is this? Because it is BOTH bizarro land, and EXACTLY what I expected. How do I rate it? In the end I have to go back to simple questions: did I like it, would I rewatch it, and would I recommend it? Yes. Probably. And probably not. What the actual hell?

It did, however win my best kiss of 2023 which is why it's on this list.

Stay By My Side

Taiwan Viki

I wanted to pick SOMETHING from Taiwan but my other two options both had lots of trauma in them. So I'm going with this one.

This show was an interesting take on the "ghost boyfriend" trope. About a boy who is tormented by hearing the dead, except when he is around one other boy - desperation+proximity = love. Unfortunately, the story was erratic and waffled about. While the leads turned in solid performances and the sappy domesticity was off the charts, it never really had the strength of the narrative convictions such a strong concept should have supplied. Highly rewatchable and enjoyable for that sappy domesticity but not a whole lot more. Still I always give extra credit for the diabetes-inducing sugar content and rewatch capacity.

And some suggestions from 2024

I'm only suggesting stuff that has finished it's run and isn't currently airing.

Although I Love You and You AKA Sukiyanen Kedo Do Yaro ka

Japan Gaga

The promise of this show, younger cook courts older divorced office worker, should have been my catnip. I mean if someone pitched this to me in an elevator I would have downloaded it by the second storey. Unfortunately, it did not exactly fulfill that promise, not in the way I'd hoped. Did I still enjoy the ride, yes, but I feel just a little let down.

Living With Him AKA Kare no Iru Seikatsu

Japan Gaga

Kindly Ryota goes to uni and ends up rooming with his former childhood bestie, Kazuhito. Kazuhito doesn’t have a girlfriend for, as it turns out, cute roommate reasons. Same director as Old Fashion Cupcake, the framing is gorgeous and it is a stylish piece. As a friends to lovers cohabitation narrative this was a classic 2000s sweet yaoi. I enjoy that kind of tradition out of Japan even if it (and the characters) come off as a little slow as a result. Still, it's nice to get a traditional BL out of Japan that is satisfying, not slapstick, AND did not hurt us.

[ianthe-is-a-bitch-and-i-love-her]

Someone You Can Build a Nest In was, in fact, pretty good, but it went in a different direction than I was hoping for and I'm not sure how to feel about it.

The story follows Shesheshen, a solitary shapeshifting monster who hunts the travelers and merchants that pass through her territory, along with the occasional monster hunters who come to slay her. She is rather lonely, and reminisces fondly and lovingly about her mother, who was slain when she was young, and her father, whose body she grew inside and who she ate her way out of when she was ready to be born. On her hunts, she keeps an eye out for someone who might make for a similarly loving parent to plant her own eggs in. After a close encounter with some hunters while in a roughly human shape, Shesheshen is nurses back to health by a kind woman who has mistaken her for human, and promptly falls head over heels. Before she can get around to explaining her true nature and enquire about how her newly beloved would feel about being a parent, they are both drawn into a new and concerted effort to hunt down the local monster - Sheshen herself. Hijinks, of course, ensue.

The thing that immediately captured me when I started reading was how well the narration captured Shesheshen's fundamental inhumanity while still making her layered, complex, and intelligent. Her visceral emotional reactions are shaped by her biological nature as a predator, and these emotions lead to distinctly inhuman values and morals - Shesheshen places no intrinsic value on human lives and feels no compunctions whatsoever about eating sentient people. Her love and lust are consumptive in nature, and she romanticizes this. The fact that she cannot have her cake and eat it too is something she has difficulty dealing with. But she's also capable of a great deal of sympathy and empathy for specific humans, and the love she has for the father she ate causes her to care a great deal about consent - she doesn't want to consume out of love someone who doesn't want to be consumed.

In addition to her psychology, Shesheshen's physiology is also excellently inhuman and conveyed in great visceral detail, and the way her body functions is very interesting. My favorite parts of the book are the introduction and the denouement, because these are the areas where her psychology and physiology receive the most undivided attention. They aren't ignored throughout the rest of the book by any means, but they take a backseat to the plot, which is why I feel a bit conflicted about the book as a whole. I was really enjoying the in-depth character study of the introduction, and would've really liked to have the whole book be in that vein.

The plot, to be clear is not bad - it's honestly quite good, and it delves heavily into themes of generational and familial trauma, self-sacrifice, the normalization and romanticization of profound harm, and the difficulty of growth and self-actualization, all while being fairly entertaining and well-executed as a story. I think its themes were a bit heavy-handed in places, and I think some of its exploration was hobbled and flattened by the book's queernorm setting, but I won't relitigate that old argument here. It was suitably gripping and solidly entertaining.

I think the central relationship was solid and compelling, though again, I would've liked it more if the whole book had been focused on a deep exploration of their characters and dynamics. There's a lot of rich ground to the basic premise of "monster falls in love with human, wants to express that love in a way that is actively dangerous/horrifying to the human, doesn't know how to talk about it", and the story layers additional complexities onto that dynamic that are very compelling, but for as much of that interesting ground that the book explored, it left plenty more untouched. One detail that I did find both novel and enjoyable is that both the love interest Homily and Shesheshen herself are all but explicitly sex-averse asexuals by human standards, which is something I have not encountered in a lot of media. The exploration of that experience is not particularly deep because, again, queernorm, but it is present and it was compelling.

This was a really unique and compelling read, though, and I expect it to be one that stays with me. Given my own interest in body horror and inhumanity (shameless plug for Memoirs of a Flesh Eater in the notes), I wouldn't be surprised to see some influences from this book in my own writing going forward.

On the whole, I definitely enjoyed this book and would definitely recommend it, but not without a few warnings. Body horror is a constant element in this book; Shesheshen's shapeshifting is purposely off-putting, and she eats people. This is described in substantial detail. Also, there is a lot of parental and familial abuse depicted, much more than you would expect from the basic premise, so go in prepared. On the other hand, though, if you're looking for a true gothic horror tragic toxic doomed romance or a heavy character study that really plumbs the depths of an inhuman psyche, you will probably be frustrated by how close it comes to being that without actually being that.

[keepingmyoptionsfluid]

I don't know who needs to read this, but people who are pro Buck and Tommy having a healthy relationship with good representation on screen, whether it goes the distance or not, are not automatically against Eddie having a coming out arc.

Like guys chill the fuck out.

I would argue that 7x05 had too many storylines and felt rushed. I'd honestly rather have fewer stories an Episode and each is given proper time (so they don't skip over shit like Buck and Eddie talking post basket ball, or Chim and Buck talking post punch, or Bobby and Athena talking post ship disaster etc). They actually showed the Karen and Hen talks after the Eva storylines and that's so important and good.

Tommy isn't getting screen time without a main with him so stop pretending he is. He's a background character who is currently there to prop up other people's storylines. It's unlikely he will ever be a main as they already have 7 of them. Can you think if you've ever seen a Karen or a Ravi or a Lucy or a Taylor storyline that wasn't there to really be about one of the mains? No.

I am literally seeing BuckTommy enjoyers having to fucking preface their posts with the fact they obviously ship buddie too just so they don't get abused. It's genuinely disgusting that people are more fixated on their specific (and I would defo class it as fetishistic at this point with the obsession some people have with buddie) ship that they would actively damage other people's enjoyment of the show.

This accusation that people don't care bout buddie anymore because Tommy has kissed Buck and Tommy is white is fucking insane. This fandom regularly accuses anyone who says good things about Buck or Bobby of being racist. Maybe, and hear me out, people are happy that they are getting some bi representation? People who have been pro buddie since 2x01 are getting sent hate because they are happy that a character has come out, despite never turning against buddie.

It's literally normal to be watching a show and be like "yes, I want characters X & Y to end up together but currently they aren't and that's not an issue for me". It's a fictional show.

I want Eddie to get a coming out story line and I would not be upset if it didn't revolve around Buck because 1. Eddie is his own person, and 2. I KNOW that if it did revolve around Buck, you guys would immidiately say it's worthless because it's not an Eddie story but actually a story about the "white boy". Like you literally cannot have it both ways.

You can't beg for coming out story lines and then say "wait that's the wrong person they're kissing." It's a coming out story line. It's literally a gateway to a whole new world of stories in the show.

Chill out, go outside, maybe try to enjoy the show you claim to love instead of shitting on it, the actors and the other fans

[exn0bis]

So. Completed Veilguard. I have lots of thoughts.

Regardless, I don't think I'd be saying anything that hasn't already been said.

For my part, I went in with the expectation it was going to be bad. I was pleasantly surprised by some things, certainly by the technical aspects, but it fell about where I expected in most other ways.

But first, the good.

It was extremely refreshing to see a AAA game actually release so well optimized for once. I'm running an older system at this point, with a GTX 1080 TI. Even so, out of the box, I was able to run things on the Medium preset perfectly. After some troubleshooting the latest Nvidia driver, and updating the games native upscaling to FSR 3.x, I was running things on a mix of High & Ultra with minimal to no frame drops. This was way beyond what I expected, and made the play experience more enjoyable. While I do think that, like many games in the past few years, there is some over reliance on upscaling to make it look its best, Veilguard still maintains excellent visual fidelity without it.

On that note, the game is objectively gorgeous, regardless of how one feels about the art style (which I did personally like, too); I'm also extremely impressed how they adapted a simulated strand hair system into something playable in real-time without it being overly taxing. Would love to know the technical breakdown for that specifically, but either way, I would not be surprised if we start to see more games released with something similar going forwards.

Veilguard very much proved you can make something look gorgeous and still have it be playable on more than just the latest and greatest systems, and I hope it will encourage more studios to focus on how they optimize and implement their work.

I also found the general gameplay mechanics to be, overall, enjoyable. I was hesitant going in, as I'm 1) bad at games, and 2) from a CRPG background, so the real-time style of combat is not generally something I'm good at. I was also concerned about the stripping down of party mechanics, etc, that was a big part of the previous games. And while I do wish the party tactics had been a little more varied, I ultimately found combat fun and responsive, and that they struck a reasonable balance between simplicity with party, and overly tactical. It did have way too many buttons & combos for me, but that is definitely a me being bad at games thing and not a fault in the game.

I also was extremely impressed with how smoothly the game transitioned from gameplay to cutscenes, and I really liked the more open maps/elimination of excess loading screens.

Unfortunately, that is about all the praise I have for the game.

I'm not really going to talk too much about the complete disregard for the world state built by previous titles, because I think all that needs to be said about that has been. I agree that, from a development standpoint, they needed to find a way to simplify things. However, going so totally scorched earth that character creation literally states "you don't need to customize your previous choices if you don't want to because it doesn't really affect anything" only serves to insult and infuriate the very dedicated player base.

It's very clear that the goal of Veilguard is to wipe the slate clean for the purposes of rebranding and bringing in new players for future installments/capital. Considering the mass layoffs at Bioware, and EA's generally established business practices, this sort of tactic isn't really surprising, no, and was truthfully only a matter of time. But that doesn't stop it from feeling like a slap in the face.

That being established, the total disregard for existing lore, world state, impact of previous titles, glaring plot holes within Veilguard itself, etc, is unfortunately to be expected. No point in picking it apart individually, as it's all just a symptom of the goal of a clean slate reboot.

Which isn't to say I wasn't cursing at my screen by the end of it, but I digress.

I had hoped I could at least enjoy the game as something new, turn off the part of my brain that associated it with Dragon Age and just play it as a stand alone thing. This even worked for the first chapter or so, as I was really enjoying the exploration and gameplay. And then I started recruiting more people. And the main plot started to really get going. And turning my brain off suddenly stopped helping.

The writing is awful, full stop. It's all incredibly surface level and sanitized, and it treats the player with such ineptitude I started to feel like the game had actual disdain for me for trying to play and enjoy it. If I had a dollar for every time an NPC explicitly repeated a plot point or goal immediately after a cutscene that had already painfully spelled it out for me ended, I would have recouped the price of the game three times over. I get that reading comprehension is at an all time low, but holy shit. I paid for a sweeping fantasy narrative, not a degradation simulator that treats me like a moron.

If we manage to put that aside, we're left with a narrative that spends every spare second trying to convince you of how high the stakes are and how important your relationships will be to get through it... and then never actually manages to deliver on any of it. The game repeatedly shies away from showing you anything actually bad, or building anything actually meaningful.

Yes, we see the Blight being gross and a few choice deaths, but that's it. The mass devastation we're told is constantly happening all over Thedas? The staggering amounts of death taking place? The oh-so-vile practices and punishments of our main antagonists? Anything and everything that has to do with the extremely prevalent theme of slavery? That all happens off screen, if it happens at all. Somewhere nice and clean and safe for it to exist, sanitized of any tension or emotional impact. I cannot decide if the flagrant pacing issues in the narrative are a product of the missing tension, or their own problem.

And those important relationships we're told about follow the same pattern. Even if we ignore how everyone speaks to each other like they're reading the script of an HR Workplace Togetherness video, their personal stories are devoid of the stakes we are assured they have. I wanted so desperately to care about the things these character's cared about, but I left still unconvinced the character's themselves even gave a shit.

And with a shallow plot comes a shallow character; I felt no attachment to any of them, despite telling myself they'd grow on me as I progressed. Of course, I also didn't dislike any of them, either; I just didn't care, and I find that infinitely more damming.

I think what I find most frustrating is that the potential in the characters is there, at least. They're each interesting concepts with interesting themes, and every so often I'd get a cutscene that actually got me to feel something, to react, and I'd get excited thinking 'oh, this must be when it gets good.' But no, as soon as you're out of the cutscene, it's situation normal again. No more feelings, no more tension. That all happened off screen, again. Any emotional turmoil the character in question was in moments before is now gone in favor of Group Togetherness.

Rook is no exception to any of this, either; exactly as tepid as the rest, but coated with an even less polished illusion of substance. This is not helped by the fact that the game makes an active effort to remind you that Solas is the actual main character of this story. Rook, you as the player, are just sort of... there.

The headcanons I've seen from fans do more justice to this entire cast than the game ever does.

In summary, it's sad, I think. It's ultimately what I expected, but it's sad. Many of us have a very deep attachment to Dragon Age, the story and the community that built up around it. I literally met my wife through the Dragon Age fandom. I learned to explore some deeply personal things about myself through how I related to the story and characters because of how much depth and nuance there was to examine. To see all that reduced to what amounts to a very prettily polished turd is just... yeah. Sad.

I'm really happy that there are people who have enjoyed the game. Genuinely. I hope they'll continue to do so. Myself, I'll probably still go on a screenshot binge and enjoy how pretty it looks, too. But Veilguard is very much the end of Dragon Age, for me. And I'm sad about it.

[bugflies00]

Hi! I love your blog and your art! I’m kind of new to DSMP and I was wondering, how do you differentiate between silly CC moments and silly C moments, especially for CC’s who turned out to be bad people? It seems like there’s some times when the lines between CC and C are blurred (particularly within jokes and stuff), how do you make that distinction? 

honestly the only way ive found for it to work is just to consider anything within a dsmp stream to be in character, unless the cc specifically specifies like ‘yeah this is me talking right now’.

its maybe a generalisation but otherwise given how blurry the lines are, especially early on, it would be an absolute nightmare and frankly impossible to attempt to put yourself in the cc’s shoes and evaluate to what degree they are role playing in that moment, especially considering a lot of it is natural and probably not something they switch in and out of consciously.

this also HEAVILY varies based on the cc. think tommy who literally developed mannerisms proper to ctommy that greatly increase the emotional significance and are a complete 180 from his streaming persona (see: the ‘lore breath’) vs techno who was, most of the time, indistinguishable from ctechno because his dry humor that carried over in the rp would often tamper down the emotional intensity of some scenes. it’s impossible to evaluate how much every individual cc, at a given moment, is immersed in a character.

it also avoids the fifty shades of lore ass shit that people were doing on here years ago, with ranking degrees of lore and calling (mostly for less popular ccs…) some if it ‘semi lore’ and criticising more cinematic / organised lore (like quackity) as hyper lore. which was insane .

the risk of getting too much in your head about it is falling down insane categorisations like that, which only result in a headache, even if i understand the anxiety of wanting a clear separation to fall back onto given the context of some of the ccs’ morality.

that would be my advice and its whats worked for me and most people i know, but you should do what works for you, at the end of the day theres really no rulebook about this and its only for your enjoyment :^)

[codenamesazanka]

assorted 408 thoughts

When I first saw this sequence of panes, I thought, wildly and hopefully, that’s Shigaraki Tomura. That could be Shigaraki Tomura, someone who holds the quirk All For One and who, despite everything, is kind.

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It reminds to be seen if Shigaraki Tomura can be stopped. As Deku says himself in Chapter 406, he still haven't come up an answer yet.

Since his first appearances, Shigaraki Tomura is infamous for being childish, talking about fights and battles as if he was playing video games. He's matured since then and his game metaphors have lessen in quantity, but his enjoyment of video games is still significant to his character.

But Shigaraki Tomura is also the one who created the League of Villains, a haven for outcasts and misfits. Twice considers the League the only place he belongs. Toga found life easier to live while with Shigaraki and others. The League is home to it's members, because Shigaraki made it that way.

Part of that is because Shigaraki Tomura is considerate of his teammates feelings and desire. This is core to Shigaraki - even as a child, he went out of his way to befriend those left behind, to include the children no one else wanted to play with. Underneath the layers of bitterness and rage caused by society's rejection, Shigaraki is still someone who cares a lot:

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One thing I really like about the new chapter is that All For One kept Yoichi's severed hand.

Why? Who knows. All For One isn't allowed any real human emotions by the story. But still - All For One kept a severed hand, a memento of a lost one and whatever significance is embedded in that; it's evidence of what he's done - killed his brother - and a symbol of his new purpose - to hunt down the other remnant of Yoichi.

Years later, he would do the same for Shimura Tenko, when he gives the boy the hands of the slaughtered Shimura family. And he intends for them to have the same meanings and purposes - for Shimura Tenko to remember the massacre, and for that memory to spur him onward.

That AFO repeats this gruesome gesture with Tenko, essentially reproducing the same horror he experienced onto the boy who he intends to be his heir. This recontextualizes The Hands a bit - instead of just what seemed to be a sort of unique psychological torment imposed out of revenge against Shimura Nana's descendant, it's also AFO just raising Tomura after himself. It's still a incredibly fucked up cruelty, don't get me wrong, but now it feels less because specifically Shimura, and more because AFO wanted an successor that mirrors himself, down to the same traumatic trappings.

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But of course, Shigaraki Tomura still greatly resembles Yoichi.

Overall, this panel of Yoichi does closely resembles the panel of Shigaraki from Chapter 221. Just— everything from the angle of the face and the direction of their gaze, to the position of the hand.

But based on Yoichi’s expression - the eyes, the slight smile, the whole demeanor - my first thought went to Shigaraki in Chapter 148, when he was telling Toga and Twice that he believes in them.

This is Shigaraki, revealing his face to Toga and Twice, when in the previous panels, it had seemed like he was insensitively ordering them around, without consideration for their feelings, telling them to work with Overhaul who had just murdered their friend Magne. But once the hand comes off - voluntarily, for the first time, facing them straightforwardly - we see a look that convey a lot of things - Shigaraki's resolve in taking down Overhaul, his trust in Twice and Toga, his sincerity in what he's saying. It's Shigaraki with probably his kindest expression in the entire manga.

It parallels the context somewhat too - in Yoichi panels, it had look at first like he was despondent, sad and weak, lamenting that he dependent and was unable to do anything against the evil that was his brother. But instead, with the face reveal, we're seeing Yoichi's own indomitable will and kindness, so much that he still sees the hopeful possibilities of All For One's power.

Both are victims of All For One, but both have always kept their strong sense of self and core sense and desire for kindness and justice.

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If you ask me what AFO and OFA combined would look like, I have to say: Shigaraki Tomura.