#spanish techno
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sasomienspegel · 11 months ago
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vhsxxx · 1 year ago
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mywifeleftme · 1 year ago
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168: John Talabot // ƒIN
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ƒIN John Talabot 2012, Permanent Vacation
My knowledge of contemporary electronic music was basically flash frozen in carbonite somewhere between the years 2010 and 2013, so when I try to talk about what’s going on now I know my face ends up stuck in a stupid expression and that the tortoise shell glasses and white-trimmed American apparel zip hoodie that suddenly cover my rigid body are cosmically stylistically invalid. Fortunately, John Talabot’s ƒIN dropped right in the middle of my flirtation with the genre(s), so I feel okay riffing on it. I was instantly pretty smitten with ƒIN—which is to say it’s in the small canon of electronic releases I’ve spent enough time with to love, and that therefore I continue to slip tracks from it into my wacker-by-the-year playlists on the rare occasions I get the aux at a dance party, and to say further that my doing so probably does Talabot few favours. His smooth, Balearic sound isn’t a world away from the gormless trance music that dominated Ibiza at the time, and the vocal tracks have some indie dance inflections that aren’t super fashionable these days. Still, ƒIN floats out there to me in the World of Forms as a timeless example of dancefloor bliss, and still feels like cool black water running in the gullies of my brain.
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From the drop, ƒIN invites you into a nocturnal world strobed by green light, ‘80s-esque house synths grooving over samples of frogs and crickets and bird calls. Even when an anachronistic touch is introduced, like the cracking 808 kicks that power “Oro y sangre,” the fundamentally organic quality of Talabot’s sound gradually consumes it, like a marsh reclaiming an abandoned structure. Still, no matter how deep into the mangroves he goes, Talabot has the instincts of a big room dance musician. “When the Past Was Present” sounds like Swamp Thing dropping M and cruising Miami Beach, while Tal’s two collaborations with producer/vocalist Pional are definitely intended for feeling someone’s face while gently peaking. What’s kept him from becoming like, Tiësto or something, is that while he wants to move your body on the floor he also wants to take your mind somewhere more spiritual. That’s an ambition that doesn’t lend itself to big emotional swings—but it does make for an album nearly as good in the chair as in the club.
168/365
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horror-aesthete · 1 month ago
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Thesis (Tesis), 1996, dir. Alejandro Amenábar
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daily-spanish-word · 2 months ago
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roof, ceiling el techo
Imagine a rooftop bar on the roof of your house with techno music, so loud that it makes you tetchy.
Can you jump high enough to touch the ceiling?
Where’s Waldo? He’s on the roof. ¿Dónde está Wally? Él está en el techo.
’Waldo’ on a rooftop? It’s a project by Canadian artist Melanie Coles. She built a large image of the iconic "Waldo" onto a rooftop in Vancouver, British Columbia, Canada. There’s a set on Flickr that shows how they made the painting.
Picture by Carolyn Coles on Flickr
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ppek0 · 2 years ago
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brownsugar4hersoul · 1 year ago
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“Music expresses that which cannot be put into words and that which cannot remain silent”
| Victor Hugo |
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n0n-binarypixie · 9 months ago
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👽😢👽
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unhonestlymirror · 8 months ago
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chaunceyandchumleysdad · 6 months ago
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I'm kicking off the weekend with a twofer for the two bands I am seeing this weekend.
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hazardsoflove · 2 years ago
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seeing my favorite band ever tonight but they took my favorite song of theirs off the setlist for this tour so it’s gonna be my first show of theirs where they don’t play it and i’m kinda sad
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jingyi-ma-boi · 4 months ago
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After seeing @thatswhatsushesaid’s post where they encourage anyone to try it out, I’ve decided to put my On Repeat on shuffle and list the first 10 songs that come up too.
1. LALALALA, Stray Kids
2. Vitamins, Qveen Herby
3. Seven, Jung Kook, Latto
4. Sunshine, Steve Lacy, Fousheé
5. Ride or Die Pt. 2, Sevdaliza, Villano Antillano, Tokischa
6. Si Antes Te Hubiera Conocido, Karol G
7. Mamushi, Megan Thee Stallion, Yuki Chiba
8. Do I Wanna Know? Arctic Monkeys
9. A Mí, Reels B
10. Daisy, Ashniko
Anyone who sees this and is up for it, do it too!!! I’m curious to know your music tastes lol.
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vhsxxx · 2 years ago
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redbuddi · 6 months ago
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I think we as a society need to be reminded how good the original Powerpuff Girls was. Here's some of my favorite things about it:
the fight scenes had a level of punchiness and impact that was rare for cartoons of the nineties, and fight scenes that were way better than what one would expect from a comedy
The character writing is so good that a large portion of the show's most iconic episodes consist of just showing how the girls' personalities react to different scenarios, for example in one episode the girls take turns recapping a fight that had just happened, and the tone and art style of the flashback changes depending on whose telling the story
One of the recurring extras is a talking dog that goes about it's day like a normal human
Each girl has mostly the same powers with one special ability that sets them apart. Blossom has ice breath. Bubbles can speak to squirrels and is also fluent in Spanish. Buttercup can curl her tongue.
while the majority of the show is lighthearted comedy sometimes it'll just decide to be nightmareworld for an episode and i think thats pretty cool
The show utilizes a blend of classic upa linework and sixties art deco shapism to create a visual style that is utterly timeless. If the majority of the show wasn't cell animated you would not be able to guess when it came out
The main villain's speaking patterns were directly inspired by The Super Dictionary. AKA, the same book that brought us this:
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You can tell.
In the season one finale, the girls fight a giant monster using a mech suit. During the fight, there is a sequence that is literally just 20 uninterrupted seconds of an absurd amount of missiles coming out of every possible orifice of the robot. And then they miss.
There was an anime adaptation made in the 2000's and its actually pretty good, like it does take a lot of creative liberties but its clear that the people making it understood the spirit of the original show and were just adapting it to reflect japanese pop culture in the same way the og show reflected american pop culture.
The show had an insanely kickass soundtrack consisting of early techno so clean it's kind of shocking that it was made in the late nineties and not the early 2010's pre-dubstep era
satan is there and he serves cunt
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goryhorroor · 1 year ago
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masterpost of horror lists
here are all my horror lists in one place to make it easier to find! enjoy!
sub-genres
action horror
analog horror
animal horror
animated horror
anthology horror
aquatic horror
apocalyptic horror
backwoods horror
bubblegum horror
campy horror
cannibal horror
children’s horror
comedy horror
coming-of-age horror
corporate/work place horror
cult horror
dance horror
dark comedy horror
daylight horror
death games
domestic horror
ecological horror
erotic horror
experimental horror
fairytale horror
fantasy horror
folk horror
found footage horror
giallo horror
gothic horror
grief horror
historical horror
holiday horror
home invasion horror
house horror
indie horror
isolation horror
insect horror
lgbtqia+ horror
lovecraftian/cosmic horror
medical horror
meta horror
monster horror
musical horror
mystery horror
mythological horror
neo-monster horror
new french extremity horror
paranormal horror
political horror
psychedelic horror
psychological horror
religious horror
revenge horror
romantic horror
dramatic horror
science fiction horror
slasher
southern gothic horror
sov horror (shot-on-video)
splatter/body horror
survival horror
techno-horror
vampire horror
virus horror
werewolf horror
western horror
witch horror
zombie horror
horror plots/settings
road trip horror
summer camp horror
cave horror
doll horror
cinema horror
cabin horror
clown horror
wilderness horror
asylum horror
small town horror
college horror
plot devices
storm horror
from a child’s perspective
final girl/guy (this is slasher horror trope)
last guy/girl (this is different than final girl/guy)
reality-bending horror
slow burn horror
possession
pregnancy horror
foreign horror or non-american horror
african horror
spanish horror
middle eastern horror
korean horror
japanese horror
british horror
german horror
indian horror
thai horror
irish horror
scottish horror
slavic horror (kinda combined a bunch of countries for this)
chinese horror
french horror
australian horror
canadian horror
decades
silent era
30s horror
40s horror
50s horror
60s horror
70s horror
80s horror
90s horror
2000s horror
2010s horror
2020s horror
companies/services
blumhouse horror
a24 horror
ghosthouse horror
shudder horror
other lists
horror literature to movies
techno-color horror movies
video game to horror movie adaption
video nasties
female directed horror
my 130 favorite horror movies
horror movies critics hated because they’re stupid
horror remakes/sequels that weren’t bad
female villains in horror
horror movies so bad they’re good
non-horror movies that feel like horror movies
directors + their favorite horror movies + directors in the notes
tumblr’s favorite horror movie (based off my poll)
horror movie plot twists
cult classic horror movies
essential underrated horror films
worst horror movie husbands
religious horror that isn’t christianity 
black horror movies
extreme horror (maybe use this as an avoid list)
horror shorts
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cptkitten · 1 year ago
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The New Pornographers - Sing Me Spanish Techno
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