#source: teen vogue “i dare you”
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dallas and ian be normal with each other for more than 3 seconds challenge (impossible)
#i actually can't stand them idk#source: teen vogue “i dare you”#context: ian dared to put an awkward photo on his ig story#significance: it's the bts for the kiawentiio .5 that is likely actively shaping modern zukka nation#like the art for this picture was chef's kiss#and now. we understand why it exists#so i had to share with you all#their bromance is everything to me#and i cant help but project them onto zukka they've literally told us to#dallas liu#ian ousley
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fuckyeahkimwonpil:
DAY6 Plays I Dare You | Teen Vogue
source: Teen Vogue
#day6#kim wonpil#wonpil#sungjin#jae park#brian kang#young k#dowoon#teen vogue#e: show#era: the book of us gravity
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This roundup covers March 11- March 17. Shadowhunters news, updates, sneak peeks, and behind the scenes. All the stuff you need to stay up to date.
Official Promotion
3x14 Sneak Peek: Magnus & Lorenzo, Clary & Jace, Maia & Jordan
3x13 Sneak Peak: Jace Wants Time Alone With Clary
3x13 Deleted Scene: Magnus and Clary reunite
3x14 Trailer: Magnus is looking to get his magic back ... Watch an all new #Shadowhunters Monday, March 18 at 8pm/7c on @FreeformTV.
Secrets From the Set: Behind the Scenes Season 3, Episode 13: Demonic Twinning Rune
*listening on repeat* Check out the songs from tonight’s #Shadowhunters on the official @Spotify playlist
The official #Shadowhunters Season 3B music guide
@HarryShumJr's dance moves come in handy. #BTS #Shadowhunters
Shadowhunters in the News
3x13 Reviews: Carter Matt, TV Line, Hypable, TV Fanatic, The Series Regulars, TV Source Magazine, Hypable (Worry Report), The Geekiary, Spoiler TV, Pure Fandom, Tell-Tale TV
3x14 Previews: Carter Matt, Spoiler TV, Hidden Remote (scene clips), Meaww, Fandemonium Network, Spoiler TV, TV Fanatic, Meaww (Clary), Carter Matt (Magnus & Lorenzo)
3x14 Promotional Photos: KSite TV, Hidden Remote, Screen Spy, TV Insider
Shadowhunters Debriefs: Interview with Folks VFX
Teen Vogue (video interview): The Shadowhunters’ Cast Plays ‘I Dare You’
Bustle (interview): 'Crazy Rich Asians' & 'Shadowhunters' Star Harry Shum Jr. Takes On The Bustle Booth
Brief Take (interview): Shadowhunters’ Dominic Sherwood
Film Daily (article): Malec forever: We’re still not ready to say goodbye to our fave ‘Shadowhunters’ couple
Access (video interview): ‘Shadowhunters’: Does Dom Sherwood Really Think Clary Should Have Been Killed Off For Good?!
TV Guide (article): Is Shadowhunters' Final Season Also Its Sexiest?
Buzzfeed (video interview): The Cast Of "Shadowhunters" Took Our Character Quiz And This Is Who Everyone Actually Is
TV Guide (video interview): Farewell to Shadowhunters: Isaiah Mustafa Talks “Racey” Bloopers with Matthew Daddario
QuotenMeter (German article): Huch, «Shadowhunters» erlebt einen Popularitätsschub
Starry Constellation Magazine (interview): Jade Hassouné – Shadowhunters
Carter Matt (article): Shadowhunters season 3 episode 13 ratings bounce back!
Pop Culturist (interview): Exclusive Interview: Pop-Culturalist Chats with Shadowhunters’ Jade Hassouné
Etalk (video interview): ‘Shadowhunters is back for its series finale: Jade Hassoune
Pure Fandom (article): ‘Shadowhunters’ Kat McNamara and Dominic Sherwood share secrets from the set!
Social Media/Twitter
Kat (Clary) tweeted a behind the scenes photo from 3x13 w/ Dom (Jace), Harry (Magnus), and Isaiah (Luke), and photos of her hand “burn” and “I miss you”
Tessa Mossey (Heidi) tweeted a behind the scenes video from 3x13
Josh Horvath (Joshua) tweeted a behind the scenes photo with the vampire clan in 3x13 [1]
Brian Hui (make-up artist) tweeted a 3x13 behind the scenes photo of Chai Hansen (Jordan Kyle) and the Praetors, [2] and a 3x13 behind the scenes photo of the Praetors in the subway tunnel [3]
Kat (Clary) tweeted a clip from 3x14: The ice might be chilly, but this #Clace date will melt your heart…
Matt Hastings (director/executive producer) tweeted a 3x13 behind the scenes photo of Kat (Clary) and Luke Baines (Jonathan Morgenstern) in Paris
Javier Munoz (Lorenzo Rey) tweeted a 3x14 behind the scenes video of himself doing wire work, and a photo of himself and a running “gag” of Lorenzo during 3B [4]
Brian Hui (makeup artist) shared a behind the scenes video of the Shadowhunters stunt team
Todd Slavkin (showrunner) answered a fan question regarding the Alec/Madzie ice cream scene
Claire Hupy (showrunner’s assistant) shared a tidbit from the Writer’s Room regarding 3x14
John Rakich (locations manager) shared a behind the scenes photo of the crew from episode 14
Other News
Alisha Wainwright (Maia) was interviewed as part of TV Guide’s Women’s History Month Series
Gay Star News (article): Before One Day At A Time: 8 queer shows canceled by Netflix
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Why are they still “sneaking around” & what not? That’s almost impossible that shes gone out around london & hasnt been spotted by a single person. I mean is she literally spending every day all day inside or something? How bizarre
The paps are on a tight least because (i) she’ll send IPSO after anyone who publishes an unauthorized pic, (ii) they don’t make that much money from unauthorized pics, and (ii) they make too much money from the pics she sets up. It’s a carrot and stick approach.
If Meg’s publicity machine picks up you pap shot or a story, you get printed/posted everywhere and the money rolls in. If she doesn’t, you don’t make out of the DM. The DM is okay money, but it’s not Vogue and People money, and it’s likely not money that will cove your legal expenses if Meg goes to IPSO.
Same thing happens with stories.
You can tell if a story/pic was planted/spread by Meg’s publicist because it hits Vogue/Bazaar/Marie Claire/VF/PopSugar/Cosmopolitan/Glamour/Hello!/Seventeen/Teen Vogue/US Weekly/People/ET/EW/Inside Edition on the roughly the same day. It doesn’t matter if it got planted on the DM or the Daily Star or US Weekly, everyone else will send it and they will send it within 24 hours.
For example, here’s the coverage of the stupid hamster story, which got planted in the kitty litter liner tabloid, The Daily Star. It was neither newsworthy nor from a highly credible source, but it got picked up everywhere.
There was also the IG stuff.
And the one about Meghan wanting her mom to walk her down the aisle.
Some of these are kind of weird. The purpose of the “Why Kate Can Wear a Tiara and Meghan Can’t” story still escapes me, but it was definitely sent by Meg’s publicist. Ditto with mom walking her down the aisle.
If the publicist doesn’t send it out, the story only hits news or minor outlets, no matter how newsworthy it may be. Sometimes, it gets picked by maybe one or two of Meg’s outlets, but that’s it. That’s why it’s so obvious when the story gets sent out and when it isn’t. A good 10-12 media outlets will be MIA when the story isn’t mailed out.
The UKIP story, for example, only hit Elle UK and Marie Claire even thought it’s VERY newsworthy and is in all the newspapers. Yes, it’s not a fashion or gossip story but Meg’s outlets love the racism stuff. It generates tons of clicks.
Harry’s Verbier bachelor party hasn’t made it out of kitty litter liner tabloid The Daily Star even thought the DS’ hamster story got blasted right away.
They plant tons of crap in the DS. I haven’t seen a story spread as fast as Felicity Cross’ June African Birthday/Engagement trip story. Meg’s publicist hit the send button as soon as that sucker hit the internet. That still holds the record for fastest email EVER, imo.
Sometimes the story is not planted by the publicist, but she likes it and sends it out anyway. When that happens, Meg’s outlets pick it up with a day’s delay. I think that’s what will happen with the Lifetime movie story. As of now, no one has picked it up. it will likely be a two-day delay this time because today is a holiday in the US. (Update: it just got picked up by EW and US Weekly. Good job, Meghan’s publicist!)
It happened with a stupid homecoming tiara story that came out a few days ago. Meg’s old pics almost never get picked up by her press, but the old tiara one did. That pic was originally posted in the DM waaaaaay back in Spring 2016, but somehow it was everywhere in January.
It also happened with Sam’s story. Sam’s interview was published on the 8th, but Meg’s publicist didn’t come up with the “They Haven’t Spoken in Years and She’s Begging For Forgiveness” spin for a while, so she didn’t email the story until the 12th.
It’s really funny when the publicist sends out a story and everyone picks it up and then the DM finds out a horrid detail about it, and Meg’s outlets studiously ignore it. That happened when the “economy flight” to the Riviera turned into a luxury helicopter flight to Monaco, and when the “daring” engagement pic dress turned out to cost $75,000. Everyone carried the original story. The follow-up? Not so much.
I get a lot of questions about how I “know” that Meg plants or spreads stories. This is how you can tell.
The only outlet it doesn’t work with is the DM (and, once in a blue moon some of the other UK tabloid stories) as they get UK-only planted stories that aren’t aimed at the US and therefore don’t get sent to the US outlets. This includes the homeless protesters being “enemies of the Queen,” Harry’s gosh-we-only-just-found-this-out Army story, and the “day-to-day life” story. I usually assume (at least preliminarily) that these are also planted by KP/Meg’s publicists even if they don’t get disseminated in the US, but some of them likely aren’t. Monaco and the $75,000 dress definitely weren’t. The bridal breakfast and Vera Wang stories weren’t picked up by Meg’s press, so they probably weren’t plants. I’m on the fence as to day-in-the-life. It’s one of those they-should-know-this-actually-hurts-them-but-who-knows? stories.
You also have to take into account that EVERYONE plants in the DM. PC just washed his hands off the whole wedding (did he finally get a good look at Jess�� Insta?) by planting a story about his aide getting kicked out of the wedding planning committee. Carole was hitting up the DM during Pippa’s wedding (No Ring, No Bring). Everyone uses the DM, not just Harry and Megs.
The other interesting outlet is the Palacegraph. Everything in The Telegraph is planted there by Harry and Meghan, even the fashion items. Every. Single. Thing. They should just merge with the KP press office.
So that’s why we aren’t seeing a lot of UK candids doing the rounds. No one’s going to risk $15k in legal fees over a pic that will garner maybe $5k at the DM. If a bystander gets a pic, that’s a different story. The pros, however, aren’t going to sell something on Megs and Harry unless it’s going to make enough money to cover the legal fees. They are probably snapping away like crazy because they know their travel routes and hangouts, but the pics won’t get sold unless they are either authorized by Meghan and Harry, or real moneymakers that will be worth the hassle.
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Ariana Grande Said “Thank U, Next” to Piers Morgan When He Came After Her Mom and Little Mix
Just a couple days after Piers Morgan accused Little Mix of "using nudity” to sell their brand new album LM5, the ITV host has embroiled himself in a new toxic masculinity narrative, involving none other than Ariana Grande and her mother Joan Grande.
On Nov. 20, Morgan posted Little Mix’s promo image for LM5 alongside Dixie Chick’s 2003 Entertainment Weekly cover to his Twitter saying, “Hey @LittleMix — when are you going to admit you stole this idea from @dixiechicks?”
Upon seeing Morgan’s repetitive comments, Ariana’s mom, Joan, did not hesitate to speak out in Little Mix's defense. “Honestly what is wrong with you @piersmorgan? Didn’t your mother ever teach you, if you have nothing nice to say, don’t say it! You came for @TheEllenShow yesterday which was disgraceful, she is an angel. @LittleMix today, did you ever hear of paying homage? And..well never mind.”
Of course, the host responded back, dragging Ari into the equation. “Hi Joan, my mother taught me to speak my mind & never be afraid to express honestly held opinion,” he responded on Twitter. “Ellen's a hypocrite — and as for Little Mix, I'd just prefer they use their talent to sell records rather than their nudity. As your own daughter does...!”
Ari, like the queen she’s proven to be over and over again, was ready to defend both herself and her fellow women. “Ellen is an incredible & kind human being.. I use my talent AND my sexuality all the time because i choose to," she wrote on her Twitter. "Women can be sexual AND talented. naked and dignified. it’s OUR choice. & we will keep fighting til people understand. i say this w all due respect but thank u, next.”
In support of the "Woman Like Me" quartet, Ari wrote "keep fighting the fight divas @LittleMix 🖤 your sisters have your back," before saying, “Also @piersmorgan, i look forward to the day you realize there are other ways to go about making yourself relevant than to criticize young, beautiful, successful women for everything they do. i think that’ll be a beautiful thing for you and your career or what’s left of it.”
With this small interaction, Ari and Joan join a rather large list of people Morgan has dared to mess with — which includes not only Little Mix, but also Lady Gaga and Emily Ratajkowski.
As per his previous actions, it seems likely the host will address the lesson the Grande women taught him on a future episode of Good Morning Britain, but in the words of Ariana Grande, "thank u, next."
Let us slide into your DMs. Sign up for the Teen Vogue daily email.
Want more from Teen Vogue? Check this out: Ariana Grande's "Thank U, Next" Music Video Will Reference "Legally Blonde," "Mean Girls," "13 Going on 30," and "Bring It On"
Source: https://www.teenvogue.com/story/ariana-grande-thank-u-next-piers-morgan-joan-grande-little-mix?verso=true
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Ariana Grande Said “Thank U, Next” to Piers Morgan When He Came After Her Mom and Little Mix
Just a couple days after Piers Morgan accused Little Mix of "using nudity” to sell their brand new album LM5, the ITV host has embroiled himself in a new toxic masculinity narrative, involving none other than Ariana Grande and her mother Joan Grande.
On Nov. 20, Morgan posted Little Mix’s promo image for LM5 alongside Dixie Chick’s 2003 Entertainment Weekly cover to his Twitter saying, “Hey @LittleMix — when are you going to admit you stole this idea from @dixiechicks?”
Upon seeing Morgan’s repetitive comments, Ariana’s mom, Joan, did not hesitate to speak out in Little Mix's defense. “Honestly what is wrong with you @piersmorgan? Didn’t your mother ever teach you, if you have nothing nice to say, don’t say it! You came for @TheEllenShow yesterday which was disgraceful, she is an angel. @LittleMix today, did you ever hear of paying homage? And..well never mind.”
Of course, the host responded back, dragging Ari into the equation. “Hi Joan, my mother taught me to speak my mind & never be afraid to express honestly held opinion,” he responded on Twitter. “Ellen's a hypocrite — and as for Little Mix, I'd just prefer they use their talent to sell records rather than their nudity. As your own daughter does...!”
Ari, like the queen she’s proven to be over and over again, was ready to defend both herself and her fellow women. “Ellen is an incredible & kind human being.. I use my talent AND my sexuality all the time because i choose to," she wrote on her Twitter. "Women can be sexual AND talented. naked and dignified. it’s OUR choice. & we will keep fighting til people understand. i say this w all due respect but thank u, next.”
In support of the "Woman Like Me" quartet, Ari wrote "keep fighting the fight divas @LittleMix 🖤 your sisters have your back," before saying, “Also @piersmorgan, i look forward to the day you realize there are other ways to go about making yourself relevant than to criticize young, beautiful, successful women for everything they do. i think that’ll be a beautiful thing for you and your career or what’s left of it.”
With this small interaction, Ari and Joan join a rather large list of people Morgan has dared to mess with — which includes not only Little Mix, but also Lady Gaga and Emily Ratajkowski.
As per his previous actions, it seems likely the host will address the lesson the Grande women taught him on a future episode of Good Morning Britain, but in the words of Ariana Grande, "thank u, next."
Let us slide into your DMs. Sign up for the Teen Vogue daily email.
Want more from Teen Vogue? Check this out: Ariana Grande's "Thank U, Next" Music Video Will Reference "Legally Blonde," "Mean Girls," "13 Going on 30," and "Bring It On"
Source: https://www.teenvogue.com/story/ariana-grande-thank-u-next-piers-morgan-joan-grande-little-mix?verso=true
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In the course of history, 100 years isn’t a particularly...
In the course of history, 100 years isn’t a particularly long time. But in the course of fashion history, it’s the difference between trying to get around in a bone-cinching girdle and ankle-length skirt and easing into the Nike leggings and Vans sneakers you’re probably wearing today. In the intervening years, there have been major shifts in technology, politics, culture, and social norms, and fashion has reflected that in its ever-changing cycle of trends. From the sky-high platforms of the ‘70s to the high-waisted bikinis of the '40s, we see plenty of the popular looks of decades past serving as inspiration for designers today. Below, take a look back at the most influential trends from the 1900s through today (and see which ones you’d actually still consider wearing).
The Edwardian period saw the introduction of the “S-bend” or “health” corset, a style that altered the wearer’s posture and (shocker) was no more healthful than its predecessors. Toward the end of the decade, the fashion shifted to girdles and away from the dramatic hourglass silhouettes that had been demanded of women for decades. Leisure apparel was also introduced, with options like blazers, long skirts, and wool sweaters becoming part of many women’s wardrobes. Finally, hemlines crept up slightly past the ankle, making walking less of a chore—unfortunately, this coincided with a trend for “hobble skirts,” a style popularized by designer Paul Poiret that was narrow through the ankle and sometimes banded below the knee, constricting women’s movement and sometimes leading to injury. While this fad mercifully did not stick around for long, the more practical duster coats and lace-up boots of the era are echoed in fashion today. Flapper ensembles are instantly recognizable as the look of the '20s, and it’s easy to see why: With their relaxed drop waists, ornately beaded designs, and feathered accessories, the trends of the era have enduring appeal. The most influential style, however, may have been a subtler one. According to The Dictionary of Fashion History, it was in this decade that Coco Chanel introduced the little black dress: “It offered simplicity and elegance, and instead of being a color associated with servants or widows, black became chic.” While the American public was reeling from the Great Depression, the silver screen became a welcome site of escapism. There, film icons like Bette Davis, Jean Harlow, and Joan Crawford dazzled in glamorous gowns and tailored skirt suits. The silhouette was long and lean, in part thanks to the popularization of Madeleine Vionnet’s bias cut, a technique that allows fabric to drape over the body. One of the less predictable consequences of wartime was the increasing popularity of the two-piece swimsuit, a result of fabric rationing enforced by the U.S. government beginning in 1943. Three years later, French designer Louis Réard introduced the bikini we know today, naming it after the site of American nuclear tests and daring to cut it below the belly button—a style that wouldn’t fully be embraced until decades later. In spring 2017, Réard relaunched with a collection of luxurious, modern bikinis and one-pieces. In 1947, Christian Dior debuted the “New Look” silhouette that would shape the decade to come: With its nipped-in waist, structured bust, and voluminous taffeta layered skirt, it was the antithesis of wartime outfits. Even the lighter garments that eventually became common fare among middle-class women stateside retained much of this femininity: cinch-waist dresses, full mid-calf skirts, and sweater sets. Hemlines crept ever northward in the '60s, and ground zero for the shift was designer Mary Quant’s London boutique, Bazaar. “If I didn’t make them short enough, the Chelsea girls, who had wonderful legs, would get out the scissors and shorten the skirts themselves,” she later told the The New York Times. At the time, they were controversial, but clearly the naysayers were ultimately overpowered. Additionally, two of the most popular hues of the Space Age were—appropriately—white and silver, two color trends that were the result of advancements in fabric technology. André Courrèges’s signature optical white, for instance, was enabled by the introduction of a new bleach in the late '60s, according to historian Valérie Guillaume. Jeans got wider, heels got taller, and synthetic fabrics flooded fashion stores during the '70s. In New York, Halston’s coterie of Studio 54–dwelling cool girls brought disco trends like Lurex halter tops and palazzo pants to the mainstream, while on the other side of the Atlantic especially, the punk scene thrived, led by Vivienne Westwood and Malcolm McLaren in tattered T-shirts and safety-pinned plaid. If there’s one item that was as ubiquitous in the '80s as it is today, it’s leggings. Alongside the aerobics craze of the decade, Spandex became a bona fide fashion trend—though back then, they were worn with leg warmers, off-the-shoulder sweatshirts, and/or scrunchies. For more professionally minded women, the broad-shouldered power suit became an office staple—and for good reason. As historian Bonnie English writes in A Cultural History of Fashion in the 20th and 21st Centuries, “Women in professional careers used fashion as a political language to illustrate their expectations of power and position in the management structures of large corporations.” If you were going to be shattering the glass ceiling, you might as well be wearing shoulder pads. The youth-oriented culture of the “Smells Like Teen Spirit” decade was fertile ground for grunge to take hold, as it did following Marc Jacobs’s groundbreaking S/S 93 collection for Perry Ellis (and the Vogue spread that followed). Teens and 20-somethings embraced baggy flannels and floral prints—and still today snap them up in vintage stores. Elsewhere, minimalism became big news in fashion, with slip dresses, sheer fabrics, and a palette of black, gray, and white ruling the runways. Finally, hip-hop’s influence extended to the mainstream, with the MTV generation copying looks they saw on artists like TLC, Aaliyah, and Salt-N-Pepa. Ah, yes, the decade of the tracksuit. Beloved by the likes of J.Lo, Paris Hilton, and Britney Spears throughout the early- to mid-aughts, Juicy Couture’s terry cloth and velour sweatsuits are already a nostalgic item that certain celebs—not to mention the brand itself—are trying to bring back. Graphic T-shirts (“Team Aniston” versus “Team Jolie,” anyone?), bare midriffs, and logo-heavy It bags also reigned supreme. (Hopefully, the trucker-hat trend will stay firmly in 2004, though some celebs are attempting to revive it.) With nine years of the decade behind us, we feel safe in our predictions as to which trends will endure most over time. Skinny jeans came into their own this decade after gradually making their way into the mainstream, and despite endless articles heralding their death, they’re not likely to be going anywhere anytime soon. Same goes for athleisure (and, to a smaller extent, its more ephemeral cousin, normcore): Now that we’ve experienced the joys of walking around in sneakers, tees, and hoodies all day while still looking stylish, who would want to go back? This post was published at an earlier date and has been updated.
source https://gothify1.tumblr.com/post/183816482975
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Yara Shahidi And Her “The Sun Is Also A Star” Co-Star Charles Melton Play A Game Of ‘I Dare You’ [Video]
Yara Shahidi And Her “The Sun Is Also A Star” Co-Star Charles Melton Play A Game Of ‘I Dare You’ [Video]
Source: Jon Kopaloff / Getty
Yara Shahidi And Charles Melton Face Off In ‘I Dare You’
The Sun Is Also A Star co-stars Yara Shahidi and Charles Melton stopped by Teen Vogue earlier this week to have an epic face off in a game of I Dare You.
What’s Charles’ biggest flaw? What juicy secret has Yara so impressed with Charles? Can Yara freestyle about being embarrassed while Charles attempts to…
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#MakeAFuss: How a Galway woman landed a job running Teen Vogue's social media
New Post has been published on https://britishdigitalmarketingnews.com/makeafuss-how-a-galway-woman-landed-a-job-running-teen-vogues-social-media/
#MakeAFuss: How a Galway woman landed a job running Teen Vogue's social media
“Even though it was difficult to get set up in New York, I think it was the right decision to make!”
The Devil Wears Prada, Ugly Betty, even Sex and The City – for lots of us, working in the media in New York City sounds like the ultimate dream job.
But do the glamour, fast pace and dog-eat-dog mentality we see on screen translate to real life?
Yes and no, says Michaela O’Shaughnessy.
The Galway native works as a social media manager for Teen Vogue in New York, overseeing content across the legendary publication’s social platforms.
Her personal Instagram feed is instantly envy-inducing. She does love what she does, she tells us, but didn’t originally even know that it could be a full-time job.
Michaela had her heart set on the world of medicine and did Biomedical Science in NUIG after leaving school.
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It was during her undergrad that she realised she was far more interested in marketing and so she pivoted and studied business. She spent her summers in college working internships in New York and waitressing at night.
#MakeAFuss: ‘It would’ve been great if I had backed myself sooner’ – Med tech CEO Ciara Clancy
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“I realized that there’s so much opportunity in this city to grow your career and learn a lot, especially if you’re willing to push yourself and work very hard.
“As soon as I finished my final exams, I moved to New York and started applying for jobs in digital marketing and advertising.
“I actually didn’t even realise that there were jobs entirely dedicated to social media until a recruiter reached out to me about a social position at MTV.”
Michaela jumped at the chance to interview with the iconic media brand. In a notoriously tough job market, it was no walk in the park.
“As an immigrant it’s even harder because you’re competing against a lot of American applicants who sometimes have an Ivy League education which is obviously very appealing to employers.
“When it comes to the fashion industry, I think it’s even more difficult to land that highly coveted dream job because within the industry it’s a lot about who you know that can help you get your foot in the door.”
As it turned out, she didn’t need to know anyone to seal the deal – her personal blog she’d been running in her spare time, Life of a Lady Bear, appealed to the interviewer and helped her land a role as a social creative.
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“You could be replaced in the morning.”
#MakeAFuss: Leaving behind a successful law career to become an artist – with no regrets
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Michaela later moved to Condé Nast to join Teen Vogue‘s social media team.
“It’s such an iconic brand that publishes such well-known magazines like Vogue, Vanity Fair, Glamour and many others so to even be a small part of it all is incredibly humbling and a great opportunity to learn from some of the greatest people in the industry.”
As part of her job, Michaela now regularly attends events like the Met Gala and New York Fashion Week, meets celebrities and comes up with interesting ways to cover everything from politics to pop culture on Instagram.
It’s ‘pinch yourself’ territory for a girl who grew up in the west of Ireland but it’s definitely not an easy role.
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“Business culture seems to be very different here compared to Ireland,” she says.
Monday morning blues? These are the three signs it’s time to leave your job
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“Especially in New York, it seems like work-life balance isn’t as good and there’s a lot of pressure to perform the best you can or else you could be replaced in the morning.
“The most difficult part is definitely that you’re never able to completely switch off.
“Over the weekends I always have my two phones with me incase any breaking news happens that needs social coverage, so it’s definitely not just nine-to-five, Monday through Friday but once you get used to that, you begin to take it in your stride and just get on with it.”
There are plenty of perks too and Michaela happily puts paid to the bitchy stereotype of working at a fashion publication.
“I work with a team of incredibly talented and innovative young people who constantly teach me so much about the world and always push me to be the best I can be, as well as making me laugh every single day,” she tells us.
“I wish I could tell my younger self to throw caution to the wind.”
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It’s a role she didn’t dare dream of in her early twenties, admitting she had “zero confidence” in herself.
“When I look back at my 21-year-old self, I remember feeling so stressed and worried about where I would end up with my career.
“I thought that because I switched industries from biomedical science to business that I would be at a huge disadvantage when job hunting, but I was so wrong! I wish I could tell my younger self to throw caution to the wind and just go for it.”
Self-belief and perseverance are two things she’s keen to stress when asked what she’d tell someone looking to get into social media.
“I think the best piece of advice I have to offer someone is to listen to your gut and never settle.
“If you truly believe you can achieve something or land your dream job, then don’t quit until you do.”
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As for where her own future lies? She may be living the American dream but it’s not forever, she says.
“As much as I love New York it’s definitely not somewhere I would like to settle.
“I think the biggest challenge of moving home will be figuring out what my career will look like over there.
“I definitely feel hopeful that I’ll be able to take all of my experience from working here and use it to either start my own company or work in a digital marketing capacity for a brand over there. Who knows!”
Feature image by Zac Krevitt.
#MakeAFuss
We know that Irish businesswomen are a force to be reckoned with so here at Her.ie, we’re making a fuss of the ladies who’ve made a fuss on their journey to success.
We want to celebrate the grafters and the risk-takers, those who’ve followed a passion or spotted a niche, those still forging their own path and those who are at the top of their game.
In our series Make A Fuss, we’re talking to inspiring Irish women in business about their careers, what they’ve learned along the way and where they’re going next.
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Summer TV: The 30 Most Exciting New Shows
This summer, the chicest brand-new sunblock on the market is a Netflix subscription. Of direction, there are necessary accoutrements to the UV ray-shielding regimen: an Amazon subscription, Hulu account, YouTube premium access, a full cable carton, a DVR, and enough hours in the working day to maintain them all.
With the idea of a traditional fall-to-spring TV season so 2013, there are more Tv line than ever striving for your attention during the summer months.
In addition to returning favourites like GLOW , Queen Sugar , Unbreakable Kimmy Schmidt , em> Younger , The Affair , and more, “theres” dozens of brand-new succession wooing you back inside to the aura conditioned bliss of your couch. We’ve surveyed them all: a Ryan Murphy dance musical with an historical LGBTQ cast, a Stephen King multiverse, Amy Adams’ Tv entry,’ 90 s Nickelodeon nostalgia, John Krasinski’s take over Jack Ryan, and more.
Here, we’ve culled the 30 pictures most worth your attention.
Reverie ( NBC ) strong>
May 30 at 10 p.m. ET
Summer TV begins with a fright story for engineering skeptics. Sarah Shahi plays a onetime hostage sleuth recruited to rescue people whose subconscious are captured inside a intelligent virtual reality program. Bonus: Between this series and the word’s constant be utilized in Westworld , we may actually come out of Summer 2018 knowing what “reverie” means.
C.B. Affect ( Cinemax ) strong>
June 1 at 10 p.m. ET
It was only a matter of time, but it’s finally here: television broadcasting adjustment of J.K. Rowling’s favourite records! Well , not those diaries. The supernatural whimsy of Hogwarts is swapped for the psychological thrills of Rowling’s series of detective novels, wrote for the purposes of the pseudonym Robert Galbraith. This Tv adjustment already aired in the U.K ., performing Tom Burke as a campaign ex-serviceman second-lifeing it as a private investigator break occasions that have scaped police.
Pose ( FX ) strong>
June 3 at 9 p. m. ET
There’s a Whitney Houston music cue at the end in the first episode of Pose that will have you out of your fanny, forgiving the nearly hour-and-a-half it took to got to get.( Hour-long dramas apparently now only view that first part as specific suggestions .) All of that, of course, is hallmark Ryan Murphy, who is performing record with this line about life in’ 80 s New York City set against the backdrop of ballroom culture, the transgender community, and, yes, Trumpian excess. Peculiarity the most significant LGBTQ cast ever assembled, including breakout achievements by transgender contributing performers, you’ll start voguing as “youre waiting for” the next episode.
Succession ( HBO ) strong>
June 3 at 10 p.m. ET
We’re not saying Succession , in which a global media mogul’s babes rider for superpower and control of a massive conglomerate, is modeled after the Murdochs. But we’re not saying it’s not, either. The truth is it’s not hard to projection any number of potent families onto this show–the Trumps, anyone ?– which imparts an Empire -like Shakespearean vibe into the world of the power-suit clothe. 0001 percent.
Dietland ( AMC ) strong>
June 4 at 9 p. m. ET
Plum Kettle( give full play to Joy Nash) is saving up for weight-loss surgery while soul writing words from the editor on behalf of the members of a popular women’s magazine’s HBIC, Kitty Montgomery( Julianna Margulies, doing subtleties of Miranda Priestly ). Everyone is slightly disconcerted, nonetheless, by the heap of all those who maintain disappearing and getting killed, all of whom happen to be accused sex harassers. Timely enough for you?
Condor ( AT& T/ DirecTV ) strong>
June 6
There are many grounds to be intrigued by Condor . em> It’s accommodated from the 1975 Sydney Pollack cinema Three Days of the Condor and the book it was based on, some of “the worlds largest” exciting, mind-banging political thriller source substance here i am.( A CIA employee fronts to lunch and returns to see his entire place has been killed .) But, folks, this co-stars Mira Sorvino, a lighthouse of the #MeToo movement and a stupendous actress whose profession was derailed by the Monster Weinstein, a comeback we should all be applauding for.
Impulse ( YouTube Red ) strong>
June 6
Proof that top knack is spread all over the million or so different material pulpits, this serial for YouTube’s premium service comes from Doug Liman, whose action-thriller pedigree includes propelling the Bourne dealership and leading films like Mr.& Mrs. Smith and The Edge of Tomorrow . Undertaking teleportation and sex crime, Impulse might sound like 2018 TV-development Mad Libs, but it’s based on the same work streak that provoked his 2008 movie Jumper . em> Liman has announced Jumper the film he’s least pleased with, suggesting that he’s on a mission now for a solid re-do.
American Woman ( Paramount ) strong>
June 7 at 10 p.m. ET
It was only a matter of time before one of Bravo’s Real Housewives headed to preeminence Tv. Beverly Hills Housewife Kyle Richards is co-executive farmer of this period dramedy loosely based on her childhood, growing up with a single mommy, give full play to Alicia Silverstone, in California at the rise of second-wave feminism in the’ 70 s. The style! The theme song by Kelly Clarkson! Cher Horowitz matches Real Housewives ! What would her tagline be?” You can resound the bell in my foot .” Too often?
Marvel’s Cloak and Dagger ( Freeform ) strong>
June 7 at 8 p. m. ET
The only happenings particular in life are death and taxes and, at any point in time, there is a new Marvel series debuting. This one is the firstly for Freeform, the teen-skewing structure known for shows like Pretty Little Liars and Grown-ish . That’s an plotting vibe to give the omnipresent superhero category. This one centers on two teens who discover that they have superpowers and that they’re in love. Hormones, every young hero’s kryptonite.
The Staircase ( Netflix ) strong>
June 8
The” Netflix True-Crime Docuseries That Will Simultaneously Disturb the Entire Nation for a Season” is its own lodge industry by now, get its summertime installment with The Staircase . This one is a super-mash-up, of styles. Perusing the case of crime novelist Mike Patterson, who was imprisoned of killing his wife, The Staircase firstly aired in 2004, and then was modernized with a miniseries in 2013. This version compounds everything there is and adds three extra escapades with new disclosures, a total of 13 installments for “youve got to” binge.
Strange Angel ( CBS All Access ) strong>
June 14
With The Good Fight em> and Star Trek: Discovery as its founding enterings, CBS All Access once boasts a pretty stellar track record when it comes to original digital content. Its next offering is Strange Angel , a sci-fi sequence on the basis of the novel by George Pendle and boasting perhaps the greatest tagline of any television series ever:” Sex. Magick. Rocket Science .”
Breaking Big ( PBS ) strong>
June 15 at 8: 30 p.m. ET
” How did they get notorious ?” has been done before. The 2018 cross-examine is,” How did they get influential ?” PBS’ interrogation line will map the unconventional moves some of the most conspicuous culture governors took to get where they are today, including incidents on Trevor Noah, Eddie Huang, Gretchen Carlson, San Juan, Puerto Rico Mayor Carmen Yulin Cruz, and SoulCycle co-founder Ruth Zukerman.
Deep State ( Epix ) strong>
June 17 at 9 p. m. ET
TV development execs have never met a government conspiracy thriller they didn’t like. This one from Epix whizs the ever-menacing Mark Strong as a former spy recruited by an ex-MI6 worker to attach his new covert uniting espionage administration, The Area. Sleuths on sleuths on spies.
The Proposal em >( ABC ) strong>
June 18 at 10 p.m. ET
In what sounds like a demented mash-up of Blind Date and The Bachelor — and therefore perhaps the crowning accomplishment in summer reality Tv guilty pleasure–each escapade of The Proposal will see rivals contesting for the attention of the members of a suitor or “suitress” whose name is obstructed. Simply when “theres” two futile dreamies abiding will the suitor be exposed and the finalists have the chance to propose marriage. And you thought Tinder was stressful.
Yellowstone ( Paramount ) strong>
June 20 at 9 p. m. ET
After winning an Emmy for his carry-on in the miniseries Hatfields& McCoys , Kevin Costner is back on a mare and in a cowboy hat for Yellowstone , his first regular TV serial persona. While movie stars heading toward TV will always be sensational, it’s the film ability behind the camera that has us intrigued. Tyler Sheridan, who wrote Hell or High Water , Wind River , and Sicario writes and targets this streak, about the unexpectedly high-stake strives fronting a modern-day rancher.
Take Two ( ABC ) strong>
June 21 at 10 p.m. ET
The new crime drama from the team behind Castle em> tones extremely Castle- y, made all the more enjoyable by the fact that effortlessly attractiveness The O.C . em> alum Rachel Bilson is standing in for aggressively charming Nathan Fillion in the lead: the former perform of a Tv polouse picture shadowing a investigator to study a character that she hopes is likely to be her big comeback.
Double Dare ( Nickelodeon ) strong>
June 25 at 8 p. m. ET
Millennial nostalgia is a strong, witchy situation, this time drawing back from the dead the madcap Nickelodeon children’ game show Double Dare, which wedded trivia, sludge, and a human hamster wheel for a stunt been demonstrated that, god help us all, recently celebrated its 30 th commemoration. While YouTube star Liza Koshy will host, O.G. emcee Marc Summers will be back to stipulate colour note, thus staving off a rampage gathering of thirtysomethings.
A Highly English Scandal em >( Amazon ) strong>
June 29
A Very English Scandal would be irresistibly titillating even if it wasn’t based on a real-life tabloid brouhaha, albeit one that American audiences are likely unfamiliar with. In Britain in the 1970 s, MP Jeremy Thorpe has a secret circumstance with a younger lesbian lover reputation Norman Scott, which he is frantic to keep secret as his working careers takes off. When Scott is found dead, Thorpe stands tribulation for his murder. As for the Very English Shed: Hugh Grant and Ben Whishaw play the doomed lovers.
Sharp Objects ( HBO ) strong>
July 8 at 9 p. m. ET
* WHEE-OO WHEE-OO*( That’s a 911 -emergency alarm bell, if you couldn’t tell .) Amy Adams is starring in a HBO prestige drama thriller! I recur, Amy Adams is starring in a HBO prestige thriller! Make your soul pills, because it merely gets better from there. The line is adapted from the slam record by Gillian Flynn, who wrote Gone Girl ( heard of it ?). Buffy , Mad Men , and UnREAL veterinary Marti Noxon, too hectic the summer months with Dietland , is architect and showrunner. Patricia Clarkson and Elizabeth Perkins round out the throw. Get thee to a ventilator.
Heathers ( Paramount ) strong>
July 10 at 10 p.m. ET
Rebooting and renewing efforts that are considered generational canon can run the range from induced to blasphemous, and the jury is still out on where this Heathers series falls on that spectrum. The senior high school dark comedy flip-flop the script by making one of the Heathers genderqueer, evoked by male actor Brendan Scannell. But the series’ aviator, which was made available earlier this year, was exploded for a lack of nuance and predisposition that territory on, as The Daily Beast’s Samantha Allen wrote, a” LGBT-bashing hallucination .”
The Outpost ( The CW ) strong>
July 10 at 8 p. m. ET
The logline for The Outpost is so CW-evocative and high-concept that it is able to tell us it describes The 100 or The Tomorrow People or The Secret Circle em> or The Messengers of The[ Fill in the Blank ] em> rebooted, and we’d believe you. That alleged, those proves are all recreation! This one is about the lone survivor of an entire scoot who detects supernatural supremacies while hearing how to stay alive. Sure!
Burden of Truth ( The CW ) strong>
July 11 at 8 p. m. ET
Some Smallville actresses grow high-ranking recruiters for a hateful copulation sect. Others graduate to topline The CW’s version of Erin Brockovich . In Burden of Truth , Kreuk dallies a big-city lawyer who returns to her hometown to take the case of a group of girls who are all suffering from a inscrutable illness. By the end of the season, we hope she gets justice, and that we stop instinctively typing Burden of Proof instead of Truth . em>
Castle Rock ( Hulu ) strong>
July 25
Castle Rock is the mysterious Maine town where many of Stephen King’s legends are given. Castle Rock is a new anthology series from J.J. Abrams that envisages a Stephen King multiverse of sorts, where characters and storylines from across the author’s works, including Cujo , The Dark Half , and The Dead Zone , will meet in an original narrative starring Sissy Spacek, Andre Holland, and It ‘ s Bill Skarsgard. This is exciting, morons!
Building It ( NBC ) strong>
July 31 at 10 p.m. ET
Amy Poehler and Nick Offerman are co-hosting a crafting line, be still my twee feeling. It’s as if The Great British Baking Show made a pit stop in Pawnee, with the Parks and Recreation stars filling oodles of felt, glue, and wry feeling for a competition sequence that has entrants fashioning handmade goods. Poehler’s self-described crafting naivete and Offerman’s mythical woodworking talents will inform their inspiration, counseling, and narration.
Disenchantment ( Netflix ) strong>
Aug. 17
In Dreamland , an alcoholic princess called Bean and her vivacious elf comrade mentioned Elfo navigate giants, sprites, harpies, gremlins, trolls, and Bean’s personal demon, Luci, on a series of accidents. The animated sequence comes from Simpsons tale Matt Groening, and, to talk of demented sovereign pedigree, boasts Broad City ‘ s Abbi Jacobson passing the voice casting. Yaaas queen. Err, princess.
The Innocents ( Netflix ) strong>
Aug. 24
” Romeo and Juliet, but they’re shapeshifters .” Who knows if that was the actual pitch for The Innocents , in which star-crossed teenage buffs Harry and June run away from their families only has found that June has the power to shapeshift.( You think you know someone .) It’s a superhuman have entered into Netflix’s exploding young adult infinite, on the ends of another watercooler season of breakout stumbled 13 Grounds Why.
Jack Ryan ( Amazon ) strong>
Aug. 31
Are you among those irate that, for all his brilliant directing and are active in A Gentle Place , John Krasinski committed the cinematic guilt of hindering his damn shirt on the whole term? He Who Was Jim Halpert, famously tan since leaving Dunder Mifflin, ascends to action protagonist status to make the baton as Jack Ryan in Amazon’s spin on the Tom Clancy series. Krasinski’s biceps have large-hearted sleeves to fill, following Chris Pine, Alec Baldwin, and Ben Affleck in the role.
Lodge 49 ( AMC ) strong>
August 2018
The network that brought you the incubating ennui of Don Draper, the tortured moral nervousnes of Walter White, and all those zombies interposes its new complicated leading man: a surfer dude? Lodge 49 is a new tonal direction for the network, performing Wyatt Russell as well-meaning but rudderless former surfer–a” adorable loser ,” as the network’s president of programming describes–who moves into a frat lodge in Long Beach after the death of “his fathers”, be expected to get his life on track, but receiving it unusually derailed by his new support system.
All About the Washingtons ( Netflix ) strong>
Summer 2018
Run-DMC’s Rev. Run( aka Joey Simmons) rectifies up his own account of Fresh Prince of Bel-Air with this delicately autobiographical sitcom in which Simmons and his wife, Justine, play fictionalized versions of themselves growing their own families of four girls.
Insatiable ( Netflix ) strong>
Summer 2018
The logline for Insatiable predicts,” A dishonored, dissatisfied civil lawyer-turned-beauty pageant tutor( Dallas Roberts) makes on a vengeful, bullied teenager Patty( Debby Ryan) as his patient, and has no idea what he’s about to unleash upon the world .” We have no idea either, as Netflix hasn’t exhausted much more information than that. But it’s formed Lauren Gussis, an alum from Dexter , so consider us plotted by how that insight translates to the teen appeal pageant life.
Read more: https :// www.thedailybeast.com/ summer-tv-the-3 0-most-exciting-new-shows
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LONDON FASHION WEEK/ — The Eighties via old-school films Blade Runner and Tron; computer games and arcades, the buzz of pinball machines, their primary-bright graphics; the allure of the power suit, the even greater allure of its neon-bold colours; and that perfect kind of awkward style: in a collection that is nostalgic to the era, Roberta Einer rekindles the best bits of the Eighties to create her own updated take, one that comes imbued with a renewed glamour for autumn/winter 2018.
The maximalist luxury ready-to-wear designer finds her inspiration in the life of the woman she saw as coming through at the time, stepping into her life for 24 hours and traversing her wardrobe: from from a puffer jacket to go and grab the milk in, to bright shiny Swarovski crystals and sequins – always a Roberta Einer favourite ��� to easy pyjama styles, pinstripes, power dressing and party dresses. Chunky knits of thick yarn make for mum-and-dad sweaters with a naïve charm; while hoodies, T-shirts and bombers feature retro graphics taken from her own family photo album of the time: Einer’s mother and father posing in holiday snaps make for sweet motifs which, personal to the designer, also possess a relatable memory-lane quality. There also come her recurring signatures, the bomber jacket – now boasting computer-graphic ornamentation for patchwork detail – and sequins. Here rendered in flashy flourishes for floral clusters on pinstripe dresses that make for a throwback to the office-wear trope of the time.
Three standout silhouettes underpin the season: Roberta Einer takes on the power suit with shapely skirts and new ostentation; draped party dresses bunch and gather at the hip and come in sassy-shimmery shades; and there are asymmetric flared and textured dresses, their cable knit running out across the body at different directions in a flattering contour. Colours throughout are high-shine, bold and bright, Eighties-centric with Bridget Riley monochrome to be found too.
This is the third season that Einer has collaborated with Swarovski to show off her textile ingenuity in 3D floral cutout pieces and the iridescent sew-on crystals used in dégradé fashion on oversized blazers. Her team up with Vans shoes, too, continues for cool and collectible sneakers; while autumn/winter 2018 also marks the launch of a brand-new collaboration with jewellery brand URIBE. A mix of pretty-but-awkward ear cuffs, earrings and chokers that can be stacked up the way you want with different floral charm and Swarovski crystal combinations.
Luxury Womenswear designer Roberta Einer moved from her hometown of Tallinn, Estonia to London to study on the prestigious fashion courses at Central Saint Martins and the University of Westminster. During her studies she completed internships with Mary Katrantzou and Alexander McQueen, before moving to Paris upon graduation to assist at Balmain for a year where she continued to develop her craft.
Establishing her label upon her return to London, the Roberta Einer brand is now in its sixth season creating experimental, luxury womenswear which focuses on textiles and working with traditional couture techniques. Playful embellishments and hand-embroidery decorate specially sourced fabrics to create her daring more-is-more, feminine aesthetic.
Named as One to Watch by NEWGEN in December 2015, in April 2016 Roberta Einer was selected as a winner of Saks’ inaugural Emerging Designer Showcase competition. Her innovative designs have been featured in the likes of American Vogue, Teen Vogue, Dazed & Confused, HUNGER and i-D Magazine.
By: Jessica Bumpus Photos by Juliette Cassidy
Roberta Einer Fall 2018: Rekindling the Best Bits of the Eighties @ROBERTAEINER LONDON FASHION WEEK/ --- The Eighties via old-school films Blade Runner and Tron; computer games and arcades, the buzz of pinball machines, their primary-bright graphics; the allure of the power suit, the even greater allure of its neon-bold colours; and that perfect kind of awkward style: in a collection that is nostalgic to the era, Roberta Einer rekindles the best bits of the Eighties to create her own updated take, one that comes imbued with a renewed glamour for autumn/winter 2018.
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Is Social Media Marketing Still Proceeding Strong?
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