#source: elinor glyn

[incorrectlooneytunesquotes]

Romance ees ze glamour wheech turns le dust of everyday life eento a golden haze.

Pepe le Pew 

[catsofyore]

Elinor Glyn, and I believe based on other photos I’ve found that the cats are named Candide and Zadig. 1931. Source.

[nfr-reviews]

NFR Reviews #3: It

Released 1927 / Inducted 2001

Watch film here

In a meta moment, this film includes a scene where Elinor Glyn, author of the source material, cameos as herself and explains the thesis of the movie. “It�� is a charisma people either possess or don’t–if you try too hard to reach it, you’ve already lost. It’s sex appeal, but more than that too, defined as self-confidence and lack of self-consciousness without tipping into emotional frostiness. The slang predates both Glyn’s novel and this movie, originating in the early 20th century, but the film brought the term to newfound heights of popularity.

The romantic comedy stars Betty Lou, a working-class department store worker who nonetheless lives in a “fashionable downtown suburb.” She finagles her way onto expensive clubs and yachts, cuts up plain dresses into party attire, and lays atop her boss’ desk, gaining access with sheer belief that she deserves to be in those spaces as much as those born to wealth. She uses the hapless and trying-too-hard Monty to further her romantic pursuit of department store boss Cyrus Waltham (Ironically, I found the former more entertaining than the actual male lead. Waltham is meant to be the straight man to Betty Lou’s brashness and humor, but he has little appeal besides being rich and powerful). 

The film hinges on the strength of lead actress Clara Bow’s performance. Like her character, she was born into poverty, living in a tenement slum before attaining fame by winning a magazine contest at 16. Audiences found her relatable and engaging due to her naturalistic acting style, energy, and comic timing. Unlike her character, her job consisted of a gargantuan amount of effort and not charisma alone. She was an established star when this film was released, acting in 15 different movies in 1925 alone. She was overworked by studios to the point of needing large amounts of pills to wake up in the morning and sleep at night. 

Even more than the idea of effortless charm, the fantasy the movie presents is being so irresistible that social barriers like class and gender break down to accommodate you. The “It” factor isn’t a party trick, it’s a tool. It’s true that the baby subplot is mostly used to set up a third-act miscommunication trope ubiquitous in romance media to this day. It’s still compelling to see Betty Lou put her reputation on the line to defend a friend who’s a single mother and successfully prevent her baby from being taken away. Hooking up with your boss is a terrible idea in real life, but Betty Lou succeeding in romancing a much wealthier man is another example of using her charisma and resourcefulness to rise above her station. 

Subsequent decades led to the meaning of It Girl changing for the worse, becoming another type of barrier. Shortly before retiring from acting at age 28, Bow herself rejected the term and wanted to be considered a serious actress instead. By the 1990s, there were expectations to be an It Girl: rich, skinny, conventionally attractive, socialite, famous for being famous. One socialite of that era, Tara Palmer-Tonkinson, valued “character and wit” over academic knowledge but struggled nonetheless with the media pigeonholing her as “beauty rather than brains.” She stayed out of politics, believing her place in the celebrity sphere to be strictly entertainment. The It Girl (and occasionally It Boy) reverberates through the decades, becoming attached to a myriad of different faces. While the label came with admiration and power, it imposed new limitations and implied a level of effortlessness that, in Bow’s case at least, hid the reality of studio exploitation. 

Sources

https://en.wikisource.org/wiki/It_(film)

https://www.loc.gov/static/programs/national-film-preservation-board/documents/it.pdf

https://en.wikipedia.org/wiki/It_girl

https://www.bbc.com/culture/article/20141222-who-was-the-original-it-girl

https://www.bbc.com/news/uk-38918918

[imissgrantland]

How One Middle-Aged Novelist Singlehandedly Invented the Look of the Classic Sex Scene

How One Middle-Aged Novelist Singlehandedly Invented the Look of the Classic Sex Scene

Elinor Glyn said: Velvet. Rose petals. Candles. Hollywood listened. Source: How One Middle-Aged Novelist Singlehandedly Invented the Look of the Classic Sex Scene

[bigband98-blog]

The real Clara Bow.

"(I'm) just a woikin goil" Source: Clara Bow And a working girl she was. During her rise to fame and eventual stardom Clara Bow, one of the most popular and talented actresses the screen has ever produced and the ultimate ideal of the 20s flapper, was the most overworked and underpaid star then in Hollywood. Producer B.P. Schulberg had her under personal contract and steered Clara's career becoming his greatest meal ticket. But fame hadn't come easy to this Brooklyn bombshell. Clara was born into the world on July 29,1905.And her childhood was nothing but unsettled. Her home life was a shambles as her father was an alcoholic, abusive and a womanizer. Her mother had come from a similar background and was given to regular mental "bouts". As a result Clara became quite sensitive and shy and developed a slight speech impediment. When she was old enough the streets more often than not were her home away from home when her father or mother proved too much. She became quite the tomboy but a tomboy who frequented the movies any chance she could get. She would do anything she could to earn money to help pay for her movie habit and to help her father with keeping the household together, as her mother was not able to work steadily for any length of time. Her favourite movie actress was Mary Pickford and she would stand in front of a mirror emulating her. In January 1921 Motion Picture Magazine sponsored a "Fame and Fortune" contest. Clara saw the ads and badly wanted to give it a try. At that moment she didn't have enough money for the two photos that she would need for the contest entry so she sheepishly approached her father. Unexpectedly her father not only agreed but accompanied her personally to the photographer's studio and paid the $1.00 for the shoot. A few days later she attended the offices in New York of Motion Picture Magazine and was crestfallen when she entered to find it crammed with many lovely looking girls, all there for the same reason. Looking at some of the beautifully dressed wanna be's, she figured she didn't have a chance but she had come too far to give up so she persevered through the obligatory interview with the magazine staff and returned home to await the decision. A month or so later Clara was given the astounding news that it was she out of all the others, that had been picked as the magazine's winner;she was floored. Soon after she was given a small part in a movie called "Beyond The Rainbow". The part was so small that it was excised from the original release prints but later when Clara's star had risen to such phenomenal heights they reinserted it and re-released it. One night after work had been completed on the film Clara awoke to find her mother standing over her holding a butcher knife. Her father and Clara had been trying to keep anything about her film ambitions quiet, but her mother had gotten wind of it and this night was threatening to use the knife. Clara as calmly as she could talked her mother into surrendering the knife to her. Clara prayed that there would be no such other instances but shortly after the film's release her mother attacked Clara once more. She chased Clara around and around the room screaming that no daughter of hers was going to go into such a questionable and perverted occupation. Clara retreated to the streets sobbing and it took her father some time to calm her mother down. After the dust had settled her father quietly made inquiries and eventually had his wife put into an asylum. And it was there her mother passed away just a few months later in early 1924. Clara was now under personal contract with Hollywood producer B.P. Schulberg who had seen her work in "Down to the Sea in Ships ", her other 1922 effort. She would complete three movies in 1923 and moved on into 1924 doing an astounding eight pictures.1924 would prove to be a watershed year for her. She was picked as one of the W.A.M.P.A.S. (Western Associated Motion Picture Advertising Society) girls and the only one of the group that actually went on to better things. Then Schulberg  moved on to Paramount studios taking his young protege with him. And Clara was getting much needed attention from critics and business insiders alike. Her star was definitely on the rise. Clara's schedule was even more hectic in 1925 for it saw no less than 14 films released!.1926 saw Clara do eight films among them "Mantrap " with Ernest Torrance which really made Clara a star and "Kid Boots" starring a well known vaudevillian making his screen debut, Eddie Cantor. "Kiss me Again" was significant in that it showed off Clara's range as an actress in a more serious role. She garnered great reviews for her part but this was one of the very few serious roles she would get in her career. Directors Victor Fleming and Paul Bern stated on several occasions that Clara could be one of the greatest dramatic actresses of her time It is so unfortunate Hollywood didn't have the foresight and guts to stick her in other than formulaic roles featuring her as a "modern" girl, a flapper and emphasizing her sexuality. They realized they could stick Clara in any kind of picture no matter how bad the script and because of her sheer presence and forcefulness she would carry the day. And as long as his meal ticket was making money B.P. Schulberg was quite happy to keep the status quo. But it was a visit on a set by British author and sex maven Elinor Glyn that kicked Clara's career up another big notch. She had written several novels on relationships between couples that were very daring for their day. Elinor watched Clara work and declared that she had "It". An energy or sexually charged charisma and magnetism that affected everything and everyone around her. And it was this "It" that made her glow on the screen .And there is no doubt Clara lit up the screen. And 1927 was to showcase Clara at her finest. She starred in about seven vehicles that year but two are standouts. The first is "It" and it did indeed capitalize on Clara's "personality" but it also featured a walk on by Elinor Glyn herself to give the movie it's obvious tie in. It was about a department store clerk who falls in love with  the young owner of the store that she works in. It had all the typical mix ups, tears and laughter associated with that type of movie but it showed Clara off to great advantage and the film still stands up extremely well today. The second film was "Wings" and was set during the First World War and it co-starred Richard Arlen and Buddy Rogers as two fliers who see action overseas. Clara who always had a crush on Buddy meets up with him in France while driving an ambulance there. There was quite a few touching scenes throughout the movie involving Clara. In fact the movie has quite a serious feel to it throughout especially through it's realistic depictions of aerial combat in the war and its consequences. But when Clara is on screen the movie literally comes alive. It is a testament to her ability as an actress that she could do that repeatedly, picture after picture. And it's in no small way that she helped the film win the first Academy Award for best picture that year. 1927 went into 1928 and her film output continued unabated as did her career. She starred in four pictures that year; "Red Hair" and "The Fleet's In " being standouts. But 1929 would prove to be an unnerving one for many actresses and actors and Clara Bow unfortunately was one of them. Clara was at the top of her game. She was often seen driving around Hollywood in a flame red car (a Kissel or Stutz-Bearcat depending on the story) with one or more of her auburn coloured Chow dogs. She was known quite well in the neighbourhood by the local constabulary who would frequently drop in at the rear entrance to her home to have a cup of coffee and sandwiches and have a chat. Clara was frequently linked with many men over the years and was a constant source of gossip for the papers to engorge. One incident was a touch football game she played on her front lawn with the University of Southern California Football team. Everyone had such a great time that she invited them over again. This incident got turned inside out until one read that Clara had slept with every member of the USC football team! Another incident that didn't help Clara's reputation at all involved Clara attending a gambling establishment in Lake Tahoe. It was reported she had welshed on a gambling debt while playing there. She had gotten into an argument with staff personnel and refused at first to pay but it she eventually settled. But not before the incident had leaked out and done some damage publicly. Clara was a very trusting and unassuming individual and often wore her heart on her sleeve. She was in reality a very insecure person and she many times publicly decried that her past home life had left many a scar on her emotionally. And she also stated that mentally she could just not shut down and was always worrying about something and had insomnia.In point of fact Clara had become overworked and overwrought. What happened in 1929 sent Clara hurtling precariously towards the edge. The movie industry had been experimenting with sound pictures from the early 1920s.But it was Jolson's "The Jazz Singer" in 1927 (little dialogue but with musical numbers) and the first full talking movie in 1928 "Lights of New York", that broke the dam wide open and there was no turning back. But the big question was how everyone was going to sound, literally. Many actor's didn't have the vocal capability of transitioning from silence into sound and as a result found themselves leaving the business. In those days  sound was monitored from a booth, and especially in the early days the microphone was static and immovable. Actor's would have to know where the mike was and dutifully stand within its' range to be recorded properly. The camera's were put into sound proof boxes where the camera's whirring would not be picked up by the mike. Consider this December 1929 Photoplay article excerpt:     "Terrible Mike has cooled down the incandescent flapper-he's giving her an awful kick, and is putting Poor Old lady Has-Been on the Throne" It was a stifling environment in which to work and for Clara this was definitely another pressure which she did not need. The making of "Wild Party", her first talking picture, was anything but smooth. Clara was overwrought with the added pressure of having to know where and when to stand and was now having to pay attention to her annunciation as well as her voice level. In fact it has been reported that in her run through for her very first scene as she comes in and says:" Hello Everybody" all the sound valves in the sound booth exploded! Clara would more than once become so upset she would run off the set crying. But the movie was made and Clara showed she had not lost "It" and it garnered great reviews. Clara's voice came over very well and was able to rise well above the primitive recording techniques of the day. But Clara's career was slowly grinding to an inevitable end and "Mike" was the least of her worries. Clara would make between 1929 and 1933 10 more pictures and all quite successful. Her last two "Call Her Savage" and "Hoopla" were especially good vehicles for her and showed off her acting ability to its best. But strangely they weren't successful at the box office. In January of 1931 Clara was involved in a very public trial in regards to her former personal secretary Daisy Devoe who it was claimed had mishandled Clara's funds. While Clara did not want to press charges the police saw fit to carry it through the court system anyways and many personal details of Clara's life came out during the trial. Clara was forced to testify but was in tears much of the time. When the verdict came down about a month later Devoe was sentenced to 18 months in jail. It was plain that Clara, as usual, had been much too trusting with her employee and when asked about the trial, being the person she was ,she could not kick Devoe even when she was down, it wasn't her nature:     "The trouble with me is, I'm no sneak....I may have made mistakes...But my greatest mistake seems to have been that I was open and above board with everything". On December 4,1931 Clara married cowboy actor Rex Bell who she had been dating steadily for the last two years. They bought a ranch in Nevada and Clara would retire there permanently. But Clara was her mother's daughter and some of the same type of inflictions that harried her mother would eventually also do the same to Clara. The pressure of the last few years with sound, her personal life being spread more and more across headlines much of it exaggerated or totally untrue and her realization, albeit late, of her true worth and what the pittance was she actually received, in the end proved too much for the fragile Clara to cope with. Clara would spend much of her retirement years in and out of sanitariums and on drugs of one type or another to control her condition. She would always remain an insomniac and stated that the nights would always be the hardest. Clara had two sons one in 1935 and the other in 1938.Rex eventually gave up movies for a life in politics and by 1954 was the lieutenant governor of Nevada. In July of 1962 Rex died of a heart attack and Clara went all the way to Glendale, California to attend the funeral . Afterwards she retired back to the ranch and seclusion once more. To pass the time away in her final years she would often send letters off to stars that she admired and even answered fan mail that came to her. She would spend her days swimming and reading while at night television was her favourite pass time. . On September 27,1965 while watching the " Late, Late Show" she passed away quietly in her chair. In the late 1960s when film historian Kevin Brownlow wrote his fine work: " The Parade's Gone By" about silent films and their stars he completely overlooked Clara Bow and her works. Louise Brooks, a contemporary of Clara's, wrote to Mr.Brownlow the following:  "You brush off Clara Bow for some old nothing like Brooks. The more I think about it the madder I get .Clara made three pictures which will never be surpassed, 'Dancing Mothers', 'Mantrap', and 'It' " And Louise Brooks was right. Clara has been largely forgotten and overlooked as time has passed by many critics and historians. And this is a travesty.For to watch Clara Bow today is to see a human dynamo, a force onto her own who literally brings the screen to life with her presence alone. But there was more to her than just "It" and she could act alongside the best of her day and in many instances surpass them at their own game. This was a star of the highest order. She defined an entire generation and she still touches us as equally today as she did over 70 years ago. She was an original. She was....Clara Bow.

[zazamatic]

                                      Would you like to sin                                       With Elinor Glyn                                       On a tiger skin?                                       Or would you prefer                                       To err with her                                       On some other fur?

                                                       – Anonymous

A woman who moved to support her family when her alcoholic husband could not, Elinor Glyn was by turns a novelist, a journalist, a war correspondent, a screenwriter, a director and a producer. Staid, conservative society wouldn't have liked that, but her greater sin was that she wrote about sex and populated her stories with strong, confident women – women like herself.

Glyn's novel  Three Weeks was about a married and exotic Balkan queen who seduces a young British aristocrat, allegedly inspired by her affair with 16-years junior Lord Alistair Innes Ker, brother of the Duke of Roxburghe, which scandalized Edwardian society. The fact that the pair make love on a tiger-skin rug was more than enough to shock reading audiences and provoke somewhat of a scandal. 

London critics almost universally condemned Three Weeks, with the result that by 1916 the novel had sold more than two million copies and been translated into a number of languages. 

Basis for the 1924 Goldwyn Picture starring Aileen Pringle and Conrad Nagel. Also the source for a London stage play in 1908 and a silent film in 1914. Mark Twain read Three Weeks and met with Elinor Glyn .

http://brianbusby.blogspot.com/2013/02/freedom-to-read-week-embracing-elinor.html

http://www.todocoleccion.net/libros-antiguos/elinor-glyn-cartas-carolina-edita-s-barcelona-1928-1-edicion-tipografia-modernismo-catal~x58733343

https://www.slideshare.net/TTC_Media/motion-picture-magazine-march-1925

https://www.vialibri.net/552display_i/year_1907_0_940933.html

[catsofyore]

Elinor Glyn, and I believe based on other photos I've found that the cats are named Candide and Zadig. 1931. Source.