#hollywood writer

[mwagneto]

i genuinely dont care if the creation of all media comes to a screeching halt btw i will very gladly live with no new movies no new tv shows no new anything for years if that's what it takes for the people who create them to be treated like human beings. i hope every other facet of the entertainment industry goes on strike too and i hope all the ones that havent unionised yet will. i want media creation to become completely impossible and i want the people who could make it possible again to hold out until they get every single thing they want. btw

[gingerswagfreckles]

After 146 days, the Writer's Strike has ended with a resounding success. Throughout constant attempts by the studios to threaten, gaslight, and otherwise divide the WGA, union members stood strong and kept fast in their demands. The result is a historic win guaranteeing not only pay increases and residual guarantees, but some of the first serious restrictions on the use of AI in a major industry.

This win is going to have a ripple effect not only throughout Hollywood but in all industries threatened by AI and wage reduction. Studio executives tried to insist that job replacement through AI is inevitable and wage increases for staff members is not financially viable. By refusing to give in for almost five long months, the writer's showed all of the US and frankly the world that that isn't true.

Organizing works. Unions work. Collective bargaining how we bring about a better future for ourselves and the next generation, and the WGA proved that today. Congratulations, Writer's Guild of America. #WGAstrong!!!

[hashtagloveloses]

so SAG-AFTRA finally released some official guidance for fans, viewers, creators/influencers, critics, and more during the strike. here's what you need to know:

if you see a publication/news source/journalist talking about a piece of struck work, that's ok. they're allowed to do that.

2. they're asking regular viewers and fans to DONATE TO STRIKE FUNDS, SHOW UP TO PICKETS IF YOU CAN, and please do NOT boycott streaming services or movies in theaters.

3. influencers, content creators, cosplayers, and anything in between is still a bit of a grey area, but they're asking people to use their best judgement. "organically" means UNPAID promo (like an invite to a premiere without being paid, being sent a publicity box, letting the company's social media post a photo of you in cosplay, etc).

obviously this doesn't answer every question, and isn't hard and fast rules for fanworks, but it can at least inform how you personally choose to move forward when posting online and moving publically. i hope this helps!

[thetimelordbatgirl]

Imagine actually being so evil that you'd rather make sure your writers suffer financially instead of just paying them the pay they deserve. Hell truly has some seats reserved already, holy shit.

[technoturian]

One thing about the WGA Strike is that Onion article was kinda right. Hollywood shot themselves in the foot with their current standard of cancelling every show people like to produce more and more short-term novelty.

It’s not like we have tons of shows ending on cliffhangers waiting for season six anymore. Due to their greed, they’ve personally taken long-term viewer investment outside and shot it and now they can’t count on it for negotiating power. What are viewers going to be mad about missing out on? The Twilight reboot? Another Star Wars spin-off? Several promising pilot seasons on Netflix with great representation that were already produced and cancelled before they aired and would’ve been even if the strike hadn’t happened?

[zwoelffarben]

Edit: A writer's strike has not started. The Guild's membership has just authorized one in the cause that Guild reps and studio executives cannot come to an agreement on the contract.

Don't pull out the spirit holloween banners yet, is all I'm saying.

Edit 2, circa May 1, 2023: The studios have refused to negociate with the writers' guild in good faith, leaving the guild no choice but to strike.

A WGA STRIKE HAS BEGUN.

[wordsmith30]

You know what makes me the most upset about the use of AI in our culture? It's not just removing artists from art or devaluing human creativity -- it's treating people like they're disposable.

Oh, you're not that special. We have computers to do that now. If you died tomorrow, we have your image. We have your voice. We have your biometric data. We can just duplicate you, it's no problem. Who needs flesh and blood? Who needs agency and free thought? Who needs the human soul? You're just a tool. And when we're done with you, we'll just toss you aside and find someone else.

Creatives, listen to me, and listen to me good: you have a voice and it matters. There is no one in the history of the world who is exactly like you, in this time or this place. There is no one who thinks like you, acts like you, speaks like you, moves like you. There is nobody else built like you. Nobody else with your unique experiences and outlook of the world. You are a product of history, of culture, of art, of love, of pain, of possibility. Don't let them take that from you.

[odinsblog]

“One weird, silver lining positive from the WGA's strike has been a sense of calm over a reality that has plagued me with anxiety for years — the fact that despite having a great agent, manager, and lawyer, despite having been in hundreds of rooms with top execs and producers, despite having pitched countless networks, and despite having sold multiple pilots and pitches, I still work in food and bev. For so long, it felt like such an embarrassment in so many ways because it felt like I was the only one who was biding time in between sales with a side hustle. When I would tell people at work that I wrote television, they'd look at me like I had ten heads, or like I was delusional. They couldn't IMAGINE someone who *actually* wrote television would also be asking them what temp they wanted their salmon.

But the reality is, TV money goes fast, especially when it's just a pilot sale. And if shit doesn't get picked up to series, that money only lasts for so long. Being responsible meant swallowing my pride and keeping a job that was more consistent and steady but also gave me the ability to take pitch meetings, to write on my down time, do rewrites, answer e-mails, and take notes calls.

And for so long I thought I was a minority in that regard. Like I had done something wrong to not be successful enough to rely solely on my career as a writer.

Yet the strike has pushed SO many stories to the forefront of writers doing the exact same thing I've done, GOOD writers, great writers, writers who shit I watch all the time, whose names I instantly recognize, whose reputations in this industry precede them. So when the studios leaked that the goal was to bleed writers dry, to make it so we lost our homes, I had to laugh. Writers like me will literally do anything to keep the dream of writing alive. It's in us. It never goes away, no matter how many steaks you server, how many martinis you mix, how many cold calls you make, how many Uber passengers you pick up, how many pizzas you have to deliver. We always always always find a way to make it to that next great hope of a pitch, a sale, a green light.

And that's how you know that the CEOs are so fucking out of touch with reality. With the industry. With the POINT of the industry the point for most (not all, but most) has never been to be filthy rich, or own a yacht, or even have a membership to SoHo house. It's been to make something we love. To see it come to life, and make other people happy, or sad, or angry, or scared. To take this story you have kicking around your head and turn it into some epic journey. To be part of the process of making worlds and characters come to life. To tell stories.

The CEO's point has been to make as much money as humanly possible. And so they think that's all there is motivating writers. it's not. It never has been. Just because those CEO's wouldn't wait tables or mix drinks or drive a Lyft in order to keep a dream going, doesn't mean the rest of us wouldn't. The CEO's don't have a dream, they have a lifestyle. And I promise you a dream is a much better motivator than a yacht or a Porsche.

Try to bleed us dry, guys. Just because you'd let your own dream bleed to death, doesn't mean we would. We will always find a way to keep it alive.”

—Stefanie Williams, a tv writer on strike

[ceruleanharley]

so this is how hollywood dies. with barbenheimer.

[madseance]

Hollywood Writers Strike: Official Sources

The Writer's Guild of America has voted to strike, and I want to get out ahead of something Tumblr is bad about doing and encourage y'all to PLEASE get your information about the strike from the guild itself, not from random people on Tumblr telling you it's "actually" about this or that.

The WGA wants the public to understand why they are striking. They have plenty of info available that is written with a general audience in mind.

WGA.org is the official website of the Writer's Guild of America West.

WGAwest is on Twitter and posting extensively about the negotiations and strike. This account is linked from the WGA website.

WGA also has a Linktree (linked from their Twitter bio) with more information about the strike, including their own Twitter threads about various strike issues, as well as articles in the media.

WGA Contract 2023 is a website full of information about the strike. It is one of the first links in the Linktree above. It's a great resource if you want to get deeper into the subject. There is a FAQ.

Any third party explaining the issue for you has an opportunity to, intentionally or not, insert their own spin or agenda. Get the information from the source.

[fans4wga]

September 25: Read the WGA's email to its membership

[ID: tweet from Adam Conover @/adamconover that says, "We did it. We have a tentative deal. Over the coming days, we'll discuss and vote on it, together, as a democratic union. But today, I want to thank every single WGA member, and every fellow worker who stood with us in solidarity. You made this possible. Thank you. #WGAStrong".

Attached is a screenshot of the first part of the WGA's recent email to its membership. Conover's next tweet says, "Here's the rest of our email to members, which details what happens next:" with the rest of the email attached in screenshots.

Transcript of the WGA's email to its membership:

DEAR MEMBERS,

We have reached a tentative agreement on a new 2023 MBA, which is to say an agreement in principle on all deal points, subject to drafting final contract language.

What we have won in this contract — most particularly, everything we have gained since May 2nd — is due to the willingness of this membership to exercise its power, to demonstrate its solidarity, to walk side-by-side, to endure the pain and uncertainty of the past 146 days. It is the leverage generated by your strike, in concert with the extraordinary support of our union siblings, that finally brought the companies back to the table to make a deal.

We can say, with great pride, that this deal is exceptional — with meaningful gains and protections for writers in every sector of the membership.

What remains now is for our staff to make sure everything we have agreed to is codified in final contract language. And though we are eager to share the details of what has been achieved with you, we cannot do that until the last "i" is dotted. To do so would complicate our ability to finish the job. So, as you have been patient with us before, we ask you to be patient again — one last time.

Once the Memorandum of Agreement with the AMPTP is complete, the Negotiating Committee will vote on whether to recommend the agreement and send it on to the WGAW Board and WGAE Council for approval. The Board and Council will then vote on whether to authorize a contract ratification vote by the membership.

If that authorization is approved, the Board and Council would also vote on whether to lift the restraining order and end the strike at a certain date and time (to be determined) pending ratification. This would allow writers to return to work during the ratification vote, but would not affect the membership's rights to make a final determination on contract approval.

Immediately after those leadership votes, which are tentatively scheduled for Tuesday if the language is settled, we will provide a comprehensive summary of the deal points and the Memorandum of Agreement. We will also convene meetings where members will have the opportunity to learn more about and assess the deal before voting on ratification.

To be clear, no one is to return to work until specifically authorized to by the Guild. We are still on strike until then. But we are, as of today, suspending WGA picketing. Instead, if you are able, we encourage you to join the SAG-AFTRA picket lines this week.

Finally, we appreciated your patience as you waited for news from us — and had to fend off rumors — during the last few days of the negotiation. Please wait for further information from the Guild. We will have more to share with you in the coming days, as we finalize the contract language and go through our unions' processes.

As always, thank you for your support. You will hear from us again very soon.

In solidarity,

WGA NEGOTIATING COMMITTEE

[jay-wasstuff]

[fratboykate]

I'm totally in support of the writers in theory but I'm trying to understand more of what you're fighting for because I've seen some people on twitter claim writers make more money a week than most of us make in a month so I'm trying to understand what the issue is. Also if that info is accurate. This is a genuine question. Not trying to have a "gotcha moment". I really want to hear from a writer.

people have always had wild misconceptions about how much a writer earns because of their lack of understanding of how the industry actually works. there's so many posts about how "you guys make 5k a week. what more do you want?!" yeah...let's do some math on that.

5k a week for 14 weeks (and that's a long room. a lot of rooms these days are 8-10 weeks. those are the dreaded mini-rooms we're trying to kill) is $70,000. for roughly three months of work. you'd think we're cooking with gas...BUT HOLD UP. that's gross! let's see everything that has to come out of that check:

10% to our agent

10% to our manager

5% to our entertainment attorney

5% to our business manager (not everyone has one but a lot of us do. i do, so that's literally 30% immediately off the top of every check)

most of these breakdowns ive seen downplay taxes severely. someone made one that says writers pay 5% in taxes and i would like to ask them "in what universe?". that doesn't even cover state taxes. the way taxes work in the industry is really complicated, but the short of it is most of us have companies for tax reasons so we aren't taxed like people on w2s/1099. if we did we'd be even more fucked. basically every production hires a writer's company instead of the writer as an individual. so they engage our companies for our services and then at the end of the year we (the company) pay taxes as corporations or llcs (depending on what the writer chose to go with). my company is registered as a "corporation" so let's go with those rates. california's corporate rate is 9% and the federal corporate tax rate is 21%. there's other expenses with running a business like fees and other shit so my business managers/accountants/bookkeepers have recommended i save between 35-40% of everything i make for when tax season comes.

you see where the math is at already??? 25-30% in commissions and then 35-40% in taxes. on the lower end you're at THE VERY LEAST looking at 60% of that check gone. 70% worst case scenario. suddenly those $70,000 people claim we make are actually down to $28,000 as the take home pay. and that's if you're only losing 60%. it goes down to $21,000 if it's 70%.

lets pretend you worked a long 14 week room (that's the longest room ive ever worked btw) and let's also be generous and say you only have 60% in expenses so the take home is $28,000. average rent in los angeles is around $2,800-$3,000. if you're paying $2,800 in rent that means you need AT LEAST $4,000 a month to have a semi decent life since you need to also cover groceries, gas, medical expenses, toiletries, phone, internet, utilities, rental and car insurances, car payments, student loan payments, etc etc etc. and again, this is los angeles. everything is more expensive so you're living BARE BONES on 4k. and these are numbers as a single person. im not even taking having children into account. so those $28,000 you take home might cover your life for 6-7 months. 3 of which you're in the room working. the reality is that once that room ends, you might not work in a room again for 6-9-12 months (i have friends whose last jobs were over 18 months ago) and you now only have about 3 months left of savings to hold you over. we have to make that money stretch while we do all the endless free development we do for studios and until we get our next paying job. so...3 months left of enough money to cover your expenses -> possible 9 months of not having a job. this is how writers end up on food stamps or applying to work at target.

this is why we're fighting for better rates and better residuals. residuals were a thing writers used to rely on to get them through the unemployment periods. residual checks have gone down from 20k to $0.03 cents. im not joking.

they've decimated our regular pay and then destroyed residuals. we have nothing left. so don't believe it when they tell you writers are being greedy. writers are simply fighting to be able to make a middle class living. we're not asking them to become poor for our sake. we're asking for raises that amount to 2% of their profit. TWO PERCENT. this is a fight for writing even being a career in five years instead of something you do on the side while you work retail to pay your bills. if you think shows are bad now imagine when your writer has to do it as a hobby because they need a real job to pay their bills and support a family. (which none of us can currently afford to have btw)

support writers. stop being bootlickers for billion dollar corporations. stop caring about fictional people more than you care about the real people that write them. if we don't win this fight it truly is game over. the industry as you know it is gone.

[dynared]

[autisticstudys]

You know, I've been thinking about the writer/actor strike in Hollywood, and like, I love it. I really do. They absolutely deserve better pay models and protection from AI. But do you know what would just be the cherry on top for me?

Hearing CGI artists are starting a union to demand better pay. That would just be *chefs kiss* to me.

[echxrodri]

we all knew hollywood was evil but to reach the level of publicly admitting to letting writers go broke and homeless before giving them a living wage that they can easily afford to pay is insane.

pay your fucking writers.