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dangerouscommiesubversive · 4 years ago

Note

Whenever commie is no longer busy and have time (and ofc would want to write it), would you be willing to make a complete list of those who would kabedon; and the list of "who would and would not say the f/curse word"?

Oh man, you want a complete list? Well, ok, let’s go show by show here, I’m gonna get really lengthy with it. Like, I can’t go through every character in every show, but I’ll hit what I think are the major points.

Fair warning before you mash the read-more: I did, in fact, go through nearly every show I’ve seen. This post is long.

We will start with Kamen Rider.

Kamen Rider 1号: I want you to look me in the eyes and tell me you heard my grandpa say a cuss. Go on. I dare you.

Kuuga

Godai Yusuke: is capable of saying fuck, but does not, because he’s too polite. He might kabedon, but not for any romantic or sexual reasons, just because he likes to be close to people and he gets excited about stuff.

Ichijo Kaoru: says fuck on a regular basis. I think he would kabedon unironically but only in the heat of the moment.

Ra-Baruba-De: doesn’t cuss because it’s beneath her. She’d kabedon Ichijo, but would follow this up with an attempt to kill him.

Agito

Tsugami Shouichi: does not swear and cannot kabedon, although someone else might do it to him.

Hikawa Makoto: might say fuck in a moment of stress, but rarely swears otherwise. He could and would kabedon, but only in situations where doing so would get a comedic result related to his strength and clumsiness.

Ashihara Ryou, the sexiest man in the world: probably swears like a sailor and would absolutely kabedon. The very thought makes me go weak at the knees.

Kino Kaoru: definitely says “fuck,” but I don’t think he does fuck, and he certainly doesn’t kabedon.

Ozawa Sumiko, however: both says “fuck” and does it. She will kabedon, and she will stand on Omuro’s shoulders to get enough height for it.

Ryuki

Kido Shinji: always wants to swear, but doesn’t actually do it. He could kabedon, but only in anger; the thought of doing so in a romantic or sexual context would make him blush and stammer.

Akiyama Ren: can and will say “fuck” at a moment’s notice. You know he kabedons.

Kitaoka Shuichi: says “fuck” quietly, when no one can hear him except maybe Goro. He would kabedon gently and think himself very sexy.

Yura Goro: is a sweet, sweet man who neither swears nor kabedons.

Asakura Takeshi: is saying “fuck” at this very moment. He would only kabedon as a prelude to stabbing.

Tezuka Miyuki: is on this list because I love him, but he does not say “fuck” and could not be induced to. He could be kabedon’ed.

555 (we haven’t finished this one so I can’t guarantee that all characters will be included)

Inui Takumi: I’m pretty sure he could say “fuck” but I don’t think he’s actually inclined to. Kabedon’ing requires a level of investment in whatever situation that I don’t think he’d want to admit to.

Kusaka Masato: oh, absolutely.

Sonoda Mari: swears all the time. Doesn’t kabedon because she expects someone to do it to her.

Keitaro Kikuchi: is a very nice boy who does neither of these things.

Kiba Yuji: contains vast lakes of suppressed rage, and if he says “fuck” even once it might all come out. Does not kabedon for the same reason.

Osada Yuka: says “fuck,” but only in her heart. Does not kabedon.

Kaido Naoya: says “fuck,” but only when he can’t find a more ridiculous option. Absolutely kabedons at a moment’s notice.

Smart Lady: does not say “fuck.” Will definitely kabedon you, and moreover she’ll do it with her leg to make sure that the situation is just, uncomfortably sexual.

Blade

Kenzaki Kazuma: is breathtakingly earnest but nevertheless does, on occasion, say “fuck.” Doesn’t kabedon because he’s too sad.

Aikawa Hajime: has neither the inclination nor the desire to say “fuck” or to kabedon.

Tachibana Sakuya: can say “fuck,” but mostly doesn’t. Also too sad to kabedon.

Kamijou Mutsuki: would say “fuck” to get someone’s attention. He wishes he could kabedon.

Kurihara Amane: is in so much trouble with her mother for saying “fuck.”

Hibiki

Hibiki/Hidaka Hitoshi: is An Dad, and thus is theoretically capable of saying “fuck,” but if he does then it means the situation’s gotten pretty serious. (Or he’s hit his thumb with a hammer.) He can definitely kabedon, but we’ll never see him do it, because that means the situation’s gotten a different kind of serious.

Ibuki: has too much self-control and dignity to say “fuck,” but said it when he was younger. Doesn’t kabedon because it’s just...not the right vibe for him.

Todoroki: has considered saying “fuck,” but the prospect makes him blush. Cannot kabedon to save his life but desperately wishes that he could.

Zanki: comfortable with the word “fuck” but uses it sparingly. Doesn’t seem like a kabedon type.

The Children: Asumu, Kyosuke, and Akira can all definitely say “fuck” just by dint of being high schoolers brimming with all kinds of messy emotions. Kyosuke would definitely attempt to kabedon someone, although he might not do it well.

The Tachibana Sisters: anyone who runs a restaurant can say “fuck.”

Kabuki: like Miyuki, above, is included because I adore him, even though he’s a movie-exclusive character. Definitely says “fuck.” Might kabedon in the process of tricking someone, but wouldn’t do it seriously.

Kabuto

Tendou Souji: feels that saying “fuck” is beneath him. Wouldn’t kabedon so much as he’d very gently brace himself against the wall and lean in, which, let’s be real, is much sexier.

Tendou Juka: you know that comic that people have done all those redraws of? I think this one is the original? This is an accurate representation of what would happen to someone, possibly Kagami, if Juka said “fuck.”

Kagami Arata: is all the time saying “fuck,” at least in his head, but doesn’t often say it out loud because it would draw the wrong kind of attention. Would kabedon Souji, probably, who would be surprised and then quietly delighted.

Kusakabe Hiyori: unlikely to say “fuck,” and if she did I suspect Tendou would take it badly (see above entry for Juka). Might be kabedon’ed, but would definitely knee the perpetrator in the groin.

Kamishiro Tsurugi: my beautiful son does not know what the word “fuck” means, but would definitely kabedon because he’s excitable.

Yaguruma Sou and Kageyama Shun: get one line because they do things together--imagine, if you will, Yaguruma saying “fuck” and Kageyama echoing him quietly a moment later. They would also kabedon together.

Kazama Daisuke: would say “fuck” very quietly. Does not kabedon.

Den-O

Nogami Ryotaro: cannot say any swear words without suffering a potentially fatal nosebleed. May have kabedon’ed once in a dream, but the thought of him attempting it in real life is actually laughable.

Hana: says “fuck” as an adult. As a child, says it more. Does not kabedon, because why bother?

Naomi: can do whatever she likes and I will support her.

Momotaros: says “fuck” regularly and with gusto. Kabedons as a greeting.

Urataros: does not use any curse words because women find them off-putting--unless the woman he’s with swears, in which case he does too. Will kabedon if it is situationally appropriate for getting laid.

Ryuutaros: see, again, this comic, but this time the person doing the shocked face and then later the punching is me. He does not know what a kabedon is.

Kintaros: is probably asleep. Believes that excessive swearing is unmanly. Doesn’t see the point of kabedon.

Sieg: believes that excessive swearing is unfit for a prince, but will very occasionally say “fuck” if it’ll get every eye in the room on him. Unaware of kabedon.

Kiva

Kurenai Wataru: does not.

Kurenai Otoya: does both, vigorously.

Asou Megumi: says “fuck,” doesn’t kabedon. Would encourage someone else to kabedon her though.

Asou Yuri: absolutely says “fuck” all the time, might kabedon Otoya to shut him up.

Jirou: I actually don’t think he swears? Definitely kabedons though.

Nago Keisuke: says “fuck,” but feels bad about it afterwards. Might kabedon from anger, or if induced to by Megumi.

Nobori Taiga: is far too polite to say “fuck,” but occasionally thinks it. Does not kabedon.

Decade

Kadoya Tsukasa: there is no question that he says “fuck” all the time. Not the romantic kabedon type, much to Daiki’s disappointment. May kabedon in other situations, though.

Kaitou Daiki: says “fuck” only occasionally, but with feeling. Would like Tsukasa to kabedon him.

Hikari Natsumi: says “fuck” regularly and energetically. Will sit on Yuusuke’s shoulders to kabedon Tsukasa.

Onodera Yuusuke: does not say “fuck” at all. Cannot kabedon because he is too busy giving Natsumi a boost.

Hidari Shoutaro: believes that saying “fuck” is unbecoming of a true man, but still says it if he stubs his toe. Kabedons unintentionally and then blushes when he realizes what he’s done.

Philip: has said “fuck” a total of once and then went down a rabbit hole looking into its etymology. Kabedons intentionally and with forethought, and then completely loses the thread of things as soon as Shoutaro starts blushing.

Narumi Akiko: says “fuck” just to shock Shoutaro. Definitely kabedon’ed Terui at least once, which he was unspeakably charmed by.

Terui Ryuu: is not open to questions about whether or not he says “fuck.” Only kabedons out of frustration.

OOO

Hino Eiji: neither says “fuck” nor kabedons.

Ankh: both says “fuck” and kabedons, and both are generally directed at Eiji. In fact, since he is only a hand, kabedon is an important part of his physical vocabulary.

Izumi Hina: does not say “fuck.” Would break a wall if she kabedon’ed, and thus it’s fortunate that she isn’t inclined to anyway.

Gotou Shintarou: would blush terribly if he ever said “fuck,” or for that matter if he attempted to kabedon.

Satonaka Erika: considers the word “fuck” an important part of her vocabulary, to be used sparingly. Kabedons Gotou, and at least once Date.

Date Akira: says “fuck,” but not in, like, an aggressive way? Just as an expression of mild distress. It does not occur to him to kabedon.

Fourze

Kisaragi Gentarou: is not legally allowed to say rude words. Would kabedon out of an excess of enthusiasm and then be deeply confused if the recipient blushed.

Sakuta Ryuusei: says “fuck” sparingly and only when it’ll have an impact. Does not kabedon.

Utahoshi Kengo: says “fuck” frequently and with enthusiasm. Doesn’t see the point of kabedon.

Jojima Yuuki: like Gentarou, is not legally permitted to curse. Kabedon would not occur to her unless it could be some way related to space.

Kazashiro Miu: says “fuck” occasionally. Kabedons when appropriate, which is rarely.

Daimonji Shun: wishes he could say “fuck,” but can’t quite bring himself to. Doesn’t kabedon anymore, but he used to.

JK: only says “fuck” deniably. Strictly a receiver of kabedon.

Nozama Tomoko: doesn’t use curse words, she uses curses. Doesn’t kabedon, but appreciates it when she sees others do it.

Wizard

Souma Haruto: definitely says “fuck” sometimes. Prefers a flirtatious lean against a convenient wall over kabedon.

Nitoh Kosuke: says "fuck," but only if his grandma can't hear him--unless there's a notable archeological discovery in the offing, in which case all bets are off. Thinks he's too slick to kabedon, but he's not.

Fueki Koyomi: no.

Nara Shunpei: absolutely not.

Daimon Rinko: has said "fuck" on occasion and would certainly do it again. I can't imagine a kabedon from her though.

Gaim

Kazuraba Kouta: seems like he secretly swears kind of a lot. Does not kabedon because he is, at base, a deeply non-aggressive individual.

Kumon Kaito: says "fuck" at least once a day. Absolutely kabedons, but mainly because he's annoyed and slapping a person seems tactically unsound.

Kureshima Mitsuzane (Micchi): says "fuck" to sound edgy. Would like to kabedon but no one would take it seriously.

Kureshima Takatora: will use the word "fuck" sparingly, and only to indicate that The Situation Has Gotten Bad Indeed. Does not know what kabedon is.

Sengoku Ryouma: says "fuck" occasionally, and with malicious good cheer. Does not kabedon, but if he would like to give it a shot, I am available.

Takatsukasa Mai: says "fuck" quietly but with frequency. Doesn't see a good reason to kabedon anyone.

Oren Pierre Alfonso: only swears in French. Dismisses kabedon as a thing for callow youths, but despite this he did once have a heated dream of doing it to Takatora.

Drive

Tomari Shinnosuke: says "fuck" if he's hit his leg on a table or something, but in more serious situations he does not curse. I cannot possibly imagine him trying to kabedon, it's impossible.

Shijima Kiriko: doesn't swear as much as one might think; "fuck" is for special occasions. Will use a kabedon to get someone's attention.

Shijima Gou: says "fuck" all the time. Would like to kabedon, but hasn't found the right person yet.

Chase: does not swear. Does not kabedon--he's interested in human behavior but that's just nonsense.

Sawagami Rinna: is a professional engineer and thus uses the word “fuck” as punctuation. Might kabedon, but it’s unlikely.

Mr. Belt/Krim Steinbelt: mutters “fuck” quietly when Shinnosuke isn’t paying attention. Does not have arms.

Heart: has said "fuck" experimentally but didn't like the mouthfeel. Delighted by the very concept of kabedon but hasn't done it yet.

Brain: believes that swearing is a sign that you have nothing constructive, intelligent, or amusing to say. Provided Heart with the comics from which they both learned about kabedon, and since then the thought of Heart doing it to him has occupied his every waking moment.

Medic: has thought about saying "fuck" but isn't sure that she really wants to. Stole those comics from Brain and now she, too, would like Heart to kabedon.

Ghost

Tenkuuji Takeru: the thought of saying “fuck” has genuinely never entered his head. More someone who is kabedon’ed than someone who does it himself.

Fukami Makoto: can theoretically say “fuck,” but mostly doesn’t. Would maybe kabedon if the moment seemed appropriate.

Alain: thinks saying “fuck” is sort of uncouth but does it anyway. Wants to know what kabedon is, please tell him about it.

Tsukimura Akari: does not get enough sleep or lab time for anyone to be able to stop her from saying “fuck.” Has kabedon’ed out of excitement, but never for romantic reasons.

Yamanouchi Onari: tries not to say “fuck” because he’s supposed to be setting a good example, but sometimes it just slips out. Definitely doesn’t kabedon, but that’s more out of cowardice than a sense of restraint.

Fukami Kanon: see the comic previously linked to for reference for what would happen if Makoto found out that someone had taught Kanon how to say “fuck.” Reads comics in which there is the occasional kabedon, kind of wishes Alain would do it.

Ex-Aid

Hojo Emu: doesn’t say “fuck” because he works with children. Doesn’t kabedon because it’s not his style.

Parad: absolutely says “fuck,” if only to see Emu drop something in surprise. Thinks kabedon looks fun.

Kagami Hiiro: is too uptight to say “fuck” and too shy to kabedon.

Kujou Kiriya: uses “fuck” as an expression of low-key dismay. Does his best flirting from across the room, but might kabedon if it seemed like the reaction would be entertaining.

Hanaya Taiga: barely even thinks of “fuck” as a word, it’s just a noise he makes when he’s annoyed. Kabedon’ing would require him to get much closer to people than he wants to.

Dan Kuroto: definitely says “fuck,” are you kidding? Even before he was a cackling supervillain he was, at least partially, a software engineer. Does not kabedon.

Poppy Pipopapo: no.

Saiba Nico: says “fuck” all the time as long as Taiga’s not looking. Will not admit to reading the kind of comics where a kabedon might occur, but definitely does.

Graphite: thinks all of this is human nonsense and yet is, despite himself, intrigued.

Build

Kiryuu Sento: probably says “fuck” more than any other main Rider. Yes, even Tsukasa. Is kabedon’ed.

Banjou Ryuuga: says “fuck” because MMA guys have foul mouths, although he did clean up his language a bit when Kasumi was still alive. Kabedons.

Isurugi Misora: if Misora says “fuck” then something terrible is about to happen. Would laugh at anyone who asked if she knew how to kabedon. Would knee anyone who tried it on her in the groin. Kazumi knows this well.

Takigawa Sawa: considers the word “fuck” an essential part of her vocabulary, to be used frequently and sometimes at a great volume. Knows how to kabedon due to spy training but does not use it in her personal life.

Sawatari Kazumi: says “fuck” all the time, unless Misora is paying attention to him. Thinks that kabedon is very sexy and that he’s very good at it; mileage may vary on whether this is actually true.

Himuro Gentoku: says “fuck” softly and solemnly when something really bad has happened. Maybe he kabedons, I’m genuinely not sure.

Evolt: probably does both, but I’m not getting close enough to check.

Zi-O

Tokiwa Sougo: doesn’t swear because it’s not kingly. Does not kabedon.

Myoukouin Geiz: surprisingly, does not tend to curse. Definitely kabedons, not always romantically.

Woz: doesn’t say “fuck,” because there are more roundabout ways to express his frustration. Kabedons, sometimes for romantic reasons and sometimes just to be weird about things.

Tsukuyomi: specifically uses the word “fuck” to indicate that things have gotten serious. If Geiz isn’t going to get around to kabedon’ing her, she’s going to do it to him.

Zero-One

Hiden Aruto: look obviously I can’t really comment on these characters because I haven’t watched that show yet but just from the clips I’ve seen I think Aruto would spontaneously combust if he said “fuck.”

Saber

Kamiyama Touma: says “fuck” sometimes, especially if he’s very tired. Thinks kabedon is kind of a tired plot device.

Sudou Mei: doesn’t think saying “fuck” is that big of a deal, uses it to express irritation. Agrees with Touma that kabedon is overused as a plot device, but likes it nonetheless.

Shindo Rintarou: oh my god no, definitely not.

Fukamiya Kento: uses the word “fuck” the way other people might use the word “moist”--it’s not a word he likes to say, but it has its place. Not generally aggressive enough to kabedon, but might if it seemed useful.

Akamichi Ren: is a teen edgelord and thus says “fuck” a lot. Talks a big game, but is secretly too shy for a successful kabedon.

Ogami Ryo: has tried to clean up his language since becoming a dad and been pretty successful with it. Doesn’t kabedon anymore, but did once.

Daishinji Tetsuo: says “fuck” when he’s working on things. Kabedon generally involves prolonged eye contact, so no.

Sophia: good heavens no, can you imagine?

Tassel: might be a divinity of some kind, can swear if he wants although he’d probably do it in French, but if he kabedons then I’m a walrus. I love Tassel.

All right, that’s Kamen Rider done! Now on to...

Super Sentai

AkaRed: if AkaRed ever said “fuck” I think something in the multiverse would be profoundly damaged--oh, hell, this is how Zenkaiger happens, isn’t it?

Dairanger

Ryo of the Heavenly Fire Star: doesn’t say “fuck,” but you might when you taste his gyoza. They’re the best in the world, you know. It has never occurred to him to kabedon.

Daigo of the Heavenly Illusion Star: is too gentle to say “fuck,” or for that matter to kabedon. (Besides, anyone who tries to kabedon Kujaku is going to be in for some difficulty.)

Bullet Shoji, Warrior of Love: used to say “fuck,” because he used to be in a gang, but doesn’t anymore. Doesn’t kabedon because he tries not to intimidate people.

Kazu of the Heavenly Time Star: doesn’t say “fuck,” he just kinda makes a hiss noise if he’s irritated. Doesn’t object to kabedon in theory but not interested in doing it himself.

Rin of the Heavenly Wind Star: does sometimes say “fuck,” much to her uncle’s dismay. Does not kabedon.

Kou of the Howling New Star: is a horrible child and says “fuck” regularly. Too immature to be allowed to kabedon.

Kakuranger

Tsuruhime: does not say “fuck,” because if she’s mad she can just smack someone. She is fairly sure that people don’t actually kabedon in real life.

Sasuke: has said “fuck” once or twice but mostly tries not to. Too friendly to kabedon.

Saizou and Seikai: get one line because they’re attached at the hip. They are too goofy to say “fuck,” and would only ever manage to kabedon each other.

Jiraiya: not only does he say “fuck,” he will actually be saying “fuck” and not a Japanese equivalent, because he is more comfortable speaking English. I cannot imagine this man attempting to kabedon.

Ninjaman: is tremendously excited to learn about modern cursing, but never actually uses the words he’s learned because his teachers would be mad at him. Naturally too large to practice safe kabedon.

Hurricaneger

Please know that I’m not very far into this series yet, so this is based on fairly early impressions.

Shiina Yousuke: does not say “fuck” but often wants to. Doesn’t kabedon because it seems really aggressive, especially if you’re trying to kiss someone.

Nono Nanami: sometimes thinks the word “fuck” but doesn’t say it. While she’s read a few comics which contain kabedon, the thought of putting the concept into practice has never occurred to her.

Bitou Kouta: would never say “fuck” because children might hear him. Doesn’t kabedon because he’s a gentle soul.

Kasumi Ikkou and Kasumi Isshu: I just met these boys last night but I know in my heart that they both say “fuck,” and moreover they mean it. They also definitely kabedon.

Furabijo and Wendinu: can call me, please, I’m apocalyptically in love with you both.

Gekiranger

Same as Hurricaneger--I’m not that far in, we don’t even have the extra guys yet, but I sure do have some thoughts about the folks we’ve got so far.

Kando Jan: doesn’t even know the word “fuck,” probably has some cute repetitive term for sex that he uses instead. Doesn’t know what a kabedon is either.

Uzaki Ran: may say “fuck” very occasionally if she sustains an injury during training. Not inclined to kabedon.

Fukami Retsu: will pretend that he’s too in control of himself to swear, but does on occasion say “fuck.” Sees no reason to kabedon.

Mele: says “fuck,” but never when Leo can hear her. Doesn’t kabedon, would like someone else (*coughcoughLeocoughcough*) to do so though.

Leo: says “fuck” like he’s chewing on something and spitting it out. Definitely kabedons, but has no idea that this might have romantic or sexual implications.

Shinkenger

Shiba Takeru: does not say “fuck” anymore, because once he said it in front of Jii, who lost his mind. Could kabedon, he’s capable of it, but he’s a little too wound up in himself.

Ikenami Ryunosuke: would never say “fuck.” Not a kabedon type because it seems rude.

Shiraishi Mako: used to work with children, and thus didn’t say “fuck” for years, but now does occasionally--mainly while cooking. Doesn’t kabedon because she has other ways of getting in your face.

Tani Chiaki: is a Gamer and thus definitely says “fuck.” Nonetheless, respects women too much to kabedon them and the only men he might kabedon he is slightly afraid of.

Hanaori Kotoha: is a sweet, precious girl, very dear to my heart, who certainly does not swear or kabedon.

Umemori Genta: only says “fuck” if he cuts himself while preparing fish, or while arguing with fish vendors. Might kabedon to be goofy, but never seriously.

Kusakabe Hikoma/Jii: definitely had kind of a wild youth. Takeru once heard him say “fuck” to a kuroko while working on the clan accounts and has never recovered from the shock. Doesn’t kabedon anymore, but he did once.

Shiba Kaoru: doesn’t actually know the word “fuck” or anything about kabedon, and isn’t going to learn if Tanba has anything to say about it.

Gokaiger--one of the ones I’m sure you’ve all been waiting for

Captain Marvelous: I think we all know that the answer is yes on both counts.

Joe Gibken: says “fuck” quietly in serious situations, and loudly if Marvelous is deliberately getting on his nerves. Does not typically kabedon.

Luka Millfy: uses “fuck” as a general intensifier. Likes guys she can intimidate a little, so she does kabedon, but she mainly does it to Doc and Gai.

Don Dogoier/Doc: if you hear Doc say “fuck” it’s probably the middle of the night and he’s repairing an engine problem. Certainly does not kabedon.

Ahim de Famille: cursing is unladylike--not that she always tries to be ladylike, but she just doesn’t see the point there. Doesn’t kabedon.

Ikari Gai: probably uses some sort of goofy minced oath like “fudge” unless in the actual throes of passion. Doesn’t really have the poise to kabedon.

Basco ta Jolokia: only says “fuck” when no one is listening, because otherwise he might seem less than poised. Would kabedon Marvelous to get a rise out of him.

Go-Busters

Sakurada Hiromu: seems like he’d probably drop the occasional “fuck.” I’m of two minds on the kabedon thing; I think that he could, but I’m not sure that he would.

Iwasaki Ryuji: says “fuck” if he’s working late on some problem. Doesn’t kabedon because he doesn’t want to scare people.

Usami Youko: says “fuck” specifically because it gets Ryuji to make a shocked face at her. Might kabedon if she found someone short enough. She will never find someone short enough.

Nick, Gorisaki, and Usada: no, definitely not.

Masato Jin: says “fuck” with the casual manner of a man who has definitely not just dropped a wrench on his foot. Doesn’t kabedon, but has joked about doing so.

Beet J. Stag (the “J” stands for “Jueki”): says “fuck,” but doesn’t know what it means. Who would he even kabedon?

Enter: only swears in French. Would kabedon with one of his creepy tentacles.

Kyouryuger

Kiryuu Daigo “King”: is a ludicrously perfect shoujo manga love interest, and thus does not say “fuck” but does kabedon in a sexy way.

Ian Yorkland: says “fuck” on dig sites but not in polite company. Might kabedon if it’d make the girl in question smile, does not kabedon men.

Udo Nobuharu: used to say “fuck” sometimes, but doesn’t now that he’s helping to raise Rika. Too busy and tired to kabedon.

Rippukan Souji: is too uptight to do either.

Amy Yuzuki: doesn’t say “fuck,” just makes irritated noises. Might kabedon if it would get someone to stop screwing around and pay attention to her.

Utsusemimaru: is familiar with neither the word “fuck” nor the concept of kabedon, although he might learn about the latter from some of Amy’s manga.

Yayoi Ulshade: says “fuck” when she’s working. Perpetually disappointed that she will never get Daigo to kabedon her.

Candelira and Luckyuro: my beautiful wife and her adorable son have no knowledge of these things.

ToQger

Right, Tokacchi, Mio, Hikari, and Kagura: are all children and thus are barred from engaging with these things. Although I suppose now they’re all fifteen or sixteen, so maybe some of them have started cussing, but I refuse to contemplate it.

Nijino Akira: doesn’t know the word “fuck,” but if he did he’d use it. Doesn’t know about kabedon either, and wouldn’t use it if he did, because that involves getting way too close to people.

Wagon: much like Smart Lady, would kabedon with her leg, but in her case she’s trying to be cute and fun, not creepy. Does not say “fuck.”

Emperor Zett: can in theory say “fuck,” but hasn’t found an occasion to do so. Would kabedon to intimidate, I think he’d kinda puff up like a little angry wren.

Jyuohger

Kazakiri Yamato: will only say “fuck” if he’s just been bitten by an animal he’s taking care of, and even then only if it really hurts. Doesn’t kabedon.

Sera: doesn’t say “fuck” because there’s always something more cutting available. Would bite anyone who kabedon’ed her.

Leo: says “fuck” as long as there are no girls listening. Has been bitten by Sera at least once as punishment for kabedon crimes.

Tusk: says “fuck” about paper cuts, but nothing else. Doesn’t kabedon.

Amu: doesn’t say “fuck” because there are cuter ways to get mad. Doesn’t kabedon herself, but will take any kabedon from someone else as an opportunity to get them to do something for her.

Mondou Misao: says “fuck” sometimes, always apologizes directly afterward. Far too nervous to kabedon.

Bard: says “fuck” at least once a week. Isn’t clear on what kabedon is.

Uncle Mario: you leave Uncle Mario alone.

Kyuuranger

Lucky: does not say “fuck.” Might kabedon in a moment of high spirits.

Garu: is a polite man who neither says “fuck” nor kabedons.

Stinger: says “fuck” frequently. Kabedons with his tail.

Hame: says “fuck” quietly but often. Doesn’t kabedon, and would just vanish if someone did it to her.

Raptor-283: says “fuck” very rarely, but at great volume. Dreams of being kabedon’ed, this is canonical.

Champ: doesn’t curse, and thinks kabedon looks dangerous.

Spada: only says “fuck” in the kitchen, where he can say whatever he pleases, grazie. Could be kabedon’ed.

Balance: says “fuck” if he’s panicking, but only then. Might kabedon for fun.

Naaga Rei: doesn’t do either, and would be terribly puzzled if someone kabedon’ed him.

Shou Ronpou: said “fuck” once when he got his finger caught in the Kyuulette. Isn’t familiar with kabedon, but thinks it looks fun.

Kotaro: is ten years old.

Ootori Tsurugi: doesn’t say “fuck” because it’s not grandiose enough. Definitely kabedons, we see him do it at least once in the show.

LupinRanger Vs. PatRanger

Asaka Keiichiro: might say “fuck” if he’s really angry, but would feel bad about it. Would blush if he kabedon’ed Kairi, but would still do it.

Yano Kairi: has been saying “fuck” on the reg since he was twelve. Would kabedon to make Keiichiro squirm.

Hikawa Sakuya: might say “shit” on occasion, but never “fuck.” Wishes he was the kind of guy who could kabedon.

Yoimachi Tooma: doesn’t say “fuck,” but does think it loudly. Too reserved to kabedon.

Myoujin Tsukasa: could potentially say “fuck,” but chooses not to. Not a kabedon type.

Hayami Umika: mostly has pretty clean language, but will say “fuck” when she’s sewing, especially if she’s just stuck a needle into her finger, which hurts like a bitch. Doesn’t kabedon herself, might giggle if someone did it to her.

Takao Noël: only swears in French, but does so in extensive and exacting detail. Kabedons, but in a chill way.

Zamigo Delma: thinks the word “fuck” is extremely funny. Would kabedon Kairi to make him uncomfortable, but if Kairi’s unavailable then he’s welcome to look me up.

Ryusoulger

Koh: has never said a swear in his entire life. Doesn’t kabedon.

Melto: says “fuck” often, but quietly, so that the others don’t hear him. Seems kabedon’able to me.

Asuna: doesn’t actually know the word “fuck.” Wouldn’t kabedon, like, on purpose? But she’d definitely do it unintentionally, please see this comic for reference.

Towa: will say “fuck” sometimes if his brother won’t catch him at it. Overconfident enough to kabedon, but I don’t think it’d occur to him.

Banba: says “fuck” if things have gotten very bad. Kabedons only rarely, when he needs to be very serious about something. Yes, sometimes that something is “I think about kissing you with such frequency that it’s interfering with my ability to focus.”

Canalo: doesn’t say “fuck” because Mosa Rex would be disappointed in him. Would never kabedon, if he even knows what that is, due to his overpowering Respect for Women. (It has never occurred to him that one might kabedon anyone but a woman.)

Oto: might say “fuck,” and if she did then Canalo would specifically blame Melto.

Nada: uses “fuck” as an expression of dismay, like, “well, fuck.” Not into the whole kabedon thing.

Tatsui Ui: might have said “fuck” once, but then was so embarrassed that she got a case of hysterical giggles. Absolutely does not kabedon.

Super Sentai is done! That was exhausting! Wow! On to...

Ultra Series

I have seen very few Ultra shows, so this section’s gonna be short.

Orb

Kurenai Gai: doesn’t say “fuck,” does curse in some kind of alien language. Doesn’t kabedon, I bet it’d make him blush, although mostly he doesn’t seem like the blushing type either.

Jugglus Juggler: says “fuck” regularly and with relish. Was once described by someone very wise as having “big kabedon energy,” which is to say, of course he does.

Yumeno Naomi: definitely says “fuck” and doesn’t care who hears her. Will kabedon Gai and Juggler simultaneously, one with each hand, and they will both be impressed and maybe a little turned on.

Hayami Jetta: says “fuck” sometimes, but not as frequently as he’d like people to think. Might try to kabedon, although he wouldn’t necessarily succeed at it.

Matsudo Shin: does neither of these things, as they have no relevance to science.

Geed

I can’t really say much about Geed, since we’re not even ten episodes in, but what I can say for certain is:

Asakura Riku: is too nice a boy to say “fuck” and not intense enough to kabedon.

Toba Laiha: definitely says “fuck” on occasion. Would kabedon with her sword.

Pega: is a child.

Igaguri Leito: does neither of these things, he is a sweet man. And I think Zero would disapprove.

Fukuide Kei: says “fuck” with frequency. I think he would, theoretically, kabedon, but there’s no one on Earth he’d do it to.

Belial: I haven’t actually, like, met Belial, but I’m fairly sure his existence is a concentrated dose of the word “fuck,” in the sense of, “oh, fuck, it’s Belial.” If he kabedon’ed he could destroy the planet, please do not let him.

R/B

I’m even less far into R/B, since I’m watching it by myself.

Minato Katsumi and Minato Isami: they do not.

Aizen Makoto: is too weird to do either of these things.

All right, we’re done with the brief foray into the Ultras. Now, last but very much not least, we have...

Garo

Of which I have only watched the original continuity, none of the Ryuuga stuff yet, so it’s a slightly limited take. However, I love all of these characters dearly, so here we go!

Saejima Kouga: is way too upright (and uptight) to say “fuck.” Doesn’t know what kabedon is, wouldn’t do it if he did.

Suzumura Rei: is a man who swears colorfully and at length and uses “fuck” to add a little bit of pep to things. Definitely kabedons, with varying levels of success depending on who he’s trying it on.

Fudou Leo: is a soft-spoken man, but nevertheless does occasionally mutter “fuck” quietly when he’s working on a Madou device. Blushes and stammers at the very suggestion of kabedon.

Mitsuki Kaoru: might say “fuck,” but only in the absolute heights of fury, which are rare for her. Not inclined to kabedon, but even if she was, who could she even do it to? The shortest person she might kabedon is Rei, who is seven inches taller than her, and it only gets worse from there. She’d need a boost to reach, and my dude Gonza’s back is not good enough for that.

Jabi: believes too strongly in the value of language well-used to say “fuck” except when absolutely necessary. Could kabedon with her leg, probably, and would if she thought it’d be useful.

Rekka: says “fuck” sometimes, mostly to express irritation. Most likely to kabedon with a knife or something.

Saejima Raiga, Mayuri, and Crow: I only barely know these kids but I adore them. None of them are allowed to do any cursing. They do not kabedon.

Madou Ring Zaruba: is a ring, so obviously he can’t kabedon, but he can say “fuck,” and I think sometimes he does.

The Moral Of This Story Is: never ask me for a comprehensive list of anything, because I cannot be trusted to do anything but go completely overboard.

#headcanon #completely ridiculous headcanon #anonamouse #i am not tagging all these shows there are too many of them #this post contains more instances of the word 'fuck' than i think i've ever typed before

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iohourtime · 5 years ago

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Okada Junichi x Yamada Ryosuke (Cinema * Cinema 86)

Cross-talk

The bond between Hijikata Toshizo and Okita Souji that was cultivated naturally

Okada: I feel like it is sort of like fate that I get to play Hijikata Toshizo. I can't explain it well, but I always thought it would be a role that I would play. When we were filming, it felt like the [character] was looking at me.

Yamada: On the contrary, I was not familiar with the history at all. I also had to learn about the Shinsengumi from scratch. It was my first time participating in an authentic historical drama, so everything on set, including sword fighting, was new to me.

Okada: But Yamada-kun is a once-in-a-millennium talent. Your sword fighting was really perfect.

Yamada: (Tongue tied) I'm happy [to hear that] ...

Okada: Before we started shooting, he said to me, "Please teach me all the things I don't know." We would rehearse together and explore ways on how he could show an Okita-like fighting style. That said, Yamada-kun could do it right away. That's [why you are] a once-in-a-millennium talent. Did you enjoy your practice?

Yamada: Very much.

Okada: [The training] included wrestling. You must have wondered, "Why wrestling?" (Laughs)

Yamada: At first (laughs). [That’s because] you need to use your waist when you swing the sword, right?

Okada: Yeah. Including the approach, he learned things really quickly.

Yamada: I think there are many actors who want to play Okita Souji. Moreover, Okada-san is Hijikata. However, I would hate for people to think "I'm [only selected for the role] because I'm his kouhai." That's why I want to play [the character] properly. Unfortunately, I didn’t have the ability [to do it on my own]. So facing that [problem], if I could ask for help, there was no reason for me not to. But it was not just me [who asked for help]. All members of the Shinsengumi called Okada-san "Teacher!" (Laughs)

Okada: I had the opportunity to choreograph sword fighting scenes in which I was involved. Every time someone finished a sword fight, everyone would look at me as if they were asking "How was it?" (Laughs)

Yamada: We did look.

Okada: Right. That kind of atmosphere sometimes made me feel like Hijikata. Suzuki Ryohei (who played Kondo Isami) was also very good at mood making on set and just like the director of the Shinsengumi, he brought everyone together. In that setting, the relationship between Hijikata and Okita also became apparent.

Yamada: It worked well.

Okada: Yeah. I feel that we were able to play that naturally. We never talked about "Let's do this!" It just worked (laughs).

Yamada: Perhaps because you are a senpai who I already know... But on the other hand, you are my actual senpai, right? Nevertheless, [my character] in the movie was cheeky and I poked Okada-san. That definitely wasn’t something I could do normally.

Okada: Ah ha ha.

Yamada: However, I was surprisingly not nervous when I did it. Since Okita would surely do this.

Okada: The relationship between Hijikata and Okita was like that of sworn brothers. Although the members of the Shinsengumi might be like that too, but among them, Hijikata, Kondo and Okita had the deepest ties. I think women like that sort of relationship.

Yamada: That’s true...

Okada: I asked myself “Why is the Shinsengumi so beloved throughout the times?”, after all, it is an important point. They did cruel things and although objectively speaking, you can’t understand them sometimes, there was a trust that existed among these men. There was a bond between them, right? In a sense, this connection transcends life and death.

Yamada: Okita really liked Hijikata-san and Kondo-san. Whether it was during his childhood in his hometown or after he joined the Shinsengumi, Okita's feelings [towards them] had not changed at all. Although there was a hierarchy and discipline [in the group], they didn't matter. He had always thought that, "I like Hijikata-san and Kondo-san, so I'm in the Shinsengumi." That's why I wanted to cherish that feeling when I was performing.

Okada: After all, movies that depict human [relationships] are good. Hijikata, Kondo and Okita were historical figures. That's why it was easy for us to play them and we were able to emphasize the connection between these characters. No matter how much Hijikata was feared at that time, the connection between these friends remained the core. Hijikata once said "the purpose of a man’s life is to create beauty" and that represented what he held dear to his heart. Although things were cruel, there was beauty within them. As you see the [story of] the people and the era unfold on screen, it will be nice if this idea is reflected as well.

Yamada went through extreme weight-loss under the guidance of Mr. Okada

Okada: Yamada-kun is cute no matter what. When I watched him working hard, I loved him more and more. Because (of the role), he had lost 8kg, you know. It must have been hard.

Yamada: Yes ... (laughs).

Okada: Suzuki-kun and I are familiar with that (laughs). When he consulted me [on weight-loss methods], I casually said, "You should try dehydration." It was a hellish method that I don't want to do again, but it is very effective if you need to do it quickly. Yamada-kun really did it. It was hard, right?

Yamada: That was really something...

Okada: You often had to act in that condition. Time passed slower and your movements also became more [laboured]. Although that annoyance... was brewing, you didn’t say it out loud (laughs).

Yamada: Was it brewing? Honestly, on the last day [of the extreme diet period], I thought “it might be good to die” (laughs), but the day after “my” death, I had to film sword fighting [scenes].

Okada: You muttered, "I have sword fighting on this day", I thought you must be concerned (laughs).

Yamada: “What should I do?” I thought and panicked. However, I thought Okada-san and others have experience in [losing weight in a short period of time] and they taught me a lot. Okada-san and Suzuki-san were so detailed that I almost asked, “Are you doctors?”

Okada: I said "Do OO and OO!"

Yamada: "Huh?", I asked as I took notes to research later. However, if I were doing this alone without any knowledge, I might have used some dangerous methods [to lose weight]. Instead, I was able to trim down to the goal weight correctly.

Okada: That was cute. Quietly~ eating almonds while conserving energy (laughs). You were very endearing that way.

Yamada: But when I was filming my “weak” scenes, I was scolded a little by Director Harada (Masato).

Okada: Is that so?

Yamada: I was taking too much time between movements.

Okada: You couldn’t move right (laughs)? I don't think people who have not experienced it would understand. But I like that scene. Hijikata laid down next to Okita, who was suffering from tuberculosis, and said, "I'm going to sleep here today." It showed their relationship. Although it would not come out of his mouth, I think Hijikata felt calm being next to Okita.

Yamada: That's right. For Okita, I think Okita was very lonely. Both the Shinsengumi and Hijikata-san were steadily changing. But when Hijikata-san was in front of the sick “me’, he turned back to the old Hijikata-san and snuggled up to him. He showed “me” a side of himself that he never let others see, and “I” liked it. However, when we were filming the scene, I was just not able to move... that night, when I went to the sauna by myself to reflect [on the mistake], Okada-san also came to the sauna.

Okada: I remember that. But you weren’t scolded [by the director] so much to be worried though. That was just like Yamada-kun.

Yamada: Hm~...

Okada: As expected, a once-in-a-millennium talent will be a perfectionist. Although that's fine.

Yamada: I'm really glad you said that. I'm glad we were able to act together and get closer.

Okada: Hm~.

Yamada: Eh?! We did not get closer?

Okada: Nah, we weren’t that distant to begin with. Well, if we compare [our relationship now] to when we were rehearsing before the shoot, I think we have gotten closer. Yamada-kun gave me the most delicious strawberries I’ve ever eaten.

Yamada: Is that so?! But I'm glad you liked them (laughs).

The movie scenes and lines that left an impression

Okada: In "Joker", the cut when Joker raised his chin and looked up to the sky was memorable. The lighting was exquisite. I wanted to know the behind-the-scenes scoop for that scene. It was really amazing that the lead actor could push the momentum forward in the movie with just that. He acted like he was invincible. I think it may be an eternal theme for people in the movie business, it is jam packed with the hopes of the actor who wanted to become that*.

*I’m not entirely sure if I interpreted this correctly, but it’s kind of the filler part of the cross-talk anyway, so I am not too concerned about it.

Yamada: The last scene of "Romeo & Juliet". Juliet revived and looked at Romeo with a smile, but Romeo just drank poison. I cannot forget the surprised face of (Leonardo) DiCaprio when he realized that Juliet was alive. He was in pain and then just died... Couldn’t he wait another 20 seconds?! (Laughs) This is my favorite movie.

Hijikata & Okita

Okada Junichi

Memorable scene: Okita looking outside grabbed my heart

When the increasingly sick Okita looked at the [view] outside from his room with a hollow expression, the cut was beautiful. The trailer included that scene but when I watched it as part of the finished movie, it definitely left an impression. I saw up close the hard work Yamada-kun himself put in. Since he asked me for advice on how he should [show Okita] using the sandanzuki (the 3 stage thrust, Okita’s special move) while he was ill, I knew about the scenes he was filming. I didn’t actually see the filming of the scene where he was vacantly staring outside and fading away quietly. I saw it for the first time in the final cut of the movie and it grabbed my heart.

Message from Senpai to Kouhai: The image of Yamada-kun doing his best made me cry (laughs)

Yamada-kun is very smart. A good guy. That’s why I think you can indulge yourself a bit. However, you are not in a position to be indulgent, so you won’t do that and that is Yamada-kun [in a nutshell]. There are also a lot of responsibilities you must shoulder in the group. There are many things you need to care about, to think about, and when I saw you working hard to bring smiles to everyone’s faces, I wanted to cry (laughs). Well, you are great. I hope you can fly high and soar in this splendid era.

Yamada Ryosuke

Memorable scene: I wanted to fight with everyone in Goryokaku

The Goryokaku scene was one where I thought “I wanted to be there”. I wanted to fight together with Hijikata-san, if not, at least I might watch the filming. What was I doing then… I was probably at another job. It was Hijikata-san’s final battle scene, the fight was crackling, he rode a horse too, anyway, it was cool! Although it was a sad scene, you could instantly understand Hijikata-san’s way of life. I was fascinated. It was so cool. I also wanted to ride a horse (laughs).

Message from Kouhai to Senpai: As my senpai in life, I respect Okada-san.

Okada-kun was unusually gentle. Really, like a teacher. When I asked you about things I didn’t know, you would answer no matter what I asked. Moreover, you are not annoyed [by the questions] even a little. It’s not just with me, the way you accept everyone is amazing. There is no distance between you and the staff. As a leader, Okada-san, you made sure the mood was harmonious, so everyone wanted to get close to and talk with this Okada-san. Not only on set but in other places as well. As my senpai in life, I respect you from the bottom of my heart.

Back Shot Story

When Okada senpai got praised by the kirakira Yamada-san, he shyly said, “Is that so!”. When such an Okada-senpai saw Yamada-san’s potential in historical drama, he got excited excited. “After sword fighting, let’s ride horses next! Go practice!”, he suggested excitedly. Does that mean they will act again in a period drama soon?

#moeyo ken #cinema * cinema 86 #interview #cross talk #translations #okada junichi #yamada ryosuke #hijikata toshizo #okita souji #2020 movie

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sparklyjojos · 4 years ago

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CARNIVAL DAY recaps [12/13]

Today’s recap: Explanations and more explanations, or: confronting Tsukumo Jaki, the tale of two brothers (ft. very important underwear), Seiryoin’s true identity, and wordplay upon wordplay upon wordplay.

Time passes in the Sanctuary. After Ajiro recovers, he and Hyouma talk a lot about their relations. [Basically they throw compliments at each other and it’s heartwarming.]

Now that Ajiro turned out to be okay, Hyouma wonders if they can save other people considered dead or missing. He makes a list of every important person [which I’m pretty sure is just Seiryoin’s way of reminding us what happened to all these characters].

The dead: Matsuo Tenmei (a JDC employee), Fuyuu Kasumi, Mito Muramasa, John Morse, Suzukaze Unomaru, Drexel Uryakov, Hazuma Kuroo, Sado Kutou, Ryuuguu Jounosuke, Fuumonji Jouka, Tierra, Silva (the old woman), Tsukumo Juku, Desert Colosseum, Ronely Queen, Ushiwaka Gigolo, Firannu Meirunesia, Somedaring Amagoi (probably?), the Dot who looked like Yuu.

The missing: Tousen Yomiko, Yakuma Suzume (the real one), Kirika Mai, Yuiga Dokuson, Sarutobi Shinobu, Manji Tawawa.

The living: Ajiro Souji, Yaiba Somahito, Tsukumo Nemu, Hikimiya Yuuya, Amagi Hyouma, Christmas Mizuno, Kakuusan Kanke, Ryuuguu Otohime, Diana Hosey, Zerofini Roi, Inugami Yasha, BOKU, Hanto Maimu & Kuraimu, Tanna Sazen, Endou Naoto (White), Ryuuou (Black), Joyeeta, Fabian, Pacha Palermo, Theodore Hosey, Aleksandr Uryakov, Lemuria Sullivan, Rudolf Strauss, the Dot that looks like Unomaru.

A pretty depressing list to look at. Maybe they can find someone who’s missing? Real Yakuma was probably made unfindable by Jaki. Experts have been searching for Yomiko and other detectives from the Robo-Ship for months now and found nothing. Dokuson disappeared of his own volition, and as Hyouma knew well, there was no stopping this guy once he set his mind to something. Probably they wouldn’t find Sarutobi either, or that Tawawa lady Hyouma doesn’t know a lot about. As for Kirika, it looks to Hyouma like she had an important reason to temporarily withdraw, and that “suicide letter” was a trick to allow her to disappear for now.

If they can’t find the missing people, maybe they can check if someone considered dead isn’t actually alive?—and with that thought, Hyouma sets his eyes on “Saburou”, the Dot who looks like Unomaru. Sure, RISE told them that entire story about Unomaru escaping the Sanctuary and dying in riots in Jakarta, but maybe it was actually the imposter who died?

To test his theory, Hyouma plays Uno with “Saburou” for a good three days. (It’s weird that you can order Uno cards through the Sanctuary's conveyor belt system, but hey, not complaining). He introduces a household rule that instead of “uno”, they have to yell “ooo-one!” [a part of Unomaru’s pre-asskicking catchphrase that we last heard like a thousand and a half pages ago, in the Cape of Good Hope chapter].

While they’re playing, Hyouma explains that Unomaru (if it is him) has nothing to fear, because this whole thing about “Ra” punishing the Dots has to be a lie. Instead, every Dot has a bomb in their head that automatically detonates if they get too flustered—but Hyouma has good reasons to believe this doesn’t apply to Unomaru.

After three days of playing, “Saburou” says their usual “...ooo-one!” and puts his next-to-last card down. Then he slowly recalls the other lines— “...people live to solve mysteries…”—and by the time he finishes his badass catchphrase, JDC detective Suzukaze Unomaru finally remembers who he truly is.

Hyouma explains why he thought Black’s statement about Unomaru dying was suspicious. First of all, Black claimed Unomaru had been snatched from the ship, brainwashed for a full month (two weeks of failure and two weeks of “let’s do this instead”), then sent with other Dots to the Loch Ness case. However, the cases by the Cape of Good Hope (September 14th) and Loch Ness (October 12th) didn’t have a full month between them. Small, but still a contradiction.

Unomaru admits he was very lucky the first brainwashing failed; had it succeeded, he would probably have been manipulated into dying in Jakarta instead of the imposter.

How did Hyouma know Unomaru didn’t have a bomb planted inside him? First, he didn’t explode like the rest of the Dots in the Earth House. Second, it was in RISE’s interest that neither him nor the imposter should have bombs; RISE wanted to use specifically one of them in the Borobudur case, which would be hard if they accidentally blew themselves up beforehand.

The bombs explode when detecting signs of high stress, which is why the Dots are brainwashed to keep their cool at all times… except for when they’re speaking against RISE. The explosions can probably also be triggered at the time of Billion Killer cases if there’s a need for three bodies.

Now that Hyouma proved Unomaru was Unomaru, he hopes Black Rook is actually their good old friend Ryuuguu Jounosuke. Black already did things that seemed like he was subconsciously trying to give the detectives hints—like making that mistake about time, or putting Uno cards into the computer order line-up…

...and as Hyouma is talking about it with Unomaru, he realizes that Black and White have sneaked into the room behind him. Black says that actually, he himself is no longer so sure about who he is, and his memories still refuse to come back. White says they should all get to the meeting room for yet another round of explanations.

Everyone is already waiting for them at the table [Ajiro too], except for Nemu. She shows up a bit later with two new people: a person in a bull mask and silver clothes, and a hunched old woman with a hood over her face.

Nemu says she discovered another way out of the Moonbow Palace. Its tower leads all the way up to the surface—and to the Temple of Apollo in Delphi. When Nemu went there, this masked person had been already waiting for her, and then they were both led back to the Sanctuary by the old lady, who Nemu recognized as the “soul of Pytia” she had talked with once. (So that’s where “Pytia” was disappearing to—a secret passage under the temple floor.)

The old woman points to the masked person and says that even though that man wears the mask, he’s not RS. The masked person says that there’s no further need for this masquerade.

The old woman takes the hood off—and reveals himself as Lemuria Sullivan.

The bull mask person also unmasks themselves, and—everyone’s greeted by the devilish smile of Yuiga Dokuson.

Then Dokuson says that White should remove his mask too, because how else will everyone be able to see that he’s Endou Masato, or “Yakuma Suzume”, or “Endou Naoto”, or “Lord Enma”, or “Tsukumo Jaki”, or whichever other name he prefers?

White pulls down his mask, and though he still looks like Endou Naoto, glasses and all, he admits he is the man they once knew as “Yakuma Suzume”.

Dokuson explains that this man, Endou Masato, just loves killing people and disguising himself as them with the help of plastic surgery. He had thirty-nine different identities until now, including “Yakuma Suzume” and “Amagi Hyouma”.

Endou Masato corrects him that it’s forty-two identities, thank you, then says that hey, all people need some variation in their lives and he has yet to find anything as fun as disguises, can you blame him? And he doesn’t always kill the person he impersonates, sometimes he just locks them up, commits a bunch of crimes in their name, and then releases them back to vengeful society. Now that the human race is about to be destroyed, he chose the face of his older brother Naoto, the real White Rook, to end with. You know how when Hyouma arrived in the Sanctuary, he saw both “Yakuma” and White Rook together? That was the last time anyone saw the real White / Naoto, as right afterwards Masato murdered him and took his place.

Dokuson comments that there sure were a lot of imposters in the Crime Olympics, and the mastermind behind it all was this here Endou Masato / Tsukumo Jaki, for whom this entire chaos was more than welcome. The more everyone was confused about who’s real and who’s not, the more they wouldn’t focus on White. If not for Dokuson, the detectives would never guess the truth. Dokuson states very dramatically that his mission is to stop Jaki’s actions.

Jaki admits that the Billion Killer cases have been technically stopped thanks to Dokuson, but they no longer need them this close to the great finale, as no one can possibly stop the destruction of humanity, and what is Dokuson even going to do with Jaki, kill him?

Dokuson will not kill him, because he can see that Jaki clearly isn’t afraid of death, and it’d be hard to pull out information from a corpse. Jaki’s actually fine with telling Dokuson everything—but it looks like they both need to give the others a whole lot of explanations first.

First of all: Tsukumo Jaki, Lemuria Sullivan, and Yuiga Dokuson are all in the first group of Akuren, their numbers being respectively 664, 665 and 666. Jaki got into the first group quickly because of his “splendid achievements”, while Sullivan and Dokuson graduated from lower groups.

We should stress once more that Akuren is not quite an organization, but a dark information network that a chosen list of people can access to find pretty much any secret data possible (except for anything about the top guys from the first group, of course). Dokuson learned a lot about the Pure Ultimate Evil guys’ plans from there.

The evil guys have been trying to kill everyone on Earth including themselves for a very long time now, which often went down in history as major wars, including the two World Wars / the first two Crime Olympics. Finally, they planned a third one that was supposed to last for seven months starting July 1999.

Akuren’s partner in crime was supposed to be an organization called R CURE, but in reality they attempted to keep the world in harmony (according to their own sense of “justice according to the majority”, which called for the human race surviving). RISE was created to follow in R CURE’s footsteps and make sure humanity isn’t destroyed.

RISE managed to hurry the planned 1999 Crime Olympics to start in 1996 instead—which also meant the event would last longer, so the daily death toll would be lower and there would be more time to act. Akuren saw through their plans, but pretended not to notice for now, because RISE were the ones with the Billion Killer, Alive, and the Cosmic Bomb. And so RISE pretended they wanted to kill everyone while actually trying to find a way to let humanity continue.

Trying to gain advantage over RISE, Akuren sent out Tsukumo Jaki to breathe down their necks. It was actually a sort of a tradition; since about three centuries ago, R CURE was always supervised by someone from Akuren’s first group, who they called Ten no Jaki (天の邪鬼). Incidentally, that name became the origin of an identically written term amanojaku (a kind of a demon). That “Ten no” part was later omitted, with the successive supervisors called simply “the second Jaki”, “the third Jaki”, and so on, up to the current “ninety-ninth Jaki”. The current Jaki knew that RISE’s plan would include a detective called Tsukumo Juku, so just for the sake of symbolism he slightly changed his own title so it would be read “Tsukumo Jaki”.

Akuren and Jaki have so much power over RISE that RS is honestly nothing more than a political puppet manipulated as they please. RS is quite deluded as to his own superiority, believes that Jaki is fully loyal to him, and no one would be able to convince him otherwise.

While Jaki was busy supervising RISE, Dokuson managed to get his name into the first group of Akuren, simultaneously working with DOLL and JDC to save humanity (out of his own self-interest, of course) and aiming to confront Jaki. He gathered a lot of information thanks to Akuren’s network, though still didn’t know as much as Jaki or Sullivan. (Then again, Jaki and Sullivan didn’t know everything about RISE either.)

Jaki has deftly manipulated both RISE and Akuren into a situation where the destruction of humanity can no longer be stopped. Jaki doesn’t really care that he’s going to die too; it’s enough for him to see humanity in despair. He’s the sort of guy who just loves to torture and kill someone’s family in front of them, to take away everything they love before finishing them off, and this cruelty is how he made it to the first group of Akuren so fast. Not that he would ever pay attention to some uninteresting small fries instead of strong, worthy opponents. He believes the strongest people are the ones willing to endanger their lives, who don’t have anything to lose. And since Jaki considers Dokuson to be one such formidable foe, he’s willing to tell him a bit about a method to save humanity.

On August 10th, a strong explosive will be used on the Moon to push it slightly out of orbit, and the Earth’s gravity will do the rest. The explosive in question is actually in the Sanctuary right now, installed in that giant column in the middle, which is set to automatically shoot out like a rocket to the Moon when the time comes.

There’s only one person who can possibly stop it, and they’re right there—as he says this, Jaki points to Black Rook.

But is that man actually Black Rook, or is he the detective Ryuuguu Jounosuke? Black himself is extremely confused and repeats that he thinks he remembers being Black Rook, but any details are escaping him.

Jaki states that neither him nor the previous White brainwashed Black, so this confusion must just be an aftereffect of Alive. He claims he’s telling the truth when he says that the man right there is Ryuuou / Black Rook and not the original Ryuuguu Jounosuke. Sorry, everyone, but no convenient plot twist is going to happen here.

But Otohime thinks Jaki’s lying, as she has a logical basis to think Black is Jounosuke. The only reason she hasn’t said anything until now was because she believed he would snap out of it on his own.

Jaki seems surprised and says that oh dear, perhaps he should have expected that Otohime would meddle into his plans, considering he had already heard about her, the eighth S-detective—well, so far only a candidate for the eighth S-detective, the one who surpassed even her detective brother in reasoning skills.

Otohime denies her talent, but her friends rush in with reassurance. (Except for Dokuson, who of course states they should make HIM the eighth S-detective instead, which makes everyone else laugh and leads to Hyouma and Dokuson bickering, and Jaki kind of lost control over the room at this point, honestly).

But back to the point. Otohime warns that it’s a little embarrassing, but her definite proof is—underwear. One time when she was alone with Black in the Dragon’s Center, she asked him if he was wearing black briefs. Black answered that no, he had gray boxers on, what of it? Pressed for more explanations, he said that although he woke up from Alive wearing white trunks—which was also the only kind of underwear he found in his room later—he ordered gray boxers through the computer system.

The point of this story might not be obvious, but as Jounosuke’s older sister, Otohime knows that after a certain point in his childhood he would insist on wearing only a very specific kind of underwear—black briefs.

Then why the gray boxers? Perhaps someone who’s subconsciously a mixture of Jounosuke and Black wouldn’t choose something that only one of these men is supposed to like (black briefs or white trunks), but take a third option in-between (gray boxers). Or maybe Jounosuke subconsciously wanted black briefs, but Sanctuary didn’t have any available, so he settled on the next best thing.

Jaki admits that it’s an interesting theory. While Otohime isn’t exactly wrong, she’s not completely right either. See, Jaki had already told them the truth: the man standing there is Ryuuou / Black Rook, and not the original Ryuuguu Jounosuke.

Let’s repeat that statement in a way they can understand. The man over there is Ryuuou and Black Rook. He is also the JDC detective known as Ryuuguu Jounosuke. However, he isn’t the original Ryuuguu Jounosuke.

The detective they know is the clone.

Jaki starts a long tale about the two brothers.

For simplicity’s sake, let’s call the original man born in 1968 (the one who’s dead) “Ryuuguu”, and the clone born in 1971 (the JDC detective) “Jounosuke”.

Ryuuguu spent the first three years of life travelling with his parents all over the world in order to naturally pick up foreign accents, which was necessary for his future role of Black Rook. However, he suffered from childhood claustrophobia, and if it persisted into adulthood, it would make life in the Sanctuary impossible for him.

That flaw was fixed with his clone Jounosuke, who was brought up in the Sanctuary from the start. This prevented the development of claustrophobia, but limited the time he spent with foreigners and the outside world in general, so he ended up a little worse with languages than Ryuuguu. Still, he was enough of a language genius that he would fit the role of Black Rook.

However, there was a… problem with Jounosuke. No one knew whether it was a side-effect of cloning, or the influence of his environment, or what, but Jounosuke had never once cried, not even as a baby. It’s like he was always instinctually showing just happiness; even when hungry or in pain, he would keep smiling to the point everyone else found it eerie. It’s not that being happy and hopeful was a flaw, but RISE wasn’t sure whether Jounosuke would fit the serious role of Black Rook responsible for the fate of humanity. All attempts at “correcting” the boy’s personality failed. Preschool age Jounosuke still seemed free of any negative thoughts, as if some vital human part was missing from him.

In the end, RISE decided to take the gamble and switch the two boys around. Ryuuguu was taken back into the Sanctuary, while Jounosuke started a new life with his family in the outside world. The switch happened in 1977, when Otohime was twelve, Ryuuguu was nine, and Jounosuke was six. Since Jounosuke was still so young, it was easy to brainwash him into believing he’d been living in his family’s house since birth, with fake memories seeming perfectly real and all the knowledge of the Sanctuary repressed. Otohime didn’t notice the switch, as it happened while her parents and brother were on yet another long trip.

Ryuuguu had at this point in life grown out of his childhood fears, and without any brainwashing accepted his role in the Sanctuary with no complaint. He inherited the name “Ryuuou” from his brother and worked hard as Black Rook.

Meanwhile, Jounosuke had to integrate into the outside society full of new, surprising things. His overly positive thinking slowly evened out into a full spectrum of emotions, and in the end he grew up to be a sensitive young man and a wonderful JDC detective.

But even though the switch had been successful, it didn’t mean the two brothers changed completely. Ryuuguu was still yearning for wide open spaces of the outside world, and perhaps the choice of white underwear was a subconscious act of quiet rebellion against the black uniform that symbolized his confinement. Jounosuke went into the opposite direction, subconscious nostalgia for his childhood in the Sanctuary making him love closed spaces and black clothes to the point he would feel upset unless he wore all black.

Jounosuke was also left with a whole plethora of other eccentricities.

As a child he had lived mainly among the Dots, who weren’t allowed to have any personal identifying traits, so he didn’t really understand the concept of dividing people into genders. But then the outside world turned out to be quite preoccupied with acting like people of different genders were completely different beings. Perplexed Jounosuke had to get used to this social rule somehow, and so he on purpose started adding gendered suffixes to everyone’s name.

Though Jounosouke had his memories blocked, he still instinctively understood that there were two of him, and to subconsciously affirm that he was now “the real one”, he would always talk about himself in third person, “Ryuuguu”.

His love for languages obviously came from his childhood, and so did his personality that seemed always cheerful and full of love.

His talent for breaking machines came from the fact that he was trained to control various machinery of the Sanctuary. It might sound counterintuitive, but when you really think about it, breaking any device instantly requires a whole lot of mechanical knowledge and skill. Brainwashed Jounosuke was subconsciously trying to protect the Sanctuary’s secrets and avoid being found out as ex-Master, so he broke everything he touched as if to say “look how awful I am with machines, I can’t possibly be that guy”.

Let’s talk about the Master’s role a bit. As we know, all the Sanctuary’s Machines are robots, who are programmed to only react to the voice of “Ryuuguu Jounosuke” (either brother would do).

When the Sanctuary was completed in 1971, the next twenty seven years worth of cruise plans had already been programmed into the system. Even if something happened to the Master, the Sanctuary would keep moving along with the Crime Olympics plan, including automatically shooting out the Cosmic Bomb explosive on August 10th 1997. Only the Master would be able to abort this program in some secret way. Unfortunately, only the older brother Ryuuguu knew how to do it, and he’s gone now.

When he was still alive, Ryuuguu was told by RS (but actually by Jaki pulling the strings behind the scenes) that he was destined to die in a certain number of days. Trying to avoid his fate, Ryuuguu decided to perform yet another switch with his brother.

Preparations required Ryuuguu to infect Jounosuke with the Alive virus at the right time. This could be done with use of the virus vector, white powder known as Godust—from “God Dust”, as in “will degrade even a god into dust”.

Incidentally, Tamei Madoka’s last words were a hint about Alive; when she said “Godust… Alive… sh…”, she was trying to say “sugar”. RISE spread Alive so fast by putting Godust into commercially sold sugar, and the miraculous disappearance of the disease was achieved by spreading the vaccine the same way.

Jounosuke was infected when he was in the Parisian cafe with Nemu and Hikimiya (that waiter who died was one of RISE, by the way).

When Jounosuke later went to Peru and finally developed serious symptoms, Ryuuguu sneaked into the hospital and performed a switch with some help from White Rook (who was back then the actual Doctor / Naoto, not disguised Jaki / Masato). Jounosuke was taken to the Sanctuary and given the vaccine, but was still kept asleep.

With that out of the way, Ryuuguu was free to impersonate his brother, keeping distance from Christmas so he wouldn’t notice anything. Ryuuguu made a pretty bold move by taking advantage of Jouka’s feelings for Jounosuke and proposing to her. It seemed awful to trick someone like that, but when he continued to drop hints that he wasn’t the Jounosuke she knew, Jouka seemed to still love him for who he was, and he ended up developing feelings for her. Ryuuguu became trapped between the hope of love and the despair of possible death.

In a tragic irony, Ryuuguu ended up dying in the plane crash on the destined day specifically because of his efforts to avoid fate. Just like Jounosuke, he subconsciously developed an anti-talent for machines to avoid being found out as the Master. But unlike experienced Jounosouke, Ryuuguu didn’t pay enough attention and unwittingly broke the plane engine during the checkup. When the plane was about to crash later, he realized he wouldn’t be able to use a parachute either, as he would just break the activation device. No matter how much he tried to run, his fate was to die. (“So this is fate…” he said. “Nothing can save you from it… Ryuuguu Jounosuke dies here…”)

Now for the reason why Jounosuke acted like Black Rook when he woke up… Back when the brothers switched in the hospital in Peru, Ryuuguu only had to say a few right words to convince Jounosuke to “return” to being the Master. Feverish Jounosuke was so vulnerable to suggestion that his mind pulled his hidden memories back to the forefront of consciousness. He still had all those memories of being a JDC detective, but became convinced that those events actually happened to his brother, and he had just been observing them through cameras.

Jounosuke didn’t notice anything wrong until he realized he didn’t remember the way to stop the Cosmic Bomb. He tried to ask White about his identity, but White (who was already Jaki) wouldn’t give him a straightforward answer.

...at least not until now. As Jaki’s finishing the story, Black Rook slowly remembers who he is and takes off the mask.

“I am…” he starts. “I see… I am—no, Ryuuguu is the JDC detective Ryuuguu Jounosuke!”

All the detectives are overwhelmed with joy at the return of their friend, but Jaki isn’t done explaining things quite yet.

Fuumonji Jouka was certain that “Ryuuguu Jounosuke” was two people and wanted to investigate the matter in full. She was also intrigued by the mystery of the two Ryuusuis (Dakushoin and Seiryoin), and thought that maybe the two “Ryuuguu Jounosukes” had something to do with them.

Before the JDC explosion, Jouka opened the sealed envelope from Dakushoin she’d been holding onto since right after Geneijo, and found Another Joker inside. This title seemed like it predicted her detective nickname; Another Joker sounded like anata Jouka (“you’re Jouka”). The D-name Fuumonji Jouka was given to her by Jounosuke. Thinking about this, she noticed that Dakushoin’s handwriting was quite similar to Jounosuke’s, and she recalled the two understanding each other well back in Genejio. Was there a deeper connection between the two men? Despite Dokuson’s warnings, Jouka kept investigating, got too close to the truth, and ended up murdered.

Let’s finally explain the very confusing pen names and writers. We came to the conclusion that the pen name “Dakushoin Ryuusui” was used by Tamei Madoka, while “Minase Nagisa” was her brother Tamei Hidetaka—except that Hidetaka wasn’t actually a writer. Everything he “wrote” (including works published under the name “Minase Nagisa”) was actually the work of a third person, who would later write Cosmic and Joker as “Seiryoin Ryuusui”.

That mysterious third writer was the original Ryuuguu.

Ryuuguu would send a manuscript to Hidetaka, who would send it to Madoka, who would publish it under the name “Minase Nagisa” (so the publishing company thought Nagisa was Madoka). Madoka’s own works would be sent to her brother Hidetaka, who would publish them as “Dakushoin Ryuusui”.

Tamei Hidetaka had been chosen as the one pretending to be the writer specifically because his sensibilities were similar to Ryuuguu’s. This incidentally meant that Hidetaka would quickly become genuine friends with Jounosuke, who as a clone had a lot in common with Ryuuguu.

That other person in Geneijo who resembled Tamei Hidetaka a lot, Employee D / Kanai Hidetaka, was RISE’s Dog. His similarity to Tamei in both looks and name caused the detectives to easily remember him. This was important to RISE, as later on they would send Employee D to China with a message that would force Inugami Yasha to return to Japan.

Maybe the old legend about seeing your doppelganger and dying held some merit; Ryuuguu died soon after switching with Jounosuke, Employee D after meeting Tamei Hidetaka.

RISE had to orchestrate a lot of things for their plan to work. Ajiro’s trusted mentor Shiranui Zenzou was a Dog, and it was due to his strong encouragement that Ajiro created Nihon Tantei Club after the Ajiro Family Murder Case. That case and the Saimon Family Murder Case guaranteed that the “main cast” all met each other: Ajiro, Shiranui, Hyouma, Juku, Nemu, Jounosuke, Otohime… RISE paid particular attention to developing Tsukumo Juku. Solving the Geneijo Murder Case let him become an S-detective, and the Locked Room Lord case gave him international trust and fame.

As it was said multiple times, RISE pretended to follow the plan of destroying humanity, but they actually wanted the Crime Olympics to be solved in the middle in order to save the human race. They didn’t think the other six S-detectives would be able to solve it, though. The only ray of hope was Tsukumo Juku, but then Jaki saw through RISE’s secret plan and had Juku assassinated.

(Jaki says that Geneijo and Locked Room Lord cases had a whole lot of other meanings too, but that’d be too long to explain in detail, so let’s just go back to Ryuuguu and the writers.)

We explained that Ryuuguu effectively used a chain of two writers to hide behind. At the same time, he also prepared to become “Seiryoin Ryuusui”. As a RISE executive, he had knowledge of what the big cases would look like and could describe them in Cosmic and Joker. He even planned on writing an entry about the Crime Olympics, Carnival, but untimely death put a stop to his plans.

Aside from his writings, Ryuuguu left two other things behind with help of White (the real one).

The first thing was someone who would continue his work in chronicling all the events as “Seiryoin”. They chose a suitable man called Nakamoto Hiroya, brainwashed him, and delivered him to JDC’s doorstep as a perfect candidate for the next “Seiryoin Ryuusui”. Even if both Ryuuguu and White died (which they did), Nakamoto would continue writing.

The other thing Ryuuguu left was his and Jouka’s child.

Aware that he might not be able to avoid death, Ryuuguu wanted to at least pass on life. A few days before his fate would be decided, he told Jouka that he had left his semen with a trusted doctor, and that in case of his death he’d like her to use it to have their child, or at least find someone who would carry the child instead. The doctor in question was of course White Rook / Endou Naoto, who at that time pretended to be Hanto Maimu’s doctor “Shindou Masato”.

After Ryuuguu’s death, Jouka talked to “doctor Shindou Masato”, but still hesitated on whether she wanted to carry the child herself. In the end, she had her eggs retrieved and said she’d decide later, but before she could make up her mind, she was murdered.

White decided to use Ryuuguu’s and Jouka’s cells for in vitro fertilization anyway. The surrogate mother would be Ryuuguu’s own mother Kaguya.

By the way, Kaguya is right now waiting for them all in Heaven / El Dorado. (And it would take really long to explain El Dorado, so let’s leave the topic for later.)

That would be it for the explanations for now.

Ajiro thanks Dokuson for taking care of JDC in his absence. Dokuson answers that no thanks are needed, because he was doing it out of his own interest anyway. Also, a man as great as Ajiro doesn’t have to address Dokuson per -san. And also, Dokuson has simply borrowed the JDC representative’s chair for a moment, but its rightful owner has always been Ajiro.

Ajiro doesn’t want to relegate the responsibility over ending the Crime Olympics to anyone else, but Dokuson tells him he shouldn’t feel responsible for something he can’t stop. He can’t help much with the Cosmic Bomb, and the Billion Killer is more of an unstoppable force of nature than a tangible enemy you could fight.

Ajiro announces he’s going to suspend JDC activities for now, then spend possibly the last month he has somewhere. Dokuson offers his help, but Ajiro firmly says that he has to go back to JDC by himself and doesn’t want to risk the lives of anyone else.

A few days later, the Sanctuary approaches Japan to both let Ajiro leave and to pick up the last few guests: Yasha, BOKU, Nakamoto Hiroya, and Strong J Outa. (They will get Kanke when they get to Easter Island later.). Ajiro entrusts the fate of humanity to Jounosuke and leaves.

Now that Jounosuke is back to his machine-breaking self, Jaki warns him against touching anything in Dragon’s Center. Jounosuke can still command the Machines with his voice, and RISE even has advanced voice-changers that would allow others to also give directions. However, major orders like diverting the Sanctuary from its pre-programmed path would have to be confirmed by a hand scan, which would involve a lot of touching.

The entire Sanctuary is full of hand-scan panels and other devices, so Jounosuke gets Jaki to work as his hands and (just in case) voice to command everything. (Jaki doesn’t fear death, but agrees it’d be pretty stupid to accidentally drown on the way to El Dorado). They register two rooms as belonging to Christmas, so that Jounosuke can live in one with Christmas opening the door and ordering food for him.

Jounosuke tries to simply order the Machines to stop the Cosmic Bomb, but they just shake their heads. He asks one of them questions and learns that if he hypothetically did touch and mess up the computers, the system would notice something was wrong, and the explosive would be automatically shot to the Moon. (Cue everyone looking at Jounosuke like he’s a mad bomber and telling him to PLEASE not touch anything.)

The Billion Killer cases have stopped, but the detectives keep hearing about strange incidents in the world outside. Tasmania smashes into mainland Australia. Hong Kong is out of power and on fire. On July 5th—the day they drop off Ajiro in Japan—the legendary continent Mu shows up and causes the Carnival Wave. On July 12th, a dragon shows up around the Marianas, flies to Easter Island, topples the Moai statues, and disappears underwater. (This dragon’s existence is likely easy to explain, considering RISE’s various weird vehicles.)

After the dragon case, RISE has now gathered everyone they wanted in the Sanctuary, in order of appearance: Unomaru, Jounosuke, Otohime, Nemu, Christmas, Hyouma, Diana, Maimu & Kuraimu, Yaiba, Yasha, BOKU, Strong J Outa, Nakamoto, and Kanke. The fourteen people not counting the baby all fit perfectly at the round table (there’s thirteen chairs, but Otohime has her wheelchair). It feels like this “new” guest list had been planned from the start.

Once everyone shared their experiences with others, new theories were made.

Kanke told them about how nine skulls of the Billion Killer were left on the beach during the dragon case. Counting from the very beginning of the Crime Olympics, we had forty-three skulls (from JDC explosion to Mount Roraima), then a break, and then these nine. Together it made fifty-two, the number of weeks in a year.

Christmas remembered the dying message a tourist left on the Easter Island beach in the first Moai case [from the very beginning of Carnival]: a crude drawing of a bird and the letters NAS. This could refer to the Nazca condor, but perhaps it was also a message that the dragon would attack the island much later?

Jounosuke deciphers NAS as possibly meaning “New Attack Submarine”, which could be tied to the Robo-Ship… but more likely to the Sanctuary—perhaps the victim was trying to say they saw it at the moment of the attack? This made sense, considering that Christmas got to the scene incredibly quickly, but still didn’t run into any Dots. They had to have already retreated back to the Sanctuary, so it had to be nearby during the case. Perhaps when the Dots were dropping off the skull, they said something about the future case with a flying dragon, and the one tourist who was still clinging to life overheard it and drew a picture to warn people.

Back to the nine skulls, they were found all facing the same direction. That’s not all, the original skull left on the beach after the first Moai case was also turned the same way. Jounosuke (very carefully) uses the computers in Dragon’s Center to gather data on how all the other skulls were positioned—at least those that weren’t moved by people, washed off by water etc., which leaves him twenty-six to work with, half of the total. Some like the Mount Everest one seem to point out not only a flat direction, but also altitude / depth.

It quickly turns out that rather than finding a single point on Earth that all these skulls were looking at, they need to find what they were looking away from: the bottom of the Mariana Trench.

Jounosuke still can’t think of a way to stop the Cosmic Bomb. He tries to pull more information from the computers, but it looks like Jaki had erased a lot of data. Having run out of easy solutions, Jounosuke finally turns to his own reasoning—searching for clues in words.

Jounosuke gathers everyone to tell them what he found in the oldest clue of the Crime Olympics: Another Joker and the bonanzagram within it. As we remember, Jounosuke had already solved the bonanzagram and realized an anagram of the twenty-eight letters he got would create the phrase Hanzai gorin sugu koko de kaimaku, “the Crime Olympics will start here soon”.

But now Jounosuke realized it wasn’t the only perfect anagram that could be made using the provided letters. In fact, he found fifty, all of them clues about things that already happened or that would happen. Whether or not the original Ryuuguu who wrote Another Joker intended to put in all these anagrams, they certainly made sense to his clone.

Most the anagrams were vague, symbolic and convoluted, so even though Jounosuke thought they all had their meaning, he picked “the best ten” to explain. [He still encourages others to hunt for clues by picking keywords like a person’s name or a place and trying to make the other letters fit around it in an anagram. It feels like the author is challenging the reader, too. Note that a specific romanization is used, so Ji = Zi, Shi = Si, Fu = Hu etc., and long vowels are most often ignored.]

Jounosuke’s Ten Anagrams:

1. KORI NO ZIMEN HA KUDO GAU GA SIKAKU

[氷の地面は空洞・ギャウが死角]

— “[At] the ground of ice, a cave / gjá is a blindspot”

The “ground of ice” is Iceland. Gjá is an Icelandic term meaning giant fissures created by earthquakes, much like the one that hosted Shangri-La.

2. KODAI MOZI R GENGO KAKUSANAI KUHU

[古代文字R言語、隠さない工夫]

— “Ancient letters R language, not-hidden scheme [or figuring out something]”

Jounosuke isn’t sure why R language would be ancient, considering it’s so similar to modern Japanese, but the second part must refer to how it allows for figuring out secrets hidden in Japanese.

3. KAKU DE ZINRUI SAIGO HAKKAGU MOON

[核で人類最後、発火具・MOON]

— “With nuclear [weapons] the last of humanity, firing tool [weapon]: Moon”

This one’s obvious: a nuclear explosion will cause the Moon to fall and destroy humanity.

4. AEGI NOMU ZINKO DRUG HAKAIKOSAKU

[喘ぎ、飲む人工ドラッグ破壊工作]

— “[Inhalable?], drink[able] man-made drug[-related] subversive activities”

The “man-made drug” is Godust, which RISE was secretly mixing into sugar.

5. AKUREN HA DAIZIN KOKKA MO SUGU GOI

[悪連は大臣・国家もすぐ合意]

— “Akuren [has] agreement [with] ministers, countries”

Akuren has frightening influence behind the scenes to the point they can control countries.

6. AKU NO DR KOHAI KAONAKI SUZUME GIG

[悪のドクター後輩、顔なき雀ギグ]

— “Evil Dr kouhai [junior employee], the faceless Suzume[’s] gig”

“Faceless Suzume” is of course Endou Masato, who right now is the “evil doctor-kouhai” (as he killed the older “senpai”, his brother Naoto). A “gig” refers to the impersonation.

7. HIGAN MU UKI DOKURO SIKAKE GA NAZO

[悲願（彼岸？）、ムー浮き髑髏、仕掛けが謎]

— “Higan (?), Mu floating skull, the trick is a mystery”

Higan can have many meanings (“nirvana”? “One’s dearest wish”? “Budda’s vow to save humanity?”), but Jounosuke can’t figure out what it would mean in this context. “Mu floating” means the mysterious continent showing up, and the trick behind it is still unknown. The mention of the skull hints there’s a connection between the Billion Killer and the Mu case (was it actually a Billion Killer case?).

8. IKAKU USA HIKOKI GENZO DRAGON UMA

[威嚇USA飛行機、幻像ドラゴンUMA]

— “A threatening USA plane, phantom dragon UMA”

“UMA” can mean a horse in Japanese (possibly connected to Another Joker?), but it’s also the abbreviation for Unidentified Mysterious Animal. What that “threatening USA plane” is isn’t that clear. The “phantom dragon UMA” must be referring to what was spotted by the Marianas and Easter Island, so it probably was just a plane or another vehicle shaped like a dragon.

9. GOD NG MARIANA KAIKOU HE SUZUKI OK

[探偵神NG、マリアナ海溝へ鈴木OK]

— “GOD NG, to Mariana Trench Suzuki OK”

GOD NG doesn’t exactly tell them a lot, but Jounosuke was able to pull some meaning out of it. “GOD” might refer to Tsukumo Juku, the God of Detectives. NG is a colloquial Japanese abbreviation for “NO GOOD” (not allowed, unacceptable), so perhaps “GOD NO GOOD” refers to Juku having been murdered. “Suzuki” is probably the editor detective Cappuccino Knob Suzuki (who apparently loves to say OK a lot), and the Mariana Trench is the location of El Dorado.

10. GUZO SAIMON GA DNA KEIKAKU HURIKO

[偶像・彩紋がDNA計画不履行]

— “Saimon the [religious] idol [has?] not fulfilled the DNA plan” [or his plan was not fulfilled???]

Jounosuke has no idea what on earth this could mean. (Another of the fifty anagrams said “the past of the Saimon Family [Murder Case?] is a mystery”, but that’s not very helpful.) The one thing he can decipher is that “Saimon the idol” doesn’t mean Juku (whose birth family name was Saimon), but his father Ryuusui. The magician’s name showing up here probably hints at his Miraculous Illusions having been stolen and used for the Billion Killer cases. But what on earth would the “DNA plan” refer to?… Here’s hoping this and many other mysteries will be explained very soon.

And so our detectives head to El Dorado, and the battle for humanity’s survival is slowly nearing its end.

[>>>NEXT PART>>>]

#sparkly reads carnival day #maijo and jdc stuff #this is the moment that made me believe seiryoin sold his soul to satan for wordplay skills #how on earth do you even come up with something this convoluted. dang

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jade-lop · 5 years ago

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Gryffindor

Godai Yuusuke

Ichijou Kaoru

Hikawa Makoto

Inui Takumi

Kiba Yuji

Hibiki

Kagami Arata

Kurenai Wataru

Hidari Shoutarou

Terui Ryu

Goutou Shintarou

Souma Haruto

Tomari Shinnosuke

Chase

Otta Genpachirou

Banjou Ryuuga

Sawatari Kazumi

Myokoin Geiz

Tsukuyomi

Fuwa Isamu

Hufflepuff

Tsugami Shouichi

Kido Shinji

Tachibana Sakuya

Aikawa Hajime

Nogami Ryotarou

Hino Eiji

Date Akira

Kisaragi Gentarou

Nitoh Kousuke

Nara Shunpei

Tenkuuji Takeru

Fukami Makoto

Onari

Fukami Kanon

Hojo Emu

Poppy Pipopapo

Kujo Kiriya

Himuro Gentoku

Hiden Aruto

Ravenclaw

Kino Kaoru

Tendou Souji

Philip

Sawagami Rinna

Tsukimura Akari

Igor

Dan Kuroto

Hanaya Taiga

Kagami Hiiro

Kisaragi Takumi

Kiryuu Sento

Yaiba Yua

Slytherin

Kusaka Masato

Kamijou Mutsuki

Daiki Kaitou

Ankh

Heart

Brain

Medic

Alain

Parad

Tokiwa Sougo

Woz

Horobi

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isolaradiale · 6 years ago

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Lost in Space 05

Hello, Isolans! We have conducted an activity check for the month of November!

If your character isn’t on this list, make sure to check this page to see how many stars that character has earned this month! Stars can be used for purchases at the marketplace.

The blogs that were removed from the Isola Radiale masterlist are under the cut. Note that both blogs with broken links and deactivated accounts will be included both at the top of this list and in their proper categories.

If you were removed in error, please simply send a re-application message. Several different people work on the activity checks, so it’s possible there are mistakes! If this happens to you, you will be able to keep everything you previously had, you just may be placed in a different residence.

Our general activity rules regarding checks are as follows:

Make at least three in-character posts during a calendar month.

Only one drabble and/or meme response of 300+ words counts as activity.

One-liners or minis not tagged #isola mini also do not count.

Please Note: If you are removed during two consecutive activity checks, you will not be allowed to re-apply as that character for two calendar months.

Additionally, anyone removed during the activity check will have a 12-hour window from the time of posting to re-claim their character. Any character not reclaimed during that period will be open to the community at large.

BROKEN URLs:

Hina Hikawa (Bang Dream, TOWNHOUSE 227)

Hirasaka Yomatsu (Future Diary, HOUSE 133)

Ganache Nighthawk (Magical Vacation, TOWNHOUSE 270) *DASH ONLY

Naofumi Iwatani (The Rising of the Shield Hero, TOWNHOUSE 214)

Naki (Tokyo Ghoul, APARTMENT 350)

.FLOW

Smile (APARTMENT 344)

.HACK

Azure Kite (TOWNHOUSE 274)

Haseo (Ryou Misaki) (HOUSE 117)

Chikage Utsuki (TOWNHOUSE 252)

ADVENTURE TIME

Lemongrab (HOUSE 147)

AKATSUKI BLITZKAMPF

Akatsuki (HOUSE 156)

ALL ROUTES LEAD TO DOOM

Katarina Claes (CONDO 468)

AMERICAN MCGEE'S ALICE

Alice Liddell (APARTMENT 348)

ARCHIE

Jughead Jones (HOUSE 113)

ASSASSIN'S CREED

Evie Frye (CONDO 446)

AVATAR

Azula (HOUSE 158)

AZUR LANE

Atago (HOUSE 118)

BANG DREAM

Ako Udagawa (TOWNHOUSE 268)

Hina Hikawa (TOWNHOUSE 227) *BROKEN URL

Sayo Hikawa (APARTMENT 352)

Tsugumi Hazawa (TOWNHOUSE 245)

BLAZBLUE

Izanami (APARTMENT 363)

BLOODBORNE

Micolash (TOWNHOUSE 258)

BORDERLANDS

Loader Bot (CONDO 456)

BUNGOU STRAY DOGS

Chuuya Nakahara (HOUSE 161)

CHOBITS

Chii (Elda Hibiya) (TOWNHOUSE 257)

CRITICAL ROLE

Caleb Widogast (APARTMENT 351)

Jester (HOUSE 143)

Mollymauk Tealeaf (HOUSE 128)

Vax'ildan (HOUSE 141)

Vex'ahlia de Rolo (CONDO 475)

DANGANRONPA

Chiaki Nanami (HOUSE 175)

Chihiro Fujisaki (HOUSE 119)

Gundam Tanaka (CONDO 428)

Makoto Naegi (APARTMENT 354)

Monokuma (TOWNHOUSE 261)

Sonia Nevermind (CONDO 435)

DC COMICS

Helena Bertinelli (Huntress) (APARTMENT 302)

DENSETSU NO YUUSHA NO DENSETSU

Ferris Eris (CONDO 437)

DETROIT: BECOME HUMAN

Connor (HOUSE 109)

DEVIL SURVIVOR

Yamato Hotsuin (TOWNHOUSE 238)

DISHONORED

Emily Kaldwin (TOWNHOUSE 266)

DISNEY

Fawn (TOWNHOUSE 242)

DRAGALIA LOST

Ranzal (HOUSE 120)

Zethia (TOWNHOUSE 268)

THE DRAGON PRINCE

Claudia (CONDO 462)

Soren (APARTMENT 363)

DRAKENGARD

Gabriella (OUTSIDE) *DROPPED

ELSWORD

Ainchase Ishmael (Richter) (CONDO 458)

THE EVIL WITHIN

Ruben Victoriano (Ruvik) (HOUSE 149)

Sebastian Castellanos (TOWNHOUSE 227)

FATE

Berserker (Sakata Kintoki) (HOUSE 165)

Caster of Black (Avicebron) (APARTMENT 325)

Gilgamesh (Child) (HOUSE 155)

Irisviel von Einzbern (TOWNHOUSE 267)

Lancer (Karna) (TOWNHOUSE 202)

Ophelia Phamrsolone (APARTMENT 340)

Rider (Anne Bonny & Mary Read) (HOUSE 153)

Saber (Souji Okita) (APARTMENT 335)

FIRE EMBLEM

Lyn (CONDO 405)

Mark (APARTMENT 366)

Marx (TOWNHOUSE 264)

Minerva (HOUSE 112)

FINAL FANTASY

Emmanellain de Fortemps (CONDO 460)

Genesis Rhapsodos (TOWNHOUSE 221)

Paine (TOWNHOUSE 258)

Ravus (TOWNHOUSE 211)

Serah Farron (CONDO 438)

Vincent Valentine (APARTMENT 321)

Yuna (CONDO 454)

FIVE NIGHTS AT FREDDY'S

Ballora (TOWNHOUSE 258)

Mike Schmidt (TOWNHOUSE 226)

FORTNITE

Cuddle Team Leader (CONDO 466)

FULLMETAL ALCHEMIST

Riza Hawkeye (HOUSE 167)

Roy Mustang (CONDO 460)

FUTURE CARD BUDDYFIGHT

J Genesis (APARTMENT 315)

Kanata Ozora (CONDO 450)

Noboru Kodo (CONDO 468)

FUTURE DIARY

Hirasaka Yomatsu (HOUSE 133) *BROKEN URL

GAME OF THRONES

Daenerys Targaryen (CONDO 439)

GINTAMA

Sakata Gintoki (HOUSE 162)

GOD HAND

Gene (CONDO 443)

GRANBLUE FANTASY

Grimnir (HOUSE 148)

Naoise (CONDO 435)

Percival (TOWNHOUSE 270)

Seox (HOUSE 135)

GUILTY CROWN

Inori Yuzuriha (TOWNHOUSE 242)

GUILTY GEAR

Elphelt Valentine (APARTMENT 332)

GUNDAM 00

Lockon Stratos (Neil Dylandy) (TOWNHOUSE 231)

GURREN LAGANN

Kamina (HOUSE 129)

A HAT IN TIME

The Snatcher (HOUSE 160)

HELLO CHARLOTTE

Bennett (TOWNHOUSE 271)

HETALIA

United States (Alfred F. Jones) (HOUSE 120)

HOMESTUCK

Karkat Vantas (TOWNHOUSE 247)

Mallek Adalov (CONDO 417)

Meulin Leijon (CONDO 465)

Remele Namaaq (TOWNHOUSE 265)

THE HOUSE IN FATA MORGANA

Morgana (HOUSE 152)

HOUSEKI NO KUNI

Bortz (APARTMENT 314)

HYPNOSIS MIC

Doppo Kannonzaka (TOWNHOUSE 254)

Gentaro Yumeno (HOUSE 119)

Jiro Yamada (CONDO 425)

Saburo Yamada (HOUSE 169)

INFINITY BLADE

Raidriar the God King (CONDO 406)

INUYASHA

Sesshomaru (APARTMENT 313)

IT'S ALWAYS SUNNY IN PHILADELPHIA

Charlie Kelly (CONDO 470)

JOJO'S BIZARRE ADVENTURE

Okuyasu Nijimura (CONDO 440)

JUST SHAPES AND BEATS

Treeangle (CONDO 403)

KAGEROU PROJECT

Ayaka Tateyama (HOUSE 151)

Kenjirou Tateyama (HOUSE 150)

Kuroha (HOUSE 146)

Marry Kozakura (CONDO 419)

Shintaro Kisaragi (APARTMENT 316)

KATEKYO HITMAN REBORN

Squalo Superbi (TOWNHOUSE 269)

KINGDOM HEARTS

Axel (Lea) (APARTMENT 342)

KLONOA

Klonoa (CONDO 472)

LEAGUE OF LEGENDS

Xayah (CONDO 415)

Zoe (CONDO 408)

LEGEND OF ZELDA

Link (Skyward Sword) (CONDO 456)

LITCHI HIKARI CLUB

Jaibo (APARTMENT 310)

MAGI LABYRINTH OF MAGIC

Sinbad (APARTMENT 346)

MAGICAL VACATION

Ganache Nighthawk (TOWNHOUSE 270) *DASH ONLY

MARVEL

Loki Laufeyson (Lady Loki) (Earth-616) (APARTMENT 308)

Peter Parker (Spider-Man) (TOWNHOUSE 235)

MEGAMAN

Rock Light (Mega Man) (CONDO 403)

METAL GEAR

Kazuhira Miller (APARTMENT 304)

Venom Snake (APARTMENT 373)

MONSTER HIGH

Jackson Jekyll and Holt Hyde (CONDO 457)

MY HERO ACADEMIA (BOKU NO HERO ACADEMIA)

Hawks (TOWNHOUSE 252)

High End (CONDO 446)

Jin Bubaigawara (Twice) (APARTMENT 365)

Mirio Togata (HOUSE 140)

MYSTIC MESSENGER

Rika (HOUSE 133)

NANATSU NO TAIZAI

Hendrickson (TOWNHOUSE 222)

NO GUNS LIFE

Marie Steinberg (HOUSE 128)

OF ORCS AND MEN

Styx (TOWNHOUSE 207) *DROPPED

ONE PIECE

Portgas D. Ace (APARTMENT 347)

ONMYOJI

Kagura (TOWNHOUSE 239)

ORI AND THE BLIND FOREST

Ori (TOWNHOUSE 212)

ORIGINAL CHARACTERS

Amrita Nehra (HOUSE 106)

Aria Wright (HOUSE 146)

Ashar Tamerlain (HOUSE 150)

Cali Fennick (CONDO 441)

Elvir Rohin (CONDO 445)

Eris Kihara (APARTMENT 359)

Hawthorne Althaea Rolodhen (HOUSE 168)

Kern (TOWNHOUSE 272)

Mizi Unipao (APARTMENT 357)

Savon (APARTMENT 326)

Schuyler Nuallain (CONDO 443)

Yuko Akeldama (CONDO 449)

OVERWATCH

Jack Morrison (Soldier 76) (APARTMENT 347)

PANDORA HEARTS

Alice Baskerville (HOUSE 174)

PERSONA

Fuuka Yamagishi (APARTMENT 369)

Makoto Niijima (APARTMENT 355)

Tae Takemi (CONDO 426)

PRECURE

Itsuki Myoudouin (Cure Sunshine) (TOWNHOUSE 244)

THE RISING OF THE SHIELD HERO

Naofumi Iwatani (TOWNHOUSE 214) *BROKEN URL

RWBY

Sienna Khan (APARTMENT 375)

SCARY GODMOTHER

Hannah Marie (CONDO 454)

SCOTT PILGRIM

Wallace Wells (CONDO 465)

SCP FOUNDATION

Doktor Spankoflex/SCP-2337 (TOWNHOUSE 221)

STAR OCEAN

Leon D.S. Gehste (APARTMENT 318)

Precis F. Neumann (APARTMENT 323)

STAR WARS

Poe Dameron (CONDO 450)

STEVEN UNIVERSE

Lapis Lazuli (CONDO 467)

SUPER MARIO

Bowser (OUTSIDE)

Rosalina (CONDO 447)

TALES OF

Ion (TOWNHOUSE 254)

TOKYO GHOUL

Naki (APARTMENT 350) *BROKEN URL

TOKYO MEW MEW

Ichigo Momomiya (Mew Ichigo) (CONDO 431)

Retasu Midorikawa (Mew Lettuce) (TOWNHOUSE 259)

TOUHOU

Utsuho Reiuji (CONDO 409)

TOUKEN RANBU

Izuminokami Kanesada (APARTMENT 317)

UMINEKO NO NAKU KORO NI

Ange Ushiromiya (TOWNHOUSE 269)

Kyrie Ushiromiya (HOUSE 145)

Lambdadelta (APARTMENT 375)

Sayo Yasuda (TOWNHOUSE 267)

UTA NO PRINCE SAMA

Masato Hijirikawa (HOUSE 135)

WOLF CHILDREN AME AND YUKI

Yuki (TOWNHOUSE 248)

YU-GI-OH

Michael Arclight (III) (CONDO 448)

YUME NIKKI

Madotsuki (CONDO 452)

#modnote #activity check #lost in space 05

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sinful-liesel · 2 years ago

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R18 Drama CD Split No.55 – July 2023

Hello~ I’m hosting a split for July 2023 R18 Drama CDs. Please see the registration form below for more details.

Shares are appreciated too! ❤ #lieselGOs

📝 GENERAL INFO

Form: bit.ly/46waYnp

Venmo, Google Pay, Paypal, & Ko-Fi 🆗

Deadline: July 21 (11PM CST)

※I’ll contact everyone in the pre-registration list before the deadline.

🌻 ORDER DETAILS

Total CDs: 9 (including tokuten, if any) + Bonus Gifts

Shop: Stellaworth (Unless stated otherwise)

💿 LINEUP

Ojisama to Watashi Vol.1 Tatsumi Houshou (CV: Chasuke)

Sakyu Tore! Lesson.4 Rio -Osananajimi Inma to Bunshin Ecchi- (CV: Kakeru Yunomachi)

Muse -Itsumo Watashi ni Katenai Kendou Shihan- (CV: Kumaniku Fuyuno)

Muse -Sukuita gari no Watashi no Rescue Taiin- (CV: Akira Kiryuuin)

Muse -Henshin sasete Dekiai suru Watashi no Bishoushi- (CV: Souji Sarutobi)

Kyuujitsu Ofuton -Sefure to Hotel de Ichaicha- (CV: Atsushi Domon)

Heian Koi Soushi (CV: Atsushi Domon)

Mendoukusai Kare wa Neet de Communication Shougai (CV: Masato Kawamura)

Onmyouji Aishuu Tsuyagatari En (CV: Mikado Sumeragi)

#r18 drama cd #r18 otome

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sambart93 · 6 years ago

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2018.10.26 and 29 Teito Tantei Kitan Zigomar [Review]

Official Website here Official Twitter here Press Coverage 1, 2, 3, 4

CAST and CHARACTERS

Hiroya as Z (Zigomar / Jigoma) Hattori Takeo as Mikasa Yumenosuke (Private Detective) Ebihara Yuka as Mutou Yuuko (Kidnapped by Zigoma) Hanaoka Meika as Hanasaki Mayuko (Mikasa's Assistant) Kadono Sho as Kitamiko Saburo (Chief Policeman) Tanaka Hiroki as Sumi Arata (Newbie Policeman) Oda Toshiki as Hira Tarou (Journalist)

Adachi Yuna as Tokage (meaning 'lizard' - Phantom Theif) Sawada Maria as Ando Ayako (Opera Singer)

Umehara Saeri as Aikawa Tamako (Tetsujiro's Girlfriend/Wife) Kuroki Kiko as Doi Shiori (Adopted Sister?) Tatsuya Yuu as Kobayashi Tetsujiro (Saved by Mikasa. Admires Mikasa.)

Working For Zigomar:

Hinagata Ui as Tsukishiro Tei Ogura Eriko as Sunaga Tokiko

Working for Fukiya:

Maruyama Raiden* as Gondawara Kouzou Odagiri Masayo as Harukara Meiko Souji Masato as Hitomi Hirosuke Kamidochi Kanki as Naoki Osamu

Terumi as Fukiya Kiyoshi

W Cast:

Kai Chiaru / Oota Saki as Saito Kanoko (Yuuko's Maid) Ashikaga Itaru / Oda Shunpei as Mifune Saburo (Powerful Politician, Yuuko's Husband) Ihara Yu / Umeda Shohei as Tsujioka Fumisuke (Works for Zigomar)

*DAMN that's a REALLY good name!

NON-SPOILER REVIEW Overall: My expectations for ASSH are always high and they ALWAYS met! They always make such amazing stages that are pleasing in so many ways! This stage was just as high quality as their previous ones; great in-depth amazing story with characters that you just want to know personally and in-depth - seriously, every single one of them I got very attached and/or interested in ! -, the darkness and the themes of the story was great, they always have a message that leaves you thinking, the costumes were well made and the theme was super interesting; and as per usual I was left wanting more, wanting another installment! I loved the messaged for this play which was very much 'how do we decide whether a character is good or bad?' because every character in this stage is flawed, every character in this has their reasons as to why their actions are justified, each character has a charming point that makes you believe their motives are the right ones. I just love that ASSH always poses such questions in their stages and has these types of characters. In true ASSH style, it is not a happy ending. They keep it partially raw and real and dark! The characters that stood out to me the most were obviously Zigomar and Mikasa, but I also got super invested in Hanasaki, Hirosuke, Naoki, Gonda and Kitamiko! I wanted to know so much more about them and their character scenes and arcs are great. Espeically for Gonda and Hirosuke; their arcs were GOLD. I was so invested and so affected by their storylines. I really hope we get a next installment, especially with the random mind-blowing reveal we get at the end of the play, and I am sure they'll find a way to kind of 'undo' what happens at the end so they can make a second stage out of this. It seriously deserves one and I seriously want one! Thank you ASSH for consistently producing and giving me great, solid stages! Rating: 9/10

SPOILER REVIEW

I have no idea where to start with this, as per bloody usual, but I shall try!

Aesthetics

First I loved the visuals of this stage; I love how the stage looked, I loved the costumes (and how all of them except Zigoma had words on parts of their costumes which were lines from the script); I loved the ending where letters dropped from the ceiling and onto the floor; it was very visually appealing. Although ONE actress did have boots on and at the beginning they were not equal length and OCD me found it very annoying xD but she soon fixed them by the next time she came back on stage.

Story

The Main Plot is: A guy who calls himself Zigoma is running around killing politicians and the police force want to know why and want to stop him before he kills anymore. Also during his first political kill, the kidnaps the wife of the politician and a private detective has been hired to find and save this now-widow. But what is unveiled is so much more...

This show actually had two versions; the Detectives Side and the Bad Guys Side which means there should be a scene change or two between the two shows.

I really enjoyed the story; I loved the discussion and themes of ‘who is right?’ and ‘Is everyone’s individual motive justifiable?’. And we had the mystery of ‘who is Zigoma?’ and ‘why is he doing it?’ and ‘why does he do it?’ which gave some really great punches and revelations. Also the plot twists and the shocker ending were just perfect! I did not see some of them coming and that ending really was a great cherry on the top of the cake! But I won’t spoil it too much right now.

One question/theme that runs throughout the play is whether Zigoma’s motives are justifiable or not. And we get to one part of the play where Mikasa comments ‘I think he’s just doing it for fun. Just because he can.’ but later one Zigoma expresses his desire to change the political climate, to change those in power, almost like a Guy Fawkes (info here) type of character. But then right at the end, when all hope for Zigoma escaping is gone, he cracks. He starts to laugh insanely and then yells at Mikasa ‘you were right! You saw right through me! All along I was doing it just because it’s fun!’. This somewhat internally breaks Mikasa because he didn’t want to be right; he wanted a more logical reason as to why Zigoma did what he did. It’s such a good moment and it really makes the audience think: was Zigoma lying in this moment of insanity? Was he killing off politicians because they were simply shitty, corrupt politicians? Or was he really just doing it because he could? Also, it makes you think, if he was doing it because those in power were corrupt, doesn’t that then make him a hero and not a villain? This theme really messed with my brain and really made me think and I LOVED IT!

There is another scene in the play, that also makes you question Zigoma’s motives. Right at the beginning there is the very first murder of a politician (Mifune Saburo) which everyone thinks Zigoma did because the body discovered was covered in a towel that had the mark ‘Z’ on it. But then at about the mid-point of the story, we learn that in fact the maid of the house had killed the politician because he was not only abusing his wife but was also raping the maid, and she has finally had enough and killed him. However, that night Zigoma had actually come with the intention of killing him anyway so he tells the maid to tell everyone ‘this was my kill!’ and so left the flag on the body. We also find out later that the reason why Zigoma kidnapped Mifune’s wife (Mutou Yuuko) after the murder, is because they actually were original betrothed to each other before she got forced into her marriage with Mifune, which is just like ‘he saved her?! he protected her?! He still loves her?!’ so again, it creates all these questions and such in your brain that you just have to think through and make a decision on. Also once Yuuko realises who Zigoma is, she takes his side completely and helps him out, so she too still has feelings for him! Just waaaahhh?! But then in another twist of fate, right at the end he kills her anyway!! To which I was like ‘waaaahhh?!’ even more!

I adore the ending so much; not the fact that everyone dies at the end, but how it’s visually shown. They die due to a bomb going off, destroying the building they’re in (again, very Guy Fawkes like!), and just as they all drop dead, letters from the ceiling fall down onto their bodies, and the flags at the back of the stage drop down too. I absolutely loved this visual touch! It was amazing and beautiful.

Another plot twist that had me like ‘HOLY HELL! WHAT?!’ was at the very last scene. But first, some back story: the very first scene of the stage is the actor for Hira Tarou, explaining the backstory and setting of the story. Then IN the story, we meet Tarou who is a very good journalist who just happens to know that Mikasa and co. are trying to stop Zigoma. Because Tarou has some inside sources, they let him join their adventure and story. So we don’t really suspect him for the most part, but we do have one moment in the play where Mikasa asks ‘how do you know all this (secret) stuff?’ and Tarou simply replies ‘well I have informants in the police’ and they just brush it off. But right at the very end, when everyone else is dead, on the floor, on the stage, Tarou comes to the center to finish the narration of the story; he reveals (right at the end!!) that he is in fact Edogawa Ranpo, shuts the book in his hand, black out, stage finishes. I was like ‘wait... he’s.... EDOGAWA RANPO!?!?’ again, MIND BLOWN! I did not see that coming at all! And it was such a good, juicy and powerful reveal! It was so good!

Characters

I really liked how everyone got involved in the main story, and I loved all the different ‘factions’ within the story too! We had about six different groups within the story. We had the Detective and his sidekick alongside the police; Zigoma and his posse of followers; bystanders who get super nosey in the Detective’s business; A trio friendship between Meiko, Hirosuke and Naoki; An ambitious opera singer and a Phantom Thief who somehow get caught up in it all without meaning to; Kiyoshi and his clan of servants. I think those are the six main groups. So you can see the big dynamic difference between some and the similarities between others.

The richness and depth of these characters you get from them even though we barely spend two hours with them on stage is just amazing. I fell for some characters so quickly and so hard! I was completely invested in every single one of them! I seriously don’t understand how ASSH consistently makes big casts, but still manages to make every character so rich and different! I don’t understand how we haven’t had a mass crossover of character traits yet in any of their stages! It is just amazing! Characters that I automatically loved just because I love the actors were: Zigoma and Arata. Characters who completely won my heart over throughout the play were: Tokage, Hirosuke, Mikasa, Kitamiko and Hanasaki! I loved all the characters to be honest but the MVP, the one who I ended up completely loving and rooting for and took a lot of my attention was Hirosuke! I don’t know why; maybe because he was visually pleasing, but also his character development was so great! I also loved his relationship with some of the characters! Just... I need to go into spoilers to flail about this boy! So are you ready?

So the main story with Hirosuke is that he and his two close/best friends (Meiko and Naoki) decided to work for Fukiya so that they could have a better and less poor life. But it turns out Fukiya is the worst, and Fukiya orders Meiko and Hirosuke to murder Naoki because he discovers that Naoki is trying to trick and betray him. So while Meiko begs him not to kill Naoki, Hirosuke does it anyway. This obviously breaks his heart and tears him apart. Later on we see Meiko asking Hirosuke to stop following Fukiya, to leave with her and it get away from all this but Hirosuke follows orders, ‘this is for the better’ and shoots her dead. This obviously destroys him too and after killing her. I loved seeing the internal struggle that he had within himself; does he follow his boss? does he follow his heart? does he follow his friends? does he put power over friendship first. I love how we see it eat him from the inside! And that is why he is my favourite! I also love the little scene he has with Tokage at the beginning; she’s the phantom thief who’s being stealing things for Fukiya, but she has never shown her face - she always has him at gun point or knife point, forcing him to look the other way and never see her face. And the beginning of this play, he says ‘just once, could I see your face?’, but it’s not until right at the very end when all the characters have gathered together, that he finally gets to see her, and you can see how happy he is! I love the friendship/slight-romance we have between these two.

Relating to those three, there is a butler, Gondawara, who works alongside Hirosuke and Meiko, and also tries to protect them (and others) many times. I absolutely adored him. He had such a short role but I love how he protected Saito Kanoko and then persuades her to eventually tell the truth about Mifune’s death. He was also the one who stood in the way of Hirosuke and Tei, trying to get Hirosuke to come to his senses and giving him a chance to run away but this ultimately leads to Gonda’s death. He was such a sweet character and I’m so sad he died, and so quickly too!

Gonda’s death is thanks to Tei who has a short but very interesting story line! The girl is addicted to Opium. And once on the opium, she becomes absolutely obsessed with killing. So much so that she attacked and killed Gonda. The cops also try to stop her by shooting her in the leg but because of the drugs, she doesn’t feel it and instead just starts dragging herself across the floor. She finally drags herself back to Zigoma and her crew, but Zigoma deems her insane and that she has lost the real reason why they are killing people, so Zigoma kills her.

Of course, I can’t talk about the characters without talking about our young, new detective Arata, who also goes by the nickname of ‘Suspender-kun’ because he always wears suspenders! He was adorable! He was a fresh, raring to go new detective and I absolutely loved his relationship with his boss, Saburo! They were such a hilarious comedy duo! And Hiroki/Arata on his own did a damn good job being funny and hilarious too! Also Saburo himself was hilarious as a solo artist!

Let me tell you about their ridiculousness: In the very first scene where they introduce themselves, Saburo is completely over the top and takes off his jacket and just drops it on the floor, then later on Arata throws it back to him but he lets it drop. The timing was absolutely perfect and was absolutely hilarious! Another scene is when Arata decides he’s going to seriously help and Saburo finally calls him ‘Arata’ instead of ‘suspender-kun’, so he gets really happy and really dramatic and holds himself against a wall, and Saburo comes over and comments ‘you idiot’ before slapping him on the butt xD

Another character I enjoyed was the Tantei’s assistant: Hanasaki Mayuko. She was an adorable dork!! I absolutely adored her! And she really shone during her adlibbed comedy scenes! Not only did she get the crowd laughing, but even Mikasa’s actor Hattori was having a hard time keeping a straight face at times xD She was so cute and funny and sweet and adorable! I really liked her! One scene that stood out to me for her: Hanasaki and the Youkan (a thick, jellied Japanese dessert made of red bean paste, agar, and sugar)! Kanoko brings Youkan to the detective as a thanks for saving her and for all their hard work on trying to find Yuuko. But turns out Hanasaki LOVES youkan so she tries to eat all of it through various ways, either offering to Mikasa (who she knows will say no), and quickly trying to eat another piece straight after. But because of this, natural comedy came out where she was trying to say her lines while her mouth was full of food xD also trying to be like ‘oh Mikasa doesn’t like youkan. DO YOU? No you don’t! Didn’t think so! More for me!!’ which was so cute.

Speaking of Mikasa, about part-way through the play, there’s a flashback-slash-fever dream where Mikasa is talking to Zigoma, and Zigoma is like ‘what’s the real reason you became a private detective instead of a policemen? You know deep down the real reason why!’ so that makes me think maybe his father had died on the job and that’s why he became a mysterious private detective instead? Or was his father corrupt as well as the police force at the time? So many questions!

One plot twist that I really enjoyed was the reveal that Tokage and Ando Ayako were actually sisters!! When Ayako starts yelling ‘Onee-san // Big Sister’ at one point, I was like “OMG THEY ARE SISTERS?!?!?!’. I totally didn’t see it coming! Especially because, for most of the play Ayako is horrible towards Tokage and is very cold, almost as if they had never met and just got off on the wrong foot straight away! But later on we learn that they do care for each other and they had to pretend not to know each other, in case Tokage ever got caught because she didn’t want to endanger her little sister. I was MIND BLOWN.

There is another twist where Aikawa actually betrays everyone and was working for Zigoma the whole time. Unfortunately I had already cottoned on a few scenes before hand that she was secretly in on it. I don’t know how I knew but I just felt like ‘there must be some other reason why this family of three are in the story’ and there are scenes where she’s left to protect Shioro at time, and Shiori is DUMB AS FUCK, so I wouldn’t put it past Shiori to not notice what Aikawa was up to and too dumb to realise when Aikawa had gone off to plot or make something. So I naturally figured either Shiori was pretending to be this dumb, stupid sister, or Aikawa was a secret mastermind or Tesujiro was pretending to admire Mikasa so he could set him up. I knew something was going on with those three.

Other Notable Moments/Scenes

In true ASSH style we had the whole cast dancing during the opening song. Luckily, Hiroki on the far left when the dance opening song starts.

There is a slow motion fighting scene which I thought was so cool!!! I really enjoyed the slow-mo moment. Also we got live singing! Ando Ayako’s actress Sawada Maria actually sang the opera songs live to us and she also sings the ending song live which is amazing! Her voice is very, very good!!

I really loved how Saburo and Mikasa decide to team up at the end even though they had some differences throughout the play, but for the greater good (!) they team up in the finale!

Some things that specifically happened during my First Show (Detective Version):

I was first row and on the very last seat to the left. The gap between my feet and the stage was practically 0.1cm! So I was super duper close to all the actors! Which was for the most part absolutely terrifying (especially during the fight scenes). However, it did have it’s good moment which I will list right here: towards the end of the show, Hiroki gets into a fight which causes him to get thrown and pinned against a wall. That wall was RIGHT in front of me and my head was at the perfect level for Hiroki’s waist, which means that his butt was right in front of me!!!! Also he smelt really nice xD another moment was the final showdown between Tantei Mikasa and Zigoma, they were fighting and again, they slammed against the wall right next to me!! I was parts freaking out and parts overwhelmed and overjoyed xD

We had a double curtain call, and the ending aisatsu was by Hanasaki who was totally cute and she got very shy and couldn’t remember what she wanted to say. But everyone was giggling at her adorableness xD She was stood next to Hiroki and they were both so cute alongside each other!

Of course it was filming day!! When do I never go on filming day?! xD I am ALWAYS at filming day!!! xD

Second Show (Bad Guy Version):

I went to the senshuuraku (the finale) of this show! They really went all out on the comedy in this final show! Hiroki got hit so hard by Saburo that he started laughing to the side of the stage. Then later Saburo went to pull and release his suspenders and pretended to it the first time, but on the second time he actually let go and it was really hard. Hiroki was rubbing his chest in pain.

Maybe I just didn’t notice in the first show but I feel like in this show, the three people working for Zigoma got their moment of explaining what they wanted and why they joined Zigoma. Maybe this was the scene especially created for this version of the show, or maybe I just missed it the first time round. But I loved getting to know where they came from, their backgrounds and why they joined him.

Another Higawari (daily change) was Gonda saying an Acrostic Poem for Ji-Go-Ma. In the second show, he got a huge round of applause after his Ji-Go-Ma poem because it was just too funny and very good. Unfortunately, I do no remember it *cries*

I also noticed in this second show that there is a moment where Arata and Hanasaki fall in love for a moment after she accidentally touches his arm and that motivates him to help Mikasa on his case some more xD

While in the first show we had Saburo just complete miss catching his jacket through his own lack of calculations, this time it was through Hiroki’s fault; Saburo couldn’t reach far enough to grab his jacket from Hiroki’s throw, it was hilarious.

Another higawari is when Saburo is trying to talk to Arata but Arata get’s super angry straight away: Saburo: Let’s go brat. Arata: *super angry* What did you say?!?! Saburo: Let’s go you brat! Arata: *calms down* Ohh I didn’t hear you! Saburo: *shock* IS THAT WHY YOU GOT MAD?! The scene ends with Hiroki asking Saburo to slap his arm, and they did this wave with their arms before walking off stage xD

In both shows, when Zigoma first appears in front of Yuuko in her house before kidnapping her, he walks in with brandy in a brandy glass and drinks it. In every other show the glass has been half full so it was easy for him to drink. BUT, in this final show Zigoma walked on stage with a GLASS FULL of brandy, and it took him a while to finish it. It was obvious who’d seen the show before because we were the ones cracking up as soon as he walked on stage! So as you can tell, they really went all out on the comedy in this final show! It wasn’t being filmed, they might as well do ridiculous shit and have fun xD

Just before the youkan scene, Hanasaki is in the kitchen making a mess, but then walks on stage and she uses a crashing noise to her advantage. She kept replaying the crash music as Mikasa tried to talk. She tried so hard to get Mikasa’s actor to burst out in laughter but didn’t work; we (the audience) were all dying though.

It was a triple curtain call where we got an announcement for the next stage (the next installment of KimiSaga - review here)!! In March!!! I was (and am!) so excited!!

GOODS

And that’s everything! Sorry it took so damn long to get these reviews out (and I’m still a shit ton behind!) but bare with me xD

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