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prismatoxic · 1 year ago

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rereading the story of that time in skyrim's development where the opening couldn't play bc the cart was being sent into the stratosphere by a single bee and remembering i experienced something marginally similar while modding the game

it's been a few years... but for some ungodly reason, i was going through the cart intro again instead of just loading into unbound (an alternate start mod). i guess i wanted to do the real intro again but didn't have an autosave after the ride ends? don't remember.

so, anyway, i was doing the cart ride, and about halfway into it, the game crashed to desktop. now this isn't terribly unusual for skyrim, and i was willing to move past it if it didn't happen again, but it did. and again, and again, and again...

so obviously i started futzing with my mods. i mean, clearly, that was the issue. i don't remember if i had 200 at the time but if i didn't, i still had a number well above 100. that's a lot to go through, and neither vortex nor LOOT indicated any issues, and SKSE wasn't showing me anything of use either. so what the fuck?

(fwiw, modding skyrim does involve multiple programs, but as the game was made with modding in mind, it's way easier than the majority of games that came out around the same time, let alone earlier.)

i think around this time i tried to load into unbound again, but the game crashed immediately when trying to do so. i had to find this issue if i wanted to play skyrim with my current mod loadout.

so i had a few options:

split my mods into batches and test each one until the crash occurred, then narrow it down until i knew the culprit

learn how to actually understand SKSE a little better and find the problem through it

load the game with NO mods and try to pinpoint what the issue could be to narrow it down immediately

believe it or not, i did all 3.

i started with the first, but iirc i only split my mods in half, and the way vortex works and the way things are divided made it a bit hard to do even that in a non-time consuming way. you can split up your mods but you also have to make sure each half has all relevant dependencies, you see, or the game's going to crash anyway. so i narrowed it down to half of my mods (the other half ran fine), and went from there.

this is where the last option comes in. frustrated, i loaded into the vanilla game, taking note of the setting right about where the crash always happened. i noticed that just when it tended to occur, a rabbit ran across the road. was that it? was that my culprit? i combed through the borked half of my mods, and sure enough, rabbit mod. except it was just a mesh restructuring that a different mod i actually cared about was dependent on. but hey, mods are weird, so i disabled it and ran the game.

nope. still crashed. not the rabbit.

now, i'd been hunting through reddit and the skyrim modding discord and nexus threads the entire time i was going through this ordeal. NO ONE was having the same issue i was. but there are a lot of troubleshooting tips out there for skyrim fuckery, and when several other steps had already failed, i turned to one i'd never tried before: coc riverwood.

"coc" means center on cell, and it's a console command to teleport you instantly to any cell in the game. notably, you can activate it without loading into a save. (i'm sure plenty of other commands can also do this, but i don't mess with the console much).

so riverwood is usually the location people use to check and see if the game is running well otherwise when the intro is bugging out. now, i'd been messing with this CTD issue for hours. i was convinced my game was just irreparably borked, somehow; maybe my computer simply couldn't handle the mod load. but i did try coc riverwood anyway, inputting it at the start menu, which either loads you into a default character or a character from one of your saves, i don't remember which.

and... the game ran fine. VERY fine. better than i was expecting. i wandered around riverwood, interacted with things, and saw no issues at all. so what the fuck? clearly, the crash wasn't a skyrim-wide issue, it was an issue with the cart ride.

and where is the cart ride going? helgen, of course.

so, on a hunch, i backtracked along the path i'd walked a dozen times with other characters, out of riverwood and towards the caves you use to escape helgen. i think i was just barely in view of the start of the reverse of that path when the game crashed.

so, problem (sort of) located: the helgen cell. (which would explain why unbound also didn't work: it loads you in on top of a tower in helgen when you're selecting your file options.)

so here's where that middle option came in. removing mods i knew for sure affected helgen didn't fix the issue, and i didn't even have that many of those, because why would i? helgen is destroyed and there's not a ton of reasons to go back to it outside of morbid curiosity, which i'd done enough times in other saves. that meant whatever file was the problem did not openly or obviously affect helgen, which in turn meant i would need to comb through the half of my mods that crashed the game in SKSE to figure out what was doing it.

this was at least easier than going into SKSE blind; i knew what i needed to look for. so i started looking. by loading all of those mods into the program and then looking specifically for effects or changes to the helgen cell, i could figure out what the issue was.

SKSE is color coded; i don't have it on my current desktop so i can't open it to look right now, but i know for sure that scripts causing no issues at all are green, and scripts causing issues are red. (there are also yellow/orange and grey ones, i think, but i don't remember what those mean.) usually red scripts mean conflicts, which can range from "negligible gameplay impairment" to "crash to desktop when the scripts meet for any reason", because modding is cool and fun.

so i think what i did was keyword search "helgen", and the results i got were largely just confusing for me, because i cannot wrap my mind around how SKSE works. but there was a very clear conflict in there. i just wasn't sure what it meant, or if it was actually my issue.

the script in question was from a mod that i cannot actually recall, but what i DO remember is that it was a mesh/texture optimization mod of some kind. like, the sort you install to make your game run better. it wasn't one of the big ones, i was just overcompensating for my poor old windows 7 desktop that had long since become obsolete for modern gaming, so i had a lot of them.

the specific script i was getting a conflict error on was some texture or mesh in helgen, likely an insignificant one based on what i remember... so i was unsure if it was the issue, but aware that it 100% could be.

and it was.

disabling the associated mod allowed me to enter and exit helgen as normal, with no crashes. i'm reasonably sure i did post about this issue in that mod's comments, or on r/skyrimmods, or... something. can't remember. i was also liveblogging it on twitter but no part of me wants to try and find that again (if it was even on my currently existing twitter and not the old suspended one)

i'm not sure if the mod itself was the issue or if my download of it had gotten corrupted in some way, but i never did try to use it again, so who knows.

skyrim modding is super fun when it works! and when it doesn't work, maybe take breaks while going through the arduous process of troubleshooting your obscure issue

#this is long and also uses a lot of modding jargon #sorry. i like modding pc games. especially bethesda ones #started my modding career with sims 2 and never looked back #tox.txt

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actutrends · 5 years ago

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From Minecraft to Auto Chess: The 29 games that define the 2010s

At GamesBeat, we like to focus on the business, innovation, and technology of games. So we’re bringing that approach to our games of the decade list. You won’t find just a list of the games we thought were the best from a critical standpoint (sorry, as much as I love you, Obsidian Entertainment, Pillars of Eternity isn’t here). What you will find are the games we believe tell the story of this decade’s industry, setting up where we believe gaming will go in the 2020s.

When we consider the games that define the 2010s, we must look at the 2000s, for three of the games that frame the decade’s innovation, be it in design, economic models, or technology: Dwarf Fortress, League of Legends, and Minecraft.

The mechanics of one of these would filter into a number of genres, and believe it or not, it still hasn’t seen its first retail release. Another would redefine both strategy games and esports, building a massive company, following, and genre … and paving the way for Riot Games to thrive in the 2020s. And our final pick helped usher in the user-generated content revolution of this decade, turning mod makers on PC into well-known names in a community that numbers in the millions … and showing, for the first time, that the idea of a walls were falling down around the game industry.

Please enjoy this journey with us, and again, thank you for supporting the independent journalism of GamesBeat and VentureBeat. We do not have a corporate owner. We’re our own thing, and that you take the time to read us and support us means more to me, Dean, Jeff, and Mike than any of you will ever realize.

–Jason Wilson, GamesBeat managing editor

Late 2000s: A decade’s foundation

Dwarf Fortress

Above: There’s an entire dwarf civilization in those ASCII characters.

Dwarf Fortress’ initial release on the internet was years before the 2010s, and its full publication on Steam won’t happen until the 2020s. Yet it’s been one of the defining games of the decade despite this, alongside other 2000s games like Minecraft and League of Legends. The idea of the living game, one that resides on the internet, where content is continually added, and fans of the game can play it for years, has been possibly the biggest story of the 2010s, from mobile to blockbuster games.

That’s not the only way that Dwarf Fortress helped define the 2010s. “Losing is fun” went the tagline, which is a way of saying it’s a game about stories. It’s a game that’s as or more fun to experience other people playing, whether on forums, or via social media, or streaming. The 2010s were also about games becoming a group experience, blurring the lines between player and viewer. The rise of the roguelike generally, and survival strategy specifically, are directly tied to the idea of games as a shared experience.

Perhaps more than anything, the fact that Dwarf Fortress, a legendarily weird game, could end the decade being one of the most wishlisted games on Steam shows that the idea of what a game is — and especially what a hit game is — has changed dramatically. At the start of the decade, you’d go to a store and pay $60 for a box with a completed game inside was still a default understanding of how games worked, with digital distribution starting to open other models up. By the end of the decade, that door is wide open, and what it means to have a hit game has totally changed. — Rowan Kaiser

League of Legends

Above: Welcome to the League of Legends jungle.

Image Credit: Riot Games

I remember the first time I saw Riot Games’ League of Legends in 2009. I had no idea what to make of it. It was confusing. It was different. And I knew that I was looking at something that would change the way we play strategy games.

But I had no idea it would revolutionize esports as well.

Before League of Legends, strategy games came in two stripes: real time, where you’re building your bases, gathering resources, and constructing an army as your opponent does the same. You scout, you probe defenses while coming up with a plan of attack, and you may also deal with some neutrals running around the map. You might even have hero units as well Or you played a turn-based game, which comes in many stripes, may have you working on economies, social agendas, and more as you build up a grand civilization, researching tech-tree upgrades, and so much more.

Warcraft III’s Defense of the Ancients mod took all of this and made something new, something different, in 2003. And while others beat Riot into turning this style into a full game, Riot was the first to emerge with a smash hit. And we’ve seen League ripple through the game industry. Valve and Blizzard followed with their own takes, a genre we’d come to call MOBA (multiplayer online battle arena). A host of others followed, with many of them failing. The rush came to mobile, with varying degrees of adaptation and success. New twists emerged, such as Clash Royale (combining MOBAs and card games), and it later gave birth to a new genre that’s on the rise at the end of the decade — the auto-battler (think Auto Chess, Teamflight Tactics, and its ilk).

And as League of Legends gained traction, it found players … and Twitch. Here, it continues to be a dominant force. Every day, tens of thousands of people watch top players defend the lanes or push for the goal. And as this viewership grew on Twitch, it changed esports. Before, competitive gaming was the realm of StarCraft and South Korea, along with Evo and a host of smaller fighting game tournaments. But as League of Legends grew, so did its competitive scene. And folks then realized that these viewers represented millions in untapped dollars.

And thus the esports revolution was born, and the likes of The International, the Overwatch League, and a host of competitions for card games, shooters, and other MOBAs. — Jason Wilson

Minecraft

Above: Blockception’s Whiterock Castle was the No. 1 best-seller on the Minecraft Marketplace two months in a row.

Image Credit: Blockception

I don’t play Minecraft. My kids do. Every day they get video game time, they spend some of it playing Minecraft on our Nintendo Switch. And what they create is amazing — castles, forts, houses and farms. And as they create, they talk about what they’re doing, trying to figure out how to get the designs from their imagination on the screen.

Now, that alone makes Minecraft innovative. We’ve had builders before, but none of them could match Minecraft in its limitlessness. Earlier in the decade, I remember how so many publications covered the amazing creations folks were making inside Minecraft. Someone did a computer in the game that works! And as Minecraft expanded, it knocked down the walled gardens, coming to just about every device that runs games — be it a PC, a home console, or a smartphone or tablet. I’m kinda surprised the screen on my fridge isn’t running it yet. With more than 176 million copies sold, Minecraft’s expanding to other genres and augmented reality.

But it’s done more than knock down walled gardens. In doing so, it heralded how corporate parent Microsoft was looking to get its games on new platforms. But it also showed a new way creators could make money — selling things they make in the store. It built on how folks were selling hats and other materials for games like Team Fortress 2 on Valve’s Steam PC store, and now, people are selling millions of dollars worth on content there.

Minecraft shows how giving people the tools to create and smashing those walls between platforms can pay off not just for a corporate parent — but for everyone. — Jason Wilson

2010: A decade launches

Super Mario Galaxy 2

Above: Mario and Nintendo are at their best in Super Mario Galaxy 2.

Image Credit: Nintendo

In 2010, many of us were still in the middle of the PlayStation 3, Xbox 360, and Wii era. It was a time of transition. The Wii was a huge success, but it was becoming apparent that its motion-control focus was not going to be the future of the industry, especially with casual gaming taking off in the mobile world.

But for console players, one game defined 2010 better than any: Super Mario Galaxy 2. That may seem like a strange claim. In many ways, Super Mario Galaxy 2 is a safe sequel. It looks and plays a lot like the first Super Mario Galaxy.

Galaxy 2 is just better in every way. Nintendo gave a master class on how to create a traditional sequel. The levels were more creative and the experience was tighter. Even today, when it comes time to praise a sequel, you often hear people compare it to Super Mario Galaxy. And in the midst of the Wii era and stuff like Wii Fit, Super Mario Galaxy 2 reminded us that few are better than Nintendo when it comes to making fun video games. — Jeff Grubb

StarCraft II

Above: They should make a movie about what happens when you teach an A.I. how to fight a war.

Image Credit: Blizzard Entertainment

Before it came out, you would have thought that StarCraft II would be one of the biggest hits ever. Instead, it did fine. Blizzard Entertainment’s real-time strategy game sequel showed us how times were changing. The original StarCraft was a dominant force in the world of esports, but MOBAs like League of Legends had taken over. This set a trend for RTS for the rest of the decade, as the genre saw a huge decline in the 2010s. — Mike Minotti

Red Dead Redemption

Above: The beauty of Red Dead Redemption.

Red Dead Redemption could be the most impressive game of the PlayStation 3/Xbox 360 era. Its detailed world, convincing acting, and engaging story set a precedent for triple-A games ahead of the launch of the Xbox One and PlayStation 4. It’s still a standard that few have matched. — Mike Minotti

2011: Indelible influences

The Elder Scrolls V: Skyrim

Above: The Elder Scrolls V: Skyrim sure caught on.

The Elder Scrolls V: Skyrim was omnipresent throughout the entire 2010s. Bethesda’s role-playing game came out early in the decade, and we’re still talking about it.

For one thing, it’s very good. Skyrim offers players a giant, detailed world that’s worthy of exploration. It began to influence other open world games, even The Legend of Zelda: Breath of the Wild and the VR game Asgard’s Wrath.

And then there were all those ports. Skyrim was originally out for PlayStation 3, Xbox 360, and PC. Throughout the decade, it would come to PlayStation 4, Xbox One, Switch, VR, and even Amazon Alexa (well, kind of). — Mike Minotti

Dark Souls

Above: Come, sit by the fire and warm your Dark Soul(s).

Skyrim wasn’t the only game we talked about during the entire decade. While its predecessor, 2009’s Demon’s Souls, was technically the first in the series, Dark Souls established a new kind of action-RPG formula that focused on slower combat, tough boss fights, and punishing penalties for death.

And just like with Skyrim, Dark Souls would come to every platform imaginable. But while Bethesda has been slow to make a sequel for Skyrim, Dark Souls turned into a trilogy in the 2010s, and developer FromSoftware used its formula to make other hit games: Bloodbourne and Sekiro: Shadows Die Twice.

Dark Souls would prove influential, as even Star Wars looked to it for inspiration in 2019 with Jedi: Fallen Order. In the 2000s, action role-playing games were all about fast-paced fighting and combos. Dark Souls changed that. — Mike Minotti

2012: Midsized merit, a galactic riot

Crusader Kings 2

Above: Crusader Kings II is one of Paradox’s breakout hits.

Image Credit: Paradox Interactive

By all logic of how video games should work before 2012, Crusader Kings 2 was a disaster. Here was an incredibly niche strategy game, well outside the Civilization or RTS style that made for a hit, and in its first month? It sold a mere 20,000 copies. And yet, persistence across digital distribution, word-of-mouth, and good reviews kept Crusader Kings 2 going. This game’s combination of strategy and character relationships was special. And that specialness … was rewarded, eventually, as CK2 became a hit and an inspiration.

If any game exemplifies the Steam era of PC gaming, it’s hard not to pick Crusader Kings 2. Beyond that constant availability, Paradox kept it alive by keeping it alive with expansions, add-ons, and patches. The new model for the living strategy game wasn’t a giant expansion or two then a sequel, but a steady flow of new content with new ways of playing the game, and patches to support the people who weren’t buying. The model proved sustainable as well — Paradox used variations on it to prop up both their publishing and their development sides, becoming an ideal form of the new middle class of PC gaming enabled by digital distribution. — Rowan Kaiser

The Walking Dead

Above: Clementine is one of the decade’s best characters.

Image Credit: Telltale Games

Crusader Kings wasn’t the only “middle-class” game to succeed in 2012, a year that also saw the release of Telltale’s The Walking Dead. The adventure genre, long-dormant in the mainstream, got new life with The Walking Dead’s moral choices, major intellectual property, and most important, the connection of those choices with an episodic release structure enabled by digital distribution. Telltale itself would become a cautionary tale more than Paradox’s success, but both companies felt a rush of success in 2012 because they used digital as more than simply a distribution method, instead seeing it as a way to creatively develop new types of gaming experiences. — Rowan Kaiser

Mass Effect 3

Above: Mass Effect 3 is an intersection of the decade’s trends.

Image Credit: BioWare

Also in 2012, we have Mass Effect 3, which is unfortunately best known for its grand ending controversy, a firestorm of fans, press, and developers converging into an absolute mess of internet culture. This masks that ME3 is a great game. But also lost in the storm and fury was that the game’s multiplayer, a remarkable critical success, was also a remarkable success monetarily, as EA started added FIFA Ultimate Team-style lootboxes to more and different kinds of games.

2013: A tale of tails

Grand Theft Auto V

Above: GTA Online changed Rockstar game-development model.

Image Credit: Rockstar Games

Grand Theft Auto V was a massive game in 2013. And everyone knew it would be. What we didn’t know is that in 2019, it would still be a massive game. GTA V is an enormous success due in large part to the GTA: Online mode. This takes the gameplay into a shared multiplayer world where you can compete in quests, do online heists, and purchase digital items with a currency that you can get using real money.

I think the best way to put GTA V’s success into context is like this: During the decade leading up to 2013, Rockstar released one major new game per year. That included Manhunt, The Warriors, Bully, Manhunt 2, Grand Theft Auto IV, Grand Theft Auto: Chinatown Wars, Red Dead Redemption, L.A. Noire, and Max Payne 3. But since releasing GTA V in 2013, Rockstar has only released one game, 2018’s Red Dead Redemption II.

Instead of putting out new games, Rockstar began working on new content for GTA: Online. That content is cheaper to produce because the studio is mostly just adding new stuff to a gameplay and design infrastructure that already exists. And unlike a new game that might make a lot of money on its first day of release, GTA: Online makes a steady stream of revenue. This makes tricky things like revenues and staffing needs much more predictable and easier to manage.

Maintaining GTA: Online with regular updates is a much less risky proposition than making a new game. And that is GTA: Online’s legacy — especially in the 2010s. Every game developer and publisher wants their own GTA: Online. They want a game that can last for years with regular updates that brings in a steady flow of money. And based on its popularity and the popularity of other live-service games, it’s what consumers want as well. — Jeff Grubb

Dota 2

Above: Dota 2 reaps the benefits of the live-service model.

Image Credit: Valve

In the same way that Rockstar made fewer games after Grand Theft Auto V, Half-Life developer Valve has made very few new games since launching Dota 2 in 2013 (after a lengthy beta). And Valve’s reasons are similar to Rockstar’s. But we’re including this MOBA because of how it shaped so much of the business of games.

Dota 2 popularized community items that people could design and sell on Steam’s marketplace. This is also the game that introduced the idea of battle passes or premium progressions passes. Players could buy an item called the Compendium that you would earn levels for by playing Dota 2 matches. And that process would unlock items over time. You could, of course, buy levels if you have more cash than time. Now, battle passes are a common feature in a wide variety of games.

The Compendium revenue, however, didn’t just go into Valve’s pocket. Instead, the company contributed a portion to the prize pool for The International. This immediately turned Dota 2 into one of the premiere esports games in the world. Other studios have since mimicked this practice as well. — Jeff Grubb

BioShock Infinite

Above: Elizabeth’s A.I. received a boost from techniques folks use on the pitch and the stage.

Image Credit: Irrational Games

In trying to tell the story of the decade, it’s almost serendipitous that Grand Theft Auto V, Dota 2, and BioShock Infinite all came out the same year. They so encapsulate what happened over the last 10 years. Sure, every studio wants to have their own live-service game that generates profits for years. But what is so wrong with the old way of making a game as a product? Well, BioShock Infinite is what is wrong.

BioShock Infinite was the highly anticipated sequel to 2007’s breakout hit BioShock. Developer Irrational Games started work in February 2008, and it took five long years to get the game out to fans. But more than the time, those were also expensive years. The game was so costly that even after selling 11 million copies, publisher 2K Games obviously didn’t consider the game a success.

Suddenly, we were living in a world where a game could sell better than almost any other game and still end up as a failure. Following BioShock Infinite, almost no publisher wanted to fund a massive single-player narrative-based game — especially in a world where mobile games that cost a fraction to make were generating $1 billion in revenues per year. — Jeff Grubb

The post From Minecraft to Auto Chess: The 29 games that define the 2010s appeared first on Actu Trends.

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