#sorry this took so long AAA

[ourple-octoling]

[ MEAL ] from Cerrin! (@orbitaldeathwoomy)

Loving Starters

sender places a warm-cooked meal in front of receiver

With the weather getting colder, visits to Inkopolis were.... Terrible for Vio. As an octoling living in a far warmer area.... No matter how many times he's come to make deliveries, go on dates, or visit Cerrin. He still couldn't get used to the temperature change. Cerrin did make sure he was comfortable while he was here though.... He'd normally just bake some sweets for Vio.

But... Instead, it was the first dish he's ever cooked for Cerrin. Cream Stew. Most likely to warm this purple octoling up.

"Is that what took you so long in the kitchen? Cuttin' veggies into cute little stars and hearts?"

[bornagainfromwaves]

Ifrit for the ship meme

Who’s the cuddler?

Quin, I think. They're both big on cuddling, but Quin would be holding someone's hand 24/7 if she could

Who makes the bed?

Bold of you to assume this bed is getting made

Who wakes up first?

Quin, she rises with the sun

Who has the weird taste in music?

Maybe Quin, she hasn't settled on her music taste yet

Who is more protective?

Ifrit, I think. Quin is so trusting and it gets her into trouble

Who sings in the shower?

They sing TOGETHER

Who cries during movies?

Ifrit, probably

Who spends the most while out shopping?

Quin, she doesn't yet understand money

Who kisses more roughly?

I think Quin, but only bc she gets so excited about it

Who is more dominant?

Ifrit, def. Quin likes being a sweet little submissive thing

My rating of the ship from 1-10.

10/10, two adorable dorks I love them

[diolanza]

━━━━ʚ𖦹ɞ━━━━

Perospero sat on the wax chair, one leg crossed over the other as he peered down at the offered sweets and tea. For a moment, he was less focused on what the other was saying and more focused on piling a few macarons on the small plates set in front of him; He was his mother's son if anything else. He'd already eaten one macaron, his nose wrinkled as he considered the taste, when the other's voice began to tremble as he spoke. With a tip of his head, Perospero wondered if he should let the other continue to stumble over his words, enjoying watching him squirm under his scrutiny.

❝ Ku ku ku~ ❞ He chuckled, an elbow resting on the table, his cheek resting easily against his hand. He could play with his food, if just for a little bit. It wasn't the best use of his time on Karai Bari, but he just couldn't resist. It wasn't like Mama or his siblings were there to chastise him, he could have a bit of fun.

❝ Oh, I dunno, perorin~ ❞ he teased, ❝ If the people here are anything like the pastries you've given me, they're definitely lacking. Mama takes her sweets pretty seriously, if you can't provide, what worth are you to her? You mentioned Doflamingo, what about his intelligence system, perorin? Surely you wouldn't leave people with such skill to be capture by the Marines. ❞

It wasn't like Mama needed intelligence, she of course had one of her own, but if a potential partner couldn't keep up...

@diolanza

“ Noted, Mr Perospero. I see you’re a fan of peace as well. ” A mental note is taken. The paperclip at hand is lowered as the artist musters a few words with other pirates that followed the duo. Mr 3 stay walking just beside the pirate, as there was no need to guide the other since the white-candle path to the armory detached itself from the rusty terrain of the tropical island. 

An industrial sized shed was their destination, the thick doors took a few man to open. With a gesture of his hand, Mr 3 waited the other to go first as he continued talking. “ This is only the beginning. We practically took everything after Doflamingo’s fall, ga ne. Business partners, their people as well the manufactures. Soon I'll have to build other sheds as well. We're planning in fifteen more! ” Between the taller shelves, wax drips from his hands to form a picturesque desk and chairs. As the sculptors pulls one chair for the other, before taking his own seat. Just in time as the ex convicts fill the table with a tea set accompanied by sweets.

“ I'll be glad to answer any question you have towards our organization.. But.. ” The man’s firm stance suddenly drops, tapping on his glasses with a worried frown. “ Wha… what happens if we do not have…. How to say. Any… interesting specimen.. To offer. Most people here are.. Uhh.. plain humans..”

“ B...Buggy miiiiiiight have been a liiiiiiiiiiiiiiitle over the top when talking about the residents of this place, ga.. gaw neee... Fu ha hh a ha! ”

[wispscribbles]

thank you for feeding us such quality ghost soap art mwah bye

And thank you for eating it up!! I love feeding you all w art of the murder lads - Here's some more to chew on :D Tarot Ghoap!

[toxintouch]

hii!! I just read cold spots and it was AMAZING!!! Im not sure if you wanted to continue the fic, but if you don’t mind could you continue with Veres part? I don’t know what you would write about but I just feel like that fic has so much potential to be a little 3 part series or something 🙏

<- Cold Spots TYSM ANON!! I put the Vere End at the beginning for ease of reading. For the sake of folks who would like to read this as a stand-alone... I think u can? With the knowledge that the premise of Cold Spots is that Mhin and MC/Sparrow went ghost hunting. Vere is said to have been responsible for a handful of local ghost stories, so…of course he makes some mischief.🦊 Also MC needs some Winter wear, stat.  A very light Possessive Vere warning in this btw, though perhaps in a roundabout way.  Plausible deniability is so important to him.

You putter around in your room at the Wet Wick as you go about your nightly routine. The occasional cheer or thud from below only accentuates your nervous energy, punctuating your reluctance to settle down and get into bed. You smooth the covers with your bandaged hands and fluff the pillow before extinguishing the lamplight. You tug the bedding up above your shoulders, fighting to get comfortable. As your eyelids finally start to droop, the flicker of a shadow catches your attention.   It dances and sways and bends and grows until suddenly it is right in front of you.  On top of you. Silken, blood red drips down onto your face, a knife gleam smile too close for comfort.  You breathe in a gasp, wondering if you should scream. “Vere, what–” “Shhh,” he coos, pressing a finger lightly to your lips.  His breath is hot against your skin. “I only came to keep you warm, pet.”

Heat Signature

“Poor thing.” Vere purrs.  “Your lips are so cold.”  He leans ever closer, his mouth hot over yours–hovering.  His other hand reaches for your face as well, nails trailing against your cheek in a teasing caress.

You feel even the thought of being cold leave your body, replaced instead by the unusual thrill he commands, that strange enthralling sway.

That heat you’ve come to associate with Vere; sweet tendrils of want that nestle in your bloodstream.

You squirm a little, though you can’t move much with him looming over you.

(You should probably do more to protest his intrusion into your room, you think to yourself, though, the majority of you is–curious, daresay even far too eager to–)

“Whatever trouble did you get up to that left you in such a state?”

At this you scoff, tilting your head back into the pillow and effectively knocking Vere’s finger from your lips.  

“As if you don’t know,” you accuse.

Vere looks entirely unperturbed by you shaking him off, his lithe fingers traveling freely along the newly displayed skin of your throat, making your pulse jump.

Vere chuckles at that, dark and silky.

“Being tight lipped about your adventures, hm?”  He angles your face just so, ensuring you meet his sharp eyes, his nose brushing up against yours.  “Not that it matters.  It so happens I do know what you’ve been up to.  Trespassing in places that don’t belong to you.”

“...It was an abandoned building.  I don’t think it really belonged to anyone.”

“And that’s where you’d be wrong,” Vere says, “everything in this city belongs to someone, darling.  You just don’t know what belongs to who yet.”  He peers down at you with laughter in his expression, though there's a distinct edge to it that you can't quite place.

“So, you're here because that building belongs to you...?”

“Hmm, amongst other things.  However shall I make you apologize to me for this most egregious offense?”  He asks airily, shifting until he’s beside you rather than perched over you, resting his cheek in his hand and letting his eyes slip closed. He's the absolute picture of unbothered leisure.  

(You’re not fooled–he’s simply waiting for you to let your guard down before he pounces.)

You open your mouth to deny any debts on your part (though, if your ghost hunting spot was indeed Vere’s hideout, you really do feel guilty) but Vere cuts you off before you can speak.

“Alas, I suppose it’s not mine anymore.  Within a week it will reek of wet dogs and cheap booze. It's a lost cause now that those drooling reprobates know it's inhabitable.  A pity.  By Eridia's standards it really was divine in its heyday.  Good wine, music, dancing.  There was this portrait artist who would paint the performances…”

His tone remains light as he reminisces.  But the look he pins you with is dangerous: his eyes gleaming bright, his canines bared in an irreverent grin.

“I had such hopes and dreams of reviving the place myself.  Some of the dances were very scandalous.  You never did share with me your stance on dancing, did you?”

You stumble out an approximate answer.  It’s…harmless information to give, isn’t it?

Though, judging by how pleased Vere looks, you wonder if you should have refused to say.  He looks positively wicked as he ponders your answer aloud.  “Oh, I’m sure you’ve got plenty of talents to share.  In another life, perhaps I'd have put you on stage.  Though, I admit.  I find myself partial to a private show.”

And–as expected–the moment you let your guard down, he's in your space again, crowding you.  Heat and proximity and the softest brush of his lips against yours, light enough to send a thrill down your spine, curiosity and a want so deep it surprises you.

“Well?”  He purrs.  “Care to audition?”

You can't hide behind the excuse of supernatural sway or charm or the thrall of hypnotic sunglo eyes.  It's not Vere's power that controls you. It's your own gnawing desire; starvation and longing that draws you to him despite all sense.

Kissing Vere is heady.  Dizzying.  

Kissing Vere is like being in conversation with Vere–a constant of giving and taking, being chased after and running to keep up.  It’s enticing and alluring and decadent and never quite enough, over too soon even as you feel yourself losing air, the rush of blood and sensation threatening to overwhelm you.

He gives a parting nip to your bottom lip as he pulls away.

Then another one, playful, to your jaw.

When he presses his face into the side of your neck, you expect him to bite again.

What you don’t expect is for him to nuzzle into you, inhaling deeply before heaving a great sigh, his tail flopping lazily to land across you with a thump.

He’s officious as he rearranges the covers, ensuring your arms are tucked carefully away from him before he’s willing to fully settle into the bedding, pulling the blankets up around the both of you like a den.  He hums something low in his chest as he tucks himself up alongside you, long tail curled around your waist. 

It’s rhythmic–

purring.

And it’s…soothing, actually.

The weight of him, the warmth.  The incessant lamplight of the Amaryllis District, shining ever present through your window, is dim–tolerable, even, courtesy of Vere's magnificent shadow manipulations and the blankets sheltering you. 

The constant noise seems to fade away as well, obscured by the sound of purring. “Falling asleep when you have me in your bed, pet?  You really do try your luck…”

[skelecentral]

what if Y/N could see Dust San's Papyrus & like ghosts & spirit's in general

They’re gossip buddies 🥰

When Papyrus finds out that you can see him, he’s elated to finally have someone new to talk to - don’t get him wrong, he loves his brother! But his interactions with Dust have been his only interactions for years at this point, so having someone new to dialogue with is like finding water in a desert. A very sock-filled, dusty desert. He wants to talk about anything and everything, desperate for any form of contact, and as a result he’ll probably come off as a bit intense at first; he evens out a little as time goes on and he settles into the new norm, though. He’s glad he can talk to you about what he’s experienced and all of the batshit things he’s seen as a spectator - gossip buddies!

He also likes to give you advice, especially related to his brother. He thinks you’re good for him, and knows he likes you, but he worries about what Dust will be like as a partner. He understands completely how unstable Dust is and doesn’t want you getting caught in a bad situation or some sort of crossfire, both because he’s desperate for company and because of his integrity and value system.

In the end, he decides that the best course of action is to help his brother become an Acceptable Datemate and to be there for you if you need any help or advice or encouragement relating to his brother (or anything else, really - he prides himself on being the best friend anyone could ask for, and what kind of friend would he be if he didn’t help you in your time of need even if it didn’t have to do with his plans? It’s all he’s good for at this point, anyways - it’s not like he could make any other sort of difference…but nevermind that! Moping won’t help anyone!)

I’d say that in the end, most Y/Ns would end up being pretty good friends with Papyrus - especially if they were living in Nightmare’s castle for any reason, but also just in general. Dust is silently happy Papyrus is happy, and finds a lot of joy in that you two get along - despite their damaged relationship, the brothers still care for each other deeply, and that comes out in a lot of their actions. I could see Y/N being really good for their relationship as well and perhaps even acting as a catalyst for healing it :)

[sulfurbonfire]

Breaking my habit of only responding in notes for this (the important things)

Oh i think the colors of the skills are DEFINETLY related to their respective jobs(?)

Maybe to how 'high concept' they are? Intellect is the brain, moral and philosophical concepts, facts and logic.

Phsyche is already a little more physical than that, the *feeling* you have and how you work with others, the will to keep it together mentally and bodily, that stuff

It's the same with Physique and Motorics, from the ability to withstand the harsh world to the ability to stay composed and don't let anything show.

From blue, green and brown hues to a stark yellow, i think it's neat

(spagetti guy hell yeah)

(also knight voli rights!!! couldnt agree more)

AND OUGHHHH SHIVERS!! I love your interpretation of them and everyones interpretation of them and holy shit/pos

Shivers is portrayed so differently from artist to artist, writer to writer, person to person and i'm in awe

Same with all the other skills

Skill interpretations,,, holding them gently

throwing the ask back at you

What are your fav skill designs?

:D

HIII LAZ IM SORRY THIS TOOK SO LONG HKGJHG <333

TL;DR - Canon Designs: Pain Thresh, Vis Cal+Concept, Authority, EMPATHY!!, Interfacing. Personal Designs: Echem, VOLITION!!!, Half Light, Shivers!

okay so if its for canon designs:

Pain Threshold is sick as hell. guy looks so fucking anguished, i LOVE the expression, stabbed through the ribcage OUGH talk about lung imagery!! emotional and physical pain :3

Visual Calculus? also sick as hell! Vizzy and Conceptualization share a spot actually because i love how they're both similar? both have the billowing smoke and the Square of Creation thing, thats so cool, they're matching! (they're in love for this i think…)

Authority?? the way people draw the pointed laurel wreath on him?? SICK AS HELL. wish i could come up with an adequate design for him i LOVE how he looks hkjfh

I TOTALLY AGREE WITH YOU ON EMPATHY... RAUGH... the somber closed eyes, the branching wisps of his head to connect to others, the glow from his chest, his hands around his shoulders in a hug, I LOVE YOU EMPATHYYYYYY!!!!!

also love how Interfacing's arms are rendered (for all the motorics, the stark yellow on black is SO good, intellects and psyches are very muted, physiques are brighter, but motorics are brightest!! do you think its because the skills become more literal and tangible for physiques and motorics, compared to the thought-based intellect and psyche skills?) oough… so interesting…

if it's for personal design, it may change as i design more of them! but for now:

small thing but i love that my Electrochemistry has 6 upper limbs and 9 lower limbs because haha funny number :] guy who's spaghetti. to me.

Volition… listen. listen. knights are my weakness. protectors? swords? cool armor? motherfucker i LOVE you. this art changed me irrevocably and is also the first thing i ever reblogged on this account. youre telling me this guy made a holy vow to harry and isn't knight-coded?? ough. im not normal about him!!! his armor needs cracks so he can move! if theres no cracks, if volition is too high and too rigid, then you cant do anything!! you'll die in that armor if you don't allow a little room for looseness, to let yourself have some temptation for good things that remind you life is worth living. if volition is too loose though, if you have too many cracks in your armor, if you give into too many vices, you're going to fall apart, you're going to get hurt, you're going to destroy yourself. BALANCE!! i love his morale counter in his throat slowly getting exposed as more cracks appear, it's so interesting, it's like a survival tactic, a cry for help. his eyes are dark hollows in his face, and his glowing eyes!! streets and sodium lights!!!!! did you know his eyebrows are also just cracks in his face? i always make sure to connect them to his eyes or the center crack, you can see in all my art of him. my favorite is when he's surprised, the eyebrow is a crack in the back of his crown so it looks like it's raised hfjkh... also i gave him a sword because he deserves it. ough i have so much to say about him. hes so interesting to me…

i do love my Half Light, i haven't posted her yet tho! I WILL EVENTUALLY. SHE'S INTERESTING I LIKE HER!! he lives up to his name, i feel <3 i will expand on this whenever i finish up her design!

MY SHIVERS DESIGN IS REALLY FUN... her powerlines, i have ALWAYS seen her design as a figure inside her head? i dont know if anyone else has. but i like it for symbolism, she is so small but so big... just one of harry's 24 skills and yet encompasses ALL of revachol. a deity to revere her; a duty to protect her. in the hollow of her head, if you look up you can see all the stars above the skyline, and if you look down into her body you can see the night-lit streets of the city, the glowing lights of apartment windows, the expanse stretching farther than one would expect for the dimensions of her body. she doesn't have limbs attached to her body, though she has glowing arms that emerge from the ground or form from the winds. a hundred thousand luminous arms... shivers my darling...

okay so i have so many more favorites and i think ALL of them are so cool but I WILL STOP MYSELF HERE HKJF <3 thank you for asking lazarus i appreciate youuuuu!!! :D

[art-stag]

@theladybread

He worked so hard on his Faust-cakes, please try one-

[ruershrimo]

take me back (take me with you) | f. megumi x fem! reader | chapter 6: beginning

ao3 link for additional author’s notes | playlist | prev | next | m.list

chapter synopsis:

'“Why else do you think I am the way I am? I may be shy and scatterbrained, or a horrible woman with a muddled sense of morality or what I think should and should not happen, when in reality it’s just what I want to happen. But this is why I’m so resolute, and so stubborn. This is why I love you so fiercely. All mothers are like that to some degree, even if my own would never let me bear witness to it.”

You haven’t told her you love her too in years.'

'And Itadori seems… like a good person. I think it’s good, that… you were able to find a friend like that.”

“It was. He’s a really, really good guy.”

“You love him a lot,” Megumi says.

---

You and Megumi set out to prevent an emergency involving Yuuji and a cursed object. Unfortunately, that doesn't happen. But at least everyone is fine in the end, even if it means you'll have to walk away from almost everything (or maybe it's the other way around).

You're going to be all on your own. Still, now it seems like this will hurt less now.

word count: ~8k; tws: none for now :)

17-6-2018 

The two of you walk down the lane. It’s midnight. There’s a loitering silence in the air, no words exchanged between you and him, and it twists your heart in brief moments of hurt when you’re not trying to keep your mind occupied with other things. Your legs move subconsciously without you caring to think of them, the route to the hospital ingrained in your mind as if intrinsically there. 

At some point, you think your hand with its sweat and its grip is going to leave imprints like a marring on his skin, but it’s of your own selfishness that you choose to hold onto his wrist anyway. 

There’s a million things you could say to him right now, things you’ll forcefully push to the very back of your throat, things you’ll keep under lock and key in a mangled mix of quiet anticipation and sombre anxieties. Right now you’re holding his wrist and that’s enough for you, to have him walking behind you if not beside, to be two people near each other— not together— in silence since any conversation is not an option; any conversation could lead to the last spark needed to be fanned into the flame for it to erupt bigger and brighter than ever before. 

If you asked about Tsumiki right now, or why either of them never bothered to speak to you since 2016, it could break you apart, of that you’re sure. And even without words it threatens to do so to you like a chandelier of melting wax candles hanging above you being suspended precariously from the ceiling or light lightning soon to be thrown down mercilessly from the sky. 

“The turning to Sendai Hospital is on the right.” 

“I know the routes better,” you let out, and rather disappointingly it sounds brasher and more derogatory aloud instead of the unobtrusive tone you were aiming for— you hope it doesn’t hurt him but then wonder why you still even cared that much about how he felt about what you said or did anyway, “I got myself accustomed to taking the one on the left that leads you through. Quick shortcut and all.” 

You’re not looking back, but the light pull of his hand from the hold of your wrist seems to suggest his slight reeling back in a small sense of surprise and an equal amount of shock, as if suddenly remembering the fact you were your own person, that you had your own autonomy as one, because somehow everyone thought you weren’t. 

It’s strange to look back at how you were before: meek, timid. Too shy to speak up. Too innocent to be angered by anything. Always dreaming, mind bleary as if on a cloud in blurred skies, hiding behind the backs of others like a petrified forest critter. 

And now you’re this— this person who frowns and disagrees and retorts at every little thing, and as much as you have to, as much as it was nearly inevitable the way you turned out, all you can think you share with the person you were when you first met Megumi and Tsumiki was your need to be useful— and even that has been exacerbated by how you’ve grown, how you’ve become this person you grew into. And a part of you— no, just you as a whole— doesn’t like yourself at all. 

Your father was right. That little girl was hopeful, obedient, kind, caring— you don’t know why even then you were dissatisfied with the way you were, or why your dissatisfaction would matter because at that time you’d cared so little about everything besides caring for people and having fun with the pair of siblings that you were so rarely bothered by it, that it was still just a slight whisper from the back of your head that could be shushed or tuned out with library visits and nights in front of the TV and the glow of old cartoons. Your father was right and this is proved even more by the fact that the whole situation just infuriates you on the surface, and just makes you feel like an empty, hollow shell left behind when you reach deeper into yourself. 

That little girl had potential, potential to be useful but kind, obedient and close to the people who raised her even if it meant abandoning her own ideals. But you’d been so devoted to them, you think, that she was killed and destroyed in the world she grew up in, and now there’s a space for her that’s left vacant due to the way she wasted away. You miss her, the girl you once were, you miss being her, how easy and lighthearted everything was and how all of you felt so content in every sense of the word. But you don’t want her back. Now that’s just what makes you miserable sometimes. 

Self-reflection just made you feel revolted by yourself. You keep your eyes on the road. 

“It’s here,” you state, pointing at the building in front of you. 

Sendai General Hospital is an institution made out of bare concrete. Its walls are yellowed and close in on its wards like a prison, coloured using old paint that hasn’t been repainted over and is as pallid-looking as the skin of the people sitting on the beds it is inhabited by. Just being in it feels like a hit to the body and the brain and the senses, too. There are old-fashioned tiles on its floors, their pale beige hue muted yet the blinding shine on them harshly mopped clean. Inside it reeks of an imminent presence of sickness or death or illnesses and conditions never to be able to be defeated and sterile sanitisers. Looking at the latex-blue curtains in it feels like a blindfold unwantedly, forcefully pulled over both your vision and your ears. 

“You and that Itadori seem close.” 

“We are,” you say, then you add, not really knowing why, “He’s my best friend.” Maybe you’re trying to make him jealous, rile him up a bit. But even then you wouldn’t want him to be riled up, nor would you be satisfied if he were to keep silent. Maybe you just wanted to hurt him, to hurt him back or something, if only for something small, even if you’d already resolved not to do so. 

You’ll make sure not to do that again, though. 

Instead he does something else, takes another route instead. “Then it seems you visit his grandfather often.” 

“Uh-huh,” you nod as the two of you enter the hospital, and you have to blink a few times as always in order to adjust yourself to the light and how it reflects off the detachedly clean floor. “My mother’s here, too.” 

“Oh, I’m sorry— is she alright?” 

“She’s okay, I… think. She… she got sick a while back and stays here now,” you explain, “Let’s not talk about that…—I mean, I… don’t really want to.” 

“I’m sorry.” 

“You don’t have to keep saying that.” It just makes people feel worse. 

He doesn’t push further and you suppose that’s okay. Your chest hurts a bit, like phantom pain on a wound that’s still there. There’s not really a way to explain it but almost everything makes you feel that way these days. Everything makes you feel horrible to some degree. Maybe it’s being a girl, maybe it’s being a teenager, but it’s not quite either, you guess. 

“He won’t be here for a while,” you say, “He’s either still in the room where his grandfather is or he’s buying flowers for him.” 

“Then I’ll just contact them and let them know the whole situation first.” 

Who’s ‘them’? 

“Okay.” You turn your back on him, “—wait.” 

“What?” 

“Do you have any emergency contact or something? Like, a trusted adult who could help you with any of this? In case things go really bad?” 

“...why would you need one?” he questions. 

You roll your eyes, “Just give it to me, damn it… if there’s anything I have nowadays, it’s probably foresight for stuff like this. For emergencies.” 

He gives you the number, albeit a bit begrudgingly. Why’d he have to be so pissy about anything and everything? 

“Okay, thanks. I’m going to visit my mother now.” 

The air and the colour from it seems distant as always, the ward she was basically imprisoned in smelling of the indistinguishable mix of sanitiser and sickness. There her body chains her to her bed, and there is little she can do besides rely on and weakly cling to the nurses who assist her, a frail shadow of what she once was. 

“Hi, Mummy.” 

She turns to you, and your chest constricts. Her hair, once much longer, the type that you dreamed to have as it billowed in the wind, the type that invited you caressively to bury yourself in and take in that heady scent of roses that emanated from it— that hair is now replaced with a cloth wrapped around her head. Radiation. Chemotherapy. 

The wrinkles on her face make the difference between her now and her years ago all the more stark. Every visit you come back here, you’ve forced yourself to be acclimated to this new reality, one where she isn’t waiting at home no matter how tedious the fights get or how exhausting it was eating with someone who remained silent, someone who chose to continue suffering if it meant she could hurt and turn her daughter to guilt (as if that would change anything). At least she was there. 

Cancer is a terminal illness, especially the type your mother is facing— regardless of how much chemotherapy she would struggle through and how much you didn’t want to acknowledge a truth so plain and conspicuously bare, she would be confined to this bed until her final days, her illness like gyves tying her limbs and forcing her earthbound; the bed a cage she could never be liberated from. 

Sometimes she made it a point to you that she didn’t want to liberate herself from it anyway, and you’d never been so depressed yet irked by anything else. (You’d regret everything— not spending time with her, not appreciating her nearly enough— except for your decision to be involved in the Jujutsu world, if not as a sorcerer then as a doctor. That was, and is— your ultimatum. Your end all be all of this whole situation.” 

“Hello. Where’s that Itadori boy?” 

“Not here today, he’s still with his grandfather— maybe later.” You swing your bag over your shoulder, rummaging through it a while before pulling it out. “I’ve something for you, by the way.” 

“Oh! These,” she exclaims, and she smiles faintly, bits of colour rushing back to her face like watercolour dots on moistened paper. “I used to make them for you, sometimes. They used to be your favourite when you were really little.” 

“I know,” you explain, “That’s why I made them. I don’t like them anymore, but… I can’t remember your favourite food or if I ever asked, and I know you don’t like the food they give you here as much as… I don’t know. Your own cooking, I guess.” 

“It’s not my favourite,” she states, matter-of-factly, bluntly, “But thank you for the effort. My favourite will always be my own mother’s cooking.” 

Silence. 

“Now that I look back at everything, there are so many things I regret. Things I should have done but never did out of fear; things I should not have done and never apologised for out of pride. I’d like it if you could be different. Your grandmother went out the same way. At least, even if you had the same illnesses as we did, which I hope the genes for which have been curbed by your father’s— at least you would not leave the world with regret,” she looks down at her hands, staring down at them solemnly like a shadow, an excluded figure. “But it was a good life.” 

“...then maybe you can tell me more. While you— while we still have time. What was your childhood like? What was your mother like?” It feels strange, imposturous, maybe— to be referring to someone basically a stranger as “grandmother”, to name someone so far away from you so intimate, even if the only generation between you, tying the two of you together, was your mother’s. If you had a daughter it would be the same for her, most likely. There’s a part of you that would find honour in becoming your mother once you’d grown, but there’s a part of you that would think being such would accost you horribly, for all time. 

She sighs, “I’ll tell you later. There would be so much to say, like compressing all my words into one tiny paper. The stories have weight in them the same way letters and words in handwriting can be firm and large. But if I were to start,” she begins, “I’ll say that I was born as the daughter of two very powerful sorcerers. Now, I know how much this would sound like some nonsense spouted by your mother, but I think you should listen anyway. 

“My parents loved each other a lot, but my mother had come from an obscure clan whose name I can’t remember, but who had high hopes in them having a child with a powerful cursed technique as their last resort, since, if I recall correctly, there had been a crisis within the clan for it to keep surviving. 

“I still remember when they found out I had no cursed technique and how terrified they were. In me I had a bit more than the relatively normal amount of cursed energy most people have, and so I was expected to have techniques as powerful as they did. They loved me and treated me preciously, like a fragile object, so long as I was quiet and demure— and I guess to some extent I still was and still am today. They wondered what they could do to run from the clan, as if they didn’t have enough power when they were supposed to protect me despite my father’s bullheaded industry and my mother’s patience-formed strength. They lacked grit to grapple against them, and only in this did they lack it, I think; only against my mother’s family did they not have the ability to resolve things whether peacefully or violently. And eventually they just gave up and thought they would just… surrender me over when I entered my adolescent years. I was their daughter. I… suppose they didn’t love me enough. I know it sounds awful— thinking that they should have always protected me, through and through—” 

“No, it wasn’t.” 

“—when it could have been the clan itself that would have been mostly to blame.” 

“But they were still supposed to protect you! They were your parents—” 

“Why else do you think I am the way I am? I may be a shy and scatterbrained or a horrible woman with a muddled sense of morality or what I think should and should not happen when in reality it’s just what I want to happen, but this is why I’m so resolute, and so stubborn. This is why I love you so fiercely. All mothers are like that to some degree, even if my own would never let me bear witness to it.” You haven’t told her you love her too in years. 

“But then when I was an adult I met your father, who was a bit like a country bumpkin, but a formidable sorcerer and a kind, honest person, and I couldn’t help but fall in love with the person he was both inside and out. And for the next few years we struggled to have a child until I found out I was pregnant with you,” she continues, “Even though by that time I was well into my late thirties, we were overjoyed and decided to keep you.” 

Suddenly you wish there had been more time before things were ruined. Time for you to know her better, the beginning of your existence. You would have begged her for old photos, stories, mementos of her and your father. 

“And now the clan’s faded into obscurity, finally. The younger members left and the older ones passed away peacefully. Happy story, right?” 

“...yeah.” It all ended well, but you don’t know if you can say the same for your mother’s. At least, you hope, when she goes away, it can be swift and peaceful like the way her relatives did. 

Then suddenly there’s a buzz in your pocket. An inconvenient one, out of the blue. 

“You should go get that first,” she says. 

“...okay.” 

You lift it up to your face and feel like crushing the damn thing. Old number. Stupid number. Number you haven’t called in months because you’d given up on that bastard— oh. The two of you were working together now. 

You turn away from your mother, creeping to the edge of the room. “What’s wrong?” 

“I just talked to him, but I think it would be easier if you came back and was there with him too since you know him better than I do. And he… doesn’t seem like the brightest. He may think that it’s not important enough to hand over unless you ask him to or something.” 

You muffle your voice with your hand and whisper, “Hey, you shut up, you know nothing about him. He’s way smarter than people give him credit for. But I’m— I’m with my mother right now. Wait for a second. Just ask him to wait for me first; he wouldn’t need any of my help for all of this yet. Make a friend or get a life or something.” 

“...fine. But you’ll have to join us later. He’s bound to ask about you.” 

“Then just tell him I’m with my mother!” you snap, still whispering. 

“I’ll see what I can do.” 

“Wh— you little— oh, don’t you hang up now—” 

Weird thing is, he probably wasn’t even being so infuriating on purpose. And you wouldn’t have burst out at someone for being that way anyway. It was only because it was him, specifically. 

You’d sworn to put that past you. 

Your immaturity strikes once again. 

“If you have to go now,” your mother says, “You should. Just come back again next time. I can tell you the rest. Thank you again for the food, [Name].” She doesn’t call you ‘darling’ anymore, doesn’t she? Just your name. 

“Okay. Sorry.” 

You swing the bag back over your shoulder, wearing it this time instead of taking it off, easing your way out of the room. 

“It’s okay,” she assures you, “Goodbye. I love you.” 

“...I love you, too,” you say, but it’ll mingle with all the other sounds in the hospital, and it’ll be drowned out like a ship in the middle of nowhere, your voice soft and thoroughly soused by the cacophony of bleak noises like telephone rings and beeps from electrocardiographs outside of her deafeningly quiet hospital room. 

“Hi, Yuuji,” you greet them in the dimly lit waiting area, “...and Megumi. Sorry to keep the two of you guys waiting for so long.” 

“Oh, hey; it’s okay!” he goes, although in his voice it seems that there’s been some of his usual energy seeping away from him. “Didn’t know the two of you knew each other until just now or that you were a part of some magic curse society. Are you guys childhood friends who met because of all that cursed stuff or something?” 

“Something like that,” Megumi explains. 

“It’s a long story,” you say, not exactly denying him nor conceding his words anyway. Once again, there’s a trace of anger despite your promise to be untethered to your puerility like this. “Anyway, are you okay, Yuuji? How’s your grandfather?” 

He pauses. “Oh, about that… he just passed away.” 

“Oh, I’m so sorry, Yuuji…” you hold the fabric of his jacket (sometimes it still feels wrong to try and hold his hand— it just makes your heart ache again like a scab being clawed at) and pull him into a brief caress, patting his back as gently as you can manage. 

“It’s okay, I’ll be fine,” he smiles as you pull yourself away, “Grandpa wouldn’t want me to be crying right now anyway. So don’t worry.” 

“Okay, I won’t. But if you’re sad, just know you can always talk to me.” 

He laughs, softer than the boisterous manner he usually does so in, “Yeah, I know.” 

Megumi clears his throat, pointedly trying to make a sound, “Anyway. Itadori Yuuji—” 

“Just call him Itadori. You don’t have to be so uptight.” 

“Nah, [Name], I’m fine—” 

Megumi sighs. “Anyway, we need you to give the cursed object now.” 

“Oh, yeah, that,” you start, “So, Yuuji, do you have the thing that Megumi would have explained to you? The cursed object? We need it for everyone to be safe, and all.” 

“Yeah! Hold on, let me get it. I told you I didn’t have it already, but here’s the box,” he says, tossing it over to Megumi. 

He retrieves the box. It’s ancient and wooden, the craftsmanship behind it elite and adroit, and the paper on it has the words for a buddhist sutra written on it like an inscription. You’ve heard of it before, the kind of curse it was meant to seal, but it definitely couldn’t be— 

He opens the box. 

Holy shit. 

“Where is it?” 

“It’s empty…” Megumi panics, “Wait— hold on!” 

Things are bad— as in, they couldn’t get any worse— not only was the school doomed by the loss of its cursed object, the cursed object was Sukuna Ryomen’s finger itself. 

You blame your inadequacy, your inability to have stopped everything sooner— if not for that nobody would have gotten hurt. If not for that there wouldn’t even be a risk of anything happening anyway. You should’ve tried harder to sense it, and you should’ve focused more on it to keep the student body safe and sound. 

It was your fault. No one else was to blame but your useless self, and even if that were wrong, you’d still have the most to be blamed for. 

Megumi has a hand on Yuuji’s shoulder, keeping the other boy from moving, his breathing erratic and his eyes wide in frantic shock. 

“...well, they were saying, ‘let’s open it up to see what’s inside it tonight’,” Yuuji clarifies, standing a few centimetres away from the door, “Why? Is that bad?” 

Sasaki and Iguchi? 

The air in the hospital feels particularly chilly tonight, gooseflesh terrorising your skin all over, and for all the kinds of reasons that would cause anything like such. 

“It’s way worse than bad,” Megumi declared, fear and grim so thick in his voice they were tangible enough to be cut through with a knife. “Your friends are going to die.” 

“We’ve got to go,” you rush, “Now! Quick!” 

It passes by like a blur, as if you’re in that moment and out of it simultaneously. Your mind has been bombarded with and pressed so thoroughly onto the moment, like tissue on a wet surface, that it seems it’s being blanked out, while your legs continue to run despite your mind nearly forgetting, at this point, why you’re running— as if your legs moving so frantically to help them was something intrinsic, something you didn’t need your mind for. 

Sasaki and Iguchi are in danger. Sasaki and Iguchi are in danger. 

You didn’t know them all too well, really— just through Yuuji, and Yuuji himself wasn’t as close to the two of them, being their junior and all. And although a part of you was doing this just because you could, like the way you did when you first discovered your cursed technique, you knew that another was doing this for Yuuji. If in any way they were hurt or could not survive, he would blame himself to no end. He possessed such a kindness within him, so much that it hit the depths of your soul sometimes; shattered your heart so gently a million times over or heated it in the kindly way mothers heated pans on stoves despite the heat of it being greater than that of blue flame. If anything happened to them, no matter how much or how little he knew of them, he wouldn’t be able to live after that. 

The two of them are near the barrier separating the school from the street before you (you struggle with catching up to them— one’s a star athlete and another has been training for much longer than you, you’re sure), the gates tall and enveloped in darkness. You didn’t think much of school except for when it came to your grades and being with Yuuji, thinking of these gates— the ones that you and Yuuji use when you’re running super late— in particular as just a shortcut entrance you paid little attention to, just something treated with indifference as you passed through them whenever you were late. Yet now they echoed denial, refusal, and slim chances— it was unlikely that they’d be alright, especially since this cursed object in particular was the finger of Sukuna Ryomen. 

“Is that the building?” Megumi questions, “Where are they?” 

“Fourth floor— guh!” Yuuji seems to come to an abrupt halt, nearly slamming into what seems to be an invisible wall. A veil. 

“Yuuji!” 

“I’ll handle this,” Megumi declares, hopping onto the metal wires, more directed to Yuuji than you. So even he can tell how selfless Yuuji is, even after only having just met him. 

“I may not know those two that well, but—” Yuuji starts, “But they’re friends! I have to help!” 

“You’re staying here,” Megumi commands, “[Name], if you could— get your father or any sorcerers you know to come here and help.” 

He climbs over the gate. 

He’s going away from you again. Slipping away from your grasp. And now, all you can do is watch. There’s nothing else— nothing else you can do, at all. If you went inside now, you wouldn’t be able to help except— what?— tend to their injuries? Manipulate your own cells into weapons? The former wasn’t possible with how much you’d strained yourself from running so quickly earlier, and the latter was too dangerous: you hadn’t even started with the basics of that yet, on your father’s obstinate insistence that even if he’d let you play doctor he wouldn’t let you manipulate any of the cells in your body into any kind of usable weapon. Any simple wrong move could make things turn south in the most drastically terrifying of ways. If you went in there, you’d just die, and there’d be more casualties, more trouble, more problems caused by you and you alone. 

You can’t even call your father, either. That would always be your last resort— because even if you fought, you still needed him to rest. You didn’t want him overexerting himself by using his cursed technique at all. 

(You were selfish. You didn’t want to lose your father. You didn’t want to have to visit not one but two parents lying sick and tired and grey in matching hospital beds.) 

“Yuuji?” you start, turning to him. “You’re…deathly quiet. Are you okay?” 

His lips quiver slightly, a faint whimpering noise coming out of him. Is he crying? 

“Yuuji, look at me. Are you okay?” you ask, as gently and softly as you can right now, despite your ragged, unsteady, unathletic-addled breaths. You place a hand on his shoulder, slowly rubbing up and down from his shoulder and crook of his neck to his back. “It’s okay. …Megumi’s a good and… capable, strong person and jujutsu sorcerer. He’ll be okay, and they’ll be okay too. Just… just put your trust in him, okay?” 

“I’m sorry, [Name], but I’ve got to go,” he tells you, “You stay here, and call for help or something. I’m sorry, but I’ve just really got to do it!” 

He hugs you, quickly, deftly. And then he crosses the gate, leaving you all alone like Megumi did. You wish he’d hug you longer, that you could take care of him for a little longer— it was your last way to be useful now. 

Still, there’s someone you could call, now that you remember him.

The emergency contact. 

You snatch your phone out, resolute. 

“Hello! Gojo Satoru speaking,” the voice on the other line says. 

You’ve heard it plenty before by accident. 

When Gojo and Megumi are back, Yuuji’s in the form of a figure slung over Gojo’s shoulders like he’s been reply entrenched into slumber, his body seemingly limp and his torso completely bare. There’s barely an ounce of movement in him, except for slow exhales and inhales you can see on his chest. Sasaki and Iguchi are both nearly the same, the former covered in bruises and in a deep, panicked haze, and the latter as asleep as Yuuji seemed to be while harbouring injuries he may never recover from. 

The only non-roughed up one here is Gojo, it seems; Megumi has a stream of blood running from the top of his head in rivulets, staining his sweaty, scraped forehead. 

“Wh— you two, what happened? Why are they all asleep? What happened to Yuuji? Are they okay? What—” 

“Calm down, kid,” Gojo says, “They’ll be fine. I mean, there’s a 100% chance that your friend can be executed, but…” 

“Executed?” you almost scream, “What the hell happened? You said things would be okay!” 

“Uh-uh, again, calm down. I mean, we don’t even know when they’re gonna make him kick the bucket! He ate Sukuna’s finger, by the way.” He holds his arms up in faux surrender. 

“Gojo you ignorant slut! Don’t you fucking dare tell me to ‘calm down!’ He ate Sukuna’s finger? Why weren’t you able to stop anything? What’s going to happen to him now? You know what— give him to me!” 

“You know, it’s not like I’m scared of being hunted down by your father if you use your cursed technique— I mean, I’m leagues stronger than him— but the stuff was too strong. It’s not like you’ll be able to get rid of the finger in your little boyfriend.” 

“He’s not her boyfriend!” Megumi interjects.

“Thank you, Megumi!” Your face is going hot like a campfire fanned by the wind. 

“Oh?” Gojo adds, a teasing lilt in his voice. “Anyway, we’re going to get him to a place where we can cover everything with talismans to surround him.” 

They’re going to execute him at Jujutsu High after.  

“I’m coming with you.” 

“You sure?” Gojo asks, “Your father isn’t going to like you travelling so far away without telling him.” 

Megumi shifts, a little sombre. “[Name], you don’t have to.” 

“...I’m doing this for Yuuji, not for you.” 

“You okay?” Gojo asks while the three of you are back in the hospital. (You hate this building so much.) Iguchi’s been transferred to a ward, Sasaki having woken up and insisting on staying with him. “I’ve got kikufuku if you want some. You must be really tired since it’s so late, huh?” 

The whole situation is so incredulous you’re unsure of whether you want to burst out laughing or dismember someone. 

“...nothing. Wait, let me see Yuuji again.” 

Everyone is asleep, it seems— all except for you and Gojo. Yuuji’s been knocked out, and Megumi’s stuck in the world of his dreams. 

You can’t sleep. There’s just nothing to put your mind at rest. 

At least if there’s one thing you can do it’s this. 

Gojo picks him up by the sides of his torso (now temporarily clothed with a spare white shirt) like a child with a heavy book. “Woah— he’s pretty heavy for a fifteen year old kid.” 

You lay Yuuji face-up on the line of hospital chairs. There are thin scarlet marks right under his eyes— Sukuna’s eyelids, you’ve been told. 

You should’ve done more to protect him. 

Slowly, reticently, you kneel by the side of the chairs. You press your fingertips onto that pair of thin tiny lines. 

Nothing happens. You can’t picture his cells being able to grow back. It’s as if there’s been a slit on his face and its outline has been replaced with brand-new skin. His cells don’t budge. 

“Why don’t you help Megumi? I bet he’s got plenty of healable injuries.” 

“…I don’t think I’ll be able to help much. I could faint if I try helping him now. It’s better to leave it to Dr Ieiri or something.” 

“Pft,” he scoffs, “Shoko? She’s definitely not going to heal all of him. It’ll just be a waste of her time. You can just help him with the tiny scrapes and bruises first. And I’ll even tell her that you did it. She’s really fond of you, you know.” 

You give him a shy, modest smile. “Thanks, then.”

It’s time to get to work. 

Megumi’s skin is smooth like a baby’s just like the last time you felt it, though the frown on his face, ever-present, is bound to cause wrinkles there in less than a few decades’ time. You place your hands on him, bruised and bloody, watching in your mind and directing his cells as they work. 

Once the smaller injuries have been dealt with, you stop. “I can’t really work on the one on his head, since then you’d get another fainted person to carry around, but he should be fine with some bandages and patching-up there, because I’ve already kind of catalysed the start of that area’s healing process a little. Other than that, he should be completely fine. I’ll give it, say… two weeks or so for it to get better completely.” 

“Good work!” he smiles, the outline of his cheeks visible on his blindfold. 

“By the way, Mr Gojo…” 

“You know, I appreciate the respect you’re giving me now, but just Gojo is fine.” 

“Okay, Gojo. Do you think Yuuji will be okay?” 

“I mean, I’m pretty sure. And I’m going to ask them to suspend his sentence. I’ll just see whether he wants that or not once he wakes up.” 

“That’s the thing. I’m not sure if he even will.” 

Gojo laughs. “Don’t worry. He was really strong, and able to switch between being possessed by Sukuna and being himself at will. We haven't seen that kind of talent in a millennia! I’m sure they’ll listen to me, anyway.” 

“Thank you,” you sigh. Thank goodness. “If you need any type of payment, um… teleport to my house whenever you get inconvenient little cuts like bruises and stuff. I can help.” 

“Nah, reverse cursed technique’s got me covered.” 

“Oh, wait— I forgot about that— um… I can…”

“Just leave it to me! No payment required,” he exclaims, holding both thumbs up. “And for the record, the one who wanted to save Yuuji was actually Megumi.” 

You wouldn’t have imagined that would happen. Megumi— pragmatic, serious, unkind when he needs to be (no matter how kind of a person he actually is— no, was— at heart), different from Tsumiki in so many ways. There was no way he would have been the one vouching for Yuuji, someone he’d only just met, to be spared. 

“Really?” you ask, “I… wouldn’t have thought he was the one who would do it. I thought, maybe, you were just… really kind tonight or something…”

“Well, maybe it was because he saw how much you cared about Itadori and did it for you, or maybe he had met Itadori, liked him, and just wanted to save a good person,” Gojo suspects, “But if there’s one thing for sure it’s that your old friend saved your new one.” 

“...oh.” 

You’ll have to bring it up with him next time— maybe, if he’s still there tomorrow…

“I know you’re mad at him, but a lot has happened,” Gojo states, voice lower, softer like a schoolteacher’s, “Still, I won’t tell you that you have to give him a chance or any of that. If you don’t want to, you don’t have to thank him or anything. I’m sure he did it out of his own volition without expecting anything from you. He knew he probably didn’t deserve to if it were you.” 

You pause. “No, it’s just… I’ll talk to him again the next time I see him. Alone, most likely. And I can figure something out. I think that would be the best way to go around things. Thank you, Gojo.” 

18-6-2018 

The aftershocks are still there, although you’ve come out unscathed. 

Last night was a mingled mess, a blur. You’d tried your best to help Iguchi by the time Yuuji was placed in the room of talismans and you could come back to the hospital and visit, but in the end he still needed better help than that. His injuries were too large of scale for how you were at that moment, already tired after healing some of the numbers done on Megumi. 

(You were useless. You couldn’t help anyone. You couldn’t prevent Yuuji from being hit with such soul-striking guilt., couldn’t help Sasaki from being traumatised, couldn’t help Iguchi enough for him to be back at school soon—) 

Sasaki’s injuries were limited to bruises and scrapes, but though you could help her physically, there was nothing you could do to assist her emotionally. 

You stayed with them for a few hours in the ICU and then one of the hospital wards (a floor under your mother’s), your father calling you once the sun had risen. 

“Gojo Satoru told me about everything that happened.” 

“Yeah. I know you’ll scold me, but… not now. I’m sorry, I’m just really tired.” You hang up. 

For all you spoke of wanting to be useful, the night when your powers were needed the most was when you were at your most useless— you couldn’t help them, you couldn’t help attack the cursed spirits, and the only thing you could do was call for an adult’s help like a little, scared and helpless girl. 

You needed to train, and train harder than you had been doing for the past few years. 

There’s a knock on the door, a dot-dot-dot-dot-dot. dot dot. It’s Yuuji, you know it is. How ever could you not? 

Timidly, movements quiet like the room itself, you pull the door knob, seeing him there, relatively unscathed. You sigh in relief, a moment’s respite before you return to the panic you had been living in before since you deserve the respite less than other people do— no, you don’t deserve such a break at all, you’re absolutely sure of that, not after what you pulled, how horribly and utterly useless you were, you’ll remind yourself of that again and again and again— the heart-piercing guilt and the worry and the constant need to care for the people around you, almost like a mother, maybe, but you don’t like that thought as much as you think you should. Maybe if your own mother knew, she’d disagree— maybe she’d tell you that you should be a mother, maybe she’d ignore that you were also a child at certain times— the most convenient ones, probably. When she thinks it good that you, a child, were someone’s caretaker because women should take pride in and appreciate that, she would encourage you to be one; when she thinks it bad that as a caretaker and a so-called ‘adult’ you can have your own autonomy, agency and opinions, then maybe she’d remind you that in her eyes you knew nothing of the world. But maybe, just maybe, there was also a chance that she wouldn’t be like that in any way. 

But you wouldn’t put it past her. 

“Yuuji, are you okay?” There are questions about to spill out of you, tears about to fall like gushing rivers, but you’re just happy he’s alive at this point. 

“Yeah.” His voice is soft. Your chest twinges; it hurts like an awful, intransigent little bruise. “Hi, [Name].” It feels so unignorable, the way it’s filled with such sorrow and worry that it weighs his usually loud and boisterous voice down. 

“I thought that—” you start, lips trembling, “I thought there was a chance I couldn’t lose you. The only thing I could do was—” you sniffle, “Hope that they could delay it or something.” 

“Yeah. I’ll explain it later,” he says, his voice sincere. 

You squeeze the wrist of his sleeve. “Don’t do things like that ever again,” you plead, “Promise me that at least.” 

“I promise.” 

“And keep your promises.”

“I will.” 

“...want to come inside?” 

He walks inside, and you step back to make way for him. 

“Sorry I came so late,” he says to you and Sasaki, who shakes her head in reassurance. “Hello, Sasaki,” he greets, “Is Iguchi okay?” 

They speak for a while— you don’t feel like it’s much of your right to join their conversation, since you did nearly nothing at all when they were most in danger, so you leave them be for a while. It would be better not to bother them right now, anyway. They’ve both been traumatised until it reached beneath their bones within the past twenty-four hours. 

When you leave the hospital, Sasaki tells you that she’s going to stay. You tell her to take care, squeezing her hand one final time. 

You let her, patting her on the back. You’ll call them later— she’d given you her contact— just to check on the two of them. 

“Where’s Megumi?” you ask Yuuji. 

“Oh, Fushiguro? I’m not too sure, but that Gojo guy said he’ll be there soon.” 

“Where, though?”

Sheepishly, in peak Yuuji fashion, he scratches the back of his neck. “Actually, another reason why I came here was also because… I mean, I know you and him weren’t close, but I’m going to the place where they’ll keep Grandpa’s ashes, and I think… you know, you could come with me. I… I don’t think I’d be able to do it really well alone, even though he had definitely made it clear he seriously didn’t want me moping around after his death and all. Gojo and Megumi will probably be there, but I thought it would be better if you were there because I know you better than those two, and you’re my friend. So… could you come with me? I know that he never really showed it, but I think he had always liked you a lot. Like, he was happy we were friends and stuff.” 

“...mhm. I’ll always be happy about that,” you tell him, before pulling him into a hug. The guy must need one right now. You’ve never hugged him before. Your heart hurts. 

The air is hot and humid with the breath of summer, bundles of mosquitoes bound to be breeding new ones these next few weeks. Up in the sky is the sun, bold and bright, glaring down harshly at the two of you. 

“Before he passed away, Grandpa actually said something. He… kind of cursed me, if I’m being honest,” Yuuji starts. “He said I was a strong kid, so I should help people. And I’m going to do that. So that was why when Gojo asked if I wanted to be executed immediately or just eat all the fingers before dying, I chose the second option. I… I think I want to help people that way.” 

‘You’ve already helped people enough. You helped me,’ you almost tell him. 

You frown, because that’s the only thing you can do right now. You search for words to say the same way you do looking for dog books in libraries chock-full with those of other genres. “I’m… disappointed, I— I know I should be grateful, grateful that you’re still going to be alive and all, but… you’re still going to be in danger, and you’re still going to be executed one day. I mean, again, I know I should be happy you’re going to have more time alive and that I can still see you, but what if things don’t go as planned? What if you lose control of yourself once you reach, like, the fifth finger or something?” 

You’re selfish like that. In a way, you’re just the way your mother is. You should’ve always known— you were her beloved daughter after all, and the people you know would be loved the same way she did you since the day she knew of your existence, and maybe even before that. 

“Don’t worry,” he grins, wide as always. Even in an over-enveloping darkness he still manages to be the light. “I’ll be just fine. I’m a strong kid, after all. And we’ll always be friends!” 

Gojo asks if he and Yuuji can talk in private for a while. You wonder if this was how your mother felt as she had to give the person she loved most away (but you will have to go away, one day), because you can briefly tell what Gojo is going to ask. You wonder if she felt this twice. 

Yuuji can’t stay with you forever. In the same way you can’t remain by your mother and father’s sides for all eternity. 

This won’t be the last time you’re here, you think. For a place of death, it’s quite a bit beautiful how there’s such large masses of grass and plants surrounding it. 

Megumi nearly walks past you, his eyes on the old photographs of the deceased all around him. 

“Megumi.” 

He turns around. 

“I just wanted to thank you for wanting to save my friend, even if you may not have wanted to do it for me, specifically… um… I didn’t expect that you’d still be here. Are your injuries okay?” 

“I’m okay,” he answers you. “And also, I…” he hesitates, the first time he’s talked to you for something actually related to the two of you in a long time— nearly two years if you’re counting correctly, but the thoughts in your head are a bit too jumbled to count at the moment. “I didn’t really do it for you, though. It… it was for Tsumiki.” 

“Oh.”

“Wait! I’m sorry, that didn’t… come out right. But I should also apologise for something else. You wouldn’t have been thrown into this world anyway if not for my own demon dogs years ago.” 

“No, no, it wasn’t your fault. And I would have wanted to be in it anyway. There’s not many who can heal other people and all, so I just thought… even if I can’t do as much yet, since I don’t have reversed cursed technique and the drawbacks that come from mine are really bad, I can still help people sometimes if they’re dealing with relatively minor injuries. I can, um… make things easier for people. I can be useful like that. I’d keep to it anyway, because I’m stubborn, but… yeah. It wasn’t your fault, really.” 

“Okay. That’s good to hear.” 

“Yeah. Anyway, I’m happy to know that Tsumiki is okay.” 

Silence again for a while. The air turns a little more sombre, and a lot more awkward. 

“She is. And Itadori seems… like a good person. I think it’s good, that… you were able to find a friend like that.” 

“It was. He’s a really, really good guy.” 

“You love him a lot,” Megumi says. 

“I do. He’s a really good friend. If there’s something I’ll always know I know that, at least.” 

“I can see that. It doesn’t seem like he loves you back in the same way, though.” 

“...wow. Way to be blunt, Megumi. And yes, I do know that, too.” 

“Let’s just… change the subject.” 

“You’re the one who introduced it in the first place.” 

“Okay. How… how are you?” 

“I’m good. Wait, I think you should… go back to them. Maybe they’ll need you there right about now. He’s probably going to have to go to Jujutsu High, right?” 

He pauses. “Yeah. I’m sorry, [Name].” 

“No, no. That’s okay. I expected it. It’s just that I’ll miss him a lot,” you tell him, “He took care of me, kind of. You know I’ve always been a bit of an awkward or shy person, but he still approached me since I was new and we ended up hitting off as friends, kind of. We did a lot of stuff together.” 

Sounds pretty familiar, huh. 

“If you want I can make sure he’s safe for you.” 

“...you should be able to do that regardless of whether it’s my wish for you to do so or not…” you state, “But that would help, I guess. And I’m sorry for my attitude towards you for the past few hours or so. Thank you again.” 

“...I’m sorry I never spoke to you for so long, by the way,” he says abruptly. ‘By the way’? Classic Megumi… 

“I could tell you were. It’s… it’s okay. The two of you kind of have a habit of doing that.” 

All your rage, your loneliness, your feelings of abandonment— and this is all you can do. This is all you can say. You can only just let it go, in the end. 

“I’ll explain it all one day.” 

“You don’t have to if it’s hard.” 

He stays. “No, I will. I promise. And I promise I’ll start to talk to you again, as well. I was just… scared of a few things, maybe.” 

“That’s okay.” 

The two of you aren’t quite friends again yet, but it’ll happen soon. Maybe. And even if it doesn’t, you’re finally able to say, with an open, honest heart, that that doesn’t matter as much anymore. 

“I guess this is goodbye again, then.” 

“Not really.” 

“Oh, right— promise to keep in touch, okay? My patience is running thin with you,” you chuckle at that last part, attempting to joke and make things lighter again. 

“Promise.” 

“I’m going to go home now, by the way. Please tell Yuuji that I wish him the best and I’ll visit when I have my own money to visit Tokyo and all.” 

“I will.” 

“And help me say goodbye to him for me,” you add, “Hope that’s not too much for you to do. Sorry for the trouble. It’s just that I’d actually just about cry if I had to do it in real time right in front of him. Be good to him and be good friends, okay? Keep that promise, at the very least. That’s the one thing that I wish for the most.” 

“Bye, Megumi.” You turn back in the direction opposite of his. 

“Wait—!” 

His hand is on your wrist. Now you’re in front of him, like yesterday, and he’s holding your wrist, albeit a bit gentler than the way he used to pull it a whole eight years ago. 

His eyes are cast away from you, slightly avoidantly and in a way that’s a bit abashed. “I’ll miss you, [Name].” 

“It won’t even feel like I’m not there,” you say. Though his grip is slightly tight, he loosens it as soon as you try to slide it up, as if he’d let you be free of it if you want him to. 

You squeeze his hand instead, turning to face him. It feels warm. It feels like there’s blood coursing through you, the sensation more tender and tangible than it’s ever been. 

“Goodbye.” 

“Goodbye, [Name]. I’ll… I’ll call.” 

“Thank you.” 

Now you’re the one slipping away from his grasp. You move your hand away and walk back. The door slides open. 

2010. Springs, summers, autumns, winters. Hands on wrists, a back faced to your eyes, wide with innocence. Warmth and laughter and happiness and love. Days coloured with vibrant hues and time spent with dog books and in libraries. Frowns were greeted with smiles. Hesitance was non-existent. You didn’t feel a need to compensate for your uselessness. You were a child. You didn’t feel useless at all. You just felt this: a constant leaping in your heart, the corners of your mouth twisting up into a juvenile grin, braiding someone’s beautiful brown hair and tying it with a pretty cherry hair tie. 

You want to cry as you walk back home. 

You’re pretty sure you do. 

taglist:

@bakananya, @sindulgent666, @shartnart1, @lolmais, @mechalily, @pweewee, @notsaelty, @nattisbored

(please send an ask/state in the notes if you'd like to join! if I can't tag your username properly, I've written it in italics. so sorry for any trouble!)

[lynnical]

Not sure if this makes since but, I headcannon that Bittergiggle would just be walking around and see the most weirdest shit ever and just be like: "LOOK TOADSTER ITS US!!!!" (its a piece of gum and a popped balloon)

Ugh.. i love them so much-

[ourple-octoling]

"Aw c'mon ! Don't be so bummed! I had a good laugh!"

It was totally needed when he was so busy being part of a squad that saves the world from danger, on top of being a retail worker and being his own boss, and well.... general biker gang activity. "I've been kinda busy-- Went on a short trip underground where I visited my auntie. Other than that, just the usual bullshit I have here in Splatsville."

In other words, a vacation and then back to usual business he has here.

"But I'm not too busy today. I could stop by to where the signin' is at and pick you and your brothers' something cool to drink if you're stuck baby sitting."

He's calling her back-- This about that one prank call she made a few weeks ago. He couldn't get back to her because you know... The guy manages a whole lot of things! At least he's getting back to her, right?

"Lemme guess-- Your brothers told ya to do it, didn't they?" Vio is snickering on the other side of the line. "Don't worry. It's workin' just fine."

@ourple-octoling

"...It was either that or something worse. I chose the lesser of two evils..." Sylvia groans, pinching the bridge of her nose. "In less.. embarrassing news, I assume things are going well for you?"

She makes a face, she sounds so robotic... kinda like her mother, she realizes. Well that's an unpleasant thought...

"...I'd ask if you want to hang out, but I'm kinda on babysitting duty at the moment... Not like, Haru and Zach, they can at least behave themselves. I mean I've got a toddler with us at the moment and... yeah."

There's a bit of noise on her side of the line, Zach and Haru's voices briefly calling out a "hello" to Vio before going back to whatever they were doing.

"Deep Cut's having some sort of fan signing so... I got dragged by my brothers to stand in the Splatsville heat for Cod knows how long..."

[daemo-ut]

crossover movie night. because apparently, someone (@marlette-au) is a horror enthusiast :]

someone else... less so. lol

[themeeplord]

Hey there, meep!! Do you think, when the cryptid boys get scratchies around certain spots near their horns, that they will start to kick their leg like a dog or will they fall over and purr like dragons do in httyd?

Eyo! :3

I know Naff said they wouldn't be so animalistic, buuut my brain says otherwise~

My horns and frills boys would definitely fall over and start wagging their tail if y/n started scratching them around the base of their horns and behind their frills!

It's not something that automatically happens though. They can control their reaction (it doesn't mean they're faking it, they just have multiple ways of showing that they find something pleasurable. But they always melt and purr from y/n's affectionate touch).

They only do it if they're in the mood for it and it also really depends on what mood the moment calls for. Sometimes a more intimate and smooth reaction from them fits the moment better~

[theghostofwilburtheworm]

marcille c4 or falin b1…. Or both

yesss!!! the girls1!! here u go!!! :D

outfits are for this!

[cosmicangsts]

nobody listens to him, nobody ever listens to him when he's wearing this face and he can't help but wonder why. WHY! he's knowledgeable, he's experienced, he's long - lived, he knows what he's talking about and doing, and SO much time could be saved if people would just—!!

but, anyway.

back to the situation at hand! the utterly crashed homegoing of benton antony fielder! that is kind of his fault? maybe? it does seem to be his face that caused this, merely seeing him is sort of what set the creatures off. maybe they had no intent of showing themselves at all before the fact. the doctor's face has come to be associated with DEATH in some circles amongst the stars; a reputation he's sort of inadvertently earned over the centuries due to the . . . decisions he's had to make, and it's something he desperately wants to fix.

" i - i'm not going to harm you, just— leave the humans be, listen to me, please! " not only are the mosuians ignoring their assumed adversary, but the attendees are very much in fact panicking before the black - haired woman can round them up; someone just tripped and fell into the open grave at hand and on top of the lowered coffin ( let ' s hope the casket was not damaged ) because one of the mosuians exclaimed directly in their face, and things are not looking very good. they call for ' help ' from down there, and the doctor is quick to reassure them that everything is under control and he is going to get them momentarily.

his way of handling things is galaxy ranger - esque, for sure— peace for peace and violence for violence ( if even , really , the doctor really struggles in doling out brutality even when it ' s given to him in spades ) especially after he realized that the poor things were in mourning just like everybody else, why would he want to bring them any harm? to do such a thing would be barbaric and in poor taste. they're simply just out of their biome and being disruptive, which means he must round them up, displace their matter and take it back to their home planet in his TARDIS before letting them free again. that was the plan all along, truly. he never wanted to hurt them . . . thankfully, the very confident and calm human in charge was able to herd everyone into the on - site funeral home, which is quite impressive. she succeeded where he'd very much failed.

. . . well, save for the poor guy who fell into the grave . . . that is his next course of action, after he manages to get the mosuians out of the way! work in progress . . . but it can't exactly be a pleasant experience, in an open grave on top of the coffin of a man you once knew, surrounded by crying foreign creatures.

" why, yes, madam! " his voice is distinctly not west - american ; it goes to reason that maybe mr. fielder had friends across the world, because this man's accent is distinctly british. estuary, to be more specific! even his posher manner of speech can't hide it. " simply a minor case of misplacement! they're merely a little lost, you see. i apologize for the disturbance. i'll be rounding them up and taking them back from whence they came, they mean no harm. very sorry, once again! " he gives a polite bow and a reassuring smile, despite the circumstances and the clear animosity the beings around the open grave seem to hold for him . . . will they go willingly? he already has the tool needed in his hand; the means with which to break down matter and store it until he can disperse it where it belongs. in this case, an alien species back on their home planet. " . . . just . . . letting them grieve, first, is all. "

Over the years,   Green Marches   had become more and more known for their elaborate and homely services-   tended to with care, diligence, and respect. Most notably though had become Elouise herself, for her care of both the dead and their living. She was dedicated to her work, her craft;   no question nor doubt about it. Every ounce of herself-   her time, her energy, her efforts went all-in to exceeding expectations. The dead were cared for exactly how Elouise wanted to be, and their living were treated even better. All of this had crafted the reputation for her business over her years of operation, and she prided herself in as much. It was this very reputation that brought her clientelle like the Mister Benton Fielder they were burying today.

His service had been planned months in advance. Benton Antony Fielder was a well respected man in life, shown as much in his lengthy obituary and his celebratory funeral guests. A long life filled with adventures, mishaps, survival through wars;   love, family, celebrations, and traditions. He was certainly a man that many paid their attention to...

Elouise stands towards the back of the gathering keeping a watchful eye on the funeral, the mourners, the dead.  Every catch of her eye is met with a warm little smile, both parts encouraging as it was assuring, comforting. She's attentive to the itinerary, making sure chairs are set up, put away, moved around to coincide with the schedule planned for the evening.

One unplanned mishap?

Aliens.

Honeyed hues run doe wide as she catches sight of a glimmer that quickly becomes something-   otherworldly. Elouise, just as quickly, realizes she's not the only one that's noticed. Screams have begun to errupt throughout the cemetery, cutting through the priest's droning and the pre-recorded piano playing in the background. At first, Elouise can only stand there stunned, trying to gather not only herself but the situation as it unfolded rapidly in front of her, in front of everybody...   -There's immense concern first for guests with weaker hearts, elderly and children reacting much stronger than the other adults in attendance. There's a man-   not of the Fielder clan, notably   -that Elouise can hear trying to handle the situation. A pang in her chest for how it seems to do less than nothing, despite it's valiance. She sucks in a breath, finding herself doing the exact same thing, only gentler. Warmer.

Hands are touching lightly along shoulders she can find and guide towards the entrance of the Green Marches funeral home, further back from the cemetery. Elouise soothes the guests and their confused screams with as much reassuring   It's alright! Please, come inside!   's as she can get over their panic and rousing. Her eyes are constantly flit back to the stranger-   the strange man as he does the same in his own way.

And then, to the aliens themselves.

Brows furrow as she leads the last guest up through her doors, eyes still anchored towards the extraterrestrials gathered around the lowered casket. Their shuddering, their shuffling, their odd noises...

Were they...   weeping?

Elouise turns to her staff that were helping inside, filling them in as quickly as she could make sense before closing the doors and ushering herself out towards the...   new gathering.

Now, she'd always taken some shine of pride to the fact that she's easy to adapt, quick to roll with whatever came her way. A lot of her mind was trying to make excuses for the strangeness with stories:   a flash mob of mournersm,  a group of ecclectic hobbyists that Benton had once known,  disrespectful party-crashers...   but none of that could simply sweep away the cold, very present fact of what-   whom was gathered around her and her resting client.

       ❝ Please, ❞   she winds, slowing to a stop beside the strange man-   the stranger in a suit still out among the aliens.   ❝ What is-   ...  Is everything okay? ❞

[aimer-arts]

I realize that Piper's canon evolution is into Espeon, but do you think there's any other Eeveelutions she might have considered evolving into instead?

OH YES ABSOLUTELY. I had such a hard time picking just one eeveelution for her, omg

I was deciding between Umbreon and Espeon for a while, since these are both friendship evolutions, and I eventually decided on Espeon because of its symbolism with the sun (and because its signature move is Morning Sun, which makes me go a little bit insane). I still think Umbreon would've been a nice choice though :]

I would've LOVED to have Sylveon as an option too, but it doesn't exist in the game hnggg

In reality, I don't think Piper would have thought too much about evolving - one day she'd simply be sitting with Clementine and it just... happens.

(I really like the idea of her suddenly evolving with high affection instead of needing an item or going to Luminous Spring, both her and Clementine would be so confused SKDJFKDJG)