#sorry i know nobody asked
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inkskinned · 2 months ago
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this is just my opinion but i think any good media needs obsession behind it. it needs passion, the kind of passion that's no longer "gentle scented candle" and is now "oh shit the house caught on fire". it needs a creator that's biting the floorboards and gnawing the story off their skin. creators are supposed to be wild animals. they are supposed to want to tell a story with the ferocity of eating a good stone fruit while standing over the sink. the same protective, strange instinct as being 7 and making mud potions in pink teacups: you gotta get weird with it.
good media needs unhinged, googling-at-midnight kind of energy. it needs "what kind of seams are invented on this planet" energy and "im just gonna trust the audience to roll with me about this" energy. it needs one person (at least) screaming into the void with so much drive and energy that it forces the story to be real.
sometimes people are baffled when fanfic has some stunning jaw-dropping tattoo-it-on-you lines. and i'm like - well, i don't go here, but that makes sense to me. of fucking course people who have this amount of passion are going to create something good. they moved from a place of genuine love and enjoyment.
so yeah, duh! saturday cartoons have banger lines. random street art is sometimes the most precious heart-wrenching shit you've ever seen. someone singing on tiktok ends up creating your next favorite song. youtubers are giving us 5 hours of carefully researched content. all of this is the impossible equation to latestage capitalism. like, you can't force something to be good. AI cannot make it good. no amount of focus-group testing or market research. what makes a story worth listening to is that someone cares so much about telling it - through dance, art, music, whatever it takes - that they are just a little unhinged about it.
one time my friend told me he stayed up all night researching how many ways there are to peel an orange. he wrote me a poem that made me cry on public transportation. the love came through it like pith, you know? the words all came apart in my hands. it tasted like breakfast.
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andsewingishalfthebattle · 7 months ago
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Novice sewing pattern: Cut out shapes. Line up the little triangles on the edges. Stitch edges together. We've also included step-by-step assembly instructions with illustrations.
Novice knitting pattern: yOU MUSt uNDerstANd thE SECret cOdE CO67 (73, 87, 93) BO44 (63, 76, 90) 28 (32, 34) slip first pw repeat 7x K to end *kl (pl) 42 * until 13" (13, 13, 15) join new at 30 pl for 17 rows ssk 27 k2tog mattress lengthwise BO and sacrifice a goat to the knitting gods. WHAT DO YOU MEAN YOU WANT "INSTRUCTIONS," I JUST GAVE THEM TO YOU
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miwtual · 1 year ago
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im so fucking tired of the disrespect gifmakers get on the gifmaker website
#kai.txt#negativity tw#(sorry these are gonna be a lot of tags. i have a lot of feelings and i dont know where else to put them)#we make gifs and nobody reblogs them#when they do get reblogged all people want to tell you is that your gifs arent good enough to them and rip it to shreds#'you're missing x' 'why didnt you do y' 'if i made this i would have abc' 'hey op ur wrong and this is why' 'i dont like this op'#reposters dont even reblog your fucking gifset but they'll save your gifs to repost later asking for how to do something#that they could have asked you how to do in the fucking first place#we reblog ourselves constantly because nobody else will and maybe to make our work look like it has more notes than it does#to make ourselves feel better about the lack of interaction we're getting#and then when we TALK about this frustration we have. people who are too afraid to say it to our faces#go on anon in our askboxes and tell us how we're somehow selfish for wanting people to interact with the sets#that we spent time on. hours. days. WEEKS in some cases#or we get anons who tell us the reason we dont have notes are because we arent good at gifmaking in the first place#but this is all on anon. because they're too scared to tell it to our faces#they're too scared for us to see that they ARENT a gifmaker and that they dont know how to do it any better either#they dont see us as people doing something we love as a hobby. they see us as content machines that dance like court jesters#im just so fucking tired of the disrespect#and this sentiment goes for more than just gifmakers. graphicmakers. artists. literally any creative hobby shared on this site#we get treated like shit and for what? literally for fucking what.
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baggy-holmes · 4 months ago
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the bitch is back
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khaotunq · 8 months ago
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TYPECAST: First Kanaphan edition
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miseria-fortes-viros · 8 months ago
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-> declan bringing ashley to monmouth. ashley, the raven boys, chapter 4. (we’re meant to look pretty for her.)
this is one of the first chapters where we really get to know a lot about our characters, and ashley being there—combined with adam suddenly being aware that they are observed when it’s clear he didn’t feel that way immediately preceding the start of the book—lead me to believe that the fourth wall is very thin here.
-> ashley, this is noah, can you see him?
ashley is one of the only characters outside of the gangsey themselves who is not only able to see noah but also to meet and interact with him.
-> (your hands are cold. (i’ve been dead for seven years.))
ashley is also the first person that noah says this to within the confines of the narrative himself. nobody is surprised when he says this, so clearly he does make these jokes a lot, but it’s significant that we, the reader, hear this for the first time when it’s directed at ashley—ashley who, like us, just got here and doesn’t (can’t) know the significance of this interaction until after everything is over.
-> adam. (don’t you feel observed? someone is looking in when they weren’t before.) the raven boys, chapter 4.
adam: wary, adam: watchful. adam feels the eyes of the reader when the others do not; adam becomes aware of us as soon as we become aware of him. no sooner is ashley named than adam is introduced; no sooner is ashley introduced than adam is wary of her.
ashley (f, gaelic: aislinn): dream, vision
-> (three ashleys) (three brothers) (three witches) (nine’s very three plus three plus three) (6:21) (3+3:+3)
-> declan started hating me first. it was all because declan loved ronan.
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-> this is not the first time
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declan lynch was 18 the first time matthew fell asleep (was ronan dead)
-> gansey. where’s ronan? i don’t know. something’s wrong. something’s happened to him. how do you know? i can’t explain. i don’t know. we fought. something’s wrong
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he’s your dog, gansey (i can’t help him any more (i’m killing him and i don’t know how to stop))
-> he trusted gansey (he still worried about ronan (he never stopped worrying about ronan))
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i want you to meet ashley. yes again it’s a different ashley (i need to check in with you) is ronan around? he shouldn’t be (we’ll fight if he’s there (i need to know how he’s doing (he’ll hate me more for hovering)))
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-> ronan please just tell me it won’t happen again i’m doing everything i can to keep you both alive
the brothers lynch (a dreamer (a dream (declan)))
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-> half none of declan’s surviving family was real. half a dreamer. half a dream. to lose one is to lose the other (part of ronan died when niall did (part of ronan died when his dreamer did))
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ronan lynch was 18 when a demon nearly unmade him (the second time matthew fell asleep (the second time declan almost lost them both at once (was ronan dead)))
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-> declan cannot let go (if he lets go who will hang on (who will live without him fighting tooth and nail to keep them))
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matthew lynch was 18 when he punched his eldest brother in the face (matthew lynch was 18 the third time declan almost became the last living lynch)
-> was ronan dead
declan bringing ashley to monmouth. ashley, the raven boys, chapter 4. ashley (f, gaelic: aislinn): dream, vision. three ashleys. three brothers. three dreamers. three sleepers. three witches. three murders. nine’s very three plus three plus three
(i look just like my father (so do you (every time i see your blood on my knuckles i remember him dead in the driveway (every time i look at you i see the face of a dead man))))
-> was ronan dead
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declan brings ashley to monmouth.
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dawnthefluffyduck · 5 months ago
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Crazy issues that come up when a character is written a little too well
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flowercrowngods · 8 months ago
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okay due to popular demand (3 people mwah!), here's all i have on prisoners ranger!steve, bard!eddie, and the royal entourage accompanying the diplomatic mission that went so horribly wrong
Steve’s whole body is made of pain, and has been for the past few days. His feet are aching and raw from trying to keep up as they were bound to horses and dragged along. His skin is chafed and bleeding where the unforgiving rocks have managed to destroy his clothes after one too many falls, and every smallest of cuts feels like his body is nothing more than a pulsating mess. 
Worst of all, though, is the dizziness. He doesn’t know if his head is still bleeding or if the wetness he can feel running down his temple is his body’s testament to the unfamiliar heat, but it wouldn’t make a difference anyway. 
There’s only pain. And nausea. His eyes are open but he needs a second to understand what he’s seeing — and what he’s seeing is a ceiling made of sand coloured stone. Distantly, he hears a door clanging shut, but that might just as well be a memory. 
He’s going to throw up. Tough luck when you don’t even know where up is. 
A groan leaves his mouth as he tries to take a deep breath and fails miserably. Instead, he can add two broken ribs to the list of misery. 
Gods above — whichever of them are listening — he’s tired. But he fears that if he closes his eyes, he might not open them anymore for the sheer release that would bring. He can’t sleep, can’t rest, not when— 
“Easy now,” a gentle voice interrupts his less than coherent thoughts and just moments later, a tender hand is combing through his blood-crusted hair. “You shouldn’t move, my friend. There’s nowhere to move to anymore.” 
Steve frowns, his brain trying and failing to provide any information at this point. The hits to his head must have been worse than he thought if his short term memory refuses to work with him anymore. 
“We have reached Capital City,” the voice continues and Steve has to blink the fog away to make out its owner. When he does, it must show in his eyes, for the worry in Theodore Munson’s eyes makes way to the briefest of smiles before returning even stronger than before. “Do you not recall?”
Steve just stares up at him. That’s all his wrecked body and mind allow him to do right now. That’s all they want to do when gentle hands comb through his hair and chase away some of the pain. 
It is then that reality slowly comes back to him and he realises where he is. Where they are. What is at stake if they fail any more, if they decide to torture information on Elanor and William out of them — out of him. He’s not sure how much he can take. They have been held prisoner for weeks. Steve has been hurting for even longer.
Shame rises in him and he has the urge to apologise to Jim, to explain, but moving his head to the side, he sees that his old master isn’t any better off. He appears to be sleeping, his face bruised, and a teary-eyed Maxine is wiping blood away from his face with a piece of her cloak. 
Steve blinks once, twice, and takes in the man who practically raised him, watches the steady rise and fall of his chest and listens, beyond the pulsing rush of his own blood, that his lungs are not rattling. Shame makes way to satisfaction when he sees that none of their party has taken as many hits, kicks and punches as himself. His distractions have worked, then. 
That’s good. Now if only they didn’t make him so nauseous. So tired. So…
“Don’t fall asleep, Steven,” Eddie demands, and the world tilts slightly, which makes everything worse until… soft. It’s softer now. 
Eddie has moved him so his head is resting in his lap now. 
“You don’t look too good, Ranger. Sleep is dangerous in your state, no matter how badly you might need it. Give it a few hours, please.” 
A beat passes where Steve tries to process the words that are just too many. Since when does Eddie talk with him so much? 
“Lies,” he says after a while and with greater effort than should be necessary.
“Lies?” 
“I look very good. You just can’t see it under all the blood and the bruises.” He tries to crack a smile, but even the huffed breath jolts his head too much. 
Eddie does him the favour of a brief chuckle, and Steve feels better for it. Lighter. Light is good, he finds. Maybe all he has to focus on is Eddie and his hands working out the clumps of dirt and blood from his hair, maybe all he has to do is make him smile and the world will be a bit less painful. 
His world narrows down to all the ways Eddie is close to him and it does keep him occupied, but it also gets his mind wandering, the adrenaline of the past days wearing off. 
“Keep doing that and I will fall asleep,” he says after another beat of silence. Fall asleep and dream. Dream of what this could mean. Dream of smiles that make me feel lighter. 
“Keep doing what?” Eddie asks, and Steve senses a trick to just keep him talking, no matter how slurred his speech is. He needs a moment to remember what he said.
“This,” he says eventually, and Eddie only hums. Finding words is hard. He tries. And tries again. “Being gentle.” 
Another smile, and Steve wants to close his eyes to keep it there to hold on to. “I’m afraid I can’t do that, my friend.” 
“Can’t not be gentle?” He’s losing force on the consonants. The pain is getting stronger, his nerve endings more frayed and his vision blurry. This is familiar. He gives himself another quarter of an hour at most before he will lose his consciousness, no matter how hard he tries to stay here. With Eddie and his wavering smile. 
“Not with my friends, no.” 
This time it’s Steve who smiles at the word friends. He likes to be Eddie’s friend. The man, as it turns out, is admirable, he’s strong, he’s wise when he wants to be and gentle with young Maxine. He’s kind, he’s quick-witted and patient, and his hands are impossibly soft. 
“I know you said not to sleep, and I’m not normally one to deny a well-respected bard’s command, but…” He swallows. Words are hard. He’s not sure they come out as planned, but he perseveres. “I’m afraid I have to prove to you now how stubborn the Queen’s Rangers can be.” 
Another hum from above him and Steve opens his eyes he hadn’t even noticed closing. The world is fading, but still Eddie is at its centre. 
“I’ll be here when you wake up, then, stubborn Ranger.” 
Will you smile at me still? Steve wonders. 
“Always,” Eddie says, but before Steve has time to wonder if someone else has said something, darkness has swallowed him whole.
———
Steve wakes to something cold touching his forehead, moving to his temple where suddenly a jarring pain wrecks his body and he can’t quite suppress the flinch. 
“Forgive me,” comes a quiet voice from above and Steve opens his eyes to the darkness of a cell, only faintly illuminated by the flickering light of a torch somewhere and the redness of the setting sun. “But I am glad to see you awake.”
The voice belongs to Eddie, who is looking down at him, a piece of cloth in his hand. Gently, he presses it to Steve’s forehead again and the cool sensation comes back, gentler this time. It takes a moment for Steve’s tired and frayed mind to catch up with reality, but when it does, he realises that the bard is washing away the dried blood and cleaning his wounds. 
What an odd picture they must make.
“Tell me,” he says before he has time to consider his words. “Is it normal for a bard of Northlands to take care of wounded Rangers?” 
“No,” Eddie says and there’s something to his voice Steve can’t quite identify. He’s not sure he likes it, not sure what it does to his insides. “There are never any Rangers there.” 
Even through the dim light, Steve can see the mirth in his eyes and it makes him laugh – if only briefly, for his body is quick to remind him that any sort of movement is a bad, terrible, truly horrid idea. He just barely manages to suppress a groan, but nothing could get past the bard’s eyes, and his hand moves from Steve’s forehead to his cheek almost immediately. 
“Careful, my friend. You shouldn’t be laughing.” 
“Stop making me laugh, then. That would make it all so much easier.” There’s no heat behind his words and he doesn’t even try not to lean into the touch. 
Eddie hums but stays quiet otherwise and keeps wiping Steve’s face clean, watching his every reaction. A frown slowly forms between those brows and Steve wonders what that is for. Did something happen while he was out of it? Time passes differently in the desert, yes, the sun and moon following different paths, but he can’t have been unconscious for more than three hours. It is barely yet nightfall, their cell colder than before. 
Three hours. And Eddie still sits cross-legged with Steve’s head on his thigh. 
Guilt and embarrassment shoot through him and he wants to move, wants to get up and release the bard from his demeaning task of playing nurse to a wounded Ranger, but his ribs protest and his head pulses with white-hot pain before it sends his world spinning again and Steve sags back into the warmth of Theodore. 
“I must be painting the most pathetic picture of her Majesty’s Rangers. I swear, most of us are better than this.” 
It comes out light hearted as always, despite the pain it leaves inside his chest to be presenting himself like this. Representing all Rangers to the kingdoms of the South with his weakness. All that on top of losing Will. Again. 
He closes his eyes against the pity he is bound to see in Eddie’s eyes. 
“You paint a picture of bravery such as I scarcely saw it before. Never in my life did I see a man move so slowly, so unseen unless as I was looking right at you. You are excellent with the sword and the bow, and even the weapons of the desert folk are natural to you. I can imagine the pain and suffering you have seen, some of which you must have caused in the name of justice, yet you carry inside yourself a light-heartedness that is refreshing to say the least.” 
Steve swallows, has never been good at taking compliments, and luckily hasn’t been in the position to accept them in quite a while. 
“Light-hearted?” he rasps. “You can’t be talking about the same Rangers I know, surely.” 
“I was talking about you, Steven,” Eddie admits quietly, and his voice is so tender when he says his name that it makes Steve’s breath hitch. 
“Oh,” he says intelligently. Swallows. “Then the head injury must be severe.” 
“Admirable of you to hide a concussion for so many days. I think healers of all kingdoms would have a lot of questions for you if they knew.”
Steve huffs and smiles through the pain of his undoubtedly broken ribs protesting. “My apologies, Eddie. Queen Joyce of the West and Sir James himself would both have my head if I taught you our concussion-hiding ways.”  
“A pity,” Eddie says and there’s that smile in his voice again that doesn’t show on his lips, at least in this light. Steve doesn’t care, though, as he smiles up at him. 
This moment in time belongs to the both of them as Steve finds he can’t quite look away, and it’s not the pain that keeps him. 
Eddie opens his mouth as if to say something, but then closes it again. The frown reappears between his brows and Steve wants to reach out and smoothen the creased skin above his nose. If only moving his arm didn’t require such strength that keeps evading him, the night weighing heavy on his limbs.
After another minute, Eddie does find his words, though they are quiet this time. “I worried.” 
“About what?” Steve asks when he doesn’t continue. 
Eddie resumes his endeavour of washing the crusted blood from his hair and face, the sensation soothing his skin but not his nerves. Steve does reach up this time to still his hand, and the bard meets his eyes again. 
“That you wouldn’t wake up.” It comes out small, void of that usual easy confidence. 
Steve swallows every comment on the tip of his tongue about how the rest of their group could easily keep Eddie entertained without any concussions bothering them. It’s not often that he has control over his tongue, but in the face of such open worry and vulnerability, his heart aches and he wants to say the right thing. 
“I’m awake, Theodore Munson. It takes far more to put me out for good.”
It’s a lie, he knows. It would not have taken that much more, but Eddie doesn’t need to know that. 
“Don’t let them hear that, they will take that as a challenge.” 
Steve only gives a non-committal hum and closes his eyes again. If he didn’t, the darkness of the cell and the kindness in Eddie’s eyes would have made him say stupid things like, Let them, if that means everyone else is safe. That would surely dim the light in those black eyes and very likely make Jim throw a boot at him. And Steve really doesn’t want to have to deal with either of those things. 
Eddie resumes his task of gently cleaning him, and Steve gets the feeling that the bard must be doing it for himself just as much as for him. It’s something to keep himself occupied, and the way he talks betrays his intentions in turn of keeping Steve awake and occupied, too. 
A gesture that is almost too kind to bear, as dusk turns into night and the silver light of the full moon illuminates their cell. 
———
Jim lies just a few feet beside them, and now that his eyes have had the chance to adjust to the darkness properly, the concussion already weaker than it was earlier, Steve can see that his eyes are open. Or, one eye is; the other is swollen too badly. Another wave of guilt and shame clouds his senses for a moment and he has the urge to ask forgiveness. He feels responsible, even though he knows Jim would hit him over the head if Steve so much as mentioned that.
His eyes cut back to Eddie above him when a yawn interrupts the bard’s steady movements with the cloth that is barely wet anymore. 
“You never got any rest, did you?” he asks – stupidly, because the moment the words leave his lips Steve remembers the very reason for Eddie’s wakefulness. He winces before the other man even gets the chance to answer. “Right, my fault. Forgive me.” 
If the ground beneath him could open now, he would have a banquet in its honour. With a groan, he moves to sit up and free Eddie of his dead weight, the motion pulling on his cuts and bruises, irritating his broken and burning ribs in a way so sudden it steals his breath for a second. Steve is well acquainted with pain, but the all-encompassing nature of it right now is thoroughly unwelcome.
Hands come up to steady him, guiding him to sit up and lean against the stone wall, his own shoulder coming to rest against Eddie’s, who only slowly lets go of him. 
“Thank you,” Steve breathes, looking at him out of the corner of his eyes. 
“It’s hardly a question of fault,” Eddie says in that calm, soothing way of his that keeps making Steve want to reach out and hold on. Hold him. “And it was no hardship to stay and… be gentle.” 
Something in the back of his mind wants to tell him something but it’s too foggy to grasp. 
“Gentle,” he says, inquiring, as though saying the word out loud would tell him its meaning. 
“Even Rangers of the Kingdom deserve gentle hands and smiles. Even if they are too badly beaten and concussed to recall their request.” 
Eddie’s words aren’t making sense, but what they do is make his heart beat faster for some reason other than shame and embarrassment. He presses his lips together and tries to find his voice.
When he finds it again, it’s barely more than a whisper hidden in the moonlight. “Allow me to return the favour, then. Rest, Eddie. Find some sleep while I ensure it is safe.” 
Something shifts in those black eyes and Steve wants to chase it. Eddie cast in silver light of the moon is different than the golden figure of the past days. Less imposing and more… fragile. Gone is the teasing, replaced with something more… More. It suits him, the light of the moon, as much as it makes Steve’s heart and mind race. 
“Will you smile at me still?” Eddie asks at last, and even the darkness cannot veil the quiver in his voice. 
Steve is reminded of something he must have dreamed of earlier, but he cannot focus on that, not with the way the moonlight catches in those dark curls that have managed to slip out of the band keeping his hair bound at the back of his skull. Not with the way it illuminates the twitch of his lip or the impossible way he is looking at Steve still. 
“Always,” he says before he can even think about it. Always, he thinks. However long that may yet be.
Another smile twitches and tugs at the bard’s lips, lingering in its nature as he closes his eyes and leans his head against the wall behind them. It can’t be comfortable, and Steve has half a mind to offer his own lap, but there is something about seeing Eddie so calm. He doesn’t dare to interrupt him. 
He waits until Eddie’s breathing has evened out before he gives in to the urge to brush the treacherous curl behind his ear. It leaves his fingertips with a tingling sensation that makes him want to do it again, so he does. Sitting there, trying to breathe through his broken ribs and his fluttering heart, Steve doesn’t dare to do it a third time, as much as he yearns for it. 
He rests his own head against the wall, too, and watches the bard, because watching him is easier than letting his gaze wander and be reminded of the situation they’re all in. 
The moonlight guides his gaze towards Eddie even as he tries to look away, and Steve watches as it caresses the bard’s features in such a way as though that is what it has been sent here to do. 
It makes Steve smile even as the ache in his chest grows stronger. He is starting to realise what this is, and he’s too weak to fight it. Not in this prison cell, not in this foreign country where the sun is out to kill you and the moon will watch you shiver helplessly. 
How could he fight the moonlight and its tender caress, the world tinged in silver as he lets it work its magic on him? Only a fool would be able to resist. 
“Steve.” 
He just barely manages not to flinch as Jim’s rasping voice rips him away from his musing – no, his yearning. Turning his head, he finds his eyes in the dark, though he can’t make out any question or command in them. Has Jim caught him? Does his old mentor know his thoughts regarding the bard, has he seen the twitch in Steve’s fingers as he refused to let them reach out and touch? 
Jim’s silence is as good a command as any, and summoning all his might not to let his face betray the pain shooting through his body, Steve gets up with a suppressed groan and walks over to his old mentor. 
As slowly as possible without giving away the pain that feels like his ribcage is being both torn apart and pressed together, he sits down beside Jim, guiltily thanking the swollen eye and the darkness, for he seems none the wiser to Steve’s injury. 
“Don’t do that again.”
Steve freezes, his thoughts tumbling over themselves trying to figure out what exactly Jim refers to — the guilt still warring inside him insists that there are many things he should not have done. 
“What do you mean?” he asks, feeling like he is but a green student again, getting berated by his mentor after he did something wrong. 
“Take a beating for me. I understand why you would do it for the others, but—” 
“Jim,” he tries to interrupt him with a gentle sigh, but the old man won’t have it. 
“No, Steve. They hate me more than you, we don’t need you riling them up and making things worse for yourself.” 
“I will not let them break your arms and ribs, James. I can take it, I’m—” 
“If you say you’re younger, Steven, I’m going to throw you out of the window..” 
An innocent grin spreads his lips and he inclines his head, meeting Jim’s good eye. “But I am.” 
He sees the hand coming, shooting out from below, but his range of motion and reflexes are still heavily impacted by his injuries that he can’t manage to get out of Jim’s reach in time. Before he knows it, Steve loses his balance and falls flat on his back without any grace but with all the more agonising pain. 
Nobody would have been able to hide broken ribs and a nearly split skull like this, but Steve still mentally kicks himself as the wheezing groan of pain leaves his lips.
All traces of mirth leave Jim’s expression and everything turns into worry as he, too, sits up with a groan to check over his former apprentice. 
“By the Gods, Steve, are you okay?” 
Another groan that is supposed to be somewhere between “Just peachy” and “Fuck off”, but even that sound is pathetic with the way the air has been pushed out of his lungs at the impact. All he manages is a whimper, and he doesn’t try to open his lips for more than that.
He doesn’t even attempt to sit up this time, can only try to catch his breath and breathe through the agony with more wheezing, rattling whimpers. Hands hover over him in the dark, but he shakes his head rapidly, scared that Jim would try to touch and feel the injury, only to find a broken rib or two. Or five, at this point.
His lungs don’t work right and he can’t quite catch his breath. It is only experience that tells him this is normal, this will pass, he will breathe right again. Hopefully. 
“For God’s sake, why would you hide an injury like that, Steve? Why would you… You idiot!”
There is movement around him in the cell, the others waking up from Jim’s anger and worry and guilt, but Steve keeps his eyes closed lest the tears fall. 
“Breathe,” Jim tells him, and Steve finds that to be a wonderful idea, actually, so he tries. And he tries again. “Yes, good. Breathe, Steve. It’s all going to be fine, you’ll get through this.”
“Have to,” he presses, barely any sound to his wheezing. “So you can throw me out of the window.” 
“Fucking moron,” Jim mutters, though Steve can hear the emotion in these two words. It makes him smile despite the situation.
“S–sorry,” he wheezes again, and trusts that Jim understands that he means more than his sarcastic retorts or the hiding of the wounds. Sorry for losing Will again. Sorry for not saving Elanor in time. Sorry for failing the mission. Sorry for being weaker than you need me to be. Sorry for—
“It’s alright, Steve,” Jim promises and there are fingers in his hair again, wetness running down his cheek. Did the fall open his head injury again? The situation must truly be dire if Jim is being outright gentle and worried. “Just don’t do it again. Let me take them next time.” 
He wheezes again, but won’t make that promise. If their captors come back, he knows he won’t sit and watch them hurt his friends, won’t sit and watch them treat Jim the same way they treated him on the journey here. 
It takes a moment for the world to right itself again and for the cell to become quiet, but somehow Steve manages to get his breathing under control and the pain subsides from agonising to miserable, like before. He rolls his head and looks at Jim through a blurriness in his eyes that he has to blink away. 
“You think we’ll make it out of this alive?”
Maybe it’s the pain clouding his mind, maybe it’s the darkness that has always made it easier to ask such questions, but Steve finds the words falling from his lips easier than they should have. 
Jim’s expression that just a moment ago has been filled with worry and anger sobers now, and Steve doesn’t quite like what he sees. 
“Will is still out there,” he says, evading the question and answering it in the same moment. 
“Yeah. He is,” Steve says, not sure if he believes it or not. Not sure if it changes anything. “You’re right.”
They stare at each other for a moment, the moonlight catching Jim’s eyes in a way that highlights the emotions in them. The desperate hope that Will is out there, alive, and reunited with his sister — they have their ways of finding each other against all odds. Always have. Steve likes to believe that they won’t stop now, that a desert can’t keep them apart. That they found friendly faces who won’t betray them, and bring them home. 
Bring them home even when Steve and Jim can’t follow them. And Maxine. Princess Elanor would turn the desert into an ocean before she left Maxine to die. But down in their cell, the ocean would leave them to drown all the same. 
Jim has hope, though, and Steve decides to follow his mentor again. Just for tonight, when all he feels is pain, when his head is being split open, his chest crushed and bursting, his limbs bloodied and bruised. Just for tonight, he will allow himself not to think, not to worry, and to trust Jim blindly like he did all those years ago. 
“Sleep, Steve,” Jim says then, and only now does Steve realise how tired he is, his eyes closed long ago.
He spends a brief moment thinking about Eddie and the promise he made the bard to be there when he wakes up. It’s silly, because he’s merely a few feet away, but it still hurts to have abandoned him to lie there by himself while everyone else has company. When he never moved while Steve himself was asleep.
“You should sleep, too, Ranger.” A sudden wave of warmth washes over him when he hears that voice with its foreign inflections. “You both need your rest, I can stay awake for some time to keep watch and wake you up at the first sign of danger.” 
“Eddie, I really don’t mind—“ 
“I insist, Ranger James. You two have taken the most of their hatred and displays of power, it’s the least I can do.”
Jim seems to hesitate for a moment, but Steve doesn’t open his eyes to look. His lids have become far too heavy, even heavier still when a certain hand is back in his hair to comb through it in even movements, mindful of his wounds. He doesn’t fight the secret smile this time. 
“Well, if you insist, bard,” Jim finally concedes, never one to really pass up an opportunity for sleep. “Good night to you, then.” 
“Goodnight, my friend,” Eddie says in that calm, kind manner of his that is still new to them, and Steve feels as though he breathes easier for it. “And you, Steven,” he lowers his voice, appearing closer now, “truly are a fool.” 
“Oh?” he says, wishing that it wouldn’t hurt to laugh or even just to huff. “What happened to brave, kind-hearted, and whatever else you said earlier?” 
“You can have those back when you stop lying about being injured.” 
“Keep them then,” he says, and it’s meant in jest, but that doesn’t translate well when you barely have enough strength left for a voice, he finds. 
“Sleep,” Eddie repeats, gentler this time, though he sighs long and hard after. “You impossible man.”
It makes Steve smile again, even as an impenetrable darkness wraps around him. 
He’s sure that the hum and the whispered, “I see you’re keeping your promise still,” are figments of his imagination, his tired mind playing tricks on him. But it’s a dream he likes to sink into, filled with moonlit skin, gentle hands, and kind words.
🤍 permanent tag list gang: @skiddit @inklessletter @aringofsalt @hellion-child @stobin-cryptid @hotluncheddie @gutterflower77 @auroraplume@steddieonbigboy @n0-1-important @stevesjockstrap @brainvines @puppy-steve @izzy2210 @itsall-taken @mangoinacan13 @madigoround@pukner@i-amthepizzaman @swimmingbirdrunningrock @hammity-hammer @stevesbipanic @bitchysunflower @estrellami-1 @finntheehumaneater @goodolefashionedloverboi @awkwardgravity1 (lmk if you want on or off, for this story or permanently) and also @ashipwreckcoast and @universal-gay and @marismorar bc you asked me to post the thing (and also b!)
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bayheart · 2 years ago
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HIIIIII so this was for a server gift exchange teehee, my giftee was @funnywizard3000 !!! AS U CAN TELL BY THE USERNAME.... funny wizard image was in order :)
team game night!!!!! bulkhead is winning. also prowl would have corrected bee on the dnd spell name first if he wasn’t busy using this opportunity to look at bulkhead’s cards. u know how it is 💖
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maximura · 1 year ago
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ethan-acfan · 3 months ago
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Imagine desmond manages to survive the end and has to go back into normal society.
Now, this is remembering the fact that Desmond has lived through so many lives that he can barely remember his own. Along with the fact that he is now part Isu due to his arm absorbing power from the eye.
I feel like due to him being part Isu now, no one would trust him. They would be able to sense something is wrong, that he's not fully human. But they are also weirdly drawn to him and feel compelled to do as he asks.
And when they look in his eyes, they see the lives of dozens of people. Millions of memories cramped inside his head to the point he could barely think. If you look into his eyes for too long, you can almost hear the crowd of voices.
He also has many weird habits. He is very picky about keeping knives sharp and always holds himself as if he's prepared for a fight at all times. Sometimes, he starts talking with an unfamiliar accent or will switch languages entirely, and they are almost never the same.
Or when he gets mad, the area around him reeks of ozone from his arm. One time, a guy was harassing a girl on the street, and his arm crackled and caught his hoodie on fire. He didn't notice until the guy ran away screaming "fire!" And when he realized, he just sighed, pulled off his hoodie, and stopped out the fire like it was a normal Tuesday.
Other times, he will randomly look over his shoulder as if someone called his name even though no one was there. He then just sighs, mutters something in a different language, and goes back to his conversation.
One time, you asked him to grab you something from across the bar and immediately disappeared into the crowd. You were completely unable to see him despite him being perfectly in view just seconds ago. You don't find him again until he taps your shoulder and silently hands you what you asked for. You have no clue how he managed to come up behind you like that. Especially because you were behind the bar, and you kept one eye on the only entrance the entire time.
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rxj-the-punk · 4 months ago
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Help I made myself sad. (spoiler below the cut)
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stormyoceans · 5 months ago
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LINE READING SO DEVASTATING I NEED TO DIE ABOUT IT
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katyspersonal · 2 months ago
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God, not to be one of those "hateful anons" but you really need to drop the "holier than thou" type thing on all of your lore posts. As much as I'd love to debunk why half your arguements are overused and don't work, I'll save that because that's not my point.
On almost all of your lore posts you mention at least once how "people aren't ready for stories of this level" or some shit along those lines, and let me ask you this: Why do you think people like you can digest these stories better? You would probably answer something like "Because I can understand these stories unlike these stupid from haters" or something.
You aren't digesting these stories better then anyone else just because you spend 1000 hours looking into what Morgott's moldy toe item description mentions. Like seriously, all this complaining about why the fandom sucks yet youre just like all those "holier than thou" people in the fandom who keep mentioning how THEIR perspective is better then someone else's.
You also keep acting like personal interpretation doesn't exist on some note. Saying how [X] is actually what happened and that people are denying [X].
I looked into your blog because I thought some of your posts were interesting, but it turns out youre literally just like all the other fromsoftware fans you complain so much about. Hopefully this gives you some perspective, I guess.
Nah, it "didn't give me the perspective", because you are the one seriously misunderstanding here. I say that we as a fandom are not ready for Fromsoft stories SPECIFICALLY to criticize fandom behavior.
We as a fandom are not ready for Fromsoft stories because there are people who claim that "Miquella's character was assassinated by bad writing because in the base game he was hyped up to be kind and compassionate", when his arc was a fall from grace. How falling from grace equals writing him to never have had that grace to begin with? We as a fandom are not ready for Fromsoft stories because whenever Fromsoft does not directly state something, fandom splits into two hostile groups each accusing another of media illiteracy or even various -isms and -phobias. (I advice you to ask Gehrman fans from Bloodborne fandom for extra insight on this one) We as a fandom are not ready for Fromsoft stories because when they DO state something directly, the "cool kids" of the fandom decide it was either a bad writing or that they know better, and start to side-eye everyone who prefers canon over their """improved""" fanon. We as a fandom are not ready for Fromsoft stories because Miyazaki's brand of moral ambiguity, admission that there is no clear solution to world's problems and questioning the nature of humanity itself OFTEN falls on the deaf ears.
Like... you do realize that I still consider myself part of the fandom, despite not engaging beyond what is on my feed? That I do not claim that /I/ am ready for Miyazaki's writer genius? Just like everyone else, I can only do my best to TRY to understand him! Nonetheless, I am trying my best to be mature, and encourage maturity in others. It is hard to remain always calm and nice in a fandom that feels like a battlefield, everyone will get a bit rude! The point is to TRY to be better, which most people don't see the need for! I am calling out fandoms bad behavior and refusal to look deeper into story and characters than their habits and preferences, especially because these preferences often lead to conflicts and toxicity, not claiming moral superiority over my headcanons!
Personal interpretations are fair. What is NOT fair is when someone harps on a very well-researched post with easily debunked arguements, basically doing the "your post is nonsense because in my fanfic things are different" on them, and then another person that did not even read the post nor actually researched the lore beyond their preferences passionately agrees.
I'll have you know that I never spent "1000 hours on analyzing". I am autistic, you goddamn coward. I understand some obscure detail in a flash by just looking, or suddenly come up with an insight while busy at work. Sometimes I literally dream a theory or observation! I do not understand where the misconception that everyone needs to spend a lot of time to be hyper-observant about their special interest comes from. However, you believing that about me makes your claim even worse. You seriously just said that analysis of someone who.... well, analysed the lore, is not as valid as analysis of someone who just took scraps of lore they personally enjoyed to create their own thing. How does this make sense, exactly? Again: you'd have SOME point if you spoke against a stuck-up Reddittuber who makes it their daily mission to ruin someone's joy if their headcanon is not 100% accurate to the source, however, so far the inverse has been happening. People who decided something about lore just because it appealed to THEM will go and be rude to people who are trying to be objective. Not only this; I've had my headcanons (!) "corrected" multiple times because they were different from popular fanon!
.........speaking of certain people who think it is okay to harp on someone's lore post to downplay it when they are not even lorediggers themselves.... -_-
The way you glazed through my blog and jumped into an extremely inaccurate conclusion about my personality and attitude reminded me of the same impulsivity when someone took "stop treating Marika as noble hero against Hornsent evil, here are bad things that happened during her reign" as as "just another poorly researched Marika hate 🥺". 🙃 Your obvious vitriol for thorough lore research, your poorly disguised manipulation (you clearly did not think my posts were "interesting" with how much disdain you just expressed FOR them, but you wanted to wound me by faking "disappointment"), and above all, timing. My tone in yesterday's Marika and the fandom rant was in no, NO way different from how I usually speak in my blog! My mutuals (all 8 of them lol) can confirm! Yet I've never received (inaccurate) anon hate for this.. until now. Until recent very unfortunate encounter with extremely shallow individuals that started a debate yet refused to finish it when hypocrisy of the both was pointed out. 🌛
I think I know who you are. :/ 🤔 I'll keep that in mind, and being "prepared" will definitely lessen the effect if you try anything of the sort again, be sure of this.
(At the same time, IF I am wrong and you are just a fan that found me through that interaction, I'll have you know that your lowly cowardice by using anon instead of showing your face has put someone else under suspicion, and it will remain so unless you show yourself. In which case, hope you are proud of yourself. 🤦‍♂️)
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qoldenskies · 28 days ago
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48, 68, and 79 for the fanfic writing asks. :]
48. Who is your favorite character to write for?  Has this changed since you’ve started writing for that fandom?
forever donnie (he stuck out to me the SECOND i watched the show and has not left my brain)... but i actually find raph second easiest to write pov for, i wanna get into the meat of him at some point because he's really interesting and surprisingly unexplored compared to the other three!!! even though he ends up showing no matter what i do ive been a little hesitant to do anything super duper leo-centric out of spite and mikey is FOREVER THE HARDEST TO WRITE OUT OF THE FOUR OF THEM AUGGHHHH SHAKES HIM!!!! love him though
68. Are there any fics that influenced you to write the way you do?
shout out to firefight for getting me to write again <3 unmaking by corvidown is also a personal favorite of mine, i HIGHLY recommend it
79. Do you have any writing advice you want to share?
im mostly intuition when it comes to writing and not very technical about it (which is my folly, i need to get better at going back and mastering the basics) but what i CAN say is that, from experience, if your pacing seems way too fast there is a very good chance that's just you. if youre like me youll probably skim instinctively because you already know whats on the page (which is why its recommended to read out loud when editing because its easy to skip over mistakes), but for most readers its going to feel a lot longer than it is!!
like genuinely with both caged lungs and coming undone im still like "wow i need to pad this out with more scenes" but so many people sing my praises about pacing, and thinking that things are well-rounded and detailed, and im like... Huh. i genuinely considered adding like 6 more scenes to coming undone and had to literally stop myself because i was going to Die if i did that (i actually think the uhhh. third to last scene? the last mikey one. is way too fast still, id go back and rewrite it if i could)
oh also i recommend character bibles! character bibles are always good, i like writing sample dialogue and keeping track of little vocal quirks/body language things (it also helps me pick out and avoid things that get really deeply rooted in fanon when theyre kind of frustratingly off the mark, although i do have a couple of headcanons that remain consistent across fics like the painkiller thing Because i use it for EVIL!!!!!!). and when i feel like im slipping ill go back and rewatch some episodes to make sure i can HEAR it in their voices
i cant say much about how i do symbolism/parallels/motifs which ive heard a lot of praise about, i keep a list of ideas i have and somehow it turns into something coherent (i literally type "AHAHAHA FUCKKKK IM A GENIUS" in my notes when i get a good idea) i dont even remember where the canary thing came from but now its my thing. help girl
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surreal-duck · 1 year ago
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live drama adaptations (1/?)
(next)
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