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papermoonloveslucy · 4 years ago

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THE BIG STREET

August 13, 1942

Producer: Damon Runyon

Director: Irving Reis

Screenplay: Leonard Spigelgass, based on the short story “Little Pinks” by Damon Runyon, first published in Collier’s magazine.

Dance Staging: Chester Hale

Gowns: Renie

Miss Ball’s Dancing Costume: Freddy Wittop

Miss Ball’s Make-Up: Perc Westmore

The film is sometimes referred to as Damon Runyon’s The Big Street.

The film premiered in New York City at the RKO Palace on August 13, 1942. That same day Disney’s long-awaited Bambi opened at Radio City Music Hall. At the Capitol, Orson Welles’ The Magnificent Ambersons, also starring Agnes Moorehead and Gil Perkins, continued its run. Nearby, at the Albee, a second-run cinema, Top Hat (1935) starring Ginger Rogers and Lucille Ball was playing. The Big Street opened nationally September 4, 1942.

“Love is something that gets you one room, two chins, and three kids.” ~ Gloria Lyons (Lucille Ball)

PRINCIPAL CAST

Lucille Ball (Gloria Lyons aka ‘Her Highness’) was born on August 6, 1911 in Jamestown, New York. She began her screen career in 1933 and was known in Hollywood as ‘Queen of the B’s’ due to her many appearances in ‘B’ movies. With Richard Denning, she starred in a radio program titled “My Favorite Husband” which eventually led to the creation of “I Love Lucy,” a television situation comedy in which she co-starred with her real-life husband, Latin bandleader Desi Arnaz. The program was phenomenally successful, allowing the couple to purchase what was once RKO Studios, re-naming it Desilu. When the show ended in 1960 (in an hour-long format known as ��The Lucy-Desi Comedy Hour”) so did Lucy and Desi’s marriage. In 1962, hoping to keep Desilu financially solvent, Lucy returned to the sitcom format with “The Lucy Show,” which lasted six seasons. She followed that with a similar sitcom “Here’s Lucy” co-starring with her real-life children, Lucie and Desi Jr., as well as Gale Gordon, who had joined the cast of “The Lucy Show” during season two. Before her death in 1989, Lucy made one more attempt at a sitcom with “Life With Lucy,” also with Gordon.

Gloria’s singing voice was provided by Martha Mears, who also did Ball’s singing in DuBarry Was a Lady (1944).

Henry Fonda (Augustus Pinkerton II aka ‘Little Pinks’) first worked with Lucille Ball in the 1935 film I Dream Too Much. When Lucille Ball first got to Hollywood, the two actually briefly dated. They collaborated on the TV special “The Good Years” (1962) and the film Yours, Mine and Ours (1968). During the 1970s, Fonda and Ball often turned up on the same awards and tribute shows. Fonda was nominated for three Oscars, winning in 1982 for On Golden Pond. He also won an honorary Oscar in 1981. Fonda died in 1982 at age 77.

Barton MacLane (Case Ables) was seen in the film The Maltese Falcon (1941) but is probably best remembered for his final role, the blustery General Peterson on “I Dream of Jeannie” (1965-69).

“A fat man’s always listening to love stories, but he’s never go any to tell.” ~ Nicely Nicely Johnson

Eugene Pallette (Nicely Nicely Johnson, The Greatest Eater Alive) was seen as Friar Tuck in Robin Hood (1938) and in Mr. Smith Goes To Washington (1939).

The character of Nicely Nicely Johnson was played by Stubby Kaye, who reprised the role he played on Broadway, in the film version of Runyon’s Guys and Dolls (1955). He was so named because his usual reply to the question “How are you doing?” was typically “Nicely nicely, thank you!”

Agnes Moorehead (Violette Shumberg) was a classically trained performer who collaborated with Orson Welles on Citizen Kane (1941) and The Magnificent Ambersons (1942). She is best remembered as Samantha’s exotic mother Endora on the TV series “Bewitched” (1964-72).

Violette weighs 100 pounds, four ounces.

“She has a very large capacity for groceries.” ~ Pinks (about Violette)

Sam Levene (Horsethief) originated the role of Nathan Detroit in the Broadway stage musical of Runyon’s Guys and Dolls. Singing great Frank Sinatra played Nathan Detroit in the movie version in 1955.

Ray Collins (Professor B) also collaborated with Orson Welles on Citizen Kane (1941) and The Magnificent Ambersons (1942), along with Agnes Moorehead. He is best remembered for playing Lieutenant Tragg on “Perry Mason” from 1957 to 1965.

Marion Martin (Mimi Venus) would also be seen with Lucille Ball in Abbott and Costello in Hollywood (1945). Although she was often cast as a brassy stripper, showgirl or tough gun moll, off screen she was known to be extremely shy and retiring.

“That dame is a lump of mud!” ~Gloria (about Mimi)

William Orr (Decatur Reed) was an actor turned executive. As the head of WB Television for nine years, he was executive producer of the studio's early forays into the medium, helping to put ABC on the prime-time map with a steady staple of westerns and detective shows. In 1959 he received a Golden Globe for his contributions to television.

Vera Gordon (Mrs. Lefkowitz) emigrated with her family from Russia when she was seven years old. She became involved in the theatre and was active in silent films and early talkies. She had previously appeared with Lucille Ball in 1938′s Having Wonderful Time.

George Cleveland (Col. Venus) makes his fourth film appearance with Lucille Ball. In 1949 they also did Miss Grant Takes Richmond. He is best remembered for playing Gramps on “Lassie” (1954-57).

Ozzie Nelson (Himself) was considered the pre-eminent TV dad of the 1950s thanks to his successful family sitcom “The Adventures of Ozzie and Harriet” (1952-66). Before TV fame, he was a bandleader with his wife Harriet the lead singer. Nelson later appeared on several talk shows with Lucille Ball.

UNCREDITED CAST (with connections to Lucille Ball)

Baby (Gloria’s Pekingese Dog)

Louise Beavers (Ruby, Gloria’s Maid) went on to appear in three more films with Lucille Ball: DuBarry Was a Lady (1943), Lover Come Back (1946), and The Facts of Life (1960).

Charles Cane (McCarty, Holland Tunnel Policeman) also appeared with Lucille Ball in The Dark Corner (1946) and as one of the theatre patrons at “Over The Teacups” in “Ethel’s Birthday” (1954) which also featured Big Street extras Bess Flowers, James Conaty, Sam Harris, and Harold Miller.

Jack Chefe was seen as a Paris waiter in “Lucy Meets Charles Boyer” (ILL S5;E19) and played a bellhop in “Lucy and John Wayne” (ILL S5;E2) and had also appeared in five films with Lucille Ball, including playing a waiter in Forever, Darling. Of Chefe’s 358 film roles, 165 were waiters!

James Conaty (Nightclub Patron) was also seen with Lucille in I Dreamed Too Much (1935), Lured (1947), and The Long Long Trailer (1953). He was one of the theatre patrons at “Over The Teacups” in “Ethel’s Birthday” (1954) which also featured Big Street extras Bess Flowers, Charles Cane, Sam Harris, and Harold Miller.

Hans Conried (Waiter) played Harry Martin in “Redecorating” (ILL S2;E8) and Percy Livermore in “Lucy Hires an English Tutor” (ILL S2;E13), both in 1952. He also did two episodes of “The Lucy Show,” both as her music tutor Dr. Gitterman in 1963.

Pedro de Cordoba (Doctor) was also seen with Lucille Ball in Five Came Back (1939).

Helen Dickson (Florida Club Patron) had appeared with Lucille Ball in Carnival (1935) and Two Smart People (1946). She was one of the aging flapper showgirls in “Ricky Loses His Voice” (ILL S2;E9) in 1952.

Jimmy Dime (Truck Driver / Stunts) was seen with Lucille Ball in 1951′s The Magic Carpet. He did a half dozen episodes as a background players on Desilu’s “The Untouchables” (1959-61).

Eddie Dunn (Mulvaney) was also part of Ziegfeld Follies (1945) featuring Lucille Ball.

Jay Eaton (Late Night New York Nightclub Patron) did a total of nine films with Lucille Ball between 1934 and 1949, including her other Damon Runyon film Sorrowful Jones (1949).

Bess Flowers (Florida Nightclub Patron) aka 'Queen of the Extras’ made numerous uncredited background appearances on both “I Love Lucy” and “The Lucy Show.” She holds the record of the most film collaborations with Lucille Ball: 17.

Karen X. Gaylord (Florida Club Patron) was also part of Ziegfeld Follies (1945) featuring Lucille Ball.

Charlie Hall (Caviar Waiter) also did Kid Millions with Lucille Ball and went on to do four more films with her until 1942.

William Halligan (Detective) was also with Lucille Ball in 1940′s You Can’t Fool Your Wife.

Art Hamburger (Joe Duffle, Eating Contest Opponent) makes his final of three screen appearances. He became an associate director. This is his only time working with Lucille Ball.

Joe Duffle is from Boston and weighs 337 and a half pounds. There is some irony that Nicely Nicely (then Violette’s) eating contest opponent is actually named Hamburger.

Mary Halsey (Showgirl) also did Seven Days Leave with Lucille Ball in 1942.

Sam Harris (Passerby on Florida Boardwalk) was in the background of a dozen Lucille Ball films, as well as being seen on “I Love Lucy,” “The Lucy-Desi Comedy Hour” and “The Lucy Show.” He was one of the theatre patrons at “Over The Teacups” in “Ethel’s Birthday” (1954) which also featured Big Street extras Bess Flowers, Charles Cane, James Conaty, and Harold Miller.

Jack Herrick (Mindy’s Customer) was also seen with Lucille Ball in The Bowery (1933).

John Indrisano (Mug at Mindy's) was also seen with Lucille Ball in The Facts of Life (1960).

Tiny Jones (Small Friendly Neighbor) was seen with Lucille Ball in A Girl, A Guy, and a Gob (1934) and Five Came Back (1939).

Donald Kerr (Pete the Passer) appeared in eight films with Lucille Ball between 1936 and 1954.

Wilbur Mack (Florida Club Patron) appeared in three more films with Lucille Ball: Thousands Cheer (1943), Ziegfeld Follies (1945), and Lured (1947).

George Magrill (Mug at Mindy's / Stunts) appeared with Lucille Ball in ten films between 1933 and 1949.

Richard Martin also did Seven Days Leave with Lucille Ball in 1942

Tony Merlo (Mug at Mindy's) was also seen with Lucille Ball in Dance, Girl, Dance (1940) and Broadway Bill (1934).

John ‘Skins’ Miller (Truck Driver) was also with Lucille Ball in Fancy Pants (1950) and Sorrowful Jones (1949).

Harold Miller (Florida Club Patron) shares 13 film credits with Lucille Ball. He was one of the theatre patrons at “Over The Teacups” in “Ethel’s Birthday” (1954) which also featured Big Street extras Bess Flowers, Charles Cane, James Conaty, and Harold Miller. Harris would return for “Lucy and the Loving Cup” (S6;E12) as a subway strap hanger. He appeared in six episodes of “The Lucy Show,” the last one being as a party guest on “My Fair Lucy” (1965).

Bert Moorhouse (Florida Club Waiter) did nine films with Lucille Ball from 1933 to 1954.

Frank Moran (Mug at Mindy’s) makes his final of five film appearances with Lucille Ball.

George Noisome (Newsboy) also appeared with Lucille Ball in That’s Right, You’re Wrong (1939).

Barry Norton (Florida Club Patron) was also seen with Lucille Ball in Nana (1934) and Dance, Girl, Dance (1940).

Frank O’Connor (Police Captain at Holland Tunnel) did nine films with Lucille Ball from 1933 to 1946.

Gil Perkins (Mug / Stunts) was aboard the train when Lucy and Ricky headed home from California in “The Great Train Robbery” (ILL S5;E5). He was seen in The Fuller Brush Girl (1950) with Lucille Ball. He made one appearance on “Here’s Lucy” (above right) in 1970.

Bob Perry (Toupee, Associate of Ables / Stunts) was also seen with Lucille Ball in Stage Door (1937) and Joy of Living (1938).

Ralph Peters (Florist) was also with Lucille Ball in Sorrowful Jones (1949).

Addison Richards (Dr. Mitchell) played the American Consul in “Lucy Goes To Mexico” (LDCH 1959) as well as three other films with Lucille Ball.

Dewey Robinson (Truck Driver) did five other films with Lucille Ball.

Shimen Ruskin (Waiter Captain at Florida Club) was previously seen with Lucille Ball in Having Wonderful Time (1938) but is best remembered as Mordcha in the film Fiddler on the Roof (1971).

Hector V. Sarno (Friendly Neighbor) was also with Lucille Ball in Muss ‘em Up (1936).

Harry Shannon (Florida Doctor) was seen with Lucille Ball and Desi Arnaz in Too Many Girls (1940). He played Jim White (above center), photographer in “Men Are Messy” (ILL S1;E8) in 1951. He is probably best remembered as the father of Rose (Rosalind Russell) in Gypsy (1962).

Walter Soderling (Doctor at Mindy’s) was with Lucille Ball in Easy To Wed (1946).

Mary Stuart (Showgirl) was also seen with Lucille Ball in Seven Days Leave (1942). She is best remembered for her four decade run as Mary on “Search for Tomorrow”.

Elliott Sullivan (Tramp) was also in That’s Right, You’re Wrong (1939) and Next Time I Marry (1938) with Lucille Ball.

Harry Wilson (Fethington) did four other films with Lucille Ball between 1934 and 1950. He was also an extra on Desilu’s “Untouchables” (1959-62).

Marie Windsor (Florida Club Patron) was also in Critic’s Choice (1963) with Lucille Ball.

BIG STREET OPENING

"Loser's Lane - the sidewalk in front of Mindy's Restaurant on Broadway - is not as high-toned a trading center as Wall Street, but the brokers are a lot more colorful. Generally they prefer to put their money on a prizefight or horse race, but when the action slows, anything can happen and it usually does. Tonight, for example, the citizens of the Lane are discussing the latest contest in their usual quiet way..."

BIG STREET TRIVIA

The Big Street was a nickname for Broadway, where this movie's plot starts, and where all Runyon's stories take place. The film opens at West 50th and Broadway in New York City, with the marquee of the Capitol Theatre in the background.

Damon Runyon originally wanted to cast Charles Laughton and Carole Lombard in the lead roles, but neither one was interested in the project. The two had previously paired on White Women (1933) and They Knew What They Wanted (1940), Lombard suggested the producer consider her friend Lucille Ball and, despite pressure by RKO to hire a better-known actress, Runyon offered her the role. Unaccustomed to playing series roles, Lucille asked advice from Laughton on how to approach such a difficult part. Laughton told her not to hold back: “If you are going to play a bitch, play a bitch!”

Ball later recalled that at the time she was cast, "nothing much seemed to be happening for me at the studio. My $1000 weekly paycheck came regularly, but I was still a regular among the Bs."

Philadelphia Daily News ~ June 6, 1942

Reports that Lucille Ball sent a $25 War Bond to each of the ten girls that were fired from backing her up on “The Big Street”.

During filming, Lucy’s new husband Desi Arnaz felt so insecure about leaving Lucy and Fonda alone together that he’d often pop by the set to keep an eye on them. His paranoia so exasperated director Irving Reis that he finally banned him from the set.

This was Lucille Ball’s favorite of her nearly 80 films. She felt her performance was unjustly ignored by the Academy.

The vocals for "Who Knows?" by Harry Revel and Mort Greene, performed by Gloria in Case's Manhattan club, were provided by Martha Mears. The character later reprises the song with Ozzie Nelson and his orchestra in the Miami nightspot.

The film was re-released in 1955, at the height of Lucille Ball’s television success. Although Fonda remains first billed, Ball’s photo clearly indicates that she is the drawing card.

Damon Runyon also created the source material for the hit Broadway musical Guys and Dolls (1950), which starred Robert Alda, who went on to make several appearances on “The Lucy Show.” The two stories share the character of Nicely Nicely Johnson. When the film version was made by MGM in 1955, Lucy and Desi were also under contract to the studio. A brief clip of the film was inserted into the middle of an episode of “I Love Lucy” called “Lucy and the Dummy” (S5;E3), although the clip was removed after its initial airing. Further, when Lucille Ball first came to Hollywood, before becoming a contract player at RKO, she worked for Sam Goldwyn as one of the Goldwyn Girls. In Guys and Dolls, the Hot Box Girls are played by the Goldwyn Girls.

In 1949, Lucille Ball starred in another film based on a Damon Runyon story, Sorrowful Jones, a remake of the 1934 Shirley Temple film, Little Miss Marker.

Damon Runyon was a big fan of Lindy’s, a Manhattan restaurant famous for their cheesecake, and wrote the eatery into his books as Mindy's. The musical Guys and Dolls, based on Runyon's writings, immortalizes Lindy's in one of its songs. In “Ricky’s Contract” (ILL S4;E10), Lucy tells Fred and Ethel that Ricky took his entire band to Lindy’s to celebrate learning that he had been offered a movie contract.

In The Big Street, a sympathetic Pinks decides to take Gloria to Florida to recuperate - by pushing her wheelchair the entire way - starting with the Holland Tunnel! Although Lucy and Fonda never left Hollywood, the locations are achieved by rear projection and establishing footage.

The Holland Tunnel figures into “I Love Lucy,” not once - but twice. In “The Marriage License” (ILL S ), after finding out that her marriage license may be invalid, Lucy goes on a twelve hour walk to East Orange, New Jersey. “How I ever got through the Holland Tunnel, I don’t know.”

The Holland Tunnel will be mentioned again three years later in “Lucy Learns to Drive” (ILL S4;E11). Reportedly, she tried to make a u-turn in the Holland Tunnel resulting in traffic being tied up to East Orange, New Jersey.

Action is also set in Miami Beach, Florida. Pinks and Gloria hitchhike there to visit with Nicely Nicely and Violette who are operating a night spot there.

In “Off To Florida” (ILL S6;E6), Lucy and Ethel also hitchhike to Miami Beach Florida after being left on the side of the road by their ride share, a suspected hatchet murderess. They arrive at the North Miami train station covered in chicken feathers from riding in the back of a poultry truck.

Doting Pinks has a pet name for haughty Gloria: 'Your Highness'. In Florida, her friends conspire to get people to come and hear her sing by fibbing that she is the Princess of Corolia, a fictional place.

In “The Publicity Agent” (ILL S1;E31), Lucy conspires to get Ricky more publicity by pretending to be a fawning fan of royal blood: ‘The Maharincess of Franistan’!

FAST FORWARD!

On a 1971 episode of “The Dick Cavett Show" with guests Lucille Ball, Carol Burnett, and Lucie Arnaz, Lucie compliments her mother's dramatic performance in the film.

The film is referenced in the television film Lucy & Desi: Before the Laughter (1991)

A poster for the film is on Lucy’s dressing room wall in Lucy, a 2003 TV movie.

The Big Street turns up in the TV listings in the low budget film Hollywood Mouth (2008) starring Joe Bologna.

A clip from the film is featured in a montage during “AFI Life Achievement Award: A Tribute to Henry Fonda” a 1978 special attended by Lucille Ball.

Henry Fonda: The Man and His Movies (1982) contains dressing room and dance floor scenes with Lucille Ball.

The Emmy-winning documentary Lucy and Desi: A Home Movie (1993) features a brief clip from the movie.

When Cher is TCM Guest Programmer in 2011, she selects The Big Street as one of her films to be aired.

In December 1948, Lucille Ball reprised her role on radio with John Garfield taking the role of Pinks.

The Big Street on VHS.

The Big Street is available on DVD from Warner Home Video. It is also part of the Lucille Ball Collection DVD, which also includes Dance, Girl, Dance, DuBarry Was A Lady, Critic’s Choice, and Mame.

#The Big Street #lucille ball

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hibiscusbabyboy · 5 months ago

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Sorrowful Córdoba (2021) feat. Yuzuka Rei as El Torero Elio Salvador

(Dividers by @saradika )

#2020s #2021 #sorrowful cordoba #takarazuka revue #takarazuka #video #my edit #japan #faunlet #faunlet aesthetic #yuzuka rei #madoka hoshikaze #sea towaki #shou kazumi #soleares #carmen amaya #jun takamine

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zukadiary · 4 years ago

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March 2021 news roundup

Hello! A lot of things have happened. I am probably forgetting a bunch of them.

Starting with Tsukigumi’s next Grand Theater show, Ouranki, all troupe members will be able to perform on stage at the same time again. Shinjin kouen performances will also resume. Members of the 100th class, who are scheduled to graduate from shinjin kouen this April but missed their final performances due to COVID, will be granted special permission to participate in the shinjin kouen for Tsukigumi’s Ouranki, Soragumi’s Sherlock Holmes, and Yukigumi’s CITY HUNTER.

Starting with Hanagumi’s Augustus/Cool Beast!!, the live orchestra will be back.

Todoroki Yuu is retiring. Her final theater performance will be the newly announced Basara no Yashago with Hoshigumi in July, at Drama City and the Tokyo Metropolitan Theater. Her overall final performances will be a dinner show August 23/24 at Hotel Hankyu International in Osaka, and September 21/22 at the Palace Hotel in Tokyo. Her official last day will be October 1.

A national tour of Sorrowful Cordoba/Cool Beast!! has been announced for Hanagumi in August and September, starring Yuzuka Rei and Hoshikaze Madoka. An accompanying small theater performance has not been announced at this time.

Tsukigumi has started rehearsal for Ouranki/Dream Chaser, and in addition to top stars Tamaki Ryou and Misono Sakura, retirees for this show will include Kosaki Ran, Kaede Yuki, Sakurana Ai, Hayaki Yuuto, Souma Seren, Natsukaze Kiki, and Maya Yutaka.

As of 8/16, Shimon Yuriya and Kizuki Yuuma will be moving to Senka.

Kurenai Yuzuru has started an official instagram @kurenaiyuzuru_official

Seira Hitomi is getting married to the son of Toyota’s CEO

Nanami Hiroki is releasing her second mini-album and third overall music release in July, entitled FIVESTAR. She has also joined the agency King Amusement Creative. I, an ancient person, looked at their lineup, and exclaimed to @hoshigomi, “WOW, she’s really made it, that’s the same agency Hayashibara Megumi,” to which @hoshigomi replied, “Who?”

#announcements #takarazuka

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kittychan-sings-enka · 5 years ago

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gasexplosionatthescalpelfactory replied to your post “ways to advertise sad zuka shows to your friends”

So what show should I start with? :D

ALRIGHT IF YOU JUST WANNA HECK YOURSELF UP HERE ARE MY RECS

easy mode (translation of some kind available):

Hoshiai Hitoyo (2015)

Yukariko (2010)

intermediate mode (no translation yet but fairly easy to follow the action/based on other works):

Romeo and Juliet ‘99 (1999, lol)

Blood and Sand (2001)

Manon (2001)

Great Pirates (2001 or 2015, I’m partial to 2015)

Sorrowful Cordoba (2015)

Ooeyama Kaden (2009)

hard mode (no translation complex nihonmono):

Glow of Sunset in Asuka (2004)

A Beautiful Life (2012)

#gasexplosionatthescalpelfactory #i am a devoted conniseur of the works of shibata yukihiro #some are just gonna beat you over the head with sads and some pull it more subtly but yeah ive cried at p much all of these #if you want: beautiful woman sobbing over corpse of other beautiful woman then manon/great pirates specifically #(oh also rj 99 for that obviously)

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mrsunderhill678 · 4 years ago

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Oh, shit... Did I write something? Woops, those demons, eh? Always possessing your fingies and making you write.

“I ain't a sinner, ain't a saint, just the result 'a my brother's choice wrapped up in barbed wire and regretful survival, and I wondah, if 'e saw me 'gain, would 'e call me Lazarus? 'E put me down and spected me ta stay, but I ain't da kinda man dat dies so easy.” - Anthony Burningsky

“Lacin' a lie with sugar is da only way ta convince a man ta consume it, mate.” - Anthony Burningsky

“We're all scars, memories and graves, wonderin' a wasteland 'a sin. And I'v found, dat redemption is a small price ta pay when you're wookin' at eternal damnation.” - Anthony Burningsky

“I can't be the only one with a loaded gun, certainties and doubts in every chamber. All I can do is spin the chamber and pray I find certainty and stable ground, but only bullets of doubt and misery pierce my skull and bleed my mind.” - Pryella Burningham

“I'm looking for the map to hope, cause I heard it's a journey, but here I am, fucking lost. In me, in doubt and everything in between, because I fear that with a family tree this sinful, I'm bound to become the very thing that scares me the most. My father.” - Pryella Burningham

“I fear the forest, yet I hide in it's shade, playing my game of Russian Roulette all on my lonesome. The ground shakes beneath me, as if it wishes to swallow me whole. And perhaps, when the dirt brings me into it's maw, and the grass waves above me, and I stand with no tomorrow, no yesterday and no today, is when I'll be at peace. Because with these memories? With these hauntings of my father's yellow smile? I fear death is my only release, and perhaps Russian Roulette with a fully loaded gun is the only form of rest I'll ever receive.” - Pryella Burningham

“I have reason, the world has madness, but perhaps that is only my perception of it, slaying he who is mad only giving myself madness in return. If you have reason to your madness you're still mad, after all.” - Weston Sardisco

“This is a war of a different kind, and all I require is a six shooter followed by my wit.” - Weston Sardisco

“I'll lay my hand on the bible and say a prayer for all who lost themselves in the brutality of this world, because I, intend to find them. For I care not who you were, only who you are, and if you see me on the horizon, please, remember, do not bring up your rights, in the midst of all your wrongs. Because one hundred twenty two rights does not make a life time of wrongs, holy.” - Weston Sardisco

“You will sooner find the dirt than my forgiveness, tired sinner.” - Weston Sardisco

“I am a creature of the night, drunk on the light of the moon, dancing under it's harsh glow with the blood of the fallen spilling crimson at my feet.” - Valentin Ogarzia

“Tell me, do you fear the howl or the wolf? The man or the blade? The gun, or the bullet? Or shall you simply fear all? Because I, am a devil, dressed in robes of false silken intentions, but you don't fear the crimson on these robes, for you simply believe them to be threaded embroidery and design.” - Valentin Ogarzia

“I have romanticized the art of murder, and you should fear the man who's built a masterpiece of scarred corpses and slashed throats.” - Valentin Ogarzia

“Beg and plead, wail and confess, every road ends with me. Every life ends with me. I am a moon drunk creature, howling under the blanket of shade and stars, and you should learn, that to fear me, my friend, is a choice, but to die, is not.” - Valentin Ogarzia

“I was born in the shadows of the pine, with the world’s darkness in my mind, wondering how oh how can a man stray from his family tree, when all he could ever do is crawl? But all I did was fall into my own shadow.” - Faustina Cordoba

“If the light from the sun had a choice, it wouldn't shine upon me.” - Faustina Cordoba

“I realized I had to say goodbye to who I was, because that isn’t who I am. Farewell, young man, dapper child, you fought so bravely, but I’ll take the battles from here on out. It's tiring, being who you're not, because you're always actin', and the mask is heavy, cripplin'. So farewell to every past version of myself, you did the best you could, and I'll bleed out for you, if only ta achieve the dreams we've held so dearly but hidden for so long.” - Kadel Smith

“I've spent my life battlin' myself, and though it wasn't 'a war 'a the trenches, or bullets cuttin' the air, it was a war 'a the skin, 'a the mind. As my old pal Duke would say, "It's a daunting task, wrestlin' with oneself," and I suppose I would know the feelin. Cause that's all I's ever done.” - Kadel Smith

“If life is a war, then I've been hit by a dozen bullets, but I'll continue to walk the path with this blood in my lungs and soul, cause though I've spent so long in this world's ugliness, I can still find the beauty all around me. Like the twilight fallin' of snow whilst you're sat with an old friend on two rusted pairs 'a swings. I can find beauty in that, in life, and most importantly, in me.” - Kadel Smith

“To the world, I am cannon fodder, I suppose my purpose is to continue to drop in sprays of red and sorrow, if only for the powerful to charge in leaps and bounds, clapping for all they’ve won, and all we’ve lost. To the powerful, the rich, the world is their home and I'm just an uninvited guest, suppose in a world that doesn't care for the weak, I'll always be God damn trespassing.” - Gabriella Vaxwington

“When I come for you, with my glock, my rage and my mother's eyes, you will see all the fury she hid, you will watch the sky fall and heaven's gates shake like thunder. Cause brother, my mother's up there, with her wings and her pain, and when your blood spills on the dirt, the angels will fuckin' sing, cause my ma weren't meant ta join their ranks by your hand. But you? You're meant to join the devil, by MY, hands, and that, is fate. Or 'ow did you put it? Karma always pays her dues, and I suppose that makes me, karma.” - Gabriella Vaxwington

“Execution, the act of killing a man for a damning transgression, sometimes it takes a guillotine, or a bullet point blank range, but usually, all it takes is a single word.” - Beautler De Niro

“You can get any barking dog to bite if you threaten it's existence or the life of another, and any man in anonymity will commit the egregious deeds they'd never dream of while under the spotlight. All you have to do to put a man under your control is to put him in the dark, take a dog's feeding bowl and he'll bite anyone for a morsel, all but the hand that feeds him.” - Beautler De Niro

“You give a man half truth and he'll dive through hell to find the other half, even if it means he must burn.” - Beautler De Niro

“I am an untrustworthy man, but anyone will trust a man with a firm handshake and the same opinion as they. Trust is so easy to gain in a world of fools and cheats.” - Beautler De Niro

“All who stand up to me, fall, because they trust too easy and crumble upon the truth revealing who the villain was all along. But I propose to them a single question, if it was you who trusted the man who undid you, then who's hands was it dropping the guillotine's rope? Him, or your falsely placed trust?” - Beautler De Niro

“I do not enjoy the fight nor the battle, and though I end up victorious, it brings grief to he who loses. I would rather not fight, I would much rather offer a helping hand, but life tells me not to. It shoves a rifle in my hand and says, "By God, Bertil, by God, pull the trigger and spare yourself a moment of grief!" But I never can, not when my bullets indirectly harm those I never aimed for.” - Bertil O’Day

“To a paranoid man, every word spoken is a crime against God, and every dead end is a cliff-side. Some men pray, other's drink, me? I sit here, in my little corner 'a nowhere, and I leave well enough alone.” - Theodore Holymann

“How terrible, to ruin someone's life with your memory.” - Theodore Holymann

“I'm guilty, with cuffs round my wrists and a rope 'round my throat, so oh gravedigger, pull the lever and watch me swing, cause I'm sure as all the air leaves my lungs the last thing I'll hear is a melody 'a cheers for the damned preacher.” - Theodore Holymann

“I'm paranoid, terrified that my past'll catch up to me God damn swingin. And maybe these days, I'd take the hit and drop.” - Theodore Holymann

“Oh heavenly father above, give me salvation or death, either way I rest.” - Theodore Holymann

“Someone took a dagger to this silk heart of mine, and I guess I'm nothing but a torn curtain, these days, only small rays of light passing through me.” Alice Sharenburg

“Who would've imagined, with our Halloween masks and toy guns, that we'd be marching into war? How could it have been, that in all our childhood wonder, we found darkness?” - Alice Sharenburg

“Draw the curtains, kill the fucking lights and let us bow to the crowd. Throw your roses and cheer for the lost boys and girls, but in the end, as the story wraps up in tragedy, just remember.... When the curtains draw, and the lights dim... That's all, folks.” - Alice Sharenburg

“I stand sturdy, smelling of ash and smoke, but zis is no after affect of var. I vas destroyed by no fire of war, but a fire of ze heart, a fire wrought with passion and love. I allowed it to consume me, to burn my whole state of being and make me anew.” - Gregory Kizerfretzen

“Vhen it scares jou to jour very core, and jou feel it in jour heart, zat's vhen you know it's real. Because as long as you haz love, and as long as you haz family, blood, or no blood, var can nezah vin.” - Gregory Kizerfretzen

“Oh fazah, I know I followed ze path jou would never want for me, but I followed in jour blood-stained footprints, and I learned ze same lesson jou did. Ve are all human, even if we stand on ze opposing side.: - Gregory Kizerfretzen

“Someone once told me, that when your demons are silent, listen for your angels. But what do ya do when all ya hear is radio static and your sins echoed in the buzz?” - Octavio Claytor

“I held onto my faith, but I guess I got butterfingers, cause my faith, my sense of self and my love tumbled from my fingers like ash and cinders.” - Octavio Claytor

“God ain't dead, he just damn well ain't here.” - Octavio Claytor

“Only the dead know a glory greater than the gods.” - Alistair Von Alisworth

“A king will always find himself crushed under the weight of his decisions unless he has blood black enough to make them.” - Alistair Von Alisworth

“Stand up to me, try to steal this crown reigning over my head, but all you'll ever find is that the crown was never intended for good men. The crown is for those who can handle it, the crown is for those who will enjoy the lives ended to earn it. I am death, and for all those who rise up, I am here to deliver.” - Alistair Von Alisworth

“Perhaps every church is Eden, there's bound to be shade somewhere between the flowers.” - Alders Holymann

“My heart's been capsized, and it ain't rowing to shore these days. I pray, and I pray for a rowboat, but all God ever gives me is a single broken paddle. What am I to do when all the signs lead to death?” - Alders Holymann

“God, please forgive me for doubting you, I pray and I pray, but the only answer I get are my own thoughts. Is that all a prophet ever hears? I say amen, I say grace, but all I hear is the emptiness in my heart. I fear I never heard God, it was only ever me.” - Alders Holymann

“I wear this cross around my neck and it's become a rope, stealing all my air.” - Alders Holymann

“My lord, my loving father above, I ask one question. Is it better to be crushed under the weight of your trembling faith, or to go forth with no faith at all?” - Alders Holymann

“Rev this motorcycle, and send me spiralin' down the damn highway, cause if I'm meant ta crash, so fuckin' be it. Give me a grave by the road, give me a wreath and a name etched onta wood, so long as I'm underneath the dirt, hearin' the engines roar and the traffic stand still. Cause brother, my whole life's been on the road, 'spose ta me, the revvin' 'a the engine and the screech 'a the wheels is a symphony. My own broke symphony 'a burnin' track and dead ends.” - Alessandro Bones

“I live life on repeat these days, the same mile, day in, day out. And once I close my eyes, I put my engine in reverse, and wake up at the beginnin' 'a the damn highway, preparin' to rev my engines for a single mile, yet again. I don't trust myself ta go a mile further, I'd have ta face myself, and with all that anger and regret, I'd fear he'd gun me right the fuck down. I deserve it, anyway. But I ain't never had the courage to go careenin' off the side 'a this road. Don't got the courage to die burnin', prayin' ta every God. All I want, is ta die quiet in the night, empty bottle in my hand, nuthin' but a mess 'a blankets and sheets on the damn bed.” - Allesandro Bones

“I am lost, travelin' the same mile, again, and a God damn gain, cuz it's the only path I can take without resistance. And I fear resistance, cause that means a fight, and that's all I's ever done. Give me no more riots 'a the self, give me no more wars 'a the road, give me peace, or give me death.” - Allesandro Bones

“I've always told myself I was Rumpelstiltskin, spinning hay into gold, but alas, alas, the old crone has fooled himself, and he only spins hay into more hay while Rumpelstiltskin dances and laughs, holding in his arms the old crone once had.” - Peragrin Hufflesburg

“We've only ever fooled ourselves, it's funny how other's can catch our lies but we can never catch the ones we tell ourselves.” - Peragrin Hufflesburg

“If I had a dollar for every time I prayed and got an honest to God answer, I'd be begging on the fucking streets.” - Peragrin Hufflesburg

“I ask to be forgiven, but why? What would being forgiven do for those I have hurt? Would they look at me and say, "Oh, look at that changed man, his hay has turned to gold and his sin to faith!" Or would they simply pull the trigger?” - Peragrin Hufflesburg

“I sit here with my wheel, spinning all this hay, praying one day, I'll have a pile of gold. But all I ever do is drown in more God damn hay.” - Peragrin Hufflesburg

“We're stars shining in the night sky, lighting up the dark knowing we too, one day will end, we'll implode upon ourselves as stars do. But perhaps, it isn't the end of the journey that matters, but the miles we walk.” - Melinda Myers

“Life can be pain, it can be cruel, but there's strength to be found in that grief.” - Melinda Myers

“I've spent my life surrounded by love, my two sons are the light of my life, they're my stars in the night sky, and I know it's my job to watch over them. To implode before them. But perhaps I'll create a galaxy in my wake, and whenever they look to the sky, and see the stars and the beautiful silence of the night, they'll smile.” - Melinda Myers

“If he's a sinner for loving that man, then let me have a talk with God. Because if someone can look at a love that beautiful, and say, "God condemns you," then they need to realize, they condemn them, God, does not.” - Melinda Myers

“If ever I returned to those I love they would call me changeling, fearing that the fairies had stolen me away in the night and swapped me with an eldritch beast that knew only the vileness of nature. But oh, can't you see? I'm crawling, ever crawling, with broken fingers and battered knees, scraping against the bloodied flowers and roses of all I'll ever be.” - Richard Notorangelo

“Legends are realities we forgot, often twisted by those in power so the common folk fear what was never real. Does that make me a myth? Or another victim of it?” - Richard Notorangelo

“I met evil when I was only a child, and oh, how I wish it hadn't been me.” - Richard Notorangelo

“My daughter, oh my beautiful little girl, if ever I crawl my way out of this garden, this maze of my own lies, throw me back in. For it's what I deserve. Shout at me, throw me to the fairies from whence I came, for I fear I am a changeling, a twisted shadow of myself, vile and cruel, sick and diseased.” - Richard Notorangelo

“I do not deserve death, for that is peace. With all this blood on my hands and these wicked deeds in my memory, I imagine, the single thing I deserve, is life.” - Richard Notorangelo

“In the end we're all by ourselves, no one follows us into the dark, not even our shadow dares.” - Tricia Jenefine

“I can't remember the intricacies of her smile, the melody of her laugh, or the beat of her heart when I laid my head on her chest. I was hers' and she was mine. Not only do I miss her, I miss the parts of myself that left with her. My heart is a wisp without her, she was supposed to be my eternity, but now life is a curse, without her.” - Tricia Jenefine

“I could have a roof over my head and the rain would still find a way in.” - Tricia Jenefine

“The only pieces of me that remain are the parts that remember her, and the parts that remember pain.” - Tricia Jenefine

“When the sun forgets to shine on you, and your shadow slinks back to it's kin, all you have is yourself and the memories that once brought smiles, but will only ever bring tears.” - Tricia Jenefine

“I'm the damsel, the dragon and the knight, and some day, I'll burn myself to cinders.” - Priscilla Sage

“I am a witch on the stake and the farmer with a torch, perhaps I too, am the flame. Of hatred, of grief, of pain, no matter what I am made of I still end only in ashes.” - Priscilla Sage

“Perhaps one day, I'll be free of myself, perhaps one day I shall be the raven, soaring through the air, singing my own happy song. And though no one but the sun shall hear me, perhaps she'll smile down at me. If only I could feel the wind rush past me as I leave everything behind. Oh how I would love to be free. But I am a cage, and what can I do when I don't have the key?” - Priscilla Sage

“I am rottin' bark and fallin' leaves, I flutter ta the soil as if it weren't my demise, and oh how I wonder why it is, always am I crushed 'neath the damn boot.” - Levina Rainbolt

“We're all guilty in some way, that's life. We lie, we cheat and we steal, but we love a helluva lot better than we hate.” - Levina Rainbolt

“Perhaps I am rottin' bark and fallin' leaves, perhaps I've been crushed under the boot more times than I can count. But I've found, that whenever I fall ta the soil, someone I love picks me up, and puts me in their favorite story book. Perhaps it ain't bout how many times ya fall, maybe it's bout who picks ya back up everytime.” - Levina Rainbolt

“I will stand at the edge of my doom and leap. From these heights I shall fall until it is my demise I receive, because it's all I deserve.” - Albus Kirk

“I am wrapped and bound in silken secrets and forbidden treasures, speaking from the tongue of a mad man, for only a mad man hides secrets from himself.” - Albus Kirk

“I could compare myself to a beast, I could give you metaphors, I could give you lies. But at the end of the day, I'm human and mad, it's what makes me so ugly and twisted, I suppose.” - Albus Kirk

“My father always told me I was meant for great things, I would build fortunes but all I built was my own misfortune.” - Albus Kirk

“We're trapped in Pandora's box, and perhaps, we're the horror they wish to keep at bay. We're a plague, an illness, but we poison ourselves. This world we live in is quite simply put, Pandora's box, harboring the horror and shade others wish not to deal with. We are the price of tranquility for others, our suffering is the price they paid to forever live in peace. We are the soldiers, we are the sheep walking to the butcher, we are the testing subjects and the victim. We are a price, meant only to be paid. So what can we ever do, but stand at the edge of our doom and leap?” - Albus Kirk

“I am the one who pulls the trigger, the one who knocks on your door and gives you only the gift of death. Peace is a double edged blade, my friend, for with true peace, comes death. And I am simply here to give you, true peace.” - Palazzo Bullet

“Most men live and die in a single day, they stay stagnant, they're a grave before they've ever stopped walking.” - Palazzo Bullet

“You should fear the man dressed in black, who has your grave freshly dug, gun in one hand, bible in the other.” - Palazzo Bullet

“Look up to the sky one last time as the dirt covers you. Pray to the fucking stars. All they'll do is continue to shine, because the world never needed you. Watch from heaven as the sun rises, without you, and watch as it sinks. Because you, aren't important, and the world simply goes on, without you.” - Palazzo Bullet

“So dance, my marionette, twist and spin, avoiding the bullets coming your way. Stay focused on the threat at hand, only to realize you weren't saving your life. You were saving it for me.” - Palazzo Bullet

“You can never stain the river crimson, the stream always runs itself clear. Life goes on, it always does, the sun sinks, the moon rises, but we still have light.” - Jameth Waterbrood

“War does not bring peace, it brings pain. A battle does not make heroes, it makes survivors. The only true thing that can bring peace, is love.” - Jameth Waterbrood

“I intend to live life as if I was meant to, because perhaps, our destiny was never grand, maybe our destiny was never war, or some higher purpose. Perhaps, our destiny was always to simply live, love, and be loved. Because that, no matter what way you put it, is a destiny worth fighting for, a destiny worth laughing for, and a destiny worth living for.” - Jameth Waterbrood

“You can think yourself high and mighty, king 'a the hill and master 'a the crop, but there's always a man willin' ta take you down. Cause there ain't nuthin' mightier than the man who watches the crown tumble from the head of the king but doesn't take the throne. The strongest message 'a all is ta kill a man, and give no reason.” - Justice Hansell

“You, my friend, are the cigarette, I'll crush you under my boot once you've lost my interest. The echoes of wolves echo in my heart, their howls ricochet in my ribcage, I am a beast by heart, and you should fear the man standin' at his own grave. Cause he don't fear death. Which means he don't fuckin' fear you.” - Justice Hansell

“My threats are promises I keep, and I fear if you try ta snag this crown from my head, all you'll find is one 'a my promises ripped inta fruition.” - Justice Hansell

“You can't swim 'gainst my tide, you will drown far before you ever reach the source 'a your damn misery.” - Justice Hansell

“I just want the rights of my corpse, to be free, to be still, to be me, to be me, to be me. But all I've learned, is that a millions scars makes me the man I'm not.” - Rin Otishiro

“My father always said hard work always pays off, good friends never grow old, and good always prosper, and oh how I wish that was true. Because my hard work has led to pain, every good friend I had is a corpse, and the good never prospered.” - Rin Otishiro

“The good ol' days vanish when the bad times come, how can I smile, when every good memory I had, is tainted with the tragic outcome that followed?” - Rin Otishiro

“Why the hell do we fear the dark when all the monsters stand in the light? They don't fucking hide anymore, man. They've come from the shadows and claimed the light.” - Rin Otishiro “I guess I've always lived just between the valley of death and the shadows of my past.” - Rin Otishiro

“You wanna know me? Walk a mile in my shoes, but don't you dare walk two, because you don't want to see what I've been through.” - Rin Otishiro

“The past exists to remind us that we’re not there anymore, we’re here, and that’s what matters.” - Renna Forbes

“My aunt has always said, she doesn't pick favorites, and maybe that's because in love, there is no favorites. Love doesn't choose who it touches, it doesn't envy those who hold more of it. It just is. It always forgives and it doesn't remember wrongs. It just exists despite the overbearing weight.” - Renna Forbes

“Cut out my heart and serve it on a silver platter for all who wish to choke on its' darkness.” - Mortley Dekruiful

“One day you'll learn there are more miles of darkness than there are stars, just because there is light, does not mean the darkness has not won.” - Mortley Dekruiful

“I am a clown, the lion leaping through the ring of fire, fearing the burns he may receive on his pelt. I, am a man of the circus, a sinner at heart, and though we are all sinners, not many take it to a higher degree.” - Mortley Dekruiful

“I fear myself, no thoughts nor prayers could save me, for if they can't save those I've killed, why should they save me?” - Mortley Dekruiful

“If I were to serve my heart on a silver platter to myself, would I choke and sputter on the shade? Would I finally be able to swallow this darkness within?” - Mortley Dekruiful

“All I can ever do is crawl away from the spotlight whilst it burns my back, and pray that the shade will bring me what little refuge it can. At least it is less blinding, but alas, just as cruel.” - Mortley Dekruiful

“We are our own beasts, and we bow to no man.” - Bortley Dekruiful

"Maybe life is a series of consequences good and bad, or maybe I'm just blind to all the dark. I don't know. All I know, is that we're only human, and placing blame only gets fingers pointed in the wrong damn direction." - Jake Bonefire

"My silence has been a chamber for too long." - Jake Bonefire

"Gods above, witness my blood spill, hear my prayers, for if the afterlife, is a cell, I, am the key." - Starburden Vaganbrok

"All it takes is one bad day, and I intend to give you a year of them in a matter of hours." - Hugo Valritten

"They say life is whatever we make it, they pump their fists in the air and cry, "We are in control of our own destinies! We are our own fate!" But then they look men like me in the eye, they laugh in my face and they say, "Get off the tracks, boy. This is a revolution, and you're in our damn way." - Corvo Crinklewick "Da hares wage war against da dogs and ask why dey are losing." Brickylda Hildengarde

"Peace and death are not the same thing." - Gunhild Brokldottir "Ow am I ta be 'eard if my screams sink to da bottom 'a my silence?" - Archie Upperton

"I'm just the same, brother, just because I was a dream, damn well don't mean I can't be a nightmare." - Zafavri Holts

"This is my end, Madusius? I believe you mistook my beginning for my reckoning, my rebellion for my downfall. You're a tyrant, and I suppose I'm the snake that crumbles the Garden of Eden." - Dayvella Ma'Vayar

“Get away with it? My boy, no one in history has ever gotten away with it! Jack the ripper's name is tarnished, Julius Caesar lies dead with a thousand knife wounds in his back! We're all doomed, creatures vying for a throne no one can ever have. I'm not here, to get away with it. I'm here, to go down in history.” - Madusius Crudelis

"I shoot and stride for the throne, I am the king above kings, the man above God. I, in of myself, am a dynasty, both a relic and the future, an idea, that cannot be killed." - Madusius Crudelis

"You, can crush, my dynasty, but you can never, destroy the idea of it." - Madusius Crudelis

"You can run from your debts, my friend, but you cannot run from me." - Lorcan O'Venefrives

"Nothing good was ever done by force." - Mortley Dekruiful

"They say you are dead to me Rolf, you are dead. But I say, I am alive, I am alive! And isn't that what frightens you?" - Rolf Lambs

"I look inside me, and see a devil's dog, howlin' at the darkest side of his own moon." - Zafavri Holts "The sun ain't gonna rise for you buddy, you just watched it sink one last time only for you to fade along with it." - Eddy Lambs

"We're in the circus, dancing, jerking and twisting away from the spotlight because the shade was always more comforting than the blinding light." - Mortley Dekruiful

"You will face a thousand tragedies before the sun fucking rises, and you ain't lucky enough for your death ta be one of em." - Zafavri Holts

"I, am where myth starts, and legend begins, but you, my friend, are where history starts." - Defforest Van Patten

"Life will hang ya from a tree and call ya three heads taller simply cause your feet are three feet off the damn ground." - Sampson O'Connel "Soldiers? Soldiers?! We're the civilians of a foreign country hiding from the fucking gunfire! But they don't care, brother, they don't FUCKING care! They'll drag us out anyway. To a firing squad, everyone is cattle." - Burasbley Highersman

#writing #author #characters #dialouge

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silvestromedia · 1 year ago

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SAINTS AND MARTYRS for September 15

Sts. Emilas & Jeremiah, Roman Catholic Spanish martyrs of Muslim controlled Cordoba, Spain, by Caliph Abd-al-Rahman II . Emilas was a deacon. The young men were beheaded. Feastday Sept. 15

St. Valerian, Roman Catholic Priest and Martyr. The massacre of the martyrs of Lyons with their bishop, St. Pothinus, took place during the persecutions of Marcus Aurelius in the year 177. Marcellus, a priest, we are told, by Divine intervention, managed to escape to Chalon-sur-Saone, where he was given shelter. His host was a pagan, and seeing him offer incense before images of Mars, Mercury, and Minerva, Marcellus remonstrated with and converted him. While journeying toward the North, the priest fell in with the governor Priscus, who asked him to a celebration at his house. Marcellus accepted the invitation, but when he found that Priscus was preparing to fulfill religious rites, he asked to be excused on the ground that he was a Christian. This raised an outcry, and the bystanders tried to kill Marcellus there and then by tying him to the tops of two young trees in tension and then letting them fly apart. The governor ordered him to make an act of worship before an image of Saturn. He refused, whereupon he was buried up to his middle in the earth on the banks of the Saone, and died in three days of exposure and starvation. Butler mentions with St. Marcellus, the martyr St. Valerian who is named in the Roman Martyrology on September 15th. He is said to have escaped from prison at the same time as Marcellus, and was beheaded for the Faith at Tournus, near Autun. St. Valerian's feast day is September 15th.

OUR LADY OF SORROWS

ST. NICOMEDES, MARTYR ON THE VIA NOMENTANA

ST CATHERINE OF GENOA, WIDOW

St. Merinus, 620 A.D. Bishop beloved in both Scotland and Ireland. Sometimes called Meadhran or Merryn, he was a disciple of St. Comgall at Bangor.

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ograndebatata · 4 years ago

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Silver Linings

So... I’ve actually had this fic pretty much complete for weeks now, but I recently got motivated to polish it up and share it here, for... well... I’m not sure why, and honestly there may be many motivating factors, but... anyway, here it is.

I hope you enjoy it.

Note: Like pretty much every Elena of Avalor fanfic by me, this one takes place in my Tales of the Ever Realm AU. To give a bit of context on what it is, it’s basically an AU where all of Sofia the First is canon, and all of Elena of Avalor episodes until Snow Place Like Home (in terms of ‘timeline order’) are canon. Details and characters from later episodes will sometimes be used, but there are many important differences between my fic AU and canon.

One of those, as will be clear from reading this fic, is that in this AU, Ash Delgado has a genuinely and healthily loving relationship with both her husband and daughter (although we really only get to see the former in this one) and also is just a much better person in general, though still with a few traits of her canon self. I hope you will enjoy it for what it is, and I apologize in advance to those who happen to prefer the canon versions of her character and her relationships.

Also, I tried my best to make this fic strong enough to stand on its own, but I realize a few details may still come across as confusing. I apologize for that in advance as well. If you’d like any sort of clarification, please feel free to ask.

///

Note #2: There is some stuff in this fic that can be seen as slightly suggestive. Nothing full-blown NSFW, but still, there is a bit of steaminess. Those who aren’t particularly fond of such content want to tread carefully. I may be worrying too much over nothing, but... I feel it’s better to be safe than sorry.

///

Note #3: Although I tried my best to make it strong enough to be read on its own, this fic works better read as a sequel to @lostbutterflyutau‘s fic The Second Navidad, which she wrote for me as a Christmas gift last Christmas, and which I liked so much that I decided to make it canon to my fic universe. If you’d like to read it, I strongly recommend it.

And on that note, I say the same thing regarding all of her Elena of Avalor fics. They're full of well-written characters, great portrayals of feelings of all kinds, and wonderfully fluffy moments of the romantic, the friendship, and the familial kinds. I strongly recommend them all. Also, if you read them and like them, please take the time to leave her some feedback, even if it's only a few words. Remember that taking even only a few seconds to give feedback leads to better environments for fanworks of all kinds.

With that said... let us begin.

///

Silver Linings

The Kingdom of Norberg, February 14th, Year 9222 of the Ever Realm Calendar…

A series of sharp knocks cut through the cabin’s main room, making Ash Delgado jump in her chair as the sound brought her struggle with her focus to an abrupt end, ruining her already feeble efforts at forcing herself to study the weathered yellow page she held, trying beyond her best to find a solution to the dilemma she’d been struggling with for over a year.

One of her hands slammed the page against the table as her other one reflexively curled around her tamborita; the next instant, her ears picked up the last few knocks that rapped against the wooden boards. Her heart settled down as the force and rhythm behind the sounds told her who had arrived, drawing a relieved sigh from her as she released the drum wand’s handle. Ash looked up at the closed door on cue with its lock clicking as a key was turned inside it. The next moment, the door drew inwards, making her grimace at the chilly air that entered the cabin, followed soon after by her husband.

“I’m home!” Victor announced as he closed the door behind him, before wiping a few fresh snowflakes off his shoulders and setting down a bag of canvas he’d been carrying.

Then, as his eyes fell on her, still by the table she’d been sitting at since he left - though now with layers of pages scattered over its surface - a sheepish smile uneasily crawled across his features.

“Did I interrupt anything?”

A mock-annoyed smirk curling her lips, Ash teased, “Not this time.”

Besides, even if he had, his loud arrival was one of the safety norms that they and their daughter had established for whenever they stayed anywhere: to always make their presence known when arriving, to ensure they conveyed they weren’t any unexpected visitor.

Still, the sheepish look remaned on Victor’s features as he unclasped his cloak and hung it on a hook beside the door, before walking over towards her. Smiling at him, Ash reached up to his face and settled her hand on his jawline as he rested his’ between her shoulder blades, closing her eyes as the two of them leaned towards each other and put their lips together. Cold seeped into her fingers as the mixed smell of salty air, tobacco smoke, cooked bacon and burned wood floated into her nostrils, but Ash kept her fingers on his face and pressed her lips further into his’, holding both her touch and her kiss for a few more seconds.

Then, as she and Victor both pulled away and she opened her eyes, a faint chuckle bubbled up her throat at the sight she beheld.

Victor blinked in puzzlement. “What?”

Suppressing another chuckle, Ash explained, “Your mouth is full of lipstick.”

Again. She inwardly added, as pointless as it was. Victor’s mouth or face ending up full of lipstick when they kissed was as big a given as water being wet or as the sun rising everyday. But Ash liked her makeup in the style she wore it, and she knew that for all his playful grumbling, Victor also did.

Giving an easygoing chuckle himself, Victor reached up with his free hand and rubbed it across his mouth, the faint dark-blue sparks she saw flying from his fingertips telling her what he was trying to do. Alas, the final results were different from the intended, the smear on his lips only spreading further across his face, bringing a stronger chuckle out of her.

“Here,” she said, removing her own hand from his jawline, silvery-grey sparks swarming around her fingers. “I’ll do it for you.”

Saying so, she swept her magic-filled hand over his face, the smudges of lipstick vanishing in her fingers’ wake.

“I guess this just shows I still need more practice,” he said good-naturedly as he straightened himself, caressing her ponytail along the way.

He glanced around the room as he righted himself, then turned back to her and asked, “Did Carla leave already?”

“Princess Chloe asked her to go early,” Ash explained. “Apparently so the two of them can properly help Queen Abigail get ready for her date with King Hector. And Carla said that because she was spending the night at the palace anyway, she might as well stay over already.”

Nodding in acknowledgment, Victor walked over to her right and pulled up the chair beside her, sinking onto it with a pensive look on his face, the expression looking more pronounced thanks to his placement against the lit fireplace that burned a few feet away. Ash knew without having to ask that he was having a bout of the same struggle they had both endured since Carla had unintentionally struck up a friendship with the princess of Norberg. On one hand, it was good that Carla had made a friend, at least for the duration of their stay here. On the other, Norberg was a close ally to Avalor, and even if wanted posters of him and Carla hadn’t made it here yet (and weren’t likely to be sent now that neither of them had been to Avalor for over a year), it could still happen, especially given that Princess Chloe was at least a friendly acquaintance of Princess Elena. Or then, the Crown Princess of Avalor or someone closely associated with her could unexpectedly drop by and recognize him or Carla, which would at best mean they’d have to leave, and at worst might literally spell their dooms. And that was assuming none of their more dangerous enemies was lurking in the shadows, planning something that Ash could easily conceive as far more horrible than anything Princess Elena would ever do to them if she caught them.

But Carla knew she needed to be careful, and the three of them were making sure to keep an eye on anyone who seemed suspicious, just like their jaquin allies were doing. With luck, Carla’s friendship with Princess Chloe would just keep going without incident during their final two weeks or so in Norberg.

“How did things go at the harbor?” Ash brought up, out of genuine interest as much as out of a wish to change subjects.

The deepening of Victor’s frown answered her question well enough, but still, he replied, “Not very well. There weren’t many sailors there, it being the day it is and all, and most of those I found were more interested in drowning their sorrows or seeking other forms of consolation than in talking about some mysterious kingdom.” As he caught sight of Ash’s own frown, he added, “No thanks to it being the day it is, I guess. After all, it was the same thing during Sweetheart’s Day in Avalor.”

Though that didn’t make her feel any better, Ash gave him a reassuring smile. After all, it wasn’t his fault that today was Valentine’s Day - or Dia del Amor y la Amistad, as her parents had called it, due to it being the holiday’s name in both Paraiso and Cordoba. Most sailors who’d ordinarily be in taverns or at the harbor were likely to be with their girlfriends or wives or families, and those that weren’t would either be too busy with work or too sullen at their lack of companionship to be in a chatty mood.

“Was any sailor at all willing to talk?” she probed.

Victor shrugged.

“Some were. But most of those couldn’t tell me anything about that place, and the only two that could didn’t tell me anything we don’t already know.” He stopped, his eyes clouding over as he mentally sorted out his words. “They said that that kingdom looks clean and calm enough from a distance, and the rulers seem friendly enough, but there’s just something under its surface that doesn’t quite make it an inviting place, and anyone going farther than the harbor automatically needs a full guard unit escorting them because of the land’s perils.” His frown deepened even further, his eyes narrowing to the point they seemed to turn into two black holes thanks to the shadows from the fireplace. “In a sense, it’s like a more extreme version of what I heard Avalor was like under Shuriki’s rule.”

Ash pursed her lips, the mere reference to that woman’s name making her temper flare. She might have come to terms with her husband having fallen for Shuriki’s lie that she could make him and Carla malvagos, but having that daemonfirma brought up in conversation still made her blood boil. Good for her that she was dead, because if Ash had gotten to fight her for a third time, she would have done everything she could to ensure their fight would end with Shuriki having a departure far more painful than the one Princess Elena had given her.

Forcing herself to push aside the hatred that still burned at her, Ash said, “Well, at least we have more evidence that that kingdom is not a place where we want to stay any longer than absolutely necessary.” Her heart growing heavier, she added, “Unfortunately, we still need to go there.”

His forehead creasing, Victor gave her a sympathetic look.

“Things also didn’t go well over here then?”

The tiredness and frustration from her mostly wasted afternoon rearing up like a striking snake, Ash let out a long sigh.

“Yes and no,” she settled on.

Victor didn’t even blink at her response, his sympathetic look staying the same as before.

Taking a deep breath to gather herself, she explained, “On the good side, I went over my improved potion recipes again just to be safe, and it held up again. The improvements I made will be enough so that neither of the potions will take quite as many moon cycles to achieve its purpose.” Her heart again grew heavier as she once more realized what it implied, but she forced herself to add, “On the bad side, there still are a few ingredients for both potions that just can’t be replaced with anything found somewhere else.”

Victor’s mouth again started to curl into a frown.

“So… that means…”

Ash nodded.

“There’s no way around a trip to that kingdom that seems out of a mix between a crime novel and a horror story. It’s still the only place where some of the ingredients we need exist, and God knows how long we’ll take to find them all.”

Again, Victor narrowed his eyes so much that the fireplace made it seem like he had two black holes in his eye sockets. Ash narrowed her eyes as well, the weight of the implication hanging over her like a boulder sustained by the finest thread that was about to break. The idea of spending any amount of time in that kingdom was anything but pleasant. And having to stay there for who knew how long (at least a year, to give an optimistic estimate) only made it worse.

“And that’s not all,” Ash forced herself to go on. “It’s not even the worst part.”

Victor sat the tiniest bit straighter, his eyes opening ever so slightly.

“What’s the rest?”

Her answer seemed to swirl around in her throat, as if trying to come out, but unable to find its way to her mouth for some reason. Though she knew Victor wouldn’t judge her or think less of her, and she had never lied to him, admitting to her failures or inabilities was not something she had ever or would ever like. After all, they were failures or inabilities, which Ash had always loathed, even back when she had just been Seentahna.

But despite being a dark wizard, Ash knew how wrong it was to be dishonest, especially to the man she loved, and she knew he felt the same towards her. Neither had ever lied to each other, and she wouldn’t be the one starting now.

“I think we may be doing all of this for nothing,” she at last managed to say.

Reading Victor’s question in the way his eyebrow moved up his forehead, Ash reached towards one of the papers on the table and lifted it aside, exposing a round purple orb around the size of an orange, the orb somehow feeling as heavy in her hand as if it was made of cast iron.

“I can’t know for sure without looking at the Codex Maru, but the more I study this blasted thing, the more unlikely it seems that we will be able to channel its power as we want to, if we manage to fix it in the first place,” she explained as she raised the jewel.

The words forced its way out of her like thick mud mixed with sharp knives. Just having to utter them made her heart sink almost as much as them being true. Another smile dawned on Victor’s lips, his hands moving over and curling around her right hand like a comforting blanket, his thumbs ghosting over her knuckles in a tender caress.

“It’s alright, Pluma,” he whispered. “We can get through this.”

Despite the warmth in both his gaze and voice, the weight in her chest didn’t fade. She wouldn’t give up his support for anything, but what she really needed was a miraculous breakthrough on how to use the Jewel of Night, or on another way to recharge it. Ideally, both. Because as things stood now, achieving even one of her goals seemed borderline impossible. All means to recharge the Jewel of Night that she knew were difficult to put in practice, and many of the ingredients they would need to make both the potion that would repair it and the one that would recharge it (assuming they would manage to find a certain key ingredient for that one) came from plants and animals that had already been rare when she was a child. If even one of those had already gone extinct, they’d be right back where they started, and the Jewel of Night would be good for little more than to place on a shelf as decoration.

And even if they managed to fix it and recharge it, the only thing that might have anything on how to properly siphon its power into them was the Codex Maru, assuming that could be done in the first place. And to get the Codex Maru, they’d need to face Princess Elena, who could wield the Scepter of Light, and her Royal Wizard, who was Alacazar’s grandson and was all but certain to take after his grandfather if he’d managed to defeat a malvago powerful and skilled enough to cast the malvago-making spell on Victor and Carla at the same time and successfully pull it off.

Whoever said malvago was, defeating him would have been an impressive feat for any wizard, but it was all the more so coming from a boy who hadn’t even been eighteen when he did so. And the boy would only have grown more powerful since then. Even now that Victor and Carla had grown much more powerful themselves, Ash knew the three of them would need a good plan and a very healthy amount of luck to get the Codex on their own. And if she had to guess, they would only have one try, because if they got caught, Princess Elena was bound to execute them all.

The thought hitting her like a blasting spell, Ash’s gaze snapped away from Victor, the fear that too often lingered at the bottom of her heart suddenly shooting up to the surface, her eyes wide as if to let it fly out. The next moment, twin caresses ran over the back of her hand, soft despite the roughness of the skin giving them. Though she knew where they came from without needing to look, Ash turned to meet Victor’s eyes, which still glowed with the same warmth.

“Let’s not think about that now,” he said. “Let’s think about something else.”

An empty smile flitted across her face, her gaze turning away from his’. As if drawn to it, her eyes fell on the Jewel of Night, stared into its opaque depths, the emptiness within it seeming to remind her of how difficult their mission was, and yet how they needed to accomplish it if they were to ever be truly at peace. To think Victor made it sound so easy. To put aside something that their lives in a sense literally depended on, as easily as if it was a matter of deciding not to wear clothes they didn’t particularly like.

“I’ve had practice,” he replied as if he had read her mind, a playful smirk on his lips.

Against her wishes, Ash allowed herself a small smile. Quips aside, she knew that must be true. After all, he had managed to keep himself and their daughter alive and safe, despite having very few magical skills before he was made a malvago. More than that, he had managed to raise Carla as happy and well-adjusted as their circumstances allowed, and done a better job of it than she imagined most men and some women would.

But that still didn’t change the main point.

“If we don’t think about it now, we’ll have to think about it later,” she insisted, even as she lowered the hand holding the Jewel of Night.

Her words came out tense, almost solid, but Victor simply kept giving her the same warm smile from before, rubbed his thumbs across the back of her hand again. Then, he rose from his chair and moved to stand behind her, taking his hands to her hair and releasing the knot in her hair tie, the tiniest sense of relief washing over her as a slight pressure left her head, her hair spreading out from its ponytail and cascading free to below the middle of her back. Though she couldn’t see him, she felt Victor smiling as he curled a hand around her hair, his other one gently scratching her scalp. A wider smile breaking through her lips, Ash hummed in delight, leaning back into her chair, guessing what he intended to do. As she expected, Victor lifted her hair so it wouldn’t be stuck between her and the back of the chair, his hands then settling on her head and running over her white locks like a hairbrush, spreading the strands apart and gently easing tangles and knots.

A louder hum flowing through her, Ash tilted her head back as Victor pressed the tips of his fingers to her hairline, before gently but firmly running them back, tension falling apart in their wake as he caressed her scalp.

“I know it’s difficult, Pluma,” he whispered. “Believe me, I had more than enough time to learn it on my own.” His voice shivered the slightest bit at those words, and Ash knew he was remembering his and Carla’s many close escapes over the almost fifteen years she hadn’t been with them. “But we’ll figure out how to use the Jewel of Night.” He ran his fingers over her scalp again. “And even if we don’t, we’ll find some other way to get rid of the Evergrowing Forest.”

Ash chuckled mirthlessly.

“You talk as if the odds are on our side.”

Running his fingers over her scalp once more, he replied, “I’d rather think I talk as someone who chooses to keep on believing things will get better. And as someone who was lucky despite the odds.” He reached downwards and slid his thumbs in a half-circle behind her ears, bringing them forward rubbing them over her cheeks. “And more than once at that.”

Frowning at the second sentence, Ash knitted her eyebrows as he moved his fingers back up to her scalp, rubbing continuous circular motions from her hairline to her nape.

“I was lucky enough to meet you in the first place,” he went on. “I was lucky enough to run into you again and start to know you better. I was lucky enough to reunite with you more than twelve years after losing track of you. And I was lucky enough to reunite with you a second time almost fifteen years after we got separated again. And I could make a longer list.”

Unable to help herself, Ash turned her head even farther upwards, literally smiling up at him as he looked down and gave her a smile of his own.

“I don’t suppose I could argue against that,” she replied.

His hands rubbed just a bit harder across her scalp, a sigh rolling out of her lips as relief surged from his fingertips and rushed through her.

“I was lucky as well,” she added. “On all those accounts, and more.”

Yes. Ash thought, sighing once more as he massaged her scalp again and relief rushed through her being once more.

Despite everything, she had been lucky. Probably luckier than she deserved after everything she had done. Not only for getting to meet Victor and getting to reunite with him a grand total of three times - or two, if she only counted those after they had actually started their relationship - but also for having a wonderful daughter who she loved and who loved her back, and for getting to be with them both and just be able to be a family despite the threats hanging over their heads.

Victor must have read something on her face again, for he said, “So... back to not thinking of unpleasant matters for now… why don’t you put these things away, and I can tell you an idea I’ve had?”

A deep groan rolling from her lips as Victor’s motions suddenly reversed, she fake-glared at him.

“You should know by now that I don’t take orders from anyone.”

She felt his hands temporarily stop their movements as he shrugged.

“I prefer to look at it as an invitation.” His massage still halted, he crouched to whisper in her ear. “Though it’s one I confess I would very much like you to accept, mi amor.”

“You would, wouldn’t you?” she breathed as he straightened himself up, a deep sigh flowing out of her. “Very well. What is it?”

“Uh-uh-uh!” he tut-tutted. “I’m not seeing anything put away...”

Her eyes narrowed at his response, a low mock-grumble joining her change in expression. He really knew her a bit too well.

“Watch out, Victor,” she teased. “You don’t want to fall prey to the stereotype that men can’t keep a house.”

He again ran his fingers through her hair, the white locks parting in their wake. “It’s more like I don’t want to go against how you like to be the one putting your own things away, especially when it comes to magical studies.”

Another affected grumble rippled out of her mouth. Again, he knew her too well.

“Very well then,” she conceded, her fingers curling around her tamborita’s handle.

On cue once more, Victor withdrew his hands from her hair and curled them over the sides of her chair, pulling it back exactly as she stood up and drew her drum wand, then aimed it at the table’s surface.

“Llévaluq!” she chanted as she smacked the drum.

Identical silvery-grey glows bloomed around each page spread over the table, as well as around the purple gem she’d been studying for hours. Ash fiddled her fingers as if she was playing a harp; the papers bent and swerved and turned over the table like flying carpets before settling into a neat stack, the gathered pile of pages then flying into the shelf behind her with a beckoning motion from her hand. The Jewel of Night followed in their wake with the same gesture, but swerved slightly to the right and upwards, stopping its course once it hovered above a small, seemingly ordinary light yellow jar with rectangular Maruvian patterns of a darker shade over its surface.

She directed a look at Victor as she held the jewel in place. The next instant, he drew his own tamborita and aimed it at the jar.

“Piikrete tarruyniu waaygico!” he chanted, punctuating each word with a smack on the tamborita.

After the last smack resounded through the cabin, a dark-blue glow bloomed around the drum as Victor raised his hand, the jar’s lid floating about a foot off and allowing Ash to slide the Jewel of Night in. Hearing the low clatter of it landing, she holstered her tamborita as Victor lowered his hand, setting the lid on its place.

Sliding his tamborita into its own holster, Victor turned to her with a smile, reaching out with his left hand. “Now, where were we?”

Taking his hand, Ash replied. “You were about to make an invitation.”

He raised his arm in response, in time with Ash twirling in place, her hair fanning out as she completed her spin and then stepped towards Victor’s chest as he drew her to him, wrapping both arms around her as he settled his lips on her neck.

“I was thinking…” he halted his words to kiss her neck “...that you could wait here while I run you a nice warm bath…” he kissed a slightly higher spot “... and then you take the time to enjoy it while I cook a special dinner with what I brought…” So that’s what’s in the bag! Ash thought as he kissed below her ear “... and then we could have our second celebration of Dia del Amor y la Amistad.” he finished, tenderly kissing her cheek.

Her eyes widened at the words, her heart leaping slightly in her chest. Their second celebration! Amidst her frayed nerves after repeated failures with the Jewel of Night, she had completely forgotten about that! Not about the celebration they and Carla had had that morning - after all, it had been the first time the three of them properly celebrated Dia del Amor y la Amistad since her return - but about the second celebration that was meant to be just for her and Victor, which they had even talked about more than once over the previous days.

I really need to stop thinking about that jewel if it can make me forget something like that.

Victor chuckled as if she had spoken her words rather than thinking them, the curling of his lips telling her that he was cooking up a joke.

“You know, as far as stereotypes go, it’s men who are said to forget romantic celebrations…” he brought up.

Despite the laugh at his quip, Ash reached back and nudged Victor’s nose with her index finger.

“Watch your tongue, Mister. If I get annoyed, you’re going straight to the couch tonight.”

He gave her a melodramatic gape, put a hand to his chest. “Oh, the horror!...”

Taking her chance, Ash twisted out of his embrace and then pressed herself flush to him, wrapping one arm around his shoulder and sinking her other hand into his hair as her lips leapt upwards to claim his. He engulfed her in another embrace, resting his hands on her back as their mouths met. For a heartbeat, their lips started to glide over each other’s, both reading the other’s intention to take things slowly. But then, like alcohol meeting a cinder, their passion seemed to explode through their bodies, leaping the frustrations this day had brought them both as their lips devoured each other time and time again, each trying to both drain their pent up tension and help the other with their own, somehow wanting to put out and build the fire flowing between them at the same time. Awareness of everything faded into the background as they devoted every bit of their focus to the flutter of each other’s hands and mouths, to the feeling of each other’s touch, to the warmth of their kisses.

It seemed to last an eternity before they drew apart, looking into each other’s eyes like hypnotized, as if they were floating.

Then, despite herself, Ash burst into chuckles, taking her hand to her lips in a token attempt at suppressing them.

Amusement twinkling in his own eyes, Victor curled an eyebrow and blew through his pursed lips.

“I’m full of lipstick again, right?”

Her suppressed laughter slowly fading, Ash summoned magic into her other hand and waved it over Victor’s face, the lipstick smudges dispelling under the sparks swarming around her fingers.

Lowering her hand as she let the magic fade, Ash drawled, “So… that warm bath?”

“Coming right up,” he replied with a mock-casual tone and a warm smile as he lowered his arms.

Realizing she would need to let him go for him to run her bath, Ash pulled away, following him with her eyes as he headed to their cabin’s small bathroom.

A warm bath sounded nice indeed. While cleansing charms could do the job just as well, and far more quickly, they couldn’t equal the peaceful feeling of sinking into the warm water and feeling it melting the tension from within her, making her stop thinking about the day’s concerns better than the best mind control spell.

It wouldn’t really make them go away, she knew. However good this night was, their concerns wouldn’t become any less real, and the Evergrowing Forest would remain a threat to their lives until they managed to destroy it.

But at least tonight, Ash would enjoy what she had to be thankful for.

#elena of avalor #my fanfiction #tales of the ever realm au #ash delgado #victor delgado #a bit of fluff #some suggestive content #but not too bad i think

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