#sony a6100 launch

[mrhotmaster]

Sony A6100 Detailed Camera Review https://ift.tt/2R6NKiB

[freelancertamal32]

Autofocus efficiency is great for 4k video, notably after you fine-tune the AF settings. Unlike the older Alphas, the Sony ZV-E10 consists of settings like 'Autofocus Transition Speed' and 'Autofocus Subj. Shift Sensitivity' with a wider vary of choices that can assist you fine-tune the AF efficiency.By default, the transition pace is ready to the quickest possibility ('7' or 'Fast'), and topic shift sensitivity is ready to the bottom worth ('1' or 'Locked On'), which appear to be tailor-made in the direction of vlogging by protecting the AF fast and locked onto your face. However, we discovered that the digicam performs a bit of worse than comparable Sonys just like the Sony a6100 or the Sony a6400 when utilizing these default settings. With these settings set within the center to extra carefully match the default 'Autofocus Tracking Sensitivity' and 'Autofocus Drive Speed' settings of the Sony Alpha 6x00 lineup, the ZV-E10's AF efficiency aligns extra carefully with these cameras.Additionally, this digicam has some specialised options to assist sure sorts of vloggers, together with 'Product Showcase' and 'Background Defocus', each of which have been launched on the Sony ZV-1. 'Product Showcase' mechanically shifts focus to an object held up within the body with out prioritizing your face, whereas 'Background Defocus' toggles between a blurred or clear background with the press of a button, so you may rapidly get a shallow or vast depth of area.

[newsfire]

Sony ZV-E10 Review: Jack of All Trades

Sony ZV-E10 Review: Jack of All Trades

Sony has added a new model this year to its vlogging camera series called the ZV-E10. It’s not a follow-up to the Sony ZV-1, which launched last year, but is more of an advanced version of it which supports interchangeable lenses and has a larger sensor. What’s even more interesting is the price of this camera. It’s only a bit more expensive than the ZV-1, but costs less than Sony’s A6100, with…

[ruman123blog]

Sony ZV-E10 Review: Jack of All Trades

Sony ZV-E10 Review: Jack of All Trades

Sony has added a new model this year to its vlogging camera series called the ZV-E10. It’s not a follow-up to the Sony ZV-1, which launched last year, but is more of an advanced version of it which supports interchangeable lenses and has a larger sensor. What’s even more interesting is the price of this camera. It’s only a bit more expensive than the ZV-1, but costs less than Sony’s A6100, with…

[thenewsvideos]

Watch Nikon's first foray into the full-frame mirrorless market was quite a success, but the camera maker has been quiet since the launch of the Z7 and the Z6, with the exception of quelling the rumors of the D6 and confirming the pro-level sports DSLR is definitely in development. However, there has been talk of Nikon expanding its mirrorless line, but instead of adding to the full-frame catalogue, it seems there's a crop sensor APS-C mirrorless camera incoming. That would, of course, make sense with Sony announcing the Alpha A6100 and A6600 at pretty much the same time Canon released the EOS M6 Mark II. The forthcoming APS-C mirrorless snapper is rumored to be the Z50, so it seems like Nikon has chosen a naming format for its mirrorless range. Looks like single-digit nomenclature – like Z(x) – will indicate a full-frame mirrorless shooter, while those with double digits, or possibly ending in a zero would indicate it's an APS-C mirrorless option. Mirrorless vs DSLR: 10 key .. video

#Games - #video -

[monkeys-news]

Sony A6600 Flagship APS-C Mirrorless Camera, A6100 ‘Budget’ Mirrorless Camera Launched http://www.mad-monkey.co.uk/cgi-bin/default.pl?06,29-08-19-CDATASonyA6600FlagshipAPSC http://www.mad-monkey.co.uk/cgi-bin/default.pl?06,29-08-19-CDATASonyA6600FlagshipAPSC

[mrhotmaster]

Sony A6100 Detailed Camera Review

Sony A6100 Detailed Review

Sony's latest entry-level mirrorless camera packs offer a range of specialized features to keep both novice consumers and geeks satisfied.

We have been reviewing the Sony A6600 for a few weeks now, which is the newest APS-C mirrorless camera in the industry. Now, it is time to require a better verify of the A6100, which is its entry-level relative. The A6100 was launched aboard the A6600 and shares tons of the premium options found in Sony's flagship model, however prices tons less.

It's designed to be associate degree entry-point to Sony's mirrorless camera lineup, and whereas it's principally targeted at casual shooters, it packs in enough advanced technical school to stay even enthusiasts happy. Priced at a small premium over the A6000, is that the A6100 value shopping for as a starter mirrorless camera? Let's place it to take a look at and ascertain.

Sony A6100 Style

The Sony A6100 is thinner than that of the A6600 and is, therefore, slimmer at 396 g. That is attributed to the usage of rubber rather than metal for the body. It still feels durable and well put-together however the marginally shiny end will devour fingerprints and smudges rather simply. The handle space has ample rubber protection however the grip itself does not protrude an excessive amount of, thus holding this camera well with massive hands may be a touch difficult.

On the top, the A6100 offers a hot-shoe for external flashes yet as an inherent pop-up Xe flash, a mode dial, and an effect dial. The shutter button and power on-off switch sit up-front on the proper, in conjunction with a customizable (C1) button.

Click and open images on new tab for full screen

At the rear, you get the corresponding degree electronic viewfinder (EVF) but the A6100 has a lower resolution of 1.44 million dots compared to the 2.35 million dot resolution EVF inside the A6600. you continue to get a proximity device to mechanically flip the EVF on or off after you bring the camera near to your face. we've some familiar-looking buttons at the rear, as well as a jog dial. The operate of the buttons, as well as the labeled ones, maybe remapped to fit your shooting vogue. The buttons have a rather mushy feel, particularly the directional ones. we'd have liked higher tactile feedback.

There's a flap on the left that covers a Micro-HDMI port, Micro-USB port, and 3.5mm mike input. there isn't any earpiece jack here, such as you get with the A6600. The rear 3-inch TFT liquid crystal {display|LCD|digital display|alphanumeric display} display includes a 921K dot resolution and might be leaning downward by seventy-four degrees or flipped a full a hundred and eighty degrees from the highest for taking selfies. The show itself has a sensible bit of response and gets adequately bright outdoors.

The battery compartment on rock bottom homes the NP-FW50 battery that we have seen in most different A-series cameras. Currently, the A6600 is the sole model within the series to use the higher-capacity Z-series battery. The A6100 includes a single memory card slot and solely supports American state cards at up to UHS-I speeds.

Sony is the mercantilism of the A6100 frame on its own or as a 16-50 mm optical lens package, that is, the one for which we would check the sensor. It is a compact lens that retracts once the camera is off and conjointly options a power-zoom on-off switch for swimmingly zooming in and out. there isn't any switch to toggle between automotive vehicle and manual focus, and you simply get one manageable ring. this may be used for zooming in too, but in manual focus mode, the ring is employed to regulate focus. The lens does not have an awfully massive zoom vary, and therefore the aperture varies is not very wide either, going from f/3.5 to f/5.6 at the telephotograph finish.

Overall, the A6100 has good biotechnology associate degreed is constructed well for an entry-level mirrorless camera. Compared to the A6600, it will feel less rugged, however, that is okay and should not be a giant issue for many individuals.

Sony A6100 Specifications And Options

The great thing for the A6100 is that, while being an entry-level device, it shares the features of its dearest relatives, the A6400 and hence the A6600. It uses a 24.2-megapixel APS-C CMOS device with 425 part detection autofocus (PDAF) points and therefore the same range of distinction detection optical device points. This gives the estimated aim-acquisition period of only 0.02 seconds. The A6100 can fire 11fps bursts of AE / AF chase. You furthermore might get period eye optical device for humans and animals, 4K recording with none pixel binning, and constitutional Wi-Fi, Bluetooth, and NFC.

One of the aspects under which the A6100 varies from the A6600 is that there is a lack of 5-axis, in-body stabilization, which means that you need to put trust in the stabilization of the lens while firing. The native ISO varies is that the same, that is 100-32,000, but that may be extended solely until ISO 51,200, compared to 102,400 with the A6600. Jointly, the A6100 lacks specialized picture attributes such as S-Log2, S-Log3 and HLG for HDR frameworks. The buffer for burst shooting may be a bit smaller too, as it's capable of holding simply seventy-seven JPEGs or thirty-three RAW files.

The software system of the A6100 is more or less clone of what we tend to simply saw in our A6600 review. Settings for photos, videos, and network area units classified in tabs. you'll be able to add your most often used functions to a separate menu therefore they are simple to induce to. The touchscreen still cannot be employed in the menus, however, you'll be able to use it once previewing photos. It may be used as a touchpad for shifting the main focus purpose once you are mistreatment the EVF. The A6100 can be used with the Android or iOS with Imaging Edge software to remotely move images or control the device.

Sony A6100 performance and battery life

We were expecting the Sony A6100's ISO performance to be the same as what we got from the A6600, considering that they need constant device and ISO vary. Details are sharp, colors are spirited, and there's barely any visible noise even at a 100 percent crop until concerning ISO 800. we start to visualize slight degradation thoroughly as we approach ISO 6,400, with some noise beginning to seem on the colored parts of the pencils.

At ISO 25,600, details get a bit fuzzy, edges are not terribly distinct any longer, and there is visible grain within the image. At the utmost native ISO of 33,000, details area unit even fuzzier, and it is the same look that we tend to get from the A6600. If you fully should go higher, you'll be able to use the extended ISO vary, however, image quality takes an enormous hit.

The Sony A6100 is simple to handle due to its low weight, and it does not need a lot of effort to induce sensible shots. Focus is correct due to the always-on face and eye optical device systems, that are fast to recognize and lock on to human faces. If you would like the system to use eye AF for animals, then this must be modified manually within the system settings. similar to the A6600, the AI pursuit AF works brightly and that we managed to induce some sensible shots of little moving subjects, like birds, even at a high zoom level. we tend to primarily use the kit lens with the A6100, however, conjointly shot a number of our samples with AN 18-135mm camera lens that we tend to have.

Landscapes and close-up shots, beneath natural light-weight, looked superb. we tend to managed to induce superb details even in JPEGs, with spirited and correct colors further as superb natural depth. The A6100 is capable of taking some particular burst shots too, though since the buffer isn't massive and therefore the camera solely supports UHS-I speed Coyote State cards, there is a good bit of waiting time before you'll be able to review your photos. The show gets adequately bright once shooting inside, however outdoors, beneath daylight, we tend to found it best to use the EVF.

In low weight, the A6100 can search for a limited amount of light, but this is part of the fault of the lenses we used, which do not have a really large range. With sufficiently light around, the sensor always manages to hold the focus easily. Dark regions of a frame will look a bit creaky, particularly once shooting with a high ISO price, and this cannot be avoided if you wish a quick shutter in low light-weight.

The A6100 is incredibly competent for videos too. 4K videos look nice, with glorious detail and hues. Focusing is fast and therefore the touchscreen allows you to swimmingly transition focus between your subjects with ease. The S&Q (slow and quick) mode is nice for slow-motion and hyperlapse videos. The resolution is restricted to 1080p, however, you'll be able to go as high as 120fps (in NTSC mode). The optical device is slower in low light-weight, and that we detected a small amount of searching once attempting to modify subjects, however, we tend to guess this might be improved by employing a wider aperture lens.

Shooting millions of video or burst shots will take a toll on the battery. similar to most previous A6xxx series cameras (with the exception of the A6600), battery life is fairly average. The rated output is concerning 360 frames per charge, and with actual usage, we tend to manage to average a rather higher range of around four hundred shots per charge, that remains not nice. Thankfully, the battery will be charged employing a power bank ANd you'll be able to still use the camera whereas it's being power-driven by an external supply. It conjointly still takes a minute for the battery to charge, and yet again, it's unsatisfying to not have a USB Type-C port.

Verdict

Sony has priced the A6100 very well, compared to the dearer A6400 and A6600 models. The kit that Sony sent us with the 16-50mm lens formally prices Rs. 75,990, though it's on the market for nearer to Rs. 68,000 if you look on-line. With this, you get a number of the most effective of Sony's mirrorless technology while not having to pay upwards lakh 100000 Rupees, which may be a superb price proposition. the sole belongings you extremely lose out on, compared to the higher-end models, area unit the in-body stabilization, longer battery life, advanced image profiles, and high-resolution EVF. for many casual shooters, whom this camera is targeted at, none of those things ought to extremely be a deal-breaker.

We'd want a much wider buffer for rapid images, support for smaller memory cards, a Type-C connector, easy storage, and better battery life. However, considering the core options on provide, the A6100 remains superb price because it brings a number of Sony's flagship-level technology to a lot of approachable value purposes.

REVIEWS

⓼

DES

IGN

⓼

DIS

PLAY

⓼

SOFT

WARE

⓼

SHOW

⓻

CAM

ERA

⓽

FOR MON

EY

✔GOOD

✘BAD

☞ Great Image & Video Quality

☞ Fast Auto-Focus

☞ 180 Degree Rotating/Tilting Screen

☞ Slim & Light Body

☞ Great Battery

☞ Old Micro-USB, No Type-C

KEY SPECIFICATIONS

REAR CAMERA

24.2MP

DISPLAY

3 Inch

SENSOR TYPE

APS-C

DISPLAY TYPE

TFT LCD

BATTERY

Lithium ion

TOUCHSCREEN

Yes

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[freemindtech]

Sony ZV-E10 Review: Jack of All Trades

Sony ZV-E10 Review: Jack of All Trades

Sony has added a new model this year to its vlogging camera series called the ZV-E10. It’s not a follow-up to the Sony ZV-1, which launched last year, but is more of an advanced version of it which supports interchangeable lenses and has a larger sensor. What’s even more interesting is the price of this camera. It’s only a bit more expensive than the ZV-1, but costs less than Sony’s A6100, with…

[col-life23]

Sony A6100 Review

A couple of weeks ago, we tested the Sony A6600, which is the company’s latest flagship APS-C mirrorless camera. Now, it’s time to take a closer look at the A6100, which is its entry-level sibling. The A6100 was launched alongside the A6600 and shares a lot of the premium features found in Sony’s flagship model, yet costs a lot less.

It’s designed to be an entry-point to Sony’s mirrorless…

[arko006-blog]

Sony A6100 Review

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A couple of weeks ago, we tested the Sony A6600, which is the company’s latest flagship APS-C mirrorless camera. Now, it’s time to take a closer look at the A6100, which is its entry-level sibling. The A6100 was launched alongside the A6600 and shares a lot of the premium features found in Sony’s flagship model, yet costs a lot less.

It’s designed to be an entry-point to Sony’smirrorless…

[technicalnextstuff]

Sony A6100 Review | NDTV Gadgets360.com

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A couple of weeks ago, we tested the Sony A6600, which is the company’s latest flagship APS-C mirrorless camera. Now, it’s time to take a closer look at the A6100, which is its entry-level sibling. The A6100 was launched alongside the A6600 and shares a lot of the premium features found in Sony’s flagship model, yet costs a lot less.

It’s designed to be an entry-point to Sony’s…

[readnewseveryday]

Sony adds two new APS-C mirrorless cameras with Eye-AF technology

Sony adds two new APS-C mirrorless cameras with Eye-AF technology

Note: This article was first published on 29th August 2019.

It’s been three years since the launch of the A6300 and the A6500, but Sony has just updated the line with two new cameras: the A6600 (ICLE-6600) and A6100 (ICLE-6100).Both cameras get the latest in autofocus and videos from Sony, with the A6600 designed to impress with…

[sunbrightconsultancyittrainin]

Sony A6600 Flagship APS-C Mirrorless Camera, A6100 ‘Budget’ Mirrorless Camera Launched

Sony A6600 Flagship APS-C Mirrorless Camera, A6100 ‘Budget’ Mirrorless Camera Launched

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It’s suddenly raining cameras in August. After Canon announced its new mirrorless offering, Sony has announced two new APS-C mirrorless cameras which will hit markets in October and November. The first is the A6600, which will be the current flagship model. It borrows the same features like real-time subject and eye tracking in stills and videos from the A6400, but adds the 5-axis n-body…

[mealha]

Hands on with the Sony a6600, plus sample images

The Sony a6600 is a Sony's new flagship camera in the APS-C line. (Jeanette D. Moses/)

Last week in New York City Sony announced two new APS-C interchangeable lens cameras, the a6600 and the a6100, as well as some APS-C friendly glass. The a6600 is the new flagship of the APS-C line, and for good reason. The camera is built around a 24.2 megapixel sensor with BIONZ X processor. All that processing firepower grants it features like auto focus as fast as 0.02 seconds, 5-axis in-body image stabilization, 425 phase-detection auto-focus points that cover 84 percent of the frame, and an 11 fps burst rate with continuous AF/AE tracking. During the launch event Sony also announced that two new e-mount lenses on the way for the APS-C system: the 16-55mm standard zoom and the 70-350mm F4.5-6.3 G OSS super-telephoto.

We had a chance to shoot with the a6600 and both lenses last week after the announcement. This is what we thought.

The new camera has a 180 degree tilting touch-screen, 425 phase-detection auto-focus points that cover 84 percent of the frame and an 11 fps burst rate with continuous AF/AE tracking. (Jeanette D. Moses/)

Design and feel

The ergonomic changes to the a6600 are subtle, but amount to a camera that is much more comfortable to work with over long periods of time. The a6600 features the new Z type battery (first seen on the full-frame a7 cameras) which gives the camera substantial endurance boost—2.2x the capacity of the NP-W50 batteries found in other cameras in Sony’s APS-C line. The larger battery makes for a slightly chunkier grip as well. Memory cards still slot in beside the battery on the bottom of the camera.

The a6600 features the same 180 degree tilting touch-screen found on the a6400: good for shooting selfies, vlogging, and shooting from high angles. The new camera also features a headphone jack to monitor audio while shooting video—making this an appealing APS-C choice for creators that plan to shoot a lot of videos.

In addition to the a6600 Sony announced two new lenses, the 16-55mm standard zoom and the 70-350mm F4.5-6.3 G OSS super-telephoto. (Jeanette D. Moses/)

Sony has eliminated the pop-up flash on the a6600, and added a third customizable C3 button on the back of the camera near the menu button. Shooting with the a6600 feels similar to working with the a6500. There is no AF joystick or a front dial. Both the a6600 and the a6500 feature dial controls on the top right and the back of the camera. You can operate both with your thumb, but with a beefier grip it would have been nice to have a front dial to control with your index finger. The camera does have touchpad AF though, you can drag your finger across it to select a focus point while looking through the viewfinder. It’s a nice touch, although occasionally the camera will mistake your nose for your finger tip. The camera body has a weather-sealed construction, as one would expect with a new flagship.

The 11 fps burst rate with continuous AF/AE tracking makes shooting moving subjects a breeze. (Jeanette D. Moses/)

Shooting experience

The increased battery life and redesigned grip are two key upgrades that make shooting with the Sony a6600 significantly more pleasant than other cameras in the APS-C line. It’s comfortable to hold in your hand for long periods of time or to wear across your body. The longer battery life means you can spend an entire day shooting without the worry of having a sack full of backup batteries. Our first day out with the camera was a drizzly one and although the camera was often covered in droplets we didn’t notice any decreases in its functionality during our shoot.

Sony’s real-time tracking AF and eye AF for both humans and animals is fast and accurate and the functionality now exists in the entire line of Sony cameras. In a perfect world we would love to see a camera that had an AF joystick on the back for selecting points, but the real-time tracking on the camera is so good that most of the time you don’t really need it.

Sample image from the a6600, shot at 1/200 sec, f/6.3 at ISO 250. (Jeanette D. Moses/)

A word of warning though, if you are shooting a subject wearing an outfit covered in circular gems the camera might mistake those bobbles for eyeballs, at least that is what we noticed when photographing an aerialist at Coney Island. The tech isn’t quite as accurate with exotic animals. During our time at the Central Park Zoo the camera’s animal eye AF worked well with the snow leopards, but had trouble with birds. Surprisingly when photographing snow monkeys human eye AF was more accurate than animal eye AF. There is noticeable buffer lag when shooting at high speeds with the a6600 though.

Of course a camera body can only do so much—you also need good glass. We shot with Sony's new 16-55mm standard zoom and the 70-350mm F4.5-6.3 G OSS super-telephoto during our time with the a6600 and found both to be quite good. Although these two lenses aren't cheap, they performed well in the field and having them both in your kit covers a substantial range that will work in a variety of shooting scenarios. The lightweight super-telephoto built-in image stabilization paired with the in-camera stabilization is a real treat. We were impressed by its ability to produce sharp images while shooting fast moving seagulls on Coney Island's beach with a fully extended lens while shooting from an uncomfortable crouched position to keep from scaring away the birds. Both lenses feature a customizable focus hold button and a AF/MF switch on the barrel.

Sample image from the a6600, shot at 1/200 sec, f/2.8 and ISO 250. (Jeanette D. Moses/)

Ultimately when the a6600 is paired with these two new APS-C lenses it is a very fun and compact shooting solution. We were pleased with the results of the enhancements of real-time tracking in the camera, the longer battery life, and the larger grip. We’re looking forward to spending some more time with this one in the near future. Check out more sample images from the camera below.

The only trouble we had with with the eye AF while shooting the a6600 was making portraits of this aerialist. The camera kept mistaking the bobbles on her costume as eyeballs. (Jeanette D. Moses/) Sample image from the a6600, shot at 1/200 sec, f/3.2 and ISO 250. (Jeanette D. Moses/) The fast autofocus and burst rate make are great for getting sharp environmental portraits of fast moving subjects like this knife juggler. (Jeanette D. Moses/) Sample image shot with the a6600 and the 70-350mm F4.5-6.3 G OSS lens at 1/250 sec, f/8.0 and ISO 250. (Jeanette D. Moses/) The image stabilization inside the new 70-350mm F4.5-6.3 G OSS lens is impressive. This image was captured with the lens fully extended while shooting from an uncomfortable crouched position to keep from scaring away the birds. (Jeanette D. Moses/) Environmental portrait shot with the 16-55mm F/2.8 G lens at 1/500 sec, f/3.5 and ISO 250. (Jeanette D. Moses/) Environmental portrait shot with the 16-55mm F/2.8 G lens at 1/500 sec, f/3.2 and ISO 250. (Jeanette D. Moses/) Even with a busy scene the camera does a good job at identifying faces and focusing on them. (Jeanette D. Moses/) We were shooting with the camera during a drizzly day at Coney Island, the weather sealed camera body and lenses had no problems dealing with the moisture. (Jeanette D. Moses/) Sample images from the a6600, shot at 1/320 sec, f/4.0 at ISO 250. (Jeanette D. Moses/) The in-camera stabilization in the a6600 is impressive. This city scene was shot handheld at 1/40 sec, f/2.8 and ISO 2500. (Jeanette D. Moses/) A sample image from a day at Central Park. (Jeanette D. Moses/) Animal eye AF had a bit of trouble keeping up with the tiny eyes of this bird, but the continuous AF/AE tracking was able to identify it as the main subject in the frame. (Jeanette D. Moses/) Sample image from the a6600 and the 70-350mm F4.5-6.3 G OSS lens, shot at 1/125 sec at f/ 6.3 and ISO 2500. (Jeanette D. Moses/) Although animal eye AF had trouble grabbing onto this snow monkey's features, when the camera was switched to human eye AF had no problem detecting him. (Jeanette D. Moses/) Animal eye AF couldn't detect this sea lions eyes, but the continuous AF/AE tracking was able to identify it as the main subject in the frame once it popped out of the water. (Jeanette D. Moses/) The animal eye AF worked really well with the snow leopards, it kept focus on their eyes even when they were closed. (Jeanette D. Moses/) Sample image from the a6600 shot at ISO 12800. (Jeanette D. Moses/) Animal eye AF working impressively well with these two snow leopards. (Jeanette D. Moses/) The camera holds up at high ISOs as well. This frame was shot at 1/00 sec at f/ 2.8 and ISO 12800. (Jeanette D. Moses/) The fast burst speed and speedy AF makes it a good choice for shooting live music in poorly lit places. (Jeanette D. Moses/) Another sample image from a late night show in New York City. (Jeanette D. Moses/) Sample image from the a6600 shot at 1/100 sec, f / 2.8 and ISO 16000. (Jeanette D. Moses/) Even in a dark room like this venue the a6600 did a nice job identifying faces and eyes and holding focus. (Jeanette D. Moses/) Sample image from the a6600 shot at ISO 12800. (Jeanette D. Moses/) from Popular Photography | RSS https://ift.tt/2I3ldWT

[pxtimes]

First samples from the Sony a6100, E 16-55mm and E 70-350mm: Digital Photography Review

First samples from the Sony a6100, E 16-55mm and E 70-350mm: Digital Photography Review

Published Aug 29, 2019 | dpreview staff

We’re in New York City where Sony’s launched an impressive range of new APS-C gearincluding a flagship a6600 body, budget-friendly a6100 body, E 16-55mm F2.8 standard zoom lens and E 70-350mm F4.5-6.3 telephoto lens. We got our hands on both the a6100 and duo of lenses. Check out our initial…

[freemindtech]

Sony A6100 Review | NDTV Gadgets 360

Sony A6100 Review | NDTV Gadgets 360

A couple of weeks ago, we tested the Sony A6600, which is the company’s latest flagship APS-C mirrorless camera. Now, it’s time to take a closer look at the A6100, which is its entry-level sibling. The A6100 was launched alongside the A6600 and shares a lot of the premium features found in Sony’s flagship model, yet costs a lot less. It’s designed to be an entry-point to Sony’s mirrorless camera…