#sons of the Pioneers
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redrosesinblue · 8 days ago
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Roy Rogers and Bob Nolan perform a balancing act while the rest of the Sons of the Pioneers look on
c. 1950s
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folk-enjoyer · 5 months ago
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Song of the day
(do you want the history of your favorite folk song? dm me or submit an ask and I'll do a full rundown)
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"The Dying Cowboy" Cisco Houston, 1952
"The Dying Cowboy " or "Cowboys Lament" is based on an old sailors poem, written by Edwin Hubbell Chapin and published in 1839, "The Ocean Burial"
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Edgar Allan Poe's "Southern Literary Messenger" vol V, pp.6l5-6l6, 1839
here's an example of the traditional song put to music by Eugene Jemison in 1954
by the 1880s, the lyrics had morphed into the famous cowboy song we all know and love, but it wasn't until 1910 that it was pared with its well-known melody by John Lomax in the album, "Cowboy Songs And Other Frontier Ballads" here (recorded 1942)
by far, the most interesting thing that happened to the song is that its meaning was reversed. in 1934, Carson Robison changed the lyrics and the song and titled it "Carry Me Back to The Lone Prairie" (recorded 1941) and several other contemporary famous country artists
like Sons of the Pioneers,
Riders in the Sky,
Gene Autry,
Johnny Bond,
and Roy Rogers.
covered this song.
this more Hollywood country version of the song changed the story away from the bitter toiling of cowhand workers and towards nostalgia for the West that fit right in with other popular country music of the 40s and 50s. At the same time, the song was covered by Cisco Houston, a leftwing activist and official Union Boy, among other progressives, as a criticism of working class conditions. This song is so utterly fascinating to me and the best way to visually and auditorially explain the historical split manufactured between folk and country.
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thinkbolt · 1 year ago
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twitch
Pecos Bill (Disney, 1948) dir. Clyde Geronimi, in the feature anthology "Melody Time" music by Roy Rogers and the Sons of the Pioneers
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odk-2 · 2 years ago
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Sons of the Pioneers - Tumbling Tumbleweeds (1934) Bob Nolan from: "Tumbling Tumbleweeds" / "Moonlight on the Prairie"
Country and Western | Cowboy Song | Western Song (from back when there was "Western" in Country and Western)
JukeHostUK (left click = play) (320kbps)
Personnel: Tim Spencer: Vocals Leonard Slye (Roy Rogers): Rhythm Guitar / Harmony Vocals Bob Nolan: String Bass / Harmony Vocals Hugh Farr: Fiddle Karl Farr: Guitar
Recorded: @ The Decca Studios on August 8, 1934 in Los Angeles, California USA
Released: on November 10, 1934
Decca Records
Grammy Hall of Fame (2002) Library of Congress' National Recording Registry (2010)
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culturevulturette · 6 months ago
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Cool, clear water...
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singeratlarge · 3 months ago
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SATURDAY MATINEE MUSIC VIDEO “Along the Navajo Trail” https://www.youtube.com/watch?v=di1GC3K46Hc …Yá’át’ééh. I'm always combing the Great American Songbook for new songs to add to my set list for my assisted living homes gigs. This one came up at the suggestion of my soulmate Uma Robin + I learned Sam Cooke covered it (B-side to "Wonderful World”) and that boosted my interest. I have a soft spot for the Navajo Nation and Native American lore in general, though this song is more about a faintly idyllic Navajo geography as a backdrop to a 1945 film of the same name starring Roy Rogers and Trigger (the horse gets equal billing). Roy plays a cowboy poet who defends minorities from bullies, breaks up a range war, gets the girl (Dale Evans), and lives happily ever--and all in time for dinner. He sang this song with The Sons of the Pioneers (reprising it in another cowboy movie, “Don’t Fence Me In”), and it's been covered by many artists since. The lyrics paint a picture of work, open space, and connecting music with nature.
https://www.youtube.com/watch?v=di1GC3K46Hc
#Navajo #RoyRogers #CowboySong #Americana #NavajoTrail #SonsofthePioneers #DaleEvans #Trigger #JohnnyJBlair #singeratlarge #entertainer #assistedlivinghome #sanfrancisco #GibsonEC20guitar
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lalalaugenbrot · 1 month ago
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Attempt at a Comprehensive List of
Alexander von Humboldtʼs Potential Boyfriends
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When if not now that Alex came 2nd in the @napoleonic-sexyman-tournament (what a time to be alive) would be the perfect time to finally thoroughly pick his private life apart. Strangely it has always been a mystery even to me (and of course overall it will remain a mystery until the end of times), but I still thought it was about time to at least get some order in the few things that we do know – mainly for myself but also, I dare say, for the public. You (the public!) will find a short text for every friend under the cut ↓.
disclaimers:
a) I tried to pick the most appropriate picture of everyone but please imagine especially the first ones a lot younger than they are in the pictures
b) it’s a potential boyfriends list, meaning: I’m not saying Alex definitely had romantic and/or sexual relationships with any let alone all of these men, it’s just a list of men where it seems at least possible; but ultimately, of course, we do not know and will never know
c) Alex lived for almost 90 years, and even though his textual remains can seem infinite, there is a lot we don’t know about him, especially his private life, not least because he habitually destroyed almost all of his private letters (which is also why for all of his correspondences we only know the letters he wrote but almost never the ones he received) − so I don’t think there’s any way this list is exhaustive (let me know if you think anyone is missing?)
d) Bonpland is not in this because Alex went out of his way to specifically state that his relationship with Bonpland was purely scientific
e) the point of this post isn’t to determine his sexuality, but since it has already come up, just a couple of words on him being on the asexual spectrum: that is perfectly possible and maybe not even unlikely, he said things about himself that could be interpreted as such (not wanting to marry, not having sensual needs); but I think it’s good to keep two things in mind about that: 1. not wanting to get married was a big thing in 1800, something you had to explain yourself for and not wanting to get married as a man also obviously meant not wanting a wife, it was by no means a question on whether or not wanting a significant other and/or sex; 2. the narrative of his sex-less life at least partly derives from the (mainly 19th/20th century) wish for him not to have been (actively) homosexual
f) I hate to be that person, but it has to be said: language and culture back then were much more emotional and expressive than we are used to today, so not everything that sounds super intimate or even romantic to us (language-wise) has to actually have been meant that way; of course this doesn’t rule out anything either but it’s a thing to keep in mind
g) if anyone is interested in sources or further reading on anything particular, do not hesitate to hit me up! But i’m not adding any of that to this post because 1. it’s already 2 km long and 2. this is tumblr dot com
Wilhelm Gabriel Wegener (1767-1837)
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18-year-old Alex met Wilhelm in 1787 during the one semester he studied at the University of Frankfurt (Oder). Wilhelm was a (protestant) theology student and on 13 February 1788 they made a “holy” oath to “eternal brotherly love”. They wrote each other very cheesy letters, very much in the Empfindsamkeit fashion of the time, proclaiming their eternal and ever-growing love for each other. There was no one on earth, Alex wrote to him once (and in Italian no less), whom he loved as ardently as him (“Non vi è uomo sopra la terra ch'io amì così ardammente che lei…”). He also told him that, ever since he had met him, it seemed to him that God had created people only in pairs, because no one else could ever compare to what he meant to him. In his letters Alex also repeatedly refers to the many hours spent together (“chatting”) in a certain armchair in Frankfurt and proclaims that he has never been happier than in that very chair.
They kept contact for a couple of years after their time in Frankfurt, but at some point their friendship faded out.
Carl Ludwig Willdenow (1765-1812)
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Willdenow (a published botanist) and Alex met in 1788 in Berlin, when Alex had one day decided to just call at his house to ask him to teach him botany. Willdenow agreed and they became friends quickly, spent a lot of time together, and when Alex wandered through Berlin on his own to collect plants, he would afterwards bring them to Willdenow who would then identify them for him.
We do not know a lot about their friendship during that time (and maybe I only included him in this because I needed 9 tiles) but at least one phrase in Alex’s autobiography fragment calls our attention, not least because it’s highlighted by what I like to call a Streisand strike-through: “I became enthusiastically fond of him” or “I grew to love him enthusiastically” (“Ich gewann ihn enthusiatisch lieb”, written in 1801 and crossed out roughly 50 years later).
They stayed in contact even after Alex had left Berlin a couple of months later: in 1795 Alex became godfather of Willdenow’s son and in 1810 he convinced him to come to Paris to work on his botanical collections from the South America trip. Sadly, Willdenow fell ill in 1811 and died in 1812 in Berlin.
Karl Freiesleben (1774-1846)
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Alex met Karl in 1791 in Freiberg, where both studied geology and mining at the renowned Bergakademie. Karl was the son of a local mining family and Alex learnt a lot from him about his new profession. They both were nerdy about stones and minerals in ways you couldn’t even begin to imagine. They gifted each other minerals, went down into the mines together, and in August 1791 they made a 200 km long geological expedition through the mountains of Bohemia on foot. But aside from pages-long enthusiastic rants about geology, Alex’s letters to Karl are also full of sentimental love declarations. He called him Herzens-Freisesleben, Herzens-Karl or Herzensjunge (roughly “my heart’s Freiesleben/Karl/boy”) and once finished a letter with: “going to bed now and I’ll be happy when I dream of you” — a passage Karl thoroughly struck through later, probably so no one else could read it, but someone deciphered almost all the struck through passages anyway (not all heroes wear capes!).
Karl and Alex stayed (sporadic and long-distance) friends for the rest of Karl’s life.
Reinhard von Haeften (1772-1803)
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The above picture shows a snippet from one of Alex’s travel journals where he noted Reinhard’s birthday (“14 Mai R.”) because sadly we don’t have a picture of Reinhard. But let’s hear how Alex described him:
“This Reinhard v. Haeften has been my only and hourly company for a year now. I live with him, he visits me in the mountains. [...] I have already ridden 8 miles [60 km] just to see him for a couple of hours. He is very tall, taller than most men and he’s only 22 years old but looks more mature than me [at 25]. He has a very remarkable face and everyone finds him to be one of the most beautiful men, and I too think he’s beautiful, but most importantly I have never seen purity of the soul, kindness and courtesy being reflected in anyone’s features as much as in his.”
Alex and Reinhard met in 1793 in Bayreuth (where Alex now worked as a mining official) and they quickly moved in together. However, shortly before meeting Alex, Reinhard had also managed to make a baby with a married woman 4 years older than him. Alex was friendly with Christiane, the child’s mother and helped to keep the birth a secret. The boy (named Friedrich Gustav Alexander, Alex’s godson and surely named after him) had to spend the first years away from his parents. In the meantime, Reinhard continued to live with Alex, accompanied him on business trips and mineralogical expeditions and in 1795 they went on a two-month trip through Northern Italy and Switzerland. It was only with and through him, Alex wrote to Reinhard once, that he could live, only close to him that he could be fully happy.
Later, after Reinhard and Christiane had finally gotten married (and reunited with their son), Alex wrote him a very long letter, proposing for the three of them to (continue to?) live together with Reinhard as head of the family and to settle for quiet life in Switzerland, Italy, or some small town in the west of Germany. That plan never worked out, but “Rein” (as Alex called him), Christiane, their by now two children and Alex lived and travelled together for another two years while Alex was already preparing for his big journey.
After he had sailed for the Americas in 1799, he tried his best to stay in contact with them. In his letters, he called them his “Herzensmenschen” (again, roughly: “his heart’s humans”), wrote them that he was dreaming about them day and night and how much he wished that his – their – Rein could be with him to see all the marvels, too. But cross-atlantic communication was bad during that time and in both directions most letters never arrived.
Sadly, Reinhard unexpectedly died in 1803 while Alex was still in America, meaning they never got to meet again. Alex stayed in contact with Christiane and the children − the only survivors of the shipwreck, as he put it − and wrote Christiane how he still remembered their time together, along with all the hopes and dreams that they had had and that despite the “all-robbing fate”, there was something unalterable in the depth of their love, that could only die with them. When Christiane remarried and had another son in 1806, she named him Gustave Louis Reinhard Alexandre. Alex continued to financially support Christiane and the children and in 1813, Reinhard’s son Fritz (Alex’s godson) visited Alex in Paris for three months.
Carlos Montúfar (1780-1816)
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Alex met Carlos in 1802 in Quito and despite him having no scientific qualifications whatsoever, Alex chose Carlos to accompany him on his further journey. This decision offended botanist, geographer and astronomer Francisco José de Caldas (who himself had hoped to join the expedition) so much that he, in a letter to botanist José Celestino Mutis, famously called Carlos “[señor Barón de Humboldt’s] Adonis”, probably insinuating that Alex had picked Carlos purely for his looks, or even more.
Together with the rest of the party, Alex and his supposed “Adonis” travelled what today is Ecuador (where they climbed the Chimborazo), Peru, Mexico, Cuba and the USA. At least once during that journey (but perhaps regularly?) they shared a bed (as in some kind of temporary/mobile  accomodation) which we know because Alex explicitly says so in his travel journal when he describes a night in which Carlos had very bad stomach cramps which Alex tried to ease by heating handkerchiefs over the fire for him in the middle of the night.
Carlos accompanied Alex back to Europe in 1804 and stayed with him in Paris for a couple of months (where they most likely both attended Napoleon’s coronation) until he ultimately left to go to Madrid. But since Carlos had trouble getting money from South America, he still had to rely on Alex’s support. However, over time his contact to Alex seems to have broken off, because in a letter from 1806, Carlos complained about Alex not answering him anymore (“¡Qué largo silencio!”) and then told him, quite dramatically, that he was running out of money, and that he, Alex, was his only friend, his only hope, and the only person he knew in Europe who could tell him what to do. Whether all of Alex’s letters had gotten lost in the mail and whether Alex ended up helping him out or not, I think we don’t know. (But knowing him as I do and since he after all kept that letter, I’m sure that he did.)
Later, Carlos went back to South America, where he (alongside Símon Bolívar) fought to liberate the continent from the Spanish Crown − a fight he unfortunately didn’t survive: he was captured and executed by the Spanish in 1816.
Joseph Louis Gay-Lussac (1778-1850)
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Alex and Gay (that’s what Alex called him, no pun intended) first met in 1804 in Paris, just after Alex’s return from America. Before, Gay had done two things: 1. contributed to a harsh critique on one of Alex’s papers, 2. ascended 7016 m in a hot-air balloon to investigate the air up there − a world record at the time and more than 1000 m higher than Alex had been on the Chimborazo, which had then also been a world record (in recorded European history).
Evidently, these were the best conditions for them to totally hit it off: they almost immediately started to work on the evaluation of Gay’s balloon ascent and often spent entire days working together in Gay’s room, from 9 am until after midnight. In a letter to his father, Gay wrote that Alex was the man with the best heart he had ever known, that their tastes and sentiments were absolutely the same − and that their hearts felt a great need to see each other very often.
After the publication of their paper (in which they, without fully realising it, also first identified the chemical composition of water: H2O), they (and another friend) went on a six-month field trip through Switzerland and Italy − where they were lucky enough to witness both an earthquake and a resulting Vesuvius eruption. They ended their journey in Berlin where Gay stayed at Alex’s for a couple of months and even started to learn German until he unexpectedly had to leave for Paris. His absence, Alex wrote after Gay had left, pained him a lot.
When Alex finally returned to Paris as well, they shared a single room at the École Polytechnique and even after Gay became a father in 1808 and married in 1809, Alex continued to (at least occasionaly) live with his family for many years. Gay’s first son (born in 1810) was named Jules Alexandre and while I have no proof that he was named after Alex, I think it’s safe to assume. Alex seems to have also been very intimately integrated into the family life, because he once wrote to Willdenow (with a humorous undertone of course): “We are always pregnant and just had a girl again. Right now we’re not feeling anything though.” Alex was also there to help when an explosion in a laboratory accident injured Gay’s eyes so badly that Alex and another friend had to take him home in a blindfold.
No letters between the two have survived (that we know of), but we do know that in the years after they first met, Alex considered Gay his best friend and “one of the kindest beings in the world”, that he named an American plant genus after him (Gaylussacia), and that they used “tu” with each other (which was very uncommon in France at the time except for childhood friends and family). They stayed friends for the rest of their lives and formed a kind of trio with Arago (see below).
Karl von Steuben (1788-1856)
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We don’t know when exactly they first met but according to Alex they started to see each other daily in 1812 at the studio of painter François Gérard, where Alex had then started to take drawing lessons. Steuben, a young aspiring artist, lived and worked at Gérard’s studio. According to Alex, they “drew and painted” together “daily” for at least one or two years. Withdrawn from all other society, he wrote, this was now his “only joy” (interestingly almost the exact same wording he had used to describe his relationship with Reinhard 20 years earlier). However, it had perhaps been one of Alex’s exaggerations because he at least seems to have attended the famous salons Gérard held at his studio, where all the cool Paris people came to hang out. Alex reportedly talked incessantly, stayed late into the night (the main thing usually didn’t get going until midnight) and was found there again, freshly dressed and shaved, already at 7 in the morning.
In the meantime, Alex had started to torment basically everyone around him to commission Steuben to paint them, their sons, daughters, fiancés etc. to help Steuben support his poor mother in St. Petersburg. In 1814, even Alex’s brother noted that Alex had suddenly become strangely interested in art. In the same year, Alex became godfather to Steuben’s newborn son Alexander.
However, the biggest commission Alex got Steuben was a life-sized full-body painting of himself, which he intended to gift to his sister-in-law. It took 7 years to finish and in the end Alex’s brother had to pay for transport and framing because Alex had run out of money. Neither his brother nor his sister-in-law were overly enthusiastic about the likeness of the painting or Steuben’s talent in general but they still put it up in their home because after all, as his brother put it, they loved Alex and always liked a picture of him around.
Alex and Steuben stayed in at least loose contact for many years and Alex occasionally even still tried to get him commissions. Steuben’s painting of Alex hung in the Humboldt residence in Tegel for over a century before it was ultimately destroyed in WWII. Apparently though, another Alex portrait by Steuben from 1815 still exists in a private collection somewhere.
François Arago (1786-1853)
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Arago, a young astronomer, was on a scientific expedition through Spain when he got entangled in the Peninsular War: mistaken for a French spy, he got arrested and incarcerated, managed to flee, was captured again, transferred, released, drifted off at sea to Algeria, all the while managing to hold on to his most valuable possession: his scientific records, which he kept hidden under his shirt at all times. When Alex heard about this (the two had never met before), he was so impressed by his courage and determination that he sent a letter to congratulate him — and to offer him his friendship. And in fact, one of the first things Arago did when he finally returned to Paris in 1809 was to go and meet Alex. It was the beginning of a 44-year-long friendship. They saw each other almost daily, worked together at the observatory, planned an expedition to Tibet (which never happened), and actually travelled at least to London in 1817 to visit Alex’s brother, who commented to his wife: “Alexander has arrived yesterday. But he isn't staying with me, even though his room had already been prepared. You know his passion to always be with one person who is his favourite at that time. Now he has the astronomer Arago who he doesn't want to part with (...) So they're staying at a nearby inn.” Just as with Gay, Alex and Arago used “tu” with each other and after Arago had gotten married in 1811, Alex was close with his wife and children as well as with his siblings, nieces and nephews — in some letters he even considered himself part of the Arago family.
When Alex was forced to move back to Berlin in 1827 to work for the king, he wrote Arago desperate letters on how much their separation pained him, how much he missed him every hour of every day. In the following 26 years, Alex’s letters to him were full of yearning pleas for just a couple of lines of his hand, which, as he wrote, always made his heart flutter. However, Arago often didn’t respond for months, but when he did, he at least knew to reassure Alex, writing things like: “Outside my family, you are, without any comparison, the person I love most tenderly in this world.” Alex kept a portrait and a large Arago bust in his study in Berlin, and until his late seventies, he travelled to Paris regularly (that is, every few years), first and foremost to see Arago. (Actual quote from 78-year-old Alex in a letter to his niece: “Every morning at half past eight without interruption, I’ve been at Arago’s in the observatory, today for the 62nd time.”) According to Arago, he and Alex have only been angry with each other one single time in all those decades and even that went over in an instant.
They saw each other for the last time in January 1848, on the last night of Alex’s last stay in Paris. When Arago fell ill five years later, his family informed Alex of his worsening condition — but Alex couldn’t travel to Paris to see him one last time. Even over a year after Arago’s death, Alex wrote that the memory of those last moments in January 1848 vividly came back to him during the night at least once a week. He outlived his friend by 6 years.
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jt1674 · 1 year ago
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redrosesinblue · 2 days ago
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critdeeznuts · 2 months ago
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why the fuck is my autistic ass getting into percy jackson literally 7 years too late. brother i’m almost an adult. i just bought the entirety of the heroes of olympus and i can’t wait to read it. what the fuck
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whitehartlane · 2 years ago
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nice one, sonny. 🇰🇷❤️
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ebony1442 · 2 years ago
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Now Skyball Paint was a devil's saint,
His eyes were a fiery red.
Good men have tried this horse to ride,
But all of them are dead.
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ON A FLYING DEVIL
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sleepynegress · 1 year ago
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Rewatching Prodigal Son while waiting for this melatonin to work. This show was borderline camp, given how unhinged Malcolm Bright was played, the bug eyes, the tieing to the bed, the outcrazing serial killers to catch them.... It was wild. A real shame, the cast had a lot of charm. I wish it had gotten one more renewal.
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doyoulikethissong-poll · 4 months ago
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Ritchie Valens - La Bamba 1958
"La Bamba" is a Mexican folk song, originally from the state of Veracruz, also known as "La Bomba". The song is best known from a 1958 adaptation by rock and roll pioneer and forefather of the Chicano rock movement Ritchie Valens, which became a Top 40 hit on the US charts. Valens's version is ranked number 345 on Rolling Stone magazine's list of the 500 Greatest Songs of All Time. "La Bamba" has been covered by numerous artists, notably by Los Lobos whose version was the title track of the 1987 film La Bamba, a bio-pic about Valens; their version reached number 1 on many charts in the same year. Their music video won the 1988 MTV Video Music Award for Best Video from a Film.
"La Bamba" is a classic example of the son jarocho musical style, which originated in the Mexican state of Veracruz, and combines Spanish, indigenous, and African musical elements. "La Bamba" likely originated in the last years of the 17th century. The oldest known historical references come from the town of Alvarado, Mexico, where it apparently was performed with an atypically lively rhythm. The oldest recorded version known is that of Alvaro Hernández Ortiz, who recorded the song with the name of "El Jarocho". His recording was released by Victor Records in Mexico in 1938 or 1939, and was reissued on a 1997 compilation by Yazoo Records, The Secret Museum of Mankind Vol. 4.
Ritchie Valens learned the song in his youth. In 1958 he recorded a rock and roll flavored version of "La Bamba", originally released as the B-side of his number-two hit "Donna". His recording of the song was inducted into the Latin Grammy Hall of Fame and the Grammy Hall of Fame. On February 3, 1959, on what has become known as "The Day the Music Died", Valens died in a plane crash in Iowa, an accident that also claimed the lives of fellow musicians Buddy Holly and J.P. "The Big Bopper" Richardson, as well as their pilot. Valens was 17 years old at the time of his death. He was posthumously inducted into the Rock and Roll Hall of Fame, the Rockabilly Hall of Fame, the Native American Music Awards Hall of Fame, the California Hall of Fame, and has a star on the Hollywood Walk of Fame. In 2018, his version of "La Bamba" was selected by the Library of Congress for preservation in the National Recording Registry for being "culturally, historically, or aesthetically significant".
"La Bamba" received a total of 92,2% yes votes!
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countesspetofi · 8 months ago
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This was also always on the Opera Cowpokes bill.
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melorambles · 3 months ago
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Elrond as Gil-Galad's Herald should be portrayed more often as a polite political fiction. Like, Elrond's heritage should put him in a very important political position, given exactly how many lineages of kings he's related to. But he's basically allergic to being in charge and every time a council member mentions Elrond getting named the heir, Gil-Galad has to spend half a day talking Elrond out of a tree. But they can't disregard it completely because there are plenty of elves whose loyalty is tied closer to Elrond than Gil-Galad no matter how publically Elrond defers to him.
So, they compromised and made him Gil-Galad's Herald, which is an important position that tells everyone he has Gil-Galad's explicit trust but also means he spends more time playing diplomat and messenger than expressing his own political opinions. Also, it'd be funny if Elrond spends more time essentially pioneering healing techniques than anything else and Gil-Galad sending him out on Herald work is essentially him saying "you're not allowed back in the library until you've eaten at least three meals (diplomatic dinners) and talked to ten people, you're the healer why do I have to tell you this."
Also, something with the two of them going to great lengths to try and get people to forget that Gil-Galad isn't actually that much older than Elrond. And at least one political dinner where a bard is about to sing the Lay of Luthien and has to make awkward eye contact with Elrond, because that's his grandma. And the public consensus that Elrond is probably the most forgiving person on middle earth given he acknowledges his technical kidnappers as his technical foster fathers. And how that acknowledgement technically makes him and Celebrimbor cousins (as opposed to the more distant cousin relationship through his grandmother, Idril, daughter of Turgon, son of Fingolfin, brother to Feanor - aka the guy who made the first jewelry wars were started over, Celebrimbor's grampa).
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