#sons of the Pioneers

[catgirl-kaiju]

btw there is actually a lot of good country music out there, you just need to know where to look.

here's 10 of my personal favorite country/western tracks in no particular order:

there's plenty more than these that i like, but i tried to interject some that my followers might not be familiar with to broaden horizons

[folk-enjoyer]

Song of the day

(do you want the history of your favorite folk song? dm me or submit an ask and I'll do a full rundown)

"The Dying Cowboy" Cisco Houston, 1952

"The Dying Cowboy " or "Cowboys Lament" is based on an old sailors poem, written by Edwin Hubbell Chapin and published in 1839, "The Ocean Burial"

Edgar Allan Poe's "Southern Literary Messenger" vol V, pp.6l5-6l6, 1839

here's an example of the traditional song put to music by Eugene Jemison in 1954

by the 1880s, the lyrics had morphed into the famous cowboy song we all know and love, but it wasn't until 1910 that it was pared with its well-known melody by John Lomax in the album, "Cowboy Songs And Other Frontier Ballads" here (recorded 1942)

by far, the most interesting thing that happened to the song is that its meaning was reversed. in 1934, Carson Robison changed the lyrics and the song and titled it "Carry Me Back to The Lone Prairie" (recorded 1941) and several other contemporary famous country artists

like Sons of the Pioneers,

Riders in the Sky,

Gene Autry,

Johnny Bond,

and Roy Rogers.

covered this song.

this more Hollywood country version of the song changed the story away from the bitter toiling of cowhand workers and towards nostalgia for the West that fit right in with other popular country music of the 40s and 50s. At the same time, the song was covered by Cisco Houston, a leftwing activist and official Union Boy, among other progressives, as a criticism of working class conditions. This song is so utterly fascinating to me and the best way to visually and auditorially explain the historical split manufactured between folk and country.

[thinkbolt]

Pecos Bill (Disney, 1948) dir. Clyde Geronimi, in the feature anthology "Melody Time" music by Roy Rogers and the Sons of the Pioneers

[odk-2]

Sons of the Pioneers - Tumbling Tumbleweeds (1934) Bob Nolan from: "Tumbling Tumbleweeds" / "Moonlight on the Prairie"

Country and Western | Cowboy Song | Western Song (from back when there was "Western" in Country and Western)

JukeHostUK (left click = play) (320kbps)

Personnel: Tim Spencer: Vocals Leonard Slye (Roy Rogers): Rhythm Guitar / Harmony Vocals Bob Nolan: String Bass / Harmony Vocals Hugh Farr: Fiddle Karl Farr: Guitar

Recorded: @ The Decca Studios on August 8, 1934 in Los Angeles, California USA

Released: on November 10, 1934

Decca Records

Grammy Hall of Fame (2002) Library of Congress' National Recording Registry (2010)

[laikuh]

i would also like to shout out the soundtrack to this movie.

[howardhawkshollywoodannex]

original title card for Melody Time (1948) with a cast that includes Sons of the Pioneers. Winnipeg's Bob Nolan, leader of the Sons, is narrator and singer in the Pecos Bill segment. This is Bob's second honorable mention, after My Pal Trigger, also with Roy Rogers.

[wastehound-voof]

Sons of the Pioneers - Cowboy Jubilee

[cdchyld]

Added to the Vintage shop!

~ Sons of the Pioneers Tumbling Tumbleweeds and Cool Clear Water LP Vinyl Records (1969/1960)

[jt1674]

[whitehartlane]

nice one, sonny. 🇰🇷❤️

[sleepynegress]

Rewatching Prodigal Son while waiting for this melatonin to work. This show was borderline camp, given how unhinged Malcolm Bright was played, the bug eyes, the tieing to the bed, the outcrazing serial killers to catch them.... It was wild. A real shame, the cast had a lot of charm. I wish it had gotten one more renewal.

[doyoulikethissong-poll]

The Ronettes - Be My Baby 1963

"Be My Baby" is a song by American girl group the Ronettes that was released as a single in August 1963. Written by Jeff Barry, Ellie Greenwich, and Phil Spector, the song was the Ronettes' biggest hit, reaching number 2 in the US and number 4 in the UK. It is often ranked as among the best songs of the 1960s, and has been regarded by various publications as one of the greatest songs of all time. Ronnie Spector (then known as Veronica Bennett) is the only Ronette that appears on the track. In 1964, it appeared on the album Presenting the Fabulous Ronettes; the only studio album by the Ronettes (credited to "the Ronettes featuring Veronica"). Produced by Phil Spector and released in November 1964 through his label, Philles Records, the album collects the group's singles from 1963–1964. In 2004, it was ranked number 422 on Rolling Stone's list of "The 500 Greatest Albums of All Time".

"Be My Baby" has influenced many artists, most notably the Beach Boys' Brian Wilson, who wrote the 1964 hit "Don't Worry Baby" as a response to "Be My Baby". Many others have replicated or recreated the drum phrase—one of the most recognizable in pop music. As for the opening drum beat, drummer Hal Blaine stated, "That famous drum intro was an accident. I was supposed to play the snare on the second beat as well as the fourth, but I dropped a stick. Being the faker I was in those days, I left the mistake in and it became: 'Bum-ba-bum-BOOM!' And soon everyone wanted that beat." Sonny Bono and Cher were among the backing vocalists. Cher stated in a television interview, "I was just hanging out with Son [Bono], and one night Darlene [Love] didn't show up, and Philip looked at me and he was getting really cranky, y'know. Philip was not one to be kept waiting. And he said, 'Sonny said you can sing?' And so, as I was trying to qualify what I felt my … 'expertise' was, he said, 'Look I just need noise – get out there!' I started as noise, and that was 'Be My Baby'."

The song appears in the opening sequence of Martin Scorsese's film Mean Streets (1973), and the 1987 film Dirty Dancing. The song appears in a fantasy sequence involving Kamala Khan in the Marvel series Ms. Marvel, in the second episode "Crushed". In 1999, it was inducted into the Grammy Hall of Fame. In 2006, the Library of Congress inducted the Ronettes' recording into the United States National Recording Registry. In 2004, it was ranked number 22 on Rolling Stone's list of the "500 Greatest Songs of All Time", where it was described as a "Rosetta stone for studio pioneers such as the Beatles and Brian Wilson." In 2017, the song topped Billboard's list of the "100 Greatest Girl Group Songs of All Time".

"Be My Baby" received a total of 86,9% yes votes!

[dduane]

"Judith Love Cohen, who helped create the Abort-Guidance System which rescued the Apollo 13 astronauts, went to work on the day she was in labor. She took a printout of a problem she was working on to the hospital. She called her boss and said she finished the problem and gave birth to actor Jack Black.

"Judith Love Cohen was, at various times in her fascinating life, an engineer who worked on the Pioneer, Apollo, and Hubble missions, an author & publisher of books about women in STEM and environmentalism in the 90s, a ballet dancer with the New York Metropolitan Opera Ballet Company, an advocate for better treatment of women in the workplace, and actor Jack Black's mother. From an obituary written by her son Neil Siegel after her death in 2016:

“'My mother usually considered her work on the Apollo program to be the highlight of her career. When disaster struck the Apollo 13 mission, it was the Abort-Guidance System that brought the astronauts home safely. Judy was there when the Apollo 13 astronauts paid a "thank you" [visit] to the TRW facility in Redondo Beach.'”

"She finished her engineering career running the systems engineering for the science ground facility of the Hubble Space Telescope.

"During her engineering career, she was a vigorous and tireless advocate of better treatment for women in the workplace. Many things that today we consider routine - the posting of job openings inside of a company so that anyone could apply, formal job descriptions for every position, and so forth - were her creations. She had a profound impact on equality in the workforce.

(via @historyinmemes at Twitter)

[hawkatana]

So, given everything that's happened in recent hours, I thought I might give people who don't know about Gundam some stuff to learn about. Hopefully I can give a balanced and not-racist take like some people.

What is Gundam?

Created by Yoshiyuki Tomino with help by Yoshikazu Yasuhiko and animated by the studio Sunrise (currently Bandai Namco Animation, though I refuse to call them that), the original Mobile Suit Gundam released in 1979 to initially-limited success, though would gain popularity through a combination of fujoshis shipping the characters, the sale of plastic model kits referred to as "Gunpla" and a recut of the series into three compilation movies throughout the early 80's. And as of 2024 is the 66th highest-grossing media franchise of all time, beating out Scooby Doo, Minecraft and the Simpsons.

Also, I'm pretty sure it's what sparked Japanese sci-fi's obsession with O'Neill Cylinders.

The original anime takes place in the year 0079 of the Universal Century, where the Principality of Zeon: a nation composed of orbital space colonies declares a war of independence against the Earth Federation. This "One Year War" has already claimed half the human population by series start and is waged through the use of "Mobile Suits": bipedal mecha powered by a fusion reactor capable of effectively fighting out in the reaches of space.

Main character Amuro Ray is the son of a Federation engineer who lives in an out-of-the-way space colony, though soon finds his home under attack by a Zeon infiltration. After finding the secret Mobile Suit project his father was working on: the RX-78-2 Gundam, he fights off the Zeon invaders, though finds himself and a bunch of other kids conscripted by the Federation to fight the forces of Zeon aboard the ship the White Base. Throughout his journey, Amuro and the Gundam fight many battles against Zeon, including against their mysterious masked ace pilot Char Aznable.

The series was responsible for the codification (but not creation, people get this wrong all the time) of the "Real Robot" subgenre of mecha, where the robots were relatively more realistic and used as weapons of war as opposed to the more fantastical "Super Robot" subgenre pioneered by Mazinger Z and Getter Robo.

A major theme of the show, and the franchise as a whole is "War is bad", as demonstrated through this meme:

Yes, this is the original version of this meme format.

Anyway, Tomino, a renowned pacifist who grew up in the shadow of Japan's involvement in WW2 tried to use his platform as an anime director to try and tell a story that would get people to realise war's futility and brutality.

So I hear you asking, "That's nice and all, but what about the space lesbians who beat Destiel on their home turf?" Well, let's get into that.

What is the Witch From Mercury?

Mobile Suit Gundam: The Witch from Mercury, or "G-Witch" for short is one of the more recent entries in the Gundam Franchise and a (very) loose adaptation of William Shakespeare's The Tempest. Set in the year 122 Ad Stella, the solar system is under the de facto control of the Benerit Group: a megacorporation with borderline-medieval internal politics that maintains a system of capitalism that benefits Spacians at the expense of those who live on Earth.

Main heroine Suletta Mercury enrolls at Asticassia School of Technology owned by the Benrit Group at the behest of her mother: CEO Prospera Mercury of the Mercury-based Shin Sei Development Corporation, and wins a Mobile Suit duel against a bully in her own MS: the Gundam Aerial. This however means she has now won the hand in marriage of daughter of the Benerit Group CEO: Miorine Rembran, beginning a series of consequences that shape the very political landscape of the solar system.

G-Witch was a massive hit, both critically and commercially. The first episode: the Witch and the Bride attracting record numbers for the studio and the Gunpla kit for the Aerial is currently the best-selling Gunpla kit ever.

Contrary to popular belief, G-Witch is not the first piece of Gundam media to feature a female protagonist. That honour would go to the 2002 Japan-only manga École du Ciel, nor would it have the first queer main character, which goes to 1999's Turn-A Gundam (and if you were to ask any fan of the series, they'd so it goes back to the very beginning). But it became notable for its lesbian representation in anime (in spite of Sunrise's attempts to downplay it, to the anger of the director, writer, producer, artists, animators, cast, fans and even their own parent company Bandai Namco who forced them to back off).

One thing I need to clarify: You don't need to have watched the original series to enjoy G-Witch. They're not even in the same continuity.

So if you're interested in the series and you've only watched G-Witch, I'll give out three recommendations for you all to enjoy:

Mobile Suit Gundam 00

Gundam 00 takes place in the year 2307 (the only series to use our own calendar), where the world is divided between three global superpowers: The Union of Free & Solar Nations (The Americas, Australia, New Zealand and Japan), the Human Reform League (China, South, East, Southeast and Central Asia) and the Advanced European Union (all of Europe, including all of Russia west of the Urals) who each control a space elevator near the equator and wage proxy-wars in Africa and the Middle-East over Earth's dwindling resources. This eventually culminates in the emergence of Celestial Being: a terrorist group consisting of Setsuna F. Seiei, Lockon Stratos, Allelujah Haptism and Tierria Erde, all of whom use powerful "Gundam" Mobile Suits and try to forcefully impose global peace on the Earth.

00 is pretty slow-paced and is more about the world than the individual characters, but said characters are really well-written, especially the characters from the three power blocs who are the de facto protagonists as they try to stop what are in their eyes a bunch of crazed terrorists preaching a hypocritical and incoherent ideology of "peace through force".

And to address the elephant in the room, this series is VERY post-9/11. Constant talks about terrorism, proxy-conflicts in the global south (especially the Middle-East), religious extremism, dwindling resources and the wars fought over them. While the franchise has always been political and of-its-time, you can just tell 00 was made in the mid-2000's. Again, it's good. But just something to keep in mind.

Turn-A Gundam

Turn-A Gundam is one of the weirder elements of the franchise for a myriad of reasons. Not the least of which being its unique setting taking inspiration from the famous sci-fi novel War of the Worlds.

In the Year 2345 of the Correct Century, human civilisation is at a level of technology reminiscent of the late-19th/early 20th centuries, save for the Moonrace on... well, the moon. As part of their queen Diana Soreil's plan to reintegrate both Lunar and Terran societies, several scouts are sent to the planet to set up their return to the planet. One such scout: Loran Cehack integrates into Terran society as a driver for the wealthy Heim family, though at a coming of age ceremony for the family's second daughter, a member of the Moonrace attacks the technologically-inferior Terrans. However, a mysterious mustached statue breaks apart to reveal a "White Doll": the Turn-A Gundam, allowing Loran to fend off the invaders. rest of the series becomes more of a mystery to how the supposedly-peace loving Moonrace could allow of such brutality.

The setting of the Correct Century timeline alone is one of the draws of Turn-A, though its excellent characters and compelling mystery also help a lot.

I do however have two warnings for people interested in watching it. The first is that this series was never dubbed. While it did receive an official sub in 2015, there still isn't a dub for the series. So if that bothers you, there's your warning.

The other is that there's a pretty big twist in the latter part of the series that while I will not spoil it here, it's such a big deal that I can't not mention it. It doesn't make any sense, and it actively detracts from not just the series, but the whole franchise. You'll know it when you see it. It doesn't ruin my enjoyment, but a lot of people don't like Turn-A for that alone.

Mobile Fighter G Gundam

Favourite entry. Don't care. It's peak.

In the Year 60 of the Future Century, war has been abandoned by the nations of humanity in favour of the Gundam fight: a quad-annual fighting tournament between Gundams representative of the countries of the world where the winner rules space until the next Gundam fight, all while leaving the Earth ecologically devastated in the fighting. Neo-Japan's Gundam Fighter: Domon Kasshu arrives on Earth seeking information on his older brother Kyoji, who killed their mother and led to their father's arrest before stealing the experimental Devil Gundam to Earth, beating up every Gundam Fighter in his way. However, he eventually learns of far more dangerous revelations about the incident.

G Gundam is to put it bluntly: bat-shit insane. And I love it. It basically took a look at the then-stagnating franchise in the wake of the wet fart that was Victory Gundam and said "I know what can save this franchise, Bruce Lee movies!" And it somehow worked.

Word of advice: watch it dubbed. Mark Gatha absolutely kills it as Domon every time, and puts just the right amount of ham into every line.

So yeah, that's some stuff on Gundam. This was a long post to write out. I'm gonna take a break now.

[vintagelasvegas]

State Line Chevron & Bar, c. 1960s Whiskey Pete's restaurant, State Line (Primm), Nevada, 1983

 When U.S. Route 91 was established in the 1920s along the Nevada-California border, "Whiskey Pete" McIntyre opened the State Line service station. McIntyre shot a man at the station, spent time in a sanatorium, and was buried on the property when he died. On his deathbed Pete made a request: "Bury me up on the hill, standing up facing the valley so I can see all those sons of bitches goin' by."

The property changed hands after McIntyre, and was still just a gas station when it was bought by gaming pioneer Ernest Primm with land totaling 750 acres sides of the state border. Primm filed water rights with the Bureau of Land Management and tended barley fields on the property for three years to satisfy the bureau's requirements for ownership.

Primm opened Whiskey Pete's in '77, a European castle-themed casino with a 12-room motel, and a coffee shop. A hotel tower was added in the 80s. The business passed on to son Gary, whose Primm Valley Resorts opened Primadonna and Buffalo Bill’s casinos in the 90s and renamed the area Primm.

The exact location of Whiskey Pete's burial had been lost. Workers grading a railroad track linking the resorts in '94 accidentally uncovered his coffin and remains.

"The tractor caught the edge of the box and the skull popped out," said the project manager Bruce Sedlacek. "There was Whiskey Pete staring at us."

Sedlacek said the coffin was about 80 percent intact and buried "at an angle" to the highway. The remains were moved to another burial site on the property.

Postcard & photo from Felix Lenox, Nevada Armored Transport.

Whiskey Pete McIntyre faces charge. Review-Journal, 3/26/31; Whiskey Pete Is Freed of Insanity Count. Review-Journal, 10/15/32; Whiskey Pete Can Stand in Grave in Peace. Review-Journal, 2/10/41; Strip City Between Here, Los Angeles is Proposed. Review-Journal, 3/31/54; R. Cornett. Duel in the desert just a family feud. Review-Journal, 9/16/84 p1; D. Palermo. Remains of Whiskey Pete Found. Review-Journal, 2/5/94; Primadonna Resorts, Inc. and subsidiaries. SEC.; Don Catlin. The Lottery Book: The Truth Behind the Numbers. Bonus Books, 2003; L. Benston. Primm's Lure: Freebies. Las Vegas Sun, 7/2/2009.

[cassieoz]

Birthing Retreat

Emma rested in the warm water as she looked out of the majestic valley views. It had been a long year and she needed this well deserved holiday.

As she continued to enjoy the spa treatment, one of the consultants arrived and offered her an intense full body massage.

She reached out on one of the massage table as the consultant went to work as he worked on every single muscle in her tense body. His fingers were incredible. She moaned and yawned deeply and soon found herself sound asleep.

When she woke, she found herself relocated on a large pioneer bed and her core was full and heavy! She looked down surprised as her middle began to twist painfully. Emma gasped loudly, clutching onto the large pillows at her head.

The pain radiated rapidly downwards as she began to pant and moan heavily. Emma blew out over and over again, gripping the pillows tighter. As the pain peaked strongly, her hands flew to the quilt. She grunted loudly and began to push!!!

Two attendants entered the room. One supported her between her legs and the other held her close at the headboard.

Emma cried and bore down frantically. The head was coming fast. It was big and stretching her painfully as the pains throbbed violently at her lips. She strained down hard as the attendants encouraged her full and loud participation.

An hour later, Emma was quivering wildly on the bed, sweating and screaming like a madwoman as the head pounded her through the most intense crowning pain. The attendants continued to support her through her intense ordeal. They were calm and allowing her to freely push and feel the entire labor experience at her own pace.

Another hour passed! Emma roared out at the monstrous head squeezed through her swelling lips. Push after push, scream after scream, the enormous crown thrusted forward. Emma rocked wildly on all fours, feeling the pressure of each contraction, forcing her closer to delivery.

Straining down with howling cries, Emma thrashed forward until the most powerful explosion between her thighs. A gigantic baby was lifted from between her legs. The attendants congratulated Emma on her new role of motherhood.

Emma smiled down at her 14 pound baby! She had booked into this retreat to achieve the biggest birth experience ever! She was overjoyed at the entire process. She rocked her son in her shaking arms as the attendants left to attend other clients.