#sonic le film

[k-lua]

[little-pup-pip]

Just curious, what requests do you have in your queue/to do currently? If you're ok with saying it that is :]

Oh boy, that's a bigger question than last time someone asked! I have over 200 waiting requests at this point!! Because of that this got very very long, so I put the rest under the cut! Like last time, this is in order of how recently I received the request, and doesn't mean I'm too busy to take new requests!!

Ibara saegusa (enstars)

Monochrome oranges cats and angels

Gloomy bear

Another rockruff (maybe)

Cult of the lamb (specifically the lamb)

Llewellyn Watts (Murdoch Mysteries)

Jake (trailer park warlock)

Cult of the lamb (pet dreaming themed)

Bear therian

Selkie

Ice bear (we bare bears)

Tubbo (maybe)

Snow leopard

Pink

Australian shepherd (pupre)

Cassie (fnaf: ruin)

Draik (neopets)

The rainbow fish

Black kitten + space

Pumpkin head (maybe, needs more research)

Alice in wonderland

Sheep

Someone's OC Avery & siblings

Gothic

Star catcher (MLP)

Masc version of my druid board

Scrooge CG (2009 film)

Beetlejuice

Superstar daycare (fnaf)

1950s + ocean

Pandas + light purple and black

Dandelions

Willy wonka CG (recent movie)

Maki Harukawa (Danganronpa)

Kidcore Halloween + pumpkin puppy Webkinz

Fruit bat

Mermaid

Pastel purple + pandas

Robocar Poli

Brown, lime green and forest green puppy

Weird Barbie CG

Shiny Vaporeon

Where the wild things are

Squid

Dylan (the magic roundabout)

Conner CG (Detroit become human)

Mitsuri kanroji (demon slayer)

Minecraft mooshrooms

Sharks or wolves (haven't decided)

Hot Wheels

Miffy

Fox

Sharks

Zombies

Vincent (dead plate)

Vintage kitty dreaming

Deadpool

Shane CG (stardew valley)

Wolf pup

Celestia and Luna (MLP)

Soft blue and yellow

Pascal (animal crossing)

Pastel blue and pink

Batman CG

Ram

Osamu dazai (bungo stray dogs)

Dylan (the quarry)

Rain/nature + white rabbits

Ox

Penguin + dinosaur

Noah (total drama island)

Vision CG (marvel)

Light blue

Bumble bees + lavender

Yellow + ducks

Bearded vulture

Barn owl

Queen barb (trolls world tour)

Oliver (vocaloid)

Light green light brown and beige

Mind (Chonny Jash/CCCC)

Cinnamoroll + emu otori (project sekai)

Yellow+ chicks and puppy stuffies

Seam CG (deltarune)

Plants vs zombies

Viktor (arcane)

Queen of trash CG (Elmo goes to grouch land)

John Constantine (Justice League Dark)

Aziraphale (good omens)

Scenecore

Musa (winx club)

Leap frog

Hyper feminine puppy

Crow + black cat

Totodile + bodies of water

Bees

Sackboy (Little Big Planet) and or My Melody

Baby crocodile

Animal crossing

Pastel kitten

Doki doki literature club

Keralis (Hermitcraft, maybe)

90s grunge

Tula tones (novi stars)

Eevee + dragons

Kitten + stars

Ratchet (rescue bot academy)

Pastel shark

Mikan Tsumiki (Danganronpa)

Mushrooms

Grey + Ross federman youtooz

Sparkly dragon

Blue and purple + puppies

Ducks + alt/Gothic lean

Cinnamoroll

Shadow (sonic)

Jellyfish

Boyfriend.xml (Friday night funkin')

Puppet (fnaf)

Golden retriever + yellow and blue

Bernese mountain dog

Strawberries

Genshin impact

Len or Miku

Toothless (httyd)

Eddworld

Donnie (rise of the tmnt)

The princess and the grilled cheese sandwich

Pastel goth princess

SpongeBob

Karako Pierot (hiveswap)

Young Michael Afton

Soft fox

Great pyrenees + farm

Ike eveland

Invader Zim + neon green

Julius Caesar (Octavian, night at the museum, waiting until March for this one)

Scorpion

Vampire squid

Golden retriever (again, lol)

Cats + playing outside

Border Collie

Tiger

Argos CG (World of Mr. Plant) 

Pochacco

Mortal Kombat

marble cross fox/forest/fantasy (I'm figuring this one out still)

Puppy + SpongeBob

characters from Project Sekai, Hoshino Ichika, Mochizuki Honami, Akiyama Mizuki and Kusanagi Nene.

Baby vulture

Frog with more fem themes

Rain world/slugcat

Dark academia/cottagecore

Border Collie

Modded smash hit rooms

Crying child (fnaf)

Agent Smith CG (the matrix)

Katamari

Enjolras (les miserable)

Rolfe DeWolfe CG (Rockafire Explosion)

Bugbo

Slime rancher

Puppet (fnaf)

CosMc's

Parado (Kamen Rider)

Tally hall

Gordon (all engines go)

Spinel (Steven universe)

Cater diamond (twisted wonderland)

Rockabilly (probably)

Felix Lee

Jing yuan CG (Hsr)

Charles Xavier CG (X-Men)

Toki wartooth (metalocalypse)

Naoto Shirogane (persona 4)

Kitoto (I don't know what he's from)

17th century dutch

Sirena von boo (monster high)

Jake (miss peregrines home for peculiar children)

Minecraft

Sees behind trees

Allay (Minecraft, I think)

Spinosaurus screenshots or products

Tecchou (Bungo Stray Dogs)

Barbara (genshin impact)

Tasmanian devil

Spamton CG (deltarune)

Spinosaurus

Grunge + lop eared bunnies

Yume-Nikki

Daxter (jak and daxter)

Madness combat for puppies

James Sunderland (silent Hill)

Shirokuma (Danganronpa)

Leo (IDW comic)

[maninthemiroh]

About my Criminal Minds DR

Full name: Gagak (Yes, that's it. I was born in Java, Indonesia, in this DR)

My nicknames: Corvid/ae/ (most of the team), Raden Mas (most of the world), Bird boy (Luke), The Crow (film fans)

My faceclaim: LØREN

Gender identity: Cis-male

Orientation: Demi-romantic/sexual

Age upon first shift: 20

More about me and changes I made below the cut <3

My style:

I wasn't going to have this kind of style, as evidenced by my previous post about this DR, but I read through one (1!) fanfiction series about cowboy!reader x Criminal Minds yesterday and… Also, for some reason, black, red, and white were thee colors when I was making the wardrobe section on this Pinterest board? I blame my top #6 video game characters: Ash (King of Fighters), Iori (KOF), Rock (also, KOF), Shadow (Sonic), Skarlet (MK), and Vice (KOF, again). Ahaha, guess what my favorite video game is 🤔 Anyway, RDR2 outfit pic creds to user @/kaddishaun on Pinterest!

Fun facts about me and my life:

Youngest FBI informant a month after moving to the US (subsequently also a month after I turned 10), I'm sort of replacing White Boy Rick in a sense, but without the bad ending and horrible father figure.

Officially joined the FBI at age 11 once I got dual citizenship for the US and Indonesia (yes, I know that's not possible in this reality).

IQ of 304 because I'm an attention whore 😀.

Tallest person ever, as per usual, "only" 9'3 this time, though.

Youngest person to graduate high school, age five at SMA Taruna Nusantara

Youngest person to ever graduate college, age six, via an accelerated course thanks to a 127-page dissertation on serial killers that earned me my first PhD, one in Criminal Justice, at the University of Indonesia.

Besides my first PhD, I have twelve others, one in Chemistry, another in Computer and Information Sciences, then Cybersecurity, Engineering, Mathematics, Pharmacology, Philosophy, Physics, Political Science, Psychology, Public Administration, and Statistics.

Took the CTY entry exam, after it was mailed to me, and aced it, but they originally said I would have to move to Maryland, which I simply refused to do, so I almost turned it down before my parents mailed them a letter back asking if I could do dual enrollment and they'd, as rich people, pay for the transport of my schoolwork to and from our estate in Java, and it was not a surprise when the school board agreed.

When I first opened my eyes in the emergency room, my dad was holding me, and he was wearing a jade necklace, one long enough for me to reach out and grab—I did so, though, my grip wasn't very strong. As such, my mother suggested I be named after the jewel, but my grandfather, who recently visited Banggai, suggested the name Gagak, meaning crow, and my parents liked that better.

I spoke for the first time at 4 weeks and four days, simply said the word "shiny," and grabbed at my great aunt's pearl earring. This further reinforced for my family that my name was meant to be.

It's rude to call an Indonesian person by their full first name, so most have nicknames, and, my first name being what it is, my nickname wasn't hard for Spencer the team to think up.

Unit chief of the BAU since Hotch and Jack went into Witness Protection

I can speak, write, and comprehend all 700+ languages used in Indonesia.

I can read 30,000 words per minute and write 15,000.

Autodidact with an eidetic memory.

I played Eric Draven in the 1994 action fantasy film, The Crow (I will go on to play the same role in the 2024 remake)

From ages 14-19, I was the lead singer and backup guitarist in a faceless V-Kei trio called Birds Dig Us under the stage name, Rook, and we were actually the number one boy band at the time 😭. We haven't released music since 2001, but we didn't break up either [Insider info: things are cooking].

My other bandmates were Miyavi (Dué le Quartz, Skin, The Last Rockstars) on guitar and backup vocals, stage name Tsubasa, and Kai (the GazettE) on drums, stage name Torrio, by the way.

Also, Birds Dig Us made all the songs for The Crow's soundtrack.

I have a southern accent because, after moving to the US and before joining the BAU, I lived in Texas.

Reid's autism and mine feed off of one another, if you couldn't tell…

Some other things I changed:

I scripted that Austin the Bartender, Beth Clemmons, Elle Greenaway, Jason Gideon, Jordan Todd, Kevin Lynch, Maeve Donovan, Maxine Brenner, Stephen Walker, and Tyler Green don't exist, as well as that Aaron Hotchner, Alex Blake, Derek Morgan, and Kate Callahan never leave the BAU (for good, at least).

After Scratch dies, Hotch comes back to the BAU, but I keep my new position as unit chief, and Hotch just becomes a regular member of the team.

Reid and I both get actual diagnoses 😓

It takes longer for the team to go through the motions of Rossi's past because it felt far too quickly done in canon for me. Rearranged a bunch of episodes in the timeline for this and other reasons.

Morgan has lessened trust issues.

JJ didn't emotionally cheat on Will, her fucking baby daddy, because what the fuck was that??

Also, Haley and Hotch were less toxic because WOAH and Strauss and Rossi aren't hunching.

To sum things up: As of now, the BAU consists of its legal expert and former Unit Chief, Aaron Hotchner; Alex Blake, a linguist who assists with nuances in communication; David Rossi, one of the first BAU agents and a specialist in hostage negotiation; Derek Morgan, an ex-Chicago policeman with proficiency in obsessional crimes and explosives; Emily Prentiss, a master at child advocacy and counter-terrorism; Jennifer Jareau, the communications liaison and a standard profiler; John Blackwolf, a standard profiler; Kate Callahan, an experienced undercover agent; Luke Alvez, an adept fugitive tracker; Matt Simmons, a skilled profiler from the FBI International Response Team; Penelope Garcia, the technical analyst; Spencer Reid, an elite geographic profiler and chirography analyst; Tara Lewis, a forensic psychologist; and myself, the squad's current Unit Chief and sex crime expert.

PS: My voice claim is Corpse Husband because when given the choice to become my ideal self, why wouldn't I? Before anyone comes at me, I did use to have GERD! I didn't script myself having any disorders I don't or didn't have in this reality.

Taglist: @amiivrse @the-badass-penguin

Divider credits: @/i-mmaculatus and @/v6quE

[applepickerproductions]

Legjobb koncertek 2023

Namármost. Idén ez lesz az egyetlen listám, ugyanis márciusban történt két dolog, ami meghatározta zeneileg az évemet, és nem álltam fel belőle. Egyrészt a Panda Bear & Sonic Boom koncert a Magyar Zene Házában eszméletlenül beütött, utána beszélgettem 10 percet Noah-val, ami szintén baromi jó volt. Imádom a lemezt, de élőben sokkal-sokkal jobb volt az egész, eszméletlenül örülök, hogy ilyen előadókra is ki lehet menni Budapesten koncertre (felkészül: Godspeed You! Black Emperor). Másrészt elkezdtem hallgatni Andrew Hickey: History of Rock Music in 500 Songs podcastjét, ami a Reset-hez hasonlóan az 50-es évektől indul. Ez a két esemény egy eszméletlen pre-Beatles vonatra ültetett fel. Már régóta keresem, hogy mi fog kivinni a klasszik-indie "szomorú fehér férfiak emo számokat énekelnek" világból, az elmúlt években a teljesség igénye nélkül többet próbálkoztam klasszikus zenével, black metallal, post-rockkal, hip-hoppal stb., de valahogy azt a major key életigenlő esztétikát, amit az 50-es évek pedofil, asszonyverő, stb. előadói hoznak, eddig egyiknél sem éreztem.

Tehát egyrészt egy csomó koncerten voltam úgy, hogy igazából azt szerettem volna, ha Michael Gira a The Wild One-t dolgozza fel inkább Johnny O'Keefe-től, minthogy 30 perces 3 slide gitáros értelmetlen zúzást toljon (de sajnos nem értett egyet). De összességében is egy csomó koncerten voltam, viszont új lemezeket egy-két kivétellel érdemben nem hallgattam. Tehát ez a lista a lista (az eleje felé már legerősebb számokkal).

50 - Sampa the Great @ Pohoda

49 - The Saxophones @ Porgy & Bess

48 - Carson Coma 2 @ Budapest Park

47 - Sainko Namtchylak @ Magyar Zene Háza

46 - Mordái @ Manyi

45 - Charlotte Adigéry & Bolis Pupul @ Pohoda

44 - Arooj Aftab @ Pohoda

43 - Barkóczi Noémi @ Akvárium

42 - The Cult @ Budapest Park

41 - Dé:Nash @ Budapest Park

40 - Galaxisok @ Műegyetem Rakpart

39 - Special Interest @ Turbina

38 - Simon Wells @ Béla

37 - Yard Act @ Pohoda

36 - Los Bitchos @ Gasometer

35 - Swans @ Akvárium (The Beggar)

34 - Okkervil River @ Porgy & Bess (John Allyn Smith Sails)

33 - Mordái @ Magyar Zene Háza (Át a kőtengeren)

32 - Sofi Tukker @ Pohoda

31 - Sleaford Mods @ Pohoda (Tweet Tweet Tweet)

30 - Elvis Costello & Steve Nieve, Művészetek Palotája (Alison)

29 - Roisin Murphy @ Gyárkert Veszprém

28 - Tom Holliston @ Béla

27 - Carson Coma 1 @ Budapest Park (Hobbihajótörött)

26 - The Raveonettes @ A38 (The Great Love Sound)

25 - Emilíana Torrini and the Colorist Orchestra @ Akvárium (Me and Armini)

24 - Dry Cleaning @ Pohoda (Don't Press Me)

23 - Jamie XX @ Pohoda (Gosh)

22 - Suzanne Vega @ Pohoda (Walk on the Wild Side)

21 - Kispál és a Borz @ Budapest Part (Zár az égbolt)

20 - Russian Circles @ Dürer Kert (Quartered)

19 - Shame @ Pohoda Festival (Angie)

18 - Strompopper @ Dopamin (Radio Whatever)

17 - Tamikrest @ Akvárium

16 - Hó Márton és a Jégkorszak @ Akvárium (Folyamatosan le vagyok maradva)

15 - Viagra Boys @ Pohoda Festival (Troglodyte)

14 - Mayberian Sanskülotts @ Magyar Zene Háza (Ocean's Cry)

13 - Franz Ferdinand @ Gyárkert Veszprém (Outsiders)

12 - Strompopper @ Központ (Kill Everyone)

11 - Wet Leg @ Pohoda Festival (Wet Dream)

10 - Iggy Pop @ Gyárkert Veszprém (T.V. Eye)

9 - Perfume Genius @ Pohoda Festival (On the Floor)

8 - Galaxisok @ Margó Feszt (Olasz film (töredék))

7 - Bérczesi Róbert @ Margó Feszt (Kérdőjel)

6 - Kraftwerk @ Gyárkert Veszprém (Autobahn)

5 - Kevin Morby @ Akvárium (Rock Bottom)

4 - Black Country, New Road @ Villa Manin (Turbines/Pigs)

3 - The Magnetic Fields @ Porgy & Bess (Andrew in Drag)

2 - King Gizzard & the Lizard Wizard @ Gasometer (The Dripping Tap/Magma/Muddy Water/The River)

1 - Panda Bear & Sonic Boom @ Magyar Zene Háza (Everything's Been Leading to This)

[imsparky2002]

Batraculous: Spider-Boy and his Friends

Vince Le Blanc-Bustier

Age: 12

Hero Name: Spider-Boy

The first-born son of Commissioner Giselle Le Blanc and Caline Bustier. Gained powers after being bitten by a radioactive spider similar to the one that bit Socqueline, a.k.a. Spider-Girl. Aside from the usual benefits of Spider Powers (shooting webs, crawling on walls and super reflexes and strength) he is able to turn invisible and absorb electricity, though he can’t do it on command.

He's never been afraid to take risks, which is why he jumped at the chance to become Socqueline's protege. The Teen Titans see him as a little brother and he works hard to eventually take his place on the team.

Has a job as delivering Le Rapport Quotidien (The Daily Report) newspapers through various streets of Paris. Often has to use his Spidey-Senses to avoid collisions with cars.

Vince's Friends and Acquaintances.

Chris Lahiffe

Age: 12

The younger brother of Nino, a.k.a. Sonic Bat. He's the opposite of his older bro in almost every way. An intellectual and uptight kid who tries to act if he's already an adult. This can lead to him stressing about not just helping Vince as Spider-Boy, but also maintaining his usual standard of grades in school.

His constant perfectionism and slight know-it-all tendencies can get on his friends’ nerves from time to time, but they love him nonetheless. He serves as a bit of a Yin to Kiran’s Yang with their opposing personalities. Sasha Bruel and the Cesaire twins like to rile him up at times.

Chris considers himself a boy of science and logic, though seeing Doctor Strange has given him an interest in time travel. Perhaps he could pursue a career at OsCorp Industries...

Kiran Anciel

Age: 12

Marc, a.k.a Writer Bat's little brother, Kiran is unquestionably the heart of the group with his positive outlook and easygoing demeanor. He keeps his friends spirits up, particularly Vince, Chris, and his girlfriend Sasha.

Currently training alongside Sasha in the Batcave to become Batheroes just like their older brothers. The only problem Kiran faces is his stamina, since it doesn't take much to put him to sleep!

He and Marc share a close relationship. He'll often calm the older teen down, and Marc helps Kiran to find new creative outlets. Kiran idolizes his big brother and aims to be a hero like him someday. He also loves listening to Marc’s stories.

Sasha Bruel

Age: 12

Something of a mother hen to her friends, Sasha is the one who steps in whenever Vince gets himself hurt, and while she may not show much emotion outwardly, no one can deny how much she cares.

She idolizes her brother Ivan, a.k.a. Strength Bat. It's why her and Kiran are training to become heroes in the future. And so they can help out their web-slinging buddy. The entire Batcrew and the Titans will do anything to keep them safe.

Sasha still shares an incredibly close relationship with her brother, and he is one of the few people she shows her softer side to. The others are her besties, and especially her boyfriend Kiran. They have an adorable relationship and their brothers approve wholeheartedly.

Ella and Etta Cesaire

Age: 12

The twin sisters of Alya, a.k.a. Reporter Bat. While they were a lot more hyperactive when they were younger, they still like to make mischief every now and again. They're almost always on their phones, whether using social media, filming their friends and themselves or filming the heroes.

They're little shit-stirrers to be sure, usually winding Chris up for a laugh. Still, they care about their friends and family very much.

Ella's a jock and currently on the track and soccer team. On the contrary, Etta's a nerd who knows how to code and whizzes her science and math classes.

Vince's Little Bro

August Le Blanc-Bustier

Age: 8

Vince's younger brother. A total sweetie who thinks the world of his bro and is always willing to help whenever he can. Possibly the only kid in the world who's happier than Ayesha or Kiran, and generally has a problem with saying no to people.

August has a notorious sweet tooth, and usually has some kind of snack on him. The others enjoy spending time with him and are quite protective of him despite him being rather tall for his age, which is something he unfortunately gets bullied for. Still, he doesn't let it phase him.

Even though one of his mothers is Commissioner of the Paris Police Department, August has always felt a soft spot for criminals. He wants to understand why criminals do the things they do. Caline and Commissioner Gisele feel that he has a bright future in Paris's mental health services.

And here's the next post for Batraculous. Just a reminder that Vince is the name I gave to the kid who got akumatized in Risk and August is the name of the baby who got akumatized in Gigantitan. There'll be more on each Bathero Section's family soon. @artzychic27 @msweebyness

[jmfcomicsdubs]

Le film complet de My Gal est en ligne !

Auteur: E-vay

Sonic, Dave le Stagiaire - @maxlefou Amy, la manager - @AnyaKristen Eggman, Orbot, Cubot, autres rôles - @HazbinBazarVF Knuckles - joy.lord Tails, Sticks - Laetitia Dehri

[ptbf2002]

here's My Top 10 Favorite Cartoons From France (Or I Should Say That Cartoons Produced Or Animated In France)

#10 Little Spirou

#9 Monster Buster Club

#8 Robotboy

#7 SamSam

#6 The Garfield Show

#5 Zig And Sharko

#4 Sonic Boom

#3 Magiki

#2 Angelo Rules

And #1 Oggy And The Cockroaches

Honorable Mentions: Boy Girl Dog Cat Mouse Cheese, Nate Is Late, Molang, Sally Bollywood, Team Galaxy, A.T.O.M Alpha Teens On Machines,

Original Template: https://www.deviantart.com/el-crany-racha-da/art/Top-10-Favorite-French-Cartoons-962082542

Little Spirou (TV Series) (2013) Belongs To Jean-Richard Geurts, Philippe Tome, Virginie Jallot, Dupuis Editions & Audiovisuels, Araneo Belgium, LuxAnimation, Belvision, Dreamwall, OUFtivi, Radio-télévision belge de la Communauté française (RTBF), Télétoon+, CANAL+ S.A. Groupe CANAL+ S.A. Vivendi SE, M6 Kid, M6 (TV channel), Metropole Télévision S.A. And Groupe M6

Monster Buster Club Belongs To Vincent Chalvon-Demersay, David Michel, Designstorm Animation Studio, Marathon Animation, Marathon Media Group, Zodiak Kids Studios France, Banijay S.A. Image Entertainment Corporation, Mystery Animation, TF1, Groupe TF1 S.A. Jetix Europe N.V. Disney Branded Television, Disney–ABC Home Entertainment and Television Distribution, Disney General Entertainment Content, Disney Media and Entertainment Distribution, Disney Entertainment, Disney Enterprises, Inc. And The Walt Disney Company YTV, YTV Canada, Inc. And Corus Entertainment Inc.

Robotboy Belongs To Jan Van Rijsselberge, Digital eMation, Inc. Monigotez, Carbunkle Cartoons, Gaumont Animation, Gaumont Film Company, France 3, France Télévisions S.A. LuxAnimation, Splash Entertainment, LLC. Cofinova 1, Cartoon Network, The Cartoon Network, Inc. Warner Bros. Discovery Networks, Warner Bros. Discovery Europe, Middle East & Africa, Warner Bros. Discovery International, Warner Bros. Domestic Television Distribution Warner Bros. Television Studios, Warner Bros. Entertainment Inc. WarnerMedia And Warner Bros. Discovery, Inc.

SamSam Belongs To Serge Bloch, Blue Spirit Studio, Sinematik, Bayard Jeunesse Animation, Grupo SM, Araneo Belgium, France 5, France Télévisions S.A. Gulli, Canal J, TiJi, Metropole Télévision S.A. And Groupe M6

The Garfield Show Belongs To Jim Davis, Philippe Vidal, Infinite Frameworks Pte. Ltd. Tiger Bells Animation Pvt. Ltd. Paws, Inc. Nickelodeon Group, Paramount Media Networks, Inc. Paramount Global, Dargaud Media, Mediatoon Distribution, Les Éditions Dargaud, France 3, France Télévisions S.A. Cartoon Network, Boomerang (TV network), The Cartoon Network, Inc. Warner Bros. Discovery Networks, Warner Bros. Entertainment Inc. WarnerMedia, And Warner Bros. Discovery, Inc.

Zig And Sharko Belongs To Olivier Jean-Marie, Armada TMT, DongWoo Animation Co. Ltd. Xilam Animation, TF1, Groupe TF1 S.A. CANAL+ S.A. Groupe CANAL+ S.A. Vivendi SE, Gulli, Canal J, TiJi, Metropole Télévision S.A. Groupe M6, Super RTL, RTL Deutschland GmbH And RTL Group S.A.

Sonic Boom Belongs To Yuji Naka, Naoto Ohshima, Hirokazu Yasuhara, Evan Baily, Donna Friedman Meir, Sandrine Nguyen, Infinite Frameworks Studios, SEGA Corporation, SEGA Sammy Holdings Inc. OuiDo! Productions, Technicolor Animation Productions, Lagardère Thématiques, Jeunesse TV, Gulli, Canal J, CANAL+ S.A. Groupe CANAL+ S.A. Vivendi SE, Metropole Télévision S.A. Groupe M6, Boomerang, Cartoon Network, The Cartoon Network, Inc. Warner Bros. Discovery Networks, Warner Bros. Entertainment Inc. WarnerMedia And Warner Bros. Discovery, Inc.

Magiki Belongs To Eryk Casemiro, Cyril Deydier, Pegbar Animation, Animasia Studio, Rainbow S.P.A. Paramount Media Networks, Inc. Paramount Global, DeAgostini Publishing Italy S.P.A. DeAgostini Editore S.P.A. DeAKids, DeA Junior, DeAgostini S.P.A. DeAPlaneta Kids And Family, DeAPlaneta Entertainment, Télé Images Productions, Zodiak Kids Studios France, Banijay S.A. Ketchup TV, KidsMe S.R.L. Gulli, TiJi, Metropole Télévision S.A. Groupe M6, Frisbee, Switchover Media, Discovery Italia S.R.L. Discovery Networks Italia, Discovery Networks EMEA, Discovery Networks International, Discovery, Inc. And Warner Bros. Discovery, Inc.

Angelo Rules Belongs To Sylvie De Mathuisieulx, Sebastien Diologent, TeamTO, CAKE Entertainment Ltd. France 3, France 4, France Télévisions S.A. Télétoon+ CANAL+ S.A. Groupe CANAL+ S.A. Vivendi SE, Expand Drama, Super RTL, RTL Deutschland GmbH, RTL Group S.A. International Rheingold Productions, Cartoon Network (Middle Eastern and African TV channel), Turner Broadcasting System Europe Limited, WarnerMedia EMEA, Turner Broadcasting System International, WarnerMedia International, WarnerMedia & Warner Bros. Discovery, Inc.

Oggy and the Cockroaches Belongs To Jean-Yves Raimbaud, Big Star Enterprise, Armada TMT, Digital Emation, Inc. Neon Pumpkin, DongWoo Animation Co. Ltd. Gaumont Multimedia, The Gaumont Film Company, Xilam Animation, France 3, France Télévisions S.A. CANAL+ Family, CANAL+ S.A. Groupe CANAL+ S.A. Vivendi SE, Gulli, Canal J, Metropole Télévision S.A. And Groupe M6

[lyxkryss]

Making of 'Demonlover' (2003) dir. Yorick Le Saux

Sonic Youth - Bande Originale Du Film Demonlover (2002)

[mywifeleftme]

335: Areski and Fontaine // L'Incendie

L'Incendie Areski and Fontaine 1973, BYG

The late ‘60s and early ‘70s were when the past half-century of avant-garde developments in theatre, literature, film, and art music began to break through into pop. The results of these early flirtations have a sense of discovery and possibility that has continued to captivate generations of new listeners to this day. Brigitte Fontaine and Areski Belkacem’s L’Incendie should absolutely be considered one of the towering classics of the era (and, among the Francophonie, it probably is), but I only came across it for the first time early last year. It reminds me of something from the Velvet Underground / John Cale / Nico universe, simultaneously emblematic of its time and so ahead of it as to sound anachronistic.

On “Les murailles,” tape of Fontaine’s exhalations and what sounds like a kalimba are snipped up and looped to create a tinkling, twitching soundscape that presages the Books or Boards of Canada; the track that follows, “L’engourdie,” layers howling wah-drenched electric guitar behind a pretty acoustic folk pop number that would fit right in on a Brigitte Bardot record; next, the stark “Nous avons tant parlé” could be a theatrical elegy set in a dilapidated seaside church. Every song feels stylistically distinct, but Areski and Fontaine’s creative vision remains consistent; I hear post-punk and Björk and Sonic Youth, and I hear French early music and Berber folk and the ‘50s sound poetry of Henri Chopin in the same measure.

It’s always a challenge reviewing non-English language records because you’re stuck speaking to its purely sonic characteristics, which increases the likelihood you’ll hilariously misread it—call a song a soothing folk idyll when it’s actually about smashing international Jewry or something. With political, lyric-forward stuff like L’Incendie, it also means failing to engage with its message, flattening it as an artwork. (Unfortunately, there is nothing I as a person of French ancestry living in a majority-French city could do or could have done in the past to better interpret this record.) I asked French-language correspondent and girlfriend of the podcast Mea for one of her classic vibe checks, but she told me the reams of notes she took while listening were too dotty to share, so I can only assume hearing and understanding Fontaine’s words in their original tongue unchains some celestial horror.

Few of the lyrics can be easily found online, which forces me to rely on Le Gendre’s analysis, but critic Kevin Le Gendre’s helpful liner notes paint a portrait of a wide-ranging album that engages with recent post-colonialist bloodshed (Jordan’s Black September civil war with PLO forces on “Le 6 septembre”); the medicalization of psychic distress (“Ragilia”); intimacy and coupledom; and much more besides. What I was able to find of Fontaine’s lyrics online have a spiky surrealist poetry to them. From “Après la guerre” (“After the War”):

“Happiness blows The eyelids lie gently The sexes glow The eyes, by moving, make you cum The men returned from the war And on their heads, the grass grows back.”

335/365

[stoneoceancid]

Feel like a kid posting this but I’m looking for more mutuals cause I want to be more active on here and my new followers are mostly bots.

I’m:

-24 (25 soon)

-Male

-White/Hispanic

-Straight (for the most part)

-Catholic

I post a variety of things, but my main interests are:

-Gaming (especially Zelda, Pokemon, Sonic, The Witcher, Dark Souls/Elden Ring, Red Dead Redemption, Fallout, Tekken)

-Anime (especially JoJo’s Bizarre Adventure, Hunter x Hunter, Dragon Ball Z, and Demon Slayer)

-Kpop (especially Twice, BTS, Blackpink, EXO, Red Velvet, Girls Generation, Shinee, aespa, IU, LE SSERAFIM)

-Live Action TV Shows (especially Breaking Bad, Better Call Saul, The Sopranos)

-Fantasy Fiction (especially Lord of the Rings/The Hobbit and The Witcher)

-Films (variety of old and new, mainstream and artsy stuff)

-NBA (I’m a Miami Heat fan)

Feel free to follow if you're interested in being mutuals!

[byneddiedingo]

Cate Blanchett and Rooney Mara in Carol (Todd Haynes, 2015)

Cast: Cate Blanchett, Rooney Mara, Kyle Chandler, Sarah Paulson, Jake Lacy, John Magaro, Cory Michael Smith, Kevin Crowley, Nik Pajic. Screenplay: Phyllis Nagy, based on a novel by Patricia Highsmith. Cinematography: Edward Lachman. Production design: Judy Becker. Film editing: Affonso Gonçalves. Music: Carter Burwell.

With her Mamie Eisenhower bangs and heart-shaped face, Rooney Mara in Carol becomes the reincarnation of such '50s icons as Audrey Hepburn, Jean Simmons, and Maggie McNamara -- particularly the McNamara of The Moon Is Blue (Otto Preminger, 1953), that once-scandalous play and movie about a young woman who defies convention by talking openly about sex while retaining her virginity. It's just coincidence that Carol is set at the end of 1952 and into 1953, the year of the release of The Moon Is Blue, but the juxtaposition of McNamara's Patty O'Neill and Mara's Therese Belivet seems to me appropriate because the 1950s have become such a touchstone for examining our attitudes toward sex. Director Todd Haynes and screenwriter Phyllis Nagy, adapting a novel by Patricia Highsmith, have done an exemplary job in Carol of not tilting the emphasis toward Grease-style caricature or Mad Men-style satire of the era, or exploiting the same-sex relationship in the film for sensationalism or statement-making. Carol is a story about people in relationships, clear-sightedly viewed in a way that Therese herself would endorse. After asking her boyfriend Richard (Jake Lacy) if he's ever been in love with a boy and receiving a shocked reply that he's only "heard of people like that," Therese replies, "I don't mean people like that. I just mean two people who fall in love with each other." It's this matter-of-factness that the film tries to maintain throughout its story of Therese and Carol (Cate Blanchett), the well-to-do wife in a failing marriage. That the film is set in the 1950s, when cracks were showing in the conventional attitudes toward both marriage and homosexuality, gives piquancy to their relationship, but it doesn't limit it. The story could be (and probably is) playing itself out today in various combinations of sexual identity. The film works in large part because of the steadiness of Haynes at the helm, with two extraordinary actresses at the center and beautiful support from Sarah Paulson as Abby, Carol's ex-lover, and Kyle Chandler (one of those largely unsung actors like the late Bill Paxton who make almost everything they appear in better) as Carol's husband, the hard-edged Harge Aird. The sonic texture of the 1950s is splendidly provided by Carter Burwell's score and a selection of classic popular music by artists like Woody Herman, Georgia Gibbs, Les Paul and Mary Ford, Perry Como, Eddie Fisher, Patti Page, Jo Stafford, and Billie Holiday.

[diceriadelluntore]

Storia Di Musica #253 . AA.VV. - I’M Not There (O.S.T.), 2007

Bob Dylan, che è stato anche attore (14 film come attore protagonista o co-protagonista), non concesse mai la sua autorizzazione per un film biografico su di lui. Con una unica, spettacolare eccezione: Todd Haynes, creativo cineasta canadese, che ha grande passione per la musica nei suoi film (cito per esempio Velvet Goldmine sul mondo glam, o un documentario sui Velvet Underground uscito nel 2021), ha il suo placet per un film su di lui, I’M Not There, che esce nel 2007. Dove per tutta la pellicola non viene mai citato Bob Dylan per nome, ma dove è rappresentato da 6 storie potenti e profonde da 6 personaggi diversi, ognuno a raccontare un aspetto del Dylan leggenda: il Poeta Arthur Rimbaud, il Profeta Jack Rollins / Padre John, il fuorilegge Billy McCarty, il falso Woody Guthrie, il "martire del rock and roll " Jude Quinn e la "stella elettrica" Robbie Clark. Il cast è stellare: Marcus Carl Franklin, 11 anni, in una prova magistrale per Guthrie, ossessione adolescenziale di Dylan; Christian Bale come Jack Rollins\Padre John, per il primo Dylan acustico e folksinger; Cate Blanchett come Jude Quinn, che rappresenta il Dylan della svolta elettrica ‘65-’66, accusato di tradire lo spirito della musica folk, per questo “martire”; Richard Gere è il Dylan che interpreta Billy The Kid nello storico film di Sam Peckinpah Pat Garrett E Billy Kid, e del ritorno alla musica country e folk; Heath Ledger è il Dylan febbrile e martoriato dalla fine del suo matrimonio con Sara di Blood On The Tracks; Ben Whishaw è un Rimbaud decadente e immaginifico, e Dylan non ha mai nascosto il suo amore per la poesia del grande francese. Il film ebbe grande eco, e vinse a Venezia il Premio Speciale della Giuria (presieduta dal regista cinese Zhang Yimou) e la Coppa Volpi per la miglior interpretazione femminile andata a Cate Blanchett (il quale premio fu ritirato, data l'assenza dell'attrice, da Heath Ledger, in una delle sue ultime apparizioni pubbliche prima della morte avvenuta il 22 gennaio 2008). Haynes pensa ad una colonna sonora degna di tale progetto, chiamando una serie di artisti a reinterpretare il catalogo dylaniano, pescando in alcuni dei momenti non solo più classici, ma anche minori della sua lunghissima carriera. Il materiale è così tanto che viene utilizzato solo in parte per il film e viene raccolto in una colonna sonora da 2 cd, che esce con lo stesso titolo del film. I’m Not There è infatti un’altra perla di quel tesoro infinito che furono i Basement Tapes e qui è presentata in due versioni: la prima dei Sonic Youth, quella di Dylan chiude il secondo disco quasi a dire che beffardamente che “lui non sta davvero là”. In mezzo altri 32 brani, dove amici ed estimatori prendono e reinterpretano, la maggior parte in modo interessante, il catalogo di capolavori. Parto subito dal dire che si poteva fare meglio sulla versione che Charlotte Gainsbourg fa di Just Like A Woman (uno dei massimi di Dylan), per il resto il disco è pieno di gioiellini, soprattutto quelli che riscoprono brani del Dylan minore: tra questi, emozionante sono le riprese di Goin' To Acapulco di Jim James e i fantastici Calexico (da The Basement Tapes,1975), che con il loro tocco psichedelico-tex-mex sono favolosi, anche in Dark Eyes con gli Iron & Wine (brano dal disco Empire Burlesque,1985). Molti dei brani sono suonati dalla Million Dollar Bashers, supergruppo che prende il nome dal titolo di una canzone di Dylan - The Million Dollar Bash - composto da Lee Ranaldo e Steve Shelley degli Sonic Youth, il chitarrista Nels Cline degli Wilco, la chitarra magica di Tom Verlaine, Tony Garnier, bassista di fiducia di Dylan, il chitarrista Smokey Hormel e il tastierista John Medeski. Ci sono prove di classe di grandi vecchi: One More Cup Of Coffee di Roger McGuinn con i Calexico, Tombstone Blues cantata da Richie Havens, Just Like Tom Thumb's Blues reinterpretata dal grande Ramblin' Jack Elliott, Senor (Tales of Yankee Power) da Willie Nelson (da Street Legal, del 1978, uno dei primi dischi del Dylan convertitosi al cristianesimo).  Caratteristiche sono le riletture mariachi dei Los Lobos di Billy 1, dalla colonna sonora di Pat Garret,  I Wanna Be Your Lover dei Yo La Tengo (questa presa da Biograph, disco del 1985). Non mancano i super classici: All Along The Watchtower cantata da Eddie Vedder con i Millon Dollar Bashes, The Times They Are a Changin' da Mason Jennings, Highway 61 Revisited cantata da Karen O degli Yeah Yeah Yeahs con i Million Dollar Bashers, Simple Twist Of Fate cantata da Jeff Tweedy. Da ricordare una tenebrosa Man In The Long Black Coat di Mark Lanegan, brano tratto da Oh Mercy! del 1989 e la bella ripresa di The Wicked Messenger dei The Black Keys. Vennero scelti anche due brani particolari all’epoca: Can't Leave Her Behind, registrato incompleto su nastro e in video nel maggio 1966 in una stanza di hotel durante la mitica tournée nel Regno Unito di quell’anno, riarrangiata in parte e cantata da Stephen Malkmus & The Million Dollar Bashers ; Mama, You've Been on My Mind / A Fraction of Last Thoughts on Woody Guthrie, qui uniti insieme da Jack Johnson, erano usciti separatamente nel primo volume della Bootleg Series (1991), Vale l’ascolto anche You Ain't Goin' Nowhere di Glen Hansard & Markéta Irglová, che in due si chiamano The Swell Season, i quali nel 2008 vinceranno l’Oscar per la miglior canzone originale, Falling Slowly tratta dal film Once. Rimane un tentativo unico e davvero interessante di carpire l’essenza di Dylan, da sempre misteriosa e sfuggente, il quale nel brano omonimo dice: Sì, credo che sia giusto, oh, nell’animo lo credo\mi hanno detto, come ho detto io, quando prima portavo io il peso del delitto\quando lei è tutto quello che le hai detto, come ho detto, tira dritto\vorrei essere lì ad aiutarla ma non ci sono, me ne sono andato.

[abelkia]

La playlist de l'émission de ce jeudi matin sur Radio Campus Bruxelles entre 6h30 et 9h : Harry Partch "U.S. Highball - A Musical Account of a Transcontinental Hobo Trip" (A Portrait/New World Records/1955-2015) Buddy Collette Septet & Robert Sorrels "Polynesian Suite" (Polynesia/Trunk Records/1962-2019) Peter Ivers' Band (with Yolande Bavan) "Gentle Jesus" (Knight of the Blue Communion/Epic Records/1969) Dominik Steiger "Gold Vom Süden" (Ad Hoc Musi 1980-84/Tochnit Aleph/2013) Reverend Gary Davis "I Am the Light of This World" (When I Die I'll Live Again/Fantasy/1972) Ivor Cutler "One at A Time" (A Flat Man/Hoorgi House Records/1998-2008) Le Diable Dégoûtant "Complainte de la Bête" (Fleur de Chagrin/Aguirre Records/2023) Persona "Água" (Som/Black Sweat Records/1975-2021) Jacques Charlier "L’Amour dans les chansons" (Art in Another Way/Musique Plastique/198?-2022) David Chesworth "Once Upon A Time" (Industry & Leisure/B.E.F.S Records/1983) Vincent & Moi "Lonely Hearts" (1998-2002/Auto production/2002) Colin Newman "Can I Explain the Delay" (Commercial Suicide/Crammed Discs/1986) Dominique Walter "Les petits boudins" (7"/Disc'Az/1967) Gillian Hills "Tu peux" (Rock Français/Wagram Music/1961-2021) Herman's Rocket "Space Woman" (7"/Vogue/1977) Sandra Plays Electronics "Her Needs" (7"/Minimal Wave/1988-2013) Aroma di Amore "Het Gesticht" (Koude Oorlog/Onderstroom Records/1984-2022) Savages "I Am Here" (Silence Yourself/Matador Records/2013) R.E.M. "These Days" (Lifes Rich Pageant/I.R.S. Records/1986) Panda Bear & Sonic Boom "Edge of the Edge" (Reset/Domino Recording Company/2022) Ming "Chanson de la plus haute tour" (Intérieur / Extérieur/Doxa Records/2001) François de Roubaix "Dernier domicile connu" (10 ans de musique de film/Odeon Soundtracks/1970-1998) Jean Luc le Ténia "Tu es un amour" (Le meilleur chanteur français du monde/Ignatub/2002) Fela Ransome-Kuti and The Africa '70 "Fogo Fogo" (Afro Baby - The Evolution Of The Afro-Sound In Nigeria 1970-79/Soundway Records/1973-2004) https://www.instagram.com/p/Cp2P6BuN004/?igshid=NGJjMDIxMWI=

[anhthuhoangg]

Magazine Proposal #1

The future of technology is upon us, with A.I, robots, virtual reality rising to prominence and entering the conscience of the public. Many criticize such technologies, believing they are a possible danger to society, putting into question work ethics, health, et cetera. They are valid concerns concerning the dangerously high rates of electronics, gaming, and social media addictions. The very real effects of technology on modern society have altered the course of humanity for good. While this quite worrying future is ahead of us, with other social issues as well, many have used the science-fiction genre to escape to a different future, to reimagine a world wherein things are different.

Science-fiction enables the creative mind to reimagine alternative universes and futures, dystopias, utopias, to reinvent a world with technology and science. This genre has historically been dominated by the works of White male authors and artists. However, they have often omitted and/or demonized the existence of people of colour, the LGBTQ+ community, as well as other marginalized groups. Stories of aliens invading Earth and destroying humanity are often reflections of immigration fears. Utopias where only White people exist are reflections of how they see marginalized groups as unable to thrive or be successful. Henceforth, they would put forward a narrative of White supremacy. Thankfully, in the past decades, marginalized authors and artists have begun reclaiming science-fiction as a way of proclaiming their existence, importance and contribution to society, wherein they are finally able to reimagine a future for themselves where they can thrive. Sub-genres such as Queer, Indigenous, Disabled fiction, Afrofuturism, et cetera, have put into perspective the struggles or the thriving of these minorities. This new science-fiction has been cultivated by authors and artists such as Ursula K. Le Guin, Octavia Butler, Sun Ra, etc. Our culture has been influenced by these works, as such, the content of this magazine will touch upon science-fiction films, music, art, fashion, and literature that fall within the sub-genres that reclaim science-fiction as also belonging to minorities.

I feel as though a printed magazine would allow for better visual communication and interesting designs using a two page layout. This would be a good choice for work with visuals elements such as films and music videos. It allows for more space to explore graphics, images and typography. The pages will be 12 x 9 inches. I plan on using the modular grid strategy layout from Timothy Samara's Making and Breaking the Grid.

References

Brady, Amy. “Exploring Black Sci-Fi, Learning Through Color, the Cost of Cooling, and Other New Books.” Scientific American, July 2021, www.scientificamerican.com/article/exploring-black-sci-fi-learning-through-color-the-cost-of-cooling-and-other-new-books.

Samara, Timothy. Making and Breaking the Grid, Second Edition, Updated and Expanded: A Graphic Design Layout Workshop. Second, Rockport Publishers, 2017.

Works of science-fiction (Afrofuturism, Queer Fiction, etc)

Black Panther (2018)

Everything Everywhere All At Once (2022)

Black Mirror, Season 3, Episode 4: San Junipero (2016)

Neptune Frost (2022)

Gideon the Ninth (2019)

Né łe! (2016)

LaGuardia (2019)

[dragonbird505]

Today I’m opening an Q&A (FAQ) about my AU : Journey Through the Universes! The process is very simple : ask questions on Tumblr to my characters and they’ll answer them in the form of small doodles.

You can ask questions to Mily, Orion, their human parents Dorianne (or Dori) and Lucas (or Luc) as well as Spirit, the great spirit (silly, I know 😅) and more later of questions allow me to introduce other OCs.

But that’s not all! As the name of the AU suggests, Mily and Orion traveled through many Universes together and have made many friends and it’s possible to ask them questions too! These characters, which belong to their rightful owners, are from the following franchises (or Universes) :

Wakfu/Dofus

The Dragon Prince

She-ra and the Princesses of Power

Kipo and the Age of the Wonderbeasts

The Owl House

Avatar the Las Airbender/The legend of Korra

Sonic the Hedgehog (Archie comics non included)

Sonic the Hedgehog cinematic universe (Sonic movie)

Nintendo Universe (Mario, Pokemon…)

Spyro the dragon (1,2 and 3)

The legend of Spyro

Jurassic park/world (Camp Cretaceous included)

Inuyasha/Yashahime

Ice age

My little pony/Equestria girls

BNA

Disney in general

Dreamworks in general

Pixar in general

Undertale

Ghibli

… and More!

When asking your question, please specify the name of the movie/series/video game franchise the character is coming from, thank you. I’ll answer the questions whenever I can.

Until then, see you soon 😁.

Aujourd’hui, j’ouvre une foire aux questions sur mon UA (Univers Alternatif) : Voyage à Travers les Univers ! Le processus est très simple : Posez des questions sur Tumblr aux personnages et ils y répondront (sous forme griffonnages).

Vous pouvez questionner Mily, Orion, leur parents humains Dorianne (ou Dori) et Lucas (ou Luc) ainsi qu’à Spirit, le grand esprit mais aussi à d’autres plus tard si des questions me permettent d’introduire d’autres de mes personnages.

Mais ce n’est pas tout ! Comme le nom l’indique, Mily et Orion on traversés de nombreux Univers ensemble et se sont fait de nombreux amis durant leur voyages et il est possible de leur poser des questions aussi ! Ces personnages, qui appartiennent à leur propriétaires/créateurs sont issues des séries (ou Univers) dans la liste en rouge ci-dessus.

Quand vous posez vos questions, s’il vous plaît spécifiez le nom du film/série/Jeu vidéo duquel est issu le personnage, merci. Je répondrait aux questions quand je peux.

En attendant, à très bientôt 😁.

[nnjzz]

FIRMAET FORVOKSEN + DAS SYNTHETISCHE MISCHGEWEBE + ROMPÉ

VENDREDI 28 OCTOBRE FIRMAET FORVOKSEN / no DAS SYNTHETISCHE MISCHGEWEBE / de ROMPÉ / fr

ATOMIC CITY

48, rue Alphonse Penaud 75020 M° Pelleport / Saint-Fargeau / Porte de Bagnolet ... ..  20:00 portes 20:45 action P.A.F. 6€ FIRMAET FORVOKSEN / no " brooding psychedelic revelations from the stavangerian OUTSIDERCORE " duo composé de Gaute Granli ( que Le N_J a déjà eu le grand plaisir d'accueillir et de beaucoup apprécier à l'oeuvre ) à la guitare, voix, électronique associée, & de Thore Varland ( Golden Oriole, Staer... ) aux " fûts " minimalistes et electronics ). Une certaine idée d’une certaine “ pop ( si l’on veut ) psychédélique “, insolite , un rien “ pastorale “ ( hein ? )  et émiettée se traduisant par des compositions en équilibre fluctuant et fort instable, avec dedans :  voix brute, guitare mutante, électronique " déviante ", percussions pas mieux... .. FIRMAET FORVOKSEN moves in peculiar ways. The music is natural, but alien. Cosmic, but down-home. Rhythm and sound seem to be drawn from the elements and then processed, leaving gentle sonic explosions in your mind, caressing you with confusion. OUTSIDERCORE OUTSIDERCORE OUTSIDERCORE OUTSIDERCORE https://kraak.bandcamp.com/album/undone-shal

https://firmaetforvoksen.bandcamp.com/album/mask-r-og-parykkmakarar

DAS SYNTHETISCHE MISCHGEWEBE / de " Légende vivante " de l'avant-underground, pré- et post-industriel, ce " tissu synthétique mixte " - spécialisé dans la conception et la fabrication d'environnements sonores entremêlant l'acoustique + l'électronique, bricolés de bric et de broc et pourtant " organiques " - fut fondé à l'orée des années 80 à Berlin par le tandem d'artistes-plasticiens Isabelle Chemin et Guido Hübner. Après la publication du premier LP sur le label d'Esplendor Geometrico, suivie par un nombre incalculable de sorties ( cassettes, CD, vinyls ) sur un nombre incalculable de labels, le projet a connu plusieurs phases, avatars et configurations, au gré de ses déménagements successifs ( Berlin - Barcelone -Bordeaux - Caen ) et des nouvelles rencontres, associant / incorporant au fil de ses concerts /performances / installations divers collaborateurs - musiciens, écrivains, vidéastes, plasticiens ou acteurs. Avec Guido Hübner comme seul élément immuable ( le " leader " ) au gré de ces incarnations, le trait caractéristique principal restant une démarche consistant à créer in situ des assemblages envahissants d’objets hétéroclites, détournés et placés dans des perspectives visuelles ou sonores décalées, utilisant des sons produits de façon électronique et / ou mécanique, pour créer une scénographie et un univers très personnels. DSM s'est fréquemment produit dans des lieux et avec des mises en scène peu habituelles, tournant régulièrement , participant à des festivals internationaux ( Berlin, Bordeaux, Saragosse, Amsterdam, New York, Montréal… ), fabriquant au cours des années des installations et des performances traitant des sujets de la neurologie et des sciences cognitives en utilisant l’imagerie médicale et la robotique. Parmi ses nombreuses collaborations, citons notamment celles avec, dans le désordre, Frans de Waard, Ios Smolders, Artificial Memory Trace, The Oval Language, ERG, MSBR, Toy Bizarre, Roel Melkoop, Ralf Wehowsky, Anla Courtis, Thierry Madiot, Radu Malfatti, Vestige Vertical, Stéfan Rives & Agnés Pallier, Claus van Bebber, Tore Honore Boe, TBC, The New Blockaders ... " etc " . https://www.youtube.com/watch?v=mRetsqKW8UA&t=185s

https://www.youtube.com/watch?v=Ukb3b08py_k

https://aufabwegen.bandcamp.com/album/neunundvierzig-entgleisungen

https://pentiments.bandcamp.com/album/les-troubles https://www.youtube.com/watch?v=GPf0hM8Ndnc https://www.youtube.com/watch?v=GzlOVcbyB8E

https://moremars.bandcamp.com/album/das-synthetische-mischgewebe-zwischenmenschen

ROMPÉ / fr " Je suis né à Ulan Bator. Mon père etait un poète perse. Ma mère une réalisatrice de films d'horreur bretons " Figure fort reconnaissable de la " scène " locale, guitare (con)cassée + electronics branques / brinquebalants - ça et là dans différents projets / " structures " / " groupes " plus ou moins éphèmeres / " pérennes " depuis... un certain nombre d'années ( cf. STEAK FROM DELTA, AGRIPON, ERO BAABA, DARFOUR, MQN,  PILOU PILOU... ) On / off, électronique claudicante + ratages et foutages de boucles - -  oops loops - hein ? - garantis. Tension / rétention / macération / maturation / blues.

https://www.youtube.com/watch?v=kkie1tNyFr8

https://www.youtube.com/watch?v=0NCNRUH4Q8w

https://www.youtube.com/watch?v=vqUgoYyx_mg

Fly - Jo L’Indien