#song: maroon
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maroon // metlife n1
#song: maroon#era: midnights#era: eras#maroon#taylor swift#midnights#the eras tour#userrcmanticpoetry#tswiftedit#tscreators#tswiftgif#networkthirteen#tswiftdaily#usertaylorswiftdaily#tsgif#mine.#tegan .gif#for emma#i can't find the source video for the life of me sorry#100.#east rutherford n1
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Do you think Maroon is about Matty?
Anon, you know I do! lol But hopefully I can make a little sense of why I think so!
Let's start with the title, itself. Obviously, 'Maroon' is a color, a dark red. This of course hearkens back to Taylor's Red album:
"The album's title refers to the tumultuous, "red" emotions Swift experienced during the album's conception; its songs discuss the complex and conflicting feelings resulting from fading romance."
The term "fading romance" reminds me of how red can "fade" into maroon, think bright red autumn leaves fading to brown. Taylor is reminiscing about a love that faded.
Though, the title could have a double meaning. Maroon is also used as a verb, meaning "to abandon or isolate someone". These are themes we see in both 'Cardigan' and 'Question…?', and I'd argue that Taylor visually shows herself marooned in the video for 'Cardigan', as she desperately clings to her piano in the middle of the ocean…
Once we get into the lyrics, we see that our mystery muse has a vinyl shelf, and our suspect also likes to collect vinyl:
"I love vinyl and I've got a lot of vinyl, but I'm more of a t-shirt collector."
Matty has also historically had roommates: he lived with his bandmates for a while, and he lived with George in London for a time, and later, with Sam Burgess-Johnson.
The first thing to strike me while listening was actually this line, but the way Taylor sings it makes me hear it this way:
And I chose you (pause) The 1 (pause) I was dancing with in New York
If this is a reference to 'The 1', well, that song almost certainly references Robbers lyrics!
And speaking of dancing in New York… that's quite reminiscent of Cardigan: "Dancin' in your Levi's, drunk under a streetlight" and "Your heartbeat on the High Line" (the latter being a New York landmark).
We have splashing wine, and a man who has a heavy association with wine, to the point that it became part of his persona, stagecraft, and silhouette circa 2013-2014 (as well as his clumsiness)
"The rust that grew between telephones" is reminiscent of Matty's lost verse from "Slut!": "Plus 44 on an American phone"
"Sobbing with your head in your hands" reminds me of this performance from late 2014 (just after they allegedly broke up) which ends with Matty literally sobbing with his head in his hands (jump to the last ten seconds of the video to see it). He would go on to describe what happened that night as being partially due to "girl stuff"…
Lastly, and this is admittedly, a strange one. But that sort of foreboding synthy undercurrent throughout the song… reminds me so much of a pitched-down version of the same sound from the Real World version of 'I Like America' (compare them here and here).
Whew! Hopefully that's everything! Thanks for the ask ♥
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lyricallymnded’s end of year celebration! | nikki’s favorite songs released in 2022
maroon // taylor swift
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“How’d we end up on the floor anyway?” you say. Maroon live from Taylor Swift | The Eras Tour (Taylor's Version), that’s how. 🥲❤️🩹
Here’s a peek at the first of four additional surprise songs from the acoustic set of the film! Only 2 days to go…
#Taylor Swift#The Eras Tour#Taylor's Version#Maroon#Midnights#TS Midnights#TSTheErasTour#TSTheErasTourTaylorsVersion#Taylor Swift | The Eras Tour#Taylor Swift | The Eras Tour (Taylor's Version)#Surprise Songs#Disney+
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“Hold onto the memories they will hold onto you” and “I wake with your memory over me, that’s a real fucking legacy”
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TAYLOR SWIFT: THE ERAS TOUR MAROON
#taylor swift#the eras tour#taylorswiftedit#maroon#theerastouredit#the eras tour film#tswiftedit#midnights#surprise songs#tswiftgif#filmtv#dailyfilmsource#dailyfilmtvgifs#*mine#*tsedit#the way this was one of MY surprise songs <3333#wembley n1 you will always be famous
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Taylor performing Cornelia Street/Maroon (and killing fans) as the surprise song on piano
- The Eras Tour in Liverpool, England (N1) on June 13, 2024 (x)
#cornelia street#maroon#surprise song piano#surprise songs#eras tour liverpool 1#eras tour#taylor swift
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fun facts
i literally couldn't find anything interesting about payphone
when asked what he meant by "a thousand hugs from ten thousand lightning bugs", Adam Young said: "I was the recipient of 1,000 hugs from 10,000 lightning bugs for a grand total of 10,000,000 hugs. As the lyrics of the song clearly state, the average layperson would not believe their eyes if 10,000,000 fireflies were to illuminate planet Earth, nor would the average person conclude by natural instinct that 10,000 lightning bugs acting as a collective group, are capable of embracing a human being 1,000 times without difficulty. By the same token, a gathering of lightning bugs in such vast numbers form a sort of “swarm,” and a swarm can collectively surround a human and deliver a “hug” that a single firefly, acting according to the dictates of his own conscience, simply cannot. Consequently, I was embraced 1,000 times by 10,000 luminescent insects. This may seem inconceivable due to the firefly’s soft-shelled body, which is common among all winged beetles within the Lampyridae insect family. Members of the scientific community may be tempted to cast doubt upon the possibility of this exchange due to the immobility of the prothorax and pterothorax, in addition to the elytra protruding outward while a firefly is engaged in mid-flight. However, I can testify to the accuracy of this exchange. I can furthermore add that while each individual hug took place, each firefly participated in the chemical reaction commonly known as bioluminescence in which the enzymes within the firefly, in the presence of oxygen, magnesium ions and ATP, emitted a chemically produced light or “glow” because they were happy to be hugging me"
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SO SCARLET (IT WAS MAROON)
CHAPTER TEN: RIGHT WHERE YOU LEFT ME
DID YOU EVER HEAR ABOUT THE GIRL WHO GOT FROZEN? TIME WENT ON FOR EVERYBODY ELSE - SHE WON'T KNOW IT.
☆ pairings: rockstar!eddie munson x fem!reader
☆ warnings: no use of y/n, strong language, angst, minors dni
☆ WC: 5.9K+
☆ A/N: lyrics used towards end of the chapter belong to the following sleep token songs (in order of appearance) - chokehold, ascensionism, and take me back to eden. 10/10 recommends listening to them <3
thank you to my love @hellfire--cult for the divider!
masterlist
When you wake up, you’re shocked to find cold sheets beside you.
Your hand stretches out on instinct, joints cracking as you barely slip into consciousness, and it’s the one thing capable of jolting you awake. These aren’t your sheets (they’re too nice to be your sheets), this isn’t your bed (there’s a cologne across the fabric that no longer stains your own mattress), and the bed is cold. Not even whispering of the warmth of who should be in bed with you, no trace of him having been tangled up with you the entire night to be found.
Eddie had been here. You know he had been here. Last night couldn’t have possibly been a dream, or a hallucination, or some cruel twisting of reality done by your brain out of the terrible yearning that is bubbling back up to the surface of your chest.
He had been here. And now, he’s gone.
It reminds you too much of those mornings you’d awake while he was on tour. The mornings you’d roll over in a shared bed, only to find the other owner was still a country away. Mornings where you took your coffee cold and alone, and took your updates from some online source posting blurry photographs of the man you were waiting up on rather than from his own two lips.
Bile almost rises in your throat until you properly sit up, and you properly remember.
Eddie. Kisses. His guitar. His song. Whispered falsetto of taking aim, painful words about the way love is a weapon.
You weren’t stupid. You weren’t dense. And Eddie Munson was a rockstar, not an actor.
The room is still dreary, faintly lit with the wisps of daylight peering through the curtains over the window. You can’t tell if it’s stormy out, or it’s early out, but neither really matters. Neither really explains why you’ve woken up in a bed alone, after a night of playing pretend.
Eddie’s lips, trailing down your skin. Eddie’s hands, bruising your hips and holding you to him in all the ways you begged him to. Eddie’s legs, entangling with yours beneath sheets he used to not be able to afford and blankets that kept the rest of the world as far away from the two of you as possible through the night.
You swear, for just a moment, your back is still warm with the imprint of his chest curling against you.
With every movement you make, you wait for Eddie to magically appear out of thin air. To jump up in front of you, to smile at you with that toothy grin and greet you with some ridiculous good morning. You keep waiting as you kick off the covers, and as your feet meet his cold floors, and as you make your way to the unfamiliar bathroom attached to the bedroom.
Waiting, waiting, waiting.
You sort of fucking hate waiting. Especially when it came to Eddie.
There’s no sign of him in the apartment. It becomes clear once you’ve brushed your teeth, almost hesitating to use the toothbrush available until you realize how ridiculous that would be. He had his tongue down your throat last night, amongst other places – he could bare for you to borrow his toothbrush just this once. You make your way out of the room, down the hallway, to the kitchen.
Nothing. No Eddie. No breakfast. No reminders to call Matt and no ambulances on speed dial.
You feel like a fool.
“Talk about karma, hm?” you mumble to yourself as you lean against his kitchen island, staring at the fridge, weighing your choices.
You could stay, make yourself breakfast, enjoy the luxuries at your disposal.
Or you could leave. You could get out now while he’s not here to stop you, erase the night from your skin and memory. There’s still time to pretend that none of it ever happened. There’s still time to scrub the stain he’s once again left across not just your skin, not just your mind, but your entire existence. A newly reopened wound, and you still had time to make amends and stitch it right back up. No blood stains necessary this time around. And things were always easier the second time around, right?
Wrong.
Something keeps you rooted in spot. Maybe it’s the nostalgia, wrapping its way up around your bones. Maybe it's the wishful thinking, the smallest of hopes that Eddie will eventually burst through the front door and wash away the doubts.
Or maybe it’s the post-it note that you’d initially missed, barely clinging to the surface of the fridge as it leaves behind a sticky residue.
Went to the studio, I’m in trouble with Matt :( Help yourself to anything in the apartment. If you leave, just make sure to lock up behind you. I’ll text once I’m done.
It’s written in messy penmanship, the font of someone in a rush. The phrase ‘if you leave’ is only slightly neater, as if written slowly and given more thought than anything else said.
As if Eddie might have hesitated, for just a moment, at the thought of you leaving once more.
You’re probably imagining things. You’re probably making up that difference in your mind, projecting onto what you want him to feel so desperately. It shouldn’t make a difference in if you stay or if you go. It shouldn’t.
And yet, it does.
The hours pass by slowly. Morning bleeds into the afternoon as you keep yourself entertained and take Eddie’s encouragement in full stride; you make yourself a decent enough breakfast from what food he does have in the fridge, and you almost make a note of scolding him for having little to nothing in there. But then you remember that it isn’t your place anymore, and your toast is nearly burning, and so the mental note of any slaps on the wrist is pushed away. You wander about the living room, taking in what photos he does have displayed. There’s not much – a few awards, some nice recounts of the band’s successes, but nothing that is Eddie. No photos of Hawkins. No photos of friends. No photos of Wayne. You hadn’t realized just how empty, how vacant, the place had felt until you properly inspected it all.
There’s only one trace left behind of Eddie. The man you once knew and loved, not Eddie the Rockstar. Eddie, the caring best friend. Eddie, the doting boyfriend. Eddie, the one you’d once spent all your days weaving a future with, threads intertwined and dreams perfectly aligned.
A single photograph of just him and Gareth. Or at least, what’s been framed to appear to be of just him and Gareth.
Eddie, front and center. Gareth to his left. At a quick glance, it seems like one more homage to the band, maybe even to his friends.
It’s more than that, though.
Your hands can’t work fast enough as they grab the frame, not even thinking clearly about how Eddie might feel if you rip the back off the nice piece of memoriam. Your heart is racing out your chest, breaths starting to come out in harsher and harsher puffs as you struggle to flip the clips and remove the backing cardboard.
You find exactly what you knew you’d find. Exactly what you’d dreaded you’d find.
Yourself, staring back at you.
Creased over so purposefully, the section of the photo containing you has been prestigiously folded to appear as though you’d never existed. You, with a fool’s grin and eyes squinted out of appearance. You, hand on Eddie’s shoulder as you’d lifted yourself up dramatically on your tippy toes, body full of pride beyond the point of containment.
A version of you that you can remember crystal clearly.
“Wait, wait!” you had squealed, the stick of beer on concrete floors meeting the rubber sole of your shoes audible as you’d ran across the bar, “Don’t you dare take that photo without me, assholes!”
You’d nearly slipped in a puddle of only God-knows-what as you’d made it to where the boys were gathering, but Eddie’s hands had already been there to catch you before you’d met an untimely demise.
“Woah, woah, woah,” his face twitched with concern, but his smile wasn’t fading, “Trying to kill yourself there, Sugar?”
“No, I’m trying to get into the photo with my favorite people,” you’d corrected, looking around Eddie to shoot a smile Gareth’s way, “Gotta make sure they don’t forget me in the history books in ten years, when they put you guys’ into the Rock and Roll Hall of Fame.”
Gareth snorted immediately, shaking his head, his own head of curls bouncing with the movement, “Right. I’ll believe it when I see it.”
Eddie’s hands left your waist, leaving you to bounce on the balls of your feet as you looked back to Jeff still poised with a camera. “Don’t be such a pessimist, Gar.”
“Don’t call me Gar.”
“Oh, I’m sorry. Should I use the full nickname? Would you prefer Gare-Bea-”
“Okay,” Eddie cut you off with impeccable timing, putting his hands out between the two of you, “Can we not kill each other after we’ve just played our biggest show yet?”
Biggest show yet, indeed. Everyone had come out to show love to the boys you’d been rooting on from the hot floors of garages for several months at that point. More than just a few drunks being forced to listen to the live band playing at their favorite joint, and more than just a few friends who’d spared their evening to show support.
Everyone was there. The bar had even made an exception for a few of the boys in Eddie’s Hellfire club, and that alone had already gone to Dustin Henderson and Mike Wheeler’s heads.
“She’s right!” Dustin added without any prompting, standing to the side and looking just as giddy as you did, “You guys are gonna be goddamn rockstars!”
“Language, Henderson!” Steve Harrington scolded, scowling at the younger boy, “Jesus, we let you guys come to a bar one time to support Eddie, and you immediately start acting up-”
“Can we please just take the photo?” Jeff waved the camera as he looked between you, Eddie, and Gareth, “Please?”
Surprisingly, every single person listened.
Gareth resumed his cool-guy position, clearly trying to not show just how excited he was. Arms crossed as he didn’t move any closer to be more fully in the photo, offering the limited effort of leaning in.
You knew he was just playing it cool. You’d seen the smile light up his face, even behind the drumset, the moment the boys had seen how large of a crowd they’d garnered.
Dustin jumping up and down beside you, waving his hand, trying to just get a glimpse of his blurry palm in the shot.
No one could even be mad at him, the air was too thick with excitement. He was only exerting it the way all of you craved to do so badly, guided by his youth and genuine love for his friends – his mentors.
And then there was you and Eddie. Eddie wasn’t hiding his joy at all, those dimples you so adored in full throttle as he looked at the camera with starry eyes. All that hard work, all those late nights, finally beginning to come to fruition. He didn’t have to say it – you knew. You knew he was beginning to see the shape of a rockstar forming that you’d always been able to view. Seeing himself in the spotlight that you’d always shone on him, blind faith and all.
He was proud, and you were prouder.
On your tippy toes, hand curling around Eddie’s shoulder like an anchor as your chin tilted up and your teeth flashed to the camera. You probably looked ridiculous – you felt ridiculous. But there was no time for some elegant pose or faux cool act like Gareth or Jeff. You were bleeding out all your pride and all your happiness, and it was all for the warm body beneath your palm. The boy you’d be holding dearly when it was all said and done at the end of the night, letting him collapse into your solace as he giggled and muttered his disbelief at how well the night went once you were both safely back in his bed.
“Say cheese!”
Jeff was all but ignored, only Gareth loudly proclaiming the word through gritted teeth.
You squeezed Eddie’s shoulder a bit tighter, and he smiled a bit wider as you whispered, “I’m so proud of you, Rockstar.”
You didn’t realize you were crying until the first tear drops onto the photo, narrowly missing your overly exuberant face and landing instead on the back of the part of the photo unseen from this point of view.
The part that was on display. The part that Eddie would let the world see.
The tears can’t become more; you can’t let them. You weren’t going to break down in sobs in the middle of Eddie’s apartment. Not after the night before, not after what felt like the precipice of progress. Not after the beginning of what felt like a peace offering.
Closure. You were both so close to closure, and yet had never felt further.
Instead of putting back the backing of the frame like you should, you pull out the entire photograph, slowly unsticking it from the glass so you can unfold it to witness the entire picture. You thought it might feel wrong to see this version of you standing beside that version of Eddie, but it doesn’t. If anything, it makes the burn of nostalgia worse.
The night before, Eddie had asked you a question.
“Do you know how many times I played this moment back over in my head?”
And you didn’t know. You never found out, never bothered to ask him for the answer. But you couldn’t but wonder if he knew how many times you’d played moments like the one in this photograph back, over and over in your mind, until it drove you to madness. Just how many late nights in that lonesome apartment, haunted by the memories, it had finally taken before you’d had no choice but to move. How many breakdowns had been spurred on in public when you’d heard his song playing in a gas station, or you’d seen a magazine that he’d occupied the smallest corner of the cover of.
How many times, during those moments, you’d thought back to nights like the one in this picture, and wished you could go back.
Even now, even with progress on the horizon, you want to go back. Everything in you screams for this time rather than the present. You want small crowds in the Hideout and an overly hyper Dustin Henderson to annoy you all. You want Eddie kissing you in the bar’s bathrooms, everything reeking of stale beer, and you want the only interruption to be the others banging on the door to let you know it was time to go, not Eddie’s cell phone ringing with a call from his agent.
You want, and you want, and you want.
For an innocence neither of you can return to. For a life both of you left behind in ashes. For a love that had seemed so infinite, not as though it might be a momentary time bomb waiting to blow.
You want to take past you by the shoulders, and shake her so hard that there’s a chance she’ll listen to you when you demand she just enjoy it.
Enjoy all the late nights spent in diner booths with all the boys, none of them witness to the pathway of a heart that Eddie’s thumb is drawing on top of your hand. Enjoy all the grand firsts, and enjoy how everything feels like the ends and beginnings of your world when you’re that young. Enjoy Eddie while you can, even when he annoys you, even when he finds a way to get perfectly on your very last nerve. Enjoy it.
Because one day, it would all be gone, and you’d be crying over a photograph in the apartment of the man you once thought you were going to marry.
Now is the time to stop. Now is the time to put the photo back, gather your things, then leave. Put away the shovel and walk away from the grave of the past.
You can’t do it.
It turns into some wild scavenger hunt, lacking in guidelines and etiquette as you search through the rest of the apartment. Not truly snooping, but certainly scouring every corner for any other possible remnants of you. Small markings, brutal stains. Proof you weren’t the only one left maimed at the end of the day. Proof you weren’t the only one stained.
Nothing else is found, because nothing else in the apartment is seemingly as personal as that one photograph.
You’d noticed the apartment was barren, but hadn’t taken the time to see just how far the emptiness went. His living room, his kitchen, his bedroom – not a single sign of the Eddie you once knew. Only the new Eddie. The Eddie with awards, with a reputation, with adoring fans.
The Eddie that you couldn’t tell if you really cared for all that much.
The first sign of life only creeps into your vision when you crack back open that door to his makeshift studio. Guitars he once only spoke of owning, a keyboard that tells you he’d finally taught himself how to play piano rather than only speaking about it as a one-day, notebooks and loose-leaf pages scattered across the coffee table that’s situated in front of the comfortable couch.
It reminds you of the coffee table back in the Munson trailer. Of his desk, back in Hawkins.
There’s no sporadic Hellfire campaigns across the pages, though. No small doodles in the corners of the crumbled pages.
Your curiosity gets the better of you as you take the same seat you’d occupied the night before (or technically, the earlier morning). No guitar fills your lap – only the weight of the first notebook you could get your hands on. He’d told you to help yourself to anything in the apartment, and he’d never said that the studio was explicitly off-limits.
There’s rings of coffee stains across the front of the notebook, half the pages visibly used from the side while the rest stay pristine and uniform. Before you can overthink it, you’re flipping the cover of the spiral notebook open, holding your breath as you read across the first line of penned words that you find.
When we were made, it was no accident.
Lyrics. They’re clearly lyrics. You keep reading, out of order as your eager eyes drink it all in.
I’d turn my walls to gold to bring you home again.
You turn the page. You refuse to linger. You refuse to over analyze.
MAKE IT REAL. ‘Cause anything’s better than the way I feel right now.
The first three words are angry, aggressive, large. Screaming off of the page. And the remaining ones are small, almost cursive as they flow together like a whisper. Like the writer couldn’t handle telling the world something so vulnerable, so loudly as he had his demand.
Below, a phrase takes up an unexpected amount of space, circled around several times, a few stray question marks penned around the edges.
Diamonds in the trees, pentagrams in the night sky.
You recall all of Eddie’s doubt when you’d interrupted him writing a song last night. The muttering to himself, questioning what the words might even mean. It seems that was not an occurrence saved solely for you – it seems, when he’s been left to his own devices, the process always remains.
You turn the page again.
This time, you’re met with the largest conglomerates of lyrics yet. Spreading across the available lines preset for him, but also spiraling about the page. Written in the margins, forced to fill the gaps between the lines. There’s a sinking feeling in your gut before you even read the lyrics, based on the title alone – Take Me Back to Eden.
I dream in phosphoresces, bleed through spaces. See you drifting past the fog.
You’re holding your breath again.
I’m a winged insect, you’re a funeral pyre.
Your eyes wander further down the page.
I need you to see me for what I have become.
The word become is angrily underlined, over and over, until the pen had torn through the page in the slightest.
Something rises up within you, and in a panic, you jump to the bottom of the page.
I guess it goes to show, does it not? That we’ve no idea what we’ve got until we lose it.
The first fatal blow – you can practically hear Eddie’s voice singing the line to you.
And no amount of love will keep it around, if we don’t choose it.
Another blow. Flashes of simpler times. Times when Eddie was yours, when the world didn’t lay claim to him the same way your own shaking palms would.
No amount of self-sought fury will bring back the glory of innocence.
It doesn’t matter how small he’s written it. No matter how tiny and insignificant he attempted to make the line, it cuts deeper than any knives that have ever passed through your flesh before. Deeper than the knife of losing him, so terribly slow. Deeper than the knife of hearing Corroded Coffin in public for the first time, playing out of someone’s car on the street as they listened to the Alternative Rock station. Deeper than the knife of burying his mother’s ring at the back of your closet, no longer yours to wear but somehow still yours to keep. Deeper than the knife of seeing him sitting there, in your office, completely unaware for the first time in two years.
You slam the notebook shut before you can end up bleeding all over the pages, tears gathering once more and wounds all ripped back open mercilessly.
The glory of innocence.
All the reels of memories that had hit you as you’d held the photo in the living room come barreling back, striking you down, hitting you exactly where it hurts.
Because he had felt it too. He had experienced it too.
The nostalgia, the want for the past, the need to go back in time when things were simple – innocent. When the stakes were low and love was more than just a ghost wandering through your graveyard in passing.
Self-sought fury.
All the headlines, all the self-destruction. Every news article that had chipped away at the great Rockstar’s reputation. It hadn’t been the Eddie you’d known, just as you’d immediately thought; it was a new version of him, a new shell of him, seeking out damage wherever his furious hands could grasp it.
But you’d never self-imploded. You’d never gotten your fury out, never got to kiss strangers in bars or destroy hotel rooms to move past all that you had lost. You’d been sitting in silence, a brewing pique that you’d let fester for far too long. All the hurt, all the fury, all the heartbreak.
You didn’t have songs to write about all that. You didn’t have notebooks filled to the brim with those emotions.
All you had was a shovel, and a deep hole inside yourself that you never thought you’d excavate again. Deep, russet brown eyes that had once lit the pavement for your future, now patronizing your past from the grave.
A grave you hadn’t been digging alone, apparently. Worlds apart, and you two still had been seemingly in sync with the murder of who Eddie Munson once was.
But the grave is excavated now, and you don’t think too much as you all but sprint out of the room, a clear destination in mind, that damn notebook in hand.
—
Google is your greatest friend, your greatest tool, in the end.
You don’t have the right connections at first. No numbers saved in your phone that you could call for the information, no emails beyond Matt to reach out to. And if there’s anything you’ve learned in working in a business where emails were the sole form of communication, it’s that no one would reply to you as quickly as Eddie had been.
You didn’t have time. So you decided you’d already crossed a line, and you’d scoured the address of the recording studio that Corroded Coffin uses.
You’d almost lost hope until you’d seen a paparazzi photo of him leaving said studio. Most news outlets had clearly been paid to keep hush about the location, but some were still the scum of the Earth, and some had left behind evidence. It took more effort on your part than expected, and more scrolling through fan forums than you were proud of, but you’d found it.
You’d found the address where you would find Eddie Munson.
Hell hath no self-sought fury like a muse scorned, you suppose.
That’s what had hurt the most. In hindsight, you’d always known he’d write about you one day. He was an artist, and he had always pulled inspiration from his real life experiences. You’d just always been under the assumption that when the day came, the words on the page may be a happier tune. Something softer, something less hurtful.
He wasn’t even insulting you, but it certainly felt like he was mocking you.
You’re blinded by pain as you storm through the front door of the surprisingly small studio, finally feeling the need to lash out after two long years. Two long years of silent misery, silent suffering. You’re no longer the same person who had taken the cowardly way out. There is no instinctive running away from this, no gathering up your existence and disappearing from his life.
This time, you want to fight. You want to scream at him all that you had felt as well. You wanted him to know the damage done, whether it was the right response or not.
It probably wasn’t. And there was probably something to be said about the fact that this time, you were willing to fight with him over it.
“Good afternoon, ma’am,” a young receptionist greets you from the front desk, “Do you have an appointment?”
“Nope.”
She doesn’t deserve your venom, but she’s getting it straight out of your clipped tone regardless. You’re not here to play niceties with her – you’re here to see Eddie.
She’s clearly taken back from your straight-forward answer, “Oh, I see. Unfortunately, the studio is currently occupied, but we can-”
“I know the studio’s occupied,” you reply blandly, eyes looking for the elevator, “I’m here to see the bastard currently occupying it.”
“I- excuse me?”
You spot the elevator, feet working faster than your mouth as you start to walk over to it, “I said, I’m here to see Eddie Munson. I know he’s in the studio currently, I know him-”
“I can’t let you do that.”
“You’re not really in the business of letting me do anything-”
“Ma’am.”
You hadn’t noticed the security guard until his hand comes down on your shoulder. The receptionist girl is wide-eyed, looking nervous enough that if you weren’t in the middle of your own spiral, you might feel bad.
“Let go of me,” you shakily demand, standing still under his hold, “I just need to speak with Ed-”
“No one goes in there without permission from the band or their management,” the man gruffly replies. He may have a good foot on you in height, and the stretch of his muscles beneath the plain black t-shirt might be impressive, but you’re almost convinced by the adrenaline racing through your veins that you could take him. One swift kick of the legs, and you could get to the elevator – you could get to Eddie.
Fight with Eddie. Call Eddie out for all the pain he’d let fester within you for far too long. Probably not even realizing you were calling yourself out in the same breath.
“Then fucking call them,” you snap, reaching up to swat away his hand, “Call them, and tell them my name-”
“We’ve been given strict instructions to not interrupt them-”
“I could give two shits if we’re interrupting!” you finally yell, fulling tearing yourself away from the strange man’s grasp, “Fucking call Eddie, and tell him-”
It’s the sudden call of your name that breaks the tense moment entirely. Not Eddie’s voice, not even Matt’s voice, but a different voice from your past that has hardly changed.
Standing before you is Gareth Emerson, almost looking entertained at the current exchange happening.
“She’s with us, man,” he chokes out, clearly holding back laughter as he locks eyes with you, “I can take her back up.”
“Are you sure?” the security guard presses, looking at you with narrowed eyes, “If this is some insane groupie, Matt will kill me if-”
“I’m not a fucking groupie!”
You have no reason to be so angry, so defensive. But you’re already a wounded animal, and you’re primed to bite at the slightest inconvenience.
The wounds of the past are gushing, and being reduced to nothing more than an insane groupie is salt in the blood. Callous, burning, hurtful.
You’re not just a groupie.
“She’s not a groupie,” Gareth echoes after you, and his words are far more effective. The guard takes a step back, and Gareth finally lets out a snort that he tries to cover with a cough, “C’mon, Hellfire. Let’s take you upstairs before you burn this whole place to the ground.”
You swallow down any shock at the old nickname, and you rush to join Gareth’s side, being sure to knock an elbow into his side on your way past him.
“No one even calls me that anymore,” you mutter, still half-angry, guns still ready to begin blazing in Eddie’s direction once he’s in your sight.
“Maybe that’s because you haven’t been around the only people that did call you that,” he points out, tone entirely unaffected by your elbow.
“You guys didn’t trademark Hellfire.”
“No, but we sure as Hell made a name for it back in Hawkins.”
You two stop in front of the elevator, and neither of you make a move to press the call button. You’re all deep breaths, trying to settle yourself as Gareth continues to stare at you.
“You haven’t changed one bit, you know.”
His words have you looking up sharply, brows crinkling as you let them sink in, “Excuse me?”
“I thought you might have changed,” he says, face softening, “You know, the years and city changed you or something. But you’re still… still that same girl we knew. All fiery, always ready for a fight.”
His last sentence is laced with a bit of sarcasm, some light-hearted joking you hadn’t realized you missed until you’re face to face with it.
You swallow hard, and you know your own face melts to match his, “That… I… I have changed. That guard was just being a dick.”
“He was doing his job.”
“Yeah, well,” you sigh, feeling the wisps of fury slip out of your grasps. You almost feel like a toddler, prepared to stomp your foot just to emphasize a losing argument. “He should do his job worse.”
“And you say you’ve changed,” Gareth teases, bumping his shoulder to yours, “Bullshit, Hellfire. You just let the suits at your job get to you. Maybe you should stick around this time, remember who you were.”
The words shouldn’t make your chest tighten, but they do.
Who you were.
Leaving behind Eddie meant more than just leaving behind a failed relationship. It meant leaving everyone. And that included Gareth. That included the version of you that you’ve missed so terribly today that you’ve gone grave-digging, pulling back all emotions to the service. It’s not just anger, it’s not just nostalgia. It’s something deeper and something you can’t erase. A stain on the deepest parts of you that you can’t rid yourself of, even if you’d wanted to.
Neither of you have pressed the elevator button yet.
It’s impulsive, but there’s a decision to be made that you won’t overthink. You’re brimming with impulsivity anyways, “Give me your phone number.”
“What?”
“Give me your number,” you repeat yourself, already digging out your cell phone as you balance Eddie’s notebook in your other hand, “And I’ll stick around this time.”
You don’t necessarily mean it in the same way he implies, but you mean it in the way that counts.
You hand your phone over to his waiting palm, and for a moment, it feels like a weight has lifted.
Even if it all burns down with Eddie. Even if you find the closure you’ve been so desperately seeking out with him, it doesn’t mean you have to leave the others behind. People like Gareth, like Grant, like Jeff – there’s still room for them, somewhere in your new life. You had grown up together practically, at least during the years that had counted, and there was no need to erase them from your history.
You could find a way. You had to find a way.
Compartmentalize, rationalize. Justifications and explanations were plentiful. You would find a way to meet the you that once existed and the you that was left behind in the rubble, somehow, someway.
When Gareth hands you back the phone, there’s a smile twitching in the corners of his mouth, “We should meet up for dinner sometime. I know the rest of the guys, Jeff and Grant, they miss you. And we know this killer pizza place.”
You don’t fight your returning smile, “Yeah. We should. I think I’d really like that.”
“Right,” he claps, looking around to clearly see if the guard and receptionist are still watching. They’re momentarily distracted, it seems, by some sort of delivery driver, “Well, I’ll leave you to it. Our studio’s on the third floor.”
“Wait,” his finger has already jabbed at the call button, the sounds of an elevator creaking on its quick descent to you sounding from behind the metal doors, “Aren’t you coming back up with me?”
“Oh, God, no,” Gareth’s nose scrunches, and his overgrown hair bounces as he shakes his head, “I think I’ve had just about enough of Eddie for the day. The rest of the guys left about an hour ago, anyways, and I’m guessing you two might want some privacy?” You nod at his questioning tone, “Perfect. Then, in that case – third floor, like I said.”
“Thank you, Gareth,” you blurt out, fighting down all the nostalgia. Part of you is aching – part of you just wants to see the other boys again, no longer needing the fight with Eddie, “I- I missed you guys too, for what it’s worth.”
“We know,” he jokes back, although there’s something in the way he says it that makes you think that maybe they didn’t know that. He finally glances at the notebook in your hands that you’d nearly forgotten about, lively eyes turned simply sad. “Just go and give him Hell, yeah? You’re not the only one who's lost themselves.”
There’s no chance to ask what Gareth might mean as a ding sounds and the doors slide open. The boy that you have genuinely and sincerely missed nods his head, signaling for you to get in, and you do just that. Mentally preparing yourself with one last gulp of air, one last look at Gareth, before you ready your boxing gloves once more.
You’re not the only one who's lost themselves.
The doors slide shut, and you punch the button for the third floor.
eddie's taglist:@capricornrisingsstuff @thisisktrying @mediocredreams @vol2eddie @corrcdedcoffin
@ches-86 @alovesongtheywrote @its-not-rain @feralchaospixie @cheesypuffkins87
@thebook-hobbit @babez-a-licious @eddies-acousticguitar @aysheashea@kellsck
@cosmorant @billyhvrgrove-main @micheledawn1975 @eddiesxangel @siriuslysmoking
@witchwolflea @tlclick73 @magicalchocolatecheesecake @mizzfizz @nanaminswhore
@mikiepeach @ali-r3n @hawkebuckley @alwaysbeenfamous @darkyuffie-blog
@vintagehellfire @lilmisssiren @elvendria @loveryanax @stylexrepp
@princessstolas @fangirling-4-ever @eddiesguitarskills @babez-a-licious @josephquinnsfreckles
@writinginthetwilight @trixyvixx @kittydeadbones @munson-addict @bluejeangenies
@cryingglightningg @joannamuns9n @missmarch-99 @rhirojo @findmeincorneliastreet
#ghost's stories#maroon#eddie munson#eddie munson x reader#eddie munson x you#eddie munson angst#eddie munson fanfic#stranger things#side note: i fucking love gareth#im so excited to write the next chapter AAAAH#if i could i'd go back and make past ghost make all reader chapters taylor songs and all EDDIE CHAPTERS SLEEP TOKEN SONGS#that would have really hurt my feelings mainly to see the comparison#s.t. and t.s. always#we got all the t's and s's in these parts
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The Eras Tour surprise songs parallels
June 21, 2024—London, England: The Black Dog / Come Back... Be Here / Maroon (mashup)
#taylor swift#taylurking#my edit#tswiftedit#candy swift#ts edit#the eras tour#tstheerastour#eras tour surprise songs#the black dog#the tortured poets department#come back be here#red (taylor’s version)#maroon#midnights#tswiftlyrics#ts lyrics
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Hiya! Ok, so, I'm here to analyze, again. But! Not a scene. I'm here to analyze the evolution of the one and only #Broppy, from the first movie. I've been planning to include the three movies and the holiday specials, but I figured I can't add that many pics in one post. I can only add ten, soooo-
Let's take it from the beginning: the first appearance for Branch.
If you ask me, he was being rude, maybe even embarrassed Poppy in front of everyone. Yeah, I love Branch, and he's my baby and all, but dude, you shouldn't have done that, especially not in front of everyone. Like, yeah, we later know his backstory and his grandma and his brothers, but still, it's not Poppy's fault, he shouldn't have treated her like this. Sure, her believing life was all cupcakes and rainbows might have been provoking to Branch, but he's still at fault, and I think more people need to make peace with that.
Also, something I noticed, is that Branch and Poppy were close even before the events of the first movie, cause, literally everyone calls her 'Princess Poppy', except the snack pack. They just call her Poppy, and the fact that Branch also calls her Poppy just proves they were close.
Now, later, we see Branch holding Poppy's scrapbook, then staring at even more scrapbooks on the shelves. Like, cute, sure, but it's not what you feel, it's what you show, Branch.
Okay, now, this scene:
The fact that Poppy was knocking on the rock just means she never got into Branch's bunker before. But she knows the address, so that counts. Maybe he had given it to her when they first met in case she needed something after he'd found her hurt with a broken arm or something then they became friends- I'm totally drifting from the post. Sorry about that.
Now, there are two theories:
Annnywayyyy, let's focus on the scene after:
"Which is why I have to ask you..." she hesitated, before continuing, "will you go to Bergen town with me and save everyone?"
She hesitated! She freaking hesitated! Meaning? She probably never asked Branch to help her before. She surely had problems in her life, but she also had her friends, so I belive she always went to them whenever she was in trouble. But now those friends aren't here, which forces her to ask the person who she trusts the most after them. Branch. And, disappointedly, he refuses, because of the fear he's living in.
Moments later, Poppy surprisingly invites the entire village to Branch's bunker to keep them safe. Which was wrong of her. True, she was trying to protect everyone, but using Branch's house without his consent was wrong. Sorry. Sure, it was the safest place for now, but that still doesn't justify it. You can see he was clearly annoyed (which she loved). But I don't really blame her, just like I don't really blame Branch. They both did wrong.
Skip, skip, skip, skip, skip- hold... rightttt here:
Ah, yes. That scene. Now, look. He showed up, because he knew there was no way Poppy could do this by herself, and he wasn't wrong. Poppy, in return, also knew he would come, because it was the third hug time by then.
"I guess we were both right." That line. It speaks volumes for their relationship, yet no one talks about it! They both look at things from different perspectives, BUT, it doesn't mean either of them is wrong.
Like when they arrived at the troll tree: "The troll tree." "Bergen town."
Or when they found out the others were still alive: "They're alive?" "And on a silver platter too. We were both right."
Please writers and artists, we need more content with this line. Add it to your fanfics/art!
Skip, skip, another skip (yes, I skipped the part where Branch tries to avoid talking about his feelings cause it's kinda... i don't know, i just don't know what to say about it. It's sorta obvious), skiiiiiip, annnndddd, right here:
THEIR. FIRST. HUG.
My babies, oh my sweet precious babies. They've been through so much together, and finally, Branch has found it in himself to actually open up about his past (mostly).
I've spoken about this scene in more details in this post.
Now, we're going to talk about one of the most important scenes in the history of Broppy. This:
Branch is talking. He's always used to being in the shadows, never helping anyone, and here he was, helping a Bergen. If that's not a big change, I don't know what is.
And let me tell you, not only Branch was changing in this scene. See Poppy?
She's learning to look deeper into things, even persons. She's finally realizing that Branch, the grumpy, sarcastic troll, might not be as bad as she thought. They're both developing.
Until the rules are swapped.
Branch is the one to find the bright side, and Poppy is the one to cover it. And you can see how disappointed he is.
"I can't wait to see the look on your face when you realize the world isn't all cupcakes and rainbows." But when it happened, Branch realized that this wasn't what he wanted. He didn't want her to be like him, because this was him - a person who doesn't see the cupcakes and rainbows in life, not even in the slightest.
The way he was trying to cheer her up
And the way she actually smiled. Poppy was still there, her happiness was inside, not gone but hidden, and Branch was trying to find it again.
Yet she didn't even notice her own colors returning. Maybe because she was focused on the change in Branch? She wasn't startled when he sang at first, she wasn't happy, just like he used to be. He didn't use to care, until later, when his feelings began to resurface again, because Poppy helped him. Just like he was doing now. Neither did he notice his colors coming back
Aaaaaand, I think the rest doesn't really need analyzing.
Feel free to add or comment on anything.
Part two
Part three
#Trolls#Branch Trolls#Poppy Trolls#Broppy#Broppy analysis#This is so totally new for me so I'm trying my best#I had to merge them because Tumblr won't allow more than ten pics#Trolls analysis#'It's not what you feel it's what you show' line is from 'the song 'Misery' by Maroon 5
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The Language of Flowers: An Alphabet of Floral Emblems – published by T. Nelson and Sons (1857) // Maroon – Taylor Swift
#love that this version of the language of flowers implies that this lyric can be interpreted as:#“fascination that you had thought was love... that's us” 💔💔#carnation#carnations#rose#roses#language of flowers#the language of flowers#maroon#maroon song#maroon taylor swift#midnights#midnights album#taylor swift midnights#midnights taylor swift#taylor swift#ts edit#tsedit#tswiftedit#tswift edits#art#art history#lyrics#lyric art
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Between his consequences-be-damned outspokenness, confessional lyrics, tattoos in odd places and red-wine-out-of-the-bottle slurping, posturing, leather trousered and typically shirtless stagecraft ("a sort of emo Peter Pan self-lacerating Pied Piper kind of character" is how he rather fantastically describes himself), Healy elicits adoration above all things. Particularly among people of a certain age and gender. "Playing to 10,000 screaming young women who hang on your every word and live their lives soundtracked by your music or a bunch of crusty north London liberals – I'm telling you, anybody would pick that. Because it fucking means something to them."
October 10, 2016: Matty compares himself to Peter Pan. (source)
#year: 2016#october 2016#quote: matty healy#overlap: peter pan#overlap: wine#overlap: tattoos#song: cardigan#song: peter#song: gold rush#song: maroon#era: iliwys#get to know them#source: big issue
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Maroon 5 - Songs About Jane (2003)
#maroon 5#songs about Jane#2003#cd#compact disc#y2k#2000s#00s#cds#2000s nostalgia#2000s kids#y2k nostalgia#2000s style#y2k aesthetic#y2k style#2000s kid#y2kcore#00s nostalgia#00s aesthetic#2000s core#2000s aesthetic#00s core#00s style#y2k vibes#early 2000s#2000s music#music#early 00s#cyber y2k#2000s tech
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@tolerateit EDITING PROMPT OF THE MONTH: Humor Some of my favorite Taylor Swift lyrics about laughter - jump then fall / run / back to december / maroon / mirrorball / our song
#editingpotm#my edit#taylor swift#tswift#tswiftedit#jump then fall#run#back to december#maroon#mirrorball#our song#taylor swift lyrics#taylor swift edit#tsusermels#tsuserkatie#userjake#tsuservio#tsuserjam#hauntedbythelook#black and white
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Taylor performing Maroon X cowboy like me as the surprise song on piano
- The Eras Tour in Indianapolis, IN (N2) on November 2, 2024 (x)
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