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jamminvroomvroom · 9 months ago

Note

congrats on 5k queen! you’re writing is so brilliant beyond belief and you deserve all the love and support this site has to offer. can i request lando+angsty smut (the best combo)…prompts along the lines of “i don’t think im ever going to love anyone the way i love you”//“i don’t think i want to love anyone else”

how did it end?

ln x famous fem!reader

in which it ends, until…

i love this fic with my whole heart. thank u sm for this request, anon, and for being so absolutely for gorgeous and kind <3 kicking off the 5k celebration with a big, sad, sexy bang! lemme know what you think, hugs n kisses

songs to set the mood: how did it end? by taylor swift

warnings: 18+!! minors dni!! smut, angst angst angst, fluff, happy ending! exes to lovers, just. a lot going on. sad!lando, sad!everyone, so many feels, r is a big deal model, alcohol consumption, mentions of smoking

4.1k words

one gasp, and then…

“how did it end?” the woman strokes your arm, soothing, tentative.

you don’t know her all that well, she’s signed to the same agency as you, you see her in the halls sometimes and sit next to her in makeup chairs.

you stare blankly at her, registering. news travels fast apparently.

you smile, small, fake, tilting your head to the side. you mumble something about different schedules, timezones, right person, wrong time. she watches your face intently, with sympathy. you want to throttle her. she’s being kind and you despise her for it right now.

“i won’t tell anyone.” she affirms, her fingers still smoothing over the skin of your arm.

yes you will, you think. all of her friends, the rest of the building will know exactly what you’ve told her by the time you get to your meeting. you don’t begrudge her, though, that’s the nature of the industry.

“well, it was good to see you.” you nod, even go in for a quick hug, and then you speed away, beelining for the elevator. the ride is short, your managers office somewhere on the third floor and you shuffle down the corridor, ready to be informed of what your life will look like for the next three months.

fittings, shoots, paris trip.

mhm.

swimwear season, charlotte tilbury, meeting with the vogue journalist.

cool.

week off, few days in london, monaco grand prix.

no.

“what? no.” you splutter. out of habit, you reach for a necklace, frown when you realise it’s no longer there.

“what do you mean, no?” she narrows her eyes at you.

“i can’t go to the race. no.”

“girl, i love you, but did i ask?”

“you know i can’t-“

“you won’t have to see him.” she reasons.

“but what if i do? he’s obviously gonna be there, and the events before and after- no. no.”

“lando norris is not gonna be the end of you.”

you stifle a laugh, one that sounds more like a strangled cry.

what if he already was?

look who we ran into at the shops,

walking in circles like he was lost

lando stares at the shampoo.

specifically, the one you use. used. he can’t be too sure anymore, he supposes.

he’d popped out for a loaf of bread, about an hour ago. he didn’t want to acknowledge how long he’d been staring at the women’s toiletries section.

you seemed to live on, everywhere. lando could see you in his apartment, the passenger seat of his car, the back of the garage. even the fucking supermarket wasn’t safe. you were very much alive, moving on with life, and yet you haunted him like he’d killed you himself.

perhaps he had, in a way.

the basket grazes the outside of his leg.

that’s the shower gel he’d buy for you, the one you only used when you stayed with him in monaco.

there’s the tampons you asked him to buy, crying back at home on your- his bed.

oh, and there’s the shampoo that you made him buy, the one that you told him made his curls feel extra fluffy when he was between your legs-

“lando?” a voice calls, drawing lando out of the mist.

“oh, alex. hey.” lando croaks. he hasn’t noticed the lump in his throat until now. he clears his throat, running a hand through his hair.

“what you doing, mate?” alex asks, eyebrows furrowed. he scans lando’s face, puffy eyes, watery.

“shopping.”

“for women’s shampoo?”

“no, no, just… looking.” lando stutters.

“when was the last time you slept?” alex’s voice is laced with concern, apprehensive. he doesn’t know what to say to his heartbroken friend.

lando smiles weakly.

“i’ve been sleeping.”

alex sighs.

“okay, when was the last time you slept properly, then?”

lando’s shoulders visibly sag.

“about a month ago.”

we hereby conduct this post-mortem

“we can’t do this anymore.”

the words fall from your lips in a whisper, but they reach him like you’ve screamed them at him. he sits opposite you, in the arm chair, so far away, only a metre or so.

“i know.” lando breathes shakily.

“i don’t want this but…”

“yeah.”

it’s been such a good year. you’re in love. it’s not enough. there’s too much distance, too many outsider opinions, too much longing for someone who’s on the other side of the world.

he’ll be in london. you’ll be in brazil.

he’ll be in australia. you’ll be in amsterdam.

it’s too much.

“i love you, though.” you remind him meekly.

“don’t know how to not love you.” he sniffles.

your heart shatters, the pieces flying over the room, spilling across the floor. they mix with the splinters of his, painting the room red. all you feel is blue.

you cry in his arms when he takes you to bed, his own tears spilling over your collar bone when he buries his head in your neck, licks over the marks he’s left there. to remember me by, he’d muttered dryly.

when you’re both finished, he lays there for a moment, still on top of you. damp with sweat and tears, the taste of one another still lingering on your tongues.

“how is it possible that i miss you already?” he pants, lips grazing just below your ear.

“i get it, lan. i’ve been missing you for a while.”

you’re gone when he wakes up.

and so, a touch that was my birthright became foreign

come one, come all

it’s happening again

the empathetic hunger descends

there are about six cameras pointed at you when he asks the dreaded question.

you’re in new york, sat on a talk show hosts sofa, lit by stage lights and his inquisitive eyes. two hundred people sit in the audience, on the edge of their seats waiting for you to spill your secrets.

“so, what happened there, with lando?”

you plaster on the fakest smile to date, crossing your legs anxiously.

“we’re both just so busy, you know? he’s doing amazing things in f1 and i’m all over the place with work.”

“we love both of you over here, it was sad to hear.” he sympathises, adjusting his tie and leaning back in his chair. his fingers drum over the wood of his desk, waiting for more.

vultures. everyone is a vulture.

“and we still have a lot of love for each other. he’s a wonderful person.”

there are tears in your eyes and bile rising rapidly in your throat when you shake hands with the crew, the host, and retreat to your dressing room. you stumble into the en-suite and throw up. then, you fall onto the sofa and cry. you fix your makeup at godspeed and reply to the text from your team, inviting you to drinks at some rooftop bar, promising to meet them there. you punctuate the text with one too many exclamation marks, feigning excitement.

“we still have a lot of love for each other.”

translation: i can’t understand: how did it end?

lando watches your interview. of course he does. he watches everything that you do, watches the way you set the world on fire.

he can’t help himself where you’re concerned, like an addict craving the next hit. you look so pretty on tv, glowing. you look fine.

god, why do you look fine?

he hates himself for hating just how fine you look. he is not fine.

“he’s a wonderful person.”

your words ring in his ears. they anger him, because if he’s oh-so-wonderful, why aren’t you here? why isn’t he there with you, waiting backstage? why can’t you just hate him? why can’t he just hate you? maybe you will, if he shows you just how not wonderful he can be.

he gets drunk that night. forces max to hit the clubs with him. sticks his tongue down a pliant woman’s throat. doesn’t ask her name. let’s her invite him back to her place. it has to be her place, he can’t fuck someone else in your bed, the one you used to share. he leaves minutes after he’s pulled out. he’s sure she’s lovely, too good for him and his bitter fucking heart. he feels utterly disgusting.

lando goes home, scrubs his skin red, and then does it again. he doesn’t go to sleep, watches from his balcony as the sun begins to rise over the sea. he hikes to the highest point he can reach in monaco, where it’s quiet and there’s no one to judge him, or worse, sympathise with him.

he stands at the edge of the cliff. screams once, twice. he sits on a rock, and lets himself cry.

the deflation of our dreaming

leaving me bereft and reeling

my beloved ghost and me

sitting in a tree

d-y-i-n-g

your stylist is plying you with options.

you can wear the denim with the cream OR you could do the red and white? or we can go full glam! or! or! or! we could-

you drown her out. you don’t give a fuck. not a single one.

what you wear to the monaco grand prix is quite literally the least of the your problems. your biggest problem, of course, is that you have to go to the fucking thing.

visibility is important, get people talking! the words of your manager ring in your ears until you have a dull migraine brewing behind your ears.

you leave the fitting not entirely sure what you’re wearing, but your stylist will be sending the clothes over so you can pack.

when you land in all too familiar nice, there are cameras. when you get to the hotel in monaco, you and lando are already trending on twitter. well, at least he knows you’re coming. when you’re getting your makeup done before your first event, you get a text.

i’ll try and keep my distance.

try.

try is such an interesting word. the fact that he has to try to stay away makes your belly flutter with embarrassing, self loathing butterflies. don’t try too hard, you want to respond. you don’t.

should’ve told you i’d be here you shoot back.

you think i didn’t already know?

of course he knew. he’d probably asked god knows how many brands to invite you. you try and feign an illness but your team drag you kicking and screaming to the event.

there are no two ways about it: you’re drunk, on a tuesday night, somewhere in the principality. a few cocktails with a jewellery brand turned into a night on the town, bar hopping with people you hardly knew and barely recognised.

you’re shaking your ass in jimmy’z, pretending to have fun when you see him.

lando stands at the bar, watching you, jaw tensed, eyes solemn. you exit the club faster that his car down a back straight, stumbling into the smoking area. you bum a cigarette from a guy who tries really hard to convince you that he’s the son of a british lord, and sink into the corner, ignoring the people recording you.

depressed model shame smokes outside monaco club because she is fucking pathetic, the headlines will read.

“thought you quit that shit.” his voice washes over your body like you’ve been set on fire, smooth tone, ambiguous accent making you ache.

“i did but then i got forced to come to monaco, so.” you shrug.

“forced?”

“‘m here for work.” you sigh.

“i guess i am too.” he mumbles. you raise an eyebrow.

“you live here, lan.” you tease. lan rolls off of your tongue too sweetly.

“doesn’t feel like it anymore.”

how can it, without you? he wants to scream at you. he can’t, you don’t deserve it.

“how are you?”

you want to touch him.

“shit.”

he needs a taste.

“yeah.”

you put your cigarette out. it tastes like shit, half smoked.

you stand there, stare at each other.

take me home, you want to beg.

come home, he clenches his fists, trying not to grab you and remind you how you’ll always be his, right here, up against the side of the club.

“good luck, if i don’t see you.” you whisper. you linger, praying that he’ll beg you to stay so that you can crumble into his arms, without having to make the first move.

lando ponders his options. his head and his heart wage a war.

logic wins, unfortunately.

“thank you.”

you take that as your queue to get the fuck out of there, and disappear into the night.

it’s raining on sunday. the dreary weather seems to perfectly sum up what has been the worst week of your life.

you’ve seen your ex boyfriend more times than you can count, ended up with about four hangovers as a result, and with a pounding head, you have to sit in the paddock club and wait for the sound of engines to split your head in half. it was your own doing, so you’d suck it up, recognising that you were a disgustingly privileged bitch, and there are people who would sell their kidneys to do what you’re complaining about.

you never complain, not usually. but your heart hurts and your body hearts and your mind hurts and it’s just not fair. lando is gorgeous, and you miss him so badly, and your shoes are digging in. who the fuck thinks it’s a good idea to wear heels to an f1 race?

you see him before the race, mouth good luck from afar. he winks. it’s something you used to do before every race. old habits die screaming.

the rain falls harder, the track slick. you say a prayer and take your seat.

“norris has this in the bag, he’s bloody good in the wet.” you hear some old guy say behind you. you are cursed with the knowledge of just how good in the wet he is, and you end up flushed.

he wins. his second one in three races. you pray that no one notices the way you weep. everyone notices.

you make a mistake and rush for the podium, your pass giving you access. he graces the top step and you sob, grinning like a fool, soaked through with rain. the anthem plays, the champagne pops. he finds your eyes in the crowd. your hair falls, stringy and curled, mascara smudged. you are the most breathtaking sight. he stands still, washed with an onslaught of champagne, watching you like he’s scared to take his eyes off of you. his boyish grin and hopeful eyes render you weak - you’re there for him, after all - and he can’t help but bask in that little fact.

dangerous territory. you break, and disappear.

say it once again with feeling…

the photographers barely get a second to snap a picture of the top three, because lando is gone. he takes the stairs two at a time, descending from the podium and throwing his pirelli cap and a shaky apology at his pr rep. the adrenaline spike makes his blood rush; he needs to find you and stop you and tell you that he will never be able to stop loving you.

the exit is the natural assumption, and he nearly slips a thousand times as he sprints through the paddock. the ground is wet, but he figures that if his car made it, so can he. the gates are in sight, and so are you, your clothes sticking to your shivering frame.

he calls your name, thunderously travelling towards you, his voice hitting your ears like a sonic boom. you freeze, turn slowly until your facing him. the rain splashes around you, not letting up.

you’re within his reach, and he pulls you in, hugging you tight. you melt into him, clinging like he’s a life force. he inhales you, your scent that he’s missed so horrifically. you crumble, and so does he, pieced back together as one.

“i can’t do this, i can’t.” he kisses the words into the cold skin of your neck.

“no, neither can i.” you choke wetly with emotion.

“miss you too much. it’s too hard, it’s stupid, it’s-“

“wrong. it’s wrong. ‘m sorry.” your breath fans his face, breathing life into him, life that he’d lost four months ago.

he grabs your shoulders, lowering so that his eyes are level with yours. his curls fall over his eyes, sodden from the rain.

“i don’t think, no, i know: i’m never gonna love anyone the way i love you.” lando speaks slow, convincing. your chest is tight.

“i don’t want to love anyone else.” you croak, the lump in your throat making it hard to breathe.

“come back to me.” he mutters, pleading.

“don’t think i ever left.” you breathe, hushed.

your lips slot over his easily, it’s like breathing. the kiss is messy, helpless, and he engulfs you whole, his body wrapping around yours like a blanket. you latch onto his race-suit, drawing him in, and then you both seem to remember where you are.

lando norris caught kissing ex like horny teenager in monaco paddock!

you pull away with breathless chuckle. the air is fresh, and you feel alive. he steals another peck.

“wait for me at home. i’ll be quick.” his hand finds you ass, just for a second and you scold him playfully.

home.

yeah, home.

“don’t make me wait.” you grin.

his brain short circuits.

“do you still have your key?” he splutters, refocusing.

you scoff. “never took it off the chain.”

you pace the apartment, taking in the space. it hasn’t changed, but it’s messier, a visual representation of lando since you left. the pit of your belly swirls with anxiety, anticipation. he’ll be back soon, and he’ll kiss you, make love to you, remind you that you’re home and that it’d be stupid to leave again.

you’re still damp from the rain, shedding layers until you’re left in your vest and jeans, ridiculous heels kicked off by the door, your jacket airing over the back of a chair.

he hasn’t taken down the pictures of you together. he hasn’t moved your ugly collection of magnets from the fridge. he hasn’t changed the blinds that you chose, but he didn’t really like. your candles sit on the bookshelf half burned, the teddy he’d won you at a fair sits neatly on the sofa. the L pendant and it’s chain is strewn over the coffee table, right where you left it the morning after it ended. your breathing is heavy.

the front door opens behind you.

you don’t move, your eyes still fixed on the silver chain, overwhelmed by how empty your neck feels all of the sudden. he comes up behind you, his head resting on your shoulder, arms finding home around your waist. you often used to find yourselves in this exact position; while you brushed your teeth, made coffee. the room is deathly silent, breathing and the distant buzz of post race festivities the only thing you can hear. lando follows your gaze.

“kept it. knew that one day, you’d come back for it.”

“i came back for you.”

“and that necklace will stay with you when i can’t be there.”

you nod. he kisses your neck.

“missed you so bad.” you gasp. he licks your skin, bites down softly.

you spin in his arms, his hands pawing at your hips and everything blurs when he kisses you.

shaky fingers work over zippers, buttons, clasps, and then you’re both bare. you sink into the mattress that you missed so much, his body moulded with yours when you both tumble into the sheets. this is messy and frantic, utterly lovestruck. the lightning strike of his touch has you keening, sweating beneath him already.

“missed you. missed this.”

“do something, lan.” you cry, quiet against his shoulder.

“missed my perfect girl.” he grunts, lips working your chest while his fingers leave a trail of goosebumps over your inner thigh.

“please.” you sigh when his fingers dip between your folds, sliding over your wet flesh. his lip catches between his teeth, eyes fluttering shut at the feeling of you.

he thumbs at your clit, stroking over you in slow, firm swipes, and then he’s sinking a digit into you, slow and steady. your toes curl, tears pricking your eyes at the intrusion, but you don’t have much of a chance to adjust, a second finger joining the first. he fucks you full, the stretch of just two fingers making you whine, one hand threading into the sheets while the other slams over your mouth. you want to hide, the pleasure rendering you a mess across the pale grey linen.

“no, let me look at you.” lando rasps, spare hand tugging at your wrist. you whine, writhing when he curls his fingers. “why are you hiding?”

you can’t hold back the choked cry that sounds from the back of your throat, his palm bumping your clit as he grinds his fingers deep.

“gone shy on me, baby? where’s my good girl gone?” lando coos, moving so that he’s leaning over you. the angle change sends your legs flying, kicking out at the sweet torture. “‘s because you haven’t been fucked right in so long, hm? can’t remember how to behave?” he’s smirking down at you, scanning the changing lines of your face.

“need it, need-“ you stutter, the words dying on your tongue.

“words, pretty girl, words.” lando encourages, false sympathy dripping from his tongue.

“need to cum, want you to make me…” you trail off.

“was that so hard?” he tuts, and everything speeds up.

the sound of him working you so sweetly makes you shake, your thighs clenching tight around his hand. the wet squelch hits your ears and you blush, cheeks coloured deep with embarrassment, awe, desperation.

your mouth drops open, screaming silently when it hits, your thighs slick. you drip down his wrist, his hand covered in your release.

“there’s my girl.” lando sighs, diving down to kiss you hard.

you can feel the damp press of his fingers as they dig into your thighs and you squirm beneath him, finding your way into his mouth.

“fuck me.” you slur, teeth knocking with his. he swallows you whole, groaning into your mouth.

“not so shy now, hm? been dreaming of hearing you beg for it.” lando shudders, shifting between your legs.

you can feel the press of him, thick against your cunt and you wiggle your hips, pushing to meet him halfway. the stretch burns deliciously, and you grab at his shoulders, dragging him in.

“fuck, baby.” he breathes, sinking into you slowly. “feel like heaven.” disbelief coats his voice, like he can’t reconcile that this is real; you’re back here, his, in the bed you were always supposed to share.

“it’s so good. feel so good for me, lan.” you whisper, lacing your fingers through his hair.

“love you so much.” he kisses you like he means it, rocking into you with purpose.

“can’t believe i lived without this.”

“can’t believe you’re all mine.”

the release builds, every thrust reminding you of what you could have lost for good. there was no lack of love, in fact you were starting to wonder if you had loved each other too much before.

“never losing you again. can’t live without you. my beautiful girl.”

your tummy grows tight, and he finds your clit when he feels you clamp down on him. he pulls you through the pleasure, guides you to your orgasm and you blindly follow him. you’d follow him anywhere, you decide.

you tell him you love him when you let go, spilling all around him, warm. he’s panting, kisses your forehead gently. he rolls off of you, and you feel the slow drip instantly, but you curl into his side and he wraps around you.

home.

“promise me something.” he whispers. you feel the way he shakily inhales.

“hm?”

“don’t leave again. you belong here, too. with me.”

your eyes are watery.

“i’m staying. ‘m yours.”

“about that…”

lando springs from the bed, naked, disappearing from the room. you watch, confused, cold all of the sudden.

you can hear his footsteps padding through the hallway, and then he’s back, his figure in the hallway. he runs, jumps, lands gracelessly next to you. endeared, you laugh softly.

“sit up.”

you do, leaning up to sit next to him. his fingers skim your shoulder, pushing your hair out of the way. cool metal dances over your skin.

“back where it belongs.” lando smiles at you, eyes wide and stunning.

you toy with the L. something heals in your chest, right around where your heart is.

“the sweetest boy.” you shake your head in disbelief, grin up at him like a fool.

“bath?”

“you know me so well, noz.”

come one, come all

it’s happening again

oh, my heart. there is something deeply wrong with me

taglist

@boysthatgovroomvroom @welld0nebaku @thegirlinthefandoms @mcmuppet @japanesekel @vinvantae @ggaslyp1 @dr3lover @smiithys @rachstash @infinitebells @fizzpopsnap101 @gaily19 @icecoldtires @mysticalnightenthusiast @thatchickwiththecamera @oyesmendes @disneydaydreameralways @canyouseethesainz @ferrarifwendvale @fcbformulaeri @tony-stank3 @maih23 @soleilgrec @carolineworld @anthonykatebridgerton @allywthsr @iamasimpingh0e @ophcelia @lovelynikol16 @coffeehurricanes @jennx03 @blueflorals @lqvesoph @sidcrosbyspuck @better-dead-than-smeg @buendiabebeta @pjofics @kovalcin @wintergilmore3 @for-writing-shit @youdontknowmeshh @im-an-overthinker @jule239 @darleneslane @jazzy722 @weasleyswizarding-wheezes @therealone4r @pleasecallmeunhinged @theonlyadrienne

2K notes · View notes

thefudge · 1 year ago

Note

Advice for writing smut???

gonna do bullet-points of things i tend to live by when it comes to smut (this is just my opinion):

don't switch styles: the way you write the smut has to be consistent with the way you write the rest of the story, so if your story is more comedic or romcom-y in nature, the way you write the smut should have those stylings. i personally find it very jarring when authors decide to break the format for the smut, almost like the story has to stop for the sex intermission; if you're writing a horror story, the smut must be informed and influenced by that genre, and if you are breaking genre for the smut portion, tell us why you're suddenly switching gears (it has to be an aesthetic choice you're making on purpose). likewise, if your style in that story is more lyrical, the smut has to be somewhat lyrical too, or if your story is more cormac mccarthy-esque-cut-and-dry, the smut can't suddenly involve an effluvia of purple, sappy prose. integrating the smut in the story and treating it like any other part of the story is key to me. too often i've seen ppl switch to this anonymous pornified style when they get to the smut

which brings me to specificity. i'll talk about het sex, since that's what i tend to write most: not all men are going to be fingering or eating pussy the same way, not all dicks are big and they shouldn't be, not all women immediately get excited by fingering, not everyone moans the same way or makes the same sounds. you're writing about particular characters so it has to be particular to them. i know this is very old advice, but i think it bears repeating

there isn't an exact formula or sequence you have to follow, there aren't precise steps, you don't have to go "well, first he has to kiss down her neck, then reach the boob area, then play with the nipples, then put the nipple in his mouth, then slowly go down on her, then prepare her for entering her etc. etc. etc." this can get boring and repetitive and you start thinking of your characters as these mechanical dolls who have to fuck for your audience. and that can be a vibe too, if you do it on purpose. but sometimes you can get stuck in a porn routine (and ofc, having only the guy show initiative can also get boring)

in order to break that, insert some character moments. what are the characters thinking during this? sometimes they might be thinking of something completely unrelated on the surface, but which has a thematic relevance that can make the scene hotter. likewise, maybe they're doing smth that seems unsexy on the surface, but which, within the context of the story might be really hot. sex doesn't just involve, well, sex, but so much weirdness and humanity and creativity. two bodies (usually) are trying to do this really awkward thing together and they might have a lot of baggage and history to inform it. there's a lot you can do with that.

don't make it glossy and clean, where everyone smells of strawberry shampoo and there is never anything out of sync. the most boring smut tends to be the kind where no one makes any mistakes and everything is super efficient. i imagine it feels like using an industrial pump to milk various farm animals.

and you know what? you can make that hot too. you CAN write a kind of robotic efficient smut and make it really interesting based on the context. let's say you're writing a 1984 AU fic where ppl are forced into intimacy only to procreate and their sex drive is diminished. you can play with that premise and lean into the dehumanizing industrialization of sex, but you have to mean it, aka your narratorial voice must be conscious of these factors.

if you're writing dubcon, make the dubious part present, make sure you draw out the ambivalence and ambiguity. if you're writing noncon, the character whose consent is being violated has to be transformed by this in some way. it can be forced pleasure, for instance, but not only. it has to be a journey for them too, some kind of spiritual pit, or a form of access to terrible knowledge. i know this is a personal thing, but noncon doesn't work for me if the character being noncon'd is just sort of *there*, suffering passively. i think that sort of dead passivity can be done very well too, but the narratorial voice has to persuade me.

that being said, don't be afraid of fear in consensual sex. terror and vulnerability are a part of consensual sex too, imo, and again, depending on the story and the characters, there's a lot you can explore there

i personally find it really hot when the narratorial voice starts discussing some of the ideas that the story wants to convey during the smut. so like, you can characterize person A and outline their worldview and their plans while they're ramming person B, and the thinking & fucking are thus entwined. idk, i dig that

speaking of which, smut can convey world-building details and social/philosophical ideas, not just emotions and character beats

not all smut has to end with mutual orgasm or even one-sided orgasm, it depends what you want to do or where you want to go. again, you don't have to follow a sequence. plus, it's fun (and hot) to write about frustration and failure too.

if you want to mix up the descriptions, resort to the story & characters. you'll find it's easier to describe someone fondling a boob in a new or at least interesting way if you're thinking about that particular character in that particular story, and not just Man X from planet porn (sorry to be snarky, but mainstream erotica is soooo guilty of this)

screaming & really intense reactions are cool but they have to match the characters and the situations

sometimes, it's hotter if an effect is mild or negated, if the usual outcome doesn't happen; mix up the order of events, toy with the usual reactions. it's not about being original, it's about finding out what works for your characters. writing about sex is, in a way, a performance of it, an attempt to go through the sexual motions, to find out what works and doesn't, to engage with the erotics of text (roland barthes entered the chat)

if you are bored by your own smut, that's a problem. i know we all talk about how hard we find writing smut, and IT IS hard, and sometimes it's not enjoyable, because writing itself is often not enjoyable, but even when it's painful and annoying, it gives you that little intellectual kick like "huh, i'm creating this and making these people do this, and ohh look, i can maybe put this unnamable thing into words". but if you become bored, that's a sign you have to look at the language & characters and figure out what's not working for you

last thing i'll underline: pay attention to your narratorial voice. in this ordeal, you are the seducer. not the characters. you have to seduce us with words and context. your voice matters the most. you can persuade us of anything. but you have to be confident in your weirdness and particularity. this is your bedroom (so to speak), so invite us in.

#writing #smut tips #writing advice #smut #my thoughts #replies

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ennn · 1 month ago

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On Writing Rio Vidal

So @trickofthelights did a great post on things to take note of when writing Agatha Harkness in fic and I figured I could do one for my girl if some folk are interested.

Now I do see that getting a handle on Rio can be tricky because she only has so much screentime and every time she pops up we see a different side to her character. That said, here's some fundamentals I see for portraying Rio:

Disclaimer: I'm not a cop. Fic writing is for fun. This is entirely about canon-consistency, which can also apply to AUs. If you want to write an original romance novel inspired more by the actors than their AAA characters, hey you do you.

Rio is powerful and knows it

Canonical Rio literally embodies power. She's Death and even gods die. She is one of the most powerful entities in the universe and she knows it. It's essentially who she is. Power is part of her being.

In non-magic AUs where Rio is human, the show literally serves up Special Agent Rio Vidal as a handy reference point to work with. She's an FBI agent with the power of a higher authority, amazing at her job, and she owns it.

I find it quite jarring when AU fics have Rio set up as someone needing saving, or someone seriously lacking in confidence. Even if you're doing a high school or coffeeshop AU, Rio Vidal needs to know she's hot shit in some domain. She doesn't need to have her life together but you gotta have that sense of power and self-assurance somewhere in her life.

Because when it comes to writing canon-consistent Agatha/Rio, this is fundamental to Agatha's attraction to Rio because Agatha is attracted to power.

Like yes, I know it's Aubrey Plaza but it is essentially Rio's power that compels Agatha to give her a second look. Canonically, it's Rio's inability to die that allows them to have a relationship. Not beauty, not a winning personality. They're able to match each other’s energy, to clash and survive each other.

Rio is lawful first, chaotic second

An all-powerful character who can do anything is pretty boring, which is why when it comes to Rio "with great power comes great responsibility" but in her case it's literal and on a cosmic level. Canonically Rio's power is limited by certain rules she has to follow.

The whole tragedy at the crux of Rio as a character is that her identity is her purpose is her function is her duty is her job. As unpredictable as she seems, Rio literally describes herself as "the natural order of all things".

It's interesting that in the Zoom call interview Plaza mentions Puck when describing how Rio acts in the show because I find the fey a helpful reference when framing Rio as a character. Yes, Rio can cause lots of chaos but she has very specific rules she's obligated to follow. Everything beyond that however is fair game.

In non-magic AUs, this doesn't have to mean Rio has a literal job or profession that she values highly (although it can). It could be a personal mission, a set of principles, a duty to certain people or an organisation. Regardless there should be a method to Rio's madness.

And when it comes to writing canon-consistent Agatha/Rio, this is a delightful contrast because Agatha's such a rule-breaker ("So you broke the rules, big deal!") and a cheater ("You can't cheat Agatha / Says who!").

There are sharp edges to Rio's character

I sometimes joke that in AU fics the best way to help ensure canon-consistency is to give Rio a knife. It's funny because it's kinda true?

There is a darkness to Rio as a character that if ignored, I think does a disservice to her. Canonically, she's the balance of life and death, the cycle of decay and rebirth, the ugly and beautiful, violent and soft.

I think very romantic or domestic AUs do come with the risk of making Rio too soft, too patient, too kind. Which is not to say she can't be those things—you could argue that anyone who chooses to put up with Agatha Harkness certainly has those qualities in no small amount—but it's the contrast that I think makes Rio interesting as a character.

Consider Rio's capacity for love contrasted with her viciousness, her patience with her pettiness, her restraint with her rage.

There's probably more where this came from, but these ones seem to the main ones that stick out. And look, I'm a fan and I get that it's tempting to pull from the other roles Plaza has played, and we only see so much of Rio (I mean, consider how much of Agatha we got to see from Wandavision before AAA) and AUs are meant to be a playground—but there does come a point where a character just doesn't seem like Rio Vidal.

#agatha all along #rio vidal #agathario #agatha x rio #aaa meta #tv: agatha all along

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fatesundress · 2 years ago

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⭑ for the love that used to be here. tom riddle x reader

summary. you and tom are the only muggle-borns in slytherin, until one day he isn’t.

tags. angst, afab reader who is referred to as a witch a few times and rooms with girls but i don't think i ever use she/her pronouns or say the word girl/woman, biggest warning is that this is SO long (idk what compelled me to write a year 1 – post-hogwarts fic but here we are twenty thousand damn words later), blood purity and bigotry, dumbledore is greatly offended by the bonding of two orphans until he can capitalise on it, frequent wwii mentions (specifically the blitz), book clerk tom, MURDERER TOM… ministry reader, kissing, smut once they’re 21/22 May all the minors in the room exit at once, more angst, sad ending kinda, me spreading a very personal and very nefarious tom riddle agenda that is canon to ME but probably only like two other people

note. i need a shower and an exorcism after writing this shit. i'm exhausted. i don't even remember half of it. but i'm also SO stoked, this is my little (very large, frankly) 100 followers celebration! i've only been on here for about a month and the love has been so crazy so thank you mwah mwah mwah ♡

word count. 21.8k (i know... i KNOW)

You learn quickly that your shade of green is not the same as theirs. The rest of them are emeralds, even at that age — they glitter with their parent’s polish. You are flotsam, sea-sick, envy green; the putrid boiling stuff that brews in your cauldron when you look away for a second too long, and, really, it’s more of a stain than a colour at all. There is a fraction of a second where you find something powerful in that. You are not an easy thing to remove. And then it’s gone, because they want to so badly.

You learn, with a bit less tact, that you doesn’t actually mean just you; that it’s you and him whether you like it or not.

He evidently does not.

“It has to be completely fine,” Tom says to you in Potions, his voice small then but just as practised.

You narrow your eyes. “‘Scuse me?”

“I said the powder has to be completely fine.”

“I heard you completely fine. I know how to read.”

He stares blankly at you before returning to his own station, and that’s that.

It isn’t unheard of for muggle-borns to be sorted into Slytherin, so you’ve been told, but one glance around your common room and you can see it’s pretty damn rare.

There’s Tom Riddle, there’s you, and there’s a seventh-year girl whose knuckles are always white like she’s spent so long with her hands balled into fists that they don’t know how to do anything else. Tom Riddle is a prat, the girl is too old and unapproachable even if she wasn’t, and you are very good at being alone.

That decides it. Flotsam still floats.

Everything is — fine. It’s fine for months; you have no one and need no one and sometimes you catch a jinx in the back of Charms that zips your mouth shut or bends a foot the wrong way (a cruel reminder of how much more these people know than you) and your broom occasionally pivots so sharply the Flying professor has to stop you from careening into a wall and breaking enough bones for a week’s worth of Skele-Gro, but it’s fine.

…It’s just that he’s insufferable.

The boy is eleven years old and he speaks like he’s stealing glances at an invisible lexicon between every word, more refined than any of the orphans you grew up with which makes you wonder which sort he’s surrounded by, and you take it upon yourself to theorise in passing if you could ever scare him badly enough his real voice would slip and he might just appear human for once.

Only it becomes clear when you’re stirring awake in the Hospital Wing after a mysterious bout of dragon pox (conveniently, all the pureblood children developed an immunity after catching it young) has rendered you bed-ridden and pockmarked, that you don’t think anything can scare Tom Riddle. He’s suffering just as well in the bed beside yours to keep the contagion to the two of you, and he’s all cold, eddied rage under sallow skin and beetling bones.

“They’re going to kill you,” he says after three days of silence, when the room is dusted in moonlight so thin it’s like squinting through cinema noise or mohair fluff to try to see him.

You blink at the vague shape of him. “What?”

“If you don’t hurt them back, eventually, they’ll just kill you.”

In hindsight, it’s an assumption so hastily bleak only a scared child could make it.

I want to hurt them, you try to say, but for what follows you cannot: I want to hurt them but I’m not good enough to do it.

You roll over and pretend to sleep, and in the morning, you hurt them anyway.

It’s Avery who’s unlucky enough to be the first to test you when you’re three assignments behind in Transfiguration, still a bit groggy from your last dose of Gorsemoor Elixir, and actually, physically green. He tugs your hair and stings your cheek with the promise of “bringing a bit of colour back to your face” and it’s sort of funny how banal it is compared to the other transgressions you’ve been dealt — that this is the thing that makes you bare your teeth, grip your wand in a hand that still can’t hold half of it, and send Avery flying across the room with a Knockback Jinx.

Tom sits with you in the Great Hall for dinner that night, and he never really stops.

You practise spells by the Black Lake between classes and he’s anything but kind about the ordeal, but you teach each other. You end your days with singe prints and sore wrists and you often take more damage than he does, but sometimes, as spring settles in with warm tones (apple and jade and moss — all the greens you’d never imagined), you leave with less bruises than he does. It hardly feels like friendship. It feels much more like purpose.

When summer comes you don’t write to him, and you don’t expect he will either. You don’t suppose you’ve actually written a letter in your life. Instead you try new wand movements under your quilt every night and wait for August’s departure on a big red train.

You sit together when the day does come. He asks you if you’ve been practising. You frown and tell him you’re not allowed to use magic outside of school.

Second year is nothing but monotonous, antiquated theoretics. Most everyone complains. You don’t see why they should — they’re already aeons ahead of you — but that means you finally have a chance to catch up in your less-than-school-sanctioned meetings with Tom while the rest remain practically stationary.

Deputy Headmaster and Transfiguration professor Albus Dumbledore is imperceptibly less soft with you than he was last year when you make the apparently poor decision to sit beside Tom on the first day, and you file the subtle shift in demeanour into some mental cabinet to review later.

You find workarounds with the librarian, Madam Palles, inclined to sympathy for the poor, orphaned muggle-borns to grant relatively unfettered daytime access to the Restricted Section so long as you keep it tidy and none of the books leave the library. That’s where things get a bit more interesting.

For a month you remain innocuous as can be. You browse through rare historical tomes and foreign biographies that would charge more galleons than you can conceptualise, and you never leave so much as a tea stain on the parchment. You smile at the Madam when you return the key each night, and walk back to the dungeons with your hands behind your back. It is, of course, totally unrelated that a month is what it takes for Tom to master the third-year curriculum’s Doubling Charm. An entirely separate affair when you meet him in the most secluded alcove of the library, slip him the key, and stifle your grin as he duplicates it perfectly.

You discover Christmas break is your favourite time of the year. Nearly all the purebloods go home. The Slytherin dormitories are effectively halved.

It’s two weeks of earnest, uninterrupted work and sleep without fear of waking up with jelly legs or whiskers.

Madam Palles, most nights, makes a slight, drowsy effort of searching the library for leftover students before she casts the lights out and closes the door. Then, it belongs to you and Tom.

You’re splayed rather ridiculously over one of the big reading chairs on Christmas Eve, Lore of Godelot in hand, enthralled by a chapter detailing his controlled use of Fiendfyre through the power of the Elder Wand.

Tom is cross-legged and sat straight, his brows furrowed in concentration.

“What’ve you got?” you ask, leaning over to answer your own question.

Tom as good as rolls his eyes, holding up the book to give you an easier look.

“Magick Moste Evile?” You scrunch your nose. “Bit much, don’t you think?”

“It’s the stuff they’ll never teach us.”

“I wonder why.”

He steals a glance at your own book and smiles in that smug way that makes you want to slap him.

“What, Tom?”

He shrugs. “You might want to know you’re reading stories about the author.”

You look down. Lore of — Godelot wrote Magick Moste Evile?

It shouldn’t really be surprising. Three chapters ago your book was recounting his months in Yugoslavia grave-robbing magical burial sites.

“Whatever,” you mumble, “It’s just a biography. Least I’m not reading the words out of his mouth.”

“Well, they’d be out of his quill.”

“Oh my God, Tom, shut up.”

All good things must come to an end. Term resumes and your hackles are back up.

Abraxas Malfoy, Antonin Dolohov, Walburga Black and the best of the worst of your house have returned, sleek-haired and insatiable and deranged, truly, in such a manner that you don’t think you can be blamed for the instinct you feel every time you pass them to lunge like a wild predator or run like wild prey. All Tom does, though (and so you follow, because he’s standing with you and who has ever done that?) is meet their gazes with equal assuredness. He never seems bothered. He never seems animal. You are still all hammering heart and heavy lungs, and you are learning not to see the world through the eyes of someone who’s only ever had their fists to fight. You have magic, you remember. You’re good at it. You could hurt them, if you really wanted.

Not much is different that summer than the last. The war is hard. The food is hard to chew. You chip a tooth. You’re too afraid to fix it with the Trace on you, but you still smile because you will, and everyone seems put off by that. What is there to smile about?

You suppose, for them, it’s a question with few answers.

For you — you’re back on a big red train musing about the functions of muggle warfare with Tom Riddle, chucking a useless card from a chocolate frog out the window and moaning about how you wasted the sickle you found under your seat.

He’s gotten very good at ignoring your theatrics and going right back to whatever it was he was talking about. And you note, unrelatedly, he almost looks like he’s learned how to open the windows at Wool’s. (You dare not suggest he’s doing something so ludicrous as sitting in the sun too, but this is a start.)

Dippet, or the Minister, or whoever it is that’s in charge of the practicality of the curriculum, has become fractionally less stupid in the last three months.

You don’t have to rely on nights in the Restricted Section or weekends at the Black Lake to actually learn something anymore. Of course, without the assistance of those illicit extracurriculars, you wouldn’t be able to match up to your peers the way you are this year, but it’s nice to duel with dummies instead of motioning your wand vaguely over a desk, and you and Tom still climb the notice boards in rapid succession.

They hate you for it. One of your roommates makes a pointed effort each night to glare at you from her bed like those jelly legs are back on the table, Orion Black (two years younger but just as nasty as his cousin) nearly trips you on your way to Divination, Abraxas Malfoy develops what you think borders on obsession with Tom, and for once it feels almost offhand to not care about any of it.

You’re beginning to think even at its best, Hogwarts is remarkably insufficient. This leads you to books mercifully unrestricted so you can read about a few of the other magical schools for comparison. Beauxbatons is renowned for providing most of the worlds alchemical developments, Uagadou’s early propensity for wandless magic makes it unfathomably more practical than Hogwarts, Durmstrang (though you scoff at their violent anti-muggle sentiment) teaches the Dark Arts as something beneficial rather than unforgivable, and — what do you learn here? Even with the hair’s-breadth of magical leniency you’ve been allowed this year, it’s no surprise so few recognizable names in wizarding history are Hogwarts alumni.

“Let me have a look at that,” you say to Tom one evening, when he’s peering once more over the pages of Magick Moste Evile. He’s a purveyor of knowledge in all forms, but he always seems to come back to Godelot in the end.

He raises a brow, handing it to you like your intrigue doubles his. “No more reservations?”

“Don’t get ahead of yourself. I’m only curious.”

“Curiosity—”

“Killed the damn cat, I know.” You glare at him through the pages. “I think that’s you, in this case though, since you’re the one in love with the bloody thing.”

He shakes his head as he reclines in the low light of the Restricted Section, muttering something that sounds like “ridiculous,” or “querulous,” or something else unimaginably fucking annoying.

You might be wrong. Retract your last quip and expunge it. If Tom’s in love with any book, it’s the behemoth dictionary he’s been spitting stupid adjectives out of since he was eleven.

But Godelot’s musings on the Dark Arts are fascinating enough that you can understand the appeal. He’s no wordsmith, and you appreciate that in a way you’re sure Tom deems regrettable, but his points are straightforward but thoughtful in such a way you can read in them how he was guided by the Elder Wand through everything he did. There’s a stream-of-consciousness to them. Something doctrinal you’re surprised to enjoy for all the obligatory English creed they washed your mouth with at the orphanage.

“Find what you’re looking for?” Tom asks, combing with little interest through the tomb you’d put down in favour of his.

“I’m not looking for anything. I’m just…” You sigh. It’s almost painful to say. “I think you were right, and — oh, shut up, don’t look at me like that — I don’t think we’re learning anything here. Not really; not as much as they do at other schools.”

“Of course,” he says blankly. “Hence this.”

This — restricted books and furtive duels — should not be necessary.

“You know that’s not gonna be enough. For the rest of them, maybe, but not us.”

He tenses how he always does at the reminder of his difference. And you get it. Sometimes in moments like these you forget the reason you’re here in the first place. It isn’t just the rebellious divertissement of two academically eager students, it’s… survival. What future do you have as a penniless orphan in wartorn London? What future do you have as a muggle-born Slytherin who’s apt with a wand when there are a thousand more your age, just as skilled and twice as pure?

It isn’t enough to be as good as them. You have to best them, and you have to do it forever.

The night stumbles into an exhaustive silence because you both know it’s true and it’s a bit too heavy right now. The answer isn’t in this room. Just you. Just him. So you sit in the dark and you stare through that muffled nighttime noise playing tricks on your eyes. The worst of the world can wait until morning.

The worst of the world has impeccable timing.

A fault of both sides of the coin; the muggle world is a travesty and the wizarding world is just a bit fucking late, really.

So there’s the newspaper. It’s October first and the date reads September tenth. School owls are a joke and you can’t afford anything better.

And it’s a dirty, ashen grey. It smudges your green if you ever had it at all. You were born to this and you will return to it always.

BOMB’S HAVOC IN CROWDED PUBLIC SHELTER

MOTHERS AND CHILDREN AMONG THE CASUALTIES

DAMAGE CONSIDERABLE, BUT SPIRITS UNBROKEN

All you can hope to do is pass the paper to Tom and wonder without words what you’ll go home to.

The answer is very little when the summer clouds your vision with dust and you stand dumbly with your suitcase in front of nothing at all. You’d tried your best until your departure to keep up with muggle news, but it had remained, routinely, a month behind with the owls. By the time June arrived you were still holding your breath through May. Tom had attempted to reason with Dippet for summer lodgings at the school but you were both denied in light of the exquisite mercy — the bombs have stopped! The Blitz has ended! Go back to the aftermath and make do with the craters.

It’s a bit ironic that Tom’s orphanage survived and yours didn’t. At least you can finally see what all the fuss is about.

In truth, it’s more strange than anything. You feel unreasonably like you’re impeding on a part of him that has never belonged to you (if any of him does); that place where you intersect but never draw attention to. You remind yourself you had no choice in the matter. The system puts you where it wants to, and these days the options are slim. But it’s — the walls are amber-black tile and plaster, lined with sanitary-smelling hospital beds and a cupboard per room. Per room, you think; you’ve got one of those now, and with only one girl to share it with.

You figure the reason for the extra space is probably not one you want to know.

Anyway, you don’t actually see Tom for two days. The caretakers bring you a tray of dinner that’s vaguely warm and a bit too salty and you sleep off the debris you think you breathed in that morning, half-sated and sun-tired.

But then you do see him, and he’s in these funny uniform shorts and a thick blazer and your greeting is an offhand joke about the scandal of his knees that he doesn’t seem to appreciate. He eyes your muggle clothes while you wait for your own set and you know you really don’t have any room to judge.

He doesn’t, or at least doesn’t say he minds your relocation.

You spend half the summer waking up in the middle of the night to acquaint yourselves with the London tube stations, and the other half in whatever crevices of the orphanage you aren’t harangued by Mrs Cole every five seconds, which are far and few between. She seems to have decided fourteen is old enough an age to worry about your intentions unchaperoned, like it’s the bloody 1800’s, and admonishes you and Tom relentlessly despite only ever finding you quietly buried in useless books.

You begin to miss Madam Palles and her invaluable pity. Everyone’s an orphan here. No one’s sorry.

“What’s his deal?” you ask one stuffy afternoon, reclining in your creaking seat to prop your legs on the desk.

Tom knocks them off (he’s so well-mannered that you sometimes push these little gestures of impropriety just to bother him) and glances at the target of your question. Some broad, blond boy who skitters down the corridor a shade paler than he arrived. You’ve yet to properly introduce yourself to anyone you don’t have to, so names are muddy when you try to apply them to faces.

He shrugs, but there’s a flash of something in his expression you’re fascinated to realise is unfamiliar. “He’s an imbecile.”

“...Riiiiight, but that isn’t a proper answer.”

You smile. Legs return to table. Timeworn Oxfords muddy the surface. Tom scowls.

“There was an altercation last year,” he says tersely, “he’s rather fixated on the matter.”

“An altercation.”

“Very good, that is what I said.”

You narrow your eyes and he sweeps your legs off the desk again, gaze catching the unmistakable ribbon of an old bullied scar on your shin.

“And I suppose you’re above such incidents,” he muses.

You cross your arms and huff. He always wins games like these.

You’re grateful when you return to Hogwarts in one piece after your final night of summer is spent underground, and the certainty of knowing where you’ll rest your head for the next ten months cannot be understated.

But the worst thing has happened, and you blame it on the flicker of a moment where you missed Madam Palles like it was some jubilant, accidental curse to ever miss anyone. A foreign thing you remind yourself never to do again.

She’s only gone and jinxed the locks to the Restricted Section so they cry like newborn Mandrakes when Tom’s replica key clicks in place.

For a second you both stand there looking stupidly at each other. Getting caught was a fear two years ago; you’d almost forgotten it was still possible.

Tom is quicker to collect himself. He grabs you by the arm and casts a Disillusionment Charm, and you don’t burst running out of the library like two blurry suncatchers reflecting the candlelight as your instinct heeds; you cling to the shelves and you slither silently to the door. (You’ll make a joke about it when you can breathe.)

Madam Palles the Traitor comes heaving into the library in her nightgown, a blinding blue light baubled at the end of her wand, and it’s really just theatrical at this point to use Lumos bloody Maxima when the basic spell would do the job just fine.

“Has she suspected us the whole time?” you say on gasp once you’ve made it to the dungeons.

“Perhaps someone else has,” Tom suggests.

“What? Malfoy?”

You think it’s a good first guess. It could have been any of the Slytherins, upon consideration, but Malfoy seemed most fixated on Tom last year and it wouldn’t surprise you to learn he’d been observant enough to follow you to the library and notice you don’t leave with the other students.

But Tom quashes the idea. “I’m doubtful. Malfoy is attentive, but Madam Palles is hardly partial to him.” (He had, in second year, set one of her books on fire while studying offensive spells.) “I suspect it was someone with more influence.”

Only no one has more influence than Abraxas Malfoy. The rest of the Slytherins follow him like lost pups. But then Tom might mean —

“A professor?”

“It may be.” He says it like he’s already decided his suspect.

He is, as always, and ever-infuriatingly, correct.

It’s that file you tucked away for later, reoccurring when you return to Transfiguration in the morning like a second epiphany: Dumbledore.

He assigns the term’s seating arrangements, which he’s never done before, and there’s something in his tone when he pairs you with Rosier that feels intentionally like not pairing you with Tom. You don’t think it’s paranoia clouding your better judgement, and by the way Tom’s gaze hardens as he takes his seat beside Malfoy, neither does he.

Dumbledore is suspicious for a number of reasons. He disappears for weeks at a time. The Prophet writes articles on his sightings in Austria and France like he’s an endling beast. He’s being sighted in Austria and France — two notable countries in Grindelwald’s ongoing war. Perhaps ancillary, you’ve decided the charmed glass repositories he uses to hold his old artefacts are the same ones encasing the least permissible books in the Restricted Section. And if that isn’t paranoia (which, you’re willing to admit, it may be) then you assume he has them so proudly on display because he wants you to know.

You consider it a warning.

Tom does not.

“Just give it up,” you hiss over a game of wizard’s chess, “I bet we’ve read every book in there twice already anyway.”

His jaw ticks as the sole indicator of his annoyance, and he takes your rook. You scowl.

“Tom, that man thinks you’re devil-spawn. You know he’s just waiting for an opportunity to catch you doing something wrong.”

“So?”

It sounds so petulant you think he’s been possessed by his eleven-year-old self. Then you think he was a lot wiser at eleven.

“So?” You make an aggressive move with your knight. “So don’t give him one!”

He stares at the board and his breath is just a trace sharper and you hate that you know him like this and no one else. You wonder if he knows you like that too, but resolve with ease that he does not. You’re hard frowns and lewd jokes and trousers torn at the knee to bare scars with stories you wish you could forget. There’s no mystery there. Tom is nothing but — gordian knots and fixed expressions and little patterns to learn like the rules of this stupid game between you. You must know Tom Riddle by every atom or not at all. And that isn’t a choice, really. You’ve never known anyone else.

“Are you stupid, Tom?”

You glance at the board. He’s got Check. A terrible, true answer.

“No,” you finish. “Then don’t act like it.”

Your king glances at you and you nod. He falls. The game is resigned.

Tom acts stupid.

Dumbledore knows.

It all happens very fast.

You strike Tom harder in the arm with Confringo than is likely necessary that night, and he returns the favour with a Knockback Jinx that thrusts you into the shallows of the Black Lake.

You gasp. The cold water feels like it’s swallowing you whole when it strikes, an envelope sealed around you and licked shut for good measure. Everything holds to you, and it’s fucking November. Your senses are so overwhelmed that you forget to murder Tom the instant you sink in. You forget to do much of anything.

You wade trembling out of the lake when sense returns and Tom huffs, peeling off his robe to treat the burn on his arm.

“You—idi—iot,” you mutter, trying to find the incantation for a warming charm but the words get stuck between your chattering teeth. “You stole a re… stricted book.”

Tom glares daggers at you between his poor healing job and you scowl, mincing through the grass and grabbing his arm. “Fucking imbec-cile…”

You’ve done enough damage that if he were anyone else you’d be proud of yourself, and somehow, simultaneously, if he were anyone else you’d be able to manage a pinch of guilt. But he’s Tom, and you know him by every atom, so you cannot be proud, and he’s Tom — he retaliated by tossing you in freezing water and now your clothes are clinging sodden and heavy to every inch of you, so you certainly can’t be guilty either.

“I borrowed it,” he says tightly. As if that means anything at all. And then he takes his robe and drapes it spiritlessly over your shoulders. “You could attempt communication before curses.”

“I could attempt communication,” you scoff, uttering a charm to partially close the gash on Tom’s arm, “Fucking h-hypocrite. I did communicate. You lied.”

“I —”

“Omitted information? Withheld the truth? Watch your mouth or I’ll steal your fucking dictionary, Riddle.”

You swear a great deal when you’re cold and mad, apparently.

“I won’t be caught.” His calm is infuriating. “It would hardly earn expulsion regardless.”

“It doesn’t matter! He knows it’s you! He was staring at you all class!”

“So nothing novel then.”

“D’you want me to blast you again?”

His lips form a flat line. No. That’s what you thought.

You sigh, clutching his robes in your fists to quell your trembling. “What’d you take, anyway? We never touch the encased stuff.”

That is, you assume, why Dumbledore was vexed enough about the whole thing to mention it in class today. A highly valuable book has gone missing, from a repository you dare conclude belongs to him, and he has to pretend all the while not to know it’s Tom who took it. You are out of the question. Theirs is some delicate vendetta you can’t begin to unfurl.

“Nothing anyone should miss,” Tom says, a complete non-answer as he stops to murmur a warming charm you could probably manage yourself by now.

“Tom.”

“It was an encyclopaedia. It’s entirely in Runes. I suspect it will take months for me to decipher.”

“God’s sake,” you groan. He really is exhausting. “I think Dumbledore’l take his chances and loot your dorm before that happens.”

Tom wipes a stray droplet of water from your cheek. His fingers are soft. “We should return. You look half-drowned.”

“I am half-drowned, dickhead.”

And you accost him in hushed tones the whole walk back. Runes, Tom, really? Threw me in the damn lake over a Runic Encyclopaedia? He accosts you just the same; You burned me first.

It does, in fact, take Tom months to decipher the Runes, and he’s quite secretive about it. He won’t let you see the book, won’t tell you what it’s about, won’t indulge your queries on how far he’s gotten or if it’s worth the way Dumbledore bores his eyes into the pair of you in the Great Hall with nothing but the glass of his spectacles to soften his censure. You consider — well — you consider taking your chances and looting his dormitory.

The day everything changes starts the same as any.

You muse over breakfast about muggle news and how the way Tom holds his wand when he casts defensive spells is too sharp when it should be circular. He argues. You soften the criticism by telling him his offensive magic is stellar but you’ll always beat him in defence if he doesn’t swallow his damn pride and listen to you for once. (So, really, you soften it very little.) He doesn’t take Divination so you don’t see him until Herbology that afternoon and he’s silent enough during the hour you share with your wormwood plant that you know he’s done it sometime between breakfast and now.

Tom has cracked the book.

It’s late spring and the night takes longer to settle than it did in the winter. Errant sunbeams still sparkle on the water when you meet him by the lake, and it’s warm enough to forgo a coat.

“Are you going to tell me what it’s about now?” you ask without preamble, arms crossed over your chest as he approaches.

He hands you the book like it’s worth something to you without his explanation, but you’re intelligent enough to gather something from the illustrations of two twined snakes embroidering the cover.

“I should have suspected it sooner,” Tom says before you can comment. “By the way Dumbledore acted when I told him… I should have known he would have wanted to keep it from me.”

“Tom, I have no idea what you’re talking about.”

“It’s an Encyclopaedia on Parseltongue and its known speakers.”

You flip through the pages and none of it means anything. “Parseltongue?”

“The language of serpents,” Tom supplies, and the two of you walk along the edge of the forest. “It’s almost exclusively hereditary.”

“Okay, so, what — you’re trying to learn it anyway?”

“I have no need.”

You frown. “You… you already know it.”

“I always have,” he says, and there’s something almost unrestrained in his voice. He’s proud in a new light, and it takes you a moment to understand and you’re not sure why exactly it makes your heart sink, but —

“You’re not muggle-born.”

“No, I’m not. And Dumbledore knows.”

“So, he —” You try not to sound crushed because why should you be? Why should it matter that he isn’t some exact reflection of you? He’s at your side, he’s still there, he’ll always be there — “How does he know?”

“When he came to Wool’s to inform me I'd been accepted at Hogwarts. I hadn’t known anything, certainly not that speaking to snakes is emphatically rare, so I asked him. He said it was ‘not a peculiar gift.’ Perhaps to keep my interest at a minimum.”

“Why would he lie?”

“Because it isn’t just that I’m of magical blood. I’m a descendant of Salazar Slytherin.”

You can’t be faulted for laughing. It’s not often Tom makes jokes, let alone funny ones.

“That’s good, Tom. Morgana used to have tea with my great-great-hundredth-great-grandmother, so that works out nice.”

He sighs, taking your hand and leading you further into the woods.

“Are you trying to murder me?”

“I might.”

“You’d be the first suspect.”

“No, I wouldn’t. You’ve far too many enemies.”

Not by choice, you start to scold, and then he stops, not so far into the Forbidden Forest that you’re afraid, but far enough you understand this is not something he’d chance showing you in the open.

He closes his eyes and whispers, and it’s — decidedly not English. And you know the sound of a few other languages, at least; this doesn’t sound like words at all. His consonants are pointed, his S’s stretched, the syllables repetitive but separated by a difference in cadence someone less perceptive might not notice.

It shouldn’t be surprising; it’s exactly what he told you, but it startles you how much it reminds you of a snake.

“Tom?” you murmur, unsure at the prospect of speaking some ancient, unknown language into the air of the Forbidden Forest, and, underneath that, still reeling with the knowledge that this is real at all. You’ve pinched yourself a few times to make sure.

There’s a low susurration in the grass, wet with dew that catches the moonlight, and you gasp, clinging to Tom’s arm when you see the blades part in helices for the space of an adder.

“It’s all right,” Tom says softly, almost elsewhere, his eyes zeroed in on the snake. “It won’t hurt you.”

You’re still by the balance of his arm and some petrifying awe as he extends a hand to the grass and the adder coils around it, weaving upward to his shoulder.

“Oh my God. Oh my God, Tom.”

The adder points its beady gaze at you, and Tom whispers something else in that strange language before it retreats in agreement or compliance or whatever could come close to expression on the face of a fucking snake, and maybe you’re dreaming this despite your pinching. Maybe you’ve lost your mind.

“Hope you didn’t just tell it to bite me,” you try, and it comes out half-choked.

He smiles. It’s partly for you and partly for this venomous little thing on his shoulder, and that’s a bit startling. Tom Riddle smiles for adders and you and not much else.

“Should I?”

And all you manage, for whatever reason, is, “Don’t be like them now that you’re not like me.”

It’s out before you can stop it, welling from a small, scared place that embarrasses you to return to. A hospital bed when you were eleven. The walls of a bedroom ravaged by bombs.

Tom’s smile fades. “We’re nothing like them.”

The thing is, neither of you know that’s the day that changes everything.

You celebrate your fifteenth birthday in the Deathday ballroom with Tom, a stolen dinner pastry, a green candle, and a few sad ghosts. You try to learn how to dance. Tom thinks it’s silly. You tell him that’s only because he’s upset he keeps stepping on your toes.

Summer blisters when it comes.

Some of the children take jobs as mail-sorters and steelworkers and you clasp for whatever you’re (one) allowed and (two) capable of, which isn’t much. You’re both old enough at the end of the day to explore London on your own, opting to spend as much time away from the orphanage as Mrs Cole allots, but you only have knuts and pennies and you warn Tom it would be unwise to swindle muggles and risk a letter from the Ministry. So you work where you’re needed and you eat the rationed nonsense you always do and you miss Hogwarts terribly. It’s much the same: you’re together, you’re hungry, and you’re nothing like them.

And then it’s different: Tom makes Slytherin Prefect, is suddenly tall, and you wonder in fleeting moments if his face has always suited him this well.

A stupid remark. You fervently ignore it.

Fifth year begins and you have almost the same number of electives as you do core classes, Tom has duties in his new role that take much of his spare time, and despite popular belief, you and him are not a mitotic entity, so this splits you up more often than it had in previous years. Which is fine. You still have plenty of things to talk about during meals and between duels, and you reckon you’ll share DADA until you graduate.

But in his absence, your attentions are forced elsewhere, and you should be grateful they land on something potentially promising.

It’s like Transfiguration just clicks for you this year. You’ve never been the greatest at Transformation (importantly though, you’ve also remained far from the worst), but fifth year launches you into Vanishment and something about that feels like a perfect equation. There are no complicated half-numerals and objects stuck between inanimacy and being — just unmaking the made. Nothing or not. You’re fucking excellent at it. You glean the theoretics fast and then the practise comes like breathing. Even the purebloods struggle as you Vanish Dumbledore’s Conjured garden snakes in brilliant tendrils of light. You exult unabashedly when you brush past them on the way out of class — who was it that didn’t belong in Slytherin?

You say the same to Tom and he rolls his eyes, but the amusement is there.

“Think you can talk to my snakes for me?” you tease, nudging him on the path to Hogsmeade.

“If they’re yours, I doubt they have anything worth discussing.”

And Dumbledore is… a hue nearer to the man you remember from first year. He praises your improvement and smiles when you can’t hide your giddiness as if equally impressed.

He doesn’t shelve people the way Slughorn does (you’re dismayed to find Tom has been invited to join the Slug Club and you have not) but you think if he did you’d be rapidly climbing your way to the top. Maybe get put in one of those neat little repositories he keeps all his best treasures in.

Dumbledore does, however, offer additional assignments for those who are interested, and tasks you with a few if you’re up to the challenge.

You always are.

The Tom-Dumbledore-Encyclopaedia debacle is apparently either resolved, or your part in it forgotten.

Tom humours you when you’re both singed at the fingers from duelling, yours dipped in the lake while he buries his in the cold moss, about how Abraxas takes the seat beside him at every Slug Club dinner. He tells you he pretends to be very interested in the Malfoy’s business affairs and their stock in the Bulgarian Quidditch team’s win this coming spring. He tells you he finds it amusing to let Abraxas think he can make Tom his pet. Tom says he considers searching for Salazar Slytherin’s fabled Chamber of Secrets and showing Abraxas what a real pet looks like. You smack him in the arm.

He’s had an ego forever. He just has a few too many reasons for it now.

And maybe that’s why you push harder in Transfiguration, dedicate the majority of your studies to it, spend your Saturday nights scrutinising advanced techniques while Tom makes nice with Potions experts and politics with people who don’t even know what he is but like him anyway. It’s patronising, of course — borderline fetishistic; not a real like — but it scares you. Tom Riddle would not allow himself to be anyone’s pretty mudblood show pony if he didn’t have an ulterior motive.

Everything changes but the observable truth that he is still insufferable.

You’re lucky to see him twice a week if it isn’t in class, and the way it starts is so slow you don’t even fully understand what’s happening until Christmas break when Abraxas stays a few extra days and leaves by Dippet’s Floo instead of the train.

You don’t dare ask where Tom has vanished to in that time or why the hell Abraxas Malfoy would willingly subject himself to unnecessarily extended time at school with all his lackeys gone, and it isn’t because you don’t want to. It’s because he won’t tell you himself. It’s because you’re terrified the answer will feel like a broken promise, and you’ve come to realise (it’s been there for so long; such an obvious, tiny thing that you’ve never stopped to really dissect it) that it’s quite difficult to know someone at every atom and not love them a little bit.

You’re suddenly aware of the risk of it: you love him like an inextricable piece of yourself, and, well, you’ve seen war. You know what amputation looks like. You’ve seen the remains of structures designed to stand forever, and you’re strong like them — casts and gauze in all the weak spots because you remember the pain of breaking them — but those were blows dealt without the complication of loving the bombs behind them.

Tom is the green on your robes, the dragon pox tinge you sometimes think never truly faded when you look in the mirror too long, and all the shades you never imagined. Apple, jade, moss. The beginnings of emerald. (No, he couldn’t be that.)

You wonder what the world would look like if he stole those colours back, and it’s much worse than some brutal decimation; it would leave you with too much. You would just be you without him.

So you love him into June like you always do, and you pluck his Prefect badge off on the last day of school and tell him it makes you jealous like a joke when it’s half-true.

It’s raining when you walk to the train together, miserable for what should be summer but not at all remarkable in Scotland. Tom wipes it from your cheek. Your wrists are sore from vanishing bits and bobbles all night while you still can, never truly prepared for three months without magic, and you curl into your seat as soon as you’re in it. Tom wakes you up when you arrive back in London, startling you to find that you fell asleep at all.

It rains a lot that summer. There’s nothing much to see in the city and you can’t get anywhere else (you note: the Trace cares little about broomsticks but you can’t afford one of your own and flying might be the only thing Tom is bad at) so you’re stuck to the library again with a noseful of old paper and a certain prose that magical literature cannot replicate. You theorise a lifetime of reckoning with the mundane forces one to be more creative.

Perhaps it’s the cold that makes you sick. Perhaps it’s the state of your meals. Either way, your final weeks before sixth year are hell. Biblical, blazing hell.

The nurses aren’t sure what it is — another influenza epidemic you’re the first in the orphanage to catch — but they isolate you immediately and there’s not much care they can offer.

You hear Tom arguing with one of them outside your door but can’t make out the words. Everything is dizzy, sweaty, halfway to unconsciousness but without its relief. You’d take dragon pox over this.

Some days later (though you can’t be sure because it feels like bloody centuries), he’s at your bedside, and you think even if you were lucid enough to ask what horrible thing he’d done to change the nurses’ minds, you wouldn’t.

But you know he’s not beyond breaking wizarding law, because he’s muttering healing spells with a hand to your damp forehead, and you hazily find yourself reaching for him, trying to shake your head no.

“Not allowed,” you mumble. Your throat is sore and your nose is stuffy. You sound terrible and you probably look worse.

Tom is slightly blurry but you think he’s staring at you. You know if he is it’s with the utmost incredulity.

“Not allowed,” he repeats slowly. It’s very easy to picture him clenching his jaw. “I wonder, if the Trace is so exact that it can detect all forms of magic, it can’t also detect malady. You’re burning — and I’m to consider whether saving your life might be illegal?”

He’s angry. He’s angrier than you’ve seen in a long time; and you can actually see it now. His magic courses through you and your vision clears, bit by bit, until your depth perception steadies and you realise he’s closer than you thought. His jaw is, in fact, clenched.

You move to catch his wrist and manage it this time. “Tom.”

“Don’t argue,” he says thinly.

“You’ll get sick.”

His face is far too neutral for the way his fingers stroke your damp cheek. “Hm. Then it’s a good thing you’d break the law for me too.”

Of course he’s right — you love him. Which makes it a good thing he doesn’t get sick.

Some of the younger children do. The fever comes overnight for a girl who wasn’t in the orphanage last year, and it takes her by the next.

When you get back on the train to Hogwarts, the virus is circulating Britain and you’re livid.

What Tom said is true; you consider the Trace’s precision and the details of the laws on underage magic — how one of the technicalities is that a young witch or wizard may be absolved of the consequences if the circumstances are life-threatening. You think about how it supposedly doesn’t care about broom-riding or Portkeys or Floo travel, and if the Trace is that complex, surely it understands sickness.

You only wonder if the Ministry would understand it. There haven’t been any epidemics in the wizarding world since Gorsemoor cured dragon pox in the sixteenth century, and when there isn’t healing magic there are antidotes and Pepper-Ups and herbs that muggles simply don’t have. The fatality of a fever of all things is not something you imagine could be comprehended by the sort of people who sent you and Tom back to London in the wake of the Blitz.

Of course, the Ministry hasn't written to you, you haven’t been forced in front of a representative from the Improper Use office, and you have no real reason to be upset.

You are regardless.

It shouldn’t even be a thought: you immolating into oblivion protesting rescue because one of you might get in trouble for it.

A world you’ve never much cared for is blanketed in ash and its people are dying and you can’t help them. A girl is dead. You’ll return next summer and there will certainly be more.

Life is for the magical, you find. The muggles can burn.

It’s what makes you start to panic this year, knowing you’ve only got one more after it. You have no idea what you’re going to do after school, and it doesn’t help that Tom doesn’t appear to share the sentiment. He’s got Head Boy in the bag and when he isn’t with you he’s with Abraxas, who can surely provide him connections if whatever game Tom is playing at works (and you have no doubt it will), but it’s like you said in third year: that isn’t enough for you.

You remember with a small ache that you no longer means you and him.

And then — it makes sense. You feel incredibly stupid.

“You told him, didn’t you?” you ask Tom the first opportunity you can get him alone, in the glum blue light of the Deathday ballroom on your way back from supper.

He sighs like it’s a conversation he’d hoped to put off for longer. “You’re referring to Abraxas, I presume?”

“You’re referring to — yes, you prick, I’m referring to Abraxas. Of course I’m referring to Abraxas, or are there others? Dolohov and Nott seem unusually enthralled by you, now that I think about it.”

“And for a reason I’m supposed to be aware of, this is an error on my part. Should I be apologising?”

“Why did you tell him, Tom?!”

“Why?” he deadpans.

You throw your hands up. “Oh, for fuck’s sake.”

“Shall I provide you with my itinerary as well? Would you accompany me as I tour the third-years around Hogsmeade? Or can you do me the favour of trusting me to make my own decisions with the nature of my ancestry?”

“You’re keeping something from me and there’s a reason,” you say, stepping closer to him, “and forgive me if I want to know what it is when you were willing to tell me you’re the Heir of Slytherin and you can talk to snakes. What — what could possibly be bigger than that?”

Tom returns your approach with one of his own. His eyes are steady, dark, thick with lashes and you can’t reminisce on the details of the rest of him because that would be strange for a friend to do. Stranger to do it now, when you’re angry with him and there’s two sleeping ghosts in the corner and he’s framed by deep indigoes like the ripples in the Black Lake and — you’re doing it anyway.

To be short, he’s close, he’s very beautiful, and sometimes you despise him.

“Trust me,” he says again, without the derision of the last time. “This will change things for us.”

You frown, but it’s a weak upset in contrast to the explosion you came in here willing to make. There were at least twenty questions you meant to ask and you only managed one.

You are not his keeper. You know that.

“Change them for the better, Tom,” you say on a sigh.

He blinks, and you think he’ll respond with a nod or a slightly offended ‘of course’ but he does not. He blinks and he just keeps looking at you. It’s disarming. It probably resembles the way you often look at him. There’s a rationale somewhere; you never see each other anymore, life is so incredibly busy, maybe he’s forgotten what you look like.

And he does nod, finally, but he does it with his thumb brushing the corner of your lip.

What? Sorry. What’s going on?

He pulls it away like he’s heard you. “You had something.”

You’re almost positive you did not.

Transfiguration this year brings Conjuration, which is an advanced and welcome distraction, and even more exciting when you consider no longer having to Vanish things you have no idea how to bring back. Dumbledore’s is one of three N.E.W.T classes you’re taking — Defence Against the Dark Arts and Alchemy besides. It’s easily your favourite.

You share it with eleven other Slytherins and twelve Ravenclaws. Four of them are muggle-born, and it’s hard to describe the ease you feel among them because you don’t think you’ve ever had anything resembling ease with anyone but Tom.

Your schedule is more crammed than it’s ever been, but it’s good. Two of the Ravenclaw girls invite you to Hogsmeade every other weekend, you share butterbeers when you can afford one, you study until you collapse, you take Dumbledore’s extra assignments and consider trying out for Chaser on one of your more restless evenings before waking up in the morning and resolving there is such as thing as too much of a good thing. Best not to get ahead of yourself.

Your contentment is remedied quickly.

Someone is found unresponsive in the dungeons. Dippet makes an announcement at breakfast that the boy isn’t dead, rather, petrified. No one is quite sure the cause, but the Headmaster warns a few minor precautions, suggests a buddy system, and says that after dinner studying should remain in everyone’s respective common rooms rather than the courtyards or library.

You know next to nothing about petrification, but the victim is muggle-born, and you suspect it was the result of a poorly performed statue curse by one of the many blood zealots in your house. The whole thing makes you hold onto your wand a smidge tighter, but you’re adamant not to let it drive you to paranoia like it would have a few years ago.

Tom nods at your theory when you manage to escape to the Black Lake together in November.

“That isn’t unreasonable,” he says. High praise.

You sink into the moss, sighing. “Do you think there’ll be more?”

He looks out onto the lake, the lapping waves, the crystalline beads that furrow them, midnight algae and flotsam you don’t think you belong to anymore.

You peer up at his silhouette in the dark. “Do you think whoever did it will do it again, I mean?”

“I don’t know,” he says finally, and after another pause: “but I don’t think it would be you.”

“How’s that?”

“No one would be senseless enough to try.”

And he sinks beside you with that, breath shaping the cold in steady, rhythmic clouds while yours are scattered. His robes brush yours and you take his arm with a sleepy hum, tracing patterns in the stars until your eyes feel heavy and he insists on taking you back to your dormitories.

One of the Ravenclaw girls, Marigold Wright, distracts you with a spare blue scarf and an invitation to her next Quidditch match. You watch from the stands and cheer as she catches the snitch to beat Gryffindor.

It’s a bit strange — having a distraction — having a friend. Mari is kind, smart, a good study partner who’s as keen on stepping into the advanced theoretics of Human Transfiguration a year early as you are. She’s funny in a vulgar way, introduces you to all her friends, shows you the best way to sneak into the kitchens, and you sometimes wonder if she was sorted wrong, but — her methods are creative, and she’s definitely intelligent. She’s also definitely not Tom.

You see less and less of him and more of her, Dumbledore, the Ravenclaw common room and the pages of progressive Transfiguration methodologies. He sees less of you and more of Abraxas, Dolohov and Nott and all the other purebloods, Slughorn’s soirées and Prefect meetings that cut into meals.

It happens again.

Second floor lavatory. A girl called Myrtle Warren. She isn’t petrified.

There’s a vigil the following week and her parents are there, two muggles whose sobs wrack the Great Hall even as the students clear out. Flowers descend from the charmed ceiling, little bluebells and white chrysanthemums.

You cry that night. You can’t remember the last time you cried.

This time, you don’t have to seek Tom out. He catches you on your way back from Alchemy and brings you to the Deathday ballroom with a melancholy glance in your direction that you don't hesitate to follow. You realise it’s an odd place to continue to end up in, but no one else goes there and you suppose that makes it yours.

You’ve seen Tom skinny and sickly and olive green, but today his eyes are circled with veined violets and the lack of summer sun this year has whittled him grey once more. He’s still beautiful. He’ll always be beautiful. But he’s tired and — sad — and for the six years you’ve known him you aren’t quite sure what to do with that.

You don’t spend too long pondering it. You just hug him with the dawning newness of a thing like that; a thing you’ve never done, and never really thought to do. (You ask yourself in bewilderment how you’ve never thought to do it before.)

He’s warm. He’s uncertain. He doesn’t reciprocate immediately.

And then he does, and you understand without caveats or concerns that you stopped having a choice in your destruction the moment you chose him. He’s home, and that’s going to ruin you one day.

Your arms tighten around him and his around you, the rhythm of his breath holding you to earth when you begin to float away. Nothing makes sense in this moment but the mercy that in all the death you’ve seen, you swear to God you’ll never see his. As long as you’re alive, he must be too.

And there’s something to be said about the innate self-slaughter of loving a person (of loving Tom Riddle, especially): that it’ll cleave you in two, that you’ll say feeble things in his embrace that you should be above saying, like ‘I’m scared’, that his hand will find the back of your head and he'll tell you he knows, that that should not feel like enough but it will be. You’ll clasp your hands under black robes and hold this singular embrace together by the faulty adhesive of your fingers. Maybe you’ll cry again, like your body can suddenly comprehend its capacity for it and is making up for lost time.

The first sign that something is wrong, more than the obvious grievance of the death itself, is the Ministry’s happy acceptance of Rubeus Hagrid as the culprit.

The boy is maybe fourteen years old, half-blood — half human, mind — and no one has a bad word to say about him other than he likes to keep eccentric pets. Which leads you to wonder what pet he possessed with the ability to petrify one student and kill another and what cause he’d have for it in the first place besides two terrible, miraculous accidents.

That question draws an even stranger path. Mari says over butterbeers (on her, bless her soul) that she read somewhere years ago that Gorgons can induce petrification, but that she doesn’t remember much else.

One of the boys in DADA says that his father’s an auror, and heard from him that Hagrid’s pet was some sort of arachnid. Tom deducts five points from his house after class with a scowl on his pale face, muttering about conspiracy.

The second sign that something is wrong is that only one of those things would need to be true for the entire case on Hagrid to be called into question. If Mari’s memory serves right, how the hell did Hagrid come into ownership of a Gorgon? (Could Gorgons even be owned?) If the auror’s son is worth your credence, then what species of arachnid is capable of petrification?

You take to the library.

Unsure of where to begin and hesitant to draw attention, your research lingers into Christmas break and stalls some of your extracurriculars in Transfiguration. Tom is busy enough not to notice the new step in your routine, and you’re grateful not to have him breathing down your back, telling you you’re looking in the wrong places or you shouldn’t be looking at all.

The third sign is the end.

You wish to retract it all. There are time-turners and memory charms and potions that could dizzy you enough to manipulate the truth; there is anything but this. You’d suffer the consequences for the bliss of loving him with one more day before the ruin — you’d write it down to remember through the fog: look at him, duel him without wanting to hurt him, kiss him to know that you did it at least once, have him, be had. You never will again.

He’d shown you the adder. He’d joked about the Chamber of Secrets. He’d spent months disappearing with Abraxas, earning the trust of the sons of the Sacred Twenty Eight.

And he’d killed Myrtle Warren.

So it’s statue curses and Gorgons and Tom — speaking to serpents when no one else can, buttressed by pureblood boys who want people like you dead.

Don’t become like them now that you’re not like me.

He’s something else entirely.

What do you do in a moment like this? Panting into an empty library at a revelation you wish you could unknow, fingers digging into the hickory of your desk — another memory carved among the initials and hearts; how do you stand from your chair and leave like the world outside this room is the same as it was when you entered? There’s nothing to orbit. You are cosmic debris, tea dregs in a barren cup, flotsam.

You stand; and you tell no one. Not even Tom.

His presence in your life is so infrequent that you don’t even have to come up with excuses for your distance until three weeks after your discovery when you’re paired together in DADA to practise stretching jinxes.

You almost laugh. He’s standing beside you, tall (lanky like he was when he was a boy if you look long enough) and serious, and you love him without knowing who he is anymore. You’ve skirted corners to avoid him and sat with Mari during lunch and breakfast like he’s some scorned lover to escape confrontation from and not someone who held you through a grief inflicted by his hand.

“You look tired,” he says, inspecting the daisy you’d been tasked to elongate.

You glance at him. You are tired. It’s exhaustive, bone-deep, aching like nothing you’ve ever known, and maybe that’s why you can look at him and smile sadly instead of thrashing against his chest screaming for what he did. You suppose it happens enough in your head to satisfy. When you can sleep, you sleep to the thought of it. The waking moments are just blank.

“Mhm,” you hum, transfiguring the daisy stem back to its regular length.

Tom observes it with curious eyes. “You’re getting good at that.”

“I’ve been good at it.”

His lips turn, a small frown before he puts it away. You make the observation that he’s tired too; there are still bags under his eyes and his hands tremble ever-so-slightly with his wand when he loosens his grip on it.

His own doing and still you flicker with some relentless hope that he's drowning in regret.

“Sorry,” you say. A ridiculous thing. Do you intend to slowly push him from your life with weak disinterest and diverging academic avenues? As if he were something extricable. He’d never let you.

You’ll have to confront him, and that’s a revelation that holds its weight on your chest until you think you'll suffocate under it.

You’re in the blue light of the Deathday ballroom with a face you've never worn before when it happens, deep into spring, and you know then that you were wrong all those years ago.

He sees all of you.

Takes you in in the flash of a second and maybe it’s your quivering jaw that reveals you or the flint of betrayal in your eyes waiting to be struck and lit. Yes, you were wrong — Tom Riddle knows you at every atom too.

“Are you going to let me explain?" he asks before any hello. His jaw is tight but there’s nothing else to go on to judge his disposition. He's settling into impassivity like an animal drawing its shell. You will not be allowed in if you're going to make it hurt, and you might be the only one who can.

“Explain," you copy with a hard exhale, “Just tell me it wasn’t you. That’s all there is to say."

He stares at you. There’s nothing there.

“Tell me, Tom.”

Your breath catches on an automatic please but you don’t want to offer him that.

“I cannot.”

Then make me forget, you want to scream. Let it be summer. Let us work for pennies and breadcrumbs and be no one together.

It’s late winter and it’s too cold.

“You killed her,” you say quietly.

“If I told you I did not wish for it, would you even believe me?”

“What are you… so it was an accident?”

“There was — an opportunity presented itself that may never have come again; that does not mean I don’t find the nature of it regrettable.”

“Regrettable.” You’re laughing or crying or both, and you must look unwell. Halfway out of your mind.

He’s so composed in the face of it that it only makes you more incensed.

“You told me to change things —”

“You killed someone! Can you understand that?”

“You nearly died,” he hisses, “and if I am to apologise for recognizing it only as the first of many times, I will not. If I am to apologise for doing whatever is necessary to prevent it, I will not. The hand we were dealt will not be the hand we die to — so yes, I understand it. And one day so will you.”

“Don't," you spit, and your anger must look pathetic under your welling tears. “Don't you dare tell me that this was for me.”

“Do you want me to lie?”

“What could her death possibly bring me, Tom?”

“Her death is the first step to —”

“God, stop dancing around the fucking question!” Both hands have wound their way to your head, clutching at your skull like the brain matter might spill through one of the cracks he’s wearing down. “Just… tell me.”

“You recall Godelot's work," he says stiffly. The question of it takes you by surprise, peels the moment back like the rim of a fruit and you're left uncertain.

All you can do is nod, arms falling to cross over your chest.

“There was one form of magic he refused quite concisely to impart. I searched the Restricted Section for days, and under Dumbledore's watch that was not an easy thing to do."

You stole from him, you're urged to remind him, but it's something you'd say with a nudge of annoyance and a roll of your eyes. Such admonishment is small and far away.

“I found it at last in one of the repositories," he goes on, “Secrets of the Darkest Art."

“...What?"

“It's called a Horcrux,” he says. “Murder, by nature, splits the soul. The Horcrux simply makes use of the act; puts the soul fragment into something imperishable so that it is protected, rather than abandoned. In turn, your life cannot be taken. By malady, by magic, by sword — the vessel is destroyed but the soul lives on.”

You blink, feeling dizzy. “Myrtle was the sacrifice.”

“Myrtle was there,” Tom remedies.

“How lucky for you.”

“The circumstances could be ameliorated if one were to be made for you. I would have preferred it be someone who deserves it.”

“For — you’d do it again? Again, Tom?”

His brows crease, and even his upset seems contrived. There’s this barricade he’s placed that you, in all your infallible knowing of him, cannot puncture. It’s agony to begin to question what he could possibly be keeping from you in a confession like this.

“You killed someone, Tom. You — I would never ask you to do that. I would never live at the cost of someone else."

“No, you would not,” he agrees, though he shakes his head like it’s incredulous of you. “Do you think, even if I knew it were certain, a summons from the Ministry would have stopped me from saving you this summer? Do you suppose the threat of punishment would cause me to waver at that moment? I know it would not hinder you. So, you have your lines and I have mine — you never needed to ask.”

And now it hurts. The emptiness clears and you can't stand yourself for crying, but you do. It comes out in ragged, breathless sobs, clasped behind your palm as you turn away from him.

You've loved him since you were eleven. It's always been you two — it was always supposed to be you two. What is there to say to him? He's blurring in your periphery like in the midst of your sickness, and there's nothing he can do to heal you this time. Your vision will clear and Myrtle Warren will still be dead. He'll still be a stranger in the face of the boy you love.

“Why," you whine, a wet, hollow stain in your voice you've never cried enough to hear before. “Myrtle was — wasn't — uh —" You swallow, hysterics severing your words. You can't really think right now. Your body wobbles and your head feels puffy and hot. This might be shock.

Tom scowls like it irritates him to watch you push yourself, like this is just the unfortunate effect of you depleting your energy in a duel, not eating correctly, treating yourself carelessly.

Of course you can't stand or talk or think. You're you, contemplating a life without him.

“Sit," he says in frustration. You smack his hand away when he reaches for you, but the world has turned a shade darker and you're slipping into it.

He tugs a chair towards you with a silent charge and a reprimand, and your body doesn’t possess the wherewithal not to collapse into it the second it’s under you.

After a moment you can speak again, shaking hands steadied by your knees. “Did you… did you think I wouldn't find out? You know, the only thing that can petrify someone besides a serpent is a Gorgon. And — where would Rubeus Hagrid have found one of those?"

“I thought I would have time.”

“To come up with a good lie? Something I’d sympathise with?”

He bites his cheek. “Evidently the particulars matter little to you.”

Fuck him. “Fuck you.”

“Very cogent.”

“No, fuck you, Tom. We could have — we only had a year left and then we could — we could've done anything we wanted." You're crying again. You don't have the energy to be embarrassed. “And you chose this."

He’s indignant as he steps closer. “With what money? For what life? We are better than all of them and it’s never mattered. It never will; you know that. You told me that. You’re angry now, but you must know the truth of it. I would not forsake you. I would not lose you.”

You blink up at him, mouth stuck with some cottony feeling and cheeks stiff from crying.

“You have lost me, Tom."

He stills as if suspended. Some maceration must follow but it doesn’t.

You stand on weak legs to look him in the eyes. You wonder if he can see the love in yours. You wonder if he knows you will walk away despite it. (Of course he does. You’ve never lied to him.)

You think about how his fingers seem to always find their way to your cheek and you put yours to his. The bone there is sharp, but the skin is soft. Boyish.

There isn't a word for a goodbye like this. It shouldn't exist and so it doesn't. You just leave.

You fail your N.E.W.T courses. Quite spectacularly.

Mari sits beside you on the train with a soothing hand on your shoulder, and doesn’t ask what’s rendered you into a comatose husk since March. There’s no crying. You chew numbly on soft caramels from the trolley and stare out the window onto the hills.

That summer is spent in your bedroom unless you’re forced elsewhere. A new girl with skin so white it’s nearly translucent sleeps in the bed beside yours, taking meals on trays like you did in your first days here, tracing the cracks in the tiles, humming to herself in the dark. She makes you feel less pathetic for doing much the same.

You’d been right in your assumption that there would be more dead upon your return, and wrong that there would be more empty rooms. There are always more orphans being made.

And then you receive a letter. It isn’t delivered by owl (only for secrecy, you assume, because there are no muggles who’d be writing to you) but it’s stamped with a vaguely familiar crest. Not Hogwarts’ waxen seal, but something undoubtedly magical. A cockroach and a cup, you think, squinting. Transfiguration.

You tear the envelope open and pull the letter out.

It’s from Dumbledore. Some of it melds together, but the key words stand out.

Spoken to Dippet… Exceptional promise… N.E.W.Ts… May be reconsidered… Upon dispensation… Be well.

Be well.

You are not. You are something half-drowned and half-burned, never enough of one to quell the effects of the other. Sunlight is sparse through your side of the orphanage. On the radio, they warn a pattern of one bomb every second hour. The only other warning is the sound when they fly overhead, and if you can’t run fast enough —

You write your answer in a crowded tube station with a spotty ballpoint pen. Tom is there, looking between you, the dust, and your shaking hands as if to say: tell me I was wrong.

Some of your letter melds together but the key words stand out.

Thank you, Sir. Whatever you need.

It’s a shock that you live to seventh year. It’s a shock that you do it without him — though he watches, and in his gaze you feel regressed. You’re alive, yes, but there’s something there… his dead weight, death-grip; his haunting. They always speak of the dead as something heavy. Something that holds onto you even after it’s gone.

You find that to be true.

Dippet’s condition that you remain in Dumbledore’s N.E.W.T class is that you achieve more than the standard requirement. Essentially, your final exam will be much harder than everyone else's: Human Transfiguration, mastery of petty Transformation (through the means of Wizard’s Chess pieces), Conjuration and Vanishment of various delicate objects — all done nonverbally.

Even Dumbledore seems sceptical, but it translates to more rigorous practise rather than resignation, assignments he doesn’t even task to Mari, though she’s just as good, and you can’t begin to understand why he cares so much.

“I’ll entrust you with these while I’m away,” he says before Christmas break, sliding a sheet of parchment your way with a flick of his wand.

You frown, unfolding it. His instructions are always short now — you’ve learned to decode his meaning well enough without much exposition.

Teacup to gerbil — to cat, and inverse.

Inanimatus Conjurus spell (cockroach and cup, as instructed) to be Vanished when perfected.

Study Antar’s Doctrine. Miss Wright will act as your partner.

Due February.

It’s far too much to be done in that time. “Sir?”

Dumbledore lugs a messenger bag over his shoulder that appears small, but he carries it in such a way you suspect it’s magically extended. He smiles wistfully, pushing his spectacles up the bridge of his nose. “You know, I often regret how much this war asks of me. A consequence of my own doing.”

Right — Grindelwald. Sometimes you forget between awaiting the next muggle paper. War is everywhere.

You nod. “I hope… Good luck, Sir.”

Another half-smile as he twists open a jar of Floo Powder, and then he shakes his head with something you almost decipher as amusement. A brittle sort. Tired. “Good luck to you.”

And then he’s gone, in a swath of green flames that do nothing to inspire any desire for Floo travel in you.

Antar’s Doctrine is simultaneously prosaic and grandiose. They read like excerpts of a journal and you yawn into them over your morning tea, stirring amongst the first-years, who are the only people at the Slytherin table you can stand to sit with. Your blood status is apparently nullified by your age, and the worst they do is look at you funny. You aren’t sure what Abraxas’s — Tom’s (the new hierarchy never fails to stagger you) — lackeys would do if you sat with the other seventh-years instead. A part of you longs to know. They certainly don’t bother you in class the way they used to, you aren’t tripped in the corridors, but you wonder how far Tom’s influence can stretch. He is the Heir of Slytherin, and he’s earned them. But you are nothing.

You’d like it if he would let them hurt you. You think the incentive would be enough to hurt him back. And God — God, you want to. You want to hurt him almost as much as you want him.

You practise through the doctrine with Mari, as Dumbledore directed. When you’re able to sever Antar’s egotism from his abilities, you can see why Dumbledore would recommend his book to you. It feels like slipping through a crack in glass without shattering the whole thing. You weave in and back out, and Mari grins when she returns from the shape of a teapot to her body without you needing to utter a word to do it.

In the back of your mind, you’re aware what you’re doing is nearly unprecedented. It’s spring, you’re months away from eighteen, muggle-born, and mastering nonverbal Human Transfiguration like it’s a Softening Charm. Mari tells you you’re the smartest person she’s ever met. It makes your cheeks go hot to hear such open praise, worse when you snap out of the thought that you believe her.

Grindelwald falls. The school celebrates in whispers until the evidence is in front of them — Dumbledore, returned without a scar, a new wand in his hand — and then they’re cheers. The feast that night is a great one, and he toasts to you from the end of the staff table, a discreet tilt of his cup before he takes a sip and returns to converse with Professor Merrythought.

You take from your own, and your eyes land on Tom, spine of his goblet tight in his hand. He’s looking at you like you’ve affronted him somehow. You could laugh — by choosing Dumbledore. Of course. As if it was a choice at all.

But if it bothers him… if it feels anything at all like the betrayal you felt, then — good.

You drink, and don’t look away.

By the time your N.E.W.T.s arrive you have a renewed confidence that you’ll succeed, even with the obstacle of performing each exam wordlessly.

There are only twelve students who came out of your sixth year class, so to divide resources for the tests is no grand task. You’re given a Wizard’s Chess set, a desk with assorted vases and goblets, an intricate epergne (you had to whisper to Mari to learn its name), and a Ministry worker borrowed like some laboratory mouse. You suppose it makes sense, though — you’re all capable enough of Human Transfiguration not to mutilate anyone, and performing on a classmate could obfuscate the results. It’s far easier to Transfigure someone you know than someone you don’t.

You start with the chess set, Dumbledore and the Ministry worker observing you as you turn pawns to knights and rooks to kings, the minutiae of the pieces drawing sweat to your brow. They change, and change, and change, and you don’t mutter an incantation once. The Ministry worker puts the set away and directs you to the glass. You Switch the vases with the goblets, Vanish them, and Conjure them again. The Ministry worker takes notes. Dumbledore nods affirmatively at you and you can exhale. The epergne is the hardest; so kitschy and elaborate you don’t know where to start when you’re tasked to Transform it into an animal.

An animal — like that isn’t the vaguest instruction you’ve ever received.

You look at it on the desk, mirrors and glass and gold on protracted arms, and you go for the first thing you think of because the Ministry worker is staring at you like you’re inept and you see it in his eyes — this is the muggle-born one, this one can’t do it.

You’re better than them. You can do it forever.

The epergne spins at the dip of your wand, and emerges more than an animal. A big glass tank appears in its place, round and gold-rimmed, water lapping at the sides. Inside it is a jellyfish. Emerald green, bobbing, tentacles and oral arms coiling against the glass like the limbs of the epergne had spanned its centre.

The Ministry worker swallows. Dumbledore smiles.

“And — and back?” the worker says, like that will be the thing that stops you.

You point again, mouth tight with irritation, and reverse the Transformation. A droplet of water smacks your face and you’re lucky to be so hot you can disguise it as sweat. You suspect even an error that small would cost you a mark.

You wipe it away. A strange thing happens; you imagine Tom brushing the water from your cheek at the Black Lake. You imagine his fingers in the rain.

The Ministry worker steps closer with a shameless frown. He tells you to turn his hair red. You do. He regards himself in the mirror and scribbles something down. He tells you to turn it back. You do. To grow him a beard, to change his clothes, to make him taller, shorter, this and that — all read from a list he does not appear enthused to recite. You do it all.

He shakes Dumbledore’s hand when it’s done, duplicates his notes for him to keep, and follows the other Ministry workers through the fireplace when everyone’s exams are finished.

You find out you’ve passed with an Outstanding on your birthday.

Mari drags you to the Three Broomsticks to celebrate, butterbeers on her. (They always are.)

“Can’t believe we’re about to graduate,” she says into her cup, froth on her upper lip.

You sigh into your own, partially giddy and mostly nervous.

Mari squeezes your face between her thumb and finger so your frown is puckered. “Chin up, genius. You’ll be excellent.”

You push her hand away but can’t help a small smile. “Outstanding,” you correct.

“Outstanding!” She bursts out laughing. “Bloody ego on you now…”

“Well, I am the smartest person you know.”

“I take that back.”

She pushes out of her chair with a slightly inebriated wobble. “Going to the loo. Don’t touch my chips.”

Your hands raise in surrender, and you steal only one when she’s gone.

You aren’t the only ones here to celebrate. (Your birthday and your mutual achievement, yes, but the Three Broomsticks is filled wall-to-wall with seventh years drinking their final nights at school away.) There’s music charmed to reach every corner, even yours at the little alcove hidden from plain sight. It’s nice to watch from here — the stumbling, the kisses meant for mouths that land drunkenly on cheeks and noses, the barkeeps that roll their eyes as soon as they turn away from all the newly adult customers, not yet learned or careless in their drinking manners.

It is not nice to be occluded from plain sight in such a way that you don’t notice Tom Riddle until he’s inches away from your table. It is not nice that no one else notices either.

On instinct you don’t make any impressive exit. He slides into the booth next to you and your brain short circuits for a moment at the warm familiarity of his presence beside you. Then it occurs that it’s been more than a year since this was remotely commonplace — that you cannot forget the reason why.

There’s not much time to decide whether you want to be vicious or indifferent or to debate on past precedent which would bother him more. You haven’t attacked him despite being concealed enough to do it unnoticed, and you haven’t shoved furiously out of the other side of the booth.

Indifferent it is.

“Can I help you?”

“You’re causing quite the stir,” he says, taking one of Mari’s chips.

You’re allowed. It’s infuriating when he does it.

“Am I?”

“It’s enough to fail a N.E.W.T level class and be expressly petitioned back, but to have a special criteria set for your exams and manage an O on top of it all…” He inclines his head as if to appreciate your face so close after so long. You should not let him. “You are incomprehensible. It terrifies them.”

“They’re afraid of the wrong mudblood, then, aren’t they?”

Indifference effaced. You’re angry.

He seems to have come prepared, and shrugs your scorn off like a scarf you would have forced him to wear winters ago. “Of course, they have no reason to suspect Dumbledore might have ulterior motives.”

Ulterior — you certainly hope he isn’t suggesting this is based on anything but your merit, but then — you couldn’t begin to understand why Dumbledore cared so much, could you? You’d made brief inspections of his disdain for Tom in second year, his waning shades of kindness and the matter of his stolen encyclopaedia, but you hadn’t… you hadn’t thought at all about how his dedication to your progress only begun after you’d stopped sharing a class with Tom, how it had developed as you began to drift from one another in fifth year and accelerated in sixth after the first petrification and Myrtle’s death. How Tom had worn you down with a weighted glare at Dumbledore’s little toast.

It wasn’t because you had chosen Dumbledore, you realise. It was because Dumbledore had chosen you.

“Why don’t you worry about your pets, Riddle?” you snarl, “I’m sure there are bigger problems with your lot than my exam results.”

Something in his face shifts at the name. You swell with distorted pride.

He mends the reaction by looking you over in more detail, his features schooled into something he must know you can’t deduce. You try not to squirm under the intensity of it.

He reaches almost mindlessly for your collar (there is nothing mindless about it, you’re sure) and smooths the fabric gently with his fingers. “I always liked you in this colour.”

You blink. His thumb just barely brushes against the skin of your neck before retreating, and your mouth falls open.

“Don’t do that,” you say. Truly a sad attempt. Your repulsion is more with yourself than him, and that’s not at all right.

Where is Mari?

“Your friend was at the bar, last I saw her.”

You stare at him with wild eyes. How the hell — ?

“You were always easy to read,” he supplies, and leans in so you can follow his line of sight to the tiniest sliver of the bar visible between two columns, where Mari looks deeply engaged in conversation with Leo Ndiaye, one of the Gryffindor Chasers.

You take a sharp, exasperated breath at her antics. She might be more in love with the competition than the boy himself. They’d never last without Quidditch to bind them, but you can’t fault her for wanting a bit of fun.

“Well then —”

Right. Tom hasn’t actually moved away. You turn and his face is just there.

His eyes dart forthwith to your mouth, and — no. No, he won’t be doing that and neither will you.

“...I’m off to bed.” Stop talking to him like he’s your friend, you think miserably. Stop looking at him like he’s your —

“That would be wise.”

He’s still looking at your lips.

No one else is looking at you at all.

It could exist in just this moment, you deliberate; separate from everything else.

Except nothing about Tom exists in its own moment. He’s all over you all the time, skin and bone and soul. You hope you still have a place in the broken fragments of his.

“So I’ll be going now,” you say again.

“I haven’t protested.”

But he’s leaning in, and he has to know that’s impedance enough.

“But you will.”

His lips touch yours. “Yes, I will.”

You grab him by his shirt and you’re kissing him. You’re kissing each other like either of you know what the hell it means to kiss anyone, but you’ve learned the rest together, haven’t you? Your noses bump and you don’t care. You just need to kiss him, and — God, you make some noise against his mouth and the hand cupping your face spreads to capture more of you, greedy and wayward — he needs to kiss you too. It’s a horrible thing to know. It leads you to pose too many questions.

The need must have begun as want, and when did the want begin? How long has he looked at you and wondered what you’d feel like to kiss, touch, mark? (He’ll never have the latter. You swear that.)

You’re pulling away in intervals. “You don’t have me, you know.”

“I know,” he responds, lips on the corner of yours.

“You still lost me.”

“I know.”

“I hate you.”

He pauses for a moment. “I know.”

You kiss him again. Long and soft, memorising his cupid’s bow and the tip of his tongue, and when one of his hands moves to your waist you part from him like you’ve been burned.

“I —” You resist the urge to touch a finger to your lips, standing abruptly from the table and adjusting your shirt. Your body feels like an evolutionarily faulty vessel, too easy to please, though you can’t imagine it responding to anyone else this way. Or perhaps your mind is the problem. Not wired well enough to resist an evidently bad thing. “Goodnight, Tom.”

You thought there wasn’t a word for your goodbye, but that’s it. So simple it sinks you. Goodnight, Tom. I’ll dream of a morning where I wake up beside you, but you won’t be there.

He grabs your hand before you can go, licking his lips and it haunts you to think he’s savouring you. It stings a place deep in your chest you’d spent all year trying to heal.

“My door is always open,” he says.

He lets you go.

You graduate with Mari’s hand in yours, and you aren’t afraid.

Dumbledore requests that you stay for the summer to help him prepare for the first year’s curriculum in the fall. It’s a ridiculous opportunity for someone your age — free lodgings and a stellar impression on your resume, and — you can only accept it with an ire you haven’t felt since the spread of influenza in muggle Britain.

If he’s offering you lodgings now, he could have done it all along.

It sends you down a horrible train of thought while you move your things from the Slytherin dormitories to a little chamber a few doors down from the staff room; Tom will be removed from Wool’s this year. Will he stay at Malfoy Manor? But Tom is still publicly muggle-born — Abraxas’s parents would never allow it. Will he find a job, a flat? Will he swindle muggles once he turns eighteen and the Trace is no longer an obstruction?

You think of him often. You think of his offer.

My door is always open.

Plenty of doors are open to you now. Why should you want to go back to his?

Still, the Second World War ends in November and you feel like you can breathe at a depth you never could before. The school doesn’t celebrate like it did with Grindelwald. No one but you seems to care at all.

It’s a tempting door.

The year passes in a blur of graded papers and lessons Dumbledore sometimes involves you in and sometimes does not. Most of the first-years care little for you, but there are two Slytherin muggle-borns who look at you like a new sun to orbit. Everything is worth it for that.

You see Mari when you can, and find she’s training with the Italian Quidditch team, who apparently are smart enough to care more about skill than blood. She says she misses the complexities of Transfiguration, but any career in it was always going to be yours. Smartest person she knows, she reiterates. Biggest ego too.

The next summer Dumbledore informs you of a posting at the Ministry. Something small with a smaller wage. He emphasises the weight of his personal recommendation, but that you won’t be respected unless you claw tooth and nail for it. You don’t take long to consider a chance to make an actual income with an actual career doing something muggle-borns simply don’t do before you’re nodding assuredly and asking him what you need.

Better clothes are first, and all you can afford until further notice. You take to Gladrags with intent to purchase for the first time in your five years of wandering in the shop with eyes bigger than your wallet, and the owner looks at you with distrust when you slide her your sickles.

The Ministry job is truly, infinitesimally, insignificant.

It’s far down in the Department of Magical Accidents and Catastrophes. You’re a glorified secretary, and you recall the few times you’d worked as a mail-sorter during the war. It’s some sick irony that you’ve landed yourself in a pile of paper once more.

But the money, though offensively scant to someone with better options (and it’s infuriating the options you deserve), is more than you’ve ever had, and within the next year you’re able to leave the castle and take a cheap room at an inn in Hogsmeade. You’re close enough to Dumbledore to aid him when he needs you, but far enough to feel like your school days are departed, and you need not worry about memories lurching unexpectedly at every corridor.

A sick part of you still reaches for your mouth sometimes to remember what it felt like to be kissed. That part of you wishes for Tom. You could kiss him into oblivion. You could find a way to make it hurt him back.

My door is always open.

Then you’ll slam it bloody closed.

Mari invites you to her first professional game and you cheer for her in the stands, a green, white, and red scarf around your neck in place of her old blue.

She wins and you get drinks in a muggle pub. You kiss a man at the bar. You go home with him. His hair is dark, but not dark enough. His lips are soft, but the shape is wrong. He makes you feel good, but you wonder if in another life, the dream is true; you roll over in the morning to Tom beside you, and he makes you feel better.

When you can find time between the monotonous demands of your job, you’re in the Transfiguration classroom, staying behind to help the Slytherin muggle-borns with their Switching spells.

It’s one stupid accident the next fall that changes things.

A muggle bank has been robbed, and whatever idiotic, panicked witch or wizard was behind it apparently found themselves incapable of getting the deed done with a simple Imperius Curse (you can’t imagine, based on the scene, that they’re above Unforgivables), and somehow ended up leaving the building half-charred and teeming with at least six bank tellers Transformed into birds, two chirping into the floor tiles with broken wings.

“Renauld’s on it, though,” your coworker says when the news finds your department.

“Renauld?”

He’s a year older than you, a pureblood with parents in high places, and endlessly fucking hopeless.

“Well, yeah —”

You push out from your desk, files fluttering behind you. “Renauld will expose the whole damn wizarding world if he touches that building.”

“But McCormack sent him.”

“Where is it?”

“I… McCormack said that —”

“Where is it, Flack?”

“Um. Um, near King William, I think. Moorgate or, um —”

That’s good enough. You toss the Floo Powder into the fireplace and go.

The place is a mess. You don’t even have to look for it. There’s some ward around the street, bouncing muggles away like an invisible end to a map they don’t even register is there. At least that’s handled right.

But you slip through it and curse under your breath at the muggles trapped inside the wards. They’re like fish prodding at the dome of their bowl, and some run up to you demanding explanations when they see you unaffected by it. You brush them off — Obliviation is not your strong-suit — though you do shout at a pair of DMAC wizards uselessly standing guard outside the bank.

“What the hell are you doing?” you ask on approach. “Renauld’s supposed to handle the inside, yeah? You deal with fixing them.”

You point toward the frantic muggles, and the officials just regard you with vague confusion at your presence. “Renauld said —”

“Oh my God! Fix. The muggles.”

You afford nothing else before pushing past them to enter the bank.

It’s quite impressive, actually; Renauld, the result of generations of foolproof breeding, is waving his wand around like he’s just stepped out of Olivanders for the first time.

“Heal their wings,” you say without greeting.

Renauld jumps. “What? What are you doing here?”

“Heal their damn wings. They’re easier than human limbs and healing magic’s the only thing you aren’t completely shit at.”

“Who authorised you?” he hisses.

“I did.”

In hindsight, it should have gone horrifically wrong. Your wand could have been taken and your life might have been over in all ways that matter, flung back into the muggle world where you’ve always been told you belong.

But Renauld vouches for you. You Transform the walls, you fix the burns, you mend the bank to something presentable. A muggle robbery — dangerous, financially tragic, but believable. And your suggestion to heal the injured bank tellers in their animal forms might be the thing that saved them. When Renauld mends their wings and regenerates their blood, you Untransfigure them, and the other DMAC officials alter their memories with haste.

You were completely out of line and utterly right.

It isn’t something people like you are allotted.

Your probation period is dreadful. You hide in your room at the inn most days, Vanishing little stained panes on your window to feel the warm breeze of air before you Conjure them again. You help grade papers, though Dumbledore is displeased with you and the night is a silent one. He assures you curtly that he’s doing his best with the Ministry to amend this.

And… he does.

With Renauld’s help and the corroboration of the other DMAC officials, you’re back at work by the start of the school year.

It’s a slow process — almost eight months of meaningless paperwork — before the next incident occurs and you’re hectically ushered to the scene like a belated understudy. And then it happens again. And again. And again.

There’s really no choice but to promote you.

Your heroics are torn from a Gryffindor cloth, so says Flack. You urge him never to say such a thing again.

By your twenty-first birthday, you think about Tom almost exclusively in your sleep. You’re much too busy to think about him anywhere else.

The summer is warm and Hogsmeade is lively. You’ve vacated your room at the inn for a little house on the outskirts of the village, decorating it how you like — discovering what you like. You’d never had a chance to find out before.

Mari visits when she can once you have your fireplace connected to the Floo Network (you yourself prefer Apparating) but her name is slowly working its way from the Italian papers to the British ones, and she has so much to tell you there isn’t possibly enough time in her days to tell it. There’s also the matter of Leo Ndiaye, who has, recently, gotten on one knee and proposed to her. If there had been a bet on them ending up together, you would have been out enough galleons to put you in debt.

After especially gruesome days at work, you and a few colleagues make a habit of getting sherries at the Siren’s Tail, complaining that sometimes the nature of your work is akin to an auror’s but without the notoriety and pay.

“Oh, please,” says Emilia Alves, twirling her straw, “You seen the shite the aurors are up to lately? I’d rather be a bloody Unspeakable.”

“You’d have to be able to keep your mouth shut for that, Alves.”

Emilia punches Renauld in the arm.

“What are the aurors up to?” Flack asks.

“I dunno much. There was a murder all the way in Albania, s’posedly. Reeked of dark magic.”

“Nothing new,” you join, and then frown. “Why’s our Ministry dealing with it though?”

“I dunno. I got word from Hillicker that the Albanians didn’t know what to make of the mess. They’ve never seen anything like it.”

“Hillicker’s not a source,” Renauld scoffs.

“Yeah? How about you ask your daddy for something better?”

“Alves, I’ll have you know —”

You lean in over the counter. “What do you mean they’ve never seen anything like it?”

She grins. “Why? Storming a bank robbery wasn’t exciting enough for you?”

You roll your eyes, taking a drink.

That ought to be the end of it. One extraordinarily lucky incident to push you up the career ladder was rare enough — there is absolutely no way digging around a case that has nothing to do with you or your department could ever end well.

But something about it itches.

You make nice with Hillicker. She’s a year younger than you and far too kind for her own good, and she gushes freely about her husband’s work as an auror (they must be a perfect match for him to gush freely about it with her). It’s a bit manipulative. You have no excellent excuse for it, but… ambition, and all that, you suppose. Flack’s Gryffindor theory is studded with holes.

You are green, through and through.

Emilia’s updates are meaningless when you garner so much information that you’ve already heard everything she has to say over drinks, and at this point her and Hillicker might be a step behind you. Emilia still only knows about Albania; peppery little details of half a story. Hillicker discusses an assortment of murders with no real string between them, and Dumbledore regards you with cool heeding when you bring up the matter with him.

You see him little nowadays but you’ve never been close in any true sense, traces of resentment budding over the years like rainwater collects on glass until the stream finally slips.

You visit Hogwarts mostly for your Slytherins, fourteen or fifteen now, unafraid of the distinction of their blood.

And then there’s one night after you turn twenty-two where drinks take place at yours for a change, Mari and Leo included and happily wed. You have no sherries but your ale is just as well, and it’s only you and Renauld who are sober by the time everyone else is vanishing into the fireplace and going home.

That makes it much worse when you sleep together.

There’s no excuse of having had a glass too many — so sorry, I’ll be on my way then, and him stumbling over his trousers to get out of your hair. Of course, he does that anyway, scratching the nape of his neck when he reaches your doorway in the morning.

“Thanks for the — well, you have a nice home — I do think I should —”

“Yes.”

“Right.”

“Oh!” He turns around at the last second. “Er — I know you’ve become a tad obsessed with… Hillicker mentioned another, anyway. Hepzibah something. Killed by her own elf, the aurors suspect.”

“Oh,” you echo, sheets pulled up to your shoulders. “Thanks, Renauld.”

“I thought you might like to know. Don’t be daft about it.”

You’re incredibly daft about it.

There’s something reminiscent about Albania in this case that wasn’t there with the others. The tide of dark magic ebbing across the scene, the cherry-picked information released in the Prophet, the claim of an old, dumb House Elf who poisoned her mistress like the Albanian peasant killed in some insoluble accident.

The itch exacerbates.

You see him in your dreams again. He peers over Runes in a stolen encyclopaedia, he whispers to an adder on his shoulder, he kisses the corner of your mouth and it isn’t enough. He kills you, again and again. You kill him too.

You wake up and he isn’t there.

It’s a new low when you’re invited to the Hillicker’s anniversary dinner and you end up digging through the drawers of their study halfway through the night.

The Albania file offers nearly nothing. There was the charred residue of dark magic imprinted on a hollow tree in the fields of the peasant’s hamlet, but nothing detailing more than a blank imprint of the Killing Curse in his eyes. Still, you tuck the knowledge away for the file of one Hebzibah Smith, whose tea did indeed have traces of poison, but whose den was also ripe with a layer of darkness that didn’t line up with the Ministry’s tale of senile elf.

And then there’s the forgotten matter of her being a purveyor of ancestral artefacts. The file doesn’t recount whether any are missing, since the woman was wise enough not to proclaim all her possessions to the world, but it’s something. A scratch.

You travel to Albania that Christmas. The neighbours in the peasant’s hamlet have skewed memories, so they provide little help, but the man’s house was left almost untouched.

You tear the place apart and Transfigure it back together when you’re done.

All you find, in the end, is a scrap of an old envelope in a suitcase.

R.R

It could be that it’s old. The cursive seems ancient enough. But you swear the letters have the distinct shape of quill ink — too artful for any pen — and maybe that wouldn’t matter if it weren’t for half a wax seal stuck to the torn edge of the envelope. Stained but silver, the barest hint of two ribbons, a crest, and the letter H.

You return to Hogwarts posthaste.

It’s snowing in the courtyards and you waddle with a duotang under one arm to pretend you’re here for something scholarly, an array of excuses prepared in case you run into Dumbledore, but you don’t.

The Grey Lady is as beautiful as she’s rumoured to be.

You ask her about her mother, and she’s silent, an expression on her face like you’ve struck her.

“Is it found?” she whispers. The snow floats through her.

Your heart hammers as you consider how to approach this. She thinks you know more than you do, which means there’s something to know.

“Yes,” you say. And you dare further with the context you know, “In Albania.”

“Oh,” she hums. “Oh…”

And if she means to say more she doesn’t seem able, washing away through the balusters, then the walls. You think of your house ghost and what he did to her, and you feel sorry for a second.

Madam Palles expels you from the library the moment you find what you’re looking for, and you rush past a throng of staring students to the staff room fireplace. It’s too far a walk to the border of the castle wards to Apparate. You bite back the preemptive sickness, get swallowed by the flames, and go home.

There are blanks to fill in but you do it easily. Rowena Ravenclaw’s diadem. Hepzibah Smith and her assortment of unregistered artefacts. The stain of dark magic. Something so rare not even the aurors recognized it.

But you do, because he told you.

You wonder on your search to find him what object he used when he killed Myrtle Warren. Nothing special, you think — maybe even the closest thing he could find. These murders involved more preparation. He got to mark them however he wanted.

It’s almost disappointing to find him here. In a little flat over Knockturn Alley with a view of charmed coalsmoke and the brick wall of another shop.

It’s as tidy as his room at Wool’s, the only dirt the irremediable age of the building itself. The whole place looks almost slanted, large enough only for the bare necessities; a kitchen, a toilet, a bedroom that looks more like a closet, and a study/dining room/den you can’t imagine he hosts many gatherings in. You rescind the mere thought. Whatever gatherings Tom Riddle is having these days, you’re sure you can’t begin to imagine at all.

You wait, legs crossed on an old loveseat, fiddling with your wand.

The door clicks open when the snow has turned to hail and there’s no light but the few scattered candles you’d lit on the mantelpiece.

It strikes you only when he’s standing before you that it’s his birthday.

You’re in Tom Riddle’s flat, on his birthday, adorned by the orange glow of half-melted candles, and you know everything.

He eyes you carefully, a hint of surprise at the sight of you after four years that even he needs a second to recover from. And then he's even, inscrutable Riddle again, and you dare to think, come back.

“I placed wards," he says, hanging his bag on a rack by the wall.

“I thought your door was always open.”

You see his posture change from just his silhouette.

“Wards never work in Knockturn,” you offer additionally, “not really. There's too much conflicting magic; one border cuts into another; leaves a little sliver behind if you’re smart enough to find it. You should know that."

He turns to you. You take in a moment to acknowledge how he's changed. It's hard to see in the curtained moonlight, and it seems unreasonable to imagine he’s grown, but you think he has. An inch taller, perhaps. Two. Maybe the dress shoes. His arms are bigger under his button-down, but not enough to consider him muscular. His black hair isn't as perfect as you remember, and you suspect a long day of work undoes his curls. You always liked him better that way in school, after a night duel at the Black Lake, his robes askew and his hair a mess. Evidence that you were the only one to dishevel him. Now you were — what? Did he even think of you anymore? Yes. You'd always think of each other.

“Duly noted. What are you here for?” He tries your surname like a foreign language.

You cross your arms, and you're acutely aware that he's observing your changes too. You're not the matchstick witch he once knew. Your emotions are cultured now, taut to mirror his. You wear dull, formal grey, and that glowing green tinge that should be gleaming on you is under a thick carapace. That’s for Mari, Flack, Emilia — even Renauld. Not for Tom.

You wonder if he knows it was Dumbledore who put in the word that got you this uniform. You wonder if he resents you for it.

“There’s been talk at the Ministry," you say finally, “A string of murders. Whispers of something — some dark magic they don’t understand. And you know they're careful about things like that after Grindelwald."

“A string of murders... Hm. That might imply you understand a connective thread. Is there some sort of accusation being made?”

“Oh, I'm sure you'd be flattered by accusations. There’s not enough there, as it stands. Just whispers." You sink more comfortably in the seat and the springs make a concerning sound. “But I know you."

His hard, sharp gaze falters for a moment. You watch the flames dance behind him, the firelight playing against the lines of his shoulders, and feel your heart skip a beat. “Who else is speculating?"

“No one." Your fingers brush over the book spines on the coffee table. “I guess their attention hasn't been drawn to a book clerk yet, even if you have taken residency... here." You say it with no shortage of disapproval.

Knockturn was never where Tom belonged. You'd once imagined a flat together in muggle London, taking the telephone booth to the Ministry together, changing the world together. It's a wish that's a lifetime away now.

“Is this a warning? I assure you, I don’t need the condescension.”

“I'm not warning you," you scoff, “I — I'm seeing you. God knows I'll probably never get the chance to do that again once you get yourself locked up in Azkaban, which you will."

You sound exasperated. You sound half-pleading. “What are you doing, Tom? Is this — this is really what you want?"

“Yes."

You shake your head. “I don't believe that." And then some of that fiery spit returns to you, and you feel like a child again, stuck in the London tube stations holding his hand at every plane that flew overhead, scowling that you needed his reassurance. Scowling that you were afraid.

“Well, your conjecture is ever-appreciated. Shall I lend you mine? Shall I congratulate you on your revolutionary position at the Ministry? Or is it Dumbledore I should afford my thanks?”

“I earned this,” you hiss.

“You deserve it,” he amends. “But do not lie to yourself and pretend that’s why you have it.”

“Fuck you.”

He smiles. “There you are.”

“I don’t need your congratulations, Riddle. Dumbledore doesn’t need your damn thanks. But,” you say, biting back the snarl that wants out, “you could thank me. After all, I could turn to the Ministry any minute with the truth of your heritage. I could tell them about Myrtle, the Horcrux — Horcruxes.”

The humour dissolves from his face and you despise the immense glee it brings you.

“Oh, did you think I didn’t know? Didn’t understand the connective thread? You are sentimental under all that… fucking posturing, you know. I’m sure it’s all very romantic to you — making Horcruxes out of Hogwarts artefacts. Shame it’s such an insult to your intelligence.”

“Very good,” he says after a long, terse silence. You’re sure he’s thinking just the opposite.

You hum, meddling with your nails. “So what’s your plan?”

“I’d need a Vow for that.”

You laugh. “I’m not that desperate.”

“You’re also not an auror, are you?” He tilts his head appraisingly. “And yet you’ve found your way here.”

“How many do you plan to make? How many people do you plan to kill?”

“A Vow.”

“Absolutely not.”

“Tea, then? Biscuits?”

“Oh, I shouldn’t. I read in the paper the other day about a poor old woman who had her tea poisoned.”

“Hm. Terrible shame.”

Your fist clenches around your wand. “Is it paying off well, Riddle? It must be a good life if you’re willing to split your soul to hell and back to have more of it.”

He smiles at the barb in your words. “You never were good with subtlety.”

“I wasn’t trying to be subtle. This place is horrific.”

“I was referring to your inability to see more than what’s directly in front of you.”

“Oh, really? And what more should I see than a boy who’s very good at getting weak men to bow and do very little else? I’d try to see the bigger picture, but I reckon it wouldn’t fit in here.”

Tom regards you colourlessly. You are slate, Ministry-grey, impermeable like palace portcullis.

“I suppose I should have killed you.” He says it with the nonchalance of a forgotten chore. He says it like you’re a stain.

He doesn’t say it like he feels any terrible urgency to remove you; and you think, this time, you’d feel more powerful if he did. You think it’s far more debilitating to sit here and be looked at like he regrets wanting you alive more than he wants you dead.

“Yes,” you concur, “I suppose you should have.”

You place your wand down on the table and scoot your chair away for good measure. “It’s never too late to rectify your mistakes.”

Tom, for a moment, looks surprised. That makes you feel powerful. You’d take more of that.

“You have wandless magic,” he tries. A weak recovery.

“Scout’s honour, Riddle.”

He doesn’t move for a moment, then fixes his wand in his hand and rises, doused in the same inscrutable calm that always used to drive you mad. Now something in you gleams with the knowledge that he only ever looks like this when he’s trying not to look like anything at all.

He steps closer and it gleams brighter. It trembles inside you and you know, distantly, that this is insane. You’re weighing your life on a childhood trust that was shattered years ago, and you don’t think you’ve ever been that good at faith, but he’s approaching you and that gleam you feel is reflected in his eyes and you just… know. Your spilled blood once crawled with his. There’s no undoing that. Half of you is made of the other.

“I should have killed you,” he repeats.

It’s a murmur. Stilted. Angry, even. Angry that you made him this and there’s no fucking rectifying it — what a joke that is. What an immensely you thing to suggest.

“Yes,” you agree.

It’s a breath. Low. Proud, even. Proud that you’re his only mistake and he’s going to make it again.

Tom kisses you. It’s a murder of its own kind. You kiss him back, and — you were always going to kill each other like this, weren’t you? It’s you and him whether you like it or not.

There should be no love in it. You know that. Love is far behind the both of you, stifled in a gasp at the back of your throat on your eighteenth birthday and the soft, selfish hands of a seventeen year old boy. This is mutual destruction. Spite and teeth and skin that’s cold under your fingers.

He was your first in everything but this.

You push back at him and feel the hunger, the need in him, like a flame as he kisses you deeper and harder, and you find yourself losing yourself to it all over again, like you're back in the dark alcove of a pub where you told him goodbye, pushing to extend the juncture. And then he lets out a hitched, gravelly sound; not a moan but enough to make you shudder.

You pull him onto the sofa and crawl onto his lap.

“How long?” he asks thickly.

You don’t have to ask what he means. You bite against his neck, nails under his shirt as you struggle to pop the buttons open. There must be a violence in all your want for him because if there isn't it's just loss. It's just another thing you'll give him without taking anything back.

“Sixth year," you pant, “in the Deathday ballroom when we fought for the first time. You — ah — you put your thumb on my mouth. Since then."

You hear a sharp intake of breath, and his hand moves up your back to pull you impossibly closer. His voice is ragged. “Should I tell you how long I’ve wanted you?"

You shudder a breath. “Since —" And it's a bit hard to talk with the way he's rolling your hips — “Since when?"

His lips twitch into a mirthless smile, hands spanning your thighs as you start to rock against him. “When you burned me, and I sent you into the lake."

You swallow, agonised by the slow pace his grip forces you to keep when all you want to do is go faster.

“Your uniform was terribly wet,” he says, mouth tracing your jaw. “Did I ever apologise for that?"

“N-no.”

He tuts, the hushed sound warm and deadly on your neck. “Bad manners. I must have been distracted."

Oh. Oh, you think. It seems pointless to flush in the position you're in now, but the knowledge that he wanted you then and you hadn't even known is... all the more devastating.

But you shiver at the question of how he’d wanted you, in what amount of detail, in what precise way. You almost want to ask. See it for yourself.

You don't think you'd manage the words. He’s hard underneath you and your head wants to lull toward his shoulder but a big hand holds you from one side of your jaw down the length of your neck, his tongue laving up the other. Instead you’re balanced only by his hands and his mouth, rolling against him because it’s all you can do like this.

He’s marking you, you realise with a gasp, and your fingers bury in his hair to remove his mouth from its descending assault on your collar. Not that. You’d sworn against that.

Your fingers return to his buttons and he copies you by finding yours, pulling at the fabric tucked into your trousers until it’s discarded entirely. You press your hands to the planes of his chest and watch him, your mouth agape as his eyes linger on your chest.

His heart is pounding and he must know you’re about to comment on it because his lips are on yours again and he adjusts his position and your fingers dig into his shoulders at the delicious new feeling of him pressing into your thigh.

You move for his belt. He moves for your zipper. It’s some sort of race, whatever you’re doing, and you’re at an unfair advantage when you’re still fumbling with his buckle when his hand is already carving a slow path to the band of your underwear. You're scalding under the journey of it, little stars pricking you under every new inch he explores.

He dips in and your eyes wrench shut, grasping frantically for his wrist.

“Shh,” he says softly, caressing your cheek with his spare hand, thumb finding your mouth how it did all those years ago and you want to curse him. The fucker knows exactly what he��s doing.

You shake your head, chest rising with heavy breaths as you return to his belt and scrabble to unbuckle it.

“So tense,” he murmurs. The hand at your cheek draws over your lower lip before it falls to your back to hold you closer. “Rest now.”

And his fingers trace you where you want him most, brushing past your clit as he pulls his face back to watch you.

You sink into the feeling, still swaying on his lap, a half-efforted attempt at finding friction in the hardness between his legs that feels fruitless because it won't be enough until he's inside. Your hand just grips onto the fabric of his unzipped trousers and stays there. It’s a pause. An obstacle on your path to him that you need just a moment to recover from before you’ll make him feel just like this. Better. Worse. It’s hard to tell which is which.

He’s stroking at you now, pleased by the way you lurch against him with every touch.

You have to recover, you have to make it even, you have to… you…

A finger presses inside and you moan.

“You came back to me,” he whispers, close enough to be kissing you but there’s just the stutter of his breath. It's a fucking religious thing to say, the way he does it.

“Doesn’t make me yours,” you breathe.

He shakes his head. “I know. You’ll still take it though, won’t you?”

Oh, fuck.

He makes a sound of approval. “Good.”

Good. Fine. Your hands slip from his zipper to the meat of his thighs, pushing yourself forward so the shape of him is firmer against you, and Tom slips another finger in.

You’ll take it, won’t you? Yes.

Maybe you don’t need to tear him at the seams (though you want to) to make it even. Maybe this is punishment enough. That he can have you like this and it still won’t make you his, that he’ll give you everything and you’ll lap at it with half the greed he possesses.

You ride his hand, clutching his shoulders, rocking your hips. You take all of it, and it builds something delirious inside you, that it’s him doing this, his perfect fingers, the shape of his lips, the soft dark of his hair when you find your hands in it again. The feeling makes you stutter, and he has to move you by the waist himself to keep the momentum when you can't do it yourself.

He’s painfully stiff, pushing up against you with a degree of self-control that feels like it can only end disastrously for the both of you, and you start smattering kisses down his cheek. You tilt his head back and lick a stripe down his neck. Rest now, you'd say if you could.

But he adds a third finger and your head falls, a cry planted in his collar when you come, and you don't think you say anything.

Tom holds your legs steady, guiding you through it like this is just another one of his studies. You are what he knows better than anything else, and still he wants to learn more.

“Look at you,” he mutters, dipping you back to press his lips down your chest, unclasping your bra while you’re still breaking, the sensation swelling again when he takes a nipple into his mouth.

“Tom,” you try to say. Your mouth is the sticky sort of dry that words refuse to come out of.

“Will you give me more?”

Give, not take. You fuss into a stolen kiss, grappling again with his trousers, pulling them down until you can palm him through his boxers.

He hisses, gripping your wrist like he hadn’t just done the same to you, and then he’s pulling you up and off the couch, trousers discarded with what must be magic because you blink and they’re gone. Greedy boy. (You have no room to judge.) Your back is to the wall an instant before his fingers are on you again, pushing your underwear down your thighs until it falls at your feet like they despised to ever part from you.

You arch to feel him press against your stomach, pushing off the wall so that you can meld to him but he just closes in on you to do it himself.

He goads the heat from you when his fingers push in again, still wet, coiling how you like, where you like —

“Want you,” you protest shakily, hand on his abdomen.

That must kill him a little, because he curses under his breath (a thing he never does) and the immediate absence of his touch is cruel when he goes to free himself from his boxers. You reach for him without thinking as he does, and he pins your hand beside you when your fingers so much as graze the length of him.

You sound frail, but you have to ask. “Is this how you wanted me?”

A cruder version of you would go on. Is this how you pictured it? Taking me against a wall? Have you waited for it all this time?

And you don’t belong to him but you’re so incomprehensibly, contradictorily his. You’ll want him forever. He could do anything, and you’d be his. You could haunt him into his lonely eternity, and he’d be yours. Then, you suppose — haunting him makes him yours by principle.

Maybe you already do.

Tom practically growls into your mouth, pressing against you and — God, it’s skin on skin. He's right there. You could push forward and —

He slides in. You cry out at the feel of him inside you, the angle of it like this.

“I wanted you,” he says lowly, your legs wrapped around him, “everywhere.”

You’re gripping him so tight you think he’ll bleed under your nails and somehow you still feel on the brink of collapse when he thrusts deeper.

“I thought mostly of your mouth,” he rasps. “It felt depraved to imagine it wrapped around me, but then I thought of you splayed out before me instead. That maybe you’d like it if it was my mouth on you.”

You whimper.

“Would you like that?” he asks, hands spanning your hips to snap them into his, like you are a piece removed from him he seeks to reattach.

If you wanted to answer you couldn’t. You’re clinging to him and the rising surge inside you, carved between your legs like something sweltering and unfixable. It rushes in and he pulls out of you. He pushes in and you cry for the release of it, the moment the wave lurches over the edge, but he won’t let you have it.

“But,” he says, and your eyes want to roll back at how heavy his restraint is, callous in the tone of his voice, some leash at his neck he must tug himself lest you take it from him — “If I knew how well you’d take me like this, I would have thought of it much more.”

Taking him, again — you don’t feel at all like that’s what’s happening. You feel possessed. You are buoyant in his arms: his and his and his.

“You can — uh — you can — ”

"Hm?" He brushes down the slope of your brow, your cheek, back to the edge of your mouth, wiping a trail of saliva from your chin. “Poor thing.”

And he slams into you again, drawing a mewl from you that slices your unfinished thought.

You clench around him, flames wild and fluttering at every contact of his skin on yours, and there are too many to count. Too many points where they intersect, just some blend of bodies connected at every curve.

“You’re going to give me more,” he says, like it’s an epiphany when you already told him you would.

You remember then. What you meant to say. “You can take me too.”

You feel him twitch inside you, his pace stilling for a moment, and the thumb on your lip slips into your mouth. Your lips close around him and he curses again.

He fucks you with a finger in your mouth and his teeth clamped over your shoulder, soothing the sting with his tongue. His pace is too slow when he drags his free hand between your legs, but you understand its purpose well enough that the mere recognition almost destroys you.

He’s patient in bringing you to the edge because there's time here. A slow agony that severs you from the rest of the world until it splits you down the middle. And he may not ever have it again.

You have to promise yourself he’ll never have it again.

But the movement of his fingers against the same spot he’s hitting inside you is too much at once, and you won’t last. You drool around his thumb. You let him mark you. You can see on his neck you’ve marked him too. And you hope impossibly there’s a scar. You hope the little death you coax from him claims him as yours for eternity, keeps him even when you're gone. You tighten, lurch for the edge, and make him mortal once more.

Tom holds you there, your cries reverberating as he sinks another finger in your mouth, and then he’s gasping at your neck, peeling back to look you in the eyes when he spills into you. Your eyes screw together and he releases the sounds you make by holding you by the jaw instead.

“Look at me,” he says, and for the strained need in it you do.

You come down to earth and you kiss him, wetness dripping down your thighs as he pins you to this moment. You love him. You’ll always love him.

He brings you to his bed after and you let him, legs surrendering their grip on his waist as you pull apart. You pant into the cold linen of his pillow. Everything smells like him. There’s something empty now; the reason you came today; the reason you left four years ago.

You love him and it isn’t enough. Not even to look at him, the sleepy hint of the boy you knew in his eyes, and know that he loves you too.

“Goodnight, Tom,” you say, finding home in the warmth of his chest.

You’ll dream of a morning where you wake up beside him, but you won’t be there.

#tom riddle #tom riddle x reader #tom riddle x you #tom riddle x y/n #tom riddle fluff #tom riddle smut #tom riddle angst #(the trifecta)#tom marvolo riddle #voldemort #voldemort x reader #tom riddle imagine #tom riddle oneshot #harry potter fanfiction #wizarding world #ftltutbh

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halfbloodfics · 4 months ago

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Gentle dom! snape headcanons

Hi im procastinating the number of requests in my inboxes so until I get around to them, have another headcanon post to tie you over.

warnings: NSFW, smutty, minors DNI, mentions of kinks

I've written quite a bit of sub!snape fics that now I'm starting to miss dom!snape.

I'd like to preface this by saying that these are obviously just headcanons. Personally, I think severus is likely very sexually reserved, due to both trauma and honestly, isolation. I don't see him as being this overtly sexual person, as everything within him from canon, in books and the movies, shows him as very conservative and reserved. His clothing, his skills in occlumency, his facial expressions... everything about himself is very, reserved and controlled.

So I find that important to preface this by saying, that anything specifically kinky, especially dominant, would take a lot of time and patience coming from sev. I think at first, sex would definitely be more gentle, passionate, loving thing, if not a tad bit submissive.

However after awhile, once he becomes more comfortable, I can see him beginning to get more confident with his sexuality and more sure in the fac that you really want him. I can see his nerves slowly fading away into that kind of repressed longing and desire that he's denied himself for so long. I can also see him enjoying this because his whole life, he was so powerless. I mean, constantly being used as a pawn in a game that was bigger than him, obeying a different master.. I think it would be nice to be the one with the control for once.

Also this is specifically for gentle dom! snape, so there will be another one for hard dom! snape. Anyways enough yappin, here are the headcanons.

The first time he doms

I need to write a fic on this tbh, but I imagine it starts off by him relising how much you actually need him

The concept of you, needing him; of someone needing him that way, craving him?? Insane. he craves it. he wants it. he wants to hear it. see it.

I think something would have to happen for him to really realise this, either you admitting that you've masterbated to him... or maybe even him accidentaly catching you in the act.. Picturing/seeing you touching yourself, you wishing it was him, moaning his name, drives him wild

Something switches in him, where as before he might be flustered, embarassed, even ashamed. now he simply stands there.. watching, still... until he moves approaches

Then I imagine he's asking you if you were thinking about him.. and then specifically what you were thinking of...

And then he gives you exactly what you were asking for.. Or tells you to keep going while he watches

Once he's more comfortable... here are my headcanons about

Kissing

When he's in a dom mode, making it just does something to him. I mean in general, any sort of touch does something to him; but french kissing, hearing you moan into the kiss?? Gripping the back of your head?? Your throat?? That man kisses you like he's drowning.

Kinks

Names: I think, as a gentle dom, he wouldn't like to be called any names other than his name. I think the big part for him, is that much needed ego boost that you need HIM

I think he's very big on you saying his name, making you say it again and again, asking you who you belong to, who's making you feel that good, etc

Speed? I think it's usually a steady pace, depending on the day and what you need/want. I don't think he's afraid of going fast or rough, but not slapping, choking, or heavy degrading.

Bondage: I think he would however, be into being on top of you, pinning you down with his body in some way. Restraining you, with himself. Perhaps sometimes, using something to tie you up or tie your hands behind your back, but for the most part I imagine he likes using his hands, holding your wrists behind your back, pinning them above your head, beside your head, pinning your hips down to stop you from squirming, that sorta thang

Praise: especially as gentle dom, he loves to praise you. I don't imagine he's very vocal, but I do imagine he talks you through it. Praising you as you take him, as you orgasm. I don't think as a gentle dom, he would be interested in degrading you

Begging: slight begging, I think he more so wants to take care of you as a gentle dom, make you feel good. I think he'd find it attractive, once again as an ego and control thing, that you're begging for him, but I think he'd give in quite easily as a gentle dom

Idk what this is called but instructing you how to masterbate? Him sitting on the edge of the bed, or standing across the room... Telling you exactly how fast to go, how many fingers to use, how to touch yourself etc.

Positions

Missionary: gentle dom sev LOVES missionary and you can't convince me otherwise. He still gets all the fun parts of being dom, being on top of you, being able to pin you down, but he also gets to see ALL of you.. Your reactions, your body, your eyes

Doggy: I think this is more for hard dom snape tbh, which is a whole other post of its own. But I really, truly think he'd love this one. Pinning your shoulders down, leaning over you, taking you from the back... Or pinning your wrists behind your back while he yk.. Gripping your chin, whispering praise in your ear.. Yeah

Spooning: I also think he's like this one, especially as a gentle dom, cause it's still dominant for him, but you also both get to be comfy and in bed. And he gets to wrap his arms around you, hold you. It's romantic, dominant, gentle, all in one

Oral: As a gentle dom, I can see him liking recieving oral more than him being a switch. I still think he prefers to give, but I imagine that he likes to have you on your knees, his hand in your hair, just gently guiding your movements, praising you the entire time

Misc

Clothing: I think he loves being clothed while you're naked, not only does it make him more comfortable, he also gets to see all of you and it kinda adds to the power vibe. However, seeing you in any type of slightly revealing clothing does something to him. Even if it's just a little tight, or if your shirt is a little low.. He's spent his entire life ruling with an iron fist over his emotions and now somehow its crumbling all because of a damn scoop neck t-shirt. Mans could fight voldemort but not the power of tiddies. Also really loves nightgowns.

Moans: He loves hearing you. any type of sounds at all, even the slightest gasp to you crying out for him. It makes him want to hear more. especially if you're moaning his name. I don't imagine he moans much, more so small grunts and groans

He's a boob guy. For sure. That's it.

Aftercare: He is very, set on aftercare. Always. Especially after he has been dom. Even if he hasn't been rough, he knows aftercare is important. Brings you water, makes sure you drink it. Makes sure you use the washroom after. Holds you, praises you.

And i think thats it, for now, though I'll probably come up with more eventually.

Cheerio

#severus snape #snape fandom #pro snape #professor snape #snape fic #severus x reader #severus #snape x y/n #severus snape headcanons #snape headcanon #snape smut #severus snape smut #smut #severus smut #snapedom #hp fanfic #hp #snape fanfiction #severus snape incorrect quotes

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duskedberry · 1 month ago

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Silent protection ( Leon Kennedy x AFAB reader )

A/N : hi :) this is kinda my first fic on Tumblr and I’m still getting the hang of writing smut, so I hope you’ll like it.

TW : smut, p in v, unprotected sex, fingering, no use of y/n.

wordcount : 1,7K

You were cut off from your thoughts by an arm in front of you, Leon’s arm. Walking home from an appointment, there was no way he was letting you walk alone, in the dark. And now that he heard a noise, he had to make you stop so he could check there was nothing coming to harm you.

“Heard something ?” You asked, not expecting an answer.

As you predicted, he only gave you a stern glance. Several months ago, you would have been offended by his lack of words and his authoritative stare. Now, you had gotten used to it. It was just how Leon was.

One year, it had been one year since a hot, muscular, blond man had been assigned to your protection.

Being the only child of a very wealthy family, you were submitted to some sorts of danger. People wanted your money, and for them, you were a great way to get it.

All this meant people trying to date you for your money, and less subtle people trying to abduct you. And that’s the reason he got hired. Your bodyguard, your protector, Leon. From all you could remember, Leon had never talked to you, except for some small greetings once or twice,

He followed you around *silently*, protected you *silently* and did everything he had to do *silently*.

You sometimes wondered what his voice sounded like when it said anything other than “hey”.

Leon removed his arms and got back to his steady strides. The silence fell, once again. The rest of the walk was spent without any exchanged words. You got home, Leon went to the guest bedroom that was now almost his own room, and you, slipped in your bed, falling asleep in no time.

As you opened your eyes, expecting to see the bright sunlight filtering through the window, you were met with the dark obscurity, the one specific to the dead of the night.

You tried to figure out what had caused you to wake up, and your interrogations went unanswered until you heard a *noise*

It wasn’t just a noise, it sounded like a whimper, no, like a cry, like a distressed person.

Curious, you padded out of your room, quietly slipping into the dark corridor. You headed toward Leon room first, apart from you he was the only one in this house, so unless there was an intruder crying -which thinking about it, was also a completely valid reason to go see Leon- the sound must have been coming from there.

You stood outside the door for a moment, not quite daring to open it. You stayed there, till you heard another cry, *yep, the noise was definitely coming from there*. It was a bit strange hearing all this. You never quite figured out Leon’s voice, having only little to work with. But hearing him cry, you thought his voice wasn’t like you’d imagine it to be.

You gently knocked on the door, and poked your head through the opening. Leon was there, shirtless, sat on his bed, crying half silently. He was hunched and his body was shaking with suppressed sobs.

Leon had helped you, supported you whenever you had a bad time. Was always protective of you, even when he didn’t need to be.

Maybe it was your time to return the favor, your time to be there for him.

He didn’t even acknowledge you as you entered, nor as you sat on the bed next to him. He only looked at you when you put your hand on his shoulder. His eyes widened as he saw you and his breathing became even shakier, pink creeping on his cheek from the embarrassment of being caught crying.

“It’s okay, it’s just me. Are you okay ?” You murmured even though the answer was quite obvious.

Leon closed his eyes and nodded.

“Are you sure ? If you want to talk about it, I’m here, I just wanna make sure you’re okay” You attempted again. A man saying he was okay while crying, was a very not okay man.

“Nightmares” he said gruffly, and that, was the first time you heard him say anything other than greetings.

His voice was deep, and raspy, he didn’t seem used to talking.

You nodded. You knew Leon had a past, a rather hard one, even if you didn’t have the details. You could only guess that maybe it was related to that.

“Do you want to tell me about it ?”

The man thought for a moment, as if considering, then he slowly shook his head and nodded his head toward the door.

“I won’t go away, while you’re like this, I want to help you” and it was true, you wanted to help him for all the times he had helped you.

“I’ll be fine” he mumbled. The more you heard his voice, the more you wanted to keep hearing it.

You didn’t answered, you did like he always did, you stayed silent, simply leaning your head on his bare shoulder. He tensed, it had been long since he felt another person’s touch. He didn’t mind though, especially when that person was you. You the sweet, funny girl he always tried to protect from the world and his own feeling.

His hand subconsciously went to your shoulder, holding you closer to him. He couldn’t help it, he wanted you, needed you, especially in such times where he was that vulnerable.

“You have a nice voice, you know” you said, breaking the silence that had settled.

Leon titled his head, taken aback by your comment. Leon had gotten used to shutting himself away from everything else. It was strange having someone complimenting his voice.

“Thanks” he answered with a genuine tone.

He didn’t know exactly what to say, holding a conversation wasn’t something he usually did. Yet with you, it felt right, like he wasn’t wasting his voice. Like he didn’t need to say the right thing, he just needed to say what *felt* right to him.

His head came to rest on yours, slightly tilting so his nose was buried in your hair, smelling their perfume.

He had been your “bodyguard” for one year, and as much as he hated it, he had fallen for you. How could he not ? You were the definition of perfection to him.

“I like yours too” he suddenly said.

“My voice ?” You looked at him, a bit confused.

“Hmm, it’s nice” he was avoiding your gaze

“Oh thank you”

You pulled back slightly, looking at him in the eyes, they were shining, the moon reflecting in them. You caught his gaze wandering to your lips and your heartbeat quickened. You didn’t think as you leaned over and pressed your lips on his. He responded quickly enough. The kiss was soft, but it was meaningful. Your lips moved slowly, tentatively.

It soon turned heated. Your tongues seeking each other’s, teeth clanking and saliva dripping from your mouth. It was messy, desperate. His hand found your waist, caressing the soft flesh that was there.

In an excess of confidence, you straddled his lap, earning a groan from him. Leon’s hands traveled south to your hips, pressing you firmly against him. You could feel his growing erection poking against you and you couldn’t help but grind against it, feeling it harden even more.

“Fuck sweetheart” he grunted. Yeah, you definitely didn’t mind hearing his voice.

Leon gripped the edges of your shirt, looking in your eyes, seeking for consent. Once you nodded at him, he took it off, discarding it on the floor, smirking as your plush breast were revealed to him. Your hands found themselves on his well traced abs, as he sucked the soft skin of your breast, heading for your nipples. Moans were falling from your lips, and it only arouse him more.

His fingers went to your needy pussy, slipping under your soaked panties, rubbing your entrance with his index and your clit with the pad of his thumb.

“Leon… please” you whined, asking for more.

Leon understood easily and let out a chuckle, at your neediness. *His voice was nice when he laughed too*

Answering your pleas, two of his fingers slid into your cunt, making you arch your back. The man knew what he was doing. Scissoring, curling his fingers inside you. In, out, in out. His thumb had never left your throbbing clit. You were lost in a haze of pleasure, your vision almost becoming blurry from how good he was making you feel. You were close and he could feel it from the way you were clenching around his fingers, and the arousal dripping down on the bed.

You came short after, pleasure coursing through your whole body. Your thighs closing around his hand.

You leaned your head on his shoulder once again, catching your breath.

Leon planted a soft kiss on your hair and started lowering his pants, discarding them on the floor where your shirt and pants were now lying. Your panties didn’t took long to join them. You glanced at the spot, wet from precome on his underwear.

He lowered them too, freeing his cock.

His cock was massive, like really. The tip was flushed and beading with precome.

He raised your hips, positioned himself at your entrance, and slowly inched himself into you. You gasped as you felt his tip brush against your cervix. He didn’t move at first, letting you adjust to his size and the feel of him. You grinded your hips after a moment, signaling him to start moving, and he did. Bouncing you on his cock with his strong hands.

You were a babbling mess, moaning his name on repeat. And Leon, for someone that was always so silent, was incredibly vocal, groaning and grunting as he felt your velvety walls squeeze around him.

“Shit baby, so fucking good”

He was close and so were you, his praises driving you toward the edge. Being the gentleman that he was nonetheless, he was determined to make you come first.

He kept pounding into you faster and harder, his grip on your hips so tight you were sure it would leave bruises.

“Come for me baby, let me feel you”

You were done for. Coming on his cock, clenching around him so tight, your juice dripping down your thighs, soaking his balls and the bed. After a few thrust he came too, shooting ropes of thick cum inside you.

You both took a moment, catching your breath as you felt him soften inside you. He pulled out a moment after, cleaning you out before settling back on the bed next to you, his nightmare long gone forgotten and a voice ready to be used

#resident evil x reader #leon kennedy #leon kennedy x reader #smut #leon kennedy smut

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darkwitchoferie · 18 days ago

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Train Ride - Chapter 8, Exhibitionism, Stress Relief, and Painting

A/N: First - sorry this took longer than I originally intended. That may continue as my personal shit has gotten a bit more complicated. Second - I lied – there’s another chapter now. So, there’s a total of 10 chapters, 3 of which happen after the original oneshot. This is another long one, y’all. But then, there’s three separate scenes in this one, so it’s not surprising. The next two chapters are the same – three scenes each.

Not specific to this fic – but when did we, collectively as a fanfic writing community, decide that Changbin calls his partner ‘bunny’ and Minho uses ‘kitten’? I’ve seen it in tons of fics. Like, not upset about it or even really questioning WHY we decided that, just wondering when it happened.

I just realized, on proofreading this, that there’s no Felix. At all. Damn. It’s alright, the next chapter starts with him.

Cw/tw: exhibitionism, group sex, unprotected vaginal and anal sex, oral (m & f receiving), facefucking, member x member action, a little breath play, featuring (a little) of Seungmin’s fondness for being manhandled by Changbin, cock warming, cum eating and sharing,

Wc: 5.7k

Master list

~~ Exhibitionism ~~

Since the orgy that brought Jisung and Minho into the polycule, things had been going very well for you and the members. You had explained the pendent necklace Chan had given you and that, if they saw you wearing it, it was blanket permission to play with you. That was something every single one of them took advantage of whenever they could. Changbin, one of the three of your boyfriends who shared your exhibitionist kink, had also called you to the studio during a recording session. You’d enjoyed it a lot more than you might have expected. Not only the sex, but also watching whichever of your boyfriends was in the recording booth watch you and be unable to participate because he had to record. Jeongin, Felix, and Jisung had had to fully turned their backs in an effort to maintain their composure.

You also had scheduled date days with each of the boys, and they had them with each other as well. Frequently, you had additional dates that were with all of the boys, or just a few of them. But you all made sure to make time for one-on-one dates once a month. Sometimes they weren’t very long or got pushed back due to late or changing schedules, but that was something you were used to from having been with Chan for so long.

Usually, when that happened, whoever’s date had been pushed back, would want to have an apartment date, rather than going out. Apartment date was just the wording the nine of you had agreed on for an at-home date, usually your home. They were the more romantic dates, seeing as you and seven of your boyfriends couldn’t really be romantic publicly.

Yours and Minho’s date night had unfortunately been pushed back several times over three weeks, so you were both craving some romantic affection. Not that you hadn’t seen him at all in that time or that you two hadn’t been romantic, you had, you just hadn’t been able to have a date with him. So you weren’t surprised when Minho asked for your date with him to be an apartment date.

It was the middle of the day when Minho planned to come over. The eight of them had a day off, so he had no other commitments that would mean your date had to be in the evening. But, because you were both looking for a more romantic atmosphere, you’d pulled the curtains tight over your kitchen window and balcony door to darken your apartment, then lit a couple candles in the living room to lend everything a more romantic atmosphere.

While you were in your room changing into more comfortable lounge clothes, you heard the door open. You hurried out as soon as you were dressed to find Minho standing in the middle of your living room, looking around.

“How is it that there are eight of us, each with different wants and personalities, and you still somehow always know exactly what to do for us?” he asked softly, turning to look at you.

You grinned, pleased that you’d read the situation right. “I know my men,” you answered, shrugging a shoulder as if it were no big deal.

He strode up to you, wrapping his arms around you and leaning in to claim your lips in a soft kiss. “Thank you, kitten. This is just exactly what I needed today.”

In short order, the pair of you had spread out the snacks and drinks Minho had brought on your coffee table then cuddled on your couch, watching your favorite movie. He was wedged into the corner of your couch and you were cuddled half on top of him, thoroughly relaxed and enjoying your movie.

Lazily, mostly watching the movie, his hand had drifted from around your waist to groping your boobs over your tank top. His touch was light, with very little intention in his actions, mostly like he was playing with a fidget toy to keep his focus on the screen. You thought it was kind of funny, especially how he wasn’t the only one to treat your boobs that way. Chan, Changbin, Seungmin, and Jeongin all did as well. Hyunjin liked to tap on or trace designs on your belly, while Jisung and Felix were more fond of your thighs.

After the movie ended, you stretched out, arching enough to press your boob more firmly into Minho’s hand. Then you sighed and slumped back against him again. After another content moment, you leaned up and pressed a kiss to the underside of his jaw, then stood up and started clearing away the trash from your snacks. You saw him reach for his phone, but didn’t comment, not particularly caring who he was texting as long as he didn’t spend the rest of your date on it.

After tossing the trash into the trash can, you went to the refrigerator to grab more drinks. You squeaked in surprise when you felt Minho press up against your ass while you were bent over, looking in the fridge.

You stood up, pressing your ass more firmly against him and feeling him grow harder. “Something I can help you with, baby?” you tease.

“Mm, there might be,” he reached forward to grip your hips. You grinned as he leaned forward and pressed a kiss to your shoulder. You tilted your head over and slightly back to rest on his shoulder and give him full access to the side of your neck. You gripped his thigh, moaning, when he sucked a hickey into the side of your neck. “Mm,” he hummed against your skin. “I’m hungry kitten. Got anything I could eat?”

You knew what he wanted you to say, so instead you leaned down into the refrigerator again, making sure your ass was firmly against his hard on. “Let’s see,” you wiggled your hips a little. “There’s the left over Chinese from yesterday, kimchi, I could make ramen if you want.”

Tightening his grip on your hips, he pulled you away from the fridge. “Not what I’m hungry for.”

“Oh, did you wanna order pizza?” you asked, working to keep your voice as innocent as possible.

Rather than answer you, he quickly slid your lounge shorts and panties down your legs, flipped you around, and lifted you onto the counter beside the fridge. Your panties and shorts dropped off your ankles as soon as you were in the air. “Tease,” he accused, stepping between your legs and running two fingers up your folds, flicking your clit with the pads of those fingers.

“Oh, is that what you wanted? You should’ve said, baby.” He gave you an unimpressed glare as he crouched down to be face-level with your pussy. Your giggle at his glare was abruptly cut off into a moan when he immediately wrapped his lips around your clit and sucked.

Minho wrapped his arms around your thighs, well acquainted with your habit of squeezing peoples’ heads if they didn’t hold your thighs open. You threaded your fingers in his hair as he devoured your pussy, licking, sucking, and tongue fucking you just the way you loved. The build to your orgasm was steady, but fast, as Minho seemed intent on getting you to cum quickly. Your moans turned whiney as he repeatedly flicked his tongue over your clit, before wrapping his lips around it and sucking it into his mouth again.

You moaned, loud and long, curling around his head, as your orgasm rushed through you.

You leaned your head back against the cupboard, panting to catch your breath. “You know that the eight of us talk about you and any… fantasies you may share with us, right?”

“You know the eight of us talk about you and anything we think you’d enjoy, right?” You countered.

A small smile flashed across his face. “Channie was telling us all about the night you confessed to wanting this arrangement and what fantasies you’d admitted to at the time.”

“Hm. That explains why Bin didn’t shower after the gym on his way here last week.”

“Mm,” he hummed his agreement. “You did look so good riding his thigh.” It had become rather frequent that the nine of you sent sex photos and videos to the group chat. “And we all know he loves how messy you get.” At the time, Changbin had taken a photo of his thigh, shiny and slick with your arousal and cum.

You grinned. “I assume there’s a point?”

“There’s a balcony, actually,” he nodded his head in the direction of the curtains covering your balcony door.

“Minho, it’s the middle of the day!” You couldn’t deny though that the thought of what he was suggesting made your pussy clench.

“Kitten, you gonna tell me that doesn’t excite you more?” His mocking tone and the smirk on his face, not to mention the way his fingers danced up your inner thigh, told you that he knew exactly what you thought.

He tugged you off the counter, shepherding you toward the balcony door. He pulled your tank top up and off just as he pushed you through the open door and onto your balcony. You took a second to appreciate that your building was one of the ones that had walls separating the balconies rather than just fences. Sure, the potential of being caught was part of the thrill, but you didn’t want to jeopardize the guys’ careers and reputations. The walls and deep shadows created by them would protect Minho’s identity.

Minho joined you, having only slid his sweats down enough to pull his cock out, and crowded you against the railing. “You’ll have to be quiet, kitten. I’m not going to cover your mouth, and it’s not like you have a shirt to bite on.” Then he flipped you around and pressed against your back, forcing you to bend over the railing. Your belly rested on the top of the railing, leaving your head and tits to hang over the edge. He then grabbed both of your hands, holding them in a relaxed grip in one of his behind your lower back.

You felt him run his cock head up and down your slit a few times before he gripped one of your hips with his free hand and slammed into you. Not prepared for his speed, you didn’t have time to muffle the loud moan you let out. You quickly clenched your jaw shut as he immediately set a fast pace.

“Any one of those people down there could look up any time, kitten.” He was mostly hidden by the shadows of your balcony and every other word he spoke was punctuated with a harsh thrust of his hips. “What a view that would be, huh? You with your gorgeous tits bouncing over the railing.”

You whimpered, trying so hard to stay quiet. Your complex’s parking lot wasn’t exactly teeming with people, no matter what time of day, but it was the end of the work day, so many of your neighbors were coming home. and the thrill of any of them looking up and seeing you was setting you on edge almost as fast as Minho’s cock was. Your pussy clenched with Minho’s words and the images that put in your mind.

“You’d like that, wouldn’t you? Someone down there looking up here to see you being fucked out in the open like this.” You screwed your eyes shut in an effort to focus on keeping quiet. Instead, doing so heightened your other senses so you clearly heard the cars not too far away on the road, felt the breeze through your hair and over your tits. Behind you, Minho chuckled. “Well, look at that, two someones have seen you.”

Your eyes flew open and you spotted Changbin and Seungmin looking up at you. Seungmin blew you a kiss while Changbin pulled out his phone and took either a couple photos or a short video. You whimpered, looking down at them watching you was bringing you closer and closer to your orgasm. After a minute or so, the pair headed into the building. You turned your head to look back at Minho.

“I texted them,” he confirmed your half formed thought. “Thought I shouldn’t be the only one who gets to enjoy you out in the fresh air.”

You whimpered again, head dropping forward. The thought of three of your boyfriends using you out on the balcony, where anyone could look up and see you, had you curling against the railing and biting your bottom lip to keep quiet as you came.

“Aw, kitten, did that make you cum? Really?”

“What?”

“I told her I called you both so you could enjoy her in the fresh air too and she almost immediately came.”

“Pretty girl loves the thrill, don’t you?” Seungmin came to stand beside you, back against the railing.

You purposely clenched around Minho, feeling desperate to have him cum in you. With a groan, he pulled out of you and you felt his cum splash on your ass.

“No,” you whined.

“Poor kitten,” Minho teased, panting to catch his breath.

Changbin, judging by the fingers on your ass, stepped up behind you and swiped his fingers through the cum on your ass, gathering some up. He then reached forward and shoved his two fingers into your mouth. You moaned around his fingers, sucking Minho’s cum off them with the same enthusiasm as if it were his cock, not just Bin’s fingers. Bin thrust his fingers in your mouth a few times while you heard him unzipping his jeans with his other hand. Then his fingers were gone.

He interlaced his fingers with yours, keeping your hands pinned to your hips, as he thrust into you. Immediately he set a brutal pace, rocking you against the railing.

“I wonder, kitten, if we took you camping, would you let us fuck you in the woods?” Minho asked from somewhere behind you.

“Oh God,” Changbin groaned as you clenched around him. “Yeah, I think she would. I think she’d like that a lot, huh bunny?”

“Hm, out in the woods, huh? Bet you wouldn’t have to be quiet out there, pretty girl.” Seungmin’s fingers danced up your spine with his words. His fingers continued over your shoulder until he reached your boob. You felt him press against your side, his hard cock against your side, to get a better angle for him to grope your tit. He pinched and rolled your nipple and you squirmed and writhed, trying so hard not to make any noise that you could feel tears gathering.

“I’ll have to see what we can do to set that up,” Minho mused. Distantly, you wondered if he was teasing you or if he were serious.

It didn’t matter to your imagination though, because now all you could imagine was your hands pressed against a tree while Changbin fucked you like he was doing now and you were free to make all the noises that you were desperately holding back.

“Pretty, are you crying?” Seungmin asked, concerned. You violently shook your head, negating the concern rather than denying the tears that finally started to drip from your eyes. “Ah,” he said, understanding. “Feels so good and you can’t make any noise, huh?” You nodded.

Changbin, still holding your hand, slid his hand around your hip and quickly found your clit. You kept your fingers attached to his hand, knowing he didn’t like for you to touch yourself with him, unless he could watch. His thumb rubbed quick, firm circles against your clit. “C’mon bunny. Just let go for me,” he leaned over you, pressing kisses to your back. Within just a few more strokes, your back arched, pressing your tits forward more over the railing, as you came around Bin’s cock. “Good bunny,” he praised, causing you to shiver as he chased his own high, building you up to another.

Changbin’s hips stilled and you felt his warm cum flood your insides. You locked your jaw against the whimper that wanted to come out as he pulled out of you.

Taking his place behind you, Seungmin rubbed a soothing hand over your back, letting you catch your breath for just a moment, before slamming into you. You clutched the railing, Seungmin having not restrained your hands at all. You had the brief thought to cover your mouth, but that was quickly dashed.

“Keep them right there, pretty girl, or I’ll stop.” You whimpered, purposely clenching around his cock as if to keep him in your body.

Behind you, Seungmin stilled. Before you could find your voice for a complaint, Changbin said, “Just a minute, bunny. Just let me get him ready.”

Your head dropped forward – you loved watching Changbin fuck Seungmin as he was usually rougher with the younger man than he was with you, because Seungmin liked it that way. You loved the way Seungmin’s eyes would roll back in his head as Changbin took complete charge of him, roughly moving him to whatever position the older man wanted, even wrapping his hand or arm around the younger man’s neck.

After just a couple minutes, you felt Seungmin press harder into you and heard the low moan that meant Changbin was pressing into him. You didn’t have to wait long for Bin to start thrusting into him, setting a brutal pace, and causing Minnie to fuck you at the same pace. You bit the inside of your lip, trying to keep your moans as quiet as possible, though you could still hear the muffled noises you made.

You didn’t have to look to be able to tell Bin had his hand wrapped around Minnie’s neck, providing just the right amount of pressure to make breathing difficult. You could hear it in the gasps coming from Seungmin. You felt like Bin’s hand was wrapped around your neck, dizzy with pleasure from being used by your boyfriends just the way you liked it.

“Doing okay, kitten?” Minho came to stand beside you, back to the railing. You did your best to nod, but it was difficult with the way Changbin’s thrusts were rocking you through Seungmin. “Good. So good to us, letting us have you whenever we want. However we want,” Minho smiled down at you, the gentle tone of voice and feel of his fingertips running over your shoulder and part way down your side completely at odds with everything else you were feeling.

His fingers skated down your back, wrapping around your hip until he pressed his first two fingers firmly against your clit. He didn’t move them at first, just keeping a firm pressure there while the rocking from Changbin’s thrusts provided a little motion. Then he started tapping on the bundle of nerves, timing it with Changbin’s thrusts.

Seungmin came first, dropping his head back against Changbin with a low groan as he came, adding his load to the one already in you. Changbin sped up, chasing his own high again and causing little whimpers of overstimulation to come from the man between the two of you. Minho focused on your clit, switching to rub little circles into the bundle of nerves until you came with a short scream, mostly muffled by your lips being tightly pressed together. Lost in your own orgasm, you missed when Changbin came but knew he had because he was still.

Carefully, Changbin tugged Seungmin back, pulling him out of you with a whimper from you both.

“C’mere,” Minho tugged you off the railing to face him and, still keeping you bent over, used his thumb to open your mouth and shove his cock in. After a few, deep thrusts, he was coming down your throat.

Exhausted, legs feeling like jelly, you dropped down onto one of the lounge chairs you kept on the balcony. You knew in a minute you’d have to get up for the usual aftercare routine of drink/food/bath, but right now you couldn’t be bothered to care about it.

~~ Stress Relief ~~

You’d had to go into the office for your once-a-month mandatory meeting. You hated those meetings, 99% of everything they talked about was either something you’d already handled via email, or could be handled via email. You were pretty sure it was your bosses way of controlling their staff.

After the meeting, you went straight to Chan and Jeongin’s apartment. You couldn’t remember for sure, without checking the calendar you all used, but you were pretty sure that one of them had a solo schedule today and the other didn’t. Hopefully, one of them would be there. If not, you’d post a nude into the group chat to get someone to come help relieve the aggravation caused by work.

Once in their apartment, the sounds you heard pulled you to Chan’s bedroom. You pushed open the door to see Chan on his back, Jisung bouncing on his cock. For just a minute, you stood and watched them – Chan clutching Ji’s hips, while Ji’s leaky cock bounced with every bounce of his hips.

“Mm, you look so good riding on him, Sungie,” you commented, strolling up to the bed as you shed your work clothes. Jisung’s rhythm faltered as he caught sight of you. “Oh, don’t stop on my account,” you reassured, ridding yourself of the last of your clothes then running a soothing hand down his spine.

Thanks to his anxiety, Jisung still occasionally had moments where he worried what you or one of the other guys thought when you walked in on him and someone else. Like now. At your reassurance though, he smiled and started rolling his hips faster. Chan groaned, tightening his hold on his hips before finding his voice and turning to you.

“Hey baby girl. Didn’t realize you were coming over.” Chan smiled up at you.

“Mm-hm. Had that stupid could’ve-been-an-email meeting today. Need some stress relief.”

“Happy to help, love. Come have a seat.” He winked, blowing you a kiss. He knew, as did the others, that stress relief mostly meant you wanted to be eaten out. Sometimes, if it was really stressful, you’d want to be fucked too. But a mouth on your pussy was the best stress relief for you.

You bent over him to kiss him quickly, before doing exactly as he asked. You climbed up onto the bed and straddled his face, facing Jisung, slowly lowering yourself until he got too impatient, grabbed your hips, and pulled you down onto his mouth. You and Jisung let out matching moans as he did.

“So it was a – oh – a shit day at work?” Ji asked.

“Oh God,” you moaned out as Chan fucked his tongue up into you. “Who cares?” You felt the rumble of Chan’s chuckle against you at your answer. You reached down, hands resting on Chan’s pecs as he continued to lap at you. On a harsh suck of your clit, your elbows gave out. You caught yourself before falling completely, but now found yourself face to tip with Jisung’s bouncing dick.

When you wrapped your lips around him, you were more than pleased to learn that every time he raised up on Chan’s dick, the movement pushed his own dick into your mouth. You shifted around to make yourself more comfortable, keeping your cunt pressed against Chan’s mouth while Jisung thrust into your mouth.

“Oh God,” he moaned, reaching down to tangle one hand in your hair and brace his other hand on Chan’s abs beside your head. You looked up at him through your eyelashes as he struggled to keep his rhythm. Chan obviously noticed as he planted his feet on the bed and started thrusting up into the younger man, forcing his cock deeper into your mouth at the same time. Jisung whined, tightening his hold on your hair.

You were so focused on watching Jisung come apart, that you were only vaguely aware of your own orgasm building. So it took you a little by surprise when you felt that coil snap and you bucked your hips against Chan’s mouth, moans muffled by Jisung’s cock. Watching you cum seemed to be just enough for Jisung who followed right behind you, some of his cum splashing on your lips and chin because of the way Chan was thrusting into him.

He tugged you up, off his softening cock and, while Chan kept thrusting up into him, licked his own cum off your lips and chin. Then he leaned in and captured your lips in a surprisingly sweet kiss that was interrupted when he moaned into your mouth as Chan came in him.

The three of you relaxed, shifting around to lay cuddled together, Jisung in the middle. “You okay, baby girl?”

You knew he was actually asking if you wanted or needed to cum again, but that had been the perfect amount of stress relief for you. “Mm, I’m good, love.” You stretched a little then wrapped your arms more firmly around Ji, who had his face buried against Chan’s chest.

After a while, the three of you got up, cleaned up, and went out to the kitchen to figure out what you wanted for dinner.

~~ Painting ~~

You wondered, briefly, if you’d ever be able to deny any of your boyfriends anything they asked. Seungmin had accused you of having all of them wrapped around your fingers, but you wondered if he realized that they all had you just as wrapped around theirs. Currently, Jeongin was sitting cross-legged on Hyunjin’s bed with you in his lap, on his cock, your nipple in his mouth, and your back slightly arched back, fingers tangled in Innie’s hair. Meanwhile, Hyunjin sat at his easel, sketching the two of you.

He’d asked you the day before to draw you. He’d done so several times now, each apartment having at least one nude portrait of you. They ranged from very classy, tasteful nudes, to you playing with yourself. But then you’d arrived at his and Changbin’s apartment to find Jeongin waiting for you as well and that was when Hyunjin said this portrait was going to be different than the others.

He wanted to do what he called an active painting. You weren’t sure if that was the proper term, or just the term Hyunjin used when he wanted to paint something that would normally be in motion. Like Felix jogging, you masturbating, or, in this case, you and Innie having sex. Now, normally this wouldn’t be a problem for you. You loved cock warming any of your boyfriends. But Jeongin was taking full advantage of the situation you were in to torment you.

You whimpered, wiggling your hips when he flicked his tongue over the nipple he had in his mouth.

“Princess, need you to hold still,” Hyunjin commented. You felt Innie smirk against you before schooling his expression back into the adoring look up at you Hyunjin had asked him for. You just knew the pair of them were tormenting you on purpose.

“You two suck,” you complained.

“Well, yes,” the ‘I-thought-that-was-obvious’ tone coupled with his smirk told you Hyunjin had decided to go for the innuendo rather than the actual complaint you made. You glared at him and his smirk widened to a grin.

For the next several minutes, Innie held still, not sucking on your nipple or licking it, or subtly rolling his hips, so you were able to relax. Or at least, relax as much as you could with the way Hyunjin had you arch your back.

Then Jeongin decided to ‘resettle’ himself which involved him shifting around and harshly thrusting up into you. Just one thrust, barely enough for any real stimulation. You whimpered again, this time getting your revenge by tugging on his hair that you held in your hand. Innie moaned then retaliated with a quick nip to your nipple.

“Do you two mind? I’m trying to create art here.”

“He started it!”

“Did not! I just needed to shift a little.”

“You didn’t! Or at least, you didn’t need to thrust into me when you did!”

“How was I supposed to not though?”

“You’re supposed to hold still so Hyune gets a good painting of us. Tell me you don’t want a painting of us, like this, in your bedroom?”

“It’s going in your room, actually, Princess.”

“Really?” Excited, you turned to look at Hyunjin.

“Stop wiggling,” Innie complained. You ignored him.

“Yep. Suppose I could get a print made for Innie’s room,” he looked at the sketch contemplatively. “And mine, for that matter. But this one is meant for you.” Then he looked back at the pair of you. “But in order to do any of that, I need you two to hold still.”

The pair of you resettled in the positions Hyunjin had asked you for. And this time you stayed there for a longer stretch of time than before.

Then you felt Innie’s hand, the one hidden from Hyunjin’s view, slowly sliding up your thigh. You subtly tightened your hold on his hair as a warning, that he fully ignored. Or took as encouragement, who knew with the way his mind worked. You tried to stay still as Jeongin ran his fingers along you pussy where you were stretched around him, gathering as much of your arousal as he could. But when he pressed those fingers to your clit, flicking in a quick up and down motion, you couldn’t hold back your moans. You pressed down more firmly into his lap and clenched around him.

You heard Hyunjin sigh and set down his pencil but barely registered that he’d stood up. He moved behind you to grab something else then sat back at his easel. “Jeongin, stop. Just for a minute.” Innie did as he was asked and you heard Hyunjin’s camera shutter click several times.

You turned and glared at him as he set his camera down. “What?”

“You could’ve done that before, Hyune!”

“Yeah, probably. But I wanted as much of it as possible to be… real. Capturing it from a camera isn’t the same.” Innie chuckled, the motion causing you to bounce slightly on his cock. Now that you didn’t need to hold still, you rocked your hips down into his lap. He quickly resumed his motions against your clit and copied those flicks with his tongue against your nipple.

Between your rocking, Innie’s hands and tongue, and how long you’d been sitting on his cock, you felt your orgasm building quickly. Then Hyunjin stepped up beside the two of you and claimed your mouth in a sloppy kiss. The tension in your belly snapped and Hyunjin swallowed your moans as you came on Jeongin’s cock.

Hyunjin pulled away from you so you could catch your breath. He ran his thumb over your cheek, then trailed his fingers down the side of your neck and over the side of your boob. Jeongin detached from your nipple and Hyune leaned in to claim his lips, tilting the younger man’s head and tangling his fingers with yours in his hair.

You moaned watching them, rocking your hips faster. You loved watching your boyfriends enjoy each other, especially this close up.

As Hyunjin pulled away, you saw him raise an eyebrow in silent question to Jeongin, who nodded. Hyune made quick work of unzipping and dropping his jeans and boxers, kicking them away, then tossed his shirt off to join them.

Innie dropped his jaw, tongue lolling out over his front teeth. You moaned as Hyunjin tapped the head of his cock on Innie’s tongue a couple times before guiding it into his mouth. Keeping his grip on your hand and therefore Jeongin’s hair, Hyunjin shallowly thrusted into the younger man’s mouth.

You’d been somewhat surprised, particularly with his initial mild reluctance with Chan, how much Jeongin enjoyed sucking cock. He enjoyed it as much as you did, moaning around whoever’s dick was in his mouth the whole time. You loved times like this, where he was sucking someone off while fucking you because it made his hips kick into you just a little more forcefully.

Hyunjin kept his one hand in Jeongin’s hair while the other snaked down to reach your tits and pinch, roll, flick, and generally tease one nipple then the other. Jeongin’s grip on your hips tightened in response to your moans at Hyunjin’s actions.

You leaned forward slightly, licking the side of Hyunjin’s cock where it disappeared between Innie’s lips. Innie whimpered when his grip forced you to speed up and you started clenching around him as a response.

“God, you two look gorgeous.” Hyunjin’s voice came out breathy. Very carefully, you gently bit Jeongin’s bottom lip, pulling another of his whimpers that you loved from deep in his throat. You soothed the bite, licking his lip, then turned your attention back to licking the part of Hyune’s cock that you could.

It wasn’t too much longer before you felt your orgasm starting to crest. You knew Jeongin was close too, with the way he was trying to thrust up into you but unable to get much purchase to do it as much as he wanted. You tossed your head back with a long moan, arching your back far enough that your boobs hit Jeongin’s cheek, as you felt the wave of your orgasm crash through you.

You stilled on Jeongin, still clenching rhythmically around him. That was enough to push him over the edge, Hyunjin following right behind him. As soon as Hyunjin pulled away, Jeongin turned to you and claimed your mouth in a sloppy kiss, pushing Hyune’s cum into your mouth which you greedily swallowed.

By the time Changbin got home from a writing session with Jisung and Chan, the three of you were curled together, asleep, in Hyunjin’s bed.

Several weeks later, Hyunjin presented you with the framed painting of you and Jeongin, as well as one of the final sketches. You decided to hang it in your living room for everyone to enjoy.

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