#some of these people man. i used to want some people to die; or at least quit teaching; either/or

[narutobookshelf]

#i want to meet the jōnin housing interior decorator. who is the one who designs these apartments. what are the principles they use going in #i like the cluttered idea of his home more bc while the idea that kakashi keeps his home absolutely spotless bc he doesnt live in it #and doesnt have a real ''home'' personality is loaded in a very compelling meow meow way #but for my interest...i have to say its not as compelling to me bc kakashi is not an empty man! he's bursting with feelings #i very much like the idea that hes incapable of letting go of the past and so he keeps a lot of trinkets #people leave and people die and people vanish but if you have something of theirs—in some way its a tangible memory #a way to hold them in your hands#i think hes careful with his trinkets though i think he keeps the important ones in sealed containers out of sunlight or elements so that#they remain unchanged by time #(of relevance: exposing things to sunlight is one way to break down odors quickly) #its not clean and feelingless and efficient but i think kakashi might be a little bit of a pack rat... #i think that naruto gives him drawings when hes first appointed sensei of team 7....and he keeps them in a little cardboard box bc #he doesnt know what to do with them but the idea of getting rid of them doesnt even cross his mind. so hes got all these goofy kid drawings #of naruto as a huge badass fighting sasuke and enemies with lots of teeth and spikes and like kakashi and sakura #one day like 20 yrs later when narutos in his thirties kakashi finds them again and loses his fucking mind laughing#gai + yamato (who live with him now bc they need to share the fridge) are like what. what happened whatd you find #kakashis the kind of person where if you give him something he just holds onto it for eternity

(reblogging with ops tags)

i am trying to find a image of the outside of kakashi's window to see what textures i should use for jōnin housing, and i am not finding it but i did find this. look. look

i have so much to say. firstly, everyone wears their shoes in kakashi's apartment, kakashi wears his shoes in kakashi's apartment. i think there is an absolutely and entirely unused shoe rack. there, that blue vertical cubby thing next to the door. it has at least seven slots and there's not a single set of shoes in there!

there have probably NEVER been a set of shoes in there. no respect for Kakashi's living space allowed.

secondly, if i am correct, the caligraphy on that wall just says shinobi. it's like. this is really funny to me. imagine just having ur job title in caligraphy hung up on the wall. a little like having this hung up on ur wall

u feel me? did he pick that out himself. did it come with the apartment (jōnin standard housing...obsessed). what about that weird abstract art behind sasuke in the front area, the one that kinda reminds me of the inside of Jiraiya's frog jutsu. did kakashi hang that up in his own room. did he see that and go "yeah, this is something I want to wake up and look at every morning that I'm back in Konoha"

also. skjghsdkgjhsdkgjhsdgkjhsdgkjshdgkshdgdsg. hello to mr ukki on the window sill. and hello to kakashi's shuriken blanket. that's so cute. what the hell is his interior design sense. it seems like.

if everything is put together. it seems like...well, as kate said, pinterest shinobi...

also sidenote he takes off his shoes even when hes just poking around his students homes w/ the hokage

so its Just his own apartment that gets this disrespect. when i told kate abt this they pointed out "well, that's probably because kakashi has no ownership of his own space and feels transient always but he respects the space of others send tweet" which is so true, so true.

(it should be noted that in the manga his home is a lil more cluttered)

[usuallydyinginside]

"No One Mourns the Wicked" is about Glinda, not Elphaba

Okay, but hear me out. Wicked songs are so good at saying one thing and meaning something entirely different once you have more context. For instance, "I'm Not That Girl" is Elphaba singing about Glinda initially, then in Act 2 flips to Glinda singing about Elphaba. Because it turns out, Elphaba IS that girl and Glinda is not. When we meet the Wizard, he sings about how he always wanted to be a father. When you get to Act 2, you get the sad little reprise in the background music as he realizes that WHOOPS, he was one and he destroyed his only kid. "Defying Gravity" starts with "I hope you're happy" in the sarcastic sense and ends with them both using the same phrase to genuinely wish one another well.

"Thank Goodness" is set up as a cheerful engagement song where Glinda genuinely means "thank goodness for how great my life is" and ends in a place where she's insisting that she IS happy even as she realizes her engagement is a sham, her best friend is gone, and she's left with the Wizard and Madame M, who she doesn't even like.

You get the picture.

Basically, the whole musical is about subverting what you expect, starting with the base premise of "what if the Wicked Witch was the hero of the story" and digging in from there.

Honestly, I'd never paid much attention to the first song. It's a good opener, sets things up well, but it has some big competition with later songs. However, in the movie the staging and camera choices made me really notice it for the first time. Because you know what? Someone DID pay attention to that song, and you can really really tell.

For those who need a refresher, the lyrics to the chorus Glinda sings are: And Goodness knows The Wicked's lives are lonely Goodness knows The Wicked die alone It just shows when you're Wicked You're left only On your own I was always so busy noticing Glinda's grief over thinking Elphaba was genuinely dead that I failed to notice Glinda's grief over her OWN fate. The movie did such a good job with this because every time we get to the pink lines about being alone, Glinda IS alone. She is standing apart from the crowd who adores her. Standing above them. Standing at the center of a bunch of people yet still, isolated.

Because in the end, we know that Elphaba DIDN'T die alone. We know she wasn't on her own. We know her life WASN'T lonely ultimately. She had her flying monkey and animal friends. She had Fiyero.

And who does Glinda have?

Everyone, but realistically, no one. She is an ideal, not a person to most of Oz, just as much as Elphaba has become the token scapegoat. Where Elphaba is the "Wicked Witch," Glinda is "Glinda the Good Witch" - she is literally supposed to be the embodiment of goodness.

And what does Glinda have at the end of this whole thing (as of this song at least)? A disastrous end to her engagement, the death of her best friend, a sorceress who has hated her, demeaned her, and dismissed her from the start, and a con man who is also just a symbol more than a person.

I think it really hit me when Glinda throws the fire on the giant effigy of Elphaba. Ariana's acting was SO good there, because I'd expected us to see that private moment of horror or regret. What I didn't expect was the sort of determined and almost angry glare at the effigy.

But it makes sense. At this point, Glinda has realized that she lost everything and everyone she actually cared about.

As she so aptly puts it in "Thank Goodness"...

Though it is, I admit The tiniest bit Unlike I anticipated. But I couldn't be happier, Simply couldn't be happier, Well, not "simply" 'Cause getting your dreams It's strange, but it seems A little, well, complicated.

There's a kind of a sort of cost. There's a couple of things get lost. There are bridges you cross You didn't know you crossed Until you've crossed!

And if that joy, that thrill Doesn't thrill like you think it will Still-- With this perfect finale, The cheers and the ballyhoo! Who wouldn't be happier? So I couldn't be happier, Because happy is what happens When all your dreams come true.

Well, isn't it?

Happy is what happens when you're dreams come true.

It's not Elphaba's fault that Glinda has ended up this way. Glinda chose it every step of the way. Yet, if Glinda had never met Elphaba, (if she'd never known her, you could say), she might have stayed shallow and vain. She might never have been challenged to look deeper and realize how empty it all felt.

So as Glinda sings "No One Mourns the Wicked," she realizes that even if the Munchkins are singing about the "Wicked Witch," she's not.

She's singing about herself.

The one who traded her morals, friendship, and love for a taste of the admiration and power over those who don't really know her. The one who was so worried about being likable that she herself doesn't like who she's become.

Even after she makes things better for Oz and herself by sending the wizard away and getting rid of Madame M, it just leaves Glinda by herself as the leader and source of goodness in Oz. It leaves her on a pedestal she can never step off of.

It leaves her lonely.

Entirely alone.

[wonderjanga]

Here's a stupid dumb crack idea you can't really die in Fawcett City like you can get hurt cartooningly but you can't die like getting hit in the head when it acts of like a mild inconvenience and gives you a headache and a scar but you won't die from it

If you leave faucet for a long time then you can die but everyone there is Immortal and kind of unaging unless you want to age

Captain marvel forgot to tell the Justice League this while fighting a villain who proceeded the flash when acts in the head

People in Fawcett don’t die. That was something the Justice League hadn’t known when Marvel had called them for help to fight some villain. Everything was going fine and dandy at first. They were winning, obviously, but then something just had to happen. A piece of the rubble somehow, you couldn’t ask any of them, fell on the fastest man alive who wasn’t able to dodge for whatever reason?Everyone, besides Marvel and the villain, who were still fighting by the way, went quiet as a mouse.

Supes: *looks horrified* “Oh my Rao! Flash!?” *flies over and lifts the rubble up*

Flash: *wobbly stands up, springing up and down like an accordion* (accordion squash)

Marvel and the villain didn’t even look their way, meanwhile, everyone is trying to get Flash to stop being a human accordion.

Supes: “Keep him still!”

GL: “I’m trying!” *using his ring to try and hold Wally still*

Batman: “Try harder.” *is trying to administer a sedative*

After that whole fiasco…

Marvel: “Hey, guys, I apprehended the villain. Where were you- why is Flash passed out on the floor.”

After they explained, seeing all their traumatized and scarred expressions, Marvel finally explained that in Fawcett, people couldn’t die. Not unless they wanted to anyways. When most Fawcitizens got hurt, they bounced back very similarly to Tom and Jerry. A wonderful demonstration of this conveniently happened when someone nearby just happened to run off a roof, hovered in the air for a solid fifteen seconds before looking down and then proceeding to fall. They then dug themselves out of the human shaped hole they left, dusted themselves off and walked off like nothing happened.

Safe to say, none of them wanted to come back to Fawcett after this. Though unfortunately, there are still times they have to visit.

Goon: *evil laughs and runs up to Batman and shoves a couple sticks of TNT into his hands*

Batman: *can’t safely throw it anywhere because of the civilians around so it blows up*

Goon: *pointing and laughing*

Batman: *standing there, somehow still alive and covered and soot. He blinks rapidly before grabbing his shark repellent and emptying the entire can on the goon’s face, eyes, and mouth*

As for why Bruce was so pressed to the point where he emptied an entire canister of shark repellent on the man? He could feel the soot everywhere. It somehow got under his mask so he feels it on every inch of skin near the upper part of his torso.

Don’t worry though, this chicanery happens to everyone else too. Like, every single Lantern that has entered Fawcett has taken a comically large hammer to head and has gotten a large bump as a result.

Marvel: *walking by when he does a double take seeing John* “Oh my Gods, what happened-”

GL(John Stewart): “I DON’T want to talk about it.”

Then there was the time Hawkgirl was chasing after a villain one time and they happened to get into Fawcett. She actually slipped on a conveniently placed banana peel. Then, the villain she was chasing stepped on a rake and got a good smack to the face.

Marvel: “Hawkgirl! What’re you doing here?” *flies down, happy to see his friend*

Hawkgirl: *gestures to the villain with a long red line down their face from the rake’s pole* “I was chasing them.”

Marvel: “Cool, cool, cool, uh… what happened to his face?”

Hawkgirl: “He stepped on a rake.”

*silence*

Hawkgirl: “Why do your people just have bananas and rakes laying around?”

Marvel: “What…?”

In conclusion, nobody besides the Fawcett heroes like being in Fawcett.

[sparrowlucero]

i enjoy ur bird abode thoughts! I was a genuine enjoyer of the show when it was airing, I’m no die hard fan though and love to see ppls personal takes on the overall story/plot. Im curious if you also would agree or have any thoughts on the impacts The Mouse’s cancellation had on the shows ability to be more than it was? srry im not super eloquent with my words, but basically ur response to that ask got me wondering if part of the reason the show like genuinely wasnt all that ground breaking or unique in the end plot wise (other than the villain faces consequences in the end ig) as far as YA/Teen animation goes, was because of The Mouse’s inability to let the writers flesh out the show before gutting it? i have a negative bias toward The Mouse franchise and obviously dont know anything about how writing a show under the eyes of a franchise that big would work, its just smth that rattles around in my head and wanna know what u think!

Well to an extent, but I think it's much more the effect the studio had on how the owl house started out as rather than it not getting a full season at the end - It didn't escape my noticed that the show was initially announced as being a "horror comedy" when it doesn't really seem like either, especially by the second season, and yeah, the original pitch bible is obviously aiming for that much more than the show proper is as it goes along (and is honestly seems quite a bit more funny, weird, and dark, with an overarching plotline about a giant bug being used to religiously suppress people, eda able to cure her curse by killing luz, and one of the major characters being a teen boy awoken from a sleeping curse who ends up being a weird little bigot because he's from the 13th century, among other things)

(side note, i just noticed they actually specifically describe the thing i assumed the show was gonna be about here. huh.) but ultimately the bulk of the show that was actually made seems very influenced by a writing team that was genuinely interested in making a tropey YA fantasy story rather than just being mandated to. I mean even in what aired you can see the show sort of settle in ways that feel less like studio interference and more like, you know, art students creating their ideal fantasy show, like how King is clearly Eda's roommate who's funny because he looks like and sounds like a little dog despite being an adult man at the beginning but by the end they've made him her adopted sad backstory son who's explicitly a child. While I think a third season would have made the show as it existed better, because they clearly didn't get to finish the plot they wanted to (frankly to the point where some major aspects of the show are a bit confusing, I'm still not sure what a grimwalker is), I don't really fault the show for that but also don't think that hypothetical season (which pretty clearly would have been mostly about the magic school teens going to normal school) would suddenly flip around into something that I personally found interesting and subversive. Nor should it, really; again, it being Queernorm Harry Potter thing is clearly the intended appeal of the show, it's not really a flaw but just not a genre I'm personally interested in when compared to what I initially expected the show to be.

HOWEVER I will say they robbed little weird girls of their representation and that can't be forgiven

[mucking-faori]

None of you can speak maori and none of you understand anything about Maori culture. The left does not have "a bad case of noble savage", you have a bad case of racism and cherry picking.

That is not what that version of the haka translates as, which is an amazing mistake to make because it's the most well known haka of all time, and that is the version everyone performs. Almost as if you (or the person you're parroting) went for the most offensive and misleading mistranslation possible. You picked the /full version/ to translate, the one with a preamble te pati Maori DID NOT USE. There is no mention of storms, blood, food for dogs, or killing of other people in the words the Maori party haka. Even if you can't speak maori, you can easily hear them /not saying the preamble/ in the video.

Some people /do/ say "upokokohua" and "Kai a te kuri" /after/ the haka, but those are individuals, and they're saying more or less the only insults or "swears" that exist in maoritanga, and when they're used it's usually not for the literal meaning of those words. It's like how calling someone a fucker isn't literally insulting their sexual proclivities. How do you feel about coalition politicians saying they'd like to blow up the ministry for pacific peoples or calling others "stupid bitch" in parliament? Or can we not take things literally when it's people you like?

This haka is about a man who fled people trying to murder him through the help of his allies and then emerged into the light. The main chorus is "I will not die, I will live!" (Or, literally, "I die! I die! I live! I live!"). Therefore, it is an effective haka both for sports events or political threats, because metaphors exist. If you did this haka in a war you would not be threatening the enemy but asserting your own strength and survival because /that's what the fucking words translate as/.

Also, stolen valor doesn't exist in Māoritanga. Even if it did it would not apply to a haka like this because this haka, as with most haka, is not only for warriors.

As for the bill- it is not an "equal rights" bill. It redefines the treaty so Maori have none of the rights from the treaty /they and the government signed/, and ensures that the government do not have to make any sort of reparations for breaking those. It is not removing "racial privileges" because Maori don't have any. They have things under the treaty they can use to make the government treat them equitably- for example, under the treaty the government shouldn't have been able to force children to only speak English in schools, ban Maori religious practices, or confiscate land Maori were living on only to sell to developers. Maori have not been treated equally for years. This bill tries to pretend they have, and pretend that the things done to them by breaking the treaty have had no consequences despite pakeha doing better than Maori on almost every QOL statistic. So many Maori sources have explained this. But you clearly don't want to fairly listen to anything Maori have to say.

this is actually so fucking disgusting especially coming from the official ACT account.

For those who don't know there is a new bill that has been proposed in NZ that will have significant negative impact on māori in this country. For more info on the bill and jts potential impacts read .

This specific post that Seymour made is referencing a conference that was being about this bill where, during her turn to speak, Hana Rawhiti began a haka which was then joined in on by many of the other people in attendance. David Seymour, one of the main proponents of this bill then posted that on his party's official Instagram page trying to paint Hana as an uncivilized thug. This is a common tactic for racists and seeing an acting member of parliament openly say something like this makes me feel genuinely sick to my stomach.

[mkmas]

Jude Jazza - A story about a ruthless and arrogant man and an unfulfilled promise (JP ECB)

as usual I don’t own the story or characters, they belong to cybird. some things might’ve translated not as smoothly but i tried to get close to the original tone + eng isn’t my first language so forgive any mistakes ;-; also beware of some spoilers about his backstory

I wonder when it happened.

When my sister was still alive, she and I had a high fever.

(I was in so much pain l felt like I was dying.)

(I remember her asking me to distract her from the agony of the high fever.)

Jude: “What do you want to do when you’re rich?”

It was a playful way to forget, even for a moment, the pain of the day.

Jude’s younger sister: “Anything?”

Jude: “Sure.”

The pained look on my sister's face breaks into a little smile of joy.

Jude’s younger sister: “If that's the case, let's see… I want to go to the moon!”

My sister's eyes, which are the same amethyst color as mine, look towards the highest point in the sky. There, like a jewel dropped into the deep sea, there was a round moon floating in the jet black.

(...... Ha, the moon.)

Jude: "Idiot, even if I had that kind of money I can’t do that.”

(I've never heard of humans going to the moon.)

Jude’s younger sister: “But the Queen’s got the whole world on her palm, right?”

Jude’s younger sister: "If we can go around the world, can't we go to the moon?"

How much money does the Queen have? As I was thinking about whether it was really possible to go to the moon with that kind of money...

Jude’s younger sister: "Hey, brother, promise me. When you become rich, take me to the moon."

A human being going to the moon is a dream too ridiculous to be true. But my sister, who might die tomorrow, needed hope at this moment.

Jude: "I got it. I'll use money, magic, anything to get you there.”

Jude’s younger sister: “Brother, it's lame to think you can use magic.”

Jude: “Keep quiet.”

Jude’s younger sister: "I'm going to go to the moon. I have to get well soon."

Jude: “That's right. We have to get you better."

Only when I was with my sister, I felt something like the outline of happiness. Every time her small hand grasped mine, a warm feeling spread across my chest. But before the feeling of happiness could develop, I always felt sorry for her. Just when I was thinking that one day I would make my sister happy. She was bought with money, and then she died after.

And then I - I swore revenge.

By the time I started my trading company upon graduating from public school, I had the noblemen who killed my sister completely by the scruff of the neck.

Even though they were already busy dealing with taxes, it piled up even more with debt.

-- After their mansion and land were all seized, I went to meet the people who bought my sister.

Jude: “Thank you very much for your time.”

Nobleman: "W-what are you? W-Wa...!"

I grabbed the hair of the most pompous looking nobleman sitting in the chair as hard as I can.

Jude: “You guys are the ones who buy poor children and make them do bad things."

Jude: “There's no point in trying to make excuses. Everything can be backed up."

The nobleman’s eyes widen as I flung the report that contains numerous misdeeds I’ve already investigated.

I dragged him down and stamped on his head as hard as I can with my shoe.

Jude: "Confess. A few years ago, you bought a kid with asthma from a longshoreman."

Nobleman: “Well that’s… Uh.”

Jude: “Confess…!”

No matter how much I hurt them, the noblemen didn't speak.

Then I realized.

They really don’t remember.

When I threatened the servant, he trembled and spilled everything.

Servant: “I buried so many people in the garden that I can't remember who's who…”

When I headed for the garden of the beautiful mansion, I found that only one corner had been dug up in an unnatural manner.

Jude: “…….”

-- So so many. I sit in front of one of the piles and gently touched it with my fingertips.

Jude: “Brother is here... Answer me.”

I didn’t hear anything.

I didn’t even know if she was here.

All I know is that it was already too late.

So then I introduced the nobles to my father and brother, who were still working at the port, sipping muddy water.

(Isn't it great to do hard physical labor with the person you sold your daughter to?)

I had my subordinates watch over as they were weakened by the humiliation of the harsh labor.

I did nothing, I just watched.

Soon after, the nobles, my father, and my brother were all dead.

I killed them all.

-……De.

-……Jude.

Ellis: “Jude.”

(Ellis….?)

(……Ah, I fell asleep.)

It seems that because I didn't get enough sleep, I passed out while sitting.

(--- Even if it's)

Ellis: “What kind of dream was it?”

Jude: “Hah?”

Ellis: “You sounded like you had a nightmare.”**

Jude: “It was a shitty dream.”

Ellis: “I see. Jude is unhappy even in his dreams.”

Jude: “Shut up dumbass.”

Ellis smiles and looks somewhere else.

When I followed Ellis' line of sight, I saw a full moon floating there.

Ellis: "I guess Jude won't be happy until he gets to that moon."

(I know the truth. Even if I went to that moon, I wouldn't be happy.)

My sister whom I promised to is dead.

I can't take her to the moon.

The crazy dream I have is a promise that will never come true.

Ellis: "Hey, Jude. Can you breathe on the moon?"

Jude: “Ah?”

Ellis: "I'm just worried if Jude dies there before I can kill him."

Jude: “You really are fucking crazy. It can’t be helped.”

Still, I only have this promise.

That's why—.

(Someday I'll go to the moon.)

**Just in case this small detail matters (not really but) he was making sounds like people usually having nightmares do. i bet he gets these nightmares often;-;**

*If anything got deleted and i didn’t notice it’s probably tumblr being weird on my ipad bc of storage ahajaj)

TN: OK wow after reading his backstories… my crack theory about jude and the moon some time ago turned out to be at least 70% right? also jude has always been pretty snarky/sarcastic haha even to his younger sister (a little) i have a loooot of thoughts on his backstory but ill dump it after finishing his route. it really is dark and horrible how the rich people bought children and just…. did all that…. i support jude torturing crazy nobles 🙂‍↕️

[icarusredwings]

Thinking about old Worst Wolverine being called by each of the X men individually after they have a falling out because Logan injured a child very badly to the point the only reason they didn't die is because another classmates healing abilities all while he just... walked away.

Well- ran.. away... leaving a child to die. He's tried to explain thousands of times that he blacked out, that he didn't remember doing any of this. He tries to say that maybe it was someone else, that mystique did this shit all the time in his universe.

"Yeah, well!? This isn't your universe! Because the REAL Logan would never do this.." Scott screams at him as Logan leaves the Mansion for the last time. He doesn't come back. He didn't even get to tell his Xkits goodbye. It got to the point where Laura dropped out, taking Gabby with her, wanting nothing to do with the school anymore.

So now, here he is. In Maine, an old fisherman, part-time hunter, and the only people he lets around him have healing factors.

He lives with Wade, who still- by the way- doesn't have any grey hairs (maybe because hes bald but- yk)

One night, while Logan is out, making himself feel useful by feeding the small town they're in, providing for more poor families, feeding their children's hungry mouths and asking nothing in return but respect. (It gets to the point that the children cheer when they see Logan, wanting to hug him, but he growls at them to get off, too afraid of hurting them) Wade finally awnsers the ringing phone.

"What." There's vemon in his tone, but soon his eyes widden, and he frowns.

Walking outside he stands there a moment, knowing Logan can hear him.

He ignores him, looking at the fish, litsening, his breathing slowing as he skewers some with his claws. Its not exactly spear fishing but- close.

"What?" His voice is almost annoyed, as if knowing what his long time Husband was about to ask him.

"Logan.."

"No."

"Logan-"

He shakes his head. "Don't care."

"...She's missing."

He pauses, turning after scraping the dead fish into a bucket. "Who's missing?"

"There's a little girl missing."

"So?"

"Logan!"

"I'm not helping them, Wade. That's final." He growls.

For a moment, Wade frowns, but he didn't learn to obey thy husband like the bible said.

He never did.

"Logan, there's a 6 year old out there. All alone. Cold. Probably going to be eaten by wolves!" He shouts from the back porch, knowing his place enough to stay here and not come near his fish. Even after all these years, Logan was still finicky over his food. "And all because some old fart won't help her!"

The silence thickened as Logan thought about it, the hero side of his brain yelling 'We'll find her!' And the hurt old part of him saying 'That's not my buisness.'

".. You find her then." He compromises.

"I can't! And if anyone knows those Canadian woods, it's you! You said you knew those forests like the back of your hand!" Wade protests. "If I could smell someone through miles of freezing snow, I would. But I can't. So here I am, asking The Wolverine to go do what he does best."

He grunts, glaring. "And that is?"

"Helping a little girl get back to her mommy..." Wade says, knowing that he was sold. He knew he was sold the moment he told him to do it himself. "She doesn't have much time, Logan." He sighs, putting a cherry on top.

The greyed man huffed, grumbling under his breath for a moment. "Who will stay here with the dog?"

"Gabby can! She loves gabs." Gott'em.

"What about Laura? Why can't she find her?"

Shit.

"Logan, Laura has barley been in those woods. You've lived in them for years. So. What will it be. Pull up your panties and go save a little girls life? Or do it anyway when our baby girl gets lost too?"

Logan scoffs, disappointed. "..She wouldn't get lost.."

"She would if the scent kept being blown away.."

Wade adds, seeing the 'god damn it, he's right.' look on the old mans brow.

He lets out a large sigh. "...I don't want any help."

"Oh well too fucking bad bucko, I'm gonna go pack my snow suit!"

"No! I mean... I don’t want any help from THEM.."

"No promises. I'm not letting poor Susie die just because you have a grudge. Now put your fish in the freezer and lets go! They're coming to pick us up-"

"I ain't flying!!" Logan snarls, watching as his lover ran off, having a deep feeling that he would be in the air shortly..

[olderthannetfic]

Being called a crypto-TERF with internalized transmisandry because I said "transman" and not "trans man" is one of those moments where I want to grab English native speakers by the shoulders, look into their eyes and yell, "THIS IS THE WORD IN MY LANGUAGE! Sometimes people speak non-English languages! Not every trans man who fails to hit the space button is evil!"

Then I remember this is the internet, where nuance goes to die. Where we are all 'Muricans who eat burgers and read Harry Potter and watched Nickelodeon growing up and love PB&J. And where I regularly have to explain Nickelodeon isn't universal. So I'm sure I would have to sit people down and write lots of paragraphs to get them to understand that in some languages transman isn't a word used by self-hating men who are secretly TERFs. And I don't know how many paragraphs it would take. I do know it would be more paragraphs than I can deal with mentally.

I'm so tired. I understand your country is in crisis but do you people have to come for everyone's throats all the time?

--

When I was going through my gender questioning period, it was quite common for activisty types in the know to use 'transsexual', which is still the self-identification of some older people.

Terminally online and emotionally forever 12 people aren't actually the norm here in an offline queer spaces post college.

[yandere-romanticaa]

I have a fic idea, stay with me on this one folks.

I'm a massive Re Zero girlie and I always really liked how Return by Death was handled in the series. I'm also a massive Sunday girlie and the man is in my head rent free 25/8, so I've come up with a half baked idea which I find highly entertaining, but it still needs a lot of work. Here is the gist of it:

The premise is that you, the reader, get summoned to the world of Honkai Star Rail by the Aeon of Elation, Aha. Aha randomly picked a target from our world to torment and gave you the ability Return by Death simply because it wanted to.

In case you do not know, Return by Death allows your soul to travel the river of time backwards to a save point that Subaru (in this case you, the reader) and/or the witch of envy (in this case Aha) deem safe and/or useful. Now, I figured that the Astral Express would end up picking you up along the way but Aha keeps killing you over and over again just for fun. Aha might also wish to mess with other worlds or the people you've started to care for in this universe, which in prompt forces you to kill yourself in order to save your friends from certain doom, forcing you to start from scratch all over again.

I was thinking that Sunday would have something of a cheat code to eventually realize that something is wrong due to his tuning ability. Across your journey you end up developing feelings for Sunday and the feeling would become mutual, but tragedy keeps striking over and over and over again, always dooming someone to die.

Other characters that I'm thinking who would figure out that something was wrong or not right with you would be Welt, Acheron and Sparkle. Honorable mention to Sampo too.

Again, this idea is barely half baked and I basically just stole the plot of Re Zero and applied it to Honkai Star Rail LMAO. I did not intend this fic to be yandere and if I ever did write it, I wanted to do it on my side blog because this main one is only for dark content.

If anyone has any ideas, suggestions or comments, please share them with me. I find this idea to be incredibly entertaining but it would take me a while to actually start the fic. I'd like to at least finish the 2.7 story (at the time of writing this, that patch is not out yet) and maybe work out some kinks here and there.

Thank you for going through this silly idea of mine, mwah mwah ❤️

[dykedvonte]

I find the line "I have to believe our worst moments don't make us monsters." Fascinating because it comes from Anya, and I feel she really proves it the best.

For obvious reasons most people are in the "Anya did nothing wrong" camp and for good reason but there is a single action that I don't think she did well and it was her suicide. Specifically her method.

Realizing that Anya took Curly's painkillers was horrifying to me. As a Nurse I have no doubt that she'd know how terrible dying from overdose is. She had access to a gun which is well known for having a far more instant and far less painful death. And despite everything falling apart around her, knowing how bad Jimmy was, she still left Curly alive.

I don't think I thought about it much like that at first but the longer this game has sat with me the more horrified I am by the action. Curly is man who has been horribly disabled and is completely unable to help himself and he is very much a human being who does not deserve to be anywhere close to that amount of pain. Those painkillers were one that the few things that could give him any amount of relief and Anya took them.

She could have shot herself and left the painkillers for whoever was left to help Curly. She could've shot Curly and then taken the painkillers. She could've shot them both and quickly put an end to their misery, yet she didn't. Anya had a great amount of her agency stripped away from her, to the point that she didn't deem life to be worth it anymore and ended it, right next to a man who couldn't make that choice for himself even if he wanted to.

It is easily her most horrific choice and yet, she's still an angel.

(Please don't take this as Anya slander, I genuinely love her so much. I just find this to be an incredibly interesting thing)

I do subscribe to the idea that Anya realized that Jimmy was hitting Curly when giving him his medicine but didn’t intervene. I also don’t think her taking the pills from Curly as monstrous mainly because (while she knew he suffered worse with out them) she likely also knew they were basically bandaids on a bullet wound.

I have this sort of belief that that statement can only really apply to Jimmy in the inverse. Like some statements in the games aren’t meant to apply to all characters and not in every context of every action they do. It’s the idea that no one should be responsible for Jimmy’s actions but himself but they are forced to by him or the environment. Everyone is experiencing their worst moments but no one is a monster outside of Jimmy due to his inability to take responsibility and how he escalates the severity of the situation through his bad choices. Even then it’s not one moment that makes Jimmy a monster it’s the culmination of every moment that prove his inability to be anything but in this scenario.

With Anya you must remember she did have the code to the gun. Yeah, she could’ve broken it open but who’s to say how easy or how long it would’ve taken. Not to mention, there’s this misconception that she wanted the gun to kill Jimmy which isn’t true. She wanted the gun to defend herself in the case he got aggressive which is an important note of Anya being the only proactive person on the ship vs reactive. Locking the door, knowing there was no way in was likely a duel mercy for them both. A person in his state would die relatively soon without constant care and she has ample time to pass. It’s a hard decision to make for herself and someone else but it was the easiest even if it caused more damage than it was ever meant to cause.

It’s a sort of parallel to how Curly made choices he thought would help Anya and everyone but ultimately doomed them all further. Jimmy got what he wanted in both scenarios of crashing the ship and wanting Anya gone. What happened on the Tulpar will go down as a tragedy if they are ever found, a mystery if not but certainly not in a way that Jimmy wanted. Anya and the pregnancy are effectively gone but he’s still facing the repercussions for it.

There’s this idea that it’s controversial to say that Anya was anything but perfect and while I don’t think she did anything wrong, she certainly didn’t make the best choice in telling Jimmy but that again was because of the situation and environment she was in. We don’t know why she didn’t wait on Curly after their conversation in the cockpit, we know that was the plan and we know Jimmy finding out through her alone was the catalyst to the crash within like the next hour, yet you can’t really blame her. We don’t know why Jimmy came to medical nor what anyone else was doing. It can be considered her one mistake but then again we can’t blame a reasonable action on someone’s unreasonable response.

I think that’s a big aspect a lot of people look over in the characters actions. Most of them are normal, reasonable, human. But the systematic responses to them and Jimmy’s are unreasonably harsh and punishing.

This has gone off in a tangent from what you originally posed but I genuinely think of what might do happened if that confrontation happened with Curly there and away from the cock pit. I assume it’d happen in medical or even utility, hell, an area away from anything sensitive but what if? If the ability to do something awful wasn’t at Jimmy’s finger tips, if there was more than one voice in Curly’s head during that moment, what would’ve changed?

When I look at Anya I see her as having the best responses to anything happening during the events of the game but the environment, systems against her and even the other crew mates to an extent made it so it would inevitably backfire on them and mostly her hard.

[kurishiri]

Jude chapter 3 silly but kinda detailed summary

꒰ ִ ֺ ⊹ @ notice ⊹ ֺ ִ ꒱ any pretty translation you may see in here may not be 100% accurate or contain creative liberties due to characterization or narrative flow purposes. this is a sort of summary as well. if you enjoy, though, please consider reblogging, but please don’t repost these or claim these as your own!

kate successfully completes sortin out letters so she heads to the port where jude is talking with the foreman. its there she sort of thinks back on her time at raven co and the long and short of it is that jude, as the ceo, is actually really outstanding, and he acknowledges the efforts of those who work hard, produce results and whatnot, and rewards them in turn.

(that said he could work on his wording ,,)

time skip to night after judes done and they all walkin back tgt where kates like “i think i’ll be able to have a good dinner today” and jude scoffs at her callin her a twit. and shes all defensive like hey whats wrong with wanting to eat good food and judes like when did i say that was wrong?

all of a sudden they stop in their tracks and jude tells kate “on the count o’ three, crouch” and kates all panicked like tf is going on but jude already starts counting down so she crouches anw (in a panic!)

some guy in a suits out to kill jude. god knows who too bc apparently jude don’t know him either 💀

Jude: Who are ya? Can’t say ya look familiar.

[ insert some lines im lazy to tl ]

Jude kicked up at the man’s chin, causing the man’s body to do one smooth flip before collapsing onto the ground.

Man in a suit: Jude… Jazza——!

Jude: N’ like I was sayin’, who the hell are ya?

ok turns out jude does remember him in the end, its just another dude who broke his contract with jude and was selling up some illegal drugs and whatnot.

Jude: I told ya, didn’t I? That if ya breach your contract I’d show ya so much o’ hell you’d wish you kicked the bucket?

J: I fulfilled that promise for ya. Havin’ a grand old time in hell, aren’t’cha?

omg he pried open the wound on the mans face and he let out a cry to the night sky that could shake anyone’s soul silly.

kate then thinks or foreshadows (yk how like ikevil stories r kinda told like kate is recalling the past? like “i didn’t realize it then, but xyz” kinda like one of those moments) that what she witnessed that night was but a prologue of what’s to come bc they get attacked over and over again.

kate and jude get into another argument like “i feel im gonna die every time! im at my limit!” and judes like “well ur in the way loiterin round like that” then jude just yeets off w/o listenin to another word.

she does feel something bothering her tho

(For someone like Jude, he should be able to avoid these grudges…)

When I thought this, I came up with a theory that relieved me of this unsettling feeling.

(…Could it be he’s making himself an enemy of many on purpose?)

‘Yeah, right,’ was what I thought, but also, somewhere in my heart, I felt such a theory may also be true.

shes like there’s not enough info rn but if i do know anything its that

Kate: At this rate, if I stay with Jude any longer…a hundred lives would not be enough!

and so shes like i gotta learn self defense! so she goes knocking on a certain someone’s door like pls teach me le jutsu of self defense!

Ellis: Okay. （╹◡╹）♡

turns out ellis was also thinking of teaching her some stuff abt self defense soon.

so ellis takes kate to the lobby and kates like why the lobby and ellis goes to a bookshelf to take out a book which actually reveals vics weapon collection and takes out a gun, telling kate to try and hold it.

idk if this is a real gun or not (as in it exists irl), apparently its made of silver with a wooden grip.

ellis thinks its well suited for kate. like its lightweight yk. hes like you may need to use it jic. and then hes like

Ellis: But, it’s kind of refreshing.

E: Other than me, Jude seems pretty adverse to putting people by his side.

E: So, maybe he wants to get along with you?

kates like mmm doubt but at the same time she has this question in her mind w/o an answer of why he went and wrote a whole contract and let her stay by his side then? shes abt to cook up a theory in her head when…

just then jude comes in.

Ellis: Ah——Jude.

Jude: We got a job to do.

so they head off to some noble mansion.

Jude: How do ya do, we’ll be here a while.

Nobleman: Ah, Mister Jude?

apparently this nobleman is connected with the guy in the suit jude beat up in the beginning of the chptr. he made him spit out info.

Jude: If ya just were sellin’ somethin’ shady I’d let that off the hook. Illegal drug’s some child’s play.

J: However.

Jude raised one leg and rested it atop the long table.

Jude: I seem to recall the contract prohibitin’ the sellin’ and buyin’ of humans, or am I wrong?

ko-fi☕️ ┊ comms🤍

[masanstroberi]

Someone tell me why am I seeing praises for Arcane S2 when they basically threw out Piltover and Zaun class struggle plot for an avengers of ultron rewrite with magic?

- Since when did Viktor become all about evolution or some shit. He's someone from the underground who wants to use technology to help his people, why did he suddenly switch into evil jesus after being submerged in slime?

- What happened to treasuring all characters? Why so many careless and unjust deaths? Isha? Loris? Vander? Jinx? No one wants to see a character who has been sufferring all their lives to die for the "greater good." (Thats not even good)

- Who tf would fuck their situationship after losing their dad the 2nd time, witnessing new adoptive little sister's death, and her blood-sister declaring suicide?? All while still inside the prison cell of said sister???

- That you can be the vilest shit and still get the happiest ending? Yes I'm talking about Singed. Also that you can be the most unproblematic character and still have to live a bleak life. Yes i'm talking about Ekko.

- Ambessa being a blood thirsty war monger like she doesn't give a flying fuck about family? Where is the "Is there anything so undoing as a daughter" moment here??? Why is she suddenly just pure evil??

- Wtv the fuck is going on with Mel

- Sevika my girl stopped speaking after act 1

- Why is Cait acting so inconsistently? One moment she's blinded by rage, then she becomes a dictator, then she get cupcaked and switched sides, also she's immune to death after stabs here and there.

- Why does Jinx have to apologize for killing Cait's mom when Cait's mom probably was calling the shots during the Zaunites massacre that killed Felicia and Connel? No one in power is innocent.

- Why would the Noxians and Singed aid evil Viktor into decimating humanity when it means killing themselves?

- Whats all that shit about breaking the cycle and leaving? Clearly they can live happily because "forgiveness goes a long way" as said by AU Silco and Vander.

- Why is Jayce giving speech as if he didn't just fuck over everyone and why would anyone listen to him???

- Zaunites really is destined to eat Piltover's shit. They got dragged into the magic robot war that Piltover started.

I love every character in season 1 but I guess the writers don't. Honestly still reeling from the fact that we go from complex class issues with two traumatized sisters who just want their family back at the center to magic robot fights between an evil jesus, a homeless man, and a third party threat. The show concluded with killing off characters unjustly, putting in shitty eureka moment quotes that don't make sense, and cramming in 10 subplots.

[ardentblossomings]

"Which mage will betray us next?"

I know this has been a meme within the dragon age fandom for years, but honestly, two out of four betrayals are completely subjective, in my opinion. Spoilers for the plots of every main dragon age game!

Morrigan's betrayal came first. Or, at the very least, that's what people would like you to think. After all, she leaves, and there's a literal "Witch Hunt" DLC. But aside from the fact that you can do said DLC even as an Orlesian Warden, who has very little to do with Morrigan, what has she actually done wrong in the first place? From the very beginning, Morrigan makes it clear that her mother made her come with you, and that she herself feels rather out of place. You even get the option to betray her yourself (e.g. through not following through with her wishes regarding in how you deal with Flemeth). She's closed off, standing far, far away from the other people at your camp, and doesn't want to be your friend, or even your romantic partner. She doesn't want to get attached to someone she might hurt. Yes, Morrigan as a whole doesn't seem to be too interested in making friends, but it's you specifically she's the most reluctant with. Even at the very end, she makes it clear that it is your choice in how to proceed, but no matter what, she will have to leave. The main difference is that if you date her, she will care too much to keep you out of sight completely. But she's always upfront about having her own agenda, and about what kind of boundaries she wants to set. It is you who breaks those boundaries, or makes the decisions. You are the one to decide on the fate of the Old God's soul, and you are the one to decide to follow her. This is where the deciding factor begins: If you are dating her, she arguably betrays you by leaving you behind and taking your child with her. If you are an elf, especially a Dalish elf, she arguably betrays you by stealing from the Dalish. Even if you are a mage, you can argue that the same applies because of the arcane knowledge she has gained. Any other situation? She doesn't technically betray you, though you may still feel that way.

Second came Anders, the Warden who never even told you his name. At least, according to World of Thedas - he's simply a man from the Anderfels, which is why he's called Anders. Depending on your choices in Awakening, you might already feel like some of the things he tells you in Exodus (DA2) are a betrayal, going against the experiences you've shared with him. The main betrayal, however, comes in the final act, where he involves you directly in his plans to blow up the chantry. There is no way around it: Unless you are in a rivalry with him, he lies to you, and you are none the wiser. People die because of him - and you are his accomplice. How you feel about all of this, if you can forgive him or not, doesn't really matter. Hawke, unlike perhaps the player, feels betrayed. And so do their companions - especially famously Sebastian.

Third comes Solas in Inquisition. He plays the humble mage, travelling alongside you while telling half-truths and avoiding lies. Solas doesn't lie to the Inquisitor. At worst, he stretches the truth or omits important details. Solas genuinely thinks he will need to betray you - even plans to do so. But, arguably, he doesn't even do that. From beginning to the end (of Inquisition), he helps you, guides you, mirrors you. Do you treat him well, inquire further? He is more than happy to share his knowledge with you, even when twisting some details. Do you act unkind towards him? He will become true to his name - prideful, arrogant, just like the Inquisitor that doesn't care for his thoughts. Until the very end, Solas tries to help, making it clear what he wants to protect and how he feels about things. He even leads you to Skyhold, for crying out loud. He, just like Morrigan, is reluctant to get closer, romantically, to the Inquisitor. Unlike Morrigan, he is willing to be your friend the moment you show him kindness, at least for the time being. Once again, paths begin to change when we hit his DLC, perhaps even earlier if you count romancing him and him leaving you bare faced (or not). You can view this as a betrayal, just like you can view Trespasser as a betrayal. But you can also see it as him leaving hints for you to follow, and you trespassing in his crossroads. Solas allows you to glimpse into his past, allows you to find him, and even saves your life - even if he dislikes you. The main problem? He now tells you of his plans for the future. And, needless to say, they are deeply flawed. And yet, from Trespasser to Veilguard, he leaves a million hints as to where you can find him and learn more about his plans - almost as if he never wanted to get into this position to begin with.

Finally, it's Solas again. Veilguard spoilers. This time, he definitely betrays you. First, he keeps Varric's fate from you, then he lies about his thoughts on blood magic (having used it himself), and finally, he seeks to imprison you in his stead. But he doesn't stop there. Even after all of this, Wisdom has been twisted into Pride - he feels like he has to right the wrongs he has done because of Mythal, and he can't break free from what he feels is his purpose. Even at the cost of betraying his protége, again, and again, and again. He wants to destroy the Veil at any cost. And neither friends, nor lovers, are capable of stopping him - only Mythal, the very being that twisted his purpose, can set him free. Or Rook can make the ultimate sacrifice, imprisoning themself alongside Solas once more. This is where Veilguard really, truly succeeded for me - it made me hate Solas a little. Not because he is a bad person, but rather, because it is so easy for Justice to become Vengeance.

After all, Mythal was the goddess of Justice, while Elgar'nan was Vengeance. And yet, Flemeth wasn't always just, and Fen'Harel didn't always act according to his own wisdom. Just like Anders was supposed to be possessed by Justice, and yet, his skill tree makes it clear that Justice has already become Vengeance.

If we take the bigger picture into account - Morrigan stealing Dalish tomes and eventually becoming Mythal herself, aiding those very same Dalish she stole from, just like her mother before her, seems even less like a betrayal. Moreover, if you were dating her, you have the option to stay with her - just like the Warden eventually chooses to leave. As for Solas - it entirely depends on your thoughts on him. If you count Inquisition and Veilguard as one whole thing then, yes. He definitely betrayed you. If not? Well, it is up for you, Inquisitor, to decide.

[a-random-pillow]

Listen I love Roman(Not as much as some of you but he holds a place in my heart) BUT I need him face SOME consequences for his years of begin the WORST

Roman returns and seems to be in a losing situation with Solo and the New Bloodline but thanks to Solo's own overconfidence in Cody's hatred for Roman The OTC secures one win. The closest things to consequences he faces in getting beat up (Which he used to due to everyone regularly so it's kinda tasting your own medicine.)

Jey was brought back into the Bloodline by Jimmy and Solo fucking up his title match by mistake. Roman did nothing, and still refuses to apologize (But hey he made a shirt)

Sami was all Jey, Roman did nothing again. (Still no apologize) (Also should have brought about the wrath of Kevin)

War Games has been the biggest mess. Sami, Jey and Jimmy have been doing all the work but because they are a part of the Bloodline everyone doesn't want to work with them. Which nearly seemed like consequences but then Paul came and bailed Roman out AGAIN.

Solo's main weakness is all self-made mistakes which Roman does nothing with until someone else fixes everything for him.

Also Roman is just kinda stupid, the 'at least we'll die togther' NO THAT IS STUIPD GET YOUR SHIT TOGTHER AND START SAYING SORRY

Also also Solo is just Roman but better, he is nicer to his bloodline, and attacks people randomly less (Minus Cody and Paul). Roman also refuses to acknowledge Solo pinning him, even though we all know if Roman pins Solo once his run as chief is over.

Roman is being babied by the narrative, let the man suffer!!!

[j0kb0x]

Since guts and blackpowder gives us free range for the characters here’s some personal headcanons for their personalities and lives given you can only psychoanalyze them so much. This is as realistic as I can make it based off surface level psychoanalysis + untrue garbage I made up.

Barry:

Despite his short temper (Typical brit) Williams is socially inept and shy. Like super timid. That dumb little softboy persona he has going on there shouldn’t be an indicator that he isn’t dangerous. Dude literally got trained as an infantry solider. He doesn’t want to hurt people, in fact, he avoids it when he can. The war is needless to him and he doesn’t understand why they’d draft someone like him — a lowly stableboy who’s quite known in his village for treating his horses and farm animals like his babies. His overly affectionate and polite personality (which came directly from his overbearing mother) has landed him a lot of bullying by his peers. Aforementioned hesitation to the enemy, but to zombies? He’s under the belief they’re from satan himself like the rest of the world. Afraid of them, but feels a spiritual duty to slay God’s enemies.

Jean:

He’s overly paranoid of Napoleon failing, and holds those french revolutionary beliefs. He wants Napoleon to win, so badly. He really doesn’t want his children living in a world with a stupid monarchy eating better than they do. Jean has no comprehension that maybe Napoleon isn’t the best fit for a country’s leader, in fact he’ll yell at you if you suggest otherwise. His wife died during childbirth and this, coupled with war has hardened him. He has never laid a single hand on his children because his father was deeply abusive, and of course this resulted in a pretty pessimistic, sad, depressed mess of a man. Constantly wanting better and yet fearing the worst. He’s a tough love kind of fatherly friend. Eat your damn rations or you will die. Speaking of which he literally wants to die :D

Jacob:

If this were modern day he’d be legally blind. His clumsiness isn’t the result of stupidity. The direct opposite in fact. He overthinks his job way too much and couple that with his dogshit eyesight, it’s no wonder he has a track record of being the napoleonic war’s personal south park Kenny. If ever a cartoon were made, I could l definitely see him in the background nailing in stakes incorrectly and getting confused as to why it wasn’t as affective as the other sapper’s. He has two sisters back at home and they hate him. They’re pro-monarchy, he isn’t. He raised and took care of these awful pieces of shit. Who were independent thinking teenagers by the time their parents died of sickness. So he couldn’t really influence them even if he tried. He has largely remained non(?) un(?) courted and unmarried his entire life. Hes a huge wine mom induced by stress and if you ever asked him why he never took a wife, he’d start spontaneously crying probably. Sad drunk. Cannot show emotions unless he’s drunk.

Karl / Unnamed Officer:

Selective mutism, ambition.. Way too much ambition. He wants to take down Napoleon himself and even fully believes he’s capable of doing so. Wants to cheat his way above the ranks somehow. He hides this and refuses to reveal his intentions to virtually anyone. Trying to get as close to the general as possible. Not because he agrees with the monarchy thing, but he just wants the fame and glory that comes along with executing him. The other men have horrible tempers but him? Holy. shit. He does not usually act upon his anger but as a wise man once said, “Silence speaks louder than words.” He silently judges those he’s angry at. Could imagine him getting teased, gripping a damn teacup so hard that it shatters in his hand and causes the entire room to go quiet. His whole regiment is batshit TERRIFIED of him. He refuses to betray his life story, let alone if he has any family. Nobody knows crap about him and that furthers the fear. Karl literally popped out of nowhere and his adorable babyface and gentle voice has won him the hearts of women wishing to be his wives… Whom he rudely pushed away in disgust. Has anyone seen that one scene in pootie tang where a woman is simping after him, and so he slips her a bowl of milk like a fucking clingy cat? Yeah I feel Karl would pull something like that.

[dragonciphering]

okay wtf is dan heng doing in the train during all this bullshit? star watching? playing bingo?playing sudoku? getting hyper focused on some research? drinking tea? sleeping? bcuz damn.