#soaring reggae

[doritopaw101]

So birb xenofiction? 👀

Just copying and pasting my notes

Watched the Bob Marley movie and it just switched a thing in my brain about my Jamaican heritage and made me go into over drive as well as rewatching Rio.

Somewhat going back and forth on regular animals versions or anthro cuz I kinda want them to have weapons like swords and armor but it works either way.

Mostly trying to go for birds only found in jamaica but I'm not too picky.

It’s fun to work on how the different types of birds from the islands are as a culture and towards each other, obvs planning a conlang.

The plot itself is up in the air, got a short stories/slice of game of thrones life currently.

I specifically have a cuckoo character in mind who I'm losing my mind over. Like a character based solely on motherhood isn't great but this is a cuckoo, it goes against her very nature which is what makes it interesting.

Though keep in mind, I have never read/watched guardians of ga’hoole so if I say anything similar to it, it’s not on purpose.

Song is everything to most species. Combat engages with song, its not a sport (for most), its an art and to disrespect is like turning your back on the rising sun.

A good majority worship the rising sun and their language and culture definitely reflects that in some cases.

Here's a few:

Hummingirds (Jamaican Mango, red/black-billed streamertail): what they lack in size, they make up for in attitude. They live in empires compared to the usual kingdoms or coalitions that the other species have. The jamican mango in particular often find themselves overseeing other species districts alongside Cuckoos.

Parrots (Yellow/Black-tipped parrot): the most common, everywhere and everywhere. Chatty and petty as hell. Paired on with humming birds when it comes to involving themselves in politics. They're networking is only outdone with the Crows.

Pigeons (crested quail-dove and Ring-tailed pigeon): the workhorse of the species so to speak. They're everywhere, doing all sorts of odd jobs and mercenary work. General middle class.

Cuckoos (Chestnut-bellied and Jamaican-lizard): tricksters of flight with their unorthidox and downright horrid parenting (read: lack-thereof). Groups of nomadic females spotted make a game with surrounding bird groups of combat which they win majority of the time and get to dump their eggs. Many know its better to just deal with the additional egg and most of the time get to keep their original clutch if they play nice. Don't hate the player, hate the game. Involved in polities more than most think they are.

Corvid (Jamaican Crow): referred to as the warlocks of the islands for their practices with the spirits and their emphasis on traditions and ceremonies. If there's ever a species to not cross, it's them. At the fore front in politics and typically either have simple murders or kingdoms.

Plenty of bird drama ideas truely

[cartermagazine]

Today In History

MC, Singer-songwriter, producer and actress Lauryn Noelle Hill was born in East Orange, New Jersey, on May 26, 1975.

Lauryn soared onto the music scene as part of the hip-hop trio The Fugees before launching her solo career with the Grammy-winning album ‘The Miseducation of Lauryn Hill.’

She is regarded as one of music’s artistic geniuses. The Score (1996) featuring the hit single “Killing Me Softly,” which highlighted Hill’s bold and soulful vocals, the album sold 17 million copies, making the Fugees the highest-selling rap group of all time — and garnered two Grammy awards for best rap album and best R&B performance by a duo or group.

Hill’s first solo effort, The Miseducation of Lauryn Hill (1998), established her as a headline talent in her own right. The album, recorded in Jamaica, has sold more than 19 million copies worldwide since 2009 and earned the singer-songwriter five Grammys, three American Music Awards, a Billboard Award, a Soul Train Award and an MTV Music Award. It combined soul with hip hop and splashes of reggae, showing a musical lightness of touch that belied some of the deeper, personal issues the lyrics delved into.

“Care for me, care for me, I know you care for me… There for me, there for me, said you’d be there for me… Cry for me, cry for me, said you’d die for me… Give to me, give to me, why won’t you live for me…” Lauryn Hill, ‘Ex-Factor’

CARTER™️ Magazine

[ceexb]

Hobie Head cannons of him in Jamaica

Summary: Hobies gf who left Jamaica when she was younger to London.(Hobie has a black Jamaican girlfriend that takes him to the islands.)

Word count: 1,080

Parings: Hobie and black reader.

Warnings:-minors dni

Afab reader

mentions of weed language,smut,bitting,fingering and kissing.

(I’m American born,so I’ll give my knowledge as best as I can. also it’s a stereotype that all Jamaicans smoke weed which obv isn’t true and just a generalization)

Reblog 😋😗 and like

Master list

-Upon learning that you plan to bring him to Jamaica to meet your family and explore the country, Hobie's excitement soared, and he eagerly asked about the departure date.

-Given that Hobies from the UK where there is a significant Jamaican population, Hobie has some familiarity with Jamaican culture.

-“so when we leaving baby” jumping up and down

-“next week” you say

-he’ll be rushing to his room to pack the most sluttiest outfits that accentuate his skinny waist.

- I don't think Hobie would even consider taking the plane to get there,because he has a boat that he can use to travel across the seas.

- However, you get seasick and your afraid of the ocean.So you would prefer to take the plane instead.

-you guys would spend like the first days of the trip in a villa and the second half visiting family and showing him around parishes in Jamaica.

-you would take him to like the country side

-not the touristy Kingston side where a lot of the up town and yt folks be at.

-I mean the country with Goats,modest homes and mango trees,Homes nestled on the hillsides of the mountains.

-like he deff would be one with nature behind your childhood home,easily bonding with your uncles like their old acquaintances.

-he’ll be listening to some reggae (maybe some cronix x 🤭🫡)

and smoking some good ganja and chopping sugar cane.

-You will approach him from the rear entrance, carrying the fruit that your mother had prepared for him and instructed you to bring.

-Although you intended to check on him, you observe him settling in comfortably and making himself feel at home.

-you walk up to an even more chill hobie,eyes low and red just in his swimming trunks .

-His shirt buttons loose revealing his abs with his lips sucking on some sugar cane.

-watching as the juice drips down his chin but him quickly catching it with his tongue making slurp noises.

-it’ll probably give you flash backs from previous nights when you were making out back of your legs hitting the bed and pushed to lay under him only later to be quivering in a puddle of your own mess and his head diving back between dem thighs as you grip and pull on his wicks.

“Fuck..hobie it feels soo good”

“Yeah I bet it does” and he lifts his head up to peer at you then down to leave bites on the skin of your inner thighs that will leave bruises for the next days of the trip….

(woooh 🫢😋 I’m going feral by the thought)

-Y’all know that little river raft trip that people go on in Jamaica ?

-yeahhh you guys would go on one of those but knowing hobie he wouldn’t let a random, massage and touch on your body.

-It's like the experience where individuals embark on a small raft crafted from bamboo, bound together with ropes, enjoying the serene atmosphere as you drift along a river. And During this journey,you receive massages and feel the soothing vibes.

-If you were to partake in such an adventure with Hobie, he wouldn't allow just anyone to massage and touch your body randomly.

-…”And they basically do like massages”

“🤨Touching on my girl? Ina bathing suit ??

yeahh nah I’ll do it”

(He’s possessive but In a non toxic attractive way)

-He’d take the lotion staring at the guy side eyeing him the whole time.

-As he kneels down and begins applying pressure with squeezing motions onto the various layers of your muscles.

-Then there's the guy, who awkwardly stands there staring 🧍🏿‍♂️🏞️

-Hobes, being the effortlessly cool type, possesses the ability to seamlessly blend in regardless of the country he finds himself in; he can easily adjust and adapt.

-hes more of a yardie than you,speaking better patois and shit.

-And Having a fluent convo with your family

-"How did you become so fluent in Patois, babe? I didn't even teach you. It's even better than mine."

-Given his personality, he would likely wear a cocky smirk, shrug casually, and lean back in the white party chair, with his hands behind his head.

"It's just a natural instinct. better start practicing," he would say, pointing jokingly to a "Patois for Dummies" book as you stomp away in response.

(Idk if that book exists but oh well🤷🏾‍♀️)

-yo, I could just imagine you guys in the personal pool of a villa getting nasty in the pool then kissing all the way to the bed,water dripping messing up the floor of the room and hobie falling needy on top of you,panting impatiently slipping your panties to the side to finger you.

-Then the next day acting like nothing happened.

- Once you bring him to your childhood home, both of you would be exhausted from a long day of driving from the villa,so you would go straight to sleep upon arrival.

- The next morning, you would wake up alone in a bed,putting on a robe, and making your way to the kitchen. In the kitchen around the corner,you would hear the faint sound of laughter and the voices of your mother and him.

- I have a strong feeling that your mother would adore him, especially when in the kitchen together.

- I have confidence in his cooking skills; I can already envision him preparing a bowl of peanut porridge.

-He’ll be like “I think they like me 😗”

-“Yeah a little bit too much” murmuring under your breath jealous

“huh what was that” he goes.

his hand on the shell of his ear hearing what you said just wanting you to repeat it. so he can rub it in.

-“Nothing. hmm”

Arms crossed stopping off again

-“Don’t be jealous love,cause your parents love me more…!”

Yelling as you walk away.

-then after days of exploring you guys being driven to the airport and his mom kissing him on both checks wishing him to come back to visit next time.

“Come back soon alright?”

————-//—————-//————-//—————//————//———-//————//————-///————//———-//———-///————-//———-///———-//——///

(I really hate this post ,but it’s been sitting in my drafts for far too long)

[scotianostra]

My favourite Scottish singer, Jim Diamond was born on September 28th 1953 in Bridgeton, Glasgow.

Born to Sarah (nee Harper), a seamstress, and Lawrence, a firefighter, who would habitually get up to sing at parties, we all had a relative like this didn't we? Apart from his father, his earliest musical inspirations were soul music greats such as Ray Charles, Sam Cooke and Otis Redding. By the age of 14 he had joined his first band, The Method, and later he became lead singer of the Glasgow group Jade, touring the country playing club and college gigs. Then he embarked on a European tour with the band Gully Foyle (he had seen their advertisement for a lead singer in Glasgow’s Evening Times), which included some dates supporting Procol Harum.

His next stop was a quintet called Bandit, who were signed by Arista Records but they swept away by the emergence of punk rock. Bandit's one album was enough to prompt the NME’s reviewer, Tony Stewart, to comment that he was “an inspired and remarkable vocalist who projects himself well, displaying not only a passion for the music but a staggering range, which he uses fully”.

Bandit split up soon afterwards, but Diamond and Bandit’s guitarist, Danny McIntosh (now Kate Bush’s husband) went on to work with Alexis Korner. Word was spreading about Diamond and his powerfully expressive singing, and he was invited to fly to Los Angeles to form a band with the guitarist and David Bowie collaborator Earl Slick and the drummer Carmine Appice, who had been playing with Rod Stewart, but before the project could come to fruition, Diamond was in demand again, returning to England to form PhD and embarking on the series of hits that sealed his reputation.

Then Diamond contracted hepatitis, which prevented him from touring and prompted PhD to split. In 1984 he was back in action as a solo artist, triumphing with the No 1 heartbreaker I Should Have Known Better, often remembered for its soaring “I-I-I-I-I” chorus, which believe it or not, I pride myself on singing welle, The single, which was from his album Double Crossed , earned him a nomination for an Ivor Novello award.

Diamond’s career cooled after his intense burst of success in the early and mid-80s, although in 1985 Diamond went to No 1 again with the celebrity ensemble The Crowd on You’ll Never Walk Alone, a charity record for families of the victims of the Bradford City stadium fire. In 1986 his second solo album, Desire For Freedom, delivered the No 5 hit Hi Ho Silver, a song commissioned for Boon, starring Michael Elphick, and featuring yet another of Diamond’s catchy choruses, this time set to a briskly pumping reggae beat.

In 1993 he released the album Jim Diamond, which reached No 16 on the UK charts, and went on tour performing acoustic versions of his catalogue of songs. In the late 90s he teamed up with the saxophonist Chris “Snake” Davis, renowned for his studio work with M People, George Michael, Paul McCartney and many more, and they performed as The Blue Shoes. With the Hammond organist Paul Birchall, they also worked on Diamond’s 2005 album Souled and Healed. In 2009 PhD reunited to record a new album, Three.

In 2011 Diamond joined up with a group of Scottish musicians, including veterans from Wet Wet Wet and the Proclaimers, to record City of Soul, a collection of soul music cover versions to raise money for Cash for Kids.

Sadly on n 8 October 2015 Jim Diamond passed away as a result of a pulmonary edema – a build-up of fluid in his lungs. The family later said they were unaware he was unwell, his daughter Sara said “Dad was quite a private man, he didn’t court celebrity, and the only reason he did what he did was because he loved making music." adding “Dad’s song (I should have known better) went to Number one at the same time as Band Aid’s Do They Know It’s Christmas was released.

“He was over the moon, but told everyone to go and buy the charity single.” Sara added that the one thing her dad enjoyed using his fame for was to help others. She said: “Dad was always very aware of how lucky we had been as a family, in terms of health and wealth.

“He was very passionate about helping charities. He saw it as his duty to do what he could to give something back.”

RIP Jim Diamond, dubbed "Scotland's Ray Charles.

[martinmindmeld]

Bass, Beats, and Beyond: How Hardstyle and Dubstep Keep the Heart of EDM Pumping

Ever wonder why certain beats make your heart race, your feet move, and your soul soar? The secret lies in the powerful pulse of genres like hardstyle and dubstep. These two EDM giants have more in common than their commanding basslines; they share an electrifying spirit that transcends dance floors and unites fans worldwide. From the underground rave scenes of Europe to the massive festival stages, the energy of hardstyle DJs and the creativity of dubstep DJs continue to shape the very essence of electronic dance music. Let’s explore how these genres not only survive but thrive in the ever-evolving world of EDM.

Hardstyle: The Soundtrack of Pure Adrenaline:

Imagine standing at the front of a festival crowd, surrounded by thousands of people, as a hardstyle DJ unleashes a pounding kick drum that you feel deep in your chest. This is the essence of hardstyle—a genre built on raw energy and an unyielding tempo. Born in the Netherlands, hardstyle combines euphoric melodies with fierce, driving beats that keep the crowd moving until the break of dawn. The music's relentless pace is matched only by the passion of its fans, who are drawn to its unique blend of aggression and harmony.

Artists like Headhunterz, Noisecontrollers, and Wildstylez have taken hardstyle to new heights, creating anthems that resonate with both seasoned ravers and newcomers alike. At events like Defqon.1 and Qlimax, the connection between the hardstyle DJs and their audience is almost spiritual—an unspoken understanding that this is more than just music; it’s a shared experience, a communal high that transcends beats per minute.

Dubstep: A Sonic Exploration of Darkness and Light:

On the other side of the spectrum, dubstep has carved out its own path in the EDM landscape, offering a sound that is simultaneously gritty and sublime. Originating in the underground clubs of South London, dubstep was born from experimentation, blending elements of garage, reggae, and drum and bass. The result? A genre defined by deep bass drops, syncopated rhythms, and an otherworldly atmosphere.

Dubstep DJs like Skream, Benga, and Rusko were among the first to explore these dark, atmospheric soundscapes, but it was artists like Skrillex and Excision who brought the genre into the global spotlight. Their heavy, aggressive style—often referred to as “brostep”—took the genre to new levels, captivating mainstream audiences while still staying true to its underground roots.

The Festival Phenomenon: Where Hardstyle Meets Dubstep:

The true magic happens when these genres collide on the festival stage. Events like Tomorrowland, EDC, and Ultra Music Festival have become playgrounds for both hardstyle DJs and dubstep DJs, creating an eclectic blend of sounds that keeps the crowd guessing and the energy high. It’s not uncommon to see a crowd headbanging to the bone-rattling drops of dubstep one minute and then jumping to the euphoric kicks of hardstyle the next.

Festivals have become cultural melting pots where genres intersect, and fans discover new sounds and artists. The crossover appeal is part of what keeps the EDM scene so vibrant—when a hardstyle DJ brings out a dubstep remix, or a dubstep DJ drops a hardstyle track, it creates a fusion that is as surprising as it is satisfying.

The Future: Boundless Creativity and Collaboration:

The future of EDM belongs to those who dare to innovate, and both hardstyle and dubstep are fertile grounds for experimentation. As new subgenres emerge and artists continue to push the boundaries, the lines between hardstyle, dubstep, and other EDM styles will likely blur even further. Artists like 4D4M are leading this charge, incorporating elements from both genres and beyond, proving that the spirit of EDM is one of endless creativity and boundless potential.

Whether you’re drawn to the heart-pounding intensity of hardstyle or the deep, dynamic sounds of dubstep, one thing is certain: both genres are here to stay. Together, they form the beating heart of EDM, a force that’s as unpredictable as it is unstoppable. So next time you find yourself lost in the music, remember—these aren’t just sounds. They’re stories, experiences, and most importantly, they’re yours to explore.

[sweetdreamsjeff]

An introduction to Jeff Buckley: "I would listen to anything: The Beatles, Bob Dylan, Jimi Hendrix, Joni Mitchell, Judy Garland, Robert Johnson, Thelonious Monk, Bartk, Mahler. And I asked a lot of questions".

By Neil Crossley published October 17, 2023

From his soaring, unbridled falsetto to his sonic artistry, Jeff Buckley defied conventions and left a catalogue of songs that is timeless and unique

On the night of 29 May, 1997, six weeks shy of his 31st birthday, Jeff Buckley waded fully clothed into a channel of the Mississippi River in Memphis. He was carefully watched from the bank by his roadie, who had warned him repeatedly about the perilous currents. The roadie looked away momentarily to remove a boombox from the water's edge and when he looked back, Buckley had disappeared. Six days later, on 4 June, Buckley's body was discovered floating near the city's famed Beale Street area, by a passenger on a riverboat called the American Queen.

In the days and weeks that followed, all manner of theories were put forward. Had Buckley ignored his roadie's warnings and been drunk or stoned when he went into the water? Had the intense pressure of producing a second album as sublime as his first simply been too much? The coroner concluded it was accidental drowning but the theories continued. Whatever the truth, it was a tragic end for an artist who clearly had a great deal left to give.

Jeffrey Scott Buckley was born in Orange County, California in 1966 and was the result of a short-lived relationship between cult folk singer-songwriter Tim Buckley and Mary Gulbert. From the age of four, Jeff was raised by Gulbert and his stepfather, Ron Moorhead.

"My mum would play piano and cello all the time and my stepdad had great musical taste," recalled Buckley. "I would listen to anything: The Beatles, Bob Dylan, Jimi Hendrix, Joni Mitchell, Judy Garland, Robert Johnson, Thelonious Monk, Bartk, Mahler. And I asked a lot of questions. Learning about music seemed effortless. I guess I must have had natural abilities. Looking back, it felt like instinct."

At five he picked up his grandmother's guitar and learnt to play it. By 13, he wrote his first song about a break-up with a girl. After graduating from high school, he studied at the Los Angeles Musicians' Institute and played in various rock and reggae bands, including a stint with dancehall reggae artist Shinehead. In 1990, he moved to New York and formed the band Gods And Monsters, a hip yet short-lived outfit.

Buckley began a solo career as a singer-songwriter, playing a borrowed Telecaster, in clubs and coffee houses in New York's East Village and building up a considerable following among audiences, critics and fellow musicians.

He was snapped up by Columbia Records and released the Live At Sin-é EP in November 1993. The EP was well received but the response was nothing compared to the rave reviews bestowed on his full-length debut album Grace, released in 1994. Unlike the EP, Buckley recorded the album with a full band, and collaborated on writing with guitarists Gary Lucas and Michael Tighe, which gave his sound fresh dynamics and textures.

It was a bold and stunning record, full of sweeping choruses and powerful arrangements. Buckley's brand of eclectic folk was distinctive and unique. As Stephen Thomas Erlewine wrote in a review for AllMusic, "Grace sounds like a Led Zeppelin album written by an ambitious folkie with a fondness for lounge jazz".

In 1998, a collection of unreleased recordings called Sketches for My Sweetheart the Drunk, was released posthumously. Two live albums appeared in 2000 and 2001, and other compilations and live albums were released.

As always when artists die young, speculation is rife about what might have been - the stellar works they may well have gone on to create. But in his short life, Jeff Buckley forged a collection of songs that enshrined him as an astonishingly innovative and unique talent.

1. Grace - Grace (1994)

There's an unbridled feel to this title track, which sets the tone for the album with its soaring vocals, intricate guitar patterns and strident, cathartic feel. At its heart, the song is a celebration of life and Buckley's vocals are emotive and intense as he conveys a sense of wonder for the beauty of the natural world. "There's the moon asking to stay / Long enough for the clouds to fly me away / Oh, it's my time coming / I'm not afraid / Afraid to die".

Vocally and instrumentally, it's reminiscent of Radiohead, which is no great surprise as Buckley was an inspiration for Thom Yorke. As Yorke's friend Dougie Payne of Travis told Far Out magazine: "When [Radiohead] were recording Fake Plastic Trees, they were having trouble with it, and they couldn't get it to work. So, they went out to see Jeff Buckley play on the tour when it was just him and his electric guitar."

The band were bowled over by Buckley's performance. "Radiohead went back to the studio and Thom completely changed the way that he was singing and used that falsetto. You can kind of see the comparisons now. And that says a lot for how inspiring the show was."

Much of the track's strength comes from the live performance in the studio. This is a band at the top of its game, honed by relentless touring and capable of taking the music to real heights. This tight unit includes the formidable talents of co-writer Gary Lucas [a guitarist from Captain Beefheart's band whose instrumental Rise Up To Be formed the basis for Grace], Danish-American bassist Mick Grondahl and drummer Matt Johnson. By the end of the track, Buckley is screaming out the high notes as the whole sonic bombast builds towards a resolution.

2. Lover You Should've Come Over - Grace (1994)

The pain and longing of unrequited love is the focus of this hauntingly beautiful ballad written with Gary Lucas, which is built around Buckley's intricate fingerpicking. There's a dreamy, melancholic feel to the track, which features a sublime string arrangement from Karl Hans Berger.

Buckley's performance here is raw and intimate and the song really showcases the emotive feel of his vocals. It has become one of his most enduring and beloved compositions.

"It's never over, my kingdom for a kiss upon her shoulder / It's never over, all my riches for her smiles when I slept so soft against her / It's never over, all my blood for the sweetness of her laughter / It's never over, she's the tear that hangs inside my soul forever."

The song runs to almost seven minutes, but it's so entrancing that you barely notice. Every syllable from Buckley sounds heartfelt and true. As ever, the chords and melodies veer to the unexpected. From the mournful organ in the intro through to the squalling jagged guitar and drum flams at the outro, this is perfection.

3. Last Goodbye - Grace (1994)

The second single from the album, after the title track, and a haunting ballad that became a belated hit in 1995. Here, Buckley mourns the death of a relationship and focuses on the pain of letting go. The chorus is soaring and anthemic, while tasteful piano and string parts add depth and texture to the song.

Even from his early solo coffee house gigs, Buckley chose to play an electric rather than an acoustic, a decision that added to his distinctively different style. Buckley mainly played a borrowed 1983 Fender Telecaster and a Rickenbacker 360/12, but also used several other guitars, including a black Gibson Les Paul Custom and a 1967 Guild F-50 acoustic. When on tour with his band, he used Fender amps for a clean sound and Mesa Boogie amps for overdriven tones.

4. Mojo Pin - Grace (1994)

Another song written with Gary Lucas (his instrumental is called And You Will) and dating back to the Live at Sin-é EP, the opening track from Grace and one that showcases his eclectic blend of folk, rock and soul.

High guitar note swells and harmonics enhance the beautifully haunting intro before Buckly's plaintive falsetto enters the mix. Sparse, fingerpicked guitar follows, forming a warm backdrop for the first few vocal lines: "I'm lying in my bed / The blanket is warm / This body will never be safe from harm / Still feel your hair, black ribbons of coal".

The lyrical premise of the song focuses on the 'mojo pin' in question being pulled from his heart, leaving him hurt and exposed. It's a restrained, tasteful arrangement, with smatterings of toms, bass and cyclical guitar picking. The whole ensemble continues to ebb and flow while Buckley's warm vocal falsetto glides and meanders across the whole.

5. Hallelujah - Grace (1994)

Written by Leonard Cohen and released on his 1984 album Various Positions, this track has been covered by artists such as John Cale, Rufus Wainwright, KD Laing, Myles Kennedy (with Jeff's Telecaster) and Regina Spektor. But it was Jeff Buckley's version that has really seared itself into the global consciousness.

It's a hauntingly beautiful cover, impeccably realised by Buckley. In his hands, the song attains a real fluidity, ebbing and flowing, quickening and slowing. Much of its power lies in its minimalism and sparsity. The only accompaniment is Buckley's guitar - his Telecaster - and this really enhances his breathtakingly emotive delivery.

His version has been perceived as sexual and Buckley once said it was "a hallelujah to the orgasm". But at its core the song is a soulful exploration of faith, love and what it means to be human. As April Johnson wrote in Singersroom.com in 2023, "Buckley's voice is both powerful and vulnerable, conveying a sense of longing and spiritual yearning that is both moving and inspirational."

Hallelujah is one of Buckley's most iconic and enduring tracks and has become a classic song in its own right. For many, it is the definitive version of Cohen's bitter lament about love and loss.

* "Chords are depictions of emotions" - 5 Joni Mitchell songs that showcase her guitar and songwriting genius

[burlveneer-music]

The White Blinds - PRESHEATECHA! - another organ trio I've just now heard of

Since their debut LP in 2018, The White Blinds have been steadily making a mark on the soul-jazz scene by consistently offering a unique style to the classic organ trio format. Building on that foundation, The White Blinds proudly announce their sophomore LP "PRESHEATECHA!" (pronounced pre-she-ate-cha), featuring ten original compositions stretching out even further to blend the familiar elements of soul-jazz with funk, Latin, and reggae undertones. From the body movin' and hip-shaking single "Cal High" to the Jackie Metoo-inspired "Struttin,'' rounded out with the Chester Thompson'esque organ-driven "Bay To L.A.," this LP showcases both strong songwriting and tasteful musicianship from start to finish. With the signature open drum tones of Michael Duffy to the gritty guitar stylings of Matt Hornbeck rounded out with the low-end and soaring melodic passages of organist Carey Frank, The White Blinds hold their own in the ever-evolving world of what it means to be an organ trio. "PRESHEATECHA!" is a step forward, pushing the limits of a group whose music can best be described as instrumental soul-jazz with a backdrop of Los Angeles flair. All songs written by Michael Duffy, Matt Hornbeck, and David M Celia.

[pdmtsn]

Various - Mr Bongo Record Club Vol. 6 (2023)

A1 Dora Morelenbaum - Japao A2 The New York Community Choir - I'll Keep My Light In My Window (12" Mix) A3 General Lee - Pleasure A4 The Drive - Africa Bossa

B1 Chiemi Eri - Okosa-Bushi B2 Manny Corchado & His Orchestra - Pow Wow B3 Sven Wunder - Easy Going B4 Dina Ögon - Bakom Glaset B5 Vee Gees - Talkin B6 Mave & Dave - Do You Really Want My Love

C1 Hazel Scott & The Braza Brasil - Ye Me Le C2 Inês Soares - Um Amor Para Toda A Vida C3 Hareton Salvanini - Estrada C4 Copa 7 - Copa Sete No Samba C5 Mirna - A Volta C6 Dina Ögon - Tombola 94

D1 Unknown Artist - I Do You Love D2 Ash Soul, Inc. - I Do Love You D3 Ponderosa Twins Plus One - Bound D4 Matty - Blood D5 Shira Small - Eternal Life

Genre: Jazz, Reggae, Latin, Funk / Soul, Folk, World, & Country Style: Afrobeat, Batucada, Soul, Jazz-Funk, Funk, Disco

[soundsystemcultureblog]

𝗧𝗢𝗪𝗡𝗦𝗢𝗨𝗡𝗗𝗦 𝗦𝘁𝗿𝗲𝗲𝘁 𝗣𝗮𝗿𝘁𝘆 Review by Phil Wood

There are many definitions of a good day out, but one must surely be the experience of turning up to something which, on the face of it, seems incongruent and yet – after only a few minutes – feels entirely natural, like slipping on a well-loved shoe.

I needn’t have worried. Mandeep Samra and her Let's Go Yorkshire team already have a track record of doing surprising things in unexpected places, and this #TOWNSOUNDS Street Party took that tradition to a new level. Huddersfield Open Market was taken over and transformed into a music venue, art gallery, food and drinks hall and gigantic bass bin for a deep, rumbling dub reggae party.

Whilst there needn’t be any excuse for throwing a good party, the pretext here was the annual national celebration of Heritage Open Days. Mandeep has already demonstrated in Sound System Culture, Celebrating Huddersfield's Sound Systems - her 2014 book collaboration with Paul Huxtable - that the town has heritage here to rival anywhere outside Jamaica. Whilst the soaring iron trusses and elaborate foliate capitals of the Grade II* listed 1888 market, exude Victorian Huddersfield at the height of its powers.

But what might have seemed a jarring juxtaposition quickly found a close, almost organic harmony. This Victorian functional structure and dub reggae both, in their own ways, have drawn on the latest technologies and materials of their day to produce something timeless and natural. They have taken established forms, stripped them backed to their basics and reassembled them in ways which resonate across the ages and speak to us now in profound and emotional ways. There is nothing inherently organic about a cast iron pillar, a valve amplifier or a stack of elegantly carpentered woofers and tweeters, but in combination they exuded a warmth that drew people in.

And then there’s the music itself: conscious but easy-swaying, reviving mental and muscle memories and – in recognition of the heritage theme – taking us through the progression of ska, rocksteady, reggae, roots and dancehall of the last 60 years. Zion Inna-Vision Sound System furnished the equipment, Marshall D Luvjah Harriott, Positive and Dee Bo General selected the vinyl and Ras Sis Highness MC’ed.

And the crowd were part of the spectacle too. There were sistren and bredren of the Rastafarian community, ex rudeboys, suedeheads, lovers rockers and punks – born again for one night only, alongside freshly arrived international students checking out what their new home town had to offer. And the timing of the event – from 4.00 until 7.00 – encouraged families of all ages to attend, from toddlers to seniors, although I’m sure many would have loved it to have gone on much longer into the night.

Curry goat, plantain, jerk chicken, rice ‘n’ pea served up by OliveMae's Kitchen alongside Danya’s Vegan Kitchen (vegan Jamaican food) plus rum punch from Arcade Beers pop-up bar also considerably enhanced the good vibes of this lovely afternoon.

Being a market with fixed stalls, there was limited but adequate space for the dancers to do their thing, but the organisers made a virtue of the commercial infrastructure too. There were interesting specialist goods on sale, but also a creative flair which transformed many of the stalls into a pop-up art gallery. Let’s Go Yorkshire’s principal activity this year has been the creation of a heart-warming and historically important exhibition, charting the story of Huddersfield’s most important music scenes and genres, through the voices and imagery of their leading protagonists. It was great to see people who might not have encountered the #TOWNSOUNDS exhibition when it was on show in Huddersfield Art Gallery, checking out the photographs. I saw several folks walking past, idly scanning them from a distance, and then drawn into one where they might have seen a 40-year-old image of a friend or even themselves.

I was pleased with the flexibility of the space and multiple uses to which it could be put. It’s openness and permeability worked a treat too. One minute you could be in the throng, close enough to the speaker stack to feel one’s rib cage vibrate. But, on seeing an old friend for the first time in years, you could slip out to the edge or onto pedestrianised Byram Street for an intimate catch-up.

All-in-all, a match between venue, usage and message that seemed made in heaven and left one with the question why no-one had thought of doing this before.

Of course, when two mighty juggernauts as a sound system and cast-iron market come clashing together, there are always likely to be unforeseen consequences. So, when Zion Inna Vision were sound-checking and cranked up the volume, the iron framework began to vibrate so much that decades of dust and desiccated pigeon poo came showering down on the ground. Hopefully market officials will consider this a small price to pay for such a successful event, and that Huddersfield Open Market will be open to more of its ilk in the future.

[officehub1100]

Rihanna's Net Worth: A Closer Look at Her Impressive Wealth

Rihanna, the Barbadian-born singer, songwriter, actress, and entrepreneur, has taken the world by storm with her mesmerizing voice, captivating performances, and impeccable sense of style. From her early days as a music sensation to her foray into other creative ventures, Rihanna's talent and business acumen have propelled her to remarkable success and an impressive net worth that continues to soar.

Born on February 20, 1988, in Saint Michael, Barbados, Robyn Rihanna Fenty burst onto the music scene in the mid-2000s with her debut single, "Pon de Replay." Her distinct voice, combined with her undeniable stage presence and striking beauty, quickly earned her a dedicated fan base. Rihanna's subsequent albums, such as "Good Girl Gone Bad" and "Rated R," showcased her evolving musical style and cemented her status as a global superstar.

Rihanna's net worth

Rihanna's net worth is estimated to be around $600 million. However, it's important to note that net worth figures can fluctuate over time due to various factors such as investments, business ventures, and other financial endeavors.

Rihanna, whose full name is Robyn Rihanna Fenty, is a multi-talented artist who has achieved great success in the music industry. She first gained recognition with her debut single "Pon de Replay" in 2005 and went on to release a string of chart-topping hits, including "Umbrella," "Diamonds," and "Work." Her distinct voice, versatile musical style, and captivating performances have garnered her a massive global fan base.

In addition to her music career, Rihanna has expanded her empire with various business ventures. She launched her own cosmetics brand, Fenty Beauty, in 2017, which quickly gained widespread acclaim for its inclusive range of products. The success of Fenty Beauty, along with her other entrepreneurial endeavors like her lingerie brand Savage X Fenty and fashion collaboration with luxury brand LVMH, have contributed significantly to her net worth.

Rihanna's influence extends beyond the music and beauty industries. She is recognized for her fashion-forward style and has been a trendsetter, often making bold fashion statements on red carpets and at events. She has also made ventures into acting, appearing in films like "Battleship" and "Ocean's 8."

Furthermore, Rihanna is known for her philanthropy and activism. She has used her platform to advocate for various causes, including education, health, and humanitarian efforts. Her charitable work and dedication to making a positive impact on society have earned her respect and admiration.

Learn more about Rihanna's music career

Rihanna, born Robyn Rihanna Fenty on February 20, 1988, in Barbados, is a globally renowned singer, songwriter, actress, and entrepreneur. She burst onto the music scene in the mid-2000s and has since become one of the most successful and influential artists of her generation. Here's an overview of Rihanna's remarkable music career:

Early Beginnings and Breakthrough: Rihanna was discovered by music producer Evan Rogers while she was still a teenager. In 2005, she signed a record deal with Def Jam Recordings and released her debut single "Pon de Replay," which became a chart-topping hit. Her debut album, "Music of the Sun" (2005), showcased her distinctive blend of R&B, reggae, and pop sounds.

International Success with "Good Girl Gone Bad": In 2007, Rihanna released her third studio album, "Good Girl Gone Bad," which marked a significant turning point in her career. The album's lead single, "Umbrella," featuring Jay-Z, became a worldwide sensation and topped charts globally. The album spawned several other hit singles, including "Don't Stop the Music" and "Disturbia," solidifying Rihanna's status as a pop superstar.

Evolution and Genre Experimentation: Rihanna's music has continually evolved throughout her career, showcasing her versatility as an artist. She has explored different genres such as pop, R&B, dancehall, EDM, reggae, and hip-hop, often pushing boundaries and experimenting with new sounds. Albums like "Rated R" (2009), "Loud" (2010), and "Anti" (2016) exemplify her artistic growth and willingness to explore different musical territories.

Chart-Topping Hits and Record-Breaking Achievements: Rihanna's discography boasts an impressive number of chart-topping singles and albums. She has achieved multiple Billboard Hot 100 number-one hits, including "Rude Boy," "Only Girl (In the World)," "We Found Love," "Diamonds," and "Work." She holds numerous records, including being the first female artist to surpass two billion streams on Apple Music.

Collaborations and Notable Features: Rihanna has collaborated with various artists across different genres, further expanding her musical reach. She has teamed up with acclaimed musicians such as Eminem, Drake, Calvin Harris, Jay-Z, and Kanye West, creating chart-topping hits and memorable collaborations.

Critical Acclaim and Awards: Rihanna's immense talent has been recognized with numerous awards and accolades. She has won multiple Grammy Awards, including Best Rap/Sung Collaboration for "Umbrella" and Best Urban Contemporary Album for "Unapologetic." She has also received honors such as the Billboard Music Awards, American Music Awards, and MTV Video Music Awards.

Beyond Music: In addition to her music career, Rihanna has ventured into other areas, including acting and entrepreneurship. She has appeared in films like "Battleship" (2012) and "Ocean's 8" (2018). Furthermore, she has launched successful business ventures, including her cosmetics brand Fenty Beauty and fashion label Fenty, which have received widespread acclaim for their inclusivity and diverse representation.

[independentartistbuzz]

Eyes of the Stars Debuts Gary Pickus's Anthemic Plea for Global Unity, "The World Will Unite"

Today marks the premiere of "The World Will Unite," the powerful new single from Eyes of the Stars, the creative brainchild of veteran musician and songwriter Gary Pickus.

Known for his innovative blend of genres and his commitment to using music as a force for good, Pickus channels his passion for unity, joy, and positive social change into this anthemic track. With its infectious pop-reggae-R&B hybrid sound, "The World Will Unite" serves as a heartfelt plea for togetherness in an increasingly divided world.

The song’s message is clear and urgent: in the face of antagonism and polarization, the antidote is unity. Pickus, who has long believed in the transformative power of music, infuses "The World Will Unite" with his deeply held conviction that healing societal divisions begins with a shared sense of purpose and joy. His mantra, “There is nothing more entertaining than saving lives,” lies at the heart of the track, a sentiment that elevates this uplifting song from just another feel-good tune to a call to action for global harmony.

"The World Will Unite" seamlessly blends upbeat rhythms, reggae undertones, and smooth R&B influences to create a soundscape that is as eclectic as it is unifying.

The track’s vibrant melodies and energized beats are designed to break through the noise of division and offer a moment of respite, a musical invitation to imagine a world where faith and optimism fuel collective peace. As the soaring chorus reverberates, listeners are swept into a hopeful vision where unity feels not only achievable but inevitable, powered by an unwavering belief in the goodness of humanity.

Pickus’s journey as a musician is as remarkable as the message of his latest single. From his earliest days playing the Thumbelina theme song by ear to his tenure as a seasoned songwriter and musical director, Pickus has dedicated his life to creating music that resonates with audiences across generations. His path to Eyes of the Stars is a testament to perseverance and artistic growth. Inspired by a childhood friend’s words - "Don’t keep Gary Pickus a secret" - he has spent decades honing his craft, believing in the power of music to entertain, inspire, and, ultimately, to unite.

His early musical influences laid the groundwork for the multi-genre talent he is today. As a teenager, Pickus gravitated away from classical piano lessons and into the world of pop, mastering the Farfisa electric keyboard and playing in local cover bands. It was during these formative years that Pickus learned the intricacies of live performance and honed his skills as a musical director, setting the stage for a future career defined by creativity and collaboration.

Pickus's professional journey continued at Duke University, where he studied psychology while pursuing his love for music. His passion took him across the world on an international USO tour, where he first experienced music’s ability to transcend cultural barriers and unite people. The experience solidified his decision to make music his lifelong career. After moving to Los Angeles, he began working with many collaborators, including Kim Silva, his co-writer of “The World Will Unite.” It wasn’t long before Gary began writing and producing his own songs, quickly earning recognition within the industry for his unique blend of genres and his talent for crafting memorable melodies with deep emotional resonance.

"The World Will Unite" is not just a musical statement; it is also a reflection of Pickus’s broader commitment to using his platform for good. A longtime advocate for social causes, he has incorporated themes of social justice, environmental awareness, and community building into his songwriting. This latest track carries forward that tradition, urging listeners to consider the importance of unity in a time when the world feels increasingly fractured. The song’s production, rich in instrumentation and rhythmic layering, amplifies its core message: joy, faith, and optimism can pave the way toward a more peaceful and harmonious world.

Pickus has never been an artist to be confined by genre, and his versatility shines through in "The World Will Unite." Drawing on the combined influences of reggae, pop, and R&B, he creates a track that feels universal in its appeal yet distinctly personal in its delivery. This ability to blend various musical styles while maintaining authenticity is a hallmark of Pickus’s work and sets him apart as a unique voice in today’s music landscape.

With "The World Will Unite," Pickus offers not just another song but a call for collective action. His quote, “The inability to walk in another person’s shoes is a disability” underlies the song’s messaging. His dedication to making a positive difference through music is woven into every note, inspiring listeners to look beyond differences and work toward a shared future based on compassion, understanding, and, above all, unity. 

As Eyes of the Stars continues to evolve, Gary Pickus remains steadfast in his mission to create music that entertains, inspires, and connects. With "The World Will Unite," he delivers a poignant reminder that, in a world often divided, music can be the bridge that brings us together.

Listen to "The World Will Unite" on Spotify here

Connect with Eyes of the Stars on the Website

[doritopaw101]

The xenofictions projects in question that I have in my brain

My wolf xenofiction: wip title Rising Moxie

Lion xenofiction: based on my lions from lioden. Wip title: Bursting Prowl

Bird xenofiction: birds from Jamaica. Wip title Soaring Reggae

Plus a smaller idea of kangaroos but that’s up in the air

I do wanna bring some magic stuff in the wolf and lion ones too.

Ask me questions about em if ya want

[cartermagazine]

Today In History

MC, Singer-songwriter, producer and actress Lauryn Noelle Hill was born in East Orange, New Jersey, on May 26, 1975.

Lauryn soared onto the music scene as part of the hip-hop trio The Fugees before launching her solo career with the Grammy-winning album ‘The Miseducation of Lauryn Hill.’

She is regarded as one of music’s artistic geniuses. The Score (1996) featuring the hit single “Killing Me Softly,” which highlighted Hill’s bold and soulful vocals, the album sold 17 million copies, making the Fugees the highest-selling rap group of all time — and garnered two Grammy awards for best rap album and best R&B performance by a duo or group.

Hill’s first solo effort, The Miseducation of Lauryn Hill (1998), established her as a headline talent in her own right. The album, recorded in Jamaica, has sold more than 19 million copies worldwide since 2009 and earned the singer-songwriter five Grammys, three American Music Awards, a Billboard Award, a Soul Train Award and an MTV Music Award. It combined soul with hip hop and splashes of reggae, showing a musical lightness of touch that belied some of the deeper, personal issues the lyrics delved into.

“It's funny how money change a situation… Miscommunication leads to complication… My emancipation don't fit your equation… I was on the humble, you - on every station… Some wan' play young Lauryn like she dumb… But remember not a game new under the sun… Everything you did has already been done… I know all the tricks from Bricks to Kingston… My ting done made your kingdom wan' run… Now understand L. Boogie's non violent… But if a thing test me, run for mi gun… Can't take a threat to mi newborn son… L's been this way since creation… A groupie call, you fall from temptation… Now you wanna ball over separation… Tarnish my image in your conversation… Who you gon' scrimmage, like you the champion… You might win some but you just lost one.” Lauryn Hill, ‘Lost Ones’

CARTER™️ Magazine carter-mag.com #wherehistoryandhiphopmeet #historyandhiphop365 #cartermagazine #carter #laurynhill #blackhistorymonth #blackhistory #history #staywoke

[dancehallevents]

Reggae Sumfest 2024 Join us at Reggae Sumfest 2024 in Montego Bay, Jamaica, on July 19-20! Enjoy the vibrant culture, music, and performances hosted by Boasy Floyd, Jade, The Mitchells, Talia Soares, Kamila, Boom Boom, and Daneilla. Our Music. Our Festival. Our Culture. Don't miss out! #ReggaeSumfest2024 #OurMusic #OurFestival #OurCulture #TheSumfestExperience

[prnanayarquah]

Christopher Martin Gets “Boasy” With New Single Release

New Post has been published on https://plugzafrica.com/christopher-martin-gets-boasy-with-new-single-release/

Christopher Martin Gets “Boasy” With New Single Release

Jamaican Dancehall star Christopher Martin announced the release of his new, self-assured song, “Boasy.” The latest single from his upcoming album will be available on streaming platforms on July 25 via VP Records.  

Produced by Ce’Cile and Dale “Dizzle” Virgo, “Boasy” bursts with the self-belief Christopher Martin has become known for. Like on his hit song, “I’m a Big Deal,” Martin urges listeners to be secure in themselves, and to avoid being shaken by doubt. “From you good at anything at all, you fi boasy!” he exclaims halfway through the silky track.

“Boasy is about self-confidence. It’s knowing that you are that person – and you need no one’s validation to solidify that. When you do things that are worthy of showing off, don’t be afraid to show it. Always put your best foot forward. Never shy away from being great,” said Christopher Martin.

“Boasy” joins last year’s “Guaranteed” and “It’s Guaranteed (remix),” featuring Bounty Killer and Busy Signal, as a release in anticipation of Martin’s next studio album. It will be his third full-length project, following 2017’s Big Deal and 2019’s And Then, the latter of which soared to No. 1 on the Billboard Reggae Albums charts.

Christopher will debut “Boasy” live during his headlining spot at the Westchester Reggae Festival at the Capitol Theatre in Port Chester, NY, on August 18.

https://vpplaylist.lnk.to/BestOfChristopherMartin

[moochilatv]

Seneca and 9th Audio presents: Words of Wisdom

In an electrifying collaboration, vocalist Seneca and acclaimed Zimbabwean producer 9th Audio have united to breathe new life into Seneca's iconic anthem, "Words of Wisdom." 

Zimbabwean Amapiano Remix

This time, they venture into uncharted musical territory, with 9th Audio infusing the track with the vibrant rhythms of Zimbabwe and the infectious beats of Amapiano.

With roots firmly planted in the heart of Zimbabwe, this remix pays homage to the rich cultural heritage of the region while embracing the modern soundscape of Amapiano. Seneca's soulful vocals soar over a backdrop of pulsating beats and rhythmic melodies, transporting listeners on a euphoric journey of sound and sensation.

As the remix unfolds, layers of traditional Zimbabwean instrumentation interweave seamlessly with the infectious groove of Amapiano, creating a sonic tapestry that is both captivating and exhilarating. The result is a fusion of past and present, a celebration of heritage and innovation that transcends boundaries and defies categorization.

From the bustling streets of Harare to the dance floors of the world, "Words of Wisdom (Zimbabwean Amapiano Remix)" beckons listeners to surrender to its irresistible rhythm and embrace the spirit of unity and joy. It's more than just a remix; it's a testament to the power of music to bridge cultures, ignite passions, and inspire change.

So, let the beat carry you away, let the melody set your spirit free. For in the heart of this remix lies a message of hope, resilience, and the timeless power of words of wisdom.

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BIO:

Originally from Florida, Seneca has been blessing crowds for over 20 years. As a solo artist and member of Jazz Mafia, Seneca has performed over 1000 shows, always with a spiritual, political and energetic vibrancy. He makes conscious HipHop, Reggae & Dancehall music. His 20-year career has brought him to share the stage with reggae greats Steele Pulse, Hip Hop icons Will.i.am and KRS One, as well as mentorship and inspiration from Bay Area legends Rocker-T and the late Luv Fyah. His vast musical journey has given him the honor of touring the US with Jazz Mafia's "Brass Bows and Beats," a 50 piece symphony, headlining the Montreal Jazz Fest, Newport Jazz Festival, and the world-famous Hollywood Bowl. He now lives in Albany, CA and continues to make music for the evolution of the soul and healing of the planet.