#so this is the character-driven take

[navree]

"rhaenys could have ended the war by dracarysing all the greens right there" yes because a distant relation to the throne deciding to barbecue an anointed and publicly positively hailed king and his entire family who is well loved within the city and in multiple other parts of the country for the sake of the succession of a far-away princess no one was ever on board with who hasn't been seen by the populace in literal years, her psycho husband, her three obvious bastards, and two toddlers from the psycho husband would go over super well with westeros and especially in king's landing where scores of the still-cheering population were killed for no reason by that same dragon who would do the barbecuing, because when targaryens act unilaterally without thinking of how the people would react there's never any problem, which is why the storming of the dragonpit and robert's rebellion were actually just collective delusions dreamed up by readers who hate rhaenyra and not key parts of the story and house targaryen's history that directly contributed to their demise and are intrinsic to the plot

truly team black stans are made up of only the most genius and media literate amongst us

[cashmere-caveman]

one thing i am really noticing on this rewatch is how long it takes for silver to start looking like silver. seeing him in (especially in the early part of) s1 always feels so jarring to me idk why but with everyone else already having their Look down (character driven style pivots of flint and eleanor nonwithstanding) he still feels very Unformed.

idk if thats just me on my nth rewatch projecting my foregone conclusions and opinions abt him as a character on him but i do think even w the change he undergoes being a very gradual one (unlike the previously mentioned pivot of eleanor from Pirate Boss to Ladywife or flints buzzcut of grief and political radicalisation), there is a definitive period where he is not yet locked in, so to speak.

i think what gets me as 'not silver yet' is him being clean shaven and that he wears light colours but genuinely. thats a chameleon still deciding which colour to turn while it watches the room and once hes decided with whom to side he commits not only to a 'personality' but also to a wardrobe style which in his case is first unassuming dark clothes and growing his hair and beard and then slowly bit by bit hes adding details like necklaces and rings and starts wearing his hair differently etc until he ends in his Coat Era once he starts to assume real power as he begins the transformation from 'john silver' into 'long john silver'

[sidsinning]

UNNECESSARY AND UNHINGED RANT ABOUT CINDERELLA'S CHARACTER FROM CINDERELLA (2015) INCOMING

Lemme talk about Cinderella from Cinderella (2015) for a bit actually yeah because these changes to my girl completely baffle me

She has friends now

Goes outside on her own

Says the only reason why she's staying is because it's her parent's house- bruh.

All of this takes away (+ more reasons down the cut) from the true cruelty of OG!Cinderella's backstory and how it all connects so well to inform you of her character and the actions she takes

OG!Cinderella has been indoctrinated into accepting her life as a maid to her step family since she was a small child. She is never seen going outside of the house besides the night at the ball. The only friends she had were random animals around her she couldn't even fully converse with. She had no other human perspective on her situation or how to get out of it. It makes sense why she's just taking her stepmother's tyranny while holding everything in because this isolation and neglect is all she knows. This is the entire limited scope of her world. A sad reality to many cases of abuse in real life.

And they just. Erased all of this for some. Reason???

The night at the ball was a big deal because she literally NEVER gets to go out. This is the only time she interacts with the outside world aside from the ending. The impact of that was HUGE in the original movie. The new one just cheapened that imo by implying she goes out in town and talks to others regularly. This event was an impossible, fantastical dream come true to someone who is never treated as anything but a servant to everyone she knows.

Basically OG!Cinderella has it way worse which is what makes the ball such a huge deal in the first place.

Third point I don't think I need to explain how Cinderella staying in her abusive home bc the house is "hers to love now that her parents are dead" is not a good character change and doesn't make sense. I would understand if her dad was alive and insisting on staying, but he is GONE. It is a building you grew up in sure, but that's all it is. Not something you sacrifice your wellbeing for. So that's a shit reason they didn't need to make up to say why this character is stuck in her abusive household. The isolation and years of gaslighting were enough. (Also showing how much of a frightening presence and manipulative villain Lady Tremaine is.)

And she sure left it quick after getting hitched lol

The Fairy Godmother having the audacity to test Cinderella with that "oh I'm a poor old woman and I want some milk please" nonsense

Not very godmotherly of her in this version. 🥴 The Fairy Godmother appeared in the original to offer pure comfort to Cinderella in a time of desperate need, when this resilient and kind spirit finally reached her breaking point. The dress, slippers, pumpkin carriage, and magic were all given freely as a present to make her feel better at least for one night.

Meanwhile this goofy ass Godmother has the audacity to be like "hey is she gonna be nice or not even though she's crying in tattered, recently destroyed clothing- I need to see that or else she doesn't get the magic juice". Like why did this become a way to test her morality all of a sudden? Why did you need something from her to give up the magic goods?? It's not even a good test she just walked a couple steps and poured some milk in a bowl,,,

Idk man they made their relationship transactional for no reason which taints the original purpose of this scene imo. The original Fairy Godmother already KNEW Cinderella was kind without having to make sure by disguising herself as a rancid old lady. 😭 Weird and unnecessary addition.

Kinda nitpicky here but this film did not at all match the terror of the torn dress scene which really shows you how horrifying and humiliating it was to Cinderella

Comparison

AND THE BIGGEST OFFENDER: THE WAY SHE "ESCAPED".

I NEED TO TAKE A BREATH

BECAUSE LIKE. WHAT WAS THAT.

Original Cinderella, seeing a real chance of escape from her abuse, uses everything in her possession to do so. She's yelling for the mice to get the key, to get Bruno to chase away the cat, running down to meet the prince's attendants to make sure they get the proof of her identity from her- and that moment she oh-so-casually pulled out the second slipper??? SEEING HER STEPMOTHER'S SLACKED JAW??? GAGGED US ALL.

ICONIC

But 2015. Bitch. What is going on. She gets locked up and easily accepts her doom. She just twirls and sings in her prison like a dunce because cINDerELLa wAs aLReADy cONTenT wIth her sMaLL mOMEnts oF hAPPIneSs anD dREamS wItH thE pRinCE.

Just. Gives up.

Not the mice begging her to get up and save herself come on now

The mice have to do their best on their own to push open her window so the prince and his crew hear her on time.

And yeah, all she had to do was open a window.

WHAT. WHY. HOW. WAS THIS??? MORE EMPOWERING???

1950: use your brain to fight to the very end

2015: quit while you're still ahead, or don't try you just gotta dance and sing all pretty then someone will come along and save you

I'm sorry, but for a production that was so critical of the notion of "Cinderella just waited around for a prince to save her"...is that not literally what they changed the ending to?

You wanna talk about lack of agency in princess stories well here you go 😭

You know what's sad about all this in the end is this is still the best recent live action Disney remake imo LOL

Anyways hello if you've made it all the way down here I rest my case

[liesmyth]

All your TLT posting is making me questioning if I should try it.. The only thing i'm worried is that I don't want to start a series and then finding out in the third bookthat the author made the antiheroic genderbent mao protagonist throw the metaphorical atomic bomb on the japanese because the author is an american descendent of a Chang Kai Shek general and wanted to absolve the yankees to grant herself a career (it worked greatly). So should i still try TLT as an olde commie? Love your blog btw, please continue reblog all those TLT fan art they look great! Thanks!

whew lowkey glad I couldn't get past the first book in that other series. anyway *clears throat*

If you like LESBIANS, Locked Tomb is the fandom for you. If you like BONES and FAILWOMEN and ARE ANGRY AT GOD, Locked Tomb is the fandom for you. If you like BAD JOKES and SHITTY MEMES, we have those in spades. If you love EXCELLENT FANART and DIVORCES that last TEN THOUSAND YEARS and LOCKED ROOM MURDER MYSTERIES, if you think EVIL COUGARS are SEXY, if you think PLUTO totally COUNTS as a PLANET, Locked Tomb is the fandom for you!!!!

[here's the rest of the tlt manifesto on ao3, podficced by @/wilfriede ]

On a serious note! I think TLT is definitely informed by leftist politics, and it has many themes that lend themselves to juicy interpretations on top of a really meaty worldbuilding and characterisation. Also the fanart SLAPS. And if you read the books you can check out my fics which, not to brag, are some of the weirdest I've ever written! featuring such tropes as: "bodyswapped man sucks his own dick" "vagina dentata" "ritual sex to have a baby during a mass death event" "in-universe academia" and "orphan girl meets her parents for the first time and they suck"

tldr please read the locked tomb <3

[eosofspades]

okay i meant to make this post forever ago but my personal opinion on why so many people were so dissatisfied with lightfalll (disclaimer: i am not one of these people, i love lightfall SO much), is that lightfall was kind of subjected to a really aggressive marketing campaign.

like, stick with me here, i feel like almost all the lightfall release content (the trailers especially) were so focused on battling the witness, how this battle has been centuries in the making and this is the Second Collapse Finally Finding Us, only for there to be,,, no real resolution. the end was left on such a severe cliffhanger, but not only that, there was NO battle with the witness. the witness didn't even seem to be having a hard time at all with what we WERE throwing at it.

and for narrative reasons *i* am obsessed with this ending; in terms of storytelling i adore practically every creative decision that was made in lightfall, but i think the reason that so many people were so upset about it is because lightfall had such intense marketing and was rooted in the implication that this was the End of Days, only for us to get almost no closure, and instead so many more questions.

(there's also something to be said, i think, about the fact that the people who ARE most upset about this are like, the youtube gamer dudebros who's content is very very often rooted in the aggressive, violence-and-warfare, pvp-centric, no-interest-in-lore approach to destiny, and that the people i've seen primarily ENJOYING the narrative decisions (or at least being understanding about it) are the artists and writers and loremasters of the fandom, but i'm not quite sure,,, how to expand on that point.)

[nofacednerd]

This originally started as an incredibly rough dialogue assignment for my advanced animation class this past semester, then I realized I wanted to make it more "complete" because of the new season dropping tonight.... a week before the new season came out

So uh. Here's this absolute beast of a project that I somehow finished in less than a week.

Happy The Boys season 4 day!!!!!!!!!

[feline-evil]

Dick or no dick confirmation Pickles was always going to be trans to me anyways; if he's swingin' somethin that's phallo babes, if he's not then his t-dick fat. What's not to get.

[longagoitwastuesday]

I am liking Jujutsu Kaisen, way more than I imagined I would, but I foresee it will let me down and it's keeping me from enjoying this as much as I could haha

I think the characters and dynamics are well set, and I think many of them have an incredibly good and deep potential, but I would be willing to bet they'll not get a proper development, enough for them to really hit. A well assembled set of gears is not enough to make the movement go, you have to wind the clockwork.

I think Gojo and Megumi have a fascinating and very complex dynamic, but I doubt it will be given the time and care that imo it needs to actually work. And it is going well enough for now! One could see the intimacy between them was deeper than the one Gojo had with, say, Yuji and Nobara ever since the very first few episodes despite the fact Fushiguro too was a first year. But the pieces forming what they have are extremely complex, and it just wouldn't be realistic if it doesn't show, even if in a not showing way, or if it doesn't have consequences or implications.

It's one of those dynamics that shape one's life, the way one regards the world, the way one establishes or not relationships with other people. It's one of those dynamics that could be full of fondness, gratitude, resentment, admiration, trust, and that imply intimacy, the good kind or the bad, even if in just the knowledge of someone who's been a constant through your life. It could, and would, imply a myriad of feelings, and probably in such a mix it could imply contradictory feelings too. Even the nothingness would weight, even the nothingness would be significant and meaningful.

Gojo took Megumi and his sister under his wing, the son of a man who murdered him, because of both selfish and selfless reasons. Megumi looks like Toji. What does Gojo feel about this? How does Gojo deal with this? How does Gojo go about taking care of Megumi? Would he walk him to school? Make him breakfast? Celebrate his birthdays making him blow candles? Did he take him to the zoo? Does the relationship between them feel professional or is it something more? Gojo appreciates his students, but is Megumi to him just another student? When Gojo faces Sukuna in Megumi's body, did he see the kid he raised, or does he just see Sukuna in one of his students' body? Did he have one faint wavering instant? And how does Megumi feel about this? Is he resentful of him? Resentful of the situation? Of the selfishness behind his actions? Does he feel like a pawn? Is he grateful? Does he resent feeling grateful? Would he rather not? Does he love Gojo? Does he feel nothing about him other than what he could feel about a teacher that sort of annoys him but knows he's reliable in his strength? Does he think it unfair, cruel or unfeeling that Gojo is close, closer perhaps, with Yuuji or Yuta, considering their story? When Sukuna slices Gojo in two, does the remnants of Megumi's soul tremble?

And not just Megumi and Gojo. Yuuji and Nanami, Gojo and Nanami, Yuuji and Fushiguro, Nobara and the boys, or Nobara and Maki, Todo and Yuuji or Yuta, Gojo and Yuta, Megumi and his sister. Gojo and Geto, even! If the pieces are well set, the dynamics are intriguing, interesting, and have potential to be deep, but then the characters have like two plot relevant scenes that punch you hard, but little more, it's not nearly enough. Especially not nearly enough for the enormity that is shonen dynamics and situations. And the potential existing at all, and then not delivering, makes it all the more frustrating when you're left with something mediocre that could have been so good.

The development of dynamics through not only a few plot relevant gut wrenching moving scenes, but also the smallness of life, is important. The friend who recommended this to me said that those things were just unnecessary filler, but I disagree. I think there's a big difference between a large amount of anime-only filler episodes whose existence is based on the fact they had run out of manga chapters to animate, and moments of quietness. The low stakes character-driven moments of quietness can be so telling and so insightful, and they are so satisfactory when brought back later in higher stakes situations. My friend teased me there was no scene of Gojo making breakfast to Megumi, that it would be an idiotic idea, but it would be so telling. How he makes breakfast, what they eat, if he tries hard or if it's all mechanised, if they have personal bowls or if they use whatever, if he just buys them some pastry on the way to school, if the way they have breakfast changes through the years, or if he doesn't make them breakfast at all! All that would be very insightful on their dynamic and its evolution. All that would give a glimpse on how they regard each other and why, even in the present. All that could become meaningful in tense situations and high stakes scenes.

These moments also let the plot breath; if a lot is happening all the time, if every character is always experiencing trauma after trauma, the entire story is so emotionally draining that at some point you don't even care all that much. Besides, these nothing moments or low stakes plot arcs, besides deepening and developing dynamics, also let some in-world time pass, which would make the intimacy and bond between characters more believable imo; between Yuuji eating Sukuna's finger and their last confrontation in December how much time has passed? A few months? Am I truly to believe these characters are so everything to each other in only a few months?

Without some smallness, some repetition, some daily life, some low stakes not plot-centric development, the dynamics don't hit, they don't truly feel fleshed out, and dynamics as complex as the ones Megumi and Gojo have, or as supposedly meaningful as the one Megumi has with Yuuji or his sister, should be fleshed out if they're going to exist at all. Otherwise they'd risk making the writing feel awkward and fake. Besides, if the dynamics felt well fleshed out and realistic, they would shape the way the characters interact and act, and how they deal with situations, thus being plot relevant.

The shonen genre has so much happening all the time, the stakes are so high, the dynamics are so rooted in big events and the relationships carry enormous weight and implications. Yet they barely get developed, and it feels so stupid, so plain, the absence of something so important noticeable like a constant void, a shapeless nothingness present in every scene. It makes the characters feel like cardboard figures. Jujutsu Kaisen is already getting a better job than many, but I doubt it will do enough for what I've heard, and I fear I am bound to feel let down, and bound to feel unmoved.

After all, if not enough time and care has been given to develop a dynamic, I am not going to feel pressured by the high stakes; if not enough time and care has been given to develop the dynamic between Megumi and Yuuji, as good potential as it has I am bound to feel little for this last confrontation between Sukuna and Itadori, and his effort in getting Megumi back.

[moe-broey]

Realizing. I don't make art to make something Beautiful and Breathtaking or even just kinda cool composition wise, no. I have some sort of affliction. I have to find a way to make this incredibly time-consuming endeavor as speedy as possible for the Sole Purpose of Putting Guys in Situations. That is my true calling. There's Guys in my brain and I just need to Get Them OUT‼️‼️‼️‼️‼️‼️ And go go go gogogogogo go GOOOO GO NEXT THING NEXT THING I GOTTA. THE. SITUATIONS ‼️‼️‼️‼️‼️‼️ It's SO important to me..... One Billion Stories........... Infinite Amount of Situations....... featuring. My guiys.........

[cuteniaarts]

Mirror, mirror, on the wall...

Who's the fairest of them all?

[age-of-moonknight]

“Incarnate,” Vengeance of the Moon Knight (Vol. 2/2024), #7.

Writer: Jed MacKay; Penciler and Inker: Alessandro Cappuccio; Colorist: Rachelle Rosenberg; Letterer: Cory Petit

[ilovebeingaturtle]

i wanna rant about '87 krang so. here we gooooo i guess. i think '87 krang's backstory is actually incredibly interesting like??? how did he lose his previous body? (personally, i like to think that he did something wrong one day and was forcibly turned into the brain creature he is now and banished by his own kind. but hey that's just me) does his miss his old body?? can he devise a way to return to his old body or is it impossible? does his miss home? how complicated are his feelings towards his own species? yeah i know it was an 80s cartoon for kids and they didn't really have time to get into some characters backstories but it's still really interesting!!! YOU COULD DO SOME COOL CHARACTER STUFF WITH THIS!!!!!!! anyway. sorry for going off about krang in your inbox. i'm insane about shredder & krang

Never apology for going off about Krang I LOVE hearing your thoughts

[kainebell]

I’m replaying Rising Tides and, like, I get that the main goal of this book was to be educational since it was part of a green mobile gaming event. So I understand why the writers played it safe by centering the book around activism, the power of journalism, and the ways that big companies are more responsible for climate change than the average individual. But at the same time, i can’t stop imagining a reality where this book is a fast-paced eco-thriller and not the snoozefest it actually is (mostly because i watched How to Blow Up a Pipeline the other day) 😭 The story suggests journalism is the true driving force of social change when neither Charlie nor MC are journalists, just the subjects of journalism. This puts them in super passive positions, making it a pretty boring game to play bc you don’t actually get to do much, just read about what other characters are doing. Buuuut if it were about guerrilla activism, Charlie and MC could’ve been in far more active positions within the story, which could have been actually entertaining and supported by the leftist ideas that are at the heart of the story the writers were trying, and kind of failing, to tell

[liesmyth]

Rereading Tiptree is making me think about space exploration... I still maintain that the whole FTL trillionaire fleet carried a few thousand people at the most. And many of them didn't make it

Thinking about this...

I know that TLT seems to have a very high number of random planets that are suitable for human life compared to what we currently know about our universe + Tazmuir has been known to bend scientific details to suit her storytelling, and also this is a world where planets have souls so who cares about science anyway, but.

BUT. I still think that the FTL fleet was a last resort operation, the ships jumped blind with one (1) chance to settle without being able to count on the resources of a home base, and I think they were almost nearly wiped out.

[the-eclectic-wonderer]

A big thanks to @witchybitchybisexual who tagged me in this amazing 30-questions Golden Girls-themed game; I had a *great* time answering these! I look forward to reading everyone's answers (including yours, @witchybitchybisexual!).

I'm hiding all questions after #1 under a cut, because this got long haha!

1. How did you find out about the show?

Via another show I love -- Good Omens! Or, actually, via the amazing book that inspired it. One of the main characters, the demon Crowley, is a big fan of The Golden Girls; there's a great scene in which the forces of hell hijack one of Rose's monologues to send him a message while he's watching the show! I was in need of something new to watch at the time, and I figured if Crowley liked it so much, it was at least worth checking out. :)

2. One storyline you’d eliminate?

Hmm... probably Miles' witness protection program storyline? I don't mind it that much (it gave us some fun jokes and some memorable scenes!), but I feel like that was a turning point in Miles' character, and I just don't like the person he became after that turning point.

There was no question 3 here, so I made up my own! Hope that's not an issue :)

3. Best guest star/character?

Lynnie Greene takes the cake as the best guest star, for sure. I adore her and she played a phenomenal young!Dorothy. The second place goes to Dick Van Dyke, just because I love him in general!

As for the best guest character, I think the honour goes to Angela, Sophia's sister! She's absolutely hilarious and her comedic chemistry with Sophia is stellar. I also have to mention John Neretti from S6E23 What A Difference A Date Makes for being the best man in the series imho.

4. Character you most relate to?

Dorothy! My personality nowadays is a bit of a mix between Dorothy and Rose, I feel, but the Dorothy side is prevalent (and it was even more prevalent a few years back). I love reading and literature (and I enjoy learning about history, although I don't have her passion for it); I share her love for teaching (although I'm not a teacher); I was a great student in school, but not a popular kid at all; I'm level-headed and responsible, but I can be impulsive under the right circumstances; I'm very protective of the people I love; I'm Italian and was brought up a Catholic; I'm often the tallest girl in the room (I'm just a bit shorter than Bea Arthur was!) and I'm not attractive (not that Dorothy isn't -- but she is perceived as unattractive in the show), so I also understand her self-esteem issues fairly well.

I'm not as quick-witted as she is, unfortunately, and nowadays my outlook on life is more positive and easy-going than hers, but she's still the one I relate to the most.

5. Favourite character?

Blanche, although the other Girls are very, very close. I adore them all and I especially love to see them interact, but if I have to pick one, then it's Blanche. She's the one who surprised me the most! At the start of the show I kind of wrote her off as 'the man-crazy one', and that's as far removed from me as possible, so I didn't really focus much on her at the beginning. Then came S1E4 The Transplant, and then came her family issues, and then came all her memories of George, and before I knew it I was head-over-heels in love with her. Rue was masterful in how subtly she played her; she showed Blanche's depth as a character little by little, letting the audience peek behind the mask only for moments at a time, so when I realized I hadn't given her the attention she deserved, I was already in too deep.

6. Favourite story of a cast member?

Oh, so many good ones to choose from! The first one that comes to mind is Bea's anecdote about the time she was Tallulah Bankhead's understudy. The awe with which she describes her coming down the stairs is palpable -- but I mostly admire how she took Bankhead's mean comment and turned it into motivation. And Bea did get her 'coming down the stairs to thunderous applause' moment (more than once!), so her vow came true!

A fun one that involves all four main actresses is this blooper related to Blanche's Christmas gift to the girls, the 'The Men Of Blanche's Boudoir' calendar. Watching all of them lose their marbles over this prank is priceless -- it always puts a big smile on my face!

(Is this what you meant by this question? I wasn't sure!)

7. Which was the episode that got you hooked?

The pilot, lmao. It might be a cheesy answer, but it's true! I was immediately hooked from S1E1 scene one. Dorothy's incredible entrance got me.

8. You could wear one girl’s wardrobe for the rest of your life, who would you pick?

It's a toss-up between Blanche's and Dorothy's.

9. How many kids do you think they all actually had?

... this ask made me realize there are doubts about this, lmao. I've never done the math! Had to go check on wikipedia 😂

As far as I can tell, it's fairly set in stone that Rose had five children, of which we meet two (Kirsten, with two different faces 😂, and Brigit, who I assume is her youngest one).

It also seems reasonably certain that Dorothy had two kids -- Kate and Michael. I will say I've always thought Kate was much younger than she should have been in her appearances on the show, considering Dorothy was pregnant with her when she married, but maybe she just looked much younger than she actually was, I don't know.

Blanche is more complicated. We see both of her daughters, Janet and Rebecca, and in S3E3 Bringing Up Baby she mentions three sons, Matthew (also known as 'Skippy'), Doug, and Biff. In that same episode, though, she also says she's had four kids! I get where the disconnect comes from, haha. To be precise, her quote is:

"I have had four kids, I have never had a Mercedes."

This is just off the top of my head, but I wonder if she means 'I have had' in the sense of 'I have given birth to' here? This would imply one of her children is actually adopted (which is very interesting to think about!!). Since she directly mentions her three sons after this quote, I suppose our suspects are Janet and Becky. I'll have to give this some more thought, though -- for now my answer is that Blanche has five kids, and that 'four' is a continuity error on the writers' part.

10. Do you think the actresses would’ve gotten along with their characters if they met in real life? Why/Why not?

Interesting question! I think so, yes.

Dorothy and Bea seem fairly similar already -- as far as I know Bea was a big sweetheart, a private, gentle person, and Dorothy's a big sweetheart too. Plus I feel like Dorothy would have been respectful of Bea's introverted nature, and Bea would have been understanding and accepting of Dorothy's personal history (not to mention, she wouldn't have mocked her for not dating/for her appearance).

In all the interviews I've seen, Estelle seems very respectful and very fond of old people in general -- I think she'd find Sophia a riot! I seem to remember a clip in which she actually says she likes Sophia, so I feel pretty secure in stating they'd get along.

There's this famous quote by Rue in which she essentially says that she's similar to Blanche in everything but the fact that she's not from Atlanta 😂 so I feel justified in assuming they would have had fun with each other! Rue's stated that she felt an immediate connection to Blanche as a character, and that playing Blanche helped her gain more self-esteem and confidence, so I think meeting her in person would have had a similar effect! And Rue (being a very open, honest, compassionate person) might have helped Blanche drop her mask a little bit.

The only one I have an inkling of doubt about is Betty -- mostly because she'd run circles around Rose! But ultimately I think any 'mocking' would be gentle and affectionate, much like the Girls' jokes in the show. I think they would have liked each other -- and they could have bonded on their common love for animals alone!

11. What are your other comfort shows?

Apart from the aforementioned Good Omens, I'm also very fond of Only Murders In The Building, a really fun show about solving murders and found family that I wholeheartedly recommend. Derry Girls is another recent favourite. Oh, if you like cartoons too, I recommend Steven Universe, Hilda, and Avatar: The Last Airbender.

12. Headcanons? (Feel free to list as many as you’d like)

Oh, my god. I have so many and I'm for sure going to forget some. Let's see...

I've already said some time ago that in my mind Dorothy drives stick shift. Reasoning for this is that Italians (including yours truly, haha!) drive stick shift, and she's of Italian descent, so... she knows how to drive an automatic car, she just learned how to drive on a stick shift one (and in the streets of Brooklyn, no less!). Still on Dorothy: I think she has a very neat handwriting (she feels like the type of person who consciously decided to improve her handwriting at some point in her life), but she's prone to leaving ink stains on the page (and on her hands!!), especially when she's writing in a hurry.

Rose is really strong! Physically strong, I mean. I know she was a housewife for most of her life, but she was a farm girl first! Farming takes a lot of physical resilience, and that's the kind of strength that stays with you, I think. She's the one who lifts up the furniture when they clean (S2E12 The Sisters), and I don't think they'd let her do that if she couldn't handle it. Plus, remember that time she broke a whole ceramic cup with one bare hand (in S7E19 A Midwinter Night's Dream)? Yeah. I also subscribe to some mutuals' hc that she's autistic (although they'll be able to comment on it much better than I can, if they want to!).

Regarding Blanche, I really enjoy @\eeblouissant's hc that she has a permanent tan! She's from the South, she's lived near the coast for ages, *and* she's expressed an appreciation for sunbathing in the show, so it makes perfect sense to me. Also: she's a cover hog! In the show Rose is the one who admits to stealing the covers (in S2E5 Isn't It Romantic?, iirc), but I like to think Blanche is the worst offender. It's a good way to complete the Girls' trifecta of sleeping annoyances (Dorothy snores, Rose sleeptalks, Blanche steals the covers!), and I think it's thematically appropriate for her -- considering her Southern origin, I think she's more sensitive to the cold than Dorothy and Rose are, and she's always looking for affection, so...

Oh, regarding their sexuality: I don't have a marked preference for any of them, but I tend to think of Blanche as a bisexual with a lot of internalized homophobia. Rose is also bi, and somewhere on the asexual spectrum (and I have textual evidence for this!). @\hecatesbroom has completely convinced me to read Dorothy as a repressed lesbian, but I'm fine with people considering her bisexual too. I prefer queer interpretations of all of them, but I'm honestly fine with any take, as long as the strong (platonic or romantic) bond between them is preserved.

Most of my headcanons on Sophia are just traits borrowed from my grandmothers -- for example, I like to think that she started getting into gardening once she moved in with the Girls, and she's really gifted at it (like my grandma!).

13. What would you change (if anything) about the show/ characters if it was set in the modern day?

This is a really hard question to answer properly, because while the show is still very relevant to the present day, some aspects are so grounded in their time that a lot of things don't make as much sense when transposed into the future. For example -- would Dorothy end up marrying Stanley and staying married to him for 38 years if he'd gotten her pregnant in the 90s? Single mothers weren't exactly celebrated back then either (Madonna's Papa Don't Preach is from 1986), but they still had it much better than they did back in the 40s-50s -- and divorce has become much more accessible (and socially acceptable) in the past few decades. Would she have left him earlier? Would she have married him at all?

And what about Sophia? Being an Italian immigrant in the 50s seems different from being an Italian immigrant in the 20s -- there was a whole World War between the two, for starters. Would she still emigrate to the US? Would she even emigrate at all? How would she have survived the fascist regime in Italy?

Blanche and Rose are perhaps less grounded in their time. St Olaf is so absurd it might as well be the exact same in the present day (and dying in childbirth is unfortunately still too common, so it's not strange to think that Rose would be an orphan in any case), and considering how some people still think and behave nowadays, Blanche's biography and opinions seem plausible even when transposed 30-40 years into the future (at least to me). But still -- many of the issues they deal with were grounded in their time. Take Rose's AIDS scare: would she react in the same way in the present day, knowing that care for HIV patients has progressed so much?

To be fair, apart from all these questions, all of the Girls are still plausible (and relatable) characters from a modern POV; but society has changed a lot in the past 30-40 years, and I think a groundbreaking, socially advanced show like Golden Girls would necessarily have to change as a consequence. It's just in the spirit of the show! The core idea of four women sharing a life is still a perfect premise, but the problems the Girls face, their careers, their economic stability, their ideas on love and relationships -- there's a lot that could be different when transposed to the present day! I feel like this question requires much more space, time, and analysis to be answered properly.

One thing I like to think is that at least some of the Girls might have been explicitly queer if the show was set in the present day! Which opens up a lot of avenues for plot-lines and relationships :)

14. Which other Fictional Characters would you like each one of the golden girls to meet?

I have a storyboard in my notes for a little comic in which the Girls travel to England and meet Aziraphale and Crowley from Good Omens, so them, definitely 😂

Also, the Derry Girls! Check out this great crossover fic on Ao3 -- the chaotic energy is just off the charts, I love it.

15. Who were your favourite duo?

Oh, I can't choose. Any duo within the Girls. Their 1:1 interactions are all amazing, there's no way I can pick just one. I love the bond between Dorothy and Sophia, I love Dorothy and Blanche's chemistry, I love how fun and silly Blanche and Rose get to be together, I love the ironclad trust between Dorothy and Rose, I love Blanche and Sophia's love-(fake) hate friendship, I love the way Sophia hides her immense affection for Rose under a veil of humour and the way Rose sees right through it. I could write an essay on each pair of them.

15. Who should’ve got more 1:1 screen time with each other?

I'm pretty happy with the amount of 1:1 time each pair of Girls got with each other, actually! One of the strengths of the show imho is how well-balanced the interactions between the main cast are. If I really have to nitpick, I think I might have liked a couple of episodes specifically on Dorothy and Rose in the last couple of seasons; it feels like they interacted 1:1 less after S5, but that might just be me.

I also think the Girls' interactions with secondary characters and guests were well-balanced, in general; I can't think of any specific example where I wished for one of the Girls to have more interactions with a certain character.

... okay, there is one instance, but it's not really a matter of screen time, more of what happened during said screen time. I really, really wanted to see Blanche (with Rose as support) tear into Stan. I think we deserved a scene where she tells him off for the way he treats Dorothy -- she's already pretty caustic in the show when it comes to him (except in S6, for some reason...), and a proper confrontation would have been glorious.

16. Calmest season?

Is there one? 😂 the first season, I guess? It feels a bit more 'domestic' and contained in scope, likely because it was the first -- but it's still a wild ride!!

17. Most chaotic season?

Season 3, for sure. It's a bit all over the place, and it contains some of the wildest premises in the whole series -- I mean, Bringing Up Baby? Letter to Gorbachev? Mister Terrific? I could go on -- there's lots of chaotic episodes in there! (Just to be clear: I love the chaos! S3 is not my favourite season, but it's still great -- and it's got some amazing episodes!)

18. Favorite Season?

I think the honour goes to season 5! It would probably be S6, if not for the whole 'Dorothy falls back in love with Stan' plot line. S7 is the one that contains the highest count of favourite episodes for me, but I think S5 is stronger as a whole, and it's got some true gems.

19. If the girls hadn’t had their established careers, what other ones could you picture them doing?

Oh, let's see! Stan mentions Dorothy always wanted to open an antique shop back in S1E11 The Return of Dorothy's Ex, and I think that really fits her. I can also see her as a (very passionate) librarian! And, of course, she'd be great as a college professor / history researcher.

Despite the Girls' lack of confidence in her ability to keep things alive, I think with proper training Rose would work well as a nurse. She already volunteers for the hospital, she can be competent when given the chance, she's a giving person, and she loves taking care of people, so I think she at least has the right attitude for it -- although I'd never place her in a stressful unit, especially at the start of the show! Apart from this, anything to do with animals, of course -- a zoo, a farm, a pet shop, she'd excel in all of them!

I can see Blanche thriving as a trophy wife, haha 😂 but that's not properly a career, so it's not a valid answer. Taking her keen artistic eye into account, I think she'd be great as a designer -- either a fashion designer, or an interior decorator. She also showed some talent and interest in psychology during the series, although I'm not sure she'd manage to remain completely professional as a psychologist. 😅

As for Sophia, I think she'd do well in any position that allows her to be a motivator! She's great at encouraging people through a bit of tough love, and she's a very driven person herself -- so I think she'd do well as a manager of sorts, although the kind of manager that still works hands-on too. I believe she'd manage to hold her own in more or less any field; she's very adaptable! I do think she's at her best in a kitchen, though.

20. Best aspects of the show in your opinion?

There's a lot! The writing, the performances, the costume department, it was all exceptional. I think the best aspect to me is the premise, and how seriously they took it! The idea of a show centered on four older women living together is groundbreaking, especially since it didn't make a mockery of them -- the Girls are serious, well-rounded characters, with full lives, written with lots of love and respect. I think this show really convinced me that life isn't over once you hit 30, and that there's plenty to look forward to as you age! A lot of people my age are terrified of growing older, and here I am, eager to see what's coming next -- and I owe at least some of this attitude to this show. I'm really grateful!

21. (This question is for my fellow cheesecake lovers) favourite cheesecake flavour?

:) Great question! I love cheesecakes in general, but I'm especially partial to raspberry cheesecakes.

22. Storyline you wished they had expanded upon?

The show has an unfortunate tendency to introduce characters and then forget about them, which allowed for more variety in the stories they chose to tell, but I would have liked to see some of the Girls' relatives and friends return! Like, I don't know -- Jean, for example, or Blanche's nephew from back in S1. Some of the guests' arcs are complete within their episode (as happens eg for Lily, Rose's sister), but others remained a bit 'in the air', and I think it would have been nice to see them again.

Oh, and also -- I would have liked some little references to the Girls' issues and problems outside of the episodes they're tackled in! References to Blanche's pacemaker, for example, or to Rose's addiction, or to Dorothy's CFS (or her hearing aid!!). I understand that the time was limited, but even a small callback or two would have been nice!

23. Questions you’d ask the actresses?

Does 'will you marry me' count? 😭

I'm not sure -- knowing me, I'd probably be unable to utter a word in their presence! Rather than ask questions, I think I'd just thank them for bringing such an incredible, wonderful show to life. It wouldn't have been the same without them.

24. Episode that brings you the most comfort?

Most of them, really. Even the sad ones; I hear the first few notes of the opening theme and my spirits are already lifted. I can pick one per season, if that's alright:

S1E25 The Way We Met

S2E17 Bedtime Story

S3E3 Bringing Up Baby

S4E4 Yokel Hero

S5E23 The Mangiacavallo Curse Makes a Lousy Wedding Present

S6E26 Henny Penny -- Straight, No Chaser

S7E23/24 Home Again, Rose

But honestly there's so many more I could mention! I just love these ladies so much and I love to watch them in situations, haha.

25. Episode that made you laugh the hardest?

This is a cruel choice! Golden Girls is infamous in my house as 'the show that makes the-eclectic-wonderer howl with laughter', and I think that speaks for itself 😂

Let me pick at least three: S2E4 It's a Miserable Life, S7E2 The Case of the Libertine Belle, and S7E4 That's For Me To Know.

26. Which other work that the actresses did you enjoy the most?

I believe most of Estelle's career prior to The Golden Girls was in the theater, so I'm not sure it's even possible to watch her other works, unfortunately.

Show me Bea Arthur singing literally anything and I will be on my knees in seconds. Her musical performances are peak. Also -- I still haven't watched Maude, but I already know I'll love it.

Maude includes Rue as well -- I cannot wait to fall in love with her as Vivian too! And I have one of her early movies in my watch list, although I'm waiting for the right moment to watch it (homegirl plays a stripper and I'm not sure I can handle it in company without making a fool of myself, considering my big gay crush on her).

As for Betty -- Life With Elizabeth, absolutely. She's so funny and so beautiful and so captivating in it! She's simply charming, I love her to bits.

27. Best St Olaf Story?

The Great Herring War from S1E25 The Way We Met, no question. It's not necessarily the strongest from a comedy point of view (although it's certainly up there -- it's hilarious!), but the context and the way Dorothy and Blanche contribute to it make it the most memorable one, imho. It's my favourite, for sure.

(The story of Gunilla Bjorndunker, St Olaf's tallest woman, as told in S6E3 If At Last You Do Succeed is in second place).

28. Best slut story?

It changes every time I hear one, lmao! I love all of Blanche's stories!

If I must pick one -- I really enjoy Blanche's retelling of that time she realized she was even more devastating by moonlight in S1E25 The Way We Met, if only for that incredible final line ("It was at that moment I realized my bosoms had the power to make music!"). I'm not sure if it counts, because it's so brief, but her involuntary remembrance of that time she had to call a cab to get home because the sailor she hooked up with wouldn't wake up (S2E17 Bedtime Story) always has me in stitches -- I love how unexpected and effective it is!

Oh, and I'm really fond of the one she tells her mama in S3E25 Mother's Day. I'm very sensitive to the theme of loved ones getting older and having trouble remembering stuff, so that whole flashback hits close to home for me, and I love how Blanche's story helps her and her mama connect over shared memories. It's really touching (and Rue's acting is spectacular).

29. Best Sicily story?

Sophia's alleged encounter with Pablo Picasso, as narrated in S6E24 Never Yell Fire In A Crowded Retirement Home: Part 1. I somehow didn't anticipate the punchline, and I lost my shit when Sophia name-dropped Picasso. I still lose my shit every time I listen to it. It's a classic.

30. Which girl would you be most interested in seeing a prequel of? And at which point in their life?

I would pay dearly for a young!Dorothy show. It might be depressing (because her life with Stan was... well... yikes) but also imagine -- Dorothy learning how to be a mom, her life at college, building herself a life... so many possibilities!!! And it would be even better if it featured some flashbacks to Sophia's life in Sicily!

I would enjoy a show about teenage Blanche's adventures, too, but a part of me thinks those stories are at their best when retold by Blanche herself (ie when there's a good amount of doubt as to their veracity, lmao).

[lesbiangiratina]

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