#so sorry I haven't been on love

[egophiliac]

Since book 7 part 5 (the part where we meet Meleanor/Maleanor 👀) is coming to EN this month, i would love to see your take on lilia’s proposal to meleanor! i mean they were like little kids right? it couldn’t have been that serious…i think the only reason she even brought it up again is because she could tell lilia still genuinely loved her…(even if he didn’t realize it himself?) but, oh well! Let’s think about silly childhood shenanigans to numb the pain! ^_^ (orz)

oh shit?! get ready for a doozy guys, it's comiiiiiing ᕕ( ᐛ )ᕗ

I chickened out of posting the whole thing (look, I get VERY carried away when it comes to these wacky kids and their Tragedy), but I do believe that it probably ended with Lilia getting embarrassed and just shoving the first thing he sees into his mouth to try and cover for it.

(we're just lucky it wasn't a frog this time)

[soosoosoup]

snowzone

[laddertek]

etho said actually you _don't_ understand the intricacies of how tango is my boyfriend and bdubs is my ex

(and how tango and bdubs kiss too)

Scar: We went on that little adventure, you know! Etho: Yeah, yeah, we had our adventure, that's true, that's true. Scar: You disparaged your teammates. That's it, all right, no more spoilers. Etho: (laughs) Our team has -- our team has some weird dynamics this -- this season. Cleo: (overlapping) Really, Etho? Is there trouble in paradise? (pause) Who's third-wheeling with you, again? I can't remember. Etho: (laughs) Uhh. The -- Cleo: Genuinely can't remember. I know it's you and Bdubs. And...Tango? Tango. Tango. Etho: (loudly) Why -- Why is Tango the third wheel? Why -- why isn't Bdubs the third wheel? Cleo: Because it's you and Bdubs. I'm sorry. I understand how that relationship goes. Etho: (dissatisfied) Hmm.

[saketoge]

🫣😵‍💫🤕

[wigglesdtuff]

comfort doodle

[comfort-character-central]

Imagine your f/o holding you, wrapping the two of you in an incredibly soft and comforting blanket. "I've got you, okay? You can rest, you're safe with me." They express in a soft tone, kissing your forehead delicately as you begin to doze off in their embrace.

[deep-dark-fears]

Hi folks, it’s been a while. Here’s a fear submitted by Achintha to deepdarkfears.com/submit - thank you! Looking for a holiday gift for the friendly weirdos in your life? You can find original artwork in my Etsy store! CLICK HERE to check ‘em out. Thanks!

[mattodore]

birthday boy 🎂

[mewkwota]

I Know What You Are... You Are Mega Man!

The differences between each Mega is something I love and appreciate, plus it's also fun to compare them side-by-side for it.

I think it's really amusing how they start with robots that slowly reach near-human traits, and then there's a straight-up human. Albeit, he is merged with a non-human being.

And then there's Volnutt. I know he could probably be narrowed down to an "artificial human", but I like the idea of tying him to his celestial origins as Trigger that are still half a mystery.

Such is my running-joke with him. He is just... Volnutt (currently).

[st4ngray]

Carnivorous plant

The full flytrap Miku design (albeit very messy) under read more! (Or keep reading(?) idk)

[krscblw]

🍂 satanic girl autumn cumulus pt 2!

[me-sploh-rada-imas]

jance have been extra unbearable recently... dare i say coinciding with when nace got a new puppy? something something them growing their little family is making them very happy...

[carlyraejepsans]

"ok but if dadster is real where is the skelebros' mom" "there is no mom" "oh you mean he made them in a laborat—" "meteor" "what" "METEOR FELL DOWN WITH BABIES IN IT"

[theodoraflowerday]

ok so im seeing quite a bit of upset people over the changes to the ferris wheel scene, and while i understand why people are upset (because like, duh, we all want ace tori and pan michael), i think from the show's perspective it makes a LOT of sense and i liked the change:

one, because it gave good closure to tori's storyline of the season: she is allowed to have close relationships with people who aren't her brother. I think she'd been so worried about charlie that she needed him to remind her that she's her own person and she doesn't have to neglect her own life for his sake. and also I think because she was SO focused on charlie she genuinely thought the lack of "feelings" she was experiencing were entirely because of her stress over the charlie situation and now that he's finally given her the "out" (as a manner of speaking) she can actually think about her life and her feelings for michael for what they are instead of through the lens of a worried sister. so I think it was necessary for her character development.

two, because the events of solitaire did not happen in the show while in the comics michael is already an established character and we know him, in the show he's been there for approximately 5 scenes. so of course he's not going to show up as a fully realized character. remember in the comics how tori is like "surprised neither you nor nick have noticed, bro's kinda obnoxious (affectionate) about it"? yeah well he's interacted with nick once and charlie like three times on screen. and also, he and tori just MET on the show. and this season was also a little busy with darcy, isaac and imogen going on their own sexuality and gender journeys so in my opinion, dropping a michael reveal in the ferris wheel scene would've felt kinda shoehorned (especially because it wouldn't even be michael saying that to charlie, and that tracks in the comics because of their background and bc tori assumed charlie knew, but not in the show bc they barely know each other and tori would essentially be outing him)

i hope hope HOPE we get a season 4 because tori and michael need and deserve a little more breathing room (and again, that's not a failure of this season at ALL, but solitaire not existing in tv verse DOES inform the way their joint storyline was written), and I want nothing more than a full season where they get to know each other better, learn about themselves and each other, and come out to the important people in their lives in their own terms ((and also I just honestly want a sprolden spinoff because I will always be first and foremost a sprolden shooter))

[lorephobic]

literally nobody asked for it, but here's my list of saltburn essays that i've slowly been drafting over the course of the last week which WILL be required reading for anybody trying to engage with me about this movie. my very personal saltburn 101 syllabus just dropped

A Wolf in Deer's Clothing: Saltburn's Attempt at Innocence

an examination of party costumes and our character's last attempts to masquerade as something they're not: felix—an angel, all-forgiving and all-knowing, something to be worshiped; and oliver—a prey animal, prey to class-divide, prey to saltburn, prey to felix.

thoughts about oliver specifically are loosely organized in my #bambi tag

A Midsummer Night's Mare: Farleigh Start as the Ultimate Victim of Saltburn

a farleigh character study, about the ways he was mistreated and manipulated at saltburn, about fighting to stay alive and the scars left behind by knowing when to give in

alternatively titled "QuickStart", may be adapted into a conclusive essay specifically focusing on oliver and farleigh's relationship

The Eye of the Beholder: On Saltburn's Voyeurism & Violence [working title]

how wealth and class pushes the catton's toward the volatile reality of being able to look, but not touch. on desire and the lack thereof, and portraying yourself as an object to be desired

may end up as two separate essays on wealth and aestheticism but i'm pushing toward a conclusive essay about the intersection of the two, which i feel is at the heart of saltburn

alternatively titled "Poor Man's Pudding: A Melvillian Approach to Saltburn's Class", again, may be adapted into it's own essay

Gender-Fluid: A Study in Sexuality and Saltburn's Desire to be Dry

a deep dive into the bodily fluids of saltburn and how oliver upsets the standard of men who are just so lovely and dry. on the creative choice to lean into the messy wetness of sex and desire and the audience's instinct toward repulsion

a celebration of the grotesque and an examination of why we would label it as such

least developed of the four, heavily inspired by @charnelpit's lovely post about the fluids in saltburn

if anybody is actually interested in any of these, i can work toward something closer to a finished piece instead of just bullet points and quotes in a google doc, but mostly this is so i can share my very brief takes on a multitude of themes in saltburn that have been haunting me

edit for people seeing this in the future: all posts about my essays are being organized into my #saltburn 101 tag if you’re interested in following these through to development!

[deoidesign]

Thinks about my next series again... I drew the icon for it!

I'm planning to have it launched within a year! I'm hoping for summer 2025. I want to make a prelaunch page before Time and Time Again ends so people can subscribe if they're interested, but I'm worried the series return would be too early...