#so now i'm Sharing With The World

[bigcats-birds-and-books]

Seven Covers in Seven Days: THE ALBUM OF DR. MOREAU by Daryl Gregory.

tagged by @asexualbookbird

Every day post the cover of a book you love and tag someone to do the same!

tagging: @tinynavajoreads

[lil-lemon-snails]

sometimes you just need to hear it v some stills below the cut v

[night-orchids]

the fact that you can see the exact moment tears appear in his eyes

[toffeecoffeee]

(tw angst, also not a ship they are siblings)

Love!!

loss.

[vingler-mirror]

So let's talk about the lyrics Isolde and Kakania were singing at the end of "Through the Glass"!

As the story described, Isolde was singing a part of the opera "Tristan und Isolde," specifically the part where Isolde is waiting for her rendezvous with Tristan.

In this part, Isolde ignores the calling of horns that signals the arrival of King Marke—the king she's supposed to marry—, insisting that it's just the rustling of the wind or the trickling of the stream, even though her maid tells her over and over that it IS the sound of the horns and the king is nearby.

In our Isolde case, I think we can interpret the call of horns as symbolizing the reality that Isolde doesn't hear—or rather, doesn't want to hear. Because "the calling of horns does not sound so sweet" compared to "the silence of the night" (the peaceful dream she doesn't want to wake up from), and the promise of meeting with "He who is waiting for me in the silence of the night," which—I think we can agree—is Kakania in her dream.

And unlike the "run away with me, Cavaradossi" scene, this time Kakania responded with her part!

Or at least... in the loose sense of it, because the part Kakania chose to sing skipped a lot of events ahead from Isolde's part, which is very interesting! Isolde's lines are from Act 2, while Kakania's are from Act 3: after the king catches Tristan and Isolde in the middle of their rendezveous, Tristan gets stabbed by his betraying friend, and he wakes up with a severe injury that will kill him very soon.

I think this might be intentional—to symbolize that Isolde is stuck in the past, in the happiest moments of her life, while Kakania is facing the reality of the present, in the aftermath of everything that has happened to them.

Unlike Isolde, who sang her part faithfully to the opera, Kakania took the full creative liberty of only singing a few lines from Tristan's part and straight up skipping the rest of it. Which is a bit disappointing at first (the time she actually played along with the opera act and she didn't even do it properly, smh), but this means that every single line she sang was deliberately chosen to convey what she wanted to say to Isolde!

I interpreted the first part of the lines as her expressing how lost she felt after the Storm washed away their era. She fully expected to get reversed by the Storm to atone for her sins, and now that she's left as the only survivor, she has no place nor people to return to. Her life, her purpose, the dream she worked on all her life, and the people she strived that dream for... all gone. She no longer knows where she's standing in the world and what lies ahead for her.

We can also interpret this as Kakania responding to Isolde, who was singing and waiting for Kakania as her "Tristan," saying that she can't meet her in fear of triggering Isolde's trauma and making her condition worse.

And the second part... is Kakania's resolve, that even if everything has changed, even if she's stranded with no era to return to, she will still stay on her path of striving to the betterment of the world, of trying to fix "the cracked mirror" no matter how fragile and broken it is. Back then, by fighting for the rights of arcanists and the other "outsiders" in Vienna, and now by doing all she can to help with the Storm.

...and this also means goodbye. Because Isolde chose to stay in the past, and Kakania, who took a different path, respected Isolde's wish and headed on alone into the future.

But goodbyes don't always last forever. And as Kakania said at the end of her story:

[lunarharp]

What led to this (orufrey comic, cw an uncomfortable/creepy scene)

[vynnyal]

This is a pretty good point in the wip to share this, methinks :]

Map part for the hole dwelling map, starring... Not my ocs! I wanted to use ocs, but I don't have any-- so I just used the characters from a fic I was reading at the time 😂

Turns out, the symbolism was so much fun to twist into the 11 seconds I had to work with, I ended up going way more complex than I meant to. If you wanna read the fic this was based on, please do!! And tell the author I said hi! :D

[tohjwcc]

It seriously takes me 40 minutes to watch through a 22 minute long episode.

Oh, why?

Well, I need to rewind every scene so I can see every character's expression, need to know where all of them are looking, and where they had their arms. I also need to rewind every cute scene I see, if I missed one single detail, could either be I missed a detail of a rock or tree in the background, or it could even be a background thing/background character. When it's about cute scenes with yasammy for example, I need to rewind and pause for a good amount of time, just so I can take in what happens, I need to look everywhere to see where they hold each other, how long, if they move their hands/arms anything, if it's a scene where one of them is holding the other's arm, then I need to see what the other person is doing and that person holding it, where she's having her other arm that she's not holding her gf's arm with and so on and so on.

Idk if this is a problem only I have or if more people do this, but either way, I am freaking out, it is SO annoying, but I just can't stop. Like, seriously. It's not only when I watch CC/CT, it's literally every show/series/movie I'm watching. I think I'm annoying my friends when I watch stuff with them. I am rly doing my very best not to do it when I'm with other people tho.

Yeah, just rambling. Lxfkdldkdnfnnfnfnfnf.

[is-the-bug-video-cute]

Please appreciate these gay beetles I found in a 1986 paper

[stopper-my-heart]

Nothing like Heartstopper S2E8 removing some of Taylor Swift's "seven" lyrics just so that the singing can specifically come back in at "Or hide in the closet" while Isaac is processing difficult emotions related to the book he's reading (i.e., Ace: What Asexuality Reveals About Desire, Society, and the Meaning of Sex by Angela Chen).

Did I mention "Or hide in the closet" hits just as the camera focus finishes shifting away from Isaac?

This is fine

[thelaurenshippen]

the way that silver said "I will stand here with you an hour, a day, a year" to flint and "I will wait a day, a month, a year, forever" to madi....I'm sick to my stomach. who is doing unhinged devotion like this man

[piedoesnotequalpi]

Race likes knitting sweaters but hates knitting sleeves so Spot's wardrobe ends up being like 50% hand-knitted tank tops

[chut-je-dors]

Now I'm curious cause of your tag. What did Swedish media say about the eurovision thing?

Oof yeah, here's a post detailing it ... here another... Basically they've absolutely flipped over the fact that Finnish public didn't give Loreen points at all (which I find absolutely hilarious) and suddenly started wielding such rhetoric as "the former eastern part of our kingdom" referring to Finland, which is???? like??? do I even need to say how Not Okay that is?

It might seem to some that the Finnish people are reacting to Sweden's (unfair) win and them being sore winners (which, points to them, I didn't know was possible!) with too much drama, but it's all tied to our history together. Finland has traditionally seen itself, and has been seen by other countries (Sweden included) as the sort of "little brother" to the more advanced, better-faring, glorious Sweden. While Sweden to my knowledge doesn't much care about what Finland gets up to (perhaps overlooking/ignoring us and our merits), Finland is always comparing itself to Sweden and trying to live up to it. It's a very common rhetoric and sort of, the atmosphere over here. We know more about Sweden than Sweden knows about us; we're constantly conscious that Sweden exists. Sweden gets talked about in international news; Finland, if mentioned, is often tied to - you guessed it - being Sweden's neighboring country.

We used to be part of Sweden for 600 years. During that time, Swedish was implemented as the language of the culture and the "civilised" whereas the finns living in the eAstErn pArT oF tHe kiNgDoM were seen as "wild" and "uncivilised" and just, generally a lesser people to the Swedish speaking population. We haven't been under Sweden's rule for some 200 years and STILL we can't seem to shake their influence on us. Swedish is still a mandatory language to learn at school (and I have many opinions on that, but that'd be another post). Finnish as a language has been disregarded for its whole existence. Our leading national thinkers and poets in the 19th century, who were the first ones to really push for the Finnish identity instead of us seeing ourselves as part of Sweden or Russia, wrote in Swedish. The first novel in Finnish was published in 1870.

So this is monumental to us, to have the whole word watching Finland and not Sweden. Finland has a lot of merits, especially considering how small a people we are (just 5,5mil). To have a song in our language, in Finnish be this popular, is something we couldn't have imagined. We as a people are humble to the extreme, so much that we might easily scorn anyone who is too successful (not a good thing!), and this is the first time in my life that I'm seeing the whole country rally behind someone like this. When we say "Our Jere" we mean it with our whole hearts. We're so so proud of him, everyone is, and for once Finnish people seem to think in unison that someone deserves all the praise and the success.

SO, to have Sweden in this UNIQUE moment of Finland raising its head and being "we're so amazing", with the rest of Europe going "yes you're so amazing!!", spew rhetoric like this, is just, unbelievable to me. Like I can't just believe that in the 21st century there are people in Sweden who hold up 200 year old thought patterns of our country. It's been shocking 'cos though there's always been rivalry, it's felt more... tongue in cheek. We "love to hate" Sweden over here. It's been "I hate Sweden (affectionate)". But now we find this unbelievably condescending and belittling attitude towards us raising its head, and we wonder, we thought we two were okay?? But have they always held these beliefs???

So there's a sense of betrayal in the air as well. And just, full on disbelief. And maybe we're starting to see that it has been like this all along, but we've decided to turn a blind eye to it? True colours shining through? Perhaps not... but yeah.

Sweden not looking good here!

(here's one more post that says the same that i did but was better at making it SHORT oops)

[bigturtl]

do u have blue sky

yes! i'm zeewa on bluesky 🫶

thank you for reminding me that i need to put my bluesky in my about me 💋✌️

[steakout-05]

medic tf2 doodles?!?!?? in this economy!???!?!? (art from yesterday)

most gentle and sweet middle aged german man in the whole entire world smile vs planning to swap all of your organs with a series of interconnected frogs smile

a doodle i did of Medic and Archimedes.... he looks too round in this drawing, not smug and evil enough..... also Mitzi from the RAE appearance :D

i LOVE the voicelines Medic has with Haunted Archimedes, he's not disturbed or even slightly put off by the fact that his zombified dove is 1. talking and 2. has a violent and constant craving for brains. he's just like. being a slightly irritated pet owner about it. he's just like "ugh yes archimedes vants all zhe brains doesn't he. now shut up". also i think this is the most on-model medic drawing i've ever done wtf

[brown-little-robin]

so how are we feeling about Kakyoin and DIO and the motif of fear

image description below the cut

edit: link to part two, "predator animal fear"

a series of JoJo's Bizarre Adventure screenshots interspersed with a tumblr post from user aweega. The series goes:

Kakyoin with his lip curled in a snarl, holding up bloody hands, quoting DIO to himself: "There's no need to make yourself vomit from fright." then the start of aweega's text post: "characters with prey animal rage"

Kakyoin with his bloody hands fisted, thinking "Damn it! Never again! I will never lose again!". Then text: "characters with both the abject terror and". a close-up of Kakyoin's eyes, wide and unfocused, with sweat dripping from his forehead.

the text continues, "murderous desperation of an animal that knows it is cornered and destined to be eaten." Kakyoin, blood running down his forehead, glaring up at an unseen foe with his chin tucked down and teeth bared.

text: "you just can't get that kind of angst out a successful hunter. but alternatively i posit: predator animal fear. which is a totally different thing"

DIO baring his teeth, panic making his eyes go wide and unfocused despite the snarl the rest of his face is set in. Jotaro stands behind him, asking "How does it feel, Dio?".