#so many religious undertones and overtones it drives me mad

[unhingedsentientrock]

The Sua comic is so good it scratches the right cortical regions.

The remains of dead children are akin to snow -a hallmark of winter- to insinuate the cessation of existence. If Sua's sister is to be taken at face value, it is a ritual restricted to children. Mixing their remains in the grass they once walked on, in the only place that offers the vestiges of humanity as a bargain to elicit their most beautiful cries, is horrid.

Equating ashes with snow is such a twisted play on the connotation of purity the latter carries. But also, the remains are scattered under the starry night sky, as if to symbolise the glimmer of hope fading away. Or it could be seen as going back to the abode in the sky where God would have lived had they not been forgotten.

Anakt Garden represents a one-way trip to the afterlife, which is why Sua's sister references it as "hell", because it is frightening. She still has her instincts intact and fears death unlike those who grew up in the garden. However, Sua finds reprieve in this afterlife, morphing into a "heavenly garden", because she was found by Mizi, her delight, her enticing "paradise". In the end, she becomes a perfect victim of the system that ensnares all.

The entire world is built on a travesty of concepts as we know them, deprived of their most raw characteristics. Everyone has to return to the Great Anakt; ashes to ashes, dust to dust.