#so i want sokka to know all these details about him LIKE FOR EXAMPLE. his zodiac sign

[uitzinnigmp3]

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[sufferingsokkatash]

THAT famous zukka hug in the atla north and south comic : an essay you did not need, by me.

i was thinking about how, in writing, there should be no accidents or coincidences in how and why something is described, or the detail the writer chooses to use. for example, zuko tapping his hand on his desk would be used to show that he is impatient or anxious about something.

so THEN i decided to apply this to the zukka hug, because why not be delulu about these things idk.

first of all, here are the zukka hug pages for context:

disclaimer: i don’t really know how the fandom feels about the comics. personally i like them, so i will proceed with that bias in mind. also please take this with the humour that is intended, it’s more fun that way.

i go down a sabre tooth moose lion hole below the cut.

this whole scene to me is largely what we all love about atla - humour and good characterisation combined with serious subject matter. king kuei and bosco are the comic relief and oblivious party in the face of quite a complicated issue, as zuko himself acknowledges. this humour then extends to kuei offering zuko the chance to join in on his hug with bosco, which zuko politely refuses. obviously, there is the clear issue of zuko being afraid of being eaten by a bear, but we’ll pretend that ernest hemingway is grading our papers here, okay.

it is a very deliberate writing choice and contrast to have zuko refuse hugs from one person/animal and then immediately and happily accept one from sokka. (see also: sokka running excitedly with a big grin on his face at the bottom of page 17 to greet them, naming zuko first, but remembering that he is a good ambassador to the swt and using their proper titles despite his excitement. more silliness mixed with seriousness. see also, also: HE RAAAAAN!) zuko may be touch averse and not a huggy person, but screw that when it’s sokka who’s offering the hug.

remember there are no accidents in good writing. kuei happily says: hello friends! to which, in both that panel and the next, he is clearly ignored. sokka and zuko are so absorbed in hugging each other that sokka neglects his duties in welcoming them both properly. zuko : 2 swt ambassador role: 0. also ignored is the fact that kuei brought his bear, which would normally be subject to some kind of smartass comment from our boomerang boi, even if he knows he’s obsessed with his pet from the ba sing se episodes.

this could be an actual mistake, but sokka ran towards zuko, who was standing in front of kuei. but in the hug panel, sokka is between them. that means kuei walked all the way around them trying to get their attention, and it still didn’t work. sokka, nor zuko, say a further word to kuei. like exactly how much tunnel vision is there in this, my goddddd.

bosco is protecting kuei and sokka is protecting zuko. could be why they mirrored them and their positions in the hug panel, so not a mistake. a swt person says: protecting foreigners, sokka?! but that is exactly what he does by ignoring the protesters and telling zuko not to worry about them. despite wanting to do his duty to everyone sokka puts zuko first, basically, and doesn’t care about what they all think of him. that’s kind of huge for sokka.

yes, hakoda is injured at this time and yes he’s proud of sokka, but surely as chief he would have gone to meet the earth king and firelord? why did the writers go to so much effort making sure that sokka was there to meet zuko and have them hugging take up a third of an entire page when printing and space in the comics is such a consideration? it is clearly important, y’all.

their faces when they see each other. sokka can’t stop grinning and zuko closes his eyes in relief he’s so happy. enough said.

sokka says: thanks so much for coming! like he doesn’t already know zuko would travel the world just to make him happy or help in what’s important to him. have you forgotten boiling rock, sokka? because that dude you’re wrapped around, acting like he’s been starved of you, sure hasn’t.

this comic is all about nations coming together and traditions being upheld and shared. in other words, marry him sokka. it is in your diplomatic interests to do so.

in utterly insane conclusion:

i am always surprised at how much they made the effort in the writing for this one scene. i don’t see the comics as something that tease ships, they aren’t natla. what i do see is two guys who clearly care about each other, almost to the detriment of their roles and responsibilities, and their relationship was worth the effort taken in the writing and artwork to show that. it is super heckin sweet. does this mean i think zukka is canon or could be? no. maybe did i have fun pretending and overanalyzing every detail? yes.

ps in all seriousness, the answer is that this is about my fav boy and how far he has come in his character growth journey - exhibit a from ‘the avatar returns’ episode:

the end, i am getting blocked and going to jail but it’s okay because zukka is my bosco hug.

[timur-pannonicus]

Zuko and Azula had no reference for what a normal or healthy sibling relationship is like

To address the always present argument about whether their relationship was abusive and who abused who. People point out that being mean and competitive, sometimes to the point of being hurtful, is not unusual for siblings.

I agree. But my point here is that Zuko and Azula don't know that.

Neither is either of them in their early to mid adulthood where the majority of people who had siblings they never got along with start understanding and forgiving.

Azula and Zuko most likely think that their rivalry is NOT a common thing. They lack examples from others in their lives.

I know bringing up the comics is justifiably frowned upon but in the Search, Zuko is absolutely bewildered by Sokka's and Katara's behavior towards each other, which was nothing more than fun bickering. But let's look what can be concluded or assumed from the show.

Iroh and Ozai were both well into adulthood when Zuko and Azula were born and they sadly did not reconcile their differences. They most likely behaved very icy to one another but the demands of court probably required them to act in a very civil and respectful seeming way. In Zuko Alone we can conclude Ozai didn't say anything nice, warm or funny about Iroh to Azula as seen by her attitude to her uncle and Iroh likely didn't tell any fun anecdotes either due to either being away at war or because he didn't want to risk a fight with his brother.

Ursa might have had siblings and cousins but nothing in the show confirms that and the comics clearly say she did not.

Mai didn't get a brother until she was 14.

Ty Lee has six sisters but it's quite possible that each of them had a "pair" in their matched set and Ty Lee was the only one left out, made worse by the fact that her parents seemed to barely acknowledge her. It's possible that only her friendship with Azula made her stand out at all, which likely contributed to her desire for uniqueness and independence too. In any case she likely didn't have much interaction with her biological sisters.

There seems to have been no other kids in the palace with whom Azula and Zuko could interact, limiting their scope of experience and insight.

Zuko not realizing that little siblings tend to be annoying and mean and do pranks has been discussed in detail by others and I don't think I have to add anything.

But, AZULA did not realize some things about older siblings either. They can be entitled, patronizing, attention hogging, dismissive, rude and even cold. Countless older siblings have told the younger ones that they were adopted or found in the trash or said and done even worse things.

One way to simplify the rivalry between Zuko and Azula is to say each was jealous of the attention the other was receiving from a parent.

However, sadly for them their parent's relationship was strained either from the start or after a while, to put it lightly.

Add the fact that they were sheltered and secluded royalty and what they learned about what siblings should be like most likely comes from official ceremonies and rituals, state approved stories and plays, idealized versions that don't correspond with reality.

Plus due to the Fire Nation being a blend of East Asian cultures it's likely they have some form of Confucian ethics. According to those the younger sibling owes obedience to the older and the older is bound to protect the younger. I think it's not too much of a stretch to believe both Zuko and Azula felt wronged in that regard by the other but both were too stubborn to give.

I can't blame Zuko too much for not realizing Azula was trying to help him a few times. Boy was brought up to believe that little sisters SHOULD be very kind, nice and demure. Even if he had acknowledged her efforts he'd still be inwardly pushed to believe she was doing it wrong.

So yeah, both could use a very long life changing field trip with Katara and Sokka, who were both allowed to develop their relationship naturally.

I think I've said enough for now. This is how I see things AT THE TIME OF WRITING.

I tried, really tried to be as fair to Zuko as possible and not harp the poor Azula harp. But if anyone wants to scream at me and be rude over my obviously wrong opinion on either fire sibling, don't expect a response from me.

[asfearlessasamango]

here i ammmmm i hope this isnt the longest ask ever lol but i cannot overstate how GORGEOUS i find your prose. the phrase “tiredness curls up in each joint like old cats in old corners” is so absolutely evocative and paints such a melancholic, beautiful, rich picture in my mind every time i remember it. i could actually get it tattooed thats how seriously beautiful i find it. most of all i loooooooove the amount of social norms, architectural details, cultural differences etc etc you infused in the story to fill in the gaps of the canon universe. the choice of using of rice paper vs. glass and all the reasoning behind it is the example that comes to mind, but im sure that if i knew more about east asian cultures, i could identify more and more details you scattered throughout the plot to turn this make believe world into a truthful parallel of the real one we have. i can only say bravo. and if you have any recommended reading for homework, i’d love to know more about these references! now back to your writing! one of thee strongest points of the story, for me, is how believable these characters are as people. they feel so fully fleshed out that sometimes it was like intruding on someone’s most private thoughts - even a little painful to keep going, and i mean that in the best way possible! i especially loved the subtle addition of zuko’s ingrained sexism and prejudice against other nations, things that ofc he’s never had reason to unlearn in this universe. he is compassionate, but can be very unkind - seems like a delicate balance, but in your story, it just flows naturally. you inhabit their heads, strengths, flaws and life experiences so well, like sokka’s blind defensiveness when he thinks of himself as helpless, his brashness and ingenuity when he sees zuko more as a puzzle to solve than a person. that goes even people who haven't gotten that much plot attention yet - like azula wearing blue lipstick (!!!!) foaming at the mouth from the thought. OFC she would!!! shes bold, shes confident and shes here to shine + now she allows herself to have fun! do “ugly” and “imperfect” things for fun! and all the parallels between this redeemed azula and the canon zuko we know. your oc who is zuko's guardian, who he calls grandma, hasn't even shown up yet and i already love and miss her. uncle iroh!!!! zuko assuming malice from uncle iroh who only wants the best for him - but ofc he doesnt know that! but we do, and it hurtssss katara and aang!!! the bath scene with aang, zuko’s forced vulnerability, their honesty, aang’s absolute grace towards zuko. suki and the kyoshi warriors! i trust they will get their turn to kick some ignorant prince ass. and the thing that draws me the most to this genre: the exploration of trauma in its aftermath. your storytelling is wonderfully brutal here. like… you draw a white picture by filling in all its shadowy contours…. if that makes sense. all the ways zuko’s life was affected by his father add up to the shape of his hurt. him not eating fatty foods to stay fit and "bend better". recognizing azula in his own reflection instead of himself. wearing his mom’s night clothes. im going feral feral feral whew! in my heart all this would’ve been a very pretty glittery letter sent to your author p.o. box. i love your story and it lives constantly in my imagination - thank you so much for sharing it with the world!!!

ohhhmg.... thank you for this!! i sat on it for a whole minute to respond right! i'm so glad you like it!! i love that you love all these characters' new lives <3 <3

there are so many Very Careful Lines to Walk in doing an ATLA au bc the original characters and cultural stories are really so complex. and i am FAR from an expert on east asian history / cultures but here are a few sources that I found helpful / interesting:

jinian qian's writing for The Millions, especially the articles "The Moon Is Beautiful Tonight: On East Asian Narratives" and "Light in the West and Shadows in the East"

chaoyang trap, which is not at all about ancient china but about very modern chinese cultural existence, especially on the Internet / social media / fandom. I can't say this has directly provided me with a lot of relevant info but it does help me figure out attitude / approaches / how things "translate" into western contexts

and of course there are so many A:TLA blogs that really keep the analytical conversations going and make ao3 as vibrant as it is-- @atlaculture, @boybff, @volkswagonblues, @azularedemptionarcwhen, @chitsangenthusiast, @azulasnailtech, @visit-ba-sing-se, @marriedzukka, @bleekay, @ash-and-starlight, @sokkagatekeeper, @azulapropaganda, @zukkababey, @comradekatara, @ofherlionheart, @chaoticsandstorm

okay i will stop blasting this post into all of atla tumblr's notifs but the above blogs are total Gs, 10/10, would not be as deep into my MFA in a:tla without these trailblazing scholars who went before me

have a lovely vintage kermit meme, mwah

[juniperhillpatient]

Lake Laogai

It's not even remotely a secret that I'm incapable of being unbiased or objective about this episode. I love Jet, & I think killing him off was a huge mistake & a waste. I wrote a post explaining in more detail why I specifically think that Jet's death was a writing mistake HERE.

This re-watch has been interesting because it's really nice to re-watch a fave show & re-evaluate my opinions after spending a lot of time engaging with the fandom. I don't know, maybe it's just my annoyance with the fandom's pushing for a Katara/Aang/Zuko love triangle but this re-watch has made me take a firm stance that Jet should've lived, & become part of the Gaang, & dated Katara. "But Rose, don't you prefer Katara with girls?" I mean yeah, I like to write that more, but I'm talking about what I think should've happened in the actual show, which is entirely separate.

[ID: two pictures from different angles of Katara & Jet in the streets of Ba Sing Se]

Katara & Jet have the whole contentious complicated past & I'm always gonna be a sucker for the dynamic where the girl is violently angry & the guy is just like "I'm so sorry I've changed please accept me" like, I'm just being honest that's a good dynamic. Jet's already pretty strong redemption arc could've been concreted & we could've had a new, needed perspective in the Gaang from someone who was a victim of colonization in a similar way to Katara & Sokka but with a very different experience & reaction.

I will try not to spend this whole post being salty though, that's why I made a separate post. The brainwashing under Lake Laogai is very creepy, & it is one of the aspects of the show that stuck with me the most upon first viewing & for good reason. All the Joo Dees speaking in unison is genuinely terrifying. Long Feng is also a well-written villain. He's sly, manipulative, & just creeps me out.

The other thing that I wanted to ponder on with this episode is Zuko saving Appa, & Zuko & Iroh's discussion. I want to make it clear that I think Zuko's redemption arc is incredibly well-written overall. I only criticize Avatar because I love it so much & have thought about it so much. There are a lot of popular Avatar hot takes on Tumblr about how Zuko's redemption arc is poorly written, nonexistent, or whatever, & I simply strongly disagree. I have to get that out of the way & be clear about it or I'll worry I'm being misinterpreted. I also like Iroh, although I feel like I don't always understand what's going on with him & this episode is an example. That's another thing I wanted to clarify because I don't want to come across as anti-Iroh. I don't know, maybe I worry too much about how I come across lol but anyway -

Iroh: And then what!? You never think these things through! [Points at him.] This is exactly what happened when you captured the Avatar at the North Pole! You had him, and then you had nowhere to go!

Zuko: I would have figured something out!

Iroh: No! If his friends hadn't found you, you would have frozen to death! Zuko I know my own destiny, Uncle! Iroh Is it your own destiny, or is it a destiny someone else has tried to force on you? Zuko Stop it, Uncle! I have to do this!

This scene specifically & the entire framing of Zuko's unhappiness about the teashop is very interesting. I have said before that I dislike Zuko as Firelord in the end, but that's not necessarily a firm stance...I guess I just dislike the inconsistency with how it was built up. Others who are willing to be much harsher than I am have often pointed out that Zuko went from following his father's orders & vision to following Iroh's vision of his destiny, & I think there's some truth to that. But what bothers me more than that, is that we don't actually get firm foreshadowing on what Iroh's vision for Zuko's destiny even is.

This is the first time we see Iroh really yell at Zuko & go off on him but it's unclear what he wants from Zuko. I mean, okay, he wants Zuko to be happy serving tea. I guess that's fine, but it doesn't quite work knowing that later, Iroh completely does a 180 on this stance & it's sorta like...What happened? Ya know? It's just inconsistent. And characters can be inconsistent, people change their minds, but we're not really given much information about Iroh's internal struggle concerning what he wants from his nephew so it just comes across as confusing to me.

Zuko's character arc is all about discovering what it is that he wants & acting on it. I've said before that my issue with Zuko's ending on the show is that Zuko always wanted to be Firelord & then he....becomes Firelord. That's not really a change? This scene between Zuko & Iroh feels like it was building to something larger with Zuko's arc, but it really....isn't.

That said, I do love Appa's return! Aang & Appa's reunion & Appa getting to be a badass is just amazing.

[ID: two pictures of Aang & Appa hugging, one from up close & one from a bit of a distance.]

I definitely enjoyed Appa's reunion with the Gaang the most out of all the parts of this episode.

Well, I enjoyed Jet's parts up until his death too. I also wanted to point out that Sokka teases Katara about her thing with Jet, but doesn't seem that angry at Jet himself & is quite willing to give him another chance. And it's Aang who breaks Jet out of his brainwashing by reminding him that they are friends. So, Katara is not the only one in the Gaang with any connection with Jet. Again, they should've addressed --- ah, whatever, I'm done.

That's all I have for this episode.

[lovelyelbowleech]

Hello, I‘ve been reading your fic War Crimes and wanted to ask if, to avoid the non-con stuff, can I just skip Chapter 10 entirely…?

—> Is it only/mostly about that?

—> Can I get the additional information there is just from context clues or whatever if I just skip it and read chapters 11 & 12?

—> If the main stuff about that happens only, say, from the beginning to the middle or only from the middle to the end of the chapter, I would like to read the other parts as I have enjoyed this fic quite well so far, I just don‘t really want to read about that

I would very much appreciate as detailed a reply as you‘re willing to give me :‘) But I realize you don‘t have to, it‘d be okay if you only answered the can I skip it and not miss too much (and the implied, will this be continued (heavily) in the following chapters & the second part of the story—I would be so so appreciative for that reply ahah) inquiry!

Either way, your characterizations are SO ON POINT!!! Like SO on point it‘s rare!!! I really really recognize them so much in your writing, that‘s been so awe-inspiring so far. I didn‘t expect to continue reading this fic because I‘m usually too soft for this kind of story, but I haven‘t been able to put it down (despite skipping some scenes haha). Thank you for sharing your fics :‘)

And also, if for some reason you‘re not up for answering this right now don‘t feel too bad about it of course! I can just lay this fic aside for now or, I dunno, maybe just ask the person whose fanart brought me to it. They‘ll know haha. Sorry that this is so ungodly long, and hope you‘re doing well :‘)

Hello! Thank you for asking! I will do my best to answer, but feel free to ask further questions if you're not sure and need more detail. (better safe than sorry!)

I'm going to stick it under a read more as it has become quite long 😅

The non-con is off screen, but the first part of chapter ten deals with the direct aftermath of it. So it's very much on Sokka's mind, and he tends some of Zuko's injuries and has feelings about them. Ro also says some things which have unpleasant implications about his own involvement in what happened.

That mostly all happens at the beginning - if you start from:

“Leave. We’re leaving, tonight.”

Then you can skip that section and continue to the POV change (there are still some thoughts about it, but it's mostly the boys comforting each other and planning their escape)

The first part of the POV change (Taiju POV) is okay up until

"he recalled it with a sick sort of clarity:"

Then he thinks back to what just happened - where Zhao asks him to 'tidy up', and he goes and helps clean Zuko up, and decides to help the boys. (and there are more nasty implications about Ro - if you want brief details let me know) if you want to skip that part, you can begin again from:

"Taiju leaned back in his chair, staring at the stark metal of the ceiling"

And read to the end.

If you would rather just skip it completely let me know, there are a few important set up things that would be helpful to know going forward that I can just message you.

There are some thoughts and references to non-con in the next couple of chapters, but they are pretty brief.

For War Games, there are points where the physical hurts are dealt with (its always warned for, but for example, chapter 3 has some people treating Zuko's injuries and speculating.) and some of the emotional fall out, but the fic doesn't dwell on it constantly.

Later in the fic there are some more intense conversations that deal with what happened - they all have warnings and if you want to know which bits to skip, just message me when you get to them. (off the top of my head def Chapter 14 and Chapter 30) So get in touch if you have any doubts.

Sorry for waffling on! Let me know if you want a brief summery of the important bits (please let me know what level of detail is okay for injuries and other bits that touch on the non-con.)

[theowritesfiction]

'Lake Laogai'

I think this is the first episode where Sokka's artistic 'skills' are really addressed. Okay, I'll admit, it's a genuinely funny comic relief Sokka moment.

I'm a bit upset at Iroh for having zero loyalty to the man who hired him and Zuko, two refugees off the street. Not saying he shouldn't have accepted the Upper Ring offer, but he was kind of a dick about it. 10 Jerk Points.

I'm really curious about the game Katara and Sokka were playing. I wonder if anyone knows what it was.

I get that Aang is frustrated about being stymied by the Dai Li and their bureaucracy, but Toph lashing out and destroying a part of the house is just... dumb? You live there, dumbass. Just destroy someone else's house. 20 Jerk Points.

Long Feng is a clever villain, despite his eventual demise. Him acknowledging that he can't confront the Avatar directly is a smart strategic realization. Misdirecting the Gaang to leave Ba Sing Se and go all the way back to South Pole to look for Appa is a great plan, actually. He couldn't have known about Jet's connection to Smellerbee and Longshot.

Guess who's back? Back again? Jet is back. Tell Katara... who is more violent than I remembered her being, but you know what, good for her. I wonder about her blush there. Was it all just from anger? I like to think it was the memory of her crush on Jet. I think it's all but confirmed by Katara's reaction to Toph calling out her lies of having feelings for Jet.

Sokka is pretty clever to realize that Jet has been brainwashed by the Dai Li, although I have to wonder... how did he know that brainwashing even is a thing that exists? There are a lot of interesting little details in the scenes with the Gaang trying to break Jet's conditioning. Aang not liking Sokka's idea that Katara should kiss Jet, whatever, shut up Aang. I had completely missed the detail that it was Mongke and Rough Rhinos who burned down Jet's village. They're Iroh's old buddies, I shouldn't be surprised. Also, I love Katara still deciding to soothe Jet's mind with her bending even if she's deeply mistrustful of him.

The secret HQ of the Dai Li is a scary place. The training of Joo Dee's... what a creepy scene. The Dai Li agents hanging from the cavern ceilings like some kind of creepy bats, that was pretty awesome. You have to admit that Jet is a badass when it comes to a fight. I also like how Long Feng being a very different kind of villain comes across in this scene. As soon as the battle starts to turn, he makes the calculated move to flee.

Iroh confronting Zuko in the catacombs was an interesting scene. Iroh finally has his golden ticket of having an Upper Ring teahouse of his own. He's got it made. He's not going to let his nephew's bullshit ruin his dream, so it's time for some tough love.

Comparing Zuko trying to steal Appa with his kidnapping of Aang at the North Pole was very on point. They are both the worst examples of Zuko's plans. Zuko tries to brush it off as if doing stupid shit has something to do with his 'destiny'.  But I also think Iroh's point about Zuko trying to follow someone else's idea of his destiny would come across better if Iroh himself wasn't pushing the destiny of Zuko serving tea onto his nephew. There really is a huge disconnect between the life that Iroh wants for Zuko and the life Zuko himself wants. Can anyone here see Zuko being happy serving tea? I can't. Iroh seems to be the only one.

Also, doesn't Iroh later embrace Zuko's destiny of becoming the Fire Lord anyway?

I have said that I'm not a big fan of Jetara, absolutely not as endgame, but I still think the way some of Jet's thoughts that helped him break Long Feng's mind control focused on his feelings for Katara was very tragically romantic. Anyway... I have very mixed feelings about Jet's death. No, actually I hate it. We've seen Katara heal some pretty bad injuries, and Jet didn't look that badly hurt? A part of me is now left thinking that if Longshot and Bee hadn't asked Katara to leave maybe she could have still saved him? Also, uh, she had the spirit water... I wrote an entire 70 chapter story about Katara using it on Zuko in Crystal Catacombs, and being unable to save Aang. It would have made ten times more sense if Katara had used it on Jet, and ugh, I now wish I had written that scenario instead. Honestly, it would have been far more in character for Katara to stay and save Jet. Also, check out the shot of Katara as they fly away. She had real and strong feelings for Jet. I haven't sensed anything remotely strong (romantically) towards Aang up to this point of the story.

Anyway, Appa returns and wipes the floor with the Dai Li. I guess it's something positive at the end of a depressing episode. For mind-controlling Jet and killing him, Long Feng gets 350 Jerk Points.

Jerk Points for Book 2:

Iroh, Long Feng - 560 Azulon - 300 Ursa, General Fong  - 200 Aang - 160 Zuko, Toph - 120 Ozai - 100 Sokka - 70 Bumi, Lao Beifong, King Kuei - 50 Pakku - 30

[bellatrixobsessed1]

The Comfort They Crave

Summary: Instead of finding herself imprisoned, Azula chooses to fight battles on behalf of everyone else even though it is slowly breaking her down physically and mentally. Sokka is the first person to suggest that maybe she doesn't deserve to be treated as a weapon.

“Why do you care if I’m safe?” She demands. She almost sounds angry about it. Angry to have someone who cares about her, someone who could be worried about her. And Sokka admits that he almost does let it deter him. Afterall, she is right. Why should he care? After everything that she’s put his sister and his friends though. After what she put he and Suki through.Why should he care, especially when she is snubbing him right now while he is trying to care. 

It is something in her eyes. 

That is what stops him from throwing up his hands and telling her that she’s right, he doesn’t care and he shouldn’t. 

Something in her eyes that says she is afraid. 

Afraid to be cared about. 

Afraid to let someone care about here. 

Something in her eyes that says that she is confused. 

Confused about how to handle a helping hand.

Confused, genuinely so, as to why anyone would care. 

Her tone is hateful but Sokka is certain that Azula really does want to know why he cares about her safety. At first all he can say is, “because no one else does.” A bad answer, he knows that even without her reply.”

“Clearly…” She mutters. Her voice is as flat as ever but he can still hear the hurt in her voice. She has come to some sort of resigned acceptance that the closest she will come to having friends is a gaggle of people that invite her to dinner because she has been fighting their battles for them. 

Today’s battle is a small team of assassins that have been after Zuko for some time. She has already taken down several of them; their capture had led to the relaying of crucial information. Details of the assassination plan that is going to be put into action tomorrow. And Sokka doesn’t think that this group particularly cares which royal they take down so long as they’ve got blood on their hands and an example to make of the body.

.oOo.

She supposes that she’d rather run the risk of death than spend a lifetime in a cell alongside father. At this point she has grown rather fond of the extremely high risk endeavors, they offer her, her best chance for peace. Her best chance for a blissful, merciful nothingness. The kind that will wrap around her and caress her body as it pulls under and away.

Away from everything that hurts her.

That will always hurt her and haunt her and torment her. 

Right now the source of her torment has blue eyes and the beginnings of a scruffy beard. Evidently this has been the source for the past few days. He is always yammering away about stupid things and telling ridiculous stories that she doesn’t care about. 

He tells her dumb jokes that aren’t funny.

Now he is pretending to be concerned so he won’t have to feel as guilty when she finally makes her way to that nothingness.

When she finally dies. 

“You’re not so bad.” He tries again. “I actually like talking to you.”

She furrows her brows, she can’t imagine why he would enjoy it. “Talking at me, more like.” 

He rubs the back of his head. “Yeah, I guess.” He pauses. “You’re the only person who hasn’t told me to shut up.”

“I’ve been trying to signal it with my eyes.”

Although she isn’t trying to be funny, he laughs. “You’re the only person who actually listens. And don’t tell me that you don’t. I’m used to people zoning out in the middle of my stories. You actually pay attention, I bet that you can tell me exactly what I was telling you about three days ago.”

“Submarine infrastructure.” She mutters against her better judgment. “How Water Tribe submarines differ from Fire Nation ones and the pros and cons of both.” 

“Exactly.” He is beaming now. She is not used to people look so cheerful over something that she has said. 

“What does that have to do with anything?”

“You asked me why I care if you’re safe.” He shrugs. “I care because I like talking to you. I also enjoy having you around for dinner.” He is dancing around the word ‘friend’. Not that he would consider her to be anything of the sort. 

“There are plenty of other people who you can talk to, Sokka. Maybe they aren’t as attentive but they’re more pleasant conversationalists.” She tapers off into a sigh. There is a stirring in her tummy, a depressive little tickle. 

“You’re not just some…some guard dog.” He sputters. 

They could have fooled her. She knows that they have been feeding her metaphorical table scraps. They pet her and treat her when she does well and kick her when she doesn’t even if it isn’t in a physical sense. 

Evidently she doesn’t even think that they realize that they are doing it. 

That they treat her not dissimilarly to how father always has. 

Especially Zuko.

Zuko who is so proud of himself for not turning out like his father. 

“I guess that it feels that way sometimes.” Sokka’s voice falls. He finds himself a seat next to her, shoulder hunched, posture slouched–exactly the opposite of how she holds herself. “It’s okay to feel heavy sometimes. It’s okay to show it.” He says. And then he clarifies, “You don’t always have to sit so tall.”

“Perhaps I find this position comfortable.” Even if it is only by familiarity. 

“I don’t think that you’re just some kind of weapon.”

She doesn’t believe him.

“You don’t have to do this, you know? I’ll tell them that I wouldn’t let you or that I wanted to handle it because I needed to feel useful.” He offers. “Sometimes I do that, you know? I can’t bend and so sometimes it feels like I’m not as cool or important. So sometimes I do dumb things…”

“Sometimes?”

“So that I can feel like I’m as strong as everyone else.”

Azula shrugs. “What do you need bending and strength for? You have something better.” 

“Better?”

She gives his head a good tap. “You’ve got more brains than all of them put together. They can master all the bending forms that they’d like, build as much muscle as they can. It won’t matter so long as you plan adequately.”

Sokka smiles. “See, this is why I like you.” He pauses. “You don’t give compliments very much…”

“That wasn’t a compliment it was a…”

“That’s what makes it mean so much when you do. Even if you decide to pretend like you weren’t giving compliments.” He has the audacity to take her hand. “I don’t think that you’re as cruel as everyone says, you wouldn’t be such a good listener if you were.”

She stares at her palm and at her hand in his. She considers shaking his grip away.

“Just because you have a past doesn’t mean that you shouldn’t get a future.” 

And she cracks. 

She doesn’t want to but she does. 

That armor that he has been steadily chipping away at is finally crumbled beyond use. 

Her breath hitches and she grits her teeth so to stifle the sob that wants to come forward. She swallows it down, though the tears are burning behind her eyes. She lets him rub her back. 

“It’s alright.” He assures. “You can just let it out. I think that you need to. I won’t tell anyone. As long as you don’t tell anyone that I’m also going to cry.”

“Why would you cry, Sokka?” 

“Because it just so happens that today is one of those days where I really wish that I could have bending so I wouldn’t just be the ‘idea guy’.”

.oOo.

He is surprised to find that she doesn’t tell him that that’s stupid and that he should be grateful that they think he is the brains of the group. Maybe it is simply because he has caught her in a vulnerable moment…maybe it is because they are both having one, but she pulls him into her arms and brushes her fingers through his hair.

She doesn’t say anything at all, but he can feel the care in her gestures. 

Can feel the affection. 

He knows that she isn’t as heartless as everyone makes her out to be, not when these small comforting gestures seem to come very naturally to her. Naturally, when she needs the comfort more than anyone else.

Not that he also can’t use some comfort. He isn’t just the idea guy, he is also the shoulder to cry on. The tough guy who listens to everyone’s problems and solves them. 

Just like he was trying to do for Azula.

Azula who has very much redirected his efforts and taken it upon herself to try to ease his pain.

He thinks that somehow it is soothing for her to be consoling him. 

Maybe it makes her feel less like a monster, maybe it helps her to remind herself that she is a human being filled with all of those emotions that people insist she is devoid of. 

“You know what else bothers me?” He asks.

“What bothers you?” She murmurs. He is glad for the soft and subtle quality of her voice. A voice that is so level now, he knows that she has managed to once again bury her own need to cry.

“I lose a lot of people I love and care about. I lost my mom and Yue and…I guess that’s not actually a lot.”

Azula shrugs. “One dead person is a lot, Sokka.” 

“I don’t want to lose another.”

“I’m not going to let Zuko die. Or Katara. Or any of those idiots.” 

“I’m not talking about those idiots!” He replies in a near shout. 

Azula snickers. 

“I’m talking about you.”

.oOo.

Azula swallows, “me?”

“Believe it or not, I care about you.”

The stroking of her hand comes to a halt. Surely just listening to his silly stories isn’t that profound. Really it is just a common courtesy. Yet he seems to really cherish that. She inhales through her nose. “Does it really bother you that much that I’m going to take this mission?”

“Yes!” He exclaims. “I know that there’s a better way to take this organization down. Sure it’s easier to just let you go in and do you thing. Take all of the damage that you usually take.” It isn’t lost on her that his eyes have locked on the scars that decorate her arms. The same sort that cover nearly every inch of her back and abdomen. The scars that keep piling up and up to the point where she is beginning to have trouble recognizing her own body. “It’ll take more time and planning but they don’t have to keep throwing you into the line of fire.” 

Azula shrugs. “It’s alright, Sokka. I’m used to it. If they didn’t, father would be.”

He takes her hands and squeezes them very tightly. “But it’s not alright. You shouldn’t be used to that.” 

She takes another shaky breath. The man really is pushing her to tears, she thinks that he might just be doing it on purpose. Maybe if she just gets it over with he will let her move on with her day and move on with her tasks. 

And maybe that is exactly what would have happened if Zuko and his merry band of morons hadn’t decided to come home from their afternoon of tomfoolery early. She shouldn’t have allowed him to convince her to cry. Especially not out here in the middle of the fucking palace garden of all places. 

She definitely shouldn’t have allowed him to coax her into leaning against him for a change. 

Because now they are looking at her differently. 

They are looking at her with pity and disgust. 

They are looking at her like she is weak. 

Sokka assures her that they are looking at her with empathy. That they are finally looking at her as a human being rather than something expandable. That might be reassuring if she believed him. 

.oOo.

It doesn’t take nearly as much convincing as he had anticipated now that they have happened upon her crying. Of course, Azula is furious with him, insisting very adamantly that he’d done that on purpose, that he had set her up to be caught. He’ll let her be mad at him because they are finally reconsidering their plans.

“Don’t write her out of them.” He mentions. “Let her work with us, not for us.”

“Sokka, you just said that you didn’t want her fighting.”

“I don’t.” He confirms. “But I know that she’ll take it the wrong way if we have her stay home. Let her take the lead, she likes doing that.” It’ll make her feel as powerful and strong as she likes to feel but she’ll have some support. People to make sure that she doesn’t acquire anymore painful scars. 

“Alright, we’ll come up with a new plan and…” Zukok starts. 

“I already came up with one.” Sokka cuts him off. “That’s my job, remember. I’m the idea guy.” Maybe one day they’ll catch that hint of bitter in his voice. At least this time, he is alright with being the idea guy. “I’m going to run it by Azula and let her polish things out. She’s amazing with details. I don’t know why you don’t let her make the plans. She can accomplish everything that needs to be done without getting hurt all the time.” He declares. 

It is then that he notices her figure propped up against one of the throne room pillars. He wonders how long she has been lurking for. Having noticed that she’d been noticed, Azula slips away from the pillar and wanders toward him. 

She looks much smaller without all of that armor. Or maybe it is how long the sleeves of her robes are. Or the way that her hair frames her face. And yet those eyes burn with a ferocity to match the bold personality within.

He takes her hand, it is soft and smooth and warm. “I think that between the two of us we’ll come up with a way to keep the assassins from getting to you and take care of them once and for all.” He pauses. “Without risking Azula’s life.” 

She is terribly quiet but he realizes that she is holding his hand back. Apparently she isn’t so angry with him after all. 

“That would be ideal.” Zuko replies as though this is the first time that he has actually truly considered that it might be better for everyone to try to make Azula feel cared for. 

Perhaps this mission won’t be full of love and fluff and team spirit. But it will be a start. And maybe, in due time, he won’t have to be the only one making all of the plans. Maybe, in due time, Azula’s scars will have a chance to heal. Maybe, in due time, the both of them will get the comfort they crave.

[jello-in-my-bello]

It’s time that we had a real conversation about Aang...

For the main character of a television series, Aang somehow almost always finds himself under-rated and dismissed in fans’ posts. You see all these posts and, when they do reference him, it’s usually accompanied by the phrases “immature” and “12-year-old boy.” I mean honestly, in some ATLA fans posts, it seems as if Aang’s name is almost synonymous with the word immaturity--and it’s been that way for years. I’ve always wondered why people discredited him. Was it because they saw his age and immediately ruled him out? Is it an excuse for Katara and Aang to have never happened? Was calling him the most immature character a way to bring up their favorite characters? Or did they simply get conditioned to think Aang was immature because everyone just... said he was? Well, I think Aang’s the most mature character (from start to finish) on the show, and Imma tell you why. 

I think that Book 1 Aang is the Aang that everyone has stuck in their head. We get introduced to Aang in a strange way: he’s a boy frozen in an iceberg, and the first thing he asks is to go penguin sledding. Then he boldly explores a fire navy ship after being told it might not be a great idea. This kid’s kinda stupid, we think. Why does he care about penguin sledding? Why does he explore something he is told not to? Then he stops at Kyoshi Island to ride the Unagi, then he stops at Omashu to ride the delivery service, and then he lets the gang stop at other locations—having mini adventures—without worrying about learning waterbending on any sort of timeline. Why does he choose to explore all these different places at first rather than master the four elements? Doesn’t he even care about being the Avatar? Ah... that’s right. He’s only 12. 

Except surmising his entire maturity (or lack thereof) to the fact that he stops for these adventures means that you are ignoring one glaring detail of the show: Airbender and nomad culture. Aang asking Katara to go penguin sledding instead of what year it was and taking his friends to all those random stops in B1 so that he can explore can not be chalked up to immaturity. Because then you are ignoring an entire culture. We don’t get to see a lot of airbenders, and I think that plays into the problem, but from what we do know, we learn that a critical part of their culture is that they travel. A lot. And experience different cultures. A lot. Think about all the different places he’s referenced going to 100 years ago in the series. Then think about all the friends he’s talked about having in these obscure places—and it always sounded like he visited them more than once. Traveling, experiencing different cities, and meeting new people was a part of him and a part of his culture. He wasn’t being a 12-year-old when he stopped to ride the Unagi or the delivery shoots in Omashu, he was being an air nomad

On a similar note, one of Aang’s most notable traits is saying, “Hey, check this out,” excitedly while doing some air bending trick that seems juvenile--like spinning marbles around or doing an air scooter.  People look at him doing this and his previously mentioned traits and go, “Oh, what a kid.” But here’s the thing: we can’t roll our eyes at his persistent need to show people marbles floating in the air or his air scooter. In the episode “Southern Air Temple,” we see Monk Gyatso—an extremely old, wise air bender—throwing cakes on other monks’ heads, and then we’re told throughout the series that Airbenders were known for their playful nature. Airbenders didn’t use their bending the same way other benders do. For example, Waterbenders might show off their skills by creating a giant wave and being like, “Look how cool!” (See: Katara, like every time she learns a new move.) We know Airbenders have some pretty powerful moves--we’ve seen the tornado Aang created, the air body imprint of Aang that slammed Zuko back--but they don’t show off those moves because they’re so combative and not so fun. They show off the good-natured side of air bending (ex: Gyasto’s staff surfing when he was a child).  So those marble/air scooter tricks can’t be watered down to 12-year-old immaturity. Because he’s not being a kid when he does those things, he’s being an Airbender. People also tend to look over the fact that he is a survivor of a genocide. You need to keep in mind that he is a living relic and the only example left of what his race was. So even later in the series when he continues to show people those tricks, he’s showing them not just for fun, but to keep his culture alive. And what do you think he’s going to show them: a tornado with random objects flying around in it or two marbles flying in his hands? Which is a better representation of Airbender culture?

Also, do not forget that Aang earned his arrows. Airbenders are not just regular benders; they are known for being especially enlightened. You don’t just need to be a master at airbending to get your arrows—you also need to be a master at their culture. Aang was an enlightened boi. Look at all the speeches that he gave as the series continued. He didn’t just magically become wise in the course of a few months because he had to fight the Firelord, he just tapped into what was always there and never showed. The maturity was always there, and the receipts are in the arrows. 

So, I’ve gone over why he’s not as immature as everyone thinks, but why do I think he’s the most mature on the show? It’s because his emotional maturity is freaking through the roof. He’s part of a genocide, his culture is mocked, the few things—his clothing and glider—that he had left from his home were completely destroyed, and he had to do something that severely went against what he believes in. And he almost never loses his shit. In fact, we only ever see him get actually upset (we’re not counting the Avatar state cause that’s a whole different thing) 3 times in the series: when he was telling Katara about how the monks wanted to take him away from Gyatso, the episode when Appa was stolen, and when he was explaining that no one understands the position he is in (in terms of killing Ozai). Think about how much we saw everyone else freak out over the course of the show? About even smaller things.

Katara and Zuko are generally accepted as the two most mature characters of the series. But why? Zuko is continuously snapping at everyone, and, yes, he matured. But he is not completely there yet. He still somewhat believes in revenge (See: Southern Raiders), and it’s only at the last episode of the series that he understands violence is not the answer. And Katara? She acts very mature towards everyone else, but when it comes to her own emotions? She’s a whole basket full of mess. (See: Southern Raiders, again. Or anytime she uses anger as her way to show she’s “passionate.”) A good way to showcase the difference between Aang and these two is realizing that all of them lost a parent from the war and analyzing at how they handled it. (For Zuko let’s focus on the idea that he never really had a father) Katara lost her mother, Zuko his father, and Aang his father, Gyatso. Throughout the series, losing their parent was a huge topic point for both Katara and Zuko so much so that it was as if they thought no one else had ever suffered. (Katara, we see you telling Sokka that he didn’t love your mom the same). Aang, however, acknowledges his pain, tells stories of Gyatso and uses him as an example of what he wants to live up to— eventually coming full circle at the end wearing Gyatso’s beads and an identical outfit. I can’t imagine a more mature way to handle what happened than that.

Basically, what I’m trying to say is, maturity isn’t based on how you have fun, it’s based on how you react to hard situations. And nobody, nobody reacted better in those situations than Aang. So if you watched Avatar and thought it was a story about a young boy maturing, then you misjudged. It wasn’t a story about an immature boy growing up. It was a story of an Airbender becoming an avatar. 

[zukkaflowers]

zukka enemies to roommates au

Sokka slammed his head on the cafe table, the noise swallowed up by the chattering of other customers. “I’m being EVICTED,” he moaned.

Katara raised her eyebrows as she drank her tea and then placed it back on the table. “Why?”

Sokka dragged his head up against the table until his chin was the only thing touching the wood and Katara made a face, no doubt thinking of all the germs that were now rubbed into Sokka’s face like lotion. Sokka couldn’t bring himself to care. He was too deep in his despair. “The landlord sold the building. And now I only have two weeks to move because everything around here is so fucking expensive and I got discouraged so I put it off—“

“Move in with Zuko!”

“...like I put everything—what did you just say?”

Katara’s face brightened, a stark contrast to the cloud of doom that had been enveloping Sokka. “His roommate is moving in with her girlfriend and he needs a new one. A roommate, not a girlfriend. And I think his place is really close to your work, too! It’s perfect!”

Sokka finally sat up, shoving his hands in his sister’s face to turn her brightness down a notch because it was hurting his eyes. “Wait wait wait, are you talking about the Zuko I think you’re talking about?”

“Is there another one?”

Sokka had many questions. “Why do you know he needs a new roommate? Why do you know his roommate is moving in with her girlfriend? How do you know where he lives? Did you just say, ‘it’s perfect’?”

Katara watched Sokka as he grabbed his drink, eyes never leaving her face in a demonstration of his seriousness, and then swallowed painfully with a grimace after realizing he’d grabbed Katara’s bitter tea on accident. “You’re such a goof,” she sighed in anguish. “Zuko and Aang actually went to university together and became friends. Zuko wants to be a teacher like Aang.”

Sokka sputtered. “WHAT?” A few strangers shot him judgmental looks at the outburst, which he ignored. “You—you—he—Aang—BETRAYAL??”

Katara rolled her eyes. “This is why we kept it a secret from you! We all knew you’d be overdramatic about it.”

“We ALL?”

Katara shrugged, finally having enough decency to look sheepish. “Yeah, me, Aang… and Suki and Toph.”

Sokka’s jaw dropped wider. “SUKI?” He clutched his heart. “Mine own bestie...”

Katara continued, “Well, it’s Toph that’s really close to him now, actually.”

“Figures. She’s always been my least supportive friend.” Sokka gasped as a realization hit him. “Is… is Zuko the ‘Captain Angst’ guy she keeps hanging out with??”

“Yeah,” Katara said plainly.

Sokka slammed his head back on to the table, where it might as well have stayed long-term.

“I’m serious, though, Sokka,” said Katara. “Zuko is… kind of okay, and obviously he has everyone else’s approval. You shouldn’t let a petty high school rivalry between you two get in the way of your current life.”

“‘Petty high school rivalry’??? Last I heard, there were four of us involved in the rivalry-ing! You weren’t too fond of him or his sister, either!”

Katara once again rolled her eyes. “All I’m saying is, the place is within your budget, it’s actually nice, and the commute is good. He’s only just started looking for a new roommate, and I promise that if you don’t try it out, you’ll regret it.”

“And all I’m saying is, if we move in together, Zuko and I will murder each other.”

Katara looked at her phone and stood up, collecting her bag and bile tea. “I doubt it. You haven’t spoken in five years, and you’ve both changed a lot. I have to go, Aang wants me to meet another stray dog, and we still have lunch with Yue, so I can’t let him get too carried away. I’ll text you details about Zuko’s place. Please at least look into it, Sokka.”

Her eyes were too genuine; he couldn’t say no. “Fine,” he grumbled, fully prepared to briefly skim over the information before moving on.

But when he did look it over, he saw that Katara was right. It was perfect. He could even walk to work if he wanted to, it was that close. The rent was well in his budget, even leaving extra leftover. He could maybe finally replace his cracked phone screen! Sokka sighed at the dim light of his laptop. The fates were telling him something. It sounded like, You will consciously choose the path of suffering, ahahahahaha.

“Sokka... wants to be my new roommate,” Zuko said.

“Hello to you too, angsty pants,” Toph replied through the phone.

“I think I’m going to say yes,” continued Zuko.

“Wait, Sokka? Katara’s brother?”

Zuko swallowed, eyes flicking to the stir fry he’d left on the stove. He’d been checking the notifications on his phone when he saw it and had immediately called Toph. “Yes.”

“Okay,” Toph offered helpfully.

“What do you think?”

Silence fell for a few seconds as Toph thought it through. “Are you sure it’s a good idea?”

“That’s what I’m asking you for. If he’s reaching out, he knows it’s me, so he can’t still hate me, right?”

“I don’t know,” said Toph. “Don’t you like him?”

Zuko bit his lip and weakly stirred his stir fry. “But it’s not like I’m still—I’m not hopelessly into him. It’s just. You know, a little bit.”

“You’re not even going to interview him? What if he poops with the door open? What if he… what if he eats in the bathroom while he poops.”

“Would I ask him about that in an interview?”

“If you’re not a coward.”

“Okay, I’ll interview him,” Zuko said, relenting. “What do I have to lose?”

To: Katara

Sokka: uuugughghgghghhhhhhh zuko wants to interview me

Katara: You looked into the place!!!

Sokka: yeah but i’m seriously doubting myself now

Sokka: can i really pretend not to hate him long enough to get the place

Katara: Have you considered just

Katara: Not hating him?

Sokka: …

Sokka: how could you even say that

Katara: Ok I thought so

Katara: Well just be professional if you don’t wanna be friendly

Katara: Pretend it’s a job interview

Sokka: oh yeah

Sokka: because imagining that zuko is my employer would definitely not make me hate him 400% more

Katara: On the bright side, you haven’t reached the threshold of hate yet if it can be increased by 400%! There is hope

Sokka: ha

Sokka: i scoff in the face of hope

Sokka let Suki pick out an outfit for him before going to meet Zuko at the cafe they agreed to meet at. He wanted to look nice so that Zuko, at least visually, might be inclined to let him become a flatmate, but mostly he just didn’t want Zuko to have the upper hand anywhere, not even in his fashion sense. And Zuko had grown up with money, so he’d always been well dressed.

Sokka slipped the chosen tan sweater over his button down and pulled on a pair of black jeans. The clothes covered all his tattoos—he was sure Zuko would not appreciate them. His hair, he couldn’t do much about, so he settled for tying it back as he always did.

He was so distracted throughout the train ride thinking about all the valid reasons he had to hate Zuko that he almost forgot to get off at the right stop. But the walk from the station was short, and before he knew it, he was opening glass doors, scanning faces, and—there he was. Hair hanging in his face, chin on his palm, and wearing—a hoodie and ripped jeans? Sokka cleared his mind of surprise and tried to relax his face.

He walked over.

To: Toph

Zuko: It went well?

Toph: Be more specific

Toph: For example, what went well

Zuko: The interview with Sokka

Zuko: I’m pretty sure he doesn’t shit with the door open, and he definitely doesn’t eat in the bathroom

Zuko: He was also

Zuko: really nice

Toph: Really nice to talk to? Or really nice looking?

Zuko: Shut up

Toph: Hm deflection

Zuko: I think you’re wrong

Zuko: I think it won’t be hard to live with him

To: Katara

Sokka: GEEZ THAT WAS SO HARD

Sokka: the whole time he’s being this stiff, boring, JERK

Sokka: i had to smile and nod the whole time

Sokka: no way will this keep up if we live together

Sokka: but i have to think of the commute…..

Sokka: and the view….

Sokka: and i’ll be closer to suki….

Katara: But Sokka, you will try, right?

Sokka: try what

Katara: To be nice to him.

Sokka: uh

Sokka: maybe?

By the end of the next week, Sokka had moved in the last of his boxes. He honestly didn’t have that much stuff. He did have one special thing, though. Or rather, a special friend.

“What are you doing?” Zuko asked, peeking into Sokka’s new room.

Swallowing his annoyance at being interrupted, Sokka gestured for Zuko to join him. They’d only exchanged at most a few sentences a day, and Zuko hadn’t done anything too irritating yet, so Sokka was going to try to keep his promise to Katara.

“This is my turtle, Duck,” he said, pointing to the turtle swimming around in the tank he’d just finished setting back up.

“What’s a turtleduck?” asked Zuko after plopping down beside him.

Sokka frowned. “I don’t know.”

“Then why do you have one?”

Before Sokka could answer, his phone rung from the dresser, its vibration so strong the whole room shook and Duck popped into his shell.

[itsclydebitches]

re: that ask you posted a couple days ago about the male and female representation in RWBY, part of what makes RWBY's whole 'girl power' thing ring exceptionally hollow to me is the fact that there are like... no women in positions of real power in remnant. like at all. except the big bad.

winter is second in command to james. glynda is second in command to ozpin. all of the headmasters are men (for no discernible reason, imo; why theodore and not dorothea?). the leader of the ace ops was a white man (and then winter seemed to take over clover's position instead of either of the women of color on the team, and she was still second to james). RWBY is an all girl team, but JNPR was led by a boy despite a girl arguably being far more qualified (pyrrha). the happy huntresses are all women, and robyn had no real power to speak of--she didn't even manage to win the election, because jacques rigged it, and then the council ceased to matter. there was one (1) woman on the council, but she was so inconsequential that i can't even remember her name. (i suppose we're lucky it was the guy and not her who james shot lol) jacques controls the SDC instead of willow, even though he's not even a schnee by blood and actually married into the family for power. (and we don't even know how he got it over his wife.)

and then there's the white fang, which ghira led and not kali--and it's ghira who leads menagerie itself, while kali seems to be a housewife. sienna had five minutes of screentime before being brutally killed and her position assumed by adam, a man. cordovin is basically a one off lackey we haven't even thought about before or since. neo was second to roman. you have cinder, sure, who is a second but to salem, a woman, and raven as the leader of the branwen tribe--but what does it really say about your 'girl power' narrative when the only women with genuine systemic power in your world are villains or antagonists with massive bodycounts??

atla has the same sort of problem--a couple great female characters, but all the leadership positions are men (except the kyoshi warriors, an all girls group, and even then the leader of their island is an old man) and the one female mentor figure also turns out to be evil--but it at least has some great writing to help overlook that fact, and it came out in the mid-00's and so has some sort of excuse of being a product of its time. but rwby didn't even start until 2013 and it's still going and still making these kinds of decisions well into 2021.

where is this supposed girl power, exactly? am i really supposed to overlook the very patriarchal worldbuilding just because the title characters are girls?

That's an excellent summary of the situation, anon, and as with so much in RWBY, it comes down to the full context. Any one of these examples isn't necessarily going to mean much on its own. It's when you look at the pattern that you can start making a case for those conclusions: Why is the show marketed on "girl power" set in a world where men hold the vast majority of that power? And, more importantly, why is that setup not the point? We could easily have a story where that lopsided gender dynamic is the problem that the girls are looking to fix, but... that story doesn't exist. Like the problems discussed with Jaune, the supposed point here exists only on the surface. Dig just the tinniest bit — the above — and you hit on a lot of structural problems with this "girl power" world.

To add just a few details to what you've already said:

Salem indeed has power, but she's never allowed to fully use it. Each volume the frustration with this grows as Salem accumulates more abilities and then just sits on them. From literally hiding out for a thousand years to worries that she won't use the Staff in Volumes 9-10, Salem really isn't allowed to be the threat she's presented as on the surface. And yes, this is absolutely due in part to the "She's too OP and the writers don't know how to let her be that powerful while still having the heroes win" issue, but again, context. That problem doesn't exclude others occurring simultaneously.

Same double explanation with Summer. Yes, dead moms are an incredibly common trauma to dump on a protagonist, but it still left Yang and Ruby with Tai as their primary influence. And Qrow. The uncle becomes the extended family influence while Raven is the absent one/eventual antagonist. It's personal power as opposed to political power, but Tai, Qrow, Ozpin, formerly James... most of the mentors are men. Maria, a key exception, has been ignored in that regard. The story announced that she was Qrow's inspiration, setup her being Ruby's new mentor, and then... nothing. Nothing has come of that. She disappeared for a volume and then went off to Amity and was literally forgotten by the story when evacuating everyone was the finale's whole point.

Like that Endgame moment I mentioned, the Happy Huntresses feel a little too forced to me. Yes, it's the same basic idea as in ATLA, but ATLA, as you say, has a lot more going for it. The Happy Huntresses feel... on the nose? Idk exactly how to explain it. Like, "Here they are! Another team of all women! Isn't this how progressive storytelling works? Just ignore how this is a one-off team of minor characters compared to the world building issues discussed above." And if you're not paying attention, you miss just how insignificant they are, with a side of Robyn being, well, Robyn. The Kyoshi Warriors, at least, are based off of Kyoshi. A woman avatar who is a significant part of their history. That is, presumably, why they're an all women warrior group (but who notably still teach Sokka). The Happy Huntresses are all huntresses because...? There's no reason except that meta "We want to look progressive" explanation. Just like having all the women superheroes team up for a hot second so people get excited and ignore the representation problems across, what? 21 films? Don't get me wrong, I love that May is among the Happy Huntresses. I think including her in the explicitly all-women group was one of the better things RWBY has done in a long time, but the rest is still a mess.

RWBY is arguably about these smaller groups as opposed to systematic power (despite the writers trying to work that in with things like the White Fang and the election. Not to mention the implication that everything in Atlas is fine now that evil Ironwood has died and taken the symbol of wealth (the city) with him. We saw a human holding hands with a faunus after all. Racism and corruption solved, I guess.) So yes, our group is dominated by women... but Whitley is the one saving Nora, helping to defeat the Hound (plus Willow), thinking of the airships, and providing the blueprints they need to escape. Salem is our Big Bad, except Ironwood is the one the volume focuses on. Ruby is our leader, but Jaune is the one leading the group into the whale and getting praised for how heroic he is. Ren does more to shake things up, even if he's painted as the one in the wrong. Oscar gets to confront Salem and destroys the whale threat. Ozpin provides the information they need to evacuate. Meanwhile, when the girls do things in Volume 8 it's almost always followed by a long-stint of passiveness. Nora opens the door so she can be unconscious for most of the volume. Penny keeps Amity up so she can also be unconscious for a good chunk of time. Ruby sends her message and then sits in a mansion. Blake fights so she can tearfully beg Ruby to save her. Weiss, as said, takes a backseat to Whitley (and Klein). They forward the plot, absolutely, but comparatively it doesn't feel like enough.

It's that pattern then, no one specific example. More and more the personal power, not just the systematic power already built into Remnant, seems to be coming from the men. Not all the time, but enough that scenes like the tea drinking moment feel like a part of a much larger problem. Pietro taking control, Watts hacking, and Ambrosius literally remaking her when Penny is supposed to already be in control of herself and her fate. Winter being presented as the active mentor to Weiss, only to turn around and claim that Ironwood was actually responsible for everything. Ruby, Weiss, Blake, and May straight up commenting on how awful things are out there while Yang, Jaune, Ren, and Oscar lead the charge against Salem — with the latter three doing the most to forward that mission (no fear, semblance, cane). As others have only half-joked, Yang's supposedly badass moment was bringing up a mother she's ignored for six volumes and briefly blowing up the immortal woman for a couple of seconds (with Ironwood's bombs). Even Marrow is arguably the most significant Ace Op after Clover. Vine isn't actually a character, Elm slightly less so, Harriet is there to go crazy and try to drop a bomb (notably before admitting to never-before-existed feelings for Clover), but Marrow? He's the one who breaks out. Who is meant to heroically stand up against Ironwood. Who comments on how awful it is that teenagers are fighting and, regardless of how messed up the moral messages are, is supposedly pushing for active change while all the women in his group, including Winter, insist on maintaining the status quo. Look at all these choices as a whole, it makes throwaway worldbuilding choices like "All the Maidens are women" feel pretty hollow. Why does it matter if Amber is a Maiden if she dies in a flashback so Ozpin can struggle to pass on the power? If Pyrrha dies before becoming one so Jaune can angst about it? If Raven is one and then disappears from the story entirely? If Winter has enough power to break Ironwood's aura, but supposedly had no power throughout every other choice she made getting here? If Penny is one, but is continually controlled by men and then asks another man to help her die? It's just really unconvincing, once you look past the surface excitement of a woman looking cool with magic powers.

When you do consider the whole of the story — both in terms of our world building and who is forwarding the plot in the latter volumes, getting the emotional focus, being proactive, etc. — there are a lot of problems that undermine the presumed message RT wants to write. They say, "girl power" by marketing RWBY with these four women, but too many of the storytelling decisions thoroughly undermine that, revealing what's likely a deeply ingrained, subconscious bias.

[bonesbuckleup]

Lord, this answer got long. I’m a little embarrassed about it, but I wrote it, so it’s getting posted. It’s a literal essay. Sorry but also not?

TLDR: Yes, the show is arguably unfair to Sokka about Kya, but it also follows a pattern where Sokka stays quiet about Bad Feelings and plays by the rules established for his character. Katara, meanwhile, grieves loudly and often, and appears to be under the impression that because Sokka’s grief is silent it doesn’t exist, which also fits her character/interactions completely. Neither of them are right or wrong, but it sets them up on inevitable collisions.

Now. If you want to join me on a cactus-juice fueled descent into madness, proceed below the cut.

Number one. We’re referring to this exchange in “The Southern Raiders,” where the Gaang is talking about Zuko and Katara going after the man who killed Kya, which is vicious and brutal and never reflected on:

Aang: You sound like Jet. Katara: It's not the same! Jet attacked the innocent. This man, he's a monster. Sokka: Katara, she was my mother, too, but I think Aang might be right. Katara (angry, yelling): Then you didn't love her the way I did! Sokka (visibly hurt, softly): Katara.

And that’s it. Upon returning, Katara apologizes to Aang and not, as Anon is absolutely correct in pointing out, to Sokka, who is 100% the more injured party. Now. Is it possible this is one of the rare missteps from the atla writers? Yes. Absolutely. Is that the answer I’m about to write a literal fucking essay about? No. Because it’s more painful fun to take it as face value and talk subtext.

First, a reminder that this show is fucking good at what it does. It teaches you how each character grieves as we go: Aang explodes, often triggering the Avatar state, usually crying or angry, and when he does try to repress his Bad Feelings it rarely lasts longer than a day; Toph either shuts down or gets mad, but either way she doesn’t like people seeing her having Bad Feelings and often storms away, knowing that she can’t control it no matter how much she might want to; Zuko yells at the sky in a rainstorm or yells at his dad in an underground tunnel or challenges Zhao to an Agni Kai or yells at his uncle in a jail cell and generally is an emotive nuclear bomb because the boy has feelings and if he keeps them inside for more than three seconds he might explode okay.

Then we have Katara and Sokka.

Let’s start with Katara, since she has the most textual and straightforward displays of grief. She’s really the only one to talk about Kya’s death in Book 1. If Sokka mentions it, it’s barely in passing. I don’t think we hear Hakoda address her death at all (which I’ll return to in a moment.) Katara’s grief is loud. It’s angry. It’s still very much a living thing for her. She thinks she sees Kya in the swamp and breaks down crying, and tells Aang and Sokka about it with no hesitation. When she’s angry and sad at Hakoda for leaving, she acts out and is visibly upset with him, yells at him, cries at him. She out-loud hates Zuko when she comes to the conclusion that he told her about Ursa and got her to talk about Kya to manipulate her. It isn’t that her grief is performative, because it’s a very real and terrible thing, but it’s a grief that’s to be witnessed.

Then, Sokka. Sokka’s grief is more complicated because it exists almost entirely in subtext, especially in regard to Kya. We really only hear him talk about Kya twice, both in Book 3. First, to Toph, when he tells her that he can’t remember what Kya looks like. Worth noting, however, that even though it is Sokka talking, this is still centered on Katara and Katara’s grief. The next time is when Zuko asks what happened to Kya, and Sokka tells the story that leads into the initial flashback. Sokka doesn’t talk about his mom. This is a fact of the show. It’s such a fact of the show that, in “Southern Raiders,” after the exchange at the start of this post, while Katara and Zuko are on the hunt, Sokka doesn’t bring up Kya again and is messing around with Aang. Like nothing has happened or is currently happening--which I’ll come back to in a moment.

So while we can use Kya as a perfect example of how Katara grieves, we can’t really use her for Sokka. So let’s use Yue instead. Moments we see (or don’t see) Sokka grieving Yue:

In the opening to Book 2, we briefly have a shot of Sokka with the moon imposed behind him.

“The Swamp,” where Sokka’s vision is of Yue accusing him of not protecting her. This one is one of the more textual moments of grief--”I think about Yue all the time”--but what’s awful great about it is how Sokka tells Aang and Katara. Aang, obviously, has no qualms about sharing his vision. Katara openly talks about seeing Kya. Sokka only tells them about Yue when explicitly asked. Even then, he doesn’t mention what she said to him. From this, we can assume that Sokka is still holding onto a lot of guilt over her death--guilt that he won’t let Aang and Katara see. Anyway. Moving on.

“The Serpent’s Pass.” After spending all day panic protecting Suki, he tells her that he lost someone, but doesn’t go much further into detail, just saying that he can’t when she tries to kiss him. Of course, this is all happening in front of the moon. Again, though, Sokka stays vague. He doesn’t tell her any details.

“The Puppetmaster,” Toph posits that maybe the moon spirit has gone mean and is kidnapping people. Sokka snaps at her, in a moment definitely meant for laughs, saying, “The Moon Spirit is a gentle, loving lady. She rules the sky with compassion and ... lunar goodness!” It is a funny moment, but here’s what we can take from it: Toph doesn’t know about Yue. Toph is a Feral Bastard a lot of the time, but she also knows where the line is, and I don’t think she’d’ve said that if she’d known.

“Boiling Rock,” in arguably the most quoted (and well deservedly so!) line in the entire show. “My first girlfriend turned into the moon.” “...that’s rough, buddy.” COMEDIC GOLD. Also, weirdly, the literal only time that Sokka explicitly tells someone about Yue in the course of the show.

“Ember Island Players” which I haven’t hit in my rewatch yet, but I definitely remember a moment where Suki asks Sokka when he was gonna tell her he made out with the moon, and he tearfully shushes her. Again, played for laughs, but the implication is that he still hasn’t told Suki about what happened.

This plays perfectly into the same way that Sokka (doesn’t) talks about his mom. When the Bad Feelings come, Sokka either avoids them and finds a distraction (Goofs with Aang--see, told ya we’d come back to that) or stays silent. When someone explicitly asks him about the Bad Feelings--what he saw in the swamp, what’s eating at him in “Sokka’s Master,” why he’s panic-protecting Suki--he’ll answer, but often talks around the actual issue. (Interestingly, it’s in regard to Suki we see the most explicit manifestation of Sokka grieving as Azula taunts him during the invasion: he cries, he attacks Azula, he yells and questions her despite the fact he knows she’s wasting their time. I think this one hits him because, as this beautiful post points out, Suki’s the protector in the relationship, and Sokka can actually chill out for 2 seconds. But he let his guard down, and Azula got Suki. Anyway. That’s probably a different essay: back to the matter at hand.) We even see this in “Boiling Rock.” There’s a moment where they think Hakoda is not with the other political prisoners. Sokka’s tense, drawn tight, but the only thing he says is, “No.”

Basically, we’ve got Katara, who grieves loudly and rages and is kinda like white-water rapids that churn and churn and churn. And we’ve got Sokka, who, to quote John Mulaney, looks at his grief and says, “I’ll just keep all my emotions right here and then one day I’ll die.” Iceberg grief, to keep the water metaphor going.

And where did these come from? Yup! Water Tribe gender roles! What we know from the show is that, while the South is typically more progressive (women can train as benders and marry who they want, at least) than the North, it’s still very rigid: the men are warriors/hunters/protectors, the women stay home to cook/clean/child-rear.

Now: subtext! And why I think they are this way!

We’ll start with Katara. The last waterbender in the South Pole. She no doubt grew up doted on. If I say she’s most likely a little spoiled, I don’t mean it in a bad way--I mean it in a she’s the last living remnant of this aspect of their culture kind of way. When raiders come, she’s probably the first priority to protect. Kya dies to keep her safe. Her needs are generally put before the community as a whole. (This isn’t to say that Katara doesn’t contribute or care about her community, because she 100% does). But! Especially in Book 1, we see Katara often considering her opinions as facts (trusting Jet, the waterbending scroll) and doesn’t always pause to consider the larger impact that her actions will have (scroll and Jet again, challenging Pakku, dressing up as the Painted Lady despite the fact the factory will hold the village responsible). And many of these actions are good! But we see a lot of Katara being pretty self-centered--what can I do, how does this impact me, how do I feel about this? And this isn’t a bad thing! This aspect of her character makes her complicated and complex! Katara loves her family and protecting people and caring for them! She’s extremely empathetic! But she also struggles to meet people where they’re at when they emote in a different way than she does (see: her clashes with Toph, her initial problems with Zuko joining the group, the above interaction with Sokka). It’s also worth talking about how Katara witnessed her mother’s death, which no doubt makes her grief about it a sharper thing.

Then, again, Sokka. Also loved in his community! But a normal kind of love, I’d assume. He probably was raised on stories of the Fire Nation dragging waterbenders away. No one exemplifies the Water Tribe ride-or-die mentality quite as well as Sokka, or the gender roles of the man as the warrior/protector, so you gotta believe Hakoda raised that kid to look after his sister at all costs, which we see throughout the show (already preparing to go after Aang in the South Pole because he know Katara’s going anyway, “You burned my sister!”) And he isn’t there when his mom dies. He finds out later. He goes from feeling like a victor who helped chased the raiders away to the worst realization of his life. I have to imagine he’s ashamed by the fact that he thought everything was going to be okay, which leads into his worldview of assuming that nothing is okay ever in any circumstance.

Finally, Hakoda. Who never, unless I’ve forgotten something, talks about Kya. All we know is that their family fell apart after her death (per Sokka in “The Runaway,” learning how Katara stepped up to hold everything together) and sometime after he took the warriors and straight up left. He apologizes for leaving but doesn’t address the fact that he left Katara and Sokka with no parents at all, only the war. This is, uh, not exactly echoing a healthy coping mechanism?

My theory: Kya dies. Since the Water Tribe is so embedded in gender roles, Hakoda probably shut down and/or checked out emotionally for a while. This leaves his kids on their own to deal with their shit, and we learn Katara does everything she can to keep her family going. As the most protected individual in the South, Katara’s probably been taught that emotions equal attention, and uses her temper/caring/sadness to help bring her community closer. Meanwhile, Sokka, who hero worships his dad, watches Hakoda go stoic and learns that “real men” shove their shit down. Additionally, Katara’s grief is deafeningly loud, and Sokka’s number 1 role is to keep Katara safe. He’s taught that the Bad Feelings only get in the way and make things worse, and so he learns to be fine no matter what kind of terrible is going down around him.  Basically, Katara learns to use grief as a needle and thread, and Sokka learns to bury it as deep as he can and avoid it at all costs. Opposite reactions to the same trauma. Katara gets mad and demands to be heard and listened to and seen, and Sokka gets sarcastic and prepares himself for the day the Fire Nation ships come back for his sister.

So. Back to those above lines from “Southern Raiders.”

From a writing standpoint, I do wish the final moment was between Katara and Sokka versus Katara and Aang. They could’ve had an almost identical interaction, but it would’ve been more nuanced. I don’t think that Katara needed to apologize, but I think we needed some acknowledgement from both of them: Katara continuing the lesson she’s learned about how her pain doesn’t entitle her to hurt other people (including Sokka, who is there no matter what she says or does), and Sokka that Katara’s process of grieving had to involve this catharsis.

Or. Maybe not. Because again--subtext. Their grief works in such different ways that I have to imagine this isn’t a new fight. It was probably brutal and vicious for a very long time. Maybe that’s part of what made Sokka try and go with the warriors. Maybe that’s part of why Katara gets mad so quickly in the first episode of the show. But eventually, unable to find an answer, they just...stop talking about it. Because the two of them don’t talk about it. Katara only talks about her mom with people who aren’t Sokka, and Sokka does exclusively to Toph and Zuko.

The only time I can think of Katara and Sokka talking about it together is the exchange at the top of this post, and it gets ugly fast, and it isn’t brought up again. It’s a fight that will never be resolved, because they fundamentally can’t react to one another in a way that can be universally understood.

“You didn’t love her the way I did!” Katara yells, loudly, because if Sokka loved her then why isn’t he raging? Why isn’t he getting his sword and coming to help her? Why doesn’t Sokka want to burn this firebender to the ground and make him see and hear and look at what he’s done to the world? To their family? He must not understand. He must not care as much or he’d be screaming with her.

“Katara,” Sokka says, much quieter, and adds nothing else. Not because there isn’t anything else to say, but because Sokka can’t talk about this kind of thing. Not doesn’t want to, but can’t, because it’s his job to protect people, protect Katara, and if he lets all those old hurts come boiling up he can’t do that, because that ends with losing focus and losing control and people getting hurt or going away. Why can’t she understand that?

And then they do what they always do. They don’t bring it up again.

[xaibaugrove]

Everyone in the Krew is Problematic

I was inspired to go on this rant by someone who recently brought up a question in a server I’m in, asking why so many people in the fandom seem to hate Mako and Makorra and why. This wouldn’t be the first time I defend Mako and it most likely won’t be the last, but it might be the first time I tear him and everyone else in the Krew down in the process, only to bring them back up. Hear me out though.

I think I’ve totally accepted that a lot of people in this fandom will always hate Mako and that I will have to perpetually defend him, I understand that this is the relationship I’ve chosen with this world. But what I still will never understand are the reasons why people hate/dislike him because compared to how much they love other characters in the Krew who honestly aren’t that much better than him (in some cases, even worse!), it doesn’t make any sense.

Let me also preface this by saying, I love these characters with all my heart and soul, probably more than I should love fictional characters, but this is the life I live and with that being said, I am going to tear them apart just to prove a point. Okay, here we go.

MAKO

Most of his detractors list the usual criticisms, which are valid when isolated. He cheated on Asami, he lied to Korra, he was a terrible boyfriend and essentially he treated the women he claimed to love or care about horribly. Gee, it’s almost like the man was a teenager with no experience in having long-lasting, healthy relationships and was raised in the streets by gangmembers while doing anything to survive and provide for his younger sibling after seeing his parents killed right in front of him and suddenly being orphaned…

I think Mako has been torn down enough, so I won’t get too deep into the tearing down part for him. It really does baffle me how someone can claim to be woke and not comprehend how someone coming from poverty could possibly be a product of their environment. Like, does everyone think that poor people automatically have hearts of gold and turn out like Little Orphan Annie? Why are people surprised that when someone has a shitty life, they might do shitty things?

Also, sooo many people love Zuko, who actively tried to cause harm to Aang, Katara and Sokka numerous times, and sympathize with his troubled past. But like, sure Zuko had an abusive father and his mother peaced out of his life for whatever reasons but at least he had his uncle. Mako had his parents for maybe 8 years before they were murdered in front of him and then had...no one for the next 10 years? Except for Bolin, sure, but no other parental figure in his life. Dude literally had to become him and his brother’s own parent and joined a gang to survive, and after all that, the worst he does is acts as a bad boyfriend toward Korra and Asami and he is instantly thrown to the wolves. Something doesn’t add up. It’s just...I don’t get it.

Yes, the way he treated people was bad, but people can grow? That’s a thing humans can do. And he was a teenager, my god. No, we cannot allow our past to be an excuse for how we treat others, but we have to be aware that there is a growth process to being human. And being human in and of itself, isn’t pretty. You think Mako is problematic? Don’t get me started on your fave.

KORRA

Ok, I love this woman to death but she is ridiculously problematic. She pursued someone in a relationship and essentially forced Mako to cheat on Asami by kissing him against his will, that’s already pretty awful and shows a lack of empathy on her part, also kissing people without their consent is no bueno. But also I just have to say it for the people who might not know this. One of the fundamental reasons why Makorra didn’t work was because KORRA WAS ABUSIVE. Okay? It wasn’t just that Mako was inadequate at relationships and didn’t know how to people, it wasn’t that she was secretly confused and wanting Asami the entire time (biphobia at it’s best) one of the main problems in the pairing was that Korra was crazy abusive towards Mako. Seriously, why don’t I see this more often in those discussions??

If we need examples, I have dozens. Honestly, it’s really easy to see how terrible Korra was to Mako, I’d actually argue that she treated him worse than he treated her. I mean, they were both terrible to one another, but in Korra’s case she went through the motions of being completely infatuated with your first teenage crush, getting with said crush, then crashing and burning once you realize that you have no idea how to treat a romantic partner so after the butterflies wear off you subject them to all the wonderful aspects of your anger issues. Not only did she scream at Mako during every argument they had, she also threatened him with bodily harm if she got really angry. Remember how their relationship crashed and burned in Book 2? Here are the things that Korra did during that time. Let me reiterate, this was not okay.

Mako is visibly shaken by this!

This woman burst into her boyfriend’s place of work and violently kicked his desk out from in front of him with all his coworkers present. That is not normal behavior. That is a red flag. And after she came back, had amnesia or whatever and forgot they broke up after that scene, let’s not forget that Mako was legitimately Afraid to break up with her again. Korra made her partner frightened that they might suffer bodily harm if they upset her. Again, and I can’t stress this enough, this is not okay!

The little scene in Book 3 when Korra is lifting Mako like 100 feet off the ground with airbending while he’s screaming in fear just to make Asami laugh is cute, right? I’ll admit, I loved that little moment too, it’s one of the only instances of Korrasami development that we got, but also, there were sooo many things wrong with that scene lol. Not only does Korra terrify Mako for literally no reason, it’s also sort of just her continuing to exercise some degree of power over him for her own amusement. Almost like a subtle reminder to him saying, “I am stronger than you in every way and I can break your femur like a twig if I wanted to… but I won’t, so look how much fun we’re having!”

Now of course, there are reasons why Korra acts like this. She was isolated for almost her entire life and never learned how to treat people and be around people. The Avatar is human because they must live amongst the people they protect and that helps them develop empathy and cherish life. The White Lotus deprived her of that fundamental aspect of her duty as the Avatar and it showed throughout the beginning of the series. Clearly, she was young, didn’t see how her actions could negatively affect others and hurt the feelings of not just her partner but also friends and family (she was really awful towards a lot of people in her life!). But as the series went on, we see her having less outbursts and learning to control her temper more.

One can only assume that she does not have the same behavior with Asami because for one, I don’t think Asami would play that shit, she seems like she would electrocute a bitch in a heartbeat and not hesitate if needed, but also Korra is not the same shitty partner she used to be as a teenager. Again, kids do stupid things. Adults do stupid things. And we learn and we grow. Korra will probably make some more mistakes in her relationship with Asami. I don't think anyone can have one bad relationship and suddenly learn all the lessons they can from it and have a perfect one the next go around. I can totally picture Korra losing her temper and raising her voice at Asami if she gets frustrated and forgets who she’s dealing with. Managing anger issues is hard, I know this from experience, and it doesn’t magically get easier. Of course, if Korra does pop off, Asami would definitely put her in her place because she’s a bad bitch who doesn’t take anyone’s shit, next character.

ASAMI

You know her, you love her, you fantasize about her and you probably have her on your list of fictional characters you would totally bang if you had the chance (I know I do), yes, even your best girl is problematic. It’s interesting to me that a lot of people sympathize with Asami and very few openly criticize her (so few that I’ve never seen anyone say a bad thing about her). What’s there to criticize though? The poor girl was cheated on by Mako, had her feelings disregarded by Korra, who claimed to be her friend but pursued her then-boyfriend behind her back and then made up for it by simping for her for the rest of her life? Also her mom was murdered when she was just 6 years old, her father threatened to kill her once and physically abused her, then died right after they started repairing their relationship, essentially making her an orphan at the ripe age of 22. Suffice it to say, Asami has been through it.

So, how could she be problematic, you ask? Why, of course, through the classic Bryke technique of romance progression in storylines called Kissing People Without Their Consent

To be honest, I did gloss over this with Korra, simply because there were sooo many other issues with that woman and I just couldn’t go through every single one in as much detail but that doesn’t negate how serious this whole sneak attack kissing thing is. Sure, Asami is very emotional and lonely and sort of desperate too, (it's a little sad, really) but Mako is clearly uncomfortable and completely caught off guard by the kiss. This is also the second time this happens to him in the series! There are a couple factors that might contribute to why Asami does this and acts this way, maybe Korra’s general awfulness rubbed off on her (don’t make a dirty joke) but this is still wrong.

AND that’s...pretty much it. Kissing people without their permission is a big no no, though. Not wanting to gloss over that, but Asami really is a good person who just did a not-so-great thing. Getting burned by Mako twice probably made her a little less inclined to be as forward with anyone though, and it looks like she now takes her time and is patient in her relationship with Korra. It even seems like Asami is the only person Korra is afraid to upset, as Korra does seem more gentle and calm when around her. And who knows? Maybe Asami living a life where a majority of the time she got whatever she wanted when she wanted it might have also influenced her to be more assertive or even imposing within her relationships.

If anything, those three fools getting into relationships with each other just showed how not ready they were to be in relationships in the first place and also how not okay they were.

BOLIN

Originally I titled this as “Everyone in the Krew is problematic (except Bolin)” but then I remembered that Bolin totally kissed a woman without her consent so I deleted the shit out of that!

This asshole looks genuinely pleased with himself after essentially assaulting Ginger. Not a good look.

Sure, Bolin is baby. He will always be baby to me. But that does not erase the fact that he also actively supported a fascist dictator. Not only was the kissing without consent thing bad, but there’s also that. No matter how many times people around him warned him about the fact that he was on the wrong side of things, that he was helping someone who was putting people into concentration camps...Bolin wanted to believe the best of Kuvira. He ignored obvious signs that the woman was a dictator committing human rights violations like crazy and you know, there’s gotta be a reason for that too.

Maybe Bolin wanted to feel like he was doing something good for once. When you think about it, with his role as the comic relief in the Krew, and sort of constantly being infantilized by his older brother, I wouldn’t be surprised if the man developed some insecurity in his ability to do anything good or useful for anyone without screwing it up in some way. In Kuvira’s army, it seemed like he was actually taken seriously, he felt like he was doing something that mattered. Korra had being the Avatar, Asami had her business and mindblowing philanthropy (honestly, her ability to be as charitable as she is profitable is insane) and Mako had his police work (ACAB, tho). Bolin had...the role of being a joke. A superficial actor. A former pro-bending meathead.

Bolin lived his entire life following after his brother that once they were adults and Mako finally decided to live his own life for once, it left Bolin completely lost. And lost young men are perfect recruits for fascists.

So, in conclusion, my whole reasoning behind destroying the integrity of my favorite characters is to prove a huge point. All of these characters are problematic. They have flaws, some bigger than others (looking at you, Korra. Just...wow), but ultimately, even if your fave is problematic... that’s okay. A lot of people, mostly younger people it seems, are really obsessed with being right about everything that they do and stan. And that’s a wonderful thing, so much change has come about by the younger generations calling out people who do fucked up shit, don’t want or try to improve, and get away with it. But it’s also caused a lot of people to be unforgiving and completely unwilling to acknowledge when people do improve and try to be better.

Personally, I love my problematic Krew because having issues that you’re constantly working on internally is human. It’s human to make mistakes, it’s human to grow from those mistakes. And it’s inspiring to me, who is wholly imperfect, to see myself reflected in fictional characters who aren’t perpetuating unrealistic ideals of human nature, characters who are messy, crazy and ultimately human.

As one of my favorite manga artists and queen of impeccable character creation Rumiko Takahashi once said:

“I think that perfect people are not very interesting.”

And I will always wholeheartedly agree.

[passable-talent]

hi!! for roe, can i request a part two to the commander reader one?? maybe written with the events that happen when zuko asks if he can join the group (and when katara splashes him with her water bending, the reader deflects it)? the rest is up to you. thanks!! 🥺♥️

i love when yall request part 2s deadass

part 1

Being in the Fire Nation again made your skin crawl. It really was awful. You kept thinking that every voice behind every mask of every soldier was going to be an old friend from the academy. It kept you paranoid, and distracted, which was really the worst thing you could be on the Day of Black Sun. 

Sadly, even a military strategist like you couldn’t have predicted what happened that day. You didn’t really want to make Sokka feel worse, so you couldn’t say much about it, but you were angry you’d wasted the day, the eclipse. 

And running into Azula had made your skin crawl. 

She greeted you like an old friend- you were. And in her discussion of how she’d known of the invasion, she let slip that one little detail, the one that had made your heart stop cold. 

She said that Zuko was ‘gone’. 

You knew that Azula lies, its all she’d ever done. And yet, you couldn’t help but wonder- he was a banished prince, one who’d let you get away even though you were in league with the avatar. He, as Katara had put it a month earlier, could’ve pieced it together than Aang was alive. You knew how deeply punishment ran in the Fire Nation, you’d seen it first hand. 

Zuko had failed to kill the Avatar in Ba Sing Se. Could his father have killed him for it?

You loved him deeply, even to this day. He’d never hurt you, so though you listened and understood when Aang and Katara and Sokka talked horribly of him, you’d never agree. You saw a glimmer of hope in him, when he let you go in the earth kingdom, and for just one moment in Ba Sing Se. You’d always harbored hope that he would one day return to your side, and help the avatar, but-

He couldn’t do that if his father had killed him. 

“Gone”.

She was done speaking to you by the time the fighting started, and although you protected your friends, your mind wasn’t up to the task of focusing enough to win the battle. You cursed yourself for it- you were Fire Nation too, you knew what she was doing, damn it. You knew that she was a liar by nature, but you couldn’t help but worry, be terrified. 

The eclipse ended. The day ended. You had to go, and leave so many of your fellow soldiers behind. You wished you could save them all- but you knew what had to be done. 

You were the only firebender Aang knew. You had to train him. The problem was- you never learned much more firebending than the basics that Iroh had taught Zuko in the winter. Sure, you knew them by heart, and they served you well, and sure you’d figured out some moves of your own in facing down firebenders all spring and summer, but you couldn’t help but feel inadequate for training the avatar.

You gave him what you could. You hoped it was enough. 

You didn’t quite grieve for Zuko, because you told yourself that Azula must have been lying, just like she was about Suki. She had to be. Zuko wouldn’t go down that easily, even to his father. Iroh wouldn’t have let it happen. You had to believe that Azula was saying it just to get in your head. 

She’d succeeded in distracting you during that one battle, on that one day. You wouldn’t let her do it again. 

Lucky for you, it wasn’t long before she was proven wrong. 

Sometimes, thoughts come at you all at once. You have a thousand different reactions and in the moment, you have to chose one. Sometimes, though, your reaction is instant, but follows down a train of thought that happens in hardly the blink of an eye, when you think so fast that it transcends words.

This was what happened when you saw Zuko. You were filled with relief, and you wanted to hug him, your old friend, who you were so sure was dead, even though you tried to convince yourself otherwise. You were about to take a step forward when you realized it would make you look like a traitor to your friends, and so from behind Katara you said “forgive me” before rushing forward, and hugging him, exactly like you’d wanted, with a breath of his name. 

But the euphoria of seeing him alive faded while you remembered what he was likely here for. He was the enemy of Aang. So you let go, and walked backwards to your friends again, standing at Aang’s side, where you knew you’d make your allegiance clear. You hoped that they would understand why you’d needed to hug him. 

“I heard you guys flying around down there, so I just thought I’d. Wait for you. Here.” Zuko was as awkward as you’d ever seen him in your life, back when he was a bumbling preteen. It almost made you smile, but you couldn’t, quite. Appa’s roar had always made you flinch, but as much as you expected to see the prince eaten then and there, Appa instead licked him, and you caught the way that it affected Aang. Why did the bison trust him?

“I know you must be surprised to see me here,” Zuko said, and you narrowed your eyes, as surprised as he expected. Sure, he was alive, and you were happy about that. But why now? He hadn’t been chasing the avatar for months, even before Ba Sing Se. Why did he come now?

“Not really, since you’ve followed us all over the world,” Sokka said, and you could feel the combat rising in your friends beside you. They didn’t get it. Zuko wasn’t the most strategic person in the world, but he was smart. If he was here to fight them, he wouldn’t have come alone. He wouldn’t have come without armor on. 

“Right, well, uhh...” He was so awkward, it was almost painful. How was this the same prince that you’d known just a few months ago? “Anyway, what I wanted to tell you about is that I’ve changed. And I, uh, I’m good now. And, well, I think I should join your group. Oh, and I can help teach firebending, since I know Y/N doesn’t know some of the higher stuff. See, I, uh-” You shared a glance with Aang, briefly. You were surprised by practically everything he was saying- he’d had a change of heart? He wanted to help the avatar?

He remembered that much about you?

“You want to what now?” Toph said, being cutoff only a moment later by Katara. 

“You can’t possibly think that any of us would trust you, can you? I mean, how stupid do you think we are?”

“Well, you trust Y/N, and they’re from the Fire Nation, like me, so-” Zuko’s words almost insulted you. You cared for Zuko, but you and he were not the same. 

“Y/N helped us from the first moment we met,” Sokka said, coming to your aid, and you looked at him briefly, almost touched he’d had such a quick response. “All you’ve ever done is try to hunt us down and capture Aang.” 

“I’ve done some good things!” Zuko responded, taking a small step forward. “I let you go in that storm! I let Y/N go when I was supposed to take them prisoner! I mean, I could’ve stolen your bison in Ba Sing Se, but I set him free! That’s something.” Appa seemed to try to prove his words with another lick.

“Appa does seem to like him,” Toph conceeded. It put just the flicker of doubt in your chest, that he might be telling the truth. You hoped he was- he hadn’t lied about any of the other examples. 

“He probably just covered himself in honey or something so Appa would lick him,” Sokka said, and you glanced down at yourself.

“I didn’t feel any honey when I hugged him,” you said, which earned you a quick glare from Katara, and you decided to shut your mouth. 

“Still,” Sokka said, waving a hand in front of him, “I’m not buying it.” 

“I can understand why you wouldn’t trust me,” Zuko said, lowering his head, “and I know I’ve made some mistakes in the past.” For a moment, you wondered if you were gullible, or perhaps naïve, to almost believe him. 

“Like when you attacked our village?” 

“Or when you stole my mother’s necklace and used it to track us down and capture us?”

Yeah, maybe you were. 

“Look, I admit I’ve done some awful things. I was wrong to try to capture you, and I’m sorry I attacked the water tribe. And I never should’ve sent that Fire Nation assassin after you. I’m gonna try to stop him-”

“Wait, you sent Combustion Man after us?” 

You were definitely naive. He sent an assassin after you- you couldn’t let yourself trust him again. 

“Well, that’s not his name, but-” Oh, Zuko, why would you doom yourself like that?

“Oh, sorry,” Sokka said, boomerang held with blade toward Zuko, “I didn’t mean to insult your friend.”

“He’s not my friend!”

“That guy locked me and Katara in jail and tried to blow us all up!” Zuko took the blows and lowered his head, but then slid his gaze to Aang. 

“Why aren’t you saying anything?” He asked, his voice calmer now, “You once said you thought we could be friends. You know I have good in me.” After Aang didn’t respond, he looked to you. 

“Y/N? Please.” For a moment, you met his eye, but after a slow heartbeat you looked away, condemning him to whatever decision Aang would reach. 

“There’s no way we can trust you after all you’ve done,” Aang said, his voice strong, with no hint of hesitation, “we’ll never let you join us.” 

“You need to get out of here,” Katara ordered him, “now.” 

“I’m trying to explain that I’m not that person anymore!” he shouted, and you brought up your fists, as his body language clearly said otherwise. 

“Either you leave, or we attack,” Sokka threatened, stopping Zuko in his tracks. His gaze fell to the ground.

“If you won’t accept me as a friend,” he said, lowering himself to his knees, “then maybe you’ll take me as a prisoner.” 

“No, we won’t!” Katara snarled, stepping forward and throwing him back with a powerful wave. You knew that she wouldn’t throw him over the edge, but your heart pounded in worry all the same. “You need to get out of here, and don’t come back. And if we ever see you again- well, we’d better not see you again!” You looked away, as he stood, and walked away. You couldn’t bear to look at him. 

The boy you saw in front of you, the boy that left the Western Air Temple- he was everything that you’d always wanted to see in Zuko. He was the best parts of the boy you’d once known. He was trying to make things right, and accepting the consequences of his actions. You were proud of him. And it took every ounce of your strength not to go to him, and tell him so. 

You held back your voice as Katara and Sokka raged against him. You knew that their trust in you was strong, but you were Fire Nation to them, even after all this time. You knew that the foundation of your friendship was strong, but to try to convince them of the good in Zuko would be battering rams taken to load-bearing pillars. You were a strategist- you knew to hold your tongue. 

Toph, on the other hand, had no such qualms. She stormed out, and you avoided the wrath of the water tribe siblings. 

But Zuko proved his allegiance, first by helping take down Combustion Man, then by reasoning with Aang using more gentleness than you’d ever seen him use, at least at one time. And once again, you kept quiet, knowing that you shouldn’t actively speak out in favor for the prince. Even when Aang asked for your permission, you skirted over your opinion. 

“You’ve been hurt by him far more than I. If you’re okay, then I’m okay.” 

But after he’d been accepted, after he’d been given his own room, after he and everyone else had settled in, you couldn’t stop yourself, couldn’t keep quiet anymore. You snuck through the hallways and into the room he’d been given, and knocked on the wall beside the archway of his door. Hopefully it would get his attention before alerting the others. 

He looked up from his bags to you, and for once in his life had foresight enough to keep his voice down. 

“Y/N?” He said, and you rushed through the door to hug him once again. 

“Zuko,” you answered, laying your face in the crook of his neck. “I’m so happy to see you.” He hugged back, shocked by the gesture as he was. 

“It’s good to see you too,” he answered, but yielded the conversation to you. 

“I always knew you’d join us eventually. I knew it.” He didn’t answer, beyond resting his forehead down onto you. 

He didn’t question how you knew more about his heart than he did. 

He knew the answer. 

tag list: @lammello @kittyddandnyla @qquell @caitiff @coldlilheart @sleeping-with-the-fishes @duh-dobrik @dxcter 

-🦌 Roe

[the-golden-ghost]

Top 10 avatar episodes? (ATLA or LOK)

I've never seen LOK so... A:TLA it is!

The Siege of the North: (technically this is a two-part episode but shh) anyway WHAT CAN I SAY ABOUT THE SIEGE OF THE NORTH?! Siege of the North is flawless. Amazing Showstopping Impeccable. The scene where ash starts raining from the sky, changing the tone of the scene from peace to tension? The glimpse of the rows upon rows of Fire Nation ships and the sinking dread it brings? The waterbenders in action? The part where Arnook is going “some of these faces will disappear from our tribe for good” and it flashes to Han, Yue, and Pakku, all of whom did indeed leave but for different reasons? The part where Zhao traps the Moon Spirit and the WHOLE WORLD goes red? And then gray after he kills it!??! And the only color left in the world is the glow from the fire and YUE’S EYES!? Koh? Iroh’s confirmation that Zuko is son in all but technicality? Yue’s sacrifice? There is just SO much good stuff in this episode and I’m not even listing all of it I’m just listing what I can remember. Peak season finale 10/10. Outstanding.

The Tales of Ba Sing Se: Okay it’s pretty obvious why I like this one and the answer is “because it owns, duh” but beyond that it’s just a nice episode. It’s not big, and intense, but there’s plenty of Big Intense Episodes. This one’s just everyone going about their lives and we get a lot of quiet reminders that while these are the Saviors of the World they’re also just people (and a lemur) with their own problems and desires and wants. It’s just kind of nice to have a slice of life episode that doesn’t... feel like just an odd shoehorned plot (like some of the season 1 filler episodes I could name...) but actually feels like it’s about the characters.

The Deserter: GOD this episode is so pretty. I’m talking about the lighting and art design. Seriously go watch one of the other earlier episodes of s1 and then watch this. The soft filtered lighting with a subtle gold/orange tint to it, hinting at the element we’re covering in this episode? Gorgeous. The foreshadowing is also glorious. Magnificent, even. When I rewatched the show a few months ago I was catching little subtleties that went over my head as a kid. It works beautifully as a self-contained piece and also in tandem with its sister episode, the Firebending Masters. It’s also got the ONLY Zhao vs Aang battle in the entire season. I could go on about it more but I won’t, it’s just a SOLID episode and I think it’s underrated.

The Southern Raiders: Okay I know everyone likes this episode for the part where Katara makes the rain stop and that’s also why I like it. That was one of the most memorable moments of the whole SERIES for me. Beyond that there’s the flashback to Kya’s death which... we’ve known about it. We’ve known about it for the whole series. It’s affected Katara and Sokka deeply and we see it through their actions, but we’ve never really known what happened. Here, we do. And we get to see it from three perspectives, three times over. And then there’s Aang’s and Katara’s conflicting ideas of justice and vengeance and whether violence is ever necessary or justified. It’s just... a good episode.

Sokka’s Master: The Only Sokka Episode (but really why did it take until season 3 to give him one!? He deserves better) Anyway Piandao is the best teacher character in the series bar none so there’s that. For another thing we actually get to see Sokka at his best and realize just how necessary he really is. He sort of gets written off (even IN the show) as pure comic relief or just the One Nonbender Who Hangs Out With All The Cool Guys but here we have a Justice For Sokka episode that goes ‘you know what? Nah’ and points out that he’s a strategic genius who carries the team from behind. AND that he can be a badass, too.

The Runaway: First of all the episode opening with the END of the events was kind of a fun gimmick. I mean it’s not hard to see where it’s going but it was different. Secondly it’s about time we got a Toph episode that isn’t just about her not getting along with her teammates or about being blind. For example, in this one she becomes a career criminal. It’s what she deserves. Also the stuff about them all missing their parents and driving home the fact that this is a group of lost children is surprisingly heartfelt. (I’m not describing it well but I love this episode)

The Blue Spirit: This episode gives us some of our first inklings of Zuko As Good Guy and boy does it deliver. The thing that gets me about this one is the tension of the situation. I remember being a kid and seeing Aang trapped and alone and being like “oh shit” because for the first time, he doesn’t have his friends. Except he had a ~friend all along~. Also the herbalist is an icon.

The Avatar and the Fire Lord: We Love a Flashback Episode and we especially love one that comes with the caveat that “friendships can last more than one lifetime”. We also love to be sappy. We also love to make fun of Roku for not realizing that he was in love with Sozin.

The King of Omashu: Bumi is The Character Of All Time and I think I appreciate him more than any other minor character on the show so jot that down. This episode is so goofy and so much fun but it feels organic and light because we’re still early and we haven’t hit the point yet where the goofy episodes are annoying and out of place (looking at YOU, Nightmares and Daydreams...) also when I was a kid I totally missed the idea that Bumi was testing Aang not to see if he was smart n’ talented but to actually find out if he’d learned any of the other 3 bending episodes. “Don’t you have any surprises for me?” And Bumi’s earthbending having airbending elements that are specific to his bending... because he’s one of the only earthbenders alive who knew and trained with airbenders... I die. I feel similarly to Jeong Jeong’s firebending taking after waterbenders because he’s envied them and giving him a unique style of his own... I LOVE when the show gives minor characters these little details that make them stand out okay I ADORE it

The Blind Bandit: Okay this one’s just a fun episode and the character designs slap. The Final Battle (tm) also slaps. Toph’s bending style? The dinner scene? The reference to Dwayne Johnson? It’s all good and the animation for Earth Rumble XI was off the charts.

[peachcitt]

Happy FFWF!

Is there a particular scene in any of your fics that was ~inspired by~ events in your own life? If so! Share the scene/ the story/ whatev!

YES. SO MUCH ALL THE TIME

off the top of my head are:

- hey, you

the entire premise of the fic (adrien beginning to think differently about marinette after having a dream where he was dating her) is based off of. the fact that about a week before i wrote the fic i had a dream that i was dating a close friend. yeah. the stages adrien goes through of “just because you have a dream about them doesn’t mean you like them!!” to “okay so maybe that was wrong-” is in fact based on real life

- bloodsucker

there’s a frat party scene where sokka and zuko dance along to mr. brightside by the killers and was in fact based on the single frat party i attended and actually thoroughly enjoyed; the crowd was mostly girls and all the music was 2010s party music. they played mr. brightside and it was absolutely gorgeous.

- bone tea

this fic was written spanning about two tumultuous years of my life, so honestly i can’t even begin to pinpoint how much of myself went in there. BUT the easiest example i can think of is when luka confesses to marinette - he’s completely fine with being rejected and kind of expected it, but marinette feels SO guilty and terrible about it. in high school, i was in luka’s shoes and confessed to a close friend with the intention of just getting my feelings out in the open so i could deal with them faster. i never expected him to reciprocate and i kind of didn’t even want him to because i valued his friendship, but he felt TERRIBLE. he kept saying how he wished he could make me happy and wished that he could be that guy for me, and i was like dude? chill it’s not that big of a deal. anyway i remembered how ridiculous that entire situation was and was like! cool im projecting this onto marinette now<3

- pride and participles

since in this fic, félix is tutoring chloe, i needed there to be something tangible for them to actually be studying, and obviously i needed for there to be something chloe complains about. my first thought was participles because i took four years of latin and i could not tell you what participles are if you begged on your knees for it. the worst part is? we talked about them all the time in class and my poor teacher had explained them to us over and over again, and neither me nor my classmates ever remembered what the heck they were. im so sorry i was a terrible student darrell. maybe one day i’ll understand participles but that day is definitely not today

so yeah! honestly there’s probably so much more - anything interesting happens in my life and im like OH this would be a fantastic fic concept or i need just a little detail and end up including something that i know in real life. im simple like that

thank you so much for asking!!<3