#so i try different stuff on different pieces

[beyourselfchulanmaria]

[...] The work I make with books is rarely illustrative of the text. This a deliberate choice. For almost everyone the text in a book is regarded as sacred. For me, to have an illustrative approach to each specific book would be to accept the false divisions that are made between form and content. So the new meanings that I try to write across the books are usually more oblique. Many are so oblique that the viewer might never know of any connection to or from a book. This would be so in the two dimensional pieces where fragments of images found in books are isolated and abstracted from their original contexts.

The English philosopher, John Austin described language as a net which we use to try to catch our experiences of the world. Much is caught and much is missed and it's the stuff that escapes that interests me. I suspect far more is missed than caught and more often than not the stuff that is missed, because it cannot be made sensible with words, is overlooked. Information, like intelligence, is expressed and encoded in a multitude of different ways, we sometimes neglect those expressions of intelligence that are unable to be translated directly or indirectly into language. Assimilating more and more information does not lead to a more profound view of the world. Information (especially now) is as much a pollutant as the colossal amounts of plastic floating in the South Pacific Gyre. The concept of ignorance becomes more interesting in this context; do we now live in world where we have to know what not to know before we know it?

One of the things that used to bother me was the apparent contradiction of practicing an activity I didn't know the meaning of. I still don't.

Beyond the broad idea that art is a very subtle form of communication and perhaps also a form of inquiry, I am still none the wiser.

In order to get the work made an artist will use any and every form of conceptual scaffolding. For me that kind of support is only temporary (and perhaps it’s here where lies are of some use) the scaffolding must be taken down once the work is finished. Structurally it may have no correspondence at all to the conceptual integrity of the finished piece.

-Jonathan Callan-

Jonathan Callan Joan Bennett 1932, 2006 Magazine erasure 12 x 9 1/2 inches

Jonathan Callan Relative to, 2004 paper and ink

[alexanderwales]

I finished rewatching Death Note. I always forget how short anime is, with episodes that aren't much more than 20 minutes when you skip the intro/outro.

I hadn't remembered how much of a sniveling wreck LIght was at the end of the show. There's something about the ending that makes it feel like it was written and directed by a different person, not that Light wasn't always a little weird and pathetic, and not that the show didn't consistently go out of its way to let us know what a piece of shit he was (particularly his absolute lack of loyalty or empathy to anyone, even aside from the megalomania). But he takes the loss like a loser, snot dripping from his nose, voice cracking, begging, and it's so pathetic that I almost felt a little sorry for him.

I've always found the Death Note to be a very interesting prompt, one of those hooks that's so good I'd want to watch it even if it was bad. But in writing something like Death Note, the author has to make decisions about what to show and what not to show, and also make decisions about how they're going to portray the public at large.

There are two big things that stand out for me.

One is that we never get someone arguing against Kira. We get people who are actively trying to hunt him down, but they're mostly not stopping to say "this is why what he's doing is wrong" except a few lines about how he has a childish sense of justice, which is never expounded upon. Kira, on the other hand, we hear a lot from, not just the megalomaniac stuff, but the notion that criminals must be punished, that this is what people desire in their hearts. I get the strong sense that L does not actually care and just views this as an interesting puzzle for him to solve, but for everyone else it's largely left as an exercise to the viewer, and even then, there are moments when some of our task force members come dangerously close to endorsement.

To the extent the show has an answer, it's that (to quote Kanye West) no one man should have all that power, or that Kira has crossed a lot of lines, but no one argues in favor of rehabilitation or clemency or just fundamental humanity. Kira seems to largely be killing prisoners, who have already been sentenced, and are wards of the state, and he says "this is what people want deep down, they will give you the politically correct answer but they actually want the criminal class to be obliterate", which ... there's no character who actually voices any opposition to through the whole series. And I find that weird, because yes, the show has its own answers in terms of how it plays out, but in a show filled with people possessed of immense conviction, most of the people in opposition to Kira are just intellectuals who don't actually give a shit about the ideological question.

(The one big moment when it comes to a head, IMO, is when Soichiro Yagami refuses to write Mello's name entirely because of his principled objection to killing someone. I thought this was great, and I wish the show had more of it.)

The other big thing is that we don't really get a viewpoint of the criminals, with a few exceptions. One is the is Yotsuba group, who are killing people with the Death Note, and the second is the (somehow still functional) mafia that Mello hangs out with. There's also one other scene somewhere after L's death where we see a criminal begging with the police not to have his name written down, and that's about it.

The naive view here is that the show really does believe in Criminals as being a part The Other, a different sort of human being who walk among us. The criminal class are described as rotten and evil, they're shown as grotesque and with exaggerated features or bestial characteristics, and they're generally leering and impulsive. There is no consideration of their humanity.

There's a more nuanced take here, which is that we have a criminal as one of our main cast, Light Yagami, along with everyone else who takes on the Kira mantle. So what is the show saying about criminality through how it portrays them? And here ... I don't know. I kind of don't think that it views them as criminals in the same way? When we look at the ways that Light kills, I genuinely do think that the show thinks that this is different from the way that a capital-C Criminals kill. It's reactionary rather than criminal in and of itself, a response to the injustices of the world rather than being in the same class as those injustices. Light is narratively exempted, and Misa is to. Which isn't to say that I think the show thinks highly of Light, it clearly doesn't, especially in its ending, but I almost think that in the end it Others him too (and also has Teru Mikami drawn in particularly 'evil' style, like a creepy deviant gremlin).

So I enjoyed the rewatch, but there are things that sit a little oddly with me as far as the central themes go. There's probably some discourse I should read that's come out since I first watched it in ... 2010 or whenever, but I think I'll give that a skip.

[ravenstargames]

✦ Lost in Limbo Devlog #13 | 11.11.24

Feels good to be back! This is our first post-Kickstarter devlog and I'm so excited to be writing it.

First of all— Lost in Limbo was successfully funded on September 20th, 2024! 🎉🎇

Yep, it has been almost two months, but it's still something to celebrate! Thanks to every single one of you for making this possible! We didn't meet all our stretch goals (there were a lot and taxes are a pain) but that doesn't mean we are giving up on those. More on that another time.

There's a lot of things we want to show y'all, so let's jump into it!

A sneak peak of Envy's postcard!

Raquel has been working hard on getting the "special postcards from your favorite LI" ready to send them to print ASAP! Initially we were going to use art we already had of the LIs, but we thought it was more exciting to offer y'all exclusive art pieces. After this, Raquel will focus exclusively on the rework of the sprites!

We hosted a few polls and got a lot of feedback. If you missed it, you can check it here!

Astro says hello :^)

As you know, the Extended Demo will feature more locations, including a glimpse of the MC's city, Faybourne! Astro is getting the main street ready for you and your bestie as you go on about your day. I've calculated around three / four different and new locations to properly pace the demo as we imagined it in the first place!

The writing deparment (me. i'm the department) has been focusing on the Extended Demo script. I have a lot of things to play with, like the flavor choices, the personality choices, and more. I want to create a proper balance because one of the things y'all asked for was more choices, and the pacing needed a bit of fixing, as we already knew!

The Extended Demo will actually introduce characters you've heard about, like your mom, your ominous grandmother, and your bestie. So no more talking about them, you'll actually get to meet them like we wanted to!

There will also be more time with the LIs, and hopefully the amount of time you spend with each one of them will feel more balanced, too.

Programming has been an adventure! Huge shoutout to Feniks for helping me figure out how to properly make a toggle for the timed choices as well as helping me polish the personality system. What a lifesaver!

So the timed choices toggle now works perfectly. That means you'll be able to turn them off if you'd like to play the game without being jumpscared by a timer—that doesn't mean you won't be able to mess up, though, on purpose or not :^) This is a dark game, after all!

The personality choice system lets you decide how the MC reacts to things including the nature of your romance with the LI. That means dialogue will automatically change in certain parts of the game to reflect the personality of your MC, some options will be locked, some unlocked, etc. There's three different personalities available.

For colorblind folks, the choices will have a different icon when you hover over them for you to know they're different!

Also, I've started coding some extra mini cgs Kayden's been working on! There'll be more in the Extended Demo to enhance the experience, so we hope you enjoy them! :^)

All the packaging stuff has arrived to our provisional headquarters (Raquel's home), and our business cards have been secured! Every backer with physical goodies will receive one for free :^) This month has been all about managing Backerkit, orders and merch, as well as preparing the Extended Demo. We hope we can receive everything very very soon and start shipping packages starting December!

For now, that's it! There's a lot of stuff going behind the scenes, a lot of things that need attention, and a lot of planning happening. Also the catastrophe the DANA has been on our cities is keeping me a bit on edge, but I'm trying to focus on work. This Saturday I'm going on a trip to Greece with my family, so I'll disconnect then! It's our first time traveling to a different country since I was like...seven years old? And we have been saving up and preparing a lot for the trip, so we are excited :^)

I hope everyone has been taking care and doing alright! Have a huge hug from the Ravenstar Team, and see you around!

[ohno-the-sun]

Oh uh forgot to ask in the previous ask (the one with the digital piece of candy and scurrying and stuff)

How do you draw art so good

Like

Is there a method you use or is that just the style you've gotten over time?

you've activated my trap card

I'm just gonna preface that this tutorial is from someone who was not professionally trained and didn't have a lot of free time for art, so a lot of the tips I have is short cuts I use to get the best results quickly

If you genuinely want to get better at art then please look at references and practice that is always the best

However if you are like me and only really do art for fun but want to go faster then these are for you pfppt

Overall I'd say my style is influenced by speedpaints I would watch when I was younger, I like analyzing how people do things and what makes something look "good" to me

I always recommend watching them because they will often have techniques you've never seen before or do things a certain way that you can try out yourself

I consume good art, it feeds me

but seriously it can be super helpful when developing your own methodology, or just generally trying something new

Usually it starts with me pulling some references from artists I really admire and sort of sketching out how they do the things I like

For example 8um8le has like super good anatomy and poses so I focused on trying to replicate how they do that

venemous-qwille is super good at color and pulling focus so that's what I focused on in my study of them

In general I'd say my process is sketch -> silhouette -> color -> shading -> render

I really don't like doing lineart lol

I'd say for the sketch the most important part is using references and just kind of fudging it until it looks correct anatomically/physically

General rule of thumb is spend time on areas of interest, and keep non important areas light (like the stitching on his pants)

I don't do lineart because I think its unnecessary for most paintings I do

I naturally tend to put more time and focus on areas of interest (like hands and feet) and if you use a brush with opacity for the sketch, those areas are naturally going to be darker in the final sketch

Of course this is gonna be different for everyone but it's what works for me

Sometimes I do a really really sketchy layer underneath my sketch/lineart, just so I know where everything is going

Use thumbnails! They are great to help figure out the general layout of things and what pose I wanna do

Next is what I call the "silhouette" layer

This is super important for me cause it helps me refine the figure and make sure the pose/anatomy looks correct, also depending on what color I choose for the silhouette helps guide what colors I'm going to use on top

This piece is a good example of how it works. The silhouette shows me how the figure interacts with the background, how the pose looks and if its any good

The silhouette layer doesn't have to be super clean, as long as it follows the sketch decently well and shows where the figure is then its fine

I also sometimes make the silhouette layer multiple colors to help guide shading and vibe

Next is the coloring layer. I usually make this a clipping layer on top of the silhouette layer, or I change the silhouette layer to alpha lock, either way it saves me time on coloring everything in

Sometimes I am super rough with the coloring too, using like an airbrush or my fav watercolor brush just to generically block in color where I want it

Works out cause most objects have like a bounce light to them from surrounding objects, so this is sort of a cheat I use to get that effect without all the work lol

Also don't be afraid to have the lower silhouette layer shining through, having multiple colors sort of subtly shining through the piece helps lots

Next is the shading layer, this is usually another clipping layer, usually set to "multiply"

The colors I pick here is usually within this range, any color works, just depends on the piece and vibes.

Since this piece is set in a sunset forest I choose a more desaturated orange for the shading layer

I know there's a whole thing about multiply layer being a crutch (and it kind of it) but it is a useful tool when you just want some darker values across the piece but don't want to go through the process of color picking every single darker shade

Also in my opinion it looks better than picking a darker color and setting it to a lower opacity, idk I just think the color has more "depth"

Next is the hardest to explain, sort of the vibes layer

Usually its just a layer of more concentrated color on top of the normal color and I fudge with the settings and values until I get a result I like

Next is the longest step, is the "extra" or the render stage.

Usually I add a background before this step so that if I need to merge the figure better with the background I can

If I render with a white background but he's supposed to be in a dark forest, its going to mess with the lighting severely

Also this is when I add more "vibe" layers on top to get the figure to match the background better

Backgrounds in general I recommend checking out @/derekdomnicdsouza on instagram he's got lots of great tutorials for breaking down backgrounds simply

I'd say general rule for the rendering layer is to focus on the areas of interest and spend less time on areas you don't care about

I even blur stuff out on the edges I don't want people to see, partially to save time on fixing mistakes in areas I dont care about (oop), but mainly to help draw the eye to the areas I do want people to focus on

Theoretically parts of the background should like mesh with the characters, parrallel lines are a no no unless they are directing a viewer to look somewhere, things that are perpendicular help bring things together

tbh I'm still not the best at layout and probably need more practice, but overall this is what I like doing

Overall this is what my layer set up ends up being

Sort of a sandwich with the lineart/sketch as the "meat" lol

Color and basic shading below the sketch, clean-up and rendering on top

I like this method cause it's super flexible if I ever want to try something different or try to replicate someone's style

I can make each step less or more messy depending on the end result and can add a lineart layer if need be. Also if there's a part that is straight up not working or needs to be removed its super easy to do cause I can just paint over it on the "extras" layer, color picking from the surrounding area to get the same vibe

Generally rule of thumb for my style is: get the initial layout of colors, form and shading to look good, then the rendering should be smooth sailing

Really the best advice I can give to get better at art is to enjoy what you're doing and become very very obsessed with drawing a silly little guy

You'll eventually get very good at drawing them pfptpf

[zyafics-recs]

reblogging comment review from @zyafics

i said i was gonna read when u edited and now u given me the signal 🫡 let's see if i'm ready to let go of pretty maybank and rafe <😭3 ⬇️

Some gave you that look—you know, the one that said, “Oh, sweetie, you again?”—while others just shook their heads, probably wondering when you would finally stop playing caretaker and start looking out for yourself.

maniacally scribbling down this sentence into my notes bc i am in love with how it flows?? i have a writer-crush on u bc of the way u string together words so elegantly

Brand new driver’s license, barely knew how to parallel park, and boom, you’re getting woken up at like 2 a.m. because your dad’s been arrested.

don't even know if im gonna to even talk about the story atp but one of my FAVORITE things about ur writing is how u add these little specific details that makes the characters come alive !!!

It wasn’t the first time you’d seen him wasted or bruised up, but this time felt different. This time, it hit you that this was gonna be your life now.

why did this line hit me so deep???

Now, sitting in the small, stuffy waiting room of the sheriff’s department, you glance around, feeling a knot of tension tightening in your stomach, the fluorescent lights doing little to help, making everything appear sterile and unforgiving.

love the word fluorescent lights, could never learn how to spell it without google

JJ’s next to you, his leg bouncing like he’s got caffeine running through his veins instead of blood. You’re already annoyed, and it doesn’t help that Rafe is sitting on your other side, looking just as pissed off.

THIS IS MAKING ME GIGGLE SO BADLY THE DYNAMIC TRIO

"You wanna talk about sisters too?"

the way i went—

JJ nods, fiddling with his shark tooth necklace, the one you’d given him when he was seven.

u mesh so well with canon events 🩷🙂‍↕️

You glance at the two men beside you, each representing a different part of your world. Your brother stubs out his cigarette, glancing over at Rafe with an exaggerated sigh. He smirks, but it doesn't reach his eyes.

thought this man was gonna be nice and offer rafe a cigarette but i guess wer're not there yet

It’s been a month since the nightmare with your dad, and you’ve pretty much been living at Rafe’s new place ever since. Sure, you’ve got your own house, but it just doesn’t feel like home anymore. Rafe’s apartment though? It’s like your little safe haven now. You don’t officially live there, but who are you kidding? Most of your stuff is in his drawers, he’s stocked the bathroom with all your skincare, hair stuff, even a toothbrush. He tried to go all-out, buying you everything, and you kept telling him to stop, but it’s like talking to a wall. You gave up eventually.

so bf of him

“Anyways,” He rolls his eyes, ignoring the way you tried to cut him off, his hand now lightly squeezing your knee, “You were out there showing off, catching wave after wave. I was so fucking annoyed."

why is this so funny LOLL

“You know, it’s funny. Back then, I thought you were just this arrogant piece of shit who was always trying too hard to fit in.”“That’s so sweet.”

im literally gonna miss them sm 😭

Ward’s expression turns cold once more, but there’s a flicker of something—maybe regret, maybe just a reflection of his anger.

FEARRRR

“Let’s go home." You nod, a smile spreading across your face. “Yeah, let’s go home.”

such a cute ending <3

FINAL THOUGHTS • i literally am going to miss them so much, it was such an adventure to read this series (and despite how late it is), and with the new edits, i can just see how much you grown as a writer. it's glorious and im so happy to have been there for the ride! can't wait to read more of ur things and also, how the fuck do u write so fast? i blink and there's 15304 different rafe fics out by you??

THE OTHER SIDE OF PARADISE - rafe cameron (+18) - seven (finale)

request: "a rafe enemies to lovers 🫣 the reader is jjs sister the whole drama before but then she gets left behind on the ship and rafe ends up comforting her and then yea that’s all I got you can do whatever else the rest 😛" + "def some little smut during the enemies part and a long story"

word count: 6.3k

warnings: last chapter <3

You’ve been to Kildare County Sheriff’s Department way more times than you care to admit

Being the oldest kid in your family—and somehow the only actual adult—you lost count of how many times you had to drag your dad out of jail between the ages of sixteen and twenty. It felt like a full-time job.

Then there were the countless times you’d been there for your friends. 

JJ, for instance, had been taken in more than once for public disturbances. It was almost a given that he'd end up in that shithole whenever there was a party or some kind of trouble brewing. You knew every officer by name, and they knew you too. Some gave you that look—you know, the one that said, “Oh, sweetie, you again?”—while others just shook their heads, probably wondering when you would finally stop playing caretaker and start looking out for yourself.

But you always showed up, no matter what, because that’s what you did. You took care of your own.

The first time you had to pick up your dad, you were sixteen. Brand new driver’s license, barely knew how to parallel park, and boom, you’re getting woken up at like 2 a.m. because your dad’s been arrested. You were shaking the whole time, gripping the steering wheel like your life depended on it, eyes blurry with tears. It wasn’t the first time you’d seen him wasted or bruised up, but this time felt different. This time, it hit you that this was gonna be your life now.

You were stuck.

You remember pulling up to the station, parking all kinds of crooked because your hands wouldn’t stop trembling. You ran inside, still half-asleep, and the officer at the desk gave you this sad little smile. “He’s in the back,” he said, like you didn’t already know.

When you saw your dad slumped over, bruised, and barely awake, something inside you just... cracked. He looked up, and for a second, he recognized you. “Hey, kiddo,” he mumbled, still drunk, still out of it. Back then, there was still some part of him left, some shred of the man he used to be.

You signed the papers, helped him stumble to the car, and drove home in silence while he passed out in the passenger seat. It was the first of so many nights like that. And you knew it wasn’t gonna be the last. When you finally pulled into the driveway, you helped him inside and onto the couch. He mumbled a thank you before passing out, his snores filling the room.

Now, sitting in the small, stuffy waiting room of the sheriff’s department, you glance around, feeling a knot of tension tightening in your stomach, the fluorescent lights doing little to help, making everything appear sterile and unforgiving.

You wish you could be anywhere but here.

JJ’s next to you, his leg bouncing like he’s got caffeine running through his veins instead of blood. You’re already annoyed, and it doesn’t help that Rafe is sitting on your other side, looking just as pissed off.

“Will you stop bouncing your leg JJ?” You grit out, already irritated from waiting longer than an hour.

“Why the fuck did he have to come?” JJ mutters, throwing daggers at Rafe with his eyes.

“JJ, not now.” You put your hand on his arm, trying to keep him from starting something. The last thing you need is another fight.

JJ glares, but his jaw clenches shut. “This is so messed up,” he grumbles.

“Messed up is leaving your sister alone with your drunk piece of shit father.”

“Like I knew he was there, you dumbass?” JJ shoots back, his voice dripping with sarcasm.

“Maybe stop leaving her alone.”

“Oh, here we go,” you mutter, feeling the tension rise again. The last thing you need right now is for these two to start another fight.

Ever since JJ came back to the mainland only to pick you up from Taneyhill, things had been…tense. It was one thing to talk about you and Rafe, it was a completely different thing to see you together.

You know your brother hates every second of it. 

“Oh, but you wanna talk about drunk pieces of shit? How many times did your daddy bail you out?” 

Rafe’s eyes narrow, his fists clenching, “How many times did you make your sister bail you out, huh?”

"You wanna talk about sisters too?"

You shut your eyes, attempting to ignore the way they’re clawing each other’s throats out with tainted insults. It was a miracle they're standing in the same room without killing each other, but you can only take so much. It’s like they’re about to throw punches, right there in the middle of the sheriff’s office.

"Shut the fuck up Maybank."

“Fuck you, Cameron!” JJ snaps, standing up so fast his chair skids backward, “You think you’re better than us?”

Rafe stands up too, stepping closer to JJ, “Better than you? Yes.”

“Don’t act like you’re doing this for her,” JJ scoffs. “You’ve never helped anyone but yourself, you manipulative asshole.”

“That’s enough,” you snap, standing up and stepping between them, pushing them apart. Your voice is shaking with frustration. “You two are going to shut the fuck up or take this shit outside. It’s nine in the morning. I didn’t get a wink of sleep, and I’m not gonna sit here and hear you two bitch it you.”  

JJ glares at Rafe over your shoulder. “We don’t need this asshole’s help. We can handle it ourselves.”

Rafe sneers. “Handle it? Like you’ve handled everything else?”

Your brother lunges forward, but you push him back, your voice shaking. “Sit your ass down or leave, I’m not going to repeat myself.”

They both just stare at you, their harsh words still hanging in the air of this stuffy room. The tension is almost suffocating, but there's no way you’re letting them keep tearing each other apart. You’re exhausted, emotionally and physically drained. The last thing you need right now is to play mediator between them… again.

Rafe finally sits down, arms crossed, biting his tongue—for your sake, you know. JJ’s sitting too now, still fidgeting like he always does, tapping his fingers against the armrest.

"Look," you say, your voice still firm, "We're here for a reason. Let's just get through this and get out, okay?"

Your brother just grunts, glaring at the wall like it’s personally offended him. Rafe lets out a sigh and gives you the tiniest nod, like a reluctant “fine.” You sit back down, feeling a bit of the weight in your chest ease up. Rafe leans in and gently takes your hand, mouthing, "I’m sorry." You give it a little squeeze—apology accepted, for now.

JJ notices but looks away too quickly for you to read him. You know he’s pissed, but at least for the moment, he’s staying quiet.

The minutes crawl by, each one feeling like forever, and finally, a cop shows up at the door, calling your name. The three of you stand up at the same time, and Rafe and JJ follow behind you, silent but close, as you walk down the hallway.

The clanging of barred doors shutting behind you makes your stomach twist, and you eventually end up in a small interrogation room. The officer gestures to a chair, "Take a seat." He heads off to get paperwork, and you glance at Rafe, who’s watching you like he’s afraid you might disappear. You know he won’t relax until your dad is completely out of the picture.

Your brother, on the other hand, leans against the wall with crossed arms, a brooding expression on his face. He's always been protective, even if his way of showing it often led to clashes with others. You wish things could be different.

Officer Malcom comes back with a stack of papers, but before you can even look at them, Rafe’s lawyer, Mr. Johnson, walks in. Rafe's had him on speed dial since the whole mess started, and honestly, he's been a lifesaver. He sits beside you, reviewing the papers calmly, and just having him there makes everything feel a little less scary.

“Alright, folks, let's go through this step by step. The first form here is the petition for a temporary restraining order. It outlines the incidents and reasons for seeking protection.”

“Are these incidents documented with the sherrif’s office?” Mr. Johnson's expertise is evident in the way he examines the document meticulously.

“Yes, sir. We have reports dating back to—" Officer Malcom stops for a second, checking the data, “About eight years ago, give or take.”

Rafe’s head snaps in your direction, brows furrowed, clearly pissed off that this has been going on for that long without anyone doing anything. You try to ignore it, focusing on the papers in front of you instead.

“What happens after I file this?

“Once filed, a judge will review the petition. If approved, a temporary restraining order will be issued, usually effective immediately. Then, there'll be a hearing within a few weeks to determine if a permanent order is necessary.”

“What if he doesn't abide by the temporary order?” 

The officer only nods sympathetically. “Violating a restraining order is a criminal offense. He could face fines, jail time, or both.”

Rafe’s still looking at you, “Does she have to serve him personally with these papers?”

“It’s crucial that he’s officially notified. We handle that part, though.”

Rafe’s lawyer is taking notes when he speaks up again, “If he contests the order, he’ll have the opportunity to present his side at the hearing. Both parties can bring witnesses or evidence. But based on your father’s behavior, that’s unlikely.”

You hope to God he doesn’t. The thought of seeing him again makes you feel like you might throw up. You take a deep breath, hands itching to twirl a piece of your hair.

“How long does the process usually take?”

You feel a hand touch your shoulder, gently tightening the grip around the skin, you don’t have to look back to know it’s Rafe. By now you know the lines and the ridges of his hands as if they are your own.

"The timeline can vary, but typically, from filing to the hearing, it might take a few weeks. It depends on the court's schedule and any potential delays."

You nod, absorbing the information while trying to steady your breathing. None of this feels real. Not the legal stuff, not the fact that this could actually be over soon. As the conversation continues, Mr. Johnson outlines the next steps clearly, discussing what will happen during and after the hearing. 

The officer quickly gathers the papers in his hands, “I’ll get everything started then. Just a moment.”

As he leaves to process the paperwork, a brief silence settles over the room. You exchange glances with JJ and Rafe, both of them entirely too interested of the concrete floor. 

“This is the right thing to do, right?”

You know it is. You’ve known for years, but it’s still hard to understand how it came to this. Your life could’ve been so different. 

JJ nods, fiddling with his shark tooth necklace, the one you’d given him when he was seven. “Yeah. He shouldn’t be able to just...” He trails off shaking his head.

Rafe squeezes your shoulder once more, then lowers himself to your level and plants a quick peck on your temple, “You’ve got this. It’ll be okay.”

Mr. Johnson finally puts his pen away, turning to you, “I’ll stay on top of the filings and keep you updated on any developments.”

This moment is a culmination of years of struggle. It's daunting, but you’re not alone. 

 "Thank you.”

JJ shifts his weight, his agitation visible. "I hate this," he mutters. 

"I know," you reply, not knowing what else to say.

The door swings open again, and Officer Malcom re-enters, holding a stack of papers. "Alright," he says, handing you a pen. "Just sign here, and we'll get this process started."

You take the pen with shaky hands, knowing there’s no going back after this. As you sign your name, you can't help but sigh in relief.

This is a step towards freedom.

Rafe watches you intently, his eyes full of concern. He reaches out, placing a hand on your back, a little reminder that he's here for you. JJ stands close by, his protective instincts on high alert.

After you finish signing, Officer Malcom takes the papers and gives you a reassuring nod. "We'll take care of the rest. You should hear from us soon about the next steps."

You stand up, feeling a little lighter, but the emotional toll of the day still kicks your ass. As you make your way out of the room, Rafe keeps a steady hand on your back, guiding you.

Once outside, the morning sun feels almost blinding after the harsh fluorescent lights of the station. JJ immediately lights a cigarette, taking a long drag and exhaling with a sigh. 

Rafe looks at you, his expression softening. "You're good?"

You nod, managing a small smile. "Yeah, I think so. Thank you for being here, both of you."

JJ smirks, though there's a hint of sadness in his eyes. "Where else would I be?”

You glance at the two men beside you, each representing a different part of your world. Your brother stubs out his cigarette, glancing over at Rafe with an exaggerated sigh. He smirks, but it doesn't reach his eyes.

“Gotta admit, I never thought I'd see the day when 'Rafe the Retch' would be helping us out.”

A laugh escapes your lips before you can stop it, but you quickly cover it up, turning it into a cough. You’d forgotten about that one.

Rafe’s eyebrows shoot up. “'Rafe the Retch'? Seriously, what the fuck?”

“Ask her,” JJ nods in your direction.

“You called me that shit?”

You bite your lip, “To be fair, I called you worse things.”

Rfe tilts his head, hands on his hips, “Like what?”

“You don’t want to know.”

The three of you start walking toward the parking lot, as you reach the cars, JJ pulls you into a quick, tight hug. “We’re gonna get through this,” he murmurs, his voice filled with determination. 

You hug him back, “I know, Jay.”

Rafe stands a few feet away, watching the exchange with a thoughtful expression. When your brother finally lets you go, he steps closer, “Ready to go?”

JJ looks at you, the concern in his eyes clear. "I gotta head to work. Do you want a ride home? It's on the way.”

You glance at Rafe, then back at JJ, sensing his reluctance. “No but thank you.”

JJ’s shoulders tense, but he nods, trying to hide his disappointment. "Alright. Just... call me if you need anything, okay?"

You smile, appreciating his concern. "I will. Drive safe."

He nods again, glancing one more time at Rafe before getting into his truck and driving off. You watch him go, knowing that things are still far from being okay between the two of you.

You know he’s never going to change his opinion about Rafe, maybe not until he witnesses the changes in him, but you hope that one day they’ll find some common ground. It’s a lot to ask from your brother, you know that, and it’s why you never push him. 

“You sure you’re doing okay?”

You nod, leaning into Rafe now that he stands behind you, “Yeah, just a little tired.”

He wraps an arm around your shoulders, guiding you towards his car, “Did you get any sleep last night?”

"Barely," you admit. "Just couldn't stop thinking about today.”

He unlocks the car, opening the passenger door for you. "Well, now that it's done, you can rest. I’ll even put that bullshit show you like.”

You gasp ready to punch him in the shoulder, but by the time you turn he’s already on the other side of the car, “Love Island is not a stupid show!”

He chuckles as he starts the engine. "If you say so.”

“You watch it too.”

“Only because you force me to,” Rafe counters, a playful glint in his eyes.

It’s been a month since the nightmare with your dad, and you’ve pretty much been living at Rafe’s new place ever since. Sure, you’ve got your own house, but it just doesn’t feel like home anymore. Rafe’s apartment though? It’s like your little safe haven now. You don’t officially live there, but who are you kidding? Most of your stuff is in his drawers, he’s stocked the bathroom with all your skincare, hair stuff, even a toothbrush. He tried to go all-out, buying you everything, and you kept telling him to stop, but it’s like talking to a wall. You gave up eventually.

As he pulls out of the parking lot, his hand slides over to grab yours. It’s such a simple thing, but it makes the tight feeling in your chest ease a little. You’re both quiet for most of the drive, but it’s not awkward or anything. It’s actually kind of nice. You never imagined he’d be so...attached. Things between you are still...somewhat undefined, but it definitely feels like a relationship. That thought is pushed to the back of your mind for now. It's just not the right moment to talk about it—not with his father’s trial only weeks away and your own dad still recovering in the hospital.

When you pull up to his apartment, the building feels familiar in a way that makes your stomach flip. He hops out of the car and, as usual, rushes around to open your door for you. It’s such a small thing, but it always makes your heart race.

Once inside, the place feels so different from the craziness of the day. It’s cozy, warm, and just... safe. You kick off your shoes and flop onto the couch, sinking into the cushions.

“Wanna watch your show?” Rafe asks, giving you that half-smile you’ve come to love.

You chuckle, feeling lighter than you have all day. “And you say you don’t love it.”

He grabs the remote and turns on the TV, navigating to the show. As the familiar theme song starts playing, you snuggle closer to him, finding comfort in the routine. It's all trashy drama and ridiculous contestants, but it’s the distraction you desperately need. Rafe’s arm stays around you, like always. But as the episode progresses, your eyelids grow heavy. The events of the day, combined with the sleepless night, catch up to you. You feel yourself drifting off, your head resting against Rafe’s chest, his heartbeat a steady rhythm lulling you to sleep.

“Rest, baby,” he murmurs, his voice a soothing whisper. “I’ve got you.”

Next thing you know, you wake up to the smell of something cooking. Blinking your eyes open, you realize Rafe’s in the kitchen, and the living room is dimly lit. A blanket slips off your shoulders as you sit up, and when you look over, he’s already smiling at you.

You’ve seen him smile more times over the past month than all the years you had “known” him combined. It looks good on him, makes him look younger. 

Stretching, you ask, “What’s all this?”

“Dinner. Figured you could use a good meal,” he says casually, like it’s no big deal that he’s cooked for you.

You sneak up behind him and wrap your arms around his waist. “Look at you, Chef Rafe.”

Ever since he moved in on his own, he’s been slowly learning how to take care of himself. You’ve caught him watching cooking and deep cleaning videos more times you can count. You find it endearing. It makes your chest ache, in a good way, to watch him slowly turn into his own person, not the Rafe his father shaped him to be.

He chuckles, giving you a quick forehead kiss. “Eat before it gets cold.”

You sit down, and the first bite has you practically moaning. He snorts at your reaction, but you can tell he’s proud of himself. As you eat, though, you notice he seems a little off. His shoulders are tight, and there’s something in his eyes that makes you pause. You reach across the table, placing your hand over his.

"What is it?”

“Nothing.”

“Rafe. What’s wrong?”

He hesitates, then sighs. “Got a call from my lawyer. About Ward.”

The mention of his dad sends a chill down your spine. “What about him?”

Rafe’s thumb brushes your knuckles as he looks down. “He wants to talk.”

“Do you want to talk to him?”

Rafe's jaw tightens, and he lets out a slow breath. “Yeah. But every time I’ve tried to stand up to him, it’s backfired."

You squeeze his hand, “He can’t hurt you anymore, you know that, right? You're not the same person you were before," you remind him gently. "You've grown so much, Rafe. You’ve made your own life."

He looks up at you, his gaze softening. The intensity in his eyes is clear—vulnerability, determination, and a deep-seated fear. It's as if he’s silently pleading for your reassurance, for the strength to face his demons.

“You think so?”

It's in the way his eyes become softer when they meet yours, the slight quiver in his lips, the way he holds your hand just a little tighter.

“Wouldn’t be here if I didn’t.”

“Okay. I…I’ll think about it.”

The two of you finish dinner, the conversation shifting to lighter topic. After cleaning up, you find yourselves back on the couch, the TV playing quietly in the background. 

Everything feels so domestic it pulls at your heartstrings. And it hits you how much you love this, just being here with him.

But you can still feel the tension rolling off him. You turn to him, tracing little patterns on his chest. “You’re still worried, huh?”

He sighs, throwing his head against the cushions, his hand coming up to rest on yours. "Yeah. I’m scared talking to him will pull me back into that dark place.”

You press a kiss to his clothed chest. “You won’t go back there. Not while I’m here.”

He tightens his hold on you, “You know you’re too good for this world. It’s ridiculous.”

You narrow your eyes, “Am not.”

“Yeah, you are, Pretty Maybank.”

There it is. That nickname. “You know that’s so stupid, right?”

He grins, completely unbothered. “You love it.”

You nudge him with your elbow. “I tolerate it.”

He catches your hand, bringing it to his lips for a soft kiss. “Fits you perfectly.”

You roll your eyes, but you can’t help the grin tugging at your lips.

“If you say so.”

His eyes soften as he looks at you, his thumb tracing gentle circles on your hand. “I do.”

“Shup up,” You feel a blush creeping up your cheeks. “Don’t even know how you came up with that shit.”

Rafe laughs, the sound low and rumbling, his hand moving to rub your leg.  “It’s really stupid.”

You raise an eyebrow, teasing. “’Course it is.”

“Remember when we were fourteen, and we were both at the beach for that huge surf competition? You were this cocky, skilled little girl with an ego bigger than the waves.”

“And you were a suck-up mother—"

“Anyways,” He rolls his eyes, ignoring the way you tried to cut him off, his hand now lightly squeezing your knee, “You were out there showing off, catching wave after wave. I was so fucking annoyed."

You raise an eyebrow, giving him a skeptical look. “Oh, so you were secretly in awe of me?”

“Maybe,” he admits with a sheepish grin. “Or maybe I was just bitter because you made me look bad.”

“I made everyone look bad.”

“Okay, Gabriel Medina. You were out there showing off, making everyone watch you like you owned the ocean. All the boys were ogling you, calling you pretty, and you were loving every second of it.”

You smirk, remembering the day. "I was pretty good, wasn’t I?”

“Good?” He snorts, shaking his head as his fingers trail up and down your thigh. “You were more than good, you were unreal.”

"Yeah, yeah, so how does that tie into the nickname?”

“You came out of the water, hair all messy, sand on your skin, but you had this huge smile. One of the boys called you 'Pretty Maybank,' and you just laughed, brushing it off. But I— I guess I remembered it. It fit you.”

You blink, momentarily thrown off, "I...I didn’t know you remembered that."

“You’re kinda hard to forget Maybank.”

Your heart flutters at his words, the sincerity in his voice making it hard to breathe, “Shut up.”

He leans in, capturing your lips in a gentle kiss, his hand cradling the back of your head. It only lasts a few seconds, before you’re pulling away, mumbling against his lips.

 “You know, it’s funny. Back then, I thought you were just this arrogant piece of shit who was always trying too hard to fit in.”

“That’s so sweet.”

You cup his face, brushing your thumbs across his cheeks, “Hmm. You were always showing off, too.”

“Well,” he drawls, pulling you a little closer, his arms wrapping around your waist, “We both grew out of that phase. Mostly.”

“Mostly,” you agree with a grin. “But I guess some things never change.”

“Yeah,” He doesn't take his eyes off your face, “Some things don’t change. 

There’s a brief silence, filled with the quiet sound of the TV and the comfortable presence of each other. His fingers continue to trace patterns on your hand, and you can feel his earlier stress easing if only a little.

“I don’t want to mess this up,” He admits quietly, “With you.”

“We’ve come this far, haven’t we?”

Rafe’s fingers gently brush a strand of hair behind your ear, “Yeah, we have.”

“I’ll keep you in check, Cameron.”

He holds you tighter, his breath mingling with yours. “You're too good for me, y’know that?”

You laugh, “I know.”

Before you can react, his fingers are dancing across your sides, tickling you mercilessly. You squeal, wriggling and trying to escape his grasp, but he’s relentless.

"Rafe!” You gasp between fits of laughter.

"Say sorry,” he demands, his fingers still working their magic.

"Never!" you manage to choke out, tears of laughter streaming down your face.

He grins wickedly, the movement driving your tummy insane.

"Wrong answer."

You squirm in his grip, the tickling intensifying. "Okay, okay, I'm sorry!" you finally relent, breathless and giggling.

Rafe stops, his hands coming to rest on your waist. His grin is triumphant, but there's a softness in his eyes that makes your heart skip a beat. "That's what I thought," he muses, leaning in to press a gentle kiss to your forehead.

You catch your breath, still smiling. "You know, for someone who's supposed to be a tough guy, you’re surprisingly good at this domestic stuff."

He chuckles, pulling you closer until you're nestled against him.

"What can I say? You bring out the best in me, Pretty Maybank."

"I like this," you admit softly. "Being here with you, just... us."

"Me too," Rafe murmurs, his hand gently stroking your hair. "Feels right, doesn't it?"

"Yeah, it does.”

⁀➷ೃ⁀➷ೃ⁀➷ೃ⁀➷⁀➷ೃ⁀➷ೃ⁀➷ೃ⁀➷⁀➷ೃ⁀➷ೃ⁀➷ೃ⁀➷⁀➷ೃ

Three weeks later, Rafe finally agrees to visit Ward in prison.

His lawyer arranged the meeting, emphasizing the importance of having this conversation to find closure. Despite your protests, Rafe insisted on doing this alone. Plus, prison's security measures are stringent, and there’s no way you could accompany him inside.

Instead, you’re stuck waiting outside, the anxiety killing you slowly. You're sitting on a bench outside the high-security prison, your foot tapping nervously against the ground.

The sun is blazing, making the wait even more unbearable. You wish you could be in there with him, supporting him. You glance at the ugly building, feeling desperate to get the hell away. Your phone buzzes, snapping you out of your thoughts. It’s a text from JJ.

"how's it going?"

You quickly type back.

"he just went in. kinda losing my mind out here."

"he’ll be okay. devil spawn and all yk".

"not helping???"

"my bad sis, just trying to lighten the mood. seriously though, he's got this."

You sigh, putting your phone down and glancing around the barren surroundings. The high walls and barbed wire of the prison seem to loom even larger now. Time drags on, every minute feels like an hour. You find yourself looking at the entrance every few seconds, hoping to see Rafe walk out.

Inside, Rafe is led through a maze of corridors, the echo of his footsteps bouncing off the cold concrete walls. The guards are stoic, their faces expressionless as they guide him to the visitation room. His heart pounds in his chest, but he forces himself to stay calm, to stay focused. He's going to be just fine.

When he finally walks in the room, he sees Ward already seated, the older man looking surprisingly composed. Of course he'd care about his appearance even when he's locked up. There's a glass partition between them, with phones on either side for communication. Rafe sits down, picking up the phone with a shaky hand. He wishes you were here. 

Ward's eyes are piercing as they lock onto Rafe's. "Look who finally decided to visit," he says, his voice dripping with sarcasm, "Took you time, boy."

Rafe takes a deep breath. This is it.

"Only came to tell you something."

Ward raises an eyebrow, leaning back in his chair. "Oh? And what's that? That you’re an ungrateful piece of shit?”

Ignore him, your voice echoes in his head. He knew Ward was going to try to get a rise out of him and he hates that it might work.

"I'm done," Rafe says, his voice steady. "You don't control me anymore."

“After everything I've done for you?"

Rafe's grip on the phone tightens. "You didn't do shit for me. You did it for yourself."

Ward leans forward, his eyes narrowing. "You have no idea what you're talking about, boy. You need me."

"No, I don't," Rafe retorts, “No one needs you.”

Ward's eyes flash with anger, but he quickly masks it with a calculating smile. "Is that what you really think, son? That you can just walk away from everything? From me?"

Rafe feels a rush of anger fighting it's way up his throat, but he holds it back, remembering your words. He takes another breath, steadying himself, “I don’t care.”

Ward's smile fades, replaced by a sneer. "You think you're so strong now, don't you? Do you think you can survive out there without my influence? The world is a cruel place, Rafe. You won't last a day. You think that Maybank trash is gonna solve all your problems, huh?”

“You’re not getting under my skin.”

Ward's eyes narrow further, and he leans in closer to the glass, his voice dropping to a whisper. "So, it’s about her now, is it? What makes you think she’ll be any better for you than I was? She doesn’t know you like I do."

Rafe’s temper flares, but he forces himself to stay calm. He can’t take the bait.

"Keep her out of this.”

“You think you’re so righteous, so superior. You’ll need more than just some girl to get you through.”

“I don’t need you,” Rafe insists, his voice firm. “I never did.” 

Ward’s expression turns cold once more, but there’s a flicker of something—maybe regret, maybe just a reflection of his anger. “You can pretend you’re free, but you know I’m not so easily forgotten.”

Rafe takes a deep breath, forcing himself to stay composed. “I don’t need to hear anything else from you. I’m done.”

“You won’t be able to keep her safe.”

He knew the conversation wouldn’t be longer than five minutes.

He stands up abruptly, the phone clattering against the partition as he drops it. He doesn't need to hear Ward any more. He turns his back on his father and walks out of the room, the door clanging shut behind him. As he walks back through the maze of corridors, his thoughts turn to you, knowing you’re outside overthinking and ready to hug the live out of him. 

He’s striding to you the moment he sees you. You're still on the bench, trying to distract yourself with your phone, but it’s no use. You jump up, rushing over to him. You’re always so endearing to him it pains him to know he hurt you so badly over the years.

“You okay?”

Rafe’s arms wrap around you, finally breathing normally. His breath is warm against your ear as he whispers, “Yeah. I’m okay.”

You wrap your arms around him, holding him close as if you can protect him from the Ward’s harshness. “I was going crazy waiting out here.”

“Sorry for making you wait,” Rafe murmurs, his voice muffled against your shoulder. 

“I don’t care,” You pull back slightly, your hands moving to cup his face. Your fingers trace the lines of his jaw, feeling the faint stubble beneath your touch, “You did what you needed to do. And I’m proud of you.”

He smiles a small, tired smile that doesn’t reach his eyes, “Needed to hear that. Thank you.”

You nod, your thumb brushing against his cheek. “For what?” you ask, leaning into him again. “You did great, baby. You stood up to him. That takes so much strength.”

You take his hand, your fingers intertwining with his as you lead him away from the prison. His grip is strong, his palm warm against yours. The two of you walk in silence for a moment, the only sound the gravel crunching beneath your feet. You glance at him, noting the way his shoulders have relaxed a litte.

“I felt it. Like a weight lifting off me. It’s not completely gone, but it’s lighter.”

You stop walking, turning to face him fully. Your free hand reaches up to brush a strand of hair from his forehead. It had grown so much over the past few weeks. “And it’ll keep getting lighter,” you assure him. 

“You think?”

“I know. You’ll keep needing to stand up to him,” you acknowledge, “But it will get easier each time.”

His hand brushes a stray hair from your face, copying your earlier movement. “And you’ll be here with me?”

“Always.”

Rafe’s expression softens, the hard edges smoothed away by the promise in your words. He leans in, pressing a kiss to your forehead.

His lips linger there.

“You really are too good for me,” he murmurs against your skin, the sound blending with the hum of the car engines in the distance.

“I know.”

He pulls back slightly, his eyes searching yours. The intensity in his gaze takes your breath away, but it’s a different kind of intensity than you’re used to seeing in him. It’s softer, more open, and entirely focused on you.

“Let’s go home."

You nod, a smile spreading across your face. “Yeah, let’s go home.”

[wandixx]

Ok it closes out on me when I tried typing it the first time-

Anyway, I'm a sucker for shock value ones, just so funny to me, so how about M'gann being nervous about introducing bf danny and it happens at an inconvenient time! Could go ghost royalty, ancient of space or anything, hell ghost as dragons would be pretty funny, up to you though!

I'm not sure if I did a good job at this, but I didn't want you to wait too long and real life is keepimg me busier than expected, so for now, it's here. I may continue it one day (I also have different version of fill for this prompt, because neither idea felt right, so if you'd like to see I too, just let me know whatever way is most convenient to you)

This wasn't supposed to happen like that. M'gann didn't have a super detailed plan on how it was supposed to happen, but even her vague (thought and rethought every night) ideas were anything but this. It was supposed to be a calm, low-stakes situation. Maybe even make it look like an accidental meeting, Team in civies hanging out around Happy Harbour, bumping into Danny and then she'd just introduced him, perhaps adding ‘btw, he is my boyfriend’ almost like an afterthought. This seemed like the best possible scenario.

This was also, as expected with the way hero life is, the exact opposite of what actually happened.

Of course, it didn’t start with anything heralding the absolute disaster this day had to become. Kinda accidentally the Team stumbled upon something between a cave and a basement, and in it a group of people, who decided to perform a summoning of a genie so they could… wish for stuff. They didn’t even look like cultists or villains of any sort, just a group of random adults from seemingly very different backgrounds. M’gann had a really hard time understanding what actually brought them together other than their wishes.

Which was actually pretty useful when it came to fighting them, because nobody really cared about their fellow summoner, just trying to save their own butt. She kinda wished more of their opponents were so incompetent.

Though, she spoke too soon because in the excitement of the fight, somehow all of them didn’t realize that one or two of the summoners… actually managed to finish a summoning. It was honestly a little bit embarrassing.

But, it was too late to dwell on all that, as right above the summoning circle appeared a circle in a worryingly familiar shade of green.

Of course, this one time she didn’t have any equipment from Danny, had to be when the Team encountered a ghost.

Ghost in question was a beautiful woman, with long hair covering one of her eyes, in a blue outfit that was related to one of Earth cultures, but M’gann didn’t know which, and a bunch of bracelets on her wrists. Martian could make a hazard guess on who it was, based on the stories Danny told her.

“We don’t have time for explanations, I think I know who this is, if I’m right for the love of everything that’s dear to you, don’t say the word ‘wish’ out loud” she demanded over the Mindlink.

Before she finished, Artemis took silver tape from somewhere and slapped a piece of it over Wally’s mouth. M’gann understood the sentiment but still… it was a little bit too nuclear option.

Desiree (if it was her) didn’t attack anyone, looking a bit confused, giving Team a moment of reprieve to plan and for Kid Flash to make sure none of the summoners could make whatever wish they wanted either. Also with the use of silver tape. Djinn’s were always tricky.

M'gann used this moment of everyone getting their bearings to curse herself for not bringing any ghost weapons this time. Any other mission, Team or not, she had something on her but today? Today she had nothing.

Excluding the summoning engraved into clips holding her cape but it was kinda last resort. It wouldn't annihilate everything in one mile radius or something but she didn't want to drag Danny there if he was during a test, other ghost fight or something. She knew better than anyone that he didn’t need more distractions.

Conner crashed into a wall right next to her. Artemis seemed to lose her cool when none of her arrows seemed to reach the ghost while Robin was trying to make some counter plans with Kaldur. They couldn't do a thing to Desiree and it was a matter of seconds before she stopped entertaining them and went to the city. It… would end badly, most likely. Danny would prefer to get involved before it got that far. Yeah…

She really wished she didn’t have to call.

“I have an idea, cover for me for a minute or two”

“Bold of you to assume we can stop her from anything”

“I believe in you Wally. Just distract her”

“My water attacks seem to be effective weapon against her”

“That’s aster! What do you plan to do, M'gann?”

“Summon another ghost”

She expertly ignored yelling that followed, taking the golden clip off of her cape. She held fabric in place with absentminded use of telekinesis, while she focused on an engraved pattern. Danny's summoning circle wasn't actually too complicated or intricate but she needed to do it just right. And frankly, she just liked looking at it. Physical proof that her boyfriend would be there if she needed it. Drawn representation of who he is, the deepest and truest parts of his soul written in the language that only Universe itself could fully understand.

And it was beautiful. Absolutely incredible. Much better than Desiree's circle, thank you very much.

M’gann dropped to her knees and grabbed leftover chalk from previous summoning and crouched to quickly draw Danny's seal. She had a lot of practice from all the times she doodled it on a whim just to get something of him with her when she missed him the most. She rarely actually summoned him, again, it was difficult to align their schedules, but she was very familiar with the first step.

And it was really easy from there.

She placed the clip in the middle of the circle, shapeshifted one of her nails to get a bit of blood on the chalk and leaned back.

After a careful, deep breath, she started an incantation, putting as much power in her voice as she could.

“I call upon you guard of Amity Park, I call upon you dearest child of the Ice, I call upon you one favored by the Time, I call upon you vanquisher of the Fear, I call upon you subduer of the King, I call upon you defender and the guide, I call upon Phantom, both worlds beloved child”

Circle erupted in green light, putting a momentary pause to the fight. M’gann was still blinking spots away when a figure flung itself out of the summoning circle, right at the Desiree.

“What the fuck?!”

Only after the first punch was thrown did Danny turn back to her, with his usual, somehow both gallant and bashful smile, that without fault made her knees get a little weaker. She smiled back.

“Hello Starlight” he greeted, sounding almost casual.

“Starlight?”

“Hi Angel. Nice of you to drop by” she answered in the same manner. Wally tried to yell from behind the duck tape.

“Angel?! M'gann, who is he? Who is she?!”

“I will always come if you call” he said without any doubt, suddenly as serious as if he was sharing information that could break or make the world.

It certainly worked like that to her world. She actually melted a little on the inside.

“I know”

“Actually, that's kinda cute. I still have no idea who this is, but you go girl”

“I feel like it's not the right time Artemis”

“Not to interrupt… whatever this is, but the other ghost is escaping” Robin cut in “Also, if you want to make out afterwards, please find the room, Batman and Catwoman are traumatizing enough“

Few people snorted, while Danny blushed green. He darted back at Desiree, clearly to escape the embarrassment. M’gann stood up, totally at ease now, that he was there to take care of it.

“Will you need a hand? I don't have any tech but we have a trick or two up our sleeves!” she asked, projecting her voice so it carried through the cavernous basement without yelling.

“I'm good for now but thanks for asking!”

“M’gann, can you give us anything substantial? Who is this? How do you know him?”

“One question at the time and let's wait until he finishes, okay?“

She cut off Mindlink before anyone agreed or protested.

“Miss Martian!”

“Soup time!”

With a blast of light, Desiree got sucked in and Danny landed in front of them with a proud grin.

“My job here is done”

“It truly is. You're getting faster too”

“And thanks to who is that?”

“You”

Danny sent her both an incredulous and playful glare.

“Of course. I miraculously found a ways to not be a mess and don't crash through every wall on my way and–”

“Well, no but–”

“Let me remind you, you're not alone… also who are you dude? And where did the other lady go?” Wally asked, right after ripping the duct tape off his mouth.

“Oh, well, I'm Phantom, I usually work in Amity Park?” he said a bit unsure, as if calling him a protector was under any question. That just wouldn't do.

“He's a hero from Amity Park”

“Thanks love. It's nice to finally meet you all. M talked a lot about you!”

“Can't say same about you, sorry”

“That's fine. I know M was agonizing over how to introduce me in the best way possible. I'm really happy it's finally over,” he paused for a moment, with his brows furrowed “Did I do good? This first impression thing?”

“You're… far less imposing that I personally expected after hearing Miss Martian summoning you, but–”

“M’gann how could you hide this from us?” Conner blurted out quietly, and oh, he sounded so utterly crushed. Everyone fell silent, the playful atmosphere gone as if it had evaporated.

“I never intentionally hid it. It wasn't significant enough to mention at the start and when it became important I felt like I couldn't just drop it at you during lunch or something. I always planned to tell you, there was just never the right time nor right words. I never wanted to hide it.”

“Even just me?”

“Especially you”

“You still should've…”

“Yeah, I should. I'm sorry”

“How long ago have you met?”

“Half a year ago,” Danny said before she managed to answer “It's all kinda my fault actually. I was really set on not getting mixed up with more hero business than I had to back then. I didn't want you or Justice League finding out about me. And when I agreed, it was already really late. I'm sure she'd told you all from the get go if I let her, I'm sorry”

“Why wouldn't you want us to know about you?”

“It's… Probably not the conversation we should have right here, over gagged wannabe cultists.”

“Valid. Let's call the cops and get going. You two have much to explain”

“And you're sitting eight feet apart until you do!”

Danny leaned in to kiss her, quick and playful, before he jumped back at the demanded distance.

“Well, this still went better than at your side”

“Absolutely”

*******

Also, here is some lil arts for a longish wait, sorry again, I hope this story is yours to your expectations

[procyonloser]

Pt 2

Lucifer had been thinking about the guy at the aquarium for the last two weeks, on and off. He'd not really been eager to date since the divorce, and Lucifer was not a hook up kind of guy. He truly did want to be an anglerfish, he wanted to latch onto his partner until one or (ideally) both of them died. He was obsessive, but in a fun caring way that definitely didn't drive his ex wife away.

"Ugh..." Lucifer dragged his hand down his face, trying not to look at himself in the mirror, at the risk of seeing the purple under his eyes that seemed just ever present at this point in his exhausted life.

"Papa, look!" Charlie said, standing up from her little table he had in the living room for all her arts and crafts. She ran over, holding a big piece of paper with a bunch of scribbles on it, but in the middle was unmistakenly a jellyfish from the aquarium. Lucifer grabbed it in his hands with a big smile, marveling at it - his daughter was so talented!

"It's beautiful, Charchar!" Lucifer exclaimed, kissing her all over her head, to squeals of giggles. "Wow, look at that, what a perfect jellyfish! You really liked the aquarium, huh?"

Charlie nodded her head, eyes big and bright. "I like the one tank with the pink stuff, and the other one with the one thing, and the floppy little guys on the ground, and the-"

"Do you want to go again?" Lucifer asked her, and Charlie froze up for a second, processing the question, before she bolted for the door, grabbing her little red coat and boots. Lucifer wanted to cry, she was so cute.

Lucifer had packed in the car her stroller wagon, because Charlie had started to get tired last time by the end, and she'd made Lucifer carry her coat and stuffed toys the entire time. They'd been rolling around the aquarium for a bit, looking at the different displays, before Charlie got excited at the penguin exhibit. Not exactly what Lucifer considered aquarium animals, but he supposed it made as much sense as an otter or seal.

He lifted Charlie up so she could see the birds waddle around, and he was so distracted by her reaction, he didn't notice the shadow beside him.

"I hate penguins," the voice said, and Lucifer turned slightly to look at the man, before doing a double take, eyes going wide. Oh, oh it was the hot but not hot guy from before, Lucifer opened his mouth, before closing it, and then opened it again. "You doing your best fish impersonation? You really do want to be a male anglerfish, don't you?" He asked with a cheeky grin, and Lucifer finally got the chance to see his name tag.

Adam. Yeah, he looked like an Adam.

"Well, you know," Lucifer laughed nervously, maybe a little too enthusiastically, but he had a hard time gauging that sort of thing. "Why don't you like penguins?"

"The stink, and they're fucking sociopaths, like they're tiny demons. Everyone goes, oh they're so cute, oh look at the gay penguins, aren't they great? No, they're awful. Worse than dolphins. You know what necrophilia is?" Lucifer regretfully nodded his head, grimace spreading across his face.

"Like I said," Adam said with a huff, looking back over at the birds. "I don't like penguins."

"Reasonable," Lucifer said in a slightly higher tone, growing more aware the man was just... There. Standing next to him. No one else was around. Sure, maybe he was an employee talking to a client, but it didn't seem like that was it. "Do you like any birds, or is your thing just...fish?"

"Swans are cool," Adam said, glancing at him. "They are super loyal, they mate for life, and they're giant vicious shits."

"I like ducks," Lucifer said plainly, immediately regretting it.

"Don't get me started on ducks," Adam rolled his eyes, before pushing away from the banister. "I'm about to go run the touch tank in the kid's activity reef room, if your kiddo wants to come see. You can touch little rays, starfish, shrimp, sea cucumbers."

"...Sea cucumbers?" Lucifer asked, raising an eyebrow. He'd never heard of them, was that like a sea sponge? But Adam sent him a wicked grin in response to the question, like he'd been hoping Lucifer wouldn't know much about them.

"Yeah, they're long tubes basically, and if you rub them too much and they get overwhelmed, they shoot out their intestines in long white stands." Adam said with a wink, before he walked a few feet away, glancing back at Lucifer with a smirk. "You gunna come, or do you need to latch onto me to keep up?"

"Ha...ha," Lucifer wheezed out, eyes falling to Adam's backside, before Charlie tugged on his jacket.

"Can we go? I want to see the shrimps." Charlie asked, giving her best puppy eyes, which worked instantly of course, Lucifer was a bit of a push over when it came to her.

"Absolutely," Lucifer said, already planning on buying a yearly membership to the aquarium.

[greenduvet]

flowers she gave him pt. 1

A/N: Hi loves!! So excited to finally share this story that has been brewing in my head for what feels like forever. I haven’t posted any of my writing publicly for years! So this is a big step for me, and I just couldn’t keep these thoughts to myself any longer. I want to say the biggest thank you to @luiscarrutherss and @galarian-weezing-on-prep for not only reading the early draft but making me feel excited to write and share my story. Also my girlfriend for helping me edit and watching succession. This will be a friends to lovers slow burn, so if that’s your jam like mine stick around! Anyways, enjoy mwah!

The floor was silent. Most people had gone home hours ago, the lights off in most offices. It was always so odd this time of night — looking out over all the different worlds happening just below, life continued on so vividly yet it felt so stiff and halted here.

It wasn’t the plan to have been here this late. Really he should have picked you up hours ago, the dinner reservation that had been made earlier this week now way past check in.

The reservation was Roman’s idea. Maybe a poor attempt at an apology, the only way a Roy knew how to apologize — dance around it yet never letting it fully resolve. You were used to it by now, a lifetime of Roman had made you well familiar. Yet this time felt different. Roman for once in his life was being distant, independent. He would blame it on work, family, stress, but you knew him better than that.

Tearing your eyes from the window, you look at your phone. Still nothing from Roman, not even a heads up that he would be an hour late to the aforementioned reservation. The thought of sending another ignored text filled you with a sense of irritation. Why wait here when you could see him face to face?

Without a second thought you haphazardly throw your things into your bag, muttering softly to yourself. The lights of your borderline clinical office flick off as you shut the door.

The way to Romans office was nearly tattooed in your brain from years of walking back and forth. Though your office was just down the hall, tonight it felt like a dreadful journey into unfamiliar territory. This wasn't how the night was supposed to go.

Turning the corner you could see him through the thick glass walls. He was staring at his computer, full attention to whatever was on the screen. You swear you had never seen him work so hard in his life… or at least pretend to work this hard. With a soft sigh, you walk into the office and stop in front of his desk, his eyes not once glancing from the screen.

“Late night?” The tone of your voice is dry, maybe a bit sarcastic. You weren’t used to this Roman, the detached, focused type. He had always been clingy, willing to throw his work down as soon as you had walked in.

Even standing directly in front of him, his eyes still never move from the screen. Moving his free hand from the desk to run through his already tousled hair, he hums softly, not bothering to give a full response.

Another sigh leaves your mouth and you turn to take a seat on the piece of foam covered in velvet they called a couch, there more for decor than actual comfort.

~~~

While your back is turned, Roman’s eyes glance quickly to you. The perfect image of a long day, he watched as you slowly dropped your bag without a thought. The whole day he had fought the urge to text you and watched the minutes tick past the planned reservation. He didn’t understand why he was doing this, pushing you away and trying to hurt you. Yet he felt like he was the only one hurting here.

As quick as his eyes lingered on you they were back on the screen, looking at the same report sheet he had been rereading for over an hour now. The sight of you settling on the couch out of the corner of his eye made his brows furrow softly. Why was he doing this again?

“Uh, ya know, Dad had me do some stuff.” He mumbles softly in response, his voice high in octave and almost tense. God, he didn’t even believe himself. He rips the hand in his hair down and begins to rapidly type something on the computer, trying his best to sell his stupid ‘busy’ act. You weren’t buying it, but it was unspoken that you and Roman never really did feelings — maybe that's why you were still so close.

~~~

Sighing, you pull your phone out and slip off the uncomfortable shoes you were wearing. It seems like Roman won’t be finished anytime soon, so neither will you.

The two of you work in a tense but comfortable silence, you clearing old emails and roman rapidly slamming keys. It was routine, though it didn’t keep you from noticing that what was once so familiar was now slowly changing. The silence still comfortable, yet more deafening than before.

“We had a reservation for tonight, did you forget?” Your voice breaks the silence, addressing the elephant in the room. Panning your view to roman, you can tell the question makes him squirm. The vein on his forehead bulged, his eyes widening ever so slightly at the screen.

You wait to hear some poor excuse, something around how it wasn’t his fault or to fuck off… but it never comes. Roman just continues to slam on the keys, the discomfort only growing on his face.

Sitting up, you nearly roll your eyes for what feels like the hundredth time of the night. You didn’t have time to waste sitting twiddling your thumbs to expect a coherent response from Roman when he obviously wasn't interested in giving you one. Slipping on your tight shoes, you grab your bag and rise wordlessly.

You look at Roman, hoping for something. For him to look at you, acknowledge that you were here for him. His eyes remained glued to the screen, though it seems like there is a deeply rooted panic there. 5...10…30 seconds go by and he does nothing.

The voice in your head repeating a mantra of fuck this over and over finally wins, and you turn to the door to leave. Though it hurt, you were tired of this back and forth. That, and your bed sounded much more appealing than the stone couch.

~~~

The second you leave Romans office, his eyes tear from the screen to your disappearing figure. The feeling of panic that had been bubbling in his chest all week started to explode into a deeper fear — you were walking away. He knew he deserved it, but still — what the fuck? Part of him thinks to leave you be and ignore your texts again, but his heart is screaming at him to follow you, chase after you and stop pushing you away like he had been for weeks.

He rises from his desk, leaving his computer unlocked and hastily makes it over to where you’d gone off to.

~~~

It feels like the elevator is taking forever on purpose. Maybe to taunt you for waiting for Roman, or maybe because deep down you had hoped he would come after you. Still, you waited for the doors to open so you could forget about today and the weird feeling in your chest at your best friend ignoring you. Why did it feel like you might actually lose him this time? Roman had seen you through your worst, and you’d seen him through his. But this dynamic was new, and didn’t feel like something you could recover from.

Finally, the high pitched ding breaks you from your thoughts, the doors sliding open to the luxury elevator awaiting you. Stepping in, you scan your badge and wait to be taken to ground level once again. Wine sounded good tonight, lots of it.

The doors begin to close, but before they can shut a hand is shoved between them, forcing them to open. Roman. He was there, face slightly flushed. It was funny, because Roman had never been the one to chase after you originally.

~~~

The sun felt hot – almost scorching. It was the end of June and finally it was starting to feel like summer in the hamptons. The backyard seemed to stretch on forever and was decked in long tables covered in lavish meals. This was a yearly event Logan held for his “partners” and their families — It was for the people who knew where the bodies were hidden. The whole ‘get away’ was to keep them close.

Though the event was mostly filled with adults, a few children were scattered around. A boy almost in his older teens, one a few years younger doing his best to fit in with the adults. An even younger boy with messy hair and big eyes, a young girl with fiery red hair, and lastly another girl who didn’t really fit in with the others. Yet that didn’t stop her from trying.

“Roman! Look at this – it's a worm!” You held out the stick with a worm dangling from it, the soft blue dress hanging on your tiny frame most definitely ruined. The wide grin on your face only grew as Romans eyes widened in disgust as he turned in the opposite direction. You would only start to chase after him again in response, as you had all afternoon.

This was a game between just you and Roman — you bugged, poked, nagged, and in response he would run away, gag, and ignore. For some reason your tiny brain just never got the memo that he couldn’t stand you. Things were easier back then. Innocent.

The sound of a loud bell stops you in your steps, Roman halting ahead of you. Dinner time. Placing the worm gently back to the ground you follow the children you came to know as the Roys.

The feeling of eyes on you from your parents and other bodies burnt like fire on your skin as you approached the dinner table. You hadn’t meant to dirty the dress, but running through the vast yard with the people you called “friends” had made you forget — forget that this was a performance, and that you needed to set a good example so that your family could stand out. Your mother would have words to say about this later.

Each child slid into their assigned seat at their own table away from the adult conversations happening at the other, longer table. You couldn’t help but feel a little relieved — you didn’t fully understand that whole world yet at the ripe age of 5, but you knew enough to be bored. Shiv felt the same way you did, her face more relaxed now than it had been at the sound of the ringing bell.

Roman’s seat was the one next to yours, and it was made obvious by the soft groan that left his mouth when he saw the tag of his name next to yours. Dramatically, he pulled his chair from the table, each action over dramatized and nearly throwing his body into the seat. Though the sour look didn't last long on his face as his eyes panned over to you and your dirty blue dress.

“Mommy and Daddy won’t be very happy with that, now will they?” The sour look fades from his face, a devilish grin replacing it. His tone is teasing and rude. It wasn’t anything new with Roman, though. The only attention he spared to give you was the more unpleasant kind. But it didn’t stop your obsession with trying to break him down and play with you.

You return his comment with a pout and look away from him, your hands finding themselves busy undoing the neatly folded table napkin at your place setting. Gently your fingers pull it apart, corner by corner. Finally you place it gently on your lap, your head high as you reply. “It was an accident. Maybe if you played nice, I wouldn't be messy.”

Roman was almost surprised with the response he was met with, a little smirk filled his lips. He couldn’t help but feel put in his place. He nodded to himself, taking the napkin and ripping the cloth out of its fold. Vastly different from the way you had done it with so much meaning. Maybe you weren’t as annoying as Roman thought.

The dinner was pretty tame. The children made soft conversation about various topics — the summer vacations they had planned, the extracurriculars, the movies they wanted to see. While the adults stuck to business conversation, how it always was and would be. It felt nice though, for once being around other children who somewhat understood your lifestyle. That, and it was a lot better than the company of your au pair.

After dinner, you find yourself with Shiv in the garden playing a game of fairies while running around the well maintained garden of roses. The sound of your feet against the gravel and shared giggles is all that can be heard — a pure moment of childhood innocence. Your dress slowly changed into one more brown than blue, Shiv’s own dress dirtying as well. It didn’t matter though, because for once you were just girls playing.

Logan’s booming voice rips you and Shiv from the moment. You can’t make out anything he is saying, but the both of you know it can't be good. You look to Shiv but her eyes are already on your face, wide and crystal blue. Then you hear it clear as day, the only word that mattered. Roman.

Looking around, you find a flower from one of the many bushes and pluck it gently, making sure to not damage any petals. You didn’t know Roman well yet but you knew well enough that this was normal. The sound of Logan's booming voice most times directed at him, as he seemed to always be the easiest target. Though, there was something about this time that felt worse than the others.

Without a second thought you run off, away from Shiv and the flower garden, carefully cradling the small white flower in your palm. The soft sound of sniffling guiding where to go, eventually leading you to the side of the oversized house.

There he was — sitting on the floor, knees to his chest, and a hand holding his cheek in pain. The spitting image of a kicked puppy.

This was worse than the other times.

Wordlessly you sit next to Roman, eyes not daring to look at him, but glued to the wall with ivy overgrowing. Before Roman can protest or run away, you bring the small white flower into view. A smile fills your lips before placing the flower onto his knee with all the care in the world.

That was the moment everything changed.

~~~

The elevator doors open fully and Roman steps into it with you. Your name falls from his lips as his hands comb through his hair for the umpteenth time that night. “Look– Fuck. Let’s just grab dinner, okay? There’s gotta be someplace still open and half edible around the block.”

You can tell he is trying his best to contain his expression and stay in control of the moment, but he's failing. Miserably.

His hazel eyes watery and nearly pleading, begging you to look at him and forgive him for being a total ass.

Looking him up and down, you hesitate. Maybe to make him sweat or to make him feel how you did all day, you weren’t sure.

“Wherever we go, I want hashbrowns.” You tear your eyes away from roman and click the button that would take you to the lobby. Immediately there is air in the elevator again, Roman’s pleading eyes vanishing. He always seemed to get his way with you.

[signanothername]

firstly: AAA YOUR ART AND COMICS AND STUFF ARE SO AMAZING!!!!

secondly: do you have any advice on how to come up with comics and then get them out of your head and onto paper?

BZHXHXHD THANK YOU SM!!!

And ooh that’s a good question

I usually come up with comics in one of two ways, either seeing something (whether another artwork, a text, something irl, etc) that inspires an idea for a comic, or via artworks I made that I expand on

Other times, it can actually be both

For example, the “A little life update” comic was actually inspired by this beautiful artwork, I saw it, and I immediately thought of Killer, idk something something about the despair of being stuck between a rock and a hard place etcetera etcetera (yes the comic that shows Killer to be in such a better place in life and show the hope he has, was inspired by crushing despair in actuality)

It made me wanna do something with Killer trying to call someone on a public phone, and so the first page came to be

Here’s the twist tho, I originally was gonna just make it into an artwork (yes, one single decision could’ve meant that comic wouldn’t have ever been made)

But a lil habit of mine is ask myself a shit ton of questions when it comes to my own artworks (it actually helps me turn what’s supposed to be artworks into comics), and that’s another way of how you can come up with comics, ask yourself questions, why is the character doing this? What are they doing? What if character did this? Etc

so I saw what was originally gonna be an artwork, and asked myself, who would Killer be calling if he ever did and why?

And the answer to those two questions that made sense to me most was Nightmare, but that led me to two more questions, when would Killer be calling Nightmare and for what?

And that led me to have a basic idea of how I wanted the comic to go

So it was basically like

Who would Killer be calling? Nightmare

Why would Killer be calling Nightmare if he ever did? That actually had different answers, to taunt him, to inform him of something, cause he misses Nightmare in his own fucked up way, etc

When would Killer be calling Nightmare? After he’s saved, or while still under him? After he’s saved makes more sense

What would Killer call Nightmare for? To give him an update about his life with Color

How would Killer be calling Nightmare? Through a public phone

Where would Killer be calling from? Somewhere in an AU in the surface

These six questions, what, why, when, who, where, how, are important to think of, they give you a basis to work on when it comes to comics in general

You don’t need to have a very clear answer to each of them to be able to work on a comic, but if you can at least answer 3 of them, that would give you enough information to work with in a comic

Now that I have a tiny bit of a clear idea about what I wanted to do (it doesn’t have to be perfect or completely concise) let’s talk about how you take these ideas out of your head and into paper

You can do that by imagining the dialogue in your head and then immediately putting it into paper, as I mentioned here, I actually struggle a lot with dialogue, art? No problem, I can easily imagine the art, but dialogue? It’s hell (please take the time to read the linked post, I talk in depth about how I handle dialogue)

That’s why you shouldn’t worry about perfection at this stage, just put every little piece of dialogue you imagine into paper, even if it feels like it makes no sense or is out of character, that’s something you can worry about later

Put in the dialogue, every little bit of it, and draw the panels that feels right for the dialogue

Here’s a little bit of example about what I mean when I say put the dialogue in then draw panels that make sense for it

This is a comic I plan on making, I actually drew that first panel as a stand alone artwork, then that inspired the dialogue, I wrote the dialogue down immediately, it’s a rough version of it, maybe I’ll keep it the same, maybe I’ll change it up as I work through the comic, but so far, I’m drawing the panels based on the dialogue so far, see what I mean by write the dialogue down? It helps IMMENSELY

It doesn’t have to be perfect and it certainly doesn’t have to be the final version, but writing it down will help you imagine the art that comes with it

Does that mean you can never start with the art then think of the dialogue? NO

You absolutely can start with the art for the comic first, in fact, sometimes, doing that actually helps you imagine the dialogue better, other times you can’t really think of a dialogue but have a very clear image in your head about certain character interactions, draw that it’s ok, silent comics focusing on character interaction, is a thing that you can do without worrying about dialogue

Now when it comes to the actual making of a comic, first tip is find your own footing when it comes to comic making

Like listen, people are gonna tell you that the correct thing to do is that you have to make thumbnails for the comic before you make the actual comic to make sure the flow is good and you have room for speech bubbles and what not

Here’s the thing, making thumbnails for your comic is a life saver, it’s great, if you can do that go for it! But for a person like me with little to no energy, I can’t do that without losing interest and immediately abandoning my comic, I can’t do that without becoming frustrated and hate art for it

That’s why I say find your footing, if making thumbnails before working on the actual pages works for you go for it! or you can immediately just work on the actual comic itself like I do, it’s all about what you’re comfortable with and what makes more sense to you

That being said, when it comes to the panels themselves, always aim for less panels and more pages than the other way around

Sometimes, emphasis on certain emotions or aspects of the comic can only be done with fewer panels

That’s why my own comics would sometimes have pages that are either one or two panels max

The less panels you have in a page, the more concise, clear, and easy to follow your comic is, one of the biggest mistakes I made as a beginner artist, is that I focused on cramping the story in as few pages as possible rather than focus on the clarity of the comic

Here’s an example

Good luck reading that dggxgdgdh

This is a very old comic I made back in 2018? 2019?, I wanted the comic to be one page so bad I cramped everything into it without thinking about the fact people are gonna have a very hard time reading it, like this easily could’ve been 3-5 pages but old me couldn’t imagine doing that many pages (if she could see me now with 15 pages comics dhhdhdg) not only that, but the panels’ arrangement makes 0 sense

So when you make your panels there are 2 things to keep in mind:

1- less panels and more pages = clear easy to follow comic, as well as a better emotional impact

2- panel arrangement has to make sense and should be easy to follow, you can make sure it’s easy to follow by reading your own comic over and over as you’re making it, if you find difficulty following the dialogue or art, then it’s best to refine, change or edit your panel or dialogue arrangement

Another thing to keep in mind when making the comic is the flow, the best way to go about making sure that the flow makes sense is by thinking of the comic as you would an animation, how did the character go from point A to point B?

For example this page

Killer clearly has a bit of a distance from Nightmare in the second panel, so how did Killer go from being at a distance (point A), to right in front of Nightmare in the last panel (point B)? That’s what the two panels in between the these two points are for, is to show you that 1- Nightmare is using his tentacle, and 2- that tentacle wrapped around Killer’s arm, the rest would easily be filled in by your brain that Nightmare basically pulled him closer

Now for the ending of a comic, not every comic has to have a clear ending where it marks the end of a story, but rather, you can go for whatever satisfies you as an ending, or keep an ending ambiguous or open, to expand on a comic later

I say that the perfect ending for a comic is what gets the point of a comic across, if the point is made, then it’s a good panel to end the comic with

Don’t be afraid to scarp any page or panels if they make the comic awkward or if they don’t make sense or if it seems out of character don’t hesitate to change, edit or completely delete it

An example is the “choice” comic, it actually originally was 4 pages, I just decided to scrap the last page cause of two reasons

1- it added nothing to the comic

2- it was out of character for Stage 2 Killer

My last advice is don’t force the process, sometimes, the best way to go about making comics is to make them on your own time and slowly, sometimes, you get stuck with certain things in the comic, other times, you need a bit to figure out how to proceed with the comic, completely normal in the process, that’s why it’s important to work on comics in a way that suits you, but you can’t find what suits you without trial and error, so go and test the waters, you can never learn until you practice it yourself

Good luck, hope this helps, lemme know if you need more clarification or help, i’d be happy to help where I can <333

[boom-bada-boom]

i need. to write out my thoughts. about the ghost zone. (and the infinite realms)

ok ok so. infinite realms. reasonably, that would mean they are infinite. the realm where the dead goes. every universe is connected to it. every place where the dead gather is inside of it.

what this means.

think of the realms like an ocean. and there are islands, that are above the water. these islands are universes, and they are not connected by anything above the water. but they are connected in the water; you cant walk to another island but you could swim there. thats what the realms are, for every universe. it is the ocean they float in.

now think of the environments within the ocean. those are the different parts of the realms. everything is there. every afterlife exists as an environment within this ocean that is the realms. the greek underworld, the christian heaven/hell, etc etc. some of these afterlives are anchored to specific universes, and others are general afterlives that take deaths from several universes. the ghost zone is actually one of those environments, technically. its a large part of the realms, but not the entire thing.

an important thing to note is that the ghost zone is special compared to any other environment within the realms. those other afterlives are self-contained, without crossover. they are part of the realms but their dead cant leave to the wider realms. the denizens of the ghost zone, however, can travel wherever they want in the infinite realms, including into other ecosystems and even to those universes above the water if they have the power for it. because they are more ectoplasm than other realms beings, and thus made up of more of the substance of the realms. that gives them special privileges, and also means the ghosts of the ghost zone are not like any other ghost. theyre sort of like the ghosts of ghosts; more powerful, more influential, more varied.

another important detail is that the infinite realms are alive, in a way. there is a consciousness there, that picks and chooses and plays favorites. for this reason, pariah dark was never the king of the realms, but instead king of the ghost zone. still a powerful being, but not as powerful as he could have been. the realms must accept you as king for your title to be king of the infinite realms, and pariah dark did not have that favor. it must share itself with you, allow you to perceive it in its infinity, put a piece of itself inside of you. (another note, it is only a denizen of the ghost zone that could become king of the realms, because only a being of pure ectoplasm could handle the pressure of infinity.)

danny phantom does have that favor, along with the crown and the ring and the ectoplasm necessary.

an important note, especially for crossover stuff, is that being the ruler of the realms is like being the god of gods. because gods have specific universes and specific afterlives under their control, but they have no power over that ocean that is the infinite realms.

basically if the crossover vibe isnt

then i dont want it

(ps hes doing this experiment with tucker and then sam pulls up and shes like “danny! i cant believe youre going to try and eat concrete! … without trying to eat plastic waste first because if you actually can eat it then you could solve so many environmental issues holy shit—“)

[stellar-solar-flare]

This popped up on my dash and since you said that the conversation is open, I thought I would share my two cents, even if it might be stuff you are already familiar with and do yourself. I don't think I'm in the same fandoms as you but things mentioned here are observations made from multiple fandoms. Although I have been writing in AO3 instead of tumblr for the most part, my experience here comes from writing almost exclusively Steve Rogers longfics (mostly 50k+ words, 10+ chapters) from 2021. I don't claim to be super popular - I'm just reflecting on the relative differencies I have noticed in my engagement.

First of all, please don't quit a series just because it has been over a month. That's not a long time for an update at all! If you're writing fic, it's something you do on your free time without getting paid, so there's absolutely no reason at all to apologize life getting in the way.

From my own experience, I have to agree with the consistency and speed of updates being pretty big factors on engagement. I have noticed most reader engagement when I have been able to push out one or more update a week for multiple weeks straight. It helps people stay engaged with the story and invested when the story is fresh in their minds. But then again, I have gotten a lot of comments when coming back from a hiatus too so I think it's not the only factor at all.

Writing a lot, even if it's not the same series, helps keep one's fics on people's minds, and helps establish you as someone who writes X character (with a certain kind of characterization). I share sneak peeks sometimes, but that's just because I am too impatient to wait, they're not from 'marketing' standpoint. Personally I try to focus on writing and let the writing itself do the rest, but I do make a point to reply to comments and thank people, even if that is sometimes very delayed, so that they know I appreciate them. I also don't talk badly about my own writing, because as a reader, seeing someone do that can very easily turn me off from reading their story. (To be clear, I don't mean venting about the human frustrations of writing but publically calling your own stories bad etc.)

One of the big things for me as a reader and a writer is having multiple storylines going and having 'hooks' in the story, so to speak, so that the readers know what they're looking forward to when the story continues. Cliffhangers are the ultimate form of this but things like a character uncovering a partial piece of information that raises questions work too. I spend a lot of time establishing chemistry, both romantic and platonic, so that the readers have something to root for.

Then again, engagement always depends on the story. Some things do better than others. Sometimes I think a fic is going to be well-liked and it doesn't get much attention, sometimes a thing I thought was just pure self-indulgence gains a lot of reader interaction. Which brings me to my next point - I think that the writer's enjoyment bleeds through the story to readers; things that I have enjoyed writing the most are my most popular fics. And sometimes when I think I'll write some easy 'trope soup' that'll get a lot of interest, it's crickets. I think there's a lesson there for me.

I try to engage with people and be a part of fandom beyond writing. I read and comment other people's fics, I reblog stuff, I talk about everyday things and try to stay active even when I have no capacity to write (happens to us all). It helps foster a sense of community, and while it's not self-serving and I read and comment out of genuine enjoyment, ultimately being active in fandom and engaging with writing helps us all. It does feel like current fandom population doesn't comment as much as they used to, which is a shame. But I try to be the change I want to see in the world.

It's also worth noting that sometimes there are these 'lulls' in fandom where everyone is sort of quiet and busy with life, I assume. Like major holidays. They just happen, and the season will change again. Also, scheduled reblogs and comment replies help reach different sets of people.

Finally, focusing too much on the stats is a thing that for me is a road to madness that sucks all enjoyment out of writing. It is human to want engagement and look at the pretty numbers but again, what matters is the enjoyment you get from a story. Personally I have written a 250k longfic in a tiny niché that was commented regularly by one single person and occasionally by about five people. And I still love that fic to death and am so proud of myself for writing it.

That's my two cents, from my personal experience. As always, they should be taken with a grain of salt, and they might not be universally applicable. I wish you the best with writing and hope that the muses are kind to you.

Writers of multi-chapter fics:

How do you keep your readers engaged as the story gets longer?

I've heard from many, and seen it myself, that interaction drops significantly as the chapters accumulate (which I honestly do not even understand...hence why I'm asking this) but I've also seen a lot of writers who have quite lengthy fics where the engagement and excitement seems to stay consistent throughout.

They're receiving asks with comments and questions about the latest chapters, the reblogs are abundant compared to likes, and I'm just curious if there's anything anyone does differently to help maintain this other than just being a great writer 🤣 (which I'm realizing is probably the key thing and that there's nothing to do other than just be able to write a really good story which I'm clearly not haaaaa)

I've tried sharing snippets of upcoming chapters in the past and they've always fallen on their face, I've released chapter playlists, etc so I feel like from a "marketing" standpoint I've done what I can? And also as writers we shouldn't even have to work that hard to "promote" our fics considering people ask to be on taglists and what have you. (This is the site for sharing and ACTIVELY participating in fandom...)

It's been a struggle to keep myself motivated to finish up my series and I'm starting to wonder if there's even a point now that it's been over a month since I've updated (which I realize consistent updates are likely a huge factor as well 🙃 but, you know, life.)

Anyway. Thinking out loud here. Any advice/conversation is welcome! 💗

[ptr-sqloint]

what’s your rendering process like?

ehhh i kinda work as if i was using paint? i do a flat colour+sketch layer and on the layer above i do all the rendering (or sometimes on the same layer). i stick to opaque brushes and use colour picking rather than blending brushes

i also use the eraser tool or a background colour to sort of. sculpt the shapes i want to make

[wardingshout]

Zelda goes mushroom girl

[drenched-in-sunlight]

saying this as respectfully as possible but. Do not put fandom content creators on a pedestal. We are also just fans contributing to a community just as you are. We have boundary on our own work and that’s it. What I say is not and should not be considered sth the whole fandom should listen to. I’m just a normal ass person ranting about things on my blog. If it does not have a fandom tag for others to engage in, do not make it out to be me trying to start fights or addressing the whole community. Because it’s not.

I’ve said it before and I will say it again, my art, my lore talk, is biased. I’ve never tried to hide that I view Marika a certain way and will always develop my theory following that base assumption.

Aside from translation stuffs and pointing out in-game items, everything else I say you can look at it, agree or disagree, and move on to form your own opinions. Just because I draw stuffs doesn’t mean you get to saddle me with responsibilities about managing fandom expectations. What the hell? I’m a fan artist, I’m the last person who you should look at for “leaderism” (?) WHAT?

I can and will be a hater in my own space, like I know sometimes other artists will just post their stuffs and not engage too heavily with fandom, and for a while I did try to do that here (because I’m already a dramatic ass on twitter), that’s just not me though.

You will get art and you will get my opinions as well.

[wybienova]

dream visit (nostalgia) - a 2nd anniversary katfl comic

[crow-eyed]

the boy wonder jason has bewitched me