#so i don't want to shade it in any way

[hl-obsessed]

.

[volivolition]

wiggles my fingers at you ouuuu… you want to tell me about solace so bad…

HKJGG wiggles my fingers back lovingly!!! i really do, i fuckin LOVE solace :3 hey did you know i really like making fake skill descriptions?

SOLACE

Follow the north star. Find light in even the darkest places. Cool for: Optimists, Recovering lost souls, Sweet summer children

Solace is the skill you tucked away long ago, at the bottom of Pandora's box. The little one that tells you: despite it all, there is still hope. It needs a lot of nurturing -- and it's far from being the most helpful for police work -- but taking care of it is basically self-care. It enables you to find the glow in yourself that you often ascribe to gold lungs or brilliant halos in others. It encourages you to wake up and watch the sunrise, to play board games with someone you love, to forgive yourself and let yourself be a gentler kind of animal. Constantly looking forward to a brighter future, it also helps shield your morale from damage.

At high levels, Solace gives you a heightened sense of childlike optimism - which isn't always the sense to lead with in this precariously harsh world. Always looking for the bright side will blindside you with naivety. At low levels, however, you may just extinguish whatever keeps your soul alight. You've already lost her once. You may not survive the desolation if you let her disappear again.

[averlym]

no one would notice if i ever vanished // if bodies could sustain // this never-ending army // like blood pumping through a vein

(click for better resolution!)

:OOO hello. anyway since these are all posters i'd have in an ideal world or smth and i'd like to store the high res versions somewhere,,, here's the google drive folder for them? hehe ''

close up!

[thewritegrump]

Sometimes I think about the antiblmatsu insta account or whatever that posted people you block b/c they ship blmatsu or whatever. They posted my Twitter and cited me as retweeting blmatsu art and I wasn't offended that they included me on their block list. On the contrary, I was offended that they didn't do their research and see that I'm not just someone who retweets blmatsu art. I'm out here fighting the good karacest fight, dammit (I was fighting the good karaichi fight, but sometimes life takes a strange turn)! Someone's got to and my fiancee and friends won't let me stop, so...

Sidebar, but antis please do you and I a favor and just go ahead and block me. You're not going to like me or what I'm about so get me out of your sight and we'll both be happier for it.

[active-mind-15]

Greetings from purgatory. I came back with some more art! @japeneselunchtimerush's headcanon about Bokushi wearing mismatched socks has been stuck in my head for ages so I decided to draw it (ft. baby Bokushi, of course). I also included the outfit from the official art of chibi Bokushi wearing mismatched shoes because it's so adorable. Bonus sketch under the cut!

[Art related to my fic, Accidental Siblings.]

[sesamenom]

alright you’ve been extremely extremely kind and indulgent to me about my oc and i cannot possibly thank you enough <333333 so MY turn now to ask YOU about YOURS. please tell me about maglor’s distant granddaughter who is also your bbeg?? .w. or about the chatty hobbits i would very VERY much love to hear about both!!!

~ @nelyoslegalteam, reporting from main <3

(long post, sorry for the random people stumbling upon this lol)

so I'm the dm for the chatty hobbits campaign and essentially it's set in a beleriand-adjacent continent, but with a few extra races and stuff. of the founders of the original settlements, the king of elende (the elf kingdom) is Gil-galad's (invented for the campaign) twin brother Finellach/Finwain. originally he was inspired by the fact that gil galad has a ton of names but only uses ereinion/gil, so I just invented a new character and gave him half the names. I headcanon gil galad as maglor's son, so finwain is in universe maglor's son (left at the havens with gil bc his wife divorced him for kinslaying and his kingdom, being next door neighbors with morgoth, is far too dangerous for small children).

Anyways, his descendant Elinyel (also known as aramire or elinnor) is the current queen of Elende! she's an evil fire-themed bard who is extremely feanorian in all the worst ways - her actual kingdom prospered under her reign, but she just does not care about everyone else as long as she's protecting her people. There were some tensions with one of the major kingdoms to the north (conflict over unclaimed territory between the kingdoms and some tariff stuff), so instead of risking the other kingdom starting a war and hurting her people, she just preemptively invaded it and started burned all the border territories to the ground.

her actual coronation was pretty weird- so she's the second child, but her older sister was born in wartime and there's a general belief in elende that children of peacetime make better rulers, so Elinyel was chosen as her family's heir. her grandfather (the crown prince of his generation) died defending Elende in one of the major wars, but his younger brother and two young kids survived. there's a whole feud between their houses because the brother chose to retain the kingship even after the kids were old enough to take the throne. anyways, two generations later Elinyel killed her cousin Arendil (the previous king of Elende) over a dispute about the legitimacy of his house (and what she believed to be a dishonoring of her grandparents' sacrifice) and took the throne.

obviously she has many Issues. arendil also has two surviving kids who are now essentially trying to stop her from murdering all their neighbors in proactive defense of her people.

however, when she first ascended she recruited her friend group as her elite guard/vassals of the kingdom. (aka the other bosses in the storyline). so it escalated to a war between her forces and the children of arendil, which ultimately culminated in her beloved sister being killed by one of arendil's children. this in turn led to her having basically a massive mental breakdown and feeling like she failed to protect her loved ones (exacerbated by some of her other friends being killed in battles she led). a normal person might decide this is was kind of her fault for starting a war and putting her friends in charge of the army. instead she decided she needed to destroy everyone who could ever potentially pose a threat. which is, in her eyes, literally everyone on the continent (except for her kingdom, of course).

so now she is at war with absolutely everyone of all factions! She is also somehow winning by virtue of Song almost on the level of maglor himself, and ten (now six) also incredibly powerful friends. Anyways, she has decided that the best way to wipe out the continent (except her kingdom) and start fresh is to literally find an ancient lost stone that can break the Doors of Night, summon Morgoth himself, and start the Dagorath. obviously this will Not go well for anyone at all if she succeeds, but she is on a full-on rampage and genuinely believes she (plus friends) can protect her kingdom from Morgoth's army while he wipes out everyone else.

Here's some old art of her btw!

And some slightly more recent unfinished art of her and the Evil Friend Group from when they were younger:

and here's (L-R) her cousin who is the 3rd boss, Elinyel, and her sister from before the war!

[emmavakarian-theirin]

god the amount of art i would pump out if i stopped letting lineart talk me out of it i would be unstoppable

[hotsugarbyglassanimals]

even though i feel like i can confidently tell when a piece of art is generative A/I, i really don't feel inclined or really even justified calling someone out for it due to the precedent it sets - especially when artists who DO make their own pieces get caught in the crossfire for being inexperienced or making the choice to be more free-form when it comes to character design / consistency...

[trashlie]

ILY FP 220

CW for abuse, manipulation, gaslighting, etc. Sorry for the minor spoiler, but we’re digging into the way Yui has manipulated and abused Kousuke since he was young and that might be triggering to some readers. 

Whoo BOY! Idk about you guys but I loved this episode (I keep saying this every week lmao). Again, there’s so much confirmation of things I’ve been saying/believing, and I find it really funny that this arrived on the cusp of a related discussion I’ve been having lol. This time, I’m also going to link to some interesting posts/threads from the 220 discussion post on the reddit, because they are presented really well, and while I’ll talk about them in this post, I want to highlight the comments that have furthered my thoughts and commentary! The reddit discussion posts are really what helps me put my thoughts together!

I am a big fan of this comment and the subsequent replies between them and cheeselounge; good explanation of exactly how Yui’s manipulation/gas lighting/abuse works and why it maintains a compelling hold on Kousuke, as well as some good food for thought about black and white vs shades of grey, the ableism that runs rampant when people on a whole talk about Kousuke, and how harmful it is to view characters as 100% innocent or guilty. Also really fantastic points on the parallels of how Shinae, Nol, and Kousuke are shown waking in the hospital. Just an all around top tier comment!

This is my own comment lol but what is important is not the comment itself but the discussion in the replies. I’m not a medical person so everyone’s input on what it means for Yui to shut down Hansuke’s tests is invaluable to me lol. Someone also brought up blood type - and while I don’t think that’s something Hansuke would be testing, it does bring up interesting thoughts re: Kousuke’s parentage. 

So let’s get into it! 

I know it’s tacky to be an “I told you so!” person but this episode, besides making me feel incredibly unsettled and angry, absolutely made me feel I TOLD YOU SO! Yui is SO skilled at manipulation it’s like second nature to her. Every now and then I still see people defending Yui as loving Kousuke so much that the way she treats him can’t possibly be manipulation, and that you can’t prove it’s manipulation - and like. THAT’S THE THING LOL Textbook abuse is often met with people who don’t believe it because they’ve never seen it, because you’re being so dramatic, because it’s not big deal. That’s how abuse WORKS. The abuser is seen as someone who couldn’t possibly be abusing you, because they do so many nice things or they seem so lovely and they just don’t seem like an abuser~. That’s why it works!!!! Because they have created a reasonable cause of doubt. Because they make YOU look like the liar, like you’re dramatic, like you’re just making a big deal out of things that aren’t. 

Also, people can say they love you and still abuse you, still hurt you, still use you for their own gain. And Yui does just that. 

It’s been a source of great ire to me that so much of what Yui has done has been swept under an umbrella of “she just loves him so much of course she wants the best for him”. But it’s not about him, and we can see that now! Yui doesn’t respond to Kousuke with love or affection. She has NO CONCERN about what happened to him. In fact, even as Hansuke tries to argue in favor of running tests on Kousuke, Yui tries it on him. “He’s dramatic, you know that. I know him well, and I know he’s fine. You are making a big deal out of nothing. We don’t want to make him think something is wrong with him do we?” Hansuke is the only one showing concern for Kousuke. It’s not just about him hitting his head - it’s about the unresponsive state in which he found Kousuke. It’s that HE knows Kousuke and HE knows something happened, something set him off, and that he responded to it in a worrying way! 

Yui SHOULD be concerned about Kousuke. She should want to understand, she should worry that something is going on with him. Instead, she just tries to pretend it’s nothing, to sweep it under the rug, to hide it not just from everyone else but from HIMSELF. “We don’t want him to think something’s wrong with him, do we?” 

But it’s not just that, it’s the way she operates! For so long I’ve been trying to say that while Rand is very much responsible for his choices, I believe Yui absolutely has affected his relationship with Kousuke and encouraged/fostered the distance between them. If Kousuke ever got close to Rand, maybe he would have laid off, calmed down, felt that he’d reached his goal and now he didn’t have to run so hard. But as long as that goal is unmet, as long as Rand is distant from him, Kousuke would have to keep pushing until he reaches the top, just like she wants. 

It’s the way she took Rand’s real gift and threw it out and replaced it with some random cardigan that looks like it’s not up to Kousuke’s standards. “How sweet of him” so sweet that he doesn’t know what his son likes, right? So sweet that he just got you whatever and you’re supposed to like it. She’s further fostering that divide. Not only has Kousuke not reached Rand, but he looks like he doesn’t know anything about him, like he doesn’t even care. And that’s further supported by the reality of the night - Kousuke knows Rand is with Nol and while on some level he understands why (even he was concerned about Nol being hurt) eventually he might internalize it as “Father chose Nol over me.” 

How many times has Yui intervened? Swapped out gifts? Relayed the wrong information, just FORGOT to relay the right information. How convenient, that Rand was never around for Kousuke’s birthday because he had meetings elsewhere. How convenient, that Rand never knew when Kousuke’s recitals or EVEN GRADUATION were. I want to reiterate I think Rand deserves critique. He has made his choices, he could have reached out to Kousuke, could have inquired about when his events are. But also as we’ve extensively discussed, Yui absolutely has and continues to weaponize what Rand loves and cares about against him. She’s weaponized it against Kousuke in how she commodified the concept of love and Rand’s love. She’s done it to Nol. At some point, people give up. There’s only so much misery they can endure. It’s very likely that Rand made efforts, in the beginning. We’ve seen him talk to Kousuke before about how he doesn’t have to follow in his footsteps, that he’s allowed to be whatever he wants. We’ve seen him try to instill little life lessons in Kousuke, only for Yui to swoop in and contradict him. At some point a person is going to burn out, grow tired. It’s unfair to Kousuke, because as his father, Rand still has a duty to him. But he’s also a human and we can only take so much. 

Rand and Yui exist in a toxic relationship, and Rand has spent so much of that time in a state of misery. We’ve seen it in Nol, how at some point he thought maybe he should give up, maybe there’s no point in fighting, maybe he just needs to let it go. We’ve seen it in Shinhan, who was overwhelmed by stress and his job and schooling and didn’t have the time and energy to be a present father and at some point turned to alcohol for comfort even at the expense of their funds. 

People can only endure so much. That’s the tragedy of Rand and Kousuke - that Rand was eventually worn down to such an extent that he didn’t have it in him to keep trying, that he was sapped of everything, that it was used against him time and time again, and that in the end it hurts Kousuke. That there were two children involved and impacted by this and both have come to meet danger and harm. 

I have so many thoughts about Rand, and Rand and Yui, and I’ll have to save them for another post. I don’t want to absolve Rand of his crimes against his children, but I also think it’s important to consider the circumstances, because at the end of the day that’s why this is so tragic. It’s so real. Yui is not the first parent to ever pit her child against her spouse, she isn’t the first person to manipulate others in her life. It doesn’t absolve the other parent, but we have to acknowledge the circumstances, because I don’t believe this is the father Rand wanted to be. I think he wanted to have a relationship with his son, but that Yui made it a difficult task, and after some time, he gave up on it. 

Anyway that’s a whole sidebar lmao the point I REALLY wanted to make was: seeing Yui pull this, swap out the gift, replace it with something that is unsuited for Kousuke just further fosters that distance between Rand and Yui. And because Yui is the one who is here when Kousuke wakes up, it further perpetuates the belief that Kousuke is not good enough for Rand to care about him - especially given the circumstances in which Rand found Kousuke. 

Do we ever get to know what’s going on in Rand’s head? What did he think, when he found his sons out there in the snow? What did he think, when it looked like Kousuke was running away from Nol left bloodied and bleeding out in the snow? What did he think about this scene, after the phone call he had earlier that night with Kousuke and what he overhead. We still don’t know what Kousuke said the night he was drunk and left his father a voicemail, but we can deduce that it probably had to do with this - with his relationship with Nol and the hate and the jealousy and the fear and the desperate want to be loved, to be good enough? 

The blood is on his hands both metaphorically and physically. 

Something I want to stress is how grey I find this. Kousuke acted on Nol’s goading. If he hadn’t pushed Kousuke’s buttons, Kousuke would not have done it. Punching him as he was leaving the room was a fight or flight response - I don’t think it was his intention to knock him off the balcony - but I also think in that moment he didn’t feel guilt. Likewise, when Nol left the party, Kousuke chased after him, caught up in his fears and jealousy, the paranoia that stems from it. In so many ways, Kousuke does believe Nol is better than him. Nol’s ability to walk away and not fight back not just at the party, but even after he chased him, infuriated him, because he was goaded into chasing and attacking and yet Nol didn’t even choose to defend himself. Did he intentionally slam Nol like that knowing the glass shards would dig in and tear him up? Did he even register the glass?

What really strikes me is that when Kousuke realizes Nol is injured - badly - it doesn’t come across to me like he’s afraid of getting in trouble for it. He seems genuinely concerned that something has happened to Nol, that he’s bleeding. He wanted Nol to fight back, but I don’t think he wanted to HURT him like that? His reaction is so different from back at the party, where paranoia clouded logic and that flashback returned to him. I think yes, Kousuke wanted to hurt Nol, but I don’t think he wanted it to be like this?

Idk they’re complicated and it’s why I enjoy getting to see these kinds of scenes. 

But again, this is a tangent I didn’t mean to go on, but I think it’s important to state so that you guys understand how and why I interpret the scenes as I do. There is no one who is 100% guilty or innocent.

I definitely think we are meant to dig in to Yui’s actions and understand the manipulation and gaslighting that has gone on for the entirety of Kousuke’s life. That it isn’t solely about Nol, that even before him, she was doing this, that Kousuke as her son has always been a means to her self-serving goals and ambitions, that he was never a child to her but this extension of herself, this opportunity to go after what she wants, a way to cut Rand out of the picture so that everything falls back into the hands of her family. Though Kousuke she is able to orchestrate everything she wants and needs because he is solely at her mercy. 

Look at how deftly she discredits Hansuke while ensuring she is seen as the one who has the most concern for him. Look at how she makes it look as though Hansuke was trying something shady, to run tests on him without his consent, how can he overstep those boundaries - as if she doesn’t do that very thing at every opportunity. That’s how it works! You isolate your victim by making them believe everyone is out to harm them, that no one is trustworthy - no one except yourself, of course. It’s how she remains that safe shelter to him. Even though she does overstep his boundaries, even though she inserts herself into his business, she’s also the one who brings him “comfort”, the only one who he can trust. And it’s why he is unable to part ways with that manipulated reality he adheres to. It’s why, when other people speak the truth to him, he cannot believe it if it contradicts what he knows and believes, and that’s why no one is able to get through to him. 

Kousuke is a textbook victim of manipulation - he can never grow and progress as long as Yui exists. 

And something that someone pointed out (in the first link I included above!) is the visual progression of that. While we knew Kousuke would likely regress and everything he confronted and admitted would be out the window if Yui shows up, it’s further illustrated at the beginning of the episode and how it’s juxtaposed against the last scene we saw. 

From Nol and Shinae standing together, hands clutched and Nol resting on her shoulder with the sunrise and light, the clocks turn back and grow darker and darker, until Kousuke awakes. His moment of illumination is over, he’s back to the dark. Yui’s arrival represents that darkness, and how it undoes every moment of truth he had prior. 

As long as Yui remains in Kousuke’s proximity, he will always be in the dark, unable to reach the light. 

In that same comment, they talked about the parallels in how we were shown Nol, Shinae, and Kousuke all waking up in the hospital. 

Shinae woke to her father and his love and care. There was never a moment she had to doubt him. I still can’t get over that little snippet of Minhyuk in the hospital before she’d fully woken, how feral he sounded, how upset he was about what happened - that he knew he was one of the only people who actually cared about her and his anger at how she was hurt. There was never a moment that Shinae had to doubt these people. Even though her mom has left and took her sister, too, Shinae has never had to feel entirely alone. 

On the flip side, Nol didn’t wake up to relatives, to his parents. He woke up to panic and fear and his fight or flight senses kicked in - until he noticed Shinae asleep at the foot of his bead and realized he wasn’t alone. His friends showed up despite the way he had treated him to celebrate him, to make him feel special, to make him feel better in the ways that they can. Nol has spent a lot of time alone, but he’s not. He has people at his side. 

But Kousuke also wakes up alone - no peace, but instead a hard to make out argument outside his door. Isn’t that awful? At least Shinae and Nol wake up to a sense of comfort, but Kousuke wakes up to people arguing about him. When he fully wakes and sits up, there’s no one in the room. Just him. And then in sweeps Yui, paying off a nurse to trash Rand’s gift, ready to spin a new web to further ensnare Kousuke. 

As long as Yui remains that safe place, that comfort to Kousuke, he cannot be free. 

That’s the power of isolation, that’s the power of discrediting the people around him, of ensuring he believes only her words, convincing him that only she knows him well enough, that only she can help him, only she will tell him the truth. 

“They were all superfluous. Don’t worry, I told him to stop. It’s best to save resources on patients that actually need it, right?” 

We know Hansuke is in the right mind, wanting to run tests on Kousuke. He is rightfully concerned that something is going on with Kousuke and hopes tests could be indicative of something. He’s a doctor and thus believes in science and if there’s scientific evidence, maybe THAT could sway Kousuke, maybe THAT could convince him to listen. But not only does Yui put a stop to it, but she manages to discredit his intentions. She conveys to Kousuke exactly what she needs to - of course there’s nothing wrong with you you’re just fine don’t listen to what anyone else says because they don’t know you like I do. They’re all just being so dramatic. 

And the next time Hansuke dares bring up to Kousuke that maybe he needs to get checked out, Kousuke will double down against him, will continue to believe Hansuke has a vendetta against him, will add him to his growing list of paranoia. The one person who is actively fighting for Kousuke is a big threat to Yui, so she has to ensure that Kousuke won’t trust him.

But that begs the question then. Is she putting a stop to the tests in effort to discredit Hansuke, or is it more than that? I am not a medical person, so this is not my area of expertise and I can only go off of the input others have put out there. I do personally think that whatever Kousuke is dealing with is not so much a mental illness as much as a response to the various stressors in his life, and while I do think a psych evaluation could at least better pinpoint a way to help Kousuke, that’s not the kind of test that Hansuke could have run while he was out. 

But what could be gleaned from simple labwork and urine analysis? If what Kousuke is dealing with is his stress levels and his response to internalized fears and jealousy resulting in paranoia, if it’s his body’s reaction to dealing with a past trauma, if it’s his body shutting down when he can’t deal with something, that’s not something blood is going to show right? 

There’s a lot of theories.

The first assumes both the rules of the mukoyoshi theory and that Kousuke is not, in fact, Rand’s child. It would go like this: because Rand was adopted into the Hirahara family by his marriage to Yui, it means he is treated as much as a blood relative as Yui is, and because the family business passes through the males, it means Rand’s progeny are the next in line for heir. This theory can branch off a couple ways. 

The first is obviously if it’s found out that Kousuke isn’t Rand’s child - but from simple labwork, would that even be possible? Unless Hansuke is checking Kousuke’s blood type AND knows the blood types of Rand and Yui, how would he be able to uncover the truth? But still, Yui would want to cover that truth at all costs, so maybe stopping Hansuke before he gets further and digs in deeper? 

But there’s also the fact that if it was believed Kousuke was not fit to be CEO, that his mental state was worrying or they couldn’t trust him to carry out the necessary duties, he could be stripped of his role - and it would go to the next in line, and as a blood-relative of Rand, that would be Nol. Thus, it would be very important to cover up any indicator that Kousuke cannot handle his role as heir. While we know Kousuke’s stress responses are directly related to unassessed psychological triggers, it would be easy for someone on the outside to look at him and go “He can’t handle stress and he lashes out at people, he isn’t fit for this.” And I don’t think that stress response is new to Kousuke. Though we didn’t see it really take affect until Nol and Kousuke were working closely together and Kousuke’s fears and paranoia were reawakened, we can assume from what little we saw of Kousuke’s recollection of the night Nol was taken away that this was another time he reacted to psychological triggers and shut down. 

@poisonheart pointed this out and it really put a lot of things into new light. It would also lend credence to Nol being unstable - ensure that he never stands a chance, that no one will ever think he’s fit for the role. 

Anyway, that brings us back to: Yui cannot have anyone, and especially not Kousuke, thinking there’s anything wrong with him. It’s not that she believes he’s perfect and thinks anyone who wants to run tests is insulting. It’s that she knows Kousuke is not perfect and she cannot let anyone find out. It would be so easy for the company to swing to one of her sister’s husbands if it turned out Kousuke and Nol were unfit and she absolutely cannot have that. That’s HER fortune, that’s HER business and she will not let it fall into the hands of another man. 

I want to make it clear that when I say something is wrong with Kousuke, I mean that when his triggers stress him out too much, he goes on spirals. I don’t think it’s something like “Kousuke is bipolar” because we can see clearly WHAT affects him, WHAT sets him off, and why it sets him off. I think, in an ideal world where it as easily possible, Kousuke was able to make peace with his feelings about his father, he’d be able to make peace with his feelings about Nol, and he’d be able to eventually reduce the probability of getting swept into these spirals. If Kousuke had no reason to fear Nol, to feel jealous of him, the intense need to best him at every opportunity, if he didn’t see everything Nol does as being an attack against him, as him plotting against him, as him trying to overtake him, he wouldn’t get so worked up. 

I also think making peace with Rand and Nol means whatever it is Kousuke is protecting himself from, whatever it is that happened in his falsified memory, would have less power over him. It’s not that Kousuke would act like this regardless - it’s that he is actively responding to things that trigger these reactions. 

I think I lost track of where I’m going lmao the point is: Kousuke is a direct result of the manipulation he’s experienced, and every time he experiences a truth that goes against the world Yui has gaslighted him into believing in, he cannot process it and it breaks him down. It’s a normal reaction! He’s not reacting like this because there’s something “wrong” with him, he is responding to high levels of stress and his brain wants to maintain the truth he knows. Certainly he needs therapy, but we all do. They all do. 

And this episode illuminates WHY and HOW Kousuke remains trapped in this state, and why any attempt at showing him the truth goes awry. Kousuke doesn’t put his beliefs ahead of other peoples’ solely because he has superiorlistic feelings about himself - it’s because he has to, in order to continue what he knows. 

Yui offering him tea is also a chilling moment, because we know the way Nol reacts to tea. He knows - he understands. But on the flipside, Kousuke doesn’t have the same reaction to it. He may even associate tea with comfort. I think this difference is VERY important, because Nol is aware of the witch Yui is, he probably is aware of the ways she has hurt him. Kousuke, though, isn’t. He still seeks comfort from her, and the tea theory, that maybe it’s laced, that maybe it is something his body responds to in order to placate him, is an important one. I don’t think this theory goes as far as some people think - I don’t think he’s being constantly drugged by his personal chef, for instance, nor do I think he ate or drank anything that night that would have triggered how he acted this night because a. Yui was surprised when he showed up to the party at all and b. Again, everything about Kousuke’s reactions are perfectly in line with the things that tip him off. He didn’t get worked up because he was drugged, he got worked up because he was responding to the dissonance between what he believes and what he sees, the stress of what Nol did and how Kousuke fears it will reflect on him, and his desperation to never disappoint Rand. 

HOWEVER I AM very much on board with the idea that after very traumatizing moments, perhaps Yui has placated Kousuke with a special tea that would calm him down and interrupt the dissonance, something he would come to associate as calm and safety, and thus further push her goal of ensuring Kousuke only feels safe with her, that she is the only one he can trust and seek refuge in. Everything going wrong and then mommy shows up with nice special tea and suddenly he’s calm and all those questions have been tucked away, there’s a new memory in its place; that’s not how that played out now is it, dear, wasn’t it like this? 

Something else about Yui worth noting is that she is VERY unhappy. There’s something so jarring and uncomfortable about the way she reacts when Kousuke tells her he was looking for Nol and Rand, that Nol has been hurt. That eerie smile mask of hers and how it closes in on her, that she came not because Kousuke needed her but she needed something from him - she needed to know Nol’s whereabouts, she needed to know where her scheming husband has gone. And Kousuke has no information for her. She is ANGRY but it’s also an opportunity to further drive that wedge. Rand isn’t here - not only does that mean he’s not here to check on Kousuke but it also means someone lied, whether it was Rand or Jayce, and it doesn’t matter which it was because Kosuuke will internalize it in the worst possible way. Why didn’t they come here, why did they hide their location? As readers we know exactly why - Rand is protecting Nol from Yui. But in doing so, it looks like he’s hiding things from Kousuke and he will not be able to rationalize it any other way. 

Even his reaction to the fact that Rand isn’t here shows that - he’s starting to get worked up again, he’s agitated, he doesn’t know where they are and Nol was hurt and Yui is grabbing his injured hand and trying to placate him. There’s something about Kousuke’s “You don’t believe me...?” that REALLY hurts, because it’s all a part of her manipulation. He’s in a vulnerable state, he’s confused and instead of receiving clarity, Yui is muddying the waters. If Yui doesn’t believe him, does that mean he could be wrong? Does it mean that Jayce was wrong? 

Again, in the end, he can rely on and trust only Yui. 

I really love that we also got to see Meg and Jayce! What an unlikely duo! I have this hope that one day Meg and Kousuke can become unlikely friends - as much as anyone can be friends with Kousuke lol. I think we’ve seen that, like Hansuke, she is someone who at least likes Kousuke for something attributed to who he is, rather than chasing him for the fortune and power. I think that could have added fuel to the fire, but we’ve seen that Meg’s interest in Kousuke was rooted in him being one of the only people in her life to cheer her on, to make her feel seen and like she can do what she sets her mind to, unlike her parents who encouraged her to give up and go for something easy. I don’t want to downplay her harassment and stalking, because it was very much so out of line but I’m glad she seems to be coming around and I think from that, if Kousuke can ever learn to be comfortable around her, we could see a really interesting dynamic of friendship. I think Meg has a lot of potential to have a similar relationship as Kousuke and Shinae have had, where Shinae calls out Kousuke and tries not to let him push her around and make her feel small. Clearly there’s a lot of things Meg and Kousuke both need to work through and it’s not something that would immediately happen, but I think it might be a series of incidents that could build up to them being able to trust each other, maybe? 

Meg finding the gift that was thrown out fuels that hope, at least. I know right now she takes it as Kousuke choosing to throw it out, but I wonder if we won’t get to see a scene where Meg mentions the gift he threw out and makes Kousuke go “Excuse me? What? I would never throw out something from Father” and create that little seed of doubt. That’s the biggest issue with Kousuke being caught in Yui’s web - no one can get through to him. But if that seed of doubt is planted, if could lead to Kousuke questioning the things he needs to. Because if she’s thrown out this gift, what else has she thrown out. What else has she prevented? What else has she lied about? Maybe he can reach that conclusion that it wasn’t that he was never good enough for Rand, but that she continued to make that gap wider and wider and to destroy every bridge before either Kousuke or Rand ever had a chance to cross them. Even if it’s not the case and she hasn’t actually interfered as much as we think, it still creates that doubt, because it still means she lied and that she isn’t the only pillar of truth in his life, and there’s still a question of what else he’s lied about. 

I love that we get to see Meg hanging around that long, too. I mean, I’m glad she’s getting a wuber and will go home, but I just can’t help but feel like we will get to see a lot more of Meg and Kousuke - after all, just like her unlikely appearance with Yujing, they DO have a lot of mutuals, and Meg has become much more important to the story than anyone could have accounted for. Now that she holds the actual key to possibly unlocking some doubt in Kousuke’s mind, I think we will get to see more of her. Again, I know at the begnning her harassment was treated as a tasteless joke, but I love Meg because of how much we’ve already seen her change and grow, her decision to love herself and stand up for herself. I think in time we might get to see Kousuke develop a sense of respect for her, as he kind of has with Shinae. I like to hope that she might be able to eventually bring some comfort to Kousuke, in the way that maybe she can be someone who brings him truth and honesty. I don’t mean this as a shippy thing, but just in the sense that Kousuke is very much alone. Shinae has people who love and care about her. Nol has people who love and care about him. Kousuke doesn’t have that as much. Having someone who has your back is vital. That’s what makes it so hard for victims to leave - where do they go? who do they turn to? When for so long their abuser has been their only sense of comfort and shelter, when their abuser has made everyone view the victim as hysterical and dramatic, when they are left all on their own, isn’t that scary? 

This isn’t a “they can fix him” thing, but rather for Kousuke to grow he needs to escape his mom, and for him to do THAT he needs to understand who she is and what she’s done to him. Hansuke is doing his best, but maybe having someone else on his side would be beneficial. These are complex stories and it’s not enough to just have someone at your side, there’s a lot of psychological recovery for Kousuke to work through - but it’s not as daunting when you aren’t alone. 

Idk, I say it every week but I just. I have a LOT of feelings. I’ve really enjoyed the complexity of the pain train that is Kousuke (I took that from @poisonheart lmao) because it’s so well done. He is a man who has been manipulated his entire life, he’s felt neglected by his father, he’s been isolated, everyone who cares about him has been discredited, he’s been trapped in this web and haunted by his jealousies and fears and he’s lashed out every time he feared he was losing his place, every time he worried Nol would best him. Just like how tragic it is that Yui was able to drive that wedge between Rand and Kousuke, it’s tragic that Yui has been able to do this to Kousuke, that as a result of the seeds she’s sown, he’s grown up to be this kind of person, to do despicable things, to break someone so that they never had the chance to grow.

Nothing ever happens in a vacuum, nothing is ever black and white. Kousuke is both a victim and an abuser. Rand is both suffering from Yui’s games and a bad, absent parent. Nol was hurt over and over by Kousuke and still reached out, still tried to help, tried to bond. I think we absolutely have to acknowledge that Kousuke is dealing with something that is very difficult to escape, that is very psychologically damaging. That’s why we can’t look at him and go “I can’t believe a grown adult is acting like that.” There’s always more to the story, and it’s unfortunate that the pain inflicted on these characters has caused them to hurt someone else.

Rand’s misery led to him giving up and hurting his son, which lead to his son living with so much fear and jealousy that he hurt the only person who tried to reach out to him over and over again, which lead to that person hurting the people who loved him and wanted to help. It’s an endless cycle, and even though it begins with Yui, I’m sure she has her own hurt, too, that she’s turned on everyone else. 

[a-sky-of-diamonds]

Does it seem familiar?

Waking up in a world with 13 other players, thinking nothing of them, at first. Running around alone, untied, unfettered, until a single choice binds you to a single person. but you now run around knowing how it ends, knowing of the inevitable red that will spread and then spill, knowing that now and more because of the ticking clock within your chest. but you now wake knowing that one of the players, the very one you would think of, is missing; and now you bind yourself because of an offer, rather than a debt. 

Taking up the role of protector. Bodyguard. Hand. Different words acting as shells around an essence of the same meaning; a meaning you never thought you’d apply to yourself, now worn with pride twice. but now you’re the one with less time on the the clock. but now the person you protect is in danger because of how much life he has, not how little.

Does it seem familiar? 

In just a few hours, chaos unfolding. Lives being lost; friends being hunted; and, when everything reaches its lowest point, the person you pledged your life to protect asking you to do the impossible. but this time it’s a resort, not a request. but this time it’s to give to you, not than to take from others. but this time it’s to bring peace rather than wage war.

...Does it seem familiar?

(And it’s the sea, not the land. A resort rather than a fortress, a duo rather than an army, a show from the 90s rather than a medieval war. But these are just different guises acting as shells around an essence of the same meaning; of the same actions, repeating over and over again.

And yet-

To offer, not to pay. To protect purely from compassion, not with necessity. To give, not take. For peace. 

...These events, you think, are like a shard of glass tossed into the sea. The essence is there and will always be, but the sharp edges are dulled by time and saltwater. They become softer. Smoother. Their core remains, and yet the harshness is lost to days the gone by.)

(Except there’s something else. Time may dull rough edges, but time is not the only force acting here. Just as sharp shards can be smoothed, smooth stones can be sharpened. 

After every winter, there comes a spring.

The thrill to kill the fleeting gill.

Always remember: the world is not kind. And if it is, it’s not very interesting to Watch.)

--

Or, in other words:

A single day/And then it’s gone

Doomed to repeat/Our will be done.

[aeide-thea]

thinking abt (1) that post abt how most censorship is preemptive self-censorship¹ (2) bras²

⸻ ¹ wow, tumblr search actually worked for once??? ² i do understand and respect that for many people bras serve an actual structural function wrt support/comfort! however, for many other people (hi!) they do not, at least in everyday non-sports contexts, and that's the set of concerns i'm speaking to here.

[lisbonsteresa]

[mudstoneabyss]

<- problems and issues haver

[95wonder]

Happy disability pride month!

If you argue that people shouldn't vote this year you should just tell me to my face that you want me to die.

  Maybe you’re young, and you think this doesn’t affect you. But, it will affect your parents, or your grandparents.   And, remember, if Republicans kill these programs, the dollars you pay in – that are/have been withheld from your paycheck – you will never get back.

[metranart]

Imagine Gojo setting a condition to his Clan for him to give them an heir. "It's HER or no one." The elders aren't happy that he chose a non-sorcerer, but they reluctantly agree... that is, if Gojo manages to convince you.

“Come here-...I’m far from done, kitten.”

God, Gojo still makes you nervous, with his mouth buried between your legs for longer than you can even imagine. Why are you still so nervous? Is it the proximity? Is it the way he leans in to make eye contact while he licks you? Is it those blue piercing eyes? Or that immensely amused smirk that twists his lips just enough so he can keep eating you out?

"Mmmmm... stop moving so much, (Y/N). We are making a mess of my desk..." he purrs, all too pleased to watch your eyes roll to the back of your skull. "That’s my good girl..." the man between your legs, praises, "my future bride to be...-"

"T-...that's still u-...under discussion, S-Satoru." Your quivering protests are sweet chords of music for him, "I already t-.... told you that I d-don't want to be part of the jujutsu world.... nor b-belong to a-.... any clan."

"Not any clan, pretty. MY clan." 

You hear him slurp greedily at your folds and feel a warm trick of saliva run down your ass, and when your mouth is about to throw another protest-... Satoru Gojo makes a vacuum on your quivering clit with that annoying mouth of his. Your thighs tense and the muscles of your stomach follow, a quake that rakes your entire form, making you a pathetic mock of a human.

Both your hands fly to cover your mouth and Satoru chuckles deep, amused rumble that cracks the rest of your self-control. Your cheeks grow in the most adorable shade of pink, and your breathing hastens.

"So CUTE~"

Satoru whimpers, dumb founded, his broad chest puffing with so much fervor, so much blinding endearment that he feels like about to explode. He can see the doubt in your beautifully contorted features, and he dips his tongue inside you, fucking you with that fat tongue to try to make you agree to his terms, to be HIS.

Dammit! You feel… amaaaaaazing. Why? It’s like a flip inside you only he can switch at will—... even so, he’s dangerous, you remember. He’s a special grade sorcerer, you remember. He’s a mystery, he’s unpredictable—he’s invincible, unreadable, impenetrable and lethal with a playful smile, and you really know absolutely nothing about him. 

Yet, he insists that you belong together. He insists on putting his child inside you, he insists that he will take care of you and his life will be yours. He insists that you belong in his world and if you're not there, he won't be there either. He insists on fucking you stupid every chance he gets, bending you over surfaces, of course! Always putting his coat or his shirt or any piece of his clothing, just so your skin never comes into contact with any unworthy surface. He insists, he insists and insists and insists...

“Fuck—” he growls, grabbing your hips, “—why are you... h-how do you manage to always have me wrapped around your little finger—?” 

“I want you, Satoru-u... but I can't-” 

He stops you with a soft but firm, squeeze to your waist. 

“Not like this,” he pants, tipping his head to slowly lick a strip down your sweet cunt, a farewell caress, the whisper of a kiss to his last effort before lunch time is over and he can try again, later. “Let me pretend just for a little longer that you said yes—"

Your gaze drops to his trembling thighs and the warmth that settles in the pit of your tummy is intensified by the clear drop of precum shining at the tip of his gloriously thick and long cock, now achingly swollen and a mouthwatering shade darker in color than the rest of him.  

“I'm yours, Satoru-” you offer in a quiet whisper and can feel him shake his head. “You aren't.... but I’ll make you change your mind. You, just watch me, kitten."

➡️ 👀 NSFW Sneak Peek artwork HERE ;)

➡️ FULL NSFW ART of this story

[tearlessrain]

please help me- i used to be pretty smart but i’m having so much trouble grasping the concept of diegetic vs non-diegetic bdsm!

gfkjldghfd okay first of all I'm sorry for the confusion, if you're not finding anything on the phrase it's because I made it up and absolutely nobody but me ever uses it, but I haven't found a better way to express what I'm trying to say so I keep using it. but now you've given me an excuse to ramble on about some shit that is only relevant to me and my deeply inefficient way of talking and by god I'm going to take it.

SO. the way diegetic and non-diegetic are normally used is to talk about music and sound design in movies/tv shows. in case you aren't familiar with that concept, here's a rundown:

diegetic sound is sound that happens within the world of the movie/show and can be acknowledged by the characters, like a song playing on the stereo during a driving scene, or sung on stage in Phantom of the Opera. it's also most other sounds that happen in a movie, like the sounds of traffic in a city scene, or a thunderclap, or a marching band passing by. or one of the three stock horse sounds they use in every movie with a horse in it even though horses don't really vocalize much in real life, but that's beside the point, the horse is supposed to be actually making that noise within the movie's world and the characters can hear it whinnying.

non-diegetic sound is any sound that doesn't exist in the world of the movie/show and can't be perceived by the characters. this includes things like laugh tracks and most soundtrack music. when Duel of Fates plays in Star Wars during the lightsaber fight for dramatic effect, that's non-diegetic. it exists to the audience, but the characters don't know their fight is being backed by sick ass music and, sadly, can't hear it.

the lines can get blurry between the two, you've probably seen the film trope where the clearly non-diegetic music in the title sequence fades out to the same music, now diegetic and playing from the character's car stereo. and then there are things like Phantom of the Opera as mentioned above, where the soundtrack is also part of the plot, but Phantom of the Opera does also have segments of non-diegetic music: the Phantom probably does not have an entire orchestra and some guy with an electric guitar hiding down in his sewer just waiting for someone to break into song, but both of those show up in the songs they sing down there.

now, on to how I apply this to bdsm in fiction.

if I'm referring to diegetic bdsm what I mean is that the bdsm is acknowledged for what it is in-world. the characters themselves are roleplaying whatever scenarios their scenes involve and are operating with knowledge of real life rules/safety practices. if there's cnc depicted, it will be apparent at some point, usually right away, that both characters actually are fully consenting and it's all just a planned scene, and you'll often see on-screen negotiation and aftercare, and elements of the story may involve the kink community wherever the characters are. Love and Leashes is a great example of this, 50 Shades and Bonding are terrible examples of this, but they all feature characters that know they're doing bdsm and are intentional about it.

if I'm talking about non-diegetic bdsm, I'm referring to a story that portrays certain kinks without the direct acknowledgement that the characters are doing bdsm. this would be something like Captive Prince, or Phantom of the Opera again, or the vast majority of bodice ripper type stories where an innocent woman is kidnapped by a pirate king or something and totally doesn't want to be ravished but then it turns out he's so cool and sexy and good at ravishing that she decides she's into it and becomes his pirate consort or whatever it is that happens at the end of those books. the characters don't know they're playing out a cnc or D/s fantasy, and in-universe it's often straight up noncon or dubcon rather than cnc at all. the thing about entirely non-diegetic bdsm is that it's almost always Problematic™ in some way if you're not willing to meet the story where it's at, but as long as you're not judging it by the standards of diegetic bdsm, it's just providing the reader the same thing that a partner in a scene would: the illusion of whatever risk or taboo floats your boat, sometimes to extremes that can't be replicated in real life due to safety, practicality, physics, the law, vampires not being real, etc. it's consensual by default because it's already pretend; the characters are vehicles for the story and not actually people who can be hurt, and the reader chose to pick up the book and is aware that nothing in it is real, so it's all good.

this difference is where people tend to get hung up in the discourse, from what I've observed. which is why I started using this phrasing, because I think it's very crucial to be able to differentiate which one you're talking about if you try to have a conversation with someone about the portrayal of bdsm in media. it would also, frankly, be useful for tagging, because sometimes when you're in the mood for non-diegetic bodice ripper shit you'd call the police over in real life, it can get really annoying to read paragraphs of negotiation and check-ins that break the illusion of the scene and so on, and the opposite can be jarring too.

it's very possible to blur these together the same way Phantom of the Opera blurs its diegetic and non-diegetic music as well. this leaves you even more open to being misunderstood by people reading in bad faith, but it can also be really fun to play with. @not-poignant writes fantastic fanfic, novels, and original serials on ao3 that pull this off really well, if you're okay with some dark shit in your fiction I would highly recommend their work. some of it does get really fucking dark in places though, just like. be advised. read the tags and all that.

but yeah, spontaneous writer plug aside, that's what I mean.