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winterhawk-olympic-bang · 4 years ago

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Let’s Get It On

How To Write Sex

Guest Poster: CB

Here is our second Writer Workshop post, written by CB. Have a read and then head over to the Discord Server where we have a channel for you to take part in a discussion based on the post, with chances to share your own ideas too.

So Your Characters Want to Bang

Welcome to my Ted Talk on How To Successfully Write Pornography! We’re going to cover a few bases here (first, second, third, and home base, to keep up with the metaphor), but feel free to reach out if you have any questions either on the Discord server or here on the Tumblr. If you take a look at my body of work you can see that a significant portion of it is explicit fic, which I’m told is a struggle for some folks. Apparently my CPU is 80% porn.exe, so I’ve got a bit of a niche. Additionally, I’ve got a medical professional background that includes a very specific nurse certification in sex-related shenanigans, so if you’ve got questions, I’ve got answers.

When I decide to write porn (or when my characters decide it for me), I have a few basic things that I keep in mind in order to make sure the story stays on track, the character arcs fit with the scenarios, and that everything doesn’t start to feel too formulaic. I’m going to share my methods and maybe you will find something that helps you out or inspires you to give writing explicit fic a try!

The Mechanics

Let’s start with the basics. Fictional pornography can start to feel, well, a little bit formulaic, especially if you read or write a lot of it. There’s a standard formula of kissing, rubbing, fingers, dicks (or other bits), everybody comes, the end! There’s nothing wrong with sticking to the basic formula, especially your first time (ha!), but here are some thoughts on how you can make sure you’re getting the specifics done and done well, and how to avoid feeling like you’ve written the sexual equivalent of an English essay.

Lubrication. It… really doesn’t matter exactly what kind of sex your characters are having, you can’t go wrong with lube. Getting things wet and slippery is half the fun and also twice the enjoyment. Sometimes characters decide to get it on in unfortunately risque locations, and lube may not be readily available - here is a nice list of MacGyvered lube solutions you may find helpful in that circumstance. That being said - if you are writing anal sex of some sort, lubrication is an absolute must have.

Preparation. Otherwise known as foreplay. Prep is and can be sexy! Everyone involved wants to have a good time, some preparation is required! I don’t just mean fingers in the butt (although that can be important too, we’re gonna get to that), but just generally building up the level of arousal over time adds to the dynamic you’re trying to create between two characters. Even if it’s fuck-or-die, sex pollen shenanigans, just talking about how hot the character feels for it is still a form of preparation/foreplay. Specifically speaking to buttsex - the amount of prep your character needs is heavily dependent on the circumstances. For your consideration - is this a first time sex situation, or does your character regularly bottom? Are they pressed for time, or is this a long, drawn-out affair? There is not (despite what fanfic writers would have you believe) a certain number of fingers that you have to insert into anyone’s anus that makes them ‘ready’ for sex. A person who regularly bottoms may not need any fingering at all, in fact, but they are still going to need lube. (See point 1.) If your character has never bottomed before, they’re going to need more time and patience than a character that does it a lot, but that doesn’t necessarily mean they need more and more and more fingers. It just means they need a partner with consideration for their comfort. And lube.

Coming. People (and thus, characters) don’t often come at exactly the same time. Frequently someone comes first. The other person may not come at all! They don’t have to! If it’s important to you, that’s fine. But it can be fun to play with the dynamics of one character coming and the other character not, because they’re caring for the first character, or because they want to wait and enjoy the burn for later, or because of whatever other reason - which brings us back to character and story dynamic. Also, playing with this particular dynamic can make your pornography feel a lot less formulaic. Character B didn’t come because they wanted to wait and savor the feeling, and maybe in a few hours or days, Character A gets to really have a good time paying them back with a truly spectacular orgasm. Maybe they just really wanted to see their partner fucked out and happy, and coming really wasn’t that important to them. Maybe they’re sex-postive ace, or maybe they take medication that makes sex and orgasms hard to achieve, but they still enjoy the intimacy. It’s up to you (and your characters!), but it’s not necessary for both people to come for the scene to be satisfying.

Penetration. Penetration is not the end-all-be-all of sex. Penetration isn’t even required for something to be considered sex. Some people never want penetration, and that’s okay. This is a good time to consider your characters’ boundaries, a good way to involve consent, and a good way to consider what kind of bedroom dynamic your characters are going to share - even or especially if it’s completely different to the dynamic they share outside the bedroom. Is penetration necessary or important to the characters, the story, or the development of the relationship? Even if you just want to write it, that’s fine, but considering your characters’ perspective and feeling will give the act more depth and nuance.

Expectations (and subverting them so that whatever you’re writing feels fresh and different). Like I said before, there’s a certain amount of ‘this is what’s going to happen’ expectation in fictional pornography. A series of steps that you can pretty much guarantee is going to get you from point A to point F in the sexual alphabet. One of the biggest ways that you can make your sex scenes feel more intimate, more character-driven, and more unique is by subverting those expectations and doing something different that fits your dynamic better or isn’t “the norm”. For example, in a recent fic I had a character fantasize about what it would be like to have the object of their affection on their hands and knees - but when it came time for the sex, said character flipped the script and climbed on top instead! Fictional pornography isn’t real, and people don’t necessarily want realism in their fiction, but adding some realistic elements (oh no, I’ve lost the lube!/it turns out I don’t like this one thing can we try another thing/a hilarious thing has just happened) can be fun and unexpected, and make the reader more invested in your story.

So You Want To Add An Explicit Scene

You’re writing a lovely enemies to friends back to enemies to lovers arc and the time has come to do the do. I’m excited for you! I’m excited for your characters! But now you want to know how do I add this to my story organically? How do you make this feel like a natural progression of the story, how do you segue from fighting Doombots to sweating it up in the sheets?

The trick, in my experience, is to build up to that moment way before you get there. You have to lay the groundwork for attraction before anyone takes off any clothes. Does Character A get distracted during the fight by staring at Character B’s biceps? Was that an absolutely beautiful sniper shot at an impossible angle and it was so good that Character A’s breath literally catches in his chest and he nearly gets hit in the face by a robot fist? Did someone else in the battle have to remind Character B to pay attention to the fight? Is it movie night and Character A doesn’t even know the plot of the film because they’ve been too busy staring at Character B’s face in the light of the television screen?

A little pining goes a long way, but you have to establish attraction before your characters can act on attraction. It feels jarring to your readers if the characters hated each other two paragraphs ago and now they’re fucking in a public space. Even if it’s hate sex, you gotta have the POV character hate how attractive they find the other character. Then you just need an inciting event - one character takes off their shirt because it’s ripped from the fight, or they bump into each other in the communal kitchen and that hot line of their bodies pressed together sparks a kiss - and then you’re off and running!

The exception to this might be an established relationship Plot What Plot fic, but even then, you’ve probably got an idea that sparks the actual sex - include that in your fic!

Help, This Is Moving Way Too Fast!

Oh no, the pacing is off! It happens to the best of us, don’t worry. You get in a hurry (just come already, oh my god!), and you push through to the end and then on re-read or in beta, you find that the whole thing just feels flat and rushed. It started off so well, and then you lost something somewhere in the middle.

The way I combat this is by focusing on how the characters feel and/or how they react to what’s happening.

Someone’s mouth is on someone else’s body - how does the POV character feel about this? If they’re the recipient, is this the hottest thing that’s ever happened to them? Are they afraid to let go and enjoy it? Are they 404 Error: Brain Not Found? Play around with it. Does the non-POV character say something unbelievably hot/romantic/sappy/hilarious? What kind of mood are you trying to set? This is a character interaction as much as dialogue is, so you’re still working with the back-and-forth of two people who are communicating, but with their bodies. (And words too, to be honest). If the scene is too rushed, slow it down with some internal dialogue, external dialogue, or something emotional (like a realization or an acknowledgement - oh no I love them/oh no I don’t hate them/they always take good care of me). If the scene is too long (to be honest this rarely happens, but it can), consider whether you’ve added too much dialogue or other extraneous interactions that have slowed your scene and taken attention away from what’s happening.

Help, It Sounds Like A Medical Exam

This is nearly always a terminology problem.

I’m not here to tell you what words you can and cannot use in your sex scenes. Everyone feels differently about acceptable terminology (though we have all laughed at dick euphemisms). And that’s not even getting into writing fics with trans characters or different gender identities. Personally, I tend to use cock/dick for penis, and I avoid specifically naming parts for vagina-havers because I’ve never found a good one that I liked that I felt flowed smoothly in my own writing. So this one is more nebulous because it’s a personal choice you’re making about what words do it for you and what words don’t. It’s also, again, about your character’s perspective. If you have a character who prefers certain terminology, that’s the terminology you use.

Here’s what I can suggest. Don’t focus as much on the parts of the body you’re writing, and focus much, much more on the sensations you’re creating. There is a mouth on your POV character’s penis - how does that feel to them? Is it: hot, tight, wet, is there something happening with the tongue, are they sucking really hard, are they going really deep? Alternatively - is the non-POV character enthusiastic? Are they into it? Is how into it they are super hot to the receiving character? Are they sloppy but determined? Beyond the physical sensation, how about emotional reactions? Has your POV character never had this before, or has no one ever treated them with such tender care? Is it the best blowjob they’ve ever received? The worst? (This can still be hot - can the POV character give them careful, precise instructions on how to do it better? Does the non-POV character find THAT extremely hot?).

Keep in mind that you’re not writing technical directions for the characters in your scene. (Unless you are, because you’ve discovered Gentle!Dom!Bucky, who is telling Praise!Kink!Clint exactly what to do.) You’re writing a scene that conveys something emotional to the reader. Is it a sexy emotion? Yes, yes it is. It might also be a sad emotion, or a happy one, or any of the range of human emotions, really, but the point is that readers probably know how the sex works mechanically, what you’re trying to do is give them feelings about it.

Speaking of Feelings

Let’s talk a little bit about motivation. Yes, even sex scenes need motivation. Not to be the prima donna actor over here, but ask yourself: Why am I writing a sex scene?

Generally speaking, well-written sex scenes are better received if they accomplish a goal. Writing a sex scene well is easier if you have this goal in mind before you ever sit down in front of your computer.

Does this scene advance the story? By this I mean: is this an emotional resolution, does it convey something about the characters’ relationship that cannot be conveyed in another venue or does it better express that aspect of their relationship, does it have meaning beyond the immediate gratification of an orgasm or add to the fic in some way?

Does this scene advance the relationship? Is it a big step for one or both characters? Are you showing vulnerability/trust/compassion/concern/etc? Is it an emotional milestone? Is it an expression of love that one of the characters can’t make with words but can demonstrate physically?

I’m going to pull some very specific examples from my own work, helpfully crowdsourced and reviewed by a trusted friend so that I can talk more clearly about what I mean.

Russian Red: if you haven’t read this one, it’s a story about Bucky wearing lipstick and then giving Clint a blow job. That’s it, that’s the fic. When I put it like that, it doesn’t sound all that exciting, really, and maybe it doesn’t even sound like something you’d like. A man wearing lipstick may not be your thing!! That’s okay! (And as an aside, people enjoy reading/writing things that they have absolutely zero interest in in real life, and that’s okay! Fantasies are weird like that, and a normal part of human sexuality, and we aren’t judging anyone for their kinks here.) But this fic employs very specifically some of the points I’ve made so far, so I want to talk a little about it, especially foreplay and emotional investment.

Bucky wearing lipstick in this fic is not about Bucky at all. It is explicitly about fulfilling a fantasy for Clint. In fact, later in the fic, Bucky has a moment of insecurity about it because he had what he thought was a great idea, and in the moment of truth it becomes a bit of screaming panic because what if the whole thing is stupid!!!! We’ve all had that moment. So readers can relate. But also - throughout the course of the fic it becomes something that Bucky also enjoys and finds sexy. So there are multiple motivators: emotional satisfaction for Bucky because he’s doing something for Clint, physical satisfaction for Clint because he is getting his fantasy fulfilled, and then the added bonus of Bucky finding the whole thing unexpectedly hot means that he is also satisfied by the encounter. I have created an emotional need that is satisfied through porn.

Emotional investment (also known as the character is putting in work). Bucky goes through a lot to make this fantasy happen. He has to tell Natasha what he’s doing for one thing, which is uncomfortable. A little bit of character discomfort makes the payoff at the end better, because your reader is invested in your character having a good outcome! It also shows that Bucky cares about Clint more than he cares about the mild discomfort/vulnerability of asking Natasha about lipstick for a mildly kinky thing he’s doing.

Foreplay - the more invested Bucky gets in doing this thing for Clint, the more he starts to find it hot and exciting, the more like foreplay it becomes, which means the payoff in the end is that much better. (Revisit the point on preparation from earlier!). There is a lot of build up from the moment Bucky puts the lipstick on (tactile sensations, memories tied to lipstick, etc.) to the moment he leaves the very first red imprint of his mouth on Clint’s skin and realizes oh shit, this is hot.

This fic is very, very close, tight third-person POV. Keeping the POV so close and tight means that your reader is very much in your POV character’s head - the reader is getting their experiences (emotional, physical, tactile senses) but they’re only able to interpret the other characters’ motivations and reactions through the lens of your POV character. It’s trickier writing, but it means the reader is more connected to the character and therefore the porn. Also, it means that the reader is much more in tune with the non-POV characters’ reactions, which means incoherent mess is just that much hotter.

Personal Security/Security Failure: So these fics are… their own claim to fame in fandom. Gentle!Dom!Bucky and Praise!Kink!Clint have sexy, sexy adventures. The first fic is their first meeting, the second one is fondly known as Circus Spanking. If you haven’t read them, that’s the basic summary, but please mind the tags if you choose to explore this series. Here we’re going to hit on consent, which is important and sexy, and vulnerability/trust.

Again it’s very close, 3rd person POV, which means you’re very much in Clint’s head when he’s a wrecked, incoherent mess. In the previous fic Bucky was watching the incoherency happen, which is very hot. In this fic the reader is experiencing the incoherency. There’s also a lot of buildup in the first fic of Clint experiencing this inexplicable attraction to Bucky, and the confusion he has that Bucky is equally attracted to him - so like foreplay, you’re building it up before they ever take their clothes off.

Consent. If you are dabbling anywhere in the kink neighborhood I cannot express to you how important it is to include explicit consent. Please get a kink sensitivity reader. Don’t surprise your audience with dubious consent - make it clear and explicit from the start, even if it’s consensual nonconsent (which is a tag, but can also be addressed early with a line like ‘this is something they’d talked about previously’). But also! Consent can be sexy! It can be fun! It doesn’t have to be a drawn out contract of hard limits and detailed diagrams (though I have seen that done and done well!). Consent can be as simple as checking in with a partner if they’ve gone quiet or seem so wrecked they can’t express themselves. Consent can be one character telling another exactly what they’re going to do to them (hot hot hot!!), asking if they’re okay with it, and then doing exactly what they said.

Vulnerability/trust. Just like with the previous fic, vulnerability adds a sense of emotional intimacy that can be super hot. If you’re writing kinky fic, vulnerability and trust go hand in hand, and show how deeply invested characters can be in each other - and that they respect and care for one another as well. One character making themselves vulnerable to another with the understanding that the other character isn’t going to take advantage of that trust can be supernova hot if you employ it correctly. The key here is making sure that the character in the position of power respects the vulnerable character’s boundaries. Security Failure in specific sets up an emotional need (increased trust) that is fulfilled physically by the porn that follows. Clint needs to trust Bucky more, and Bucky needs to know that Clint trusts him. Clint making himself super vulnerable in this fic lets both of these needs be fulfilled.

Interactions outside the bedroom compared to interactions inside the bedroom. In this fic, I chose to have these mirror each other - Bucky is in control of himself and in command of the situation in all of their interactions, so before they ever get naked you know what to expect from the dynamic. What can also be fun, however, is subverting expectations, so that how characters interact outside the bedroom is very different from how they interact inside the bedroom - so this is another time when knowing what your characters want/prefer is important motivation for your writing!

Character moments in your porn - there’s a scene in the first fic where Clint (this is all Clint POV) thinks about how much he likes performing a certain act, because it makes him feel good and useful. It’s a very short interaction but it tells you a lot about the character - it tells you he likes to be useful, that he likes to be considered good (hello praise kink!), and it tells you he has low self-esteem which makes you want to wrap him up and a blanket and tuck him in and tell him how good and useful he is, but you also want Bucky to wreck him. Your characters still have characterization, even during porn. In the second fic, we see character growth that mirrors growth within the relationship, but there’s still room to grow because Clint is still uncertain and insecure, and the fic helps advance their relationship to a new level of trust. Through porn.

Communication, communication, communication. Especially in kink fic but honestly in most porn - your characters have to communicate with each other! It can be nonverbal, but you’ve gotta make it clear to the reader.

The Big Finish

Everyone came (or maybe they didn’t), now what CB?

Oof, good question.

To be honest, endings are the hardest (ha!) part. And luckily, we’re going to have a Workshop specifically about how best to accomplish them! But as far as sexy scenes and how to wrap them up and move on, I like to use resolution of whatever need I was trying to meet, and then open the next scene with something that demonstrates a new level of intimacy/relationship dynamic/etc. if it’s part of a larger storyline, or just fade to black if it’s a one-shot.

I hate to keep beating a dead horse, but this also depends on your motivation for writing your sex scene. If you were trying to accomplish something with the story, then you need to somehow demonstrate that goal has been met - are they more comfortable around each other now, are they happier to show off their relationship to their friends, are they finally admitting they’re in a relationship? If you were trying to accomplish something with the relationship itself (which, as you can see, may go hand in hand with the story), then how can you show that? Does the one who usually leaves finally fall asleep in the other person’s arms? Is there a big flowery declaration? Does someone crymax? Does one partner tenderly clean the other partner up with a warm cloth and snuggle them into submission? The world is your oyster! Do what feels right for your characters and the journey you’re taking them on!

And don’t forget the lube.

#winterhawk #WHOB #winterhawk olympic bang #writer workshops #writer workshop: smut #guest post #kangofu-cb #cw: sex mention

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violetwolfraven · 4 years ago

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Crossover Headcanons

((I know I have requests in my inbox but I just had to get this out of my head. Also I probably won’t be posting those requests for a while because my writer’s block is only barely starting to lift, so...))

Anyway this is gonna start off from one perspective and go to more later. Enjoy. 💜

Tw: past death, nightmares

...

So this is a... spin-off? Of the reincarnation au? An alternate timeline? A variant? Whatever it is the newsies are reincarnated and remember their past.

Also somehow most of them are going to the same college here, (I’m not going to say which one because I don’t want to research colleges right now) even if they’ve got a wide range of majors.

There’s only one dorm building even if people are only allowed to share a room with someone of the same gender.

This works out well for Elmer, because he’s pretty happy to be rooming with his boyfriend, Buttons.

But then he gets up to the floor their dorm is on and almost drops the box he’s holding.

Because it’s fuckin her. His national-level math nemesis since 11th grade. They’ve only faced off twice, the first time with her team winning and the second with his winning, but they’re each the only one who can beat the other in a math competition.

Elmer can see the shock in her eyes as she recognizes him and shouts YOU and then she’s stomping over to him aggressively enough that he’s pretty sure she wants to throw down physically.

Jack (who’s also on that floor with Davey) figures that too, and steps in front of him before she gets too close, but that girl acts like she doesn’t even notice him and shouts I WAS HALF A SECOND BEHIND YOU SOLVING THAT PROBLEM!

Elmer is kinda terrified but he defensively shoots back well I still solved it first and moves around Jack because this is his math nemesis and his fight.

The girl scowls at him for a couple more seconds then just sticks out her hand to shake, and Elmer realizes that he doesn’t actually know her name beyond the surname he’s seen on the back of her mathletes jacket. She introduces herself as Cady Heron.

Elmer Kazprzak, he responds, and Cady looks like she’s trying not to laugh, but he figures that’s probably fair, with how ‘Elmer’ was a common name in 1885 but not so much in 2003.

Jack clears his throat so Elmer introduces him but forgets that this isn’t their high school so things like oh this is Jack. He’s basically my dad. are weird.

Cady definitely thinks it’s weird but she doesn’t question it. Instead she just asks where Elmer is living, and it turns out, of course, he and Buttons are right next door to her and her roommate, Karen.

(I say Cady is living with Karen because Gretchen wanted to live with Regina and rules be damned Janis is with Damien.)

Elmer isn’t completely sure he’s not going to get murdered in his sleep but he guesses if he could handle the 1899 Newsboy Strike and World War I he can handle Cady Heron.

Meanwhile Katherine is going to Harvard so Sarah is rooming with someone she’s never met and she’s a little nervous.

And in stomps a girl who declares I’m a lesbian and if you have a problem with that tell me now so I can switch dorms.

And Sarah responds with my girlfriend out at Harvard would be pretty pissed at me if I did have a problem with that.

The girl lets her guard down, explains that she comes from a small town, and says her name is Alyssa Greene.

After that little bump, they get along good. Alyssa explains that her girlfriend, Emma, registered late and couldn’t get a dorm with who she wanted.

And Sarah’s just kinda like wait Emma as in Unruly Hearts Emma? Alyssa’s just like yeah!! I’m so proud of her!!

Sarah brags a bit about how Katherine is studying to be a journalist with a specialty in queer stories and long story short they become besties and eventually Alyssa introduces Emma for real and Sarah introduces Smalls and Sniper.

Emma and Alyssa are a bit thrown by the whole nickname thing but hey whatever now they have a Lesbian Club!

They do meet up with the boys occasionally but the Lesbian Club meets on a video call with Katherine every Saturday.

Anyway Jack meets Janis in art class and initially they kinda think each other is weird because their styles are very different but then they get in an actual conversation and get along amazingly.

Jack is definitely a fan of Janis’s philosophy of when someone hurts your friends you attack and grind your foe into the ground.

Janis tells her new bestie about Cady and Damien (and Regina, Gretchen, and Karen, though she still keeps Cady and Damien closer than the former Plastics) and she’s honestly shocked by the amount of friends Jack tells her about.

She does recognize some names, though. Romeo and Damien are both theatre majors and they’ve become friends.

But anyway Jack and Janis are like. Super good friends. Art buddies. Mlm/wlw solidarity. Protective friend pals.

Janis is pretty surprised when she introduces him to Cady and they’ve already met, and apparently oh fuck your math nemesis is Jack’s Elmer???

Jack’s just going oh fuck Elmer’s math nemesis Cady is Janis’s Cady???

Also Regina met Spot and Sarah at the gym and now they meet up with a few other people every other week to throw down like their own personal fight club.

At first Regina was just angrily trying to fight with no technique, but don’t worry, Spot and Sarah teach her.

There weren’t a ton of out gays at Northshore High, so yeah the Mean Girls crew definitely gets along with the Newsies crew out of solidarity.

Janis and at least one of the Plastics but I can’t choose which one(s) join the Lesbian Club.

Meanwhile Race is super hyped to meet Emma cause like I choreographed a dance to your song wanna see???

Emma is flattered but kinda weirded out and she mentions her friend Angie who’s a dancer too and Race is just *error 404*

Cause of course he saw the news story and knows Emma knows these 4 big Broadway stars but it just. Hasn’t connected until this moment that she like has their numbers.

He tries not to freak out too much cause he knows that’s weird but Emma eventually goes do you wanna meet her? And Race goes do I wanna meet her? She’s only my IDOL!! she’s been dancing like 20 years and she’s still got it!!

Emma calls Angie partially because she likes her new dancer friend and wants to make him happy and partially because she wants to prove to Angie that people do appreciate her zazz and despite how she was just a chorus girl until a few months ago this random boy from New York has been a fan since he was 12.

Angie can’t exactly fly over at the drop of a hat but she watches some videos on YouTube of Race dancing and like holy hell this kid is good. And his friends are too but this kid right here has zazz off the charts.

When she finds out he’s an orphan she’s lowkey can I adopt him??? but then she finds out he already has an adoptive mother and it’s Medda Larkin.

Medda Larkin who did more than a few shows with Angie when they were young but left Broadway to open her own theatre.

They fell out of touch years ago but still follow each other on Instagram and stuff.

But Angie shows Barry and Dee Dee and she’s super excited like remember Medda Larkin??? THIS IS HER ADOPTIVE KID AND HE’S AMAZING

And they watch YouTube clips of Emma’s new friends in high school shows and like wtf these kids are fuckin talented why aren’t they on Broadway???

They almost tell Emma to tell her friends to drop out of college and come straight (haha not that straight) to Broadway but Trent is like wtf no education is important.

Whatever the actors aren’t that relevant.

Sarah has a nightmare about her death one night. And with the others it’s not as big of a deal because they’re all rooming with each other, but Sarah’s roommate isn’t one of them.

She thinks Alyssa is asleep so she calls Katherine crying about how scared she was, how guilty she felt to be leaving her brothers and friends and Kath without a goodbye.

And Alyssa isn’t quite awake, but she’s awake enough that she hears Sarah whisper about how everything is just so stupid complicated. I shouldn’t be afraid of dying when I’ve done it before—when we’ve all died horribly—but I still am, Kitty. I can’t stop being afraid.

Alyssa is out of it enough that she falls back asleep, but when she wakes up she knows what she heard. That her roommate thinks she had a past life and died and implied that all her friends did.

Emma notices she’s acting weird and when she asks what’s wrong she tells her.

They both know it sounds crazy, but...

Emma tentatively points out some weird things about their friends from New York.

She’s study buddies with Race and occasionally he points something out she got wrong on her history homework. Something so small and inconsequential that it would’ve been almost impossible for him to know unless he was there and remembered from experience.

Smalls and Sniper have a habit of jumping apart if they were so much as holding hands and someone walks in on them, even though they come from a mostly accepting city with an accepting friend group.

That whole group straight up skipped history class the whole week they were learning about World War I and refused to make up the work.

They bring the half-baked theory to Janis who immediately remembers all the times she’s seen Jack draw small war-torn towns in France and dirty city streets and an outdated skyline as if seen from a rooftop, all of them too detailed to be anything but directly copied from something Jack has seen before.

But the question is if they’re drawn from a reference photo or a memory.

Cady realizes, upon hearing the theory, that Elmer and Buttons never take her up on offers to come to football games because they don’t like the noise.

More specifically, she remembers the look on her nemesis/frenemy’s face when he said he didn’t like fireworks.

Aaron notices that Davey always solves math problems by hand. He never uses a calculator unless someone reminds him it’s an option. And half the time, he defaults to using his right hand with terrible handwriting even though he’s left handed. Almost like he was raised with the whole ‘left hand devil’ thing, which doesn’t make sense because he went to a public school; not a religious one.

Damien realizes that Romeo has a habit of correcting the costume department, like he knows the period clothing for Hello, Dolly! better than they do. It annoys the hell out of them because upon some research, he is always right.

Regina notes how Spot and Sarah fight like they’re fighting for their lives in a street brawl. She knows that because she started taking karate in an attempt to win fights. She noticed months ago that her friends use technique that’s barely sustainable, like they’re just trying to stay alive until they can run or backup comes.

However all this is just fun and games, a crack theory they’re all mildly creeped out by but don’t really believe, until Gretchen finds it.

An article on the Newsboy Strike of 1899.

There’s a copy of the Newsies Banner, written by Katherine Plumber, which references strike leaders Jack Kelly and David Jacobs.

But they could write that off as just a creepy coincidence if not for the photo.

It’s the one Katherine and Darcy took that first day, which is in black and white and not the greatest quality, but clearly shows a lot of familiar faces.

A later story by this Katherine Plumber documents lives of street kids with interviews from kids with the same odd nicknames as the group they know.

Regina was the most cynical about this theory and even she can’t deny it now. There’s just too much evidence.

Especially when Karen finds Crutchie’s obituary, but Regina stops her from showing it to anyone else because that’s just too creepy.

The Mean Girls crew and Alyssa and Emma are... unsure if they should confront their friends about this, because a) this is freaky and b) the newsie gang is clearly still harboring trauma due to their deaths.

Plus, as Damien points out, being gay was illegal in 1899. Do you think they want a reminder of how they had to hide their feelings for each other back then?

Emma and Alyssa share a knowing look because they know what that’s like.

In the end Karen lets it slip when she asks Davey a question about her history homework involving World War II, mistakenly believing he was there.

Davey naturally questions her about it and she spills the entire story about how Alyssa heard Sarah’s phone call and they figured everything else out from there. She even shows him the article with the 1899 photo and the Newsies Banner.

And... shit, there’s a lot of memories behind that picture. And that’s them, over a hundred years ago, when they were kids and they weren’t all the same age like this time around.

The old Davey looks so big compared to Romeo and Elmer and god was Specs tall for a 15-year-old.

Davey didn’t even meet Smalls and Sniper in this lifetime until they were 16, but in that picture they’re only 13 and they’re so small.

A sidenote on Katherine has a picture of her in a hairstyle he hasn’t seen her in since 1917.

It’s a mixture between ptsd and nostalgia and Davey can’t decide whether to freak out or be happy.

He takes the article to Jack and tells him about how Gretchen found it and their non-reincarnated friends know.

Jack’s silently cursing the fact that he really should have been more careful with what he drew around Janis, but it’s kinda a relief that they know, honestly.

He shoots a quick text to the group chat and then turns his phone on do not disturb mode while he sits Janis down for a little chat.

He doesn’t go into graphic detail, but he does tell her an abridged version of everything. How they were basically a family and all lgbt+ in the early 20th century and how they died before their time and got a second chance.

It’s more than a little freaky for Janis, but it does explain a lot.

Such as how Jack demonstrates on a dare that he can still do some parkour because once upon a time, he used it to run from the cops.

Elmer tells Cady he’s so quick at math because he used to have to calculate change quickly and later had to help Jack and Davey come up with battle plans based on numbers vs tactics and terrain.

Regina definitely trusts Spot’s combat advice a lot more now because he was essentially a gang leader as a teenager and it has literally saved his life.

Race admits to Emma that her song made him cry because... in this lifetime he might not have had to be closeted, but in his last he was constantly worried about getting arrested or worse if people found out not just about him and his boyfriend, but his friends. His family.

Emma may or may not collaborate with him after that to write a song about how much it hurts to be closeted for your own safety and how much better it feels to be free to be who you are. Race dances in the music video and many of the other newsies make appearances but it’s mainly him and Emma. Spot and Alyssa cry when they see it. Damien does, too.

Who am I kidding everyone cries.

They get like 4 million hits on YouTube and it’s amazing.

The title is probably In the Light or something.

Also Cady, Aaron, Kevin, and Elmer form their own college level mathletes team and no one can beat them.

(Kevin’s not as close with the main group literally only because I don’t know that much about him as a character.)

(Also Stacy, Kailey, and whatever their boyfriends’ names are might be there somewhere but I don’t know them either.)

Katherine does get to meet the new kids in person eventually. And also I didn’t mention this earlier but Specs goes to Harvard too and he comes to visit too.

The power when the Lesbian Club finally gets to meet all in person? Unparalleled.

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xkattzu · 7 years ago

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After patrolling the mountains for a couple decades, she’s been seeing the same Ruby ship visiting often. And now… There it was again. They never stayed long when they came, with the longest time being 20 minutes of just looking around. But instead of just watching them with Eridius’ Sniper Mode, Eridium finally decided to investigate, he got closer to see that there were now 6 Rubies instead of 5, with the last time of them visiting being 3 years ago she wasn’t very surprised. She then realised what these Rubies being here allows him to do, this was an opportunity that she missed out on for too long. Maybe if her limb enhancers could analyze the ship she can figure out important information regarding Homeworld or the Diamonds, or Better yet an upgrade for at least one of her limb enhancements. She got even closer, hiding behind the ship. She thought she was in the clear until a Ruby with a chest gem stepped behind the ship for a reason Eridium didn’t know of, they just looked at each-other very awkwardly, Eridium looking behind herself every so often. “Okay, this isn’t the time to be nervous, say something.” Eridium thought “W-What are you Rubies doing on this planet?” instead of speaking, the Ruby just pointed to the direction of the other Rubies. “Answer me” she reacted. The Ruby got really intimidated and started walking back slowly. “Are you defective or something? Speak to me right now.” Eridium said slowly approaching her and trying to keep a quiet voice. The Ruby then ran full speed over to the other Rubies and pointed toward the mysterious beings location, but instead of continuing hiding she just showed himself. “Er, um. Tell me… Why you Rubies are on this planet?” The Ruby with a Navy Gem just said sarcastically enthusiastic “What'cha ya talkin’ about, mister human?�� Eridium couldn’t help but tell that the gem was nervous during that sentence. “I am no Human, I am an Eridium. If you do not want to give me answers I will resort to violence.” Instead the Rubies got into their fusion pose. “Tch. Of course.” Eridium thought. The Rubies just rushed her without thinking and tried to slam her into the ground, but Eridium dodged with little to no effort. Instead of wasting her time he grabbed the Rubies leg and amped her pressure to HIGH with her limb enhancers, her grip was so tight she felt like it was gonna rip the light outta her, he then slammed her onto the ground, hopped onto their chest almost crushing them with her legs’ heavy limb enhancements, and pulled the chest gem out, poofing that Ruby and making them all defuse. “Don’t let them take her!!” An eyeball Ruby exclaimed. The smoke from poofing the Ruby was still lingering strong, she drew Eridius, tossed the Ruby gem she was holding as high as she could, and switched Eridius into Sword Form, to her surprise that eyeball Ruby rushed her with a knife weapon and almost hit her gem, the Ruby unfortunately lost balance, and after that Eridium made easy work of her with just a crushing stab. And soon she had subdued all the other Rubies with small effort. The Ruby she tossed up fell back down right into her metal palm. She of course then walked her way out of the smoke and towards the ship. She put the Ruby down behind her and started analyzing the ship with her trusty limb enhancer. WANDERING EYE INFO: MOSTLY CONTROLLED BY RUBIES: A LOW CLASS GEM TYPE. “Okay, whatever.” she sighed to herself, skipping through the basics. WANDERING EYE SPECIAL INFO: THIS SHIP ALLOWS YOU TO CHANGE APPEA- *next* THIS SHIP IS ABLE TO BEND REALITY AT WILL THROUGH CONTROLS. “Interesting… Where is this part located?” WANDERING EYE Error 404, data not found. “Oh well…” she got Eridius back out in Sword Form and started cutting through the gimmicky red colors, leading to the parts. She then spent an hour or so picking the ship apart with Eridius, until she finally found something worth her attention: A glowing blue Ruby gemstone structure, “Oh…?” it was glitching and fidgeting about like it was an actual cracked gem even though it was intact. “Analyze this.” CORE “EYE” . .-. .-. — .-. / ….- —– ….- –..– / .-. . –.- ..- . … - . -.. / -.. .- - .- / -. — - / ..-. — ..- -. -.. .-.-.- “Could this be it…? Hopefully it won’t fry my limb enhancement…” He then started inspecting it closer. She kept at this for 2 hours, until the Ruby she left finally reformed. It was looking around panicking, the Ruby then saw the same Gem and the broken down Wandering Eye, and of course their Core. Her eyes widened, the mysterious Gem knew she was there now. “Oh… Hey you, is this what I need?…The thing that can bend reality…?” The Ruby didn’t know what she meant by ‘what she needed’ but she did shake her head yes to the fact that it can bend reality. “I suppose you aren’t too useless…” Eridium then proceeded removing her Cat-Like Mask, "You know why I didn’t eliminate you right?” It then shook its head no. “Well from now on you will be serving me. Whether you like it or not…” she said smirking, “Don’t worry… With this Core I should be unstoppable! You should be glad to be under my protection.” laughing a little. The Ruby shook her head yes again.

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