#so he sort of coparents with both of them for how often he has to bail them out LMAO they don't know ANYTHING to start with

[demonslayedher]

What if nezuko and tanjiro were raised by Obanai and Mitsuri?

Whoa, I have never considered this. Let's assume an altered timeline, so, say, itty-bitty Tanjiro hid with almost-walking Nezuko in a closet when a demon killed their parents. Mitsuri and Obanai, who like one another and have sort of figured that out by they are awkward about where to take it from there (since Mitsuri doesn't want to make the first move but can't figure out why Obanai won't), arrive on the scene, and Kaburamaru finds the hiding children.

Mitsuri is instantly attached and wants very badly to make it up to these orphaned children whom she failed. Obanai is trying to tell her why that idea is irresponsible, but Kaburamaru has already become fiercely attached to the terrified children who find comfort in the cuddly snake. It's not as if Obanai can't relate to that, so he gives in, on the caveat that they will take care of them only until they can hand them off to someone more qualified.

They're first thought is Shinobu, but she already has her hands full. They ask the Kakushi, but the Kakushi insist that this is out of their skill set. They think of asking Ubuyashiki but don't want to bother him by setting a precedent. No luck at Wisteria Houses they come across, who are already doing all they can. Wishing to find someone with experience to adopt them, Obanai makes a desperate visit to Shinjuro, who yells at him to take responsibility and get what was coming to him by so idealistically becoming a swordsman. He announces to Mitsuri (who is already very attached) that they'll see their responsibility through.

Since the Kamado children stay at the Kanroji estate most of the time, this is what gets Obanai to finally meet her family, which pressures them more into considering the state of their relationship, especially they Obanai spends time with the children out of a sense of responsibility and Mitsuri, once the decision to keep them was made, wants to spend as much free time with them as possible. Being in a coparent relationship also forces them to confront Obanai's issues.

Both toddlers take to Mitsuri readily, and they like Obanai too, but they both (especially Tanjiro, who can talk better) are sensitive to him being sad. Obanai is nice and tries to be child-appropriate but answers very plainly and honestly when Tanjiro asks why he's sad, thinking that this is out of respect for a child's intellect. Poor Tanjiro wants to help but is often confused. Obanai is a little annoyed how buddy-buddy Tanjiro and Kaburamaru are but he allows it. As Tanjiro grows up and the snake gets older, Kaburamaru spends less and less time in battle with Obanai. Tanjiro is a dutiful son whom Obanai figures pucked up a lot of traits from being raised by Mitsuri, but he reminds Tanjiro to always be grateful to his original family who loved and protected him too. This makes him supportive (albeit concerned for his safety) when Tanjiro says he wants to fight demons too. Tanjiro eventually picks up Snake Breathing, though Obanai points out that he's not totally suited for it. (If it weren't for how annoying he finds Giyuu, he would suggest Tanjiro try Water Breathing.)

Mitsuri is less supportive because she worries about Tanjiro's safety. He is her wonderful son whom she loves very much, after all. But if he's sure he can accept the risks, she allows him to try.

Nezuko has grown up babied by her unckes and aunts and does not know the responsibility of being an older sister. She always wants to be just like her mom (but Obanai sternly put a stop her dressing up like mom, which made little Nezuko cry because she didn't understand why he was angry). She wears fancy kimono and makes sweets and wears long braids and goes to school, and is a dutiful and sweet daughter as she grows up. Despite having riches, this does seem to go to her head, and she still practices humilty and thrift, which really endears her to Obanai. He originally was a bit more standoffish from Nezuko, but Nezuko feels secure in his care for her even if it's nothing like the open, loving, huggy relationship she has with her adoptive mother. When Tanjiro picks up the sword, she insists on learning too, but Tanjiro and Mitsuri don't want this. Obanai lets her give it a shot, but she's too fiery for Snake Breath, and not physically capable of Love Breath, despite how much she has always done her best to imitate mom.

So Nezuko finally does something a spoiled brat would do and she runs away to ask Uncle Kyojuro for Flame Breath training. This causes a brief argument between Hashira but it is soon settled, and Tanjiro sort of wishes he had thought of that before getting so deep into making Snake Breath work for him. Tanjiro & Kaburamaru and Nezuko eventually go through the Final Selection together and begin a sibling journey to avenge their birth parents, with their adoptive parents giving them their blessing and watching over them from afar.

And then, having seem that through, Obanai is finally ready to get married.

[archetypal-archivist]

A Kinder World AU- Part 3

Philza, Missa, and Chayanne’s House

masterlist

Philza is a war veteran battling depression and recovering from the traumatic losses he suffered during the war and the years after. When he was at his lowest, he was approached by Missa, who had fallen in love with him at first sight and wanted Phil to live with him in Quesadilla. Not having anything else worth doing, Philza agreed and he now coparents Missa’s ward, Chayanne. Neither Phil or Missa are properly employed but between Phil’s veteran compensation and their shared love of treasure hunting, they make more than enough to pay the bills. Chayanne’s parents are both inflicted with horrible wanderlust, which makes it difficult for both of them to stay at home for long periods. To make it work, they trade off, with one going away for weeks at a time to travel and explore while the other takes care of Chayanne. Upon realizing that his estranged father had moved to Quesadilla, Wilbur often leaves Tallulah with the family while he goes away on business- a love for travel truly runs strong in Philza’s line.

1) As a veteran, Phil struggles with claustrophobia and paranoia. To help with this, the house has multiple entrances built into it, as well as many windows so Phil can always see the sky. The ladder dropping down into the sea leads to Chayanne’s bedroom and it’s the most defensible position in the house on Philza’s insistence. The room itself is a nook full of blankets, pillows, and Chayanne’s favorite things, all bundled together in a sort of nest. Chayanne loves his living space, especially the ladder as he likes to hang from the rungs and drop into the water below. It’s a good way to wake up, although Missa and Philza always have to force him into the tub to wash away the sea salt afterwards.

2) Chayanne keeps a garden of edible plants on the small patio outside their front door and he takes excellent care of them. Missa is supportive but clueless, but Philza’s (secondhand) knowledge of green and growing things is top notch so he often helps his kid out in the mornings before school starts. Both Missa and Philza are good cooks and fresh vegetables picked straight from the garden are common ingredient in the meals they make. They have yet to figure out how to grow potatoes given their limited growing space, but Chayanne is determined to have whole pots of his favorite food growing by next year.

3) The front door leads right into a “shared central living space” although functionally it’s more of a bedroom for whichever parent is home at the time. Neither Philza nor Missa have a formal bed, instead choosing to either sleep together in Chayanne’s room when both of them are home, or in this central space if only one of them is present. No one in this family is any good at cleaning, although they all give it their best effort, so this space is in a perpetual state of chaos, and honestly they kind of like it that way. Full of Missa’s treasures and Philza’s collections, it has so many markers of life that it can’t help but feel like home. It’s just a tripping hazard for anyone else who comes in, is all.

4) Missa and Philza both have a love for shiny things and keep collections of things they find on their travels in the attic. Missa prefers sheet music and fancy guitar picks, as he loves to sing and play guitar for Chayanne and Philza whenever he gets the chance. Philza, on the other hand, tends to keep mementos that remind him of his deceased friends and family, as well as notable events in his past. In addition to a jewelry box full of fancy hair ornaments and earrings, he also keeps a selection of antique guns and bullets. Very few of these are still in working order but he does still have his sig sauer from his time in the armed forces in a box somewhere, as well as two live rounds that Missa gave him when he first found out what his partner liked to collect. It is also within this selfsame attic that the parents’ most precious items are kept when not in use.

5) Missa knows Philza doesn’t love him romantically and likely never will. People like them, they tend to fall in love once in a lifetime and stay loyal to that person unto death and beyond- and Philza’s wife (Wilbur’s mother) had already passed by the time he encountered the man. This doesn’t bother Missa any, he loves Philza with his whole heart and love is about giving, not about expecting anything back. And he knows Phil cares for him in his own way- when he helped the man build a small permanent ofrenda for those missing from Philza’s life in the empty room above the kitchen, Philza choosing to immediately introduce Missa as his partner to the portraits is something that lives in his head rent free to this day.

6) Raised high on sturdy metal struts, Phil and Missa’s house almost seems to hover in the air, flying above the waves. Paid off in a fine collection of buried treasure and shipwreck salvage, Vegetta used his best designs and Fit’s hard work to allow for this seemingly impossible home to remain strong in the toughest of gales. Indeed, there’s nothing Chayanne and Philza love more than sitting in the ofrenda room and feeling the tower gently sway in the wind as the storm batters down on their home, the rain on the roof a drumming counterpoint to recordings of Missa’s guitar. The adrenaline rush and sense of safety gained when nothing bad actually happens are rather therapeutic, too.

7) Everyone in the family adores heights so weekly movie nights on the rooftop are a must. Philza will bring out his busted up laptop or Missa will pull out his phone and its infinite data plan and the parent in question will plop Chayanne on their lap, drape a blanket over their shoulders, and watch crappy comedies or bloody horror movies until the moon is high overhead. When Missa or Philza come home from a trip, they always show up perched atop the roof and wait until the rest of the family notices them rather than entering through the front door like a normie human. And yes, this does sometimes alarm the neighbors.

[mermaidsirennikita]

ARC REVIEW: Played by Naima Simone

4/5. 9/3/24.

Vibes: widower hero, hockey romance, "it's just a warm body", love after loss

Heat Index: 7/10

Still grieving the loss of her professional and personal partner, firefighter Adina can't resist opening the journal she finds after a fire at a hockey facility. The journal details the kind of loss she understands deeply--but when she brings it back to the owner, widower and star player Solomon, he's furious that she got a glimpse at his innermost feelings. But as he realizes that Adina understands where he's coming from better than anyone else, enmity gives way to bonding, which gives way to a fierce physical attraction... The question is, can either one risk falling in love again?

Oof. Played is a unique take on the hockey romance subgenre (and not only because Solomon is the only Black hockey hero I've read thus far, and the book doesn't shy away from how white the sport is). While the hockey is a part of it, the firefighting is no less so. It's about two people who genuinely love their jobs, but have also let themselves lose who they are in it because they can't face the reality of their new lives. It's about falling in love out of understanding and pretending that it's just physical. And it's about the inevitable messiness that comes with falling for someone after losing another.

This makes it sound super heavy--and I wouldn't say it totally is? Like, there's definitely some heavy stuff here, but overall the book is fun and sexy and dramatic. It just also takes the time to think deeply about its plot, and I appreciate that quite a bit.

Quick Takes:

--The thing I really enjoy about this book is that Adina and Solomon actually get each other from the jump, arguably before they even meet. However, they--especially Solomon--really fight that, which kind of makes it easier to pass it off as something physical. They don't act on the physical too quickly (though I wouldn't call this a slow burn either) but there's this conscious effort by both of them to sort of focus on that because the other option is... what? Being in love? Perish the thought!

--This is a single parent romance! Solomon is not only a widower, but the father of a young son. I'm very vocal about my iffiness re: kids in romance novels, but this one was done well in my opinion. First off, he actually reads like a child. Second, he's definitely a big part of Solomon's life, but a part of what the novel confronts is that Solomon has been leaning on his in-laws as coparents since his wife died (which is a super real thing, right?). This not only provides us with good plot and character stuff... it also ensures that we don't have too much of the kid on the page. I know, I'm mercenary, but it's smart writing!

Still, Solomon being this really loving but imperfect father so worked for me (and Adina). I loved the way he was presented as totally affectionate and vocally loving towards his son. So many books focus on like, this daddy's girl thing with single father heroes, and... I don't know. We need more depictions of fathers who kiss and cuddle and dote on their little boys, right?

--This novel actually tackles some hard stuff alongside the romance I'll give readers a heads up and say that while it doesn't venture into sexual assault territory, Adina does have to deal with some pretty serious sexual harassment at work. At points, I did think there was a LOT packed in here, but one thing I did appreciate was that there wasn't this pretty "tied with a bow" resolution to everything. There are some very human issues confronted here, and the resolutions felt like... very humanly in progress.

That said, I did kind of feel like the ending was a bit rushed (and I have my quibble with one aspect) and some trimming of those other aspects might have left us with more time for a smoother resolution.

--One of the things I appreciate about this book is how honest it is about falling in love after losing someone. Often, I think romance can be rather cruel to the dead spouse, as it were, and diminishes the relationship... which cheapens the central romance to me. Here, you see exactly how much both Solomon and Adina loved their lost partners. They didn't get to choose to end the relationships. They were cut off. Who knows what would have happened if their partners had lived, but that's the reality we're living with, right? And it doesn't lessen their love for their new partners at all.

The Sex:

Ooooh, it's good. There aren't too many full-length sex scenes in the novel, but those that you do get are very long, preceded by a lot of tension, and INTENSE. Solomon is super growly and aggressive, and Adina kind of gets to let her own naturally dominant side take a bit of a backseat when he's tossing her around. We love to see it.

Approaching tough topics with grace, Played is a hot, emotional book that remains a good time throughout, even when it gets deep. (And the book isn't the only one that gets deep heeeeey--.) Definitely a "hockey romance for people who don't like hockey romances... and also those that do" kind of novel.

Thanks to NetGalley and Montlake for providing me with a copy of this book. All thoughts and opinions are my own.

[this-daydream-is-dangerous-13]

First of all, I can't thank you enough for all the work you have put out on Haylor. Also, I was relieved to see your analogy of TK and agree with it. My question to you is do you think that Blondie knows that she's hurting Harry by getting with someone else so quickly? I never imagined that she would do this after the fiasco with MH. I'm also afraid that she's looking for an excuse to not make a commitment to Harry.

TYSM for your kind words, Anon. It is a lot of fun to have somewhere to outline all these thoughts and discuss them because I don’t have IRL, local friends who want to discuss Haylor with me. It’s been a joy interacting with you all here.

On to your questions: I think Blondie is the queen of compartmentalization and keeping her shit held close to her chest. If she lets herself think about it, she would for sure realize her choices hurt H. I just don’t think she is letting herself think about that right now.

In my social media avoidance, I am listening to the audiobook of Jennette McCurdy’s harrowing “I’m Glad My Mom Died”. One particular passage jumped out at me earlier today:

- while her Mom was in hospice and dying, McCurdy broke up with her the guy she’d been seeing. Looking back, she admitted that it was so much easier to just pursue the heady, infatuation stages of relationships and run away when things started to get serious because that required honesty and compromise and vulnerability and hard work. And I thought: bingo!

For weeks, I have been saying TK is uncomplicated. We know that Blondie sure loves the “delicate beginning rush” (and H adores that delicate point of view) because it’s FUN! And carefree! And all the discussions about “how do we merge lives? Deal with communication issues? Etc.” are all well in the future.

The May MH fiasco was a reunion of sorts, and I bet early on Blondie was like “and thaasaaaat’s why it didn’t work out last time. Shit.” I speak from personal experience when I say that reunions are initially amazing, but very quickly force some hard conversations about all the things that led to the breakdown in the first place. And that is scary and hard. And doable, sure, but complicated.

Story time: when we were 17 and 19, I fell deeply in love with my best male friend. We dated for a couple years but broke up because we needed to grow up and figure our shit out. The in between times were messy (and included me drunkenly enacting the song Question….? when he dated someone I hated despite me having a different LT boyfriend). We reunited at 22 and 24, and it was amazing at first and then quickly became fraught. We legit had a discussion where we agreed: “our options are (a) this goes the distance or (b) we cannot speak again” because we couldn’t just be friends anymore. We figured out shit out and are happily (and beautifully imperfectly) married, but it took and takes work. It is absolutely worth it but it is hard! And it really could have gone either way.

So the prospect an actual, official public reunion—knowing that they’ve publicly cultivated the “peaceful friendship” Tree told us all about after the Grammys—is scary and risky. It might be too much for them ever to contemplate, even if they want to be together otherwise. And Blondie has been through what many people (me included) would consider a divorce. Hell, same with HS and the OW coparenting stuff. They’ve both been vulnerable then badly burned in the recent past.

So I think Blondie continues to run (which @womanexile tells me is often what one TF does). And new relationships have no baggage, at least at first. So here we are.

What do you think, besties?

[wellfine]

A little AU that wouldn’t leave my brain

Follow-up tweets from Twitter:

NOT CLICKBAIT! These two dads HATE each other but their daughters are besties at pre-school 👋😔 They absolutely get into pissing contests over milestones, the latest/best baby gear, Whose Kid Is Cutest, etc. But they also actually help each other out a lot where they struggle.

Sanji is really good at the technical aspects, like schedules, appointments, NUTRITION (obv), education, etc. But he panics a lot with social/emotional aspects, which Zoro just rolls with. Also he has a lot of "x is for boys y is for girls-" that Zoro beats out of him w/ a broom

[prettyboykatsuki]

fang do you maybe...ahaha...wanna talk more about divorce and geto...

there are like 3 asks in my inbox about this concept im kind of surprised but ofc i can elaborate.

cw ;; you and getou have daughters, a bit angsty, not rlly smutty LMAO sorry guys just wasn't what i had in mind, 18+

i think you and getou probably have a bit of a toxic relationship. not in the sense that it's like super actively harmful or aggressive, but i think getou's kinda nonchalant attitude becomes really, really damaging for your self-esteem after you get married. it was fine when you were younger, because you were less busy and you didn't need as much reassurance on the romantic aspect. relationships are work afterall.

but now you both have kids and while getou does his share, while you're still married - he doesn't seem to really respect you or your effort. he's not incompetent though, he's actually a very good dad to your two little girls and a otherwise a very responsible person. does the dishes and chores, helps with important things.

for a long time, you don't really want to get a divorce because you didn't think it's anything to be upset over. it's only after shoko very helpfully points out that he's simply doing what he has to do and that most men are just kind of terrible. and it dawns on you that she's right. you're grateful getou is a good dad and even better a good roomate, but that doesn't mean you have to stay in your relationship.

because while you're married, he doesn't seem like he's paying much attention. so you think on it for a while, and then ask for an amicably divorce and to coparent to the best of your ability. of course it hurts, but you think it'd be best. that helps you swallow the pain.

when you bring it up, you're kind of expecting him to be completely fine with it. you've been thinking about it forever now. getou doesn't show any signs of romantic affection for you, and that stuff is pretty common. you're better off friends than lovers. you can't really remember the last time you had sex or even kissed in a very intimate way and when you tried before it tended to be brushed off.

but when you do bring up the divorce... he looks sad? and that's confusing for you. he looks almost angry, and is silent for a long time. it's very unusual. because getou is so.. non chalant all the time. he was so bored, he always looks bored.

"is this what you want?"

"...yes? we'd still coparent and have equal custody, you're a good dad. but i mean, there's nothing between us right? it's okay to say you don't love me anymore,"

and he grits his teeth and sort of looks away

"right. right, that's how it is. okay. we should talk more in the morning,"

it's weird. he's weird for the weeks leading up to when it's finalized. you can't wrap your head around his reasoning at all. it's not like you feel no guilt, but you think staying together for your kids when the two of you are so unhappy isn't gonna be worth it regardless. they're not clueless either and you were careful to explain that it wasn't their fault. that you were still good friends with their dad.

and you can raise happy kids while not being together. it's all stuff you thought about plenty before bringing it up, because you don't just have you to worry about. you had considered everything. except for getous strange reaction to your suggestion. his dejected, angry expression. how he all of a sudden kissed your forehead at breakfast and look at you for the next few weeks.

when the divorce was finalized a few months later, you moved close by so that your kids wouldn't have to haul their stuff back and forth. and other than the obvious - you still saw them often and spent time as a family where you could

getou was odd. he was touchier. he seemed to cling to more when he hadn't before. you didn't really push him away, but you didn't embrace him either. it was so offputting, you just didn't think about it until you saw him - and each time he'd so eagerly hold onto you like it was natural and normal.

at first, you thought he was doing it for your daughters. you figured maybe they would feel more at ease. but he didn't do around them, he only did around you.

and one night, he shows up at your place. the both of you needed a break, so the kids were with friends. you were drinking wine and watching some movie and the doorbell rings.

there you find getou, who seems a little tipsy. he reminds you a little of when you were dating in college, bac when he would show up to your dorms and drunkenly take up space in your bed.

it makes you a little nostalgic, so many years later, to see him like that. he has more lines on his face, more handsome. his hair is still long though.

"hey,"

"...hey. what are you doing here?"

he reaches his hand out, cupping your cheek. they're still big, still warm. familiar. he rubs his thumb along your cheek.

"just wanted to see you,"

you scoff a little, but don't push him away.

"you saw me yesterday when you were dropping the girls off,"

he laughs a little.

"i know, i know. but i wanted to see you. just you,"

"you know, you've been acting real weird since this all started,"

he gets a little close to you, and you feel your heart in your throat. the tv light makes shadows on his face. he looks blue.

"have i? how so?"

"you act like you still have feelings for me," you scoff, hands on his chest but still not pushing him "if you just wanna hookup, there are plenty of-"

"that's not why im here, though." he smiles at you "not that that'd be bad either,"

"then why? why do you keep acting like this,"

"i miss you. i want you back. im sorry. what else would it be?"

he leans in to kiss you and you don't refuse him. he does it the way you like, like he knows your body completely. it's warm, and soft, just right. perfect. you cling to the front of his shirt, and he hums.

"you're too late for that," you say. he shakes his head, pressing his lips to your forehead "you couldn't have done this before?"

"i didn't realize. im sorry, swear. i can make it up to you," his throat is hoarse. he makes you wanna believe him "let me in. ill show you. i still want you,"

you frown.

"i thought you weren't here for a hookup," you huff. he laughs.

"what better way is there for me to show you?"

you let him in against your better judgement.

[tirednerd2012]

My Jonathan headcanon is that he is the type to physically hide when he has to let out a good cry. It kind of stems from that scene in season one where he’s locked himself in his room. Or in season one where he literally says “no” to Joyce when she asks him about how he is feeling. Maybe the No wasn’t for Joyce but for himself to not breakdown. It also stems from the fact that a lot of the time when he’s crying or close to it he like hides his face with hugs. But I imagine he’s hidden all sorts of places. Like bathrooms and closets and what have you. It would of course connect to Lonnie since like “men don’t cry”. I think it would be a habit he’d want to break but unconsciously does. I’d love to see like the twins or Joyce or both kind of help him through that you know? (Hoping you feel better ❤️‍🩹)

Jonathan not being able to cry in front of anyone because Lonnie's convinced him real men don't cry and while he would stand up for Will and tell him that his emotions are okay to have, he can't do the same for himself. And then after their dad leaves, he takes a major role in supporting his family. He's emotional support for his mom and starts taking care of more things around the house and becomes a coparent to Will at such a young age. He pushes all of his emotions to the side to focus on his family and only cries when they're not around. He won't cry in front of Joyce because he doesn't want to worry her. He won't cry in front of Will because he doesn't want to upset Will or taint the image Will has of him. He locks himself up or just hides. He's good at hiding, too. But he makes it less noticeable.

He tries to do better for Will and because he pushes his emotions to the side and that effects his relationship with Nancy, but he still does it because he doesn't consider himself important enough to get everyone worried about him.

El hears Jonathan crying and immediately gets Will. She doesn't know what's wrong, but she's never heard Jonathan cry before and doesn't want to go in alone. And Will gets concerned instantly because his brother has only cried in front of him once and that's when he woke up in the hospital, and those were more so tears of relief and happiness as Will called out to him. But Jonathan's upset and Will runs into his bedroom. He doesn't find Jonathan on his bed, but rather hidden on the floor beside his bed close to the window. And Will gets over to him because "oh my God, Jonathan, are you hurt?" but then he sees his brother's actually in the middle of a full blown meltdown and he keeps hiding his face and asking his siblings to leave.

El asks why they would leave when he's so upset and Jonathan says he doesn't want them to see him like this. And Will tells him to stop hiding as he just pulls Jonathan into a hug. He wraps his arms around Jonathan in the same way Jonathan used to when he was having a meltdown, doing his best to make sure the brother felt secure and safe. He whispers "you don't have to hide from me either, Jonathan" and that's when he breaks down, returning the hug and then accepting El in the embrace while they both hold him. El is the one to wipe his tears while Will keeps the strong hug to keep him grounded.

After he calms down, they all stay on the floor for about an hour. None of them really talk, but El keeps squeezing Jonathan's hand reassuringly every so often and Will leans against his brother. Jonathan promises them he's okay, he just gets overwhelmed sometimes and he just needs a good cry, so he locks himself up to do it. El is confused because Jonathan is always someone the twins can turn to when they're upset. He'll do any and everything to make them smile again, so why would he lock himself away? Meanwhile Will knows a lot of this stems from Lonnie and he just takes Jonathan's hand and reminds him that Lonnie can't hurt them anymore. And if he was wrong about Will, he was wrong about Jonathan, and deep down, Jonathan knows that, but it's still hard. And Jonathan doesn't have to see Will as the same 9-year-old he gave up his childhood to raise, he was getting older, they could share those burdens. Will asks Jonathan to let him be there for him the way his big brother has been there his entire life.

The Byers-Hopper siblings start doing mental health check ins with one another at least once a week.

[a-small-batch-of-dragons]

*Cackling* Now rank your ot3's!

*long sigh*

SECTION 1:

Yes, there are sections, this is a list of 20 things. I like to be organized. These ones I seek out. I like them. I actively enjoy them on purpose.

1. Roloceit: My BOYS. Are these my 3 favorites? perhaps. You can't prove anything (you sure can, just look at my goddamn Ao3). Something about the dynamics here is just...so good for me? The combination of fluff/angst/multi-talented braincells is wonderful. I need these three to watch a documentary and tear it to absolute pieces. Also they would be so good at...actually having methods of supporting each other??? I love them.

2. Analogince: in the same vein, the SNARK. THE SASS. THE GROUPCHAT THAT WE ALL KNOW EXISTS THAT IS SOO OVERLOADED WITH SALT THAT IT'S A DEHYDRATION RISK. Also healthy communication??? supportive signifs??? good shit

3. Anxcietmus: The Dark Sides™. Again, I think these three just get each other. That means great fluff and great angst possibilities ABOUND and especially when it comes to being a menace in the rest of the mindscape. Yes. Good. Have fun.

4. Intruloceit: Someone please make this nerd take a fucking break for once. The chaos of leading what you THINK is a stuck-up buttoned-up nerd only to feel such an odd mixture of pride and mortal terror at discovering a TRUE mad scientist. Yes. Logan deserves to go ape-shit. Let him.

5. Analoceit: Did someone ask for some amused gay judgement? You got the whole scale here, Distinguished, Functional, and Disaster. They don't need the group chat because they can do it with just a look. Perfect. Wonderful.

6. Intruloxiety: slightly less snark, which is why it's ranked lower, but I don't think it would be any less supportive. Between the three of them I think they'd have a conversation about boundaries right up front and constantly be checking in with each other. Which is good!! Please do this!!

7. Loroyality (am i making up some of these names as I go? yes): The Light Sides™! The reason this is ranked lower is because I think they've got some in-canon struggles that would take some time and effort (from errybody) to sort out before I would consider this relationship healthy, but after that? Forget it. We vomiting sushine and rainbows and our teeth hurt from how sweet they are. I have faith in them.

8. Royaliceit: *sniff sniff* did someone say ANGST??? This is the only one I put up here that I mainly look for to get angst because BOY HOWDY. Especially post-POF? Roman you poor thing why do I project so strongly onto you, my god. This is a MESS and they need to do WORK to FIX IT but it's all about the misunderstanding and the healing and oh my god please someone tell Roman his worth is not based on how well his work is received please. Also if you're like me and you subscribe to the headcanon that the last time Patton and Janus agreed on something it was to stay in the closet as long as possible...*choo choo bitches angst town here we come*

SECTION 2:

These ones I don't actively seek out but you know?? For a headcanon post? They seem pretty chill. Haven't devoted a lot of brainpower to 'em, just think they're neat.

9. Moloceit (my keyboard is so confused you guys): Now THIS. THIS is the obnoxious trio of philosophy majors that ALWAYS hog the good library table. Someone will say ONE GODDAMN thing and they'll be talking about ontology and subjectivity for hours. It's impossible to tell whether or not they're being serious when they do it. As a most-definitely-not-a-philosophy-student, no. I mean, yes but no.

10. Anaroceit: you know those fucking divas that strut into the mall like they own the goddamn place? These bastards. They are the Heathers (except actually decent people) and you will not get between them and their purchases. If you come after one of them the other will overprotective the fuck out of them and rip you to shreds. You might be worried sometimes that they're hurting each other but they do actually talk about their boundaries. solid 7/10.

11. Analogicality: (whoa, we're halfway there...): These three just seem like they'd be super domestic. Not that it wouldn't also be adorable, but just kinda...routine? Virgil doesn't like new shit, Logan likes a schedule, and Patton enjoys doing things together in 'traditions.' Some spice but they're all fairly level-headed so...the most they get is screaming out songs with the windows down (WHOA LIVIN' ON A PRAYER)

12: Intrulogicality: You know those scenarios where you got Person A who runs headlong into crazy bullshit, Person B who likes to pretend they're not as into the crazy bullshit as Person A but is, and Person C who gets dragged into shit? There you go.

13: Anxmoceit: I think once they all sat down and had a conversation they might actually be decent??? But I can't stop seeing Patton and Janus coparenting Virgil so it stays platonic in my head. (listen i don't kinkshame but i am aroace, that does limit me a bit when it comes to this bag of nonsense)

14. Intrumoceit: Again, LONG conversation, but it's better to have one crazy dumbass whom you both love but please stop giving up heart attacks every two seconds bb we can't deal with these palpitations. I think this would require SO much work on Patton's end to make this healthy that I can't see it very clearly.

15. Intrumoxiety: This one I put down here because while Janus isn't the best at being straightforward (or straight) he DOES understand himself enough to actually have a productive conversation when he has to. I think Virgil would be too caught up between the dynamic of Patton and Remus for it to be healthy for him, especially at the beginning. It would end up dumping too much of the conflict resolution into his court and uh...no. No thanks. Do I think they COULD make it work? Yes, of course, but I wouldn't seek it out.

16. Anaroyality: Uhhh yeah they exist. Y'all gotta do some work to establish good boundaries but yeah, I think you could do it. Have a makeup day where everybody just fucks shit UP at a Sephora or an Ulta and try crazy looks on each other. You could do it. I believe in you.

SECTION 3:

These are the ones I will actively avoid, more often than not. If they're not handled carefully--which is not the responsibility of other creators, I take full blame, this is just how I personally interpret them--they can squick me out. The ones with Roman and Remus are down here, and as a disclaimer, this isn't because I view poly relationships where not all parties are dating each other as inherently inferior, not at all. I just think that within a relationship where both Roman and Remus are dating the same person, that has the potential to go REAL bad REAL quick.

17. Intrulogince: Do I want to see Roman and Remus playfully competing to win the favor of our favorite nerd? yes. Do I think it would end up aggravating the rivalry they already had to really bad places? Also yes. Either with Roman backing off and internalizing the idea that he's not good enough or by exploding on both of them. It's a bad time. No. That being said, I have seen things where Logan is just spoiled by incredible things made in the Imagination and those are very sweet. a good time.

18. Intruprinxiety (that looks so weird when it's spelled out, oh my god it sounded so much better in my head): Again, exacerbating a pre-existing rivalry, oh dear me, and this time poor Virgil's caught in the middle? a mess. There is also the potential for them to be childhood friends to lovers which would be very sweet but the overlap with all of their combined histories are...a lot of baggage. Like so much.

19. Intruroceit: The only way I can see this happening is Roman's inadequacy issues and abandonment issues going THROUGH THE FUCKING ROOF and it would force Remus into being a pseudo-therapist for them and Janus your habit of messing with Roman needs to gtfo right the fuck now.

20. Intruroyality: is anyone surprised that this one is my least favorite? Between the squicks I get from Patton as a character, the relationship between Patton and both of the twins in canon, and how much baggage Roman and Remus have...no. Absolutely not. I have horrible memories of some very toxic relationships that I can absolutely see here and no.

*phew* that was a long one. you're welcome.

EDIT: thank you @shinekittenace for names seriously this post is a mess

[himbo-buckley]

The Big Buddie for Dummies Guide

Hello party people and welcome to whatever this was supposed to be!

Quite a while ago I got an ask by someone about doing a guide on all the canon indicators for Buddie to explain the ship to non-shippers and about 5 anxiety attacks and four weeks later, I finally did it!

So read, enjoy, reblog, validate, disagree!

Also here are some notes before we get started:

Buddie has been around a while now and there are some incredibly people writing about them and doing meta posts for them, some of which I asked for their opinion which I will link at the end and some of which I am quoting in a way / have been inspired by (Also feel free to send me all and every post related and I will link it in the text as I will try to do the same)

This Guide is organised by the following themes we find in the show with Buddie: trust - coparenting - connection and love life - subtext

I’m not gonna lie, this is incomplete af because tbh? There is so much stuff that can be interpreted as evidence for Buddie but this is too long already so I left some stuff out, I hope ya’ll don’t mind … (also the reblog  option exists for reason, just add on what I missed, I’m not gonna bite!)

I’m gonna assume the person who reads this has a general understanding of the show and its scenes because I cannot explain every scene down to it’s very detail (I mean I can but that’s another 20000 words worth of meta and not sure anyone wants to read that … again) but I will try and link fitting gifsets (again, send them my way if you feel I should include sth.)

I should also add a warning for the fact that I, personally, think I am hilarious but others might not but fellas, Idc! (Also I cuss, some people don’t like that?)

So let’s get this show on the road then, shall we? I call this meta : „We might end up real close.“

(alternate title: „Buddie stans ship hard but canon ships harder“ or „This is Timbo’s story (of becoming more famous than Joss Whedon) and I’m just it’s vessel“)

Trust

We’re gonna start this off strong (I mean all of them are strong themes) by talking about the biggest theme with Buddie which is trust. It goes all the way back to 2.01 and the gym scene and Buck basically telling Eddie he doesn’t trust him (complaining about Eddie’s comfort level, anyone?) and that he needs to earn that - which rude but also I get it.

In fact there are two main themes which I combined into Trust which begin in 2.01:

„You’re my problem“ and „You can have my back any day“ both of which sort of sum up Buddie, because from the get go Buck decides hey, this guy is my problem and then he proceeds to make everything about Eddie his business. Eddie meanwhile tells Buck he’d love to have him watching his back - meaning Eddie trusts him and wants Buck to be his partner.

(Side note: isn’t it beautiful how that is a complete reverse of their usual attitudes? Usually Buck trusts way to easy and Eddie never does but with each other it’s the opposite!)

Let’s look at the episodes in order, okay?

2.01: „I think I’ve seen this happen in porn before“

- „You’re my problem“: I’m gonna talk about the gym scene later a bit more but this sort of establishes the dynamic Buddie has? Because both are fascinated by and focused on each other from the get go. I mean: Eddie got to the 118 and everyone seemed to be nice to him except this one guy and instead of giving him a few days, thinking he’ll come around , Eddie is like: nah, I’ll confront him! Why? Maybe it’s gay, maybe it’s Maybelline, maybe Eddie „I am not enough“ Diaz was just sick and tired of everyone putting trust in him because soldier and craved the vibe check?

- „You can have my back“: Basically what happened was, they got the bomb out (being partners and in sync even when they didn’t like each other yet) and they stood outside and Eddie tries a new approach cause for some reason Eddie decided out of everyone at the 118 he needed Buck to like him specifically and so he pays the guy - who was nothing but rude to him so far but who is also very competent - a compliment and Buck gets all flustered and thankful - and „You’re my problem!“ gets rephrased into „Or you know, you could have mine!“

(Also the look of pure elation on Buck’s face when Eddie compliments him, you know the person Hen has basically said is so awesome and pretty it transcends sexualities? And he picks Buck of all people to have his back? Buck has no choice but to stan!)

- In terms of Trust we also get the pool scene which is our second instance of them being in sync and partners by both jumping into the pool and getting the guy out basically at the same time

2.02 / 2.03: „Why Edmundo Diaz hates earthquakes part 1 and part 2 (of 2)“

- „Where do you want us, Cap?“: Now looking at the timeline of 2.01 they’ve known each other for approximately four days as this is their fourth shift together (we see) and yet Eddie is already comfortable enough to answer for himself and Buck several times. He’s the one who decides they will go in and he answers the roll call later for the both of them. This is our first real instance of them being in sync and just their whole interaction, from Eddie going along with Buck’s plan about the elevator to everything else just shows how much they already trust each other.

- „I, uh, I love kids“: Also Buck in this episode, why was it so important that Eddie knows you like kids? Please share!

- “Eddie, you’re kid is in the safest place he can be.“: Connected to this is a sub-theme I like to call: ‚They know each other better than anyone else does‘ which is established here with Buck realising that Eddie is full of shit when he pretends not to worry about Chris so Buck spends some time trying to assure Eddie Chris is safe at school.

- „Is everything okay?“: Of course, the fact that Buck was the only one to check in with Eddie’s mental state from the truck scene onwards is very telling, because everyone else likes and trusts him but they don’t really care (yet)

- And the episodes end with everyone reuniting with their families, including Eddie - while Buck watches from the car because Buck drove him there because he has his back (also see Subtext)

2.04: „Hearteyes, motherforker“

This whole episode is what made several people ship Buddie and well, I can see it and I will talk about a lot of it with the other themes but for now:

- „I just feel bad for him. (…) Eddie’s working on it“: This episode really leans into the whole „You’re my problem“ with Buck apparently driving Eddie to the hospital (or at least coming along) to Buck clearing Chris coming to the station with Bobby to worrying about them at home until finally he introduces him to Carla.

Mind you, they haven’t known each other that long, yet Buck feels the need to meddle in Eddie’s life and fix his problems for him which, yes, is very Buck thing to do but still: Considering Eddie was introduced to us as this super capable guy, it’s interesting that Buck immediately saw through him and decided: yeah, that guy needs me to take care of him.

Or you know, to have his back.

2.07: „*Tommy Wiseau voice* Oh, hi Shannon!“

- „I needed someone to have my back“: This episode establishes the significance of „You can have my back“ even more because in this episode Shannon comes back and you know what they fight about? Eddie not having her back. Shannon quite literally says „I needed someone to have my back“ which is almost the same exact  Eddie tells Buck in 2.01 and with that wording as well ...

In the same scene Shannon also says how Eddie always knows best and is the one to make the decisions which  is another parallel you can draw to Buddie where Eddie began like that in 2.01 (the scene at the mechanic’s) and then began to follow Buck’s lead (the elevator shaft) / let Buck help him (Carla))

2.10: „It’s all about ‚figured it was none of my business‘“

I love this episode very much because there are several Buddie hints in there.

- “I think it’s none of our business.“: Connected to the topic of Trust is the scene between Chimney and Buck when they buy the Christmas tree and Buck keeps talking about Shannon coming to the station and the fact that Shannon and Eddie hooked up while Chim seems exasperated by this and frankly doesn’t care and he tells Buck as much, saying it’s none of their business. Except it is because Eddie is Buck’s problem, remember?

- „So … not gonna say anything?“: And then the „None of your / my business“ gets repeated in the scene when Buddie sits at the fountain talking about Chris and Shannon and they both say it’s none of Buck’s business. Yet Eddie then still tells Buck all about it sounding all defensive.

- It’s also the first instance of Eddie willingly searching out Buck’s advice about Christopher.

- And related to the topic of knowing each other well, considering how surprised Buck is by all of this, one sort of has to wonder how often they hang out outside of work. Because the way Buck acts makes one assume it’s quite a lot, which is why Buck is so hurt he doesn’t know about it.

- Also the fact that they so casually go somewhere with Christopher and the way Buck talks about him making it clear they have done this before.

- „Trying to protect your kid.“: On the topic of Trust I also wanna mention the fact that Eddie doesn’t trust Shannon with Christopher. Which is a direct parallel to 3.03 when Eddie tells Buck there is no one he trusts more with his son. And also 3.09 when Buck gets to be back in Chris’s life after the lawsuit as soon as Buddie made up yet Shannon needs to really beg for it? I mean, yeah.

2.13: „ Evan *I colour coordinate with bae while my sister is abducted and my brother is dying* Buckley“

- „Oh, no, I know what you were thinking.“: The scene at the hospital between Buck and Eddie does have a bit of subtextual relevance but I do think we should note the fact that this scene was in the show at all like this because wouldn’t Bobby have made a bit more sense? After all they spent one and a half Season before that making him the guy Buck goes to for advice and he has sisters as well, yet here we get Eddie being the one to talk to Buck.

We get Eddie basically telling Buck exactly what he needed to hear and while not exactly condoning his actions, he is also not judging them. Instead Eddie is telling Buck he might have done the same, because Eddie and Buck know each other and see each other.

So I wouldn’t necessarily call that scene Buddie-hinting but it does definitely play into the whole ‚having each other’s backs‘ and ‚knowing each other well‘ thing they got going on.

Also compare it to 3.06 in the way that both times Buck did something wrong and it was Eddie who actually took the time to listen to Buck’s reasoning and be the one to understand him, which is a very important part of their dynamic.

And the line „I wasn’t worried about that.“ in response to how Buck thought he would get away with all of this might be one of the top 10 heartbreaking lines of this show for me and that is saying a lot with 911!

2.14: „‚It’s a miracle… bro #nohomo’“

I am not fully sure if the scene of Buck freaking out about Eddie going back in to save the kid really fits in here, but I’m also very unsure were else to put it, so Trust it is!

- „Eddie, what are you doing?”: It does fit into the whole having each other’s back thing with Buck immediately jumping into action to try and help Eddie

- But in all honesty prior to 3.14 this would have not made the cut as I would have been like: eh, that’s just who Buck is as a person - but as 3.14 will proof / has proven, he can be calm and collected even when his sister, his ACTUAL family is in danger and while I would argue it was in part because there was less he could do to actively help in 3.14, it still deserves to be mentioned now

- Side note: considering 2.13 / 2.14 and 3.14 / 3.15 this marks two occasions were Buck being worried for Maddie’s life was followed by an episode of Buck being worried for Eddie’s life and that too deserves mentioning

2.18: „insert *Jane Austen film*-gif: It’s about the hands!“

- I’m not really sure if this is really connected to Trust but Eddie holds Buck’s hand the whole time, even after he has dragged him out from under the firetruck until they disappear in the ambulance.

- Also the fact that Eddie, who is probably stronger than Chimney, is the one helping Hen drag Buck out from under the fire truck while Chimney helps lift it is … worth a mention.

- Definitely connected to Trust is Buck’s insistence to going to Eddie’s ceremony because this is Eddie and he has his back

3.01: „How you know he no sleep naked?“

Yes, this scene has a lot to unpack. In terms of *trust* / how well they know each other:

- „He’s just sulking, Cap“: Eddie says about Buck. In my opinion the phrasing combined with how before that they were talking about how Maddie can’t get Buck to leave the house and he won’t answer any of Bobby’s calls implies that either a) Eddie too has tried to contact Buck with no success or b) is actually in contact with Buck, has talked to him and has concluded based on what he saw that Buck is sulking - and yes, I am leaning toward b).

- “Maybe you’ll learn something.“: Which brings me to the fact that it’s Eddie who makes the  plan to get Buck out of his funk and prove to him that he still has stuff to live for, despite how dismissive he had been about Buck’s feelings before, calling it sulking and saying Buck should just brush it off. Because Eddie has Buck’s back despite it all and is there for him and trusts him.

- „He’s hanging out with his Buck today“: In terms of actual Trust there is the fact that Buck is very much depressed in this episode - and what does Eddie do? Puts his son in his care, you know, the most important person in Eddie’s life, convinced that Buck will be able to take care of him despite how low and bad he is feeling about himself. One) because it has been the case for Eddie probably. Two) because this is who Buck is as a person even while depressed and Eddie trusts that. And three) because even before the Tsunami Eddie was very sure about how much Buck loved Chris.

- „Honestly I don’t know how to help him.“: This also parallels Maddie with Eddie in an interesting way because Maddie spends the whole episode worried about Buck and thinking he cannot take care of himself, while Eddie trusts in Buck to not only take care of himself but also his son. Which yeah, interesting.

3.02 „Eddie hates earthquakes - the remix“

- The episode sort of proves that while the others may have known what Eddie was gonna do, Operation „Buck up Buck“ was his plan because he is the one who has Buck’s back. (Considering for example Maddie doesn’t know about it as she thinks Buck is home and had Chim been involved he would have told her beforehand meaning this was Eddie’s plan and he executed it and then told the others about it while at work.)

- Also in terms of literal Trust: LA is hit by a Tsunami and Eddie doesn’t worry about his son once because Buck said they are going to the movies next and also because Eddie trusts Buck to protect Chris like he would.

3.03 „‚Do it for the trauma!‘ - Buck-edition“

Once again a subtext-mill but there is some textual evidence as well:

- “How do you tell your best friend that you lost his son?“: At the VA hospital Buck calls Eddie his best friend when he talks to Maddie which I always found weird in this context? Because it should always be hard to tell another person about how you got their child killed (which is not my opinion but the way Buck sees it here, okay?), yet the writers choose to put in a reference to how much Eddie means to Buck.

- Which connects to another subtext and text thing which is the voiceover which has Buck say the lines: „To be seen. To be found. Isn’t that what we’re all looking for?“ after talking to Eddie, which no longer just implies this is about Eddie but actually straight up says it - and it connects to the sub-topic of how well they know each other, cause Buck says in this episode: Eddie is my best friend and he sees me for who I really am. Which, yeah, is stuff one usually finds in connection to a love interest. (Will talk about it more with Subtext though)

- Also before that the voiceover has Buck say „Sometimes being lost is not knowing how to get from where we are to where we wanna be, where we need to be.“ right as Eddie knocks on the door, which basically states that Eddie and Chris might be where Buck wants to be but also how Eddie apparently knows how to get Buck there. Because he knows him so well. (He literally calls Eddie his life raft in the voiceover!)

- „Buck, there is nobody in this world I trust with my son more than you”: Now the Trust theme in regards to the loft scene is interesting in how it compares Buck to two people in Eddie’s eyes / life: Shannon and himself. Shannon, as I already said, we have with 2.07 and 2.10, both of which talked about how she left Chris (and Eddie) and how Eddie no longer trusts her because of this and refuses to let her back into Chris’s life. Which is different to how he always lets Buck back into Chris’s life, even after the lawsuit with virtually no hesitation once they made up as far as we can see. Meaning he trusts Buck more than he trusts Shannon. Who is, you know, his wife?

As for Eddie himself, I’m gonna flashforward a bit to 3.08 and the conversation between Eddie and Bobby. Because in 3.03 Eddie talks about messing up with Chris, yet how he never stops trying and how he knows Buck is the same way - which is interesting considering 3.08 has Eddie basically say that he has not forgiven himself for all those mistakes. Yet he forgives Buck both for the Tsunami and abandoning them during the lawsuit.

And now I wanna say something very controversial and hurtful but also connected to how I read Buddie and Trust which is that in my opinion? Eddie includes himself here. Eddie tells Buck here he trusts him more or at the very least just as much as he trusts himself with his son. Which is pretty big, considering he barely trusted his wife, the mother of said son, who he has known for at the very least about 11 years during Season 2? Someone he himself said he loves? Someone he at one point planned his future with? (Meaning he most definitely plans his future with Buck in it now…)

3.04 „discount!Buck in the house“

- Two things are in this episode, both of which are very much not about Trust in the literal sense but how much time Buddie spends together outside of work:

“Can’t fight city hall.“ Eddie being the only one on board with the fire drill Buck’s leading because he is a boy scout who follows all the rules but also because Buck probably talked to him about his job as fire marshal beforehand and so Eddie knows how important what is happening here is to Buck.

„You don’t know math.“: now, you can think this is another dig at Buck’s intelligence but you also have to acknowledge that at one point Eddie might have either heard someone reference Buck’s math knowledge in front of Eddie or Eddie has seen Buck try doing math and has remembered that well enough to immediately be able to pull out that dig. (Which brings us to a parallel I will talk about later!)

- “Uh, who - who’s that?“: I also firmly believe that Buck would have not been as willing to go along with the lawsuit, despite Bobby’s betrayal, had Eddie not immediately rushed off toward Lena at the firehouse, making Buck think Eddie (his partner) has replaced him. Does no longer need him to have his back.

3.05: „What if we fight like a married couple in a grocery store downtown LA, bro?“

Ah, yes, that episode! Filled with Buddie signs!

- “And if Cap says he’s not ready, he’s not ready.“: What I find interesting in terms of Buddie and Trust is the fact that Eddie apparently trusts Bobby’s judgement more than he trusts Buck’s. Which I find OOC. Or not because Eddie is a soldier and Eddie grew up fairly authoritarian it seems his first instinct will be to follow the chain of command / do as the person in charge tells him to.

- Now everything else that happens after including and specifically the street fighting storyline? That was a direct result of the lawsuit and the deposition in which Buck betrayed Eddie’s trust by revealing the info about Shannon. Which Buck is aware of because up until this point we see him still looking up, yet after this he drops his eyes and doesn’t really look at anyone again during the deposition.

- “And I’m not allowed to talk to Buck.“: Yet. YET despite this massive betrayal in Eddie’s eyes what stops him from calling Buck later is the fact that he wasn’t allowed to do so! Nothing else. Also the phrasing is very interesting as it gives us three entities Eddie considered to call: his abuela, Buck and the 118, meaning Hen, Chim and Bobby - the people he will call his family about 6 episodes later - are an uniformed mass but Buck is his own person - because up to this point Buck always had Eddie’s back. And we all know he still would have had! (Sidenote: this line is what made me an actual shipper and why ya’ll can read posts like this, so maybe say thank you to Lyndsey Beaulieu? Or fuck you, depending on your opinion of me ;P)

- „And now I can’t even talk to you.“: This whole scene gives huge character exposition and I’ve talked a shit ton about the fight in the grocery store before as have a lot of other people, but basically what it boils down to is that Eddie is mad at Buck because he revealed things about them to his lawyer but mostly because Eddie thought they had each others back and trusted each other and apparently Buck doesn’t trust and care about him the same way Eddie does for him because he didn’t even consult Eddie about the lawsuit? And Eddie misses Buck a lot. And Chris misses Buck a lot. And Eddie is already mad because Shannon wanted a divorce despite how hard he tried and then she died, meaning she left him again and now Buck left him as well and why is Eddie never enough for anyone?

And of course, as always, Eddie is mad at himself the most because he wasn’t enough for Shannon and he wasn’t enough for Buck and he’s probably not enough for Chris who is struggling so much and Eddie just feels angry and lost all the time!

I think this is the moment Buck finally understands how much he means to Eddie truly. How Eddie meant every word in 3.03. How for once someone actually trusted him, depended on him - and he let them down. Which was never his intention because Buck never understood that he could (which is not the topic of this post though).

- “Why can’t you see my side of things?“: On Buck’s side, while he isn’t nearly as mad as Eddie, he does raise the question of why Eddie didn’t have his back - which is a very fair question but Eddie is still too mad at Buck here to hear it.

- What is also very interesting about this scene is that no one, not even Bobby who was actually sued by Buck, is as mad at him as Eddie is and no one dares steps between them. Probably because everyone recognises they are closest with each other, so the conversation hits a bit different and also is about a lot more than the „stupid lawsuit“. Yeah.

(Real talk I have been very mad at friends before and I am known to make scenes but damn, this scene does not read platonic at all, it reads ‘married couple fights in grocery store in LA - what happens next will surprise you. News at 11.’)

- In other news, Eddie didn’t come to the rage room in the end and Buck was very very sad about it.

3.06: „*cries about the framing*“

(Sidenote: I feel Eddie so much in this episode, I too would be too embarrassed to talk to Buck had I just screamed at him in a grocery store in full view of all our coworkers. I too would avoid everyone like the plague and maybe join a fight club just so I would not have to deal with those feelings. I get it, my dude!)

- “Whew, dude, are you okay?“: We’ll talk about it with 3.08 as well, but it is very significant and pointed that Buck immediately knows something is wrong with Eddie when no one else at the station had seemed to be aware of that.

- “I don’t know what you want from me, Buck“: The apology scene is very subtext heavy but what it comes down to in the whole having each other’s back / knowing each other well / Trust - column is the fact that after being mad and avoiding him all day Eddie still sticks around and more importantly actually listens to Buck - which, as shitty as that sounds, but considering how he acted before if Eddie hadn’t wanted to still be Buck's friend he could have said something shitty and left or stayed and not actually listened to what Buck had to say - but he didn’t because as hurt as Eddie had been by Buck’s betrayal he still trust him and he wants to understand, which I do think sets Eddie apart from everyone else because Hen and Chim forgive Buck but they don’t ever try to figure out where he is coming from while Bobby is … being Bobby about all of. Eddie meanwhile, who has the most or maybe the only right to actually be mad about the lawsuit, still trusts Buck enough to know that he had his reasons and actually takes the time to listen to them. Even if he is being sassy.

- And on Buck’s side we do have his need to reconnect with Eddie the whole episode and we have him notice stuff about Eddie no one else did and we also have the really beautiful and mature line of Buck saying: „I just want you to talk to me. Even if it’s just to say you’re still mad.“ Which I love very much and tells us a lot about Buck and communication, because Buck values openness so much.

- “And I just wanted to…“ - „Punch someone?“: Also while it was important for Buck to explain himself to someone - it was especially important for him to explain himself to Eddie, both because he considers Eddie his best friend and also because the grocery store scene showed him how much he means to Eddie which probably floored Buck because as we learned before and also after: Buck is not used to people needing him as much as he needs them.

3.08: „XOXO gossip (fire)fighters“

- “Whoo. Nice truck.“: One thing about 911 is that it’s a very plot and action driven show, meaning sometimes it will lack the time to actually show us certain things, especially when it comes to relationships, so it relies a lot on telling us things about characters and their relationships and as these scenes here show us they do a good job at it. Buddie talking about Eddie buying a new truck is very casual and banter-y / flirty (this is a Buddie post so I call it like I see it) and light and shows us: hey, they are friends again and close again and they know each other very well - while also showing us: Eddie still keeps stuff from Buck but Buck knows something is off.

- “Eddie too.“: Which brings me to my next point and the thing I love most about this episode aside from Heidi which is Buck running around and going: ‚something is wrong with Eddie‘ while everyone else is like: ‚Eddie? Are you sure? I haven’t noticed anything‘

Which leaves two ways to read this:

Eddie and the rest of the 118 aren’t as close as it seems and they do not care about Eddie that much - which considering all the deep talk between Eddie and Chimney in 3b especially and the fact that he calls them his family would be fucked up and also doesn’t seem like the vibe they are going for OR

BUDDIE! I mean, look at what has been going on with the street fighting storyline, essentially the writers went: okay, so Eddie can't talk to Buck so he goes completely off the rails but no one will know because Eddie hides it so well - EXCEPT Buck will realise sth is wrong the second he looks at Eddie and once the lawsuit is done he will spend two episodes running after Eddie and trying to figure out what is going on

3.09: „#tw: mild adult themes & implied sexual content / #pwp - porn without porn“

- “He’s kind of obsessed with natural disasters.“: Honest question: Is Buck really obsessed with natural disasters or does Eddie have earthquake related trauma and Buck has been googling stuff and telling him facts to calm Eddie down every time the earth vibrates a little because a train or something passes them by?

In any case it’s a very cute scene with Eddie once more revealing how well he knows Buck and the writers confirming to us that yes, these boys spent a lot of time with each other and talking to each other - without needing to show the scenes

- “I could still take you“: AFTER ALL they needed the runtime to do this other little scene this fandom has not talked about at all ever mainly because it is so very straight basically people stopped shipping after.

I’m just kidding, obviously the whole scene was very queer both in subtext but especially in text, I mean, what even was that line about still taking him, Buck? There is a child not even 15 feet away, where is your sense for decency and decorum? DO YOU WANT TO TRAUMATISE HIM EVEN MORE???

A few notes on this scene:

- It’s been pointed out to me that Maddie complains about how everything around there gets shared with the 118 and how Buck … turns around and shares everything about his sister with Eddie, which I love because it seems so normal and comfortable between them like they do that all the time, which is way cute and domestic!

Added to that considering the conversation Eddie had the week before with Bobby about Shannon and the throwaway reference about thinking his marriage having been complicated, I wonder: Did Eddie talk to everyone about the street fighting and Shannon after his talk with Bobby in 3.08? Did he just talk to Buck about it? Did Buck know about Shannon wanting a divorce all along? (Yeah, you know were I am leaning, right?)

- “Especially if you aren’t around to see that they need saving“: As for the apology in and off itself, I’m not gonna talk about the character implications again cause been there done that, send an ask if you wanna know more, but what it comes down to is: Buck acknowledging that he should have been there for Eddie and he didn’t consider the Eddie of it all when he sued Bobby, which is interesting because OFFICIALLY Eddie really is just his best friend and coworker at this point so did he really have to consider his feelings all that much?

Also Buck is saying - and Eddie is not contradicting this - that Eddie street fighting would not have happened if Buck had been around, which, to quote a good friend of mine: Uff!

I think we can admit that while Eddie was mad at Buck, his anger was not primarily about Buck but it was amplified by Buck abandoning him. We can admit that Buck was what ultimately caused Eddie to lose his control and considering everything that Eddie went through in the past year with Shannon and considering everything Buck went through in the past two years: this is as close to unconditional love as these two can manage at the time and that is very beautiful and does support Buddie 100%. They are each other’s anchor and person the one they turn to in a crisis.

Or well, Buck is for Eddie. Buck does have more people like that in his life with his sister there and I do think before the lawsuit he wasn’t fully aware that he could depend on Eddie so fully because Buck always doubts how committed other people are to him because abandonment issues.

3.11: „Bist du single? Nein, eher Album!“

- „This is Eddie’s house. I’m not really a guest.“: Incredibly strong indicator / implications toward how much time these two boys spent with each other, considering how comfortable both of them are in each other’s space (and I don’t mean physical but material space). Eddie has a key to Buck’s apartment and just let’s himself in willy-nilly, while Buck is around in Eddie’s place often enough to not think of himself as a guest there. (And while that might be normal best friend behaviour to some of us, Maddie’s words imply that it is not for her / the Buckleys.)

3.14: „Frank says ‚Thank you, this paid for my new house!‘“ / 3.15: „MY therapist also says ‚Thank you!‘“

I’m gonna group these two together, since 3.14 in itself doesn’t have any relevance considering Eddie isn’t even in the episode but it does become relevant in regards to 3.15!

- Basically what it all comes down to is the contrast between Buck’s reaction to Maddie being in danger and his reaction to Eddie nearly dying!

Now I already said while talking about 2.14 part of it was that Buck was aware he was in no position to help Maddie and might actually make stuff worse if he intervenes while with Eddie he was HIS ACTUAL LIFELINE! He was actually responsible for getting Eddie out of the well and home to his family. BUT (!) it’s still very pointed, especially remembering they apparently changed the order of episodes around? Meaning we are really hit with the contrast and we have to consider the implications of it all!

- Also just Buck’s reaction in general, even with Chimney and Maddie in Season 2 he wasn’t this frantic, he wasn’t freaking out like that! This really seems like all those scene’s shows like that usually do to confirm one person is in love with the other by having them completely loose it at the prospect of the other dying.

And damn, does 911 delivers here, not just with Buck literally trying to dig down to Eddie with his bare hands but also with his conviction for the rest of the episode before going sort of catatonic near the end. Basically Buck was going through the 5 stages of grief over Eddie during the course of this episode and we just? Let him?

- Of course we should mention Buck has Eddie’s back always, so he doesn’t give up on him and doesn’t entertain the notion of Eddie possibly being dead for even a microsecond because this is Eddie and Buck needs him!

- And to add to the list of heartbreaking lines we have Hen saying: „Why? So we have two cut lines?“ because yes, Buck would choose to stay down there rather than let himself be saved if Eddie was already dead - and if Eddie wasn’t he would force Eddie to trade lines with him so Buck could be the one to die because Buck thinks Eddie’s life is more valuable than his and also he is a selfless idiot who loves Eddie more than himself - which frankly is a mutual thing if we look at 3.03

Option #3 btw would be that Hen knows Eddie has a legitimate reason to cut his line and he would explain that to Buck and - considering who they are - Buck would immediately agree and cut his line as well.

Anyways, no matter which option the writers were thinking off this line is heartbreaking and the implication interesting!

To sum it all up, the episode basically said: Buck would die for Eddie and he loves him more than anything else

- The Eddie implications of this episode are mostly Subtext, so we’ll get to them later in case you thought I forgot!

3.16: „The rope was a metaphor after all“

Tbh I do not think that this episode was really about how no person can be happy / live without regrets / not be lonely unless they are in a relationship with someone or they would not have put that much focus on the relationship between Maddie and Buck and the fact that his abandonment issues stem from her leaving.

- “He’s not gonna do it alone“: As for Buddie, the episode goes back to them being partners and in sync with the roof thing and yay, it has a different ending then the reversed situation the episode before but also it features a metaphor we will talk about later

- “Hey, you’re more than welcome to come and celebrate with a bunch of 9 year olds.“: Just like we will talk later about Eddie inviting Buck to the sleepover! Because while I don’t think the invite was all that serious and I don’t think even considering everyone else, Buck would have taken him up on it because celebrating with a bunch of 9 year olds around isn’t what Buck had in mind, it’s very interesting that the first person taken out of the equation is the guy Buck is closest to and probably spends the most time with.

- And now let’s talk about the playing pool scene because it once again shows that 1) Buck and Eddie are very alike, 2) they know each other very well and 3) they care about each other the most!

Because for 1) I do wanna point everyone to the fact that Eddie doesn’t have anyone outside his family and the 911 either or they would have mentioned him staying in contact with his army buddies or something.

2) Eddie is the only one who actually listens to what Buck says and gets what Buck is really asking, while Bobby, Hen and Chim are all too focused on their own experiences to get that the reason Buck tries so hard to help Red is because he thinks he is Red (I mean they do get it, but they don’t really realise how serious this is for Buck - yet)

3) There is also a lot of focus on Eddie in this scene which we will talk about later as well but it picks up the whole ambiguous „us“ from the grocery store which technically refers to the whole firefam but the way it’s said still implies that it is about the two of them especially.

To anticipate a bit: every time the word „Us“ is used in this scene Buddie only looks at each other. When Buck says „I mean that would never happen … to us.“ he looks at everyone else but turns to look at Eddie as he very pointedly says „to us“ and keeps his focus there for a moment. Eddie meanwhile technically turns to the pool table while he says the word „us“ but he only focuses on Buck before this and doesn’t look at anyone else because to him: Buck is the important aspect here. And no one else!

Not to mention the intense look Buck gives Eddie (and only Eddie) when he says „Better not.“. Like damn, in 3 Seasons Buck has never sounded this threatening before!

Basically the way this scene is acted combined with the words that were written it sort of reads like them going: We’re all family here but you and me will most definitely never leave each other!

I mean there is a reason why Buddie used the ambiguous „us“ while everyone else talked about the firefam being friends or being family.

(And yes, that might be a bit of a reach but this is a Buddie guide after all, so we are going with the buddie-est interpretation!)

3.17: „‚Don’t say her name‘-challenge“

- “Uh no, someone else.“: More of a subtext scene but it does seem pointed that Buck refuses to admit that he was thinking about Abby here, considering Bobby most definitely knew that Buck was talking about Abby because he was there for the hot-air balloon date, so even if he did not remember right away he knew the second Buck said he didn’t know from Maddie and since Hen and Chimney weren’t there in the truck (and also, they probably would have known who Buck was talking about as well) the only one Buck was hiding from was Eddie.

Which makes sense, even if you only look at them as best friends, because Eddie only saw the aftermath and what we canonically know that he heard about Abby were things like Buck’s speech in 2.08, so … even as just Buck’s friend he must really dislike her

(Also there is that whole parallel one can draw between Abby and Shannon which I talked about here)

- „Buck invites Eddie“: So I’ve been going back and forth on what to write here for a few hours now and what it comes down to is this: despite being 6500 words deep into a meta on Buddie and knowing full well the writers so far have no intention of actively doing Buddie, I would not accuse 911 of queerbaiting. HOWEVER, if the show ends and Buddie doesn’t happen I will consider this scene queerbaiting because there would have been ways to write this that did not leave the implications it did because the way it has been written the text is:

„If I bring my romantic life-partner to dinner with my best friend he will bring his romantic life-partner who will invite her brother who will invite his best friend and then we have to invite this other couple we are all close with.“ and well, one of them is not like the others, right?

(Well, technically two but Maddie and Buck are most definitely siblings despite that scene in 2.01)

Because essentially what that scene did here was say: If I bring my wife the evening turns into this couples night with all our friends - except Buck and Eddie aren’t a couple.

And sure, just like all great queerbaits there is a reasonable explanation as well as a completely platonic way to read this because of course Buck would not wanna be all alone with two couple so he would bring his best friend and the we’d have to invite the other couple we know as well so they don’t feel left out.

EXCEPT - and this is why it feel pointed and queerbait-ey: We have already seen the 118 hang out without Athena and Bobby at Chimney’s birthday and it was never mentioned to us whether they were invited and didn’t come - or Chimney didn’t invite them. Both explanations sort of make Hen’s point moot because it does proof that they can hang out without their boss slash friend and his wife slash her best friend without it being a big deal meaning especially if this was a make-up dinner for Chimney’s birthday they wouldn’t have needed to be there.

There is also the fact that supposably Alfred is still in town? You know, Chimney’s brother? So if they wanted to avoid the Buddie implication they could have also thrown in how Chim might bring his brother like:

„I invite you, so he invites Maddie, Maddie invites Buck, Buck invites Eddie, Chim might invite Alfred,  and now we gotta invite Athena and Bobby“ - see how that has a completely different feel? Now there are three single guys and two of which are siblings of someone else in the group while the third is friends with the rest of the group, making this sound less like couples night out and more like a group of friends hanging out.

But they didn’t do it like that so now it feels like they are pointedly equating Buddie with the canon couples of the show which is quite queerbait-ey.

3.18: „TrainCRASH? More like train WRECK? *cries*“

Okay, so this episode is a little hard to do because there is so much going on and a lot of it is very hard to categorise! As for the topic of Trust and having each other’s back:

- I do think that a lot of Eddie here come down to having Buck’s back - even when Buck might not think that’s what Eddie’s doing like in the train car, but he probably realised later which is why we see Buck talk about it with Bobby but not with Eddie because they are at this point where you no longer need to have clarifying talks (about stuff like that, once romantic!Buddie hits they’ll have to do all the talking).

And that’s basically it when it comes to Trust because most of what is happening in the episode when it comes to Buddie is Subtext!

Coparenting

I think this theme needs less of an explanation - though I do wanna point out that while I think Buck has fatherly feelings for Chris and Chris loves Buck a lot, Buck is not actually his parent / father. He is slowly getting there and if or when Buddie happens he might become Chris’s other parent but right now he is not. So this theme is about Buck being a honorary member of the Diaz family in general and Eddie’s treatment of him most of all.

Because the way I see Eddie him dating anyone would always be tied to his son. Eddie has been shown to be someone who would do anything for family and his son in particular, so the fact that Buck is tied into this family is important. It also shows how much they are already a family without actually dating and proofs they spent more time with each other than we see and more than with anyone else.

I should also say that there is a very heavy overlap between this and the category of Subtext so some things will be repeated but all of them deserve to be repeated so there is that.

2.02 / 2.03: „Why Edmundo Diaz hates earthquakes part 1 and part 2 (of 2)“

- Like I already said when I discussed Trust Buck is the only one asking who Eddie is trying to reach, he is the only one trying to reassure Eddie and he does so even though Eddie is being sarcastic and pretending he doesn’t need to be comforted - also a staple in their relationship

And I think this is also were their dynamic of Buck being Eddie’s go to person when it came to Chris came from. Buck told Eddie he liked kids and then he proceeded to actually show Eddie he means it and he cares and considering Eddie says the mother isn’t in the picture and Chris has no one else (which as we learn throughout the show is not 100% true because technically Eddie's parents are there, even if they have no idea how to properly raise Chris, but in LA Eddie doesn’t really have anyone (yet) he feels comfortable burdening with his fears about Chris), so that must mean one hell of a lot.

- “Hey. Service.“: There is also the moment at the end of 2.03 when Buck immediately tells Eddie: hey, service is back! and then he drives Eddie to pick up Chris which is a scene that has so much subtext so we’ll talk about it later! It does however give us our first‚ Diazs plus Buck‘-family moment because while we see everyone reuniting with their loved ones, we see Buck with Eddie and Chris and yeah.

2.04: „Hearteyes, motherforker“

- One of my favourite things about Buddie is how they manage to be exactly what the other person needs - or in case of this episode figure out exactly what the other person needs and giving it to them. It’s happening here and again in 3.01 and 3.03 and some other smaller moments as well (see 2.01 honestly).

It’s also interesting that Buck is the one to drive Eddie again because we saw he has a car! So why is that? Maybe because he knows the way better?

As for the coparenting happening here, aside from Buck introducing Eddie to Carla because he knows she is what Eddie needs, we also have Buck clearing Chris coming to the station with Bobby which is something Eddie apparently hadn’t considered but Buck had and instead of telling Eddie he needs to do that - he does it for him! Because that’s who Buck is but also because Buck realised in this episode how much Eddie really needs someone to have his back and just do stuff for him.

2.07: „*Tommy Wiseau voice* Hi Shannon“

- And in terms of having each other’s back this episode really shows the significance of this phrase with Shannon pointing out, like I said before, that from her point of view Eddie didn’t have her back. She needed him to be her husband and her coparent and he wasn’t.

Now we can argue whether that is true or not but it’s still an important parallel and puts Eddie turning toward Buck for advice into a new light.

Because as Shannon points out Eddie was never good at letting other people make decisions for him or with him before yet we continuously see him turning toward Buck for exactly that: sharing the load with him. And to put that even more into perspective: Buck is the youngest from their friend group, he is the one considered immature and he is the one without kids or younger siblings, yet he is the one Eddie choose for helping.

2.10: „It’s all about ‚figured it was none of my business‘“

- The interesting thing here is that Buck as Eddie’s friend really doesn’t have any right to know about what was happening between Shannon and Eddie if Eddie didn’t want him to, but Buck as Eddie’s family does (a little).

But either way this episode gives us another instance of Eddie confiding in Buck about his family problems - problems he again is the one most inexperienced with. In other words Eddie talking to Buck about it was really about Eddie wanting Buck’s opinion specifically.

There is also the fact that Buck came to see Santa with Eddie in the first place which is most definitely a family affair as far as I know US customs? (We don’t do this in Germany / Bavaria, okay? We have the Child of Christ and around the 6th we gather in the town square and shoot at it.)

It’s even brought up in text with the Elf telling Buck they make a beautiful family - and Buck not disagreeing because honestly it’s just easier and he probably knows how they looked. But yeah. That!

- Also not to repeat myself but the topic of trust is important here! Eddie not trusting Shannon in 2.07 / 2.10 with Chris vs. trusting Buck in 3.03 / 3.09 / 3.10 is important!

Yes, sure Shannon is his actual mother so Chris has stronger feelings for her and the potential to get hurt is way bigger. Yes, Buck was only gone from their life for a few weeks while Shannon was gone for about 2 years. Yes, Buck apologised twice while Shannon just played the victim card tbh (even though she did have a point with some of the stuff she said). But still:

Eddie is very hesitant to let Shannon back into his son’s life (and really his as well) while he does have no such qualms about Buck once Buck apologises to him in 3.06. In fact their relationship returns to normal with Eddie asking Buck for help with Chris numerous times while say 2.15 makes it clear Eddie still keeps Shannon at arms’ length and out of a lot of aspects of raising Chris.

Of course, giving advice to Eddie is not the same level of involved as actually parenting the child and part of it is probably growth on Eddie’s side when it comes to Season 3 but right here: it’s a stark contrast and it deserves a mention!

2.17: „*fridges female character for man pain* Haha, we’re so random!“

- „Ice cream? Oh, I do not envy you putting him to sleep tonight!“: There is the scene here where Eddie facetimes with Shannon and she is out and about with Chris and Abuela and they are getting ice cream and Eddie is all like: damn you’ll regret that later - which is the same thing he says about Buck in 3.02

3.01: „How you know he no sleep naked?“

- Buck gets a card from Chris which is a child thing to do but also should be mentioned because Buck does not get a card from Danny or Harry. And considering how much Buck likes children and how good he is with them we do have to mention that we only see Buck interact with Danny once and never with Harry while it’s been implied several times before the tsunami already that Buck does spend a lot of time with Chris. (Of course, in part this is due to how much closer Buck is with Eddie than Hen and especially Athena but still)

After all the season ends with Chris giving a card to his literal father, tying these two scenes together. And pointing out once again how important Buck is for Chris and the Diaz family.

- Also as I mentioned during Trust there is that parallel / contrast between how Maddie and how Eddie see Buck with Maddie sort of treating him like a child who needs to be dealt with while Eddie is basically like: let’s give him something to do so he feels less useless! (Guess who had the right idea! Just guess! And you have one try!)

- „Are we the only one’s without kids?“: There is also the cut from Madney talking about being the only one’s without kids and then remembering Buck to Buck getting woken up by Eddie so he can babysit Chris which I won’t say confirms Buck being a father to Chris but does accentuate everything he does for Chris after and gives the vibe that Buck does indeed have some fatherly feelings for Chris. It does at least place the idea of the Diazs WITH Buck being a family firmly into our heads.

3.02 „Eddie hates earthquakes - the remix“

- „How’s operation Buck up Buck going?“: Buck sending Eddie updates and pictures of Chris and himself hanging out is just really cute

- Also Eddie isn’t worried about his son at all!

- And we do have that tweet from Oliver Stark about jumping into the receding water at the end of 3.02 being basically suicide but Buck still doing it because the director told him, he’d do it for his own kids.

3.03 „Do it for the trauma - Buck-edition“

- I talked about it before with Trust but basically Eddie, who has parents who are still alive and physically able and love his son very much, even if they have different ideas of how to raise his son, and a sister with at least one child not that much older than Chris and a grandma and an aunt and probably some more family in LA AND Carla who he literally pays to take care of his son, literally tells his best friend he is the one he trusts the most with said son. That is fucking meaningful!

3.05: „What if we fight like a married couple in a grocery store downtown LA, bro?“

- „You know how much Chris misses you?“: The fact that Eddie brings Chris up at all and to hurt Buck specifically is - in part about Eddie deflecting from himself but also about Christopher actually missing Buck, which says a lot about the relationship Chris and Buck have and how much time they spent together if that is something Eddie would bring up here.

3.09: „#tw: mild adult themes & implied sexual content / #pwp - porn without porn“

- „I’d rather be at home with my kid, enjoying the one good thing I got going on.“: Eddie says these words during therapy and where do him and his son spent the following evening or at least an evening that same week? With Buck at his loft. Because even though Buck wasn’t mentioned here as part of the family time Eddie would much rather have, apparently he is part of it.

3.10: „Parenttrapping for Beginners“

- „Well, I thought it would be nice to bring the boys together for a playdate.“ - „All three of `em.“: this speaks for itself, Buck being invited in the first place was … an interesting choice? A dig at Buck’s mental age? Exposition? What exactly, Tim? Like what was the vibe in the writers room here?

- „Hey, Buck? (…) Can I spent Christmas with you?”: The fact that Chris would rather spent Christmas with Buck than with his grandma and the rest of their family is interesting as well and again points toward Buck being an integral part of the Diaz family.

- The way Eddie looks at Buck here and the little head shake implied to me that Buck and Eddie had the same conversation Eddie and Hen have right then already.

3.11: „Bist du single? Nein, eher Album!“

- “Well, that’s what the 118 is. The family we chose.“: Again maybe more subtext than text but when Eddie talks about the 118 being his family the camera pans to *drumroll* Chris, his actual blood family, Albert, Chim’s actual blood family - and Buck, who is basically Chim’s little brother and Eddie’s, well, best friend? Coparent? Partner in work and life? SOULMATE?

Yes, it’s a little subtext, but it’s interesting that this scene shows only one character neither of them are related to and it’s Buck, emphasising once more that these two and especially Eddie (because he’s the one talking here) think of Buck as their family.

3.12: „There’s a horse loose in a hos… school“

- “(…) we should try it together”: Again with the emphatic inclusion of Buck in family scenes! (But this time Carla gets to be there as well - though only to record them?)

This episode introduces Ana Flores as a potential love interest for Eddie and then spends the whole episode contrasting and paralleling her with Buck, as one does …

In this episode as well Eddie gets advice about Chris from several people and it’s interesting that the one person whose advice he follows without disagreeing or trying something else first is once again Buck. 

The episode also maybe implies that Buck was the one to built or buy or find out about the skateboard.

But really what matters here is Eddie reaffirming that there is no one he trusts more with his son (because he refused to take Carla’s advice right away but he did listen and think about what Buck had to say right away - despite his joking) and Buck being included in the family scene.

3.15: „MY therapist also says ‚Thank you!‘“

- „I’m always gonna fight to come home to my family.“: I’m not gonna comment on the lack of Shannon in the montage because I do believe part of it was that they didn’t really have scenes that fit and would have had to film them specifically which would then have to fit into the timeline / storyline before and also mostly it was about Shannon already being dead meaning she is no longer part of the family Eddie can come home to, so it makes a hell of a lot of sense for her not to be included, guys!

That being said I do believe Buck being in it quite a lot means something about how much of a part in Eddie’s family he is! Which is a big part and something I love about them a lot!

- Also Buck was so very happy Chris came to visit and then immediately walked over, which doesn’t really have any relevance except I thought it was cute and this is my guide.

3.16: „The rope was a metaphor after all“

- Obviously it was meant jokingly, but Eddie would have loved if Buck came and not just because being alone with a bunch of 9 year olds is no one’s idea of a fun evening and Eddie could probably use the help (still hoping Carla was there with him and still surprised Eddie was in such a good mood during the pool scene after), but because he likes to spend time with Buck and he did wanna celebrate with him - but he was also very aware that spending the evening with 9 year olds was not what Buck envisioned so he said it jokingly.

3.18: „Traincrash? More like train WRECK? *cries*“

- “Whoa! Whoa! Two weeks from home? Isn’t Chris kinda young for that?“: I don’t think I need to say more about that scene really, I think everyone who saw it understood that it confirmed the 118 but especially Buck being fairly involved in Christopher’s life and how that confirms: Buck = part of the Diaz family.

- Also all the interactions between Buck and Chris at the party both with and without Eddie around I mean, yeah, again, meaningful!

- In conclusion: Eddie, Chris and Buck are family and dems the facts!

Connection and love life

Now, this is where we are slowly going subtext and also really interpretation heavy!

The title might be a bit missleading but I didn’t really know how else to sum all aspects up. Basically this theme is about their love live but also about the parallels between their storylines - especially when it comes to their love life!

Also this theme isn’t organised by episode but by subtopics because I summed up so many different aspects here.

Parallels in their storylines:

- 3.15 / 3.16 and the rope metaphor as a metaphor for their dating life:

Technically the rope is a metaphor for their lives and them letting go of things in general but especially about their dating life because for Eddie in my opinion this is when he really fully comes to terms with Shannon’s death while Buck finally admits to his abandonment issues, in part caused by Abby leaving.

(Side note: the fact that Eddie choose to cut his line just like he choose to actually do therapy to deal with his issues for Christopher’s sake while Buck’s burns away and he is literally forced to deal with his issues through being confronted with Red and running into Abby at the train crash is … something.)

Their dating life is being paralleled:

This really isn’t technically something that explains why you should ship them but I do think it’s interesting that from the get go their love lives have been happening in parallels / contrasts to each other? As if they were connected? Magnets?

So yeah, that and also it goes like this:

- 2.01: Eddie references Buck being single

- 2.02 / 2.03: Eddie first mentions Shannon but indicates a break-up / Buck meets Ali and seems to bond with her

- 2.04: both refuse to hook up with any of the girls at the bar and don’t want to date because they consider themselves taken (I know Eddie says it’s about Chris but Buck called bullshit here and text told us to trust Buck on what he says about Eddie)

- 2.06: Buck flirts with Taylor and Eddie acts a bit jealous

- 2.07: While Buck finally comes to term with his break up with Abby in her absence, Shannon returns and we learn that Eddie has sort of been holding out hope so far (they kiss in the end) (Also Eddie and Shannon and Buck and Taylor both happen in parking lots which probably only means they ran out of location money but still!)

- 2.08: Buck hooks up with Taylor, then meets with Ali and begins dating her

- 2.10: it’s revealed that Eddie has been sleeping with Shannon and Buck is miffed

- 2.11 - 2.16: we get a few mentions of Ali and some scenes between Eddie and Shannon reminding us both these relationships are happening and they are growing closer

- 2.17: Shannon thinks she is pregnant, Eddie wonders about their relationship, Shannon wants a divorce but dies before they can go through with it

- 2.18: Buck gets a new apartment because of Ali, their relationship seems ready to become more serious, then Buck gets hurt and Ali is traumatised by this and tells Buck she needs to rethink the relationship

- 3.01: it is revealed that Ali and Buck broke up

- 3a: both of them work through the trauma of the past few months, no references to either of them dating are made, romantic and / or domestic scenes happen between them instead, the ambiguous „us“ happens

- 3.11: they are asked about their relationship-status to remind us about them being single (AND THEY LOOK AT EACH OTHER? Wow.)

- 3.12: It’s pointed out again that Buck is single but he says he prefers it that way while Eddie meets Ana and shows some interest in her, then during a call Buck indicates that he might not be as happy being single as he told Madney and Josh while also seeming a bit happy Eddie won’t be dating Ana (probably)

- 3.15: Eddie finally fully comes to terms with his past, including his relationship with Shannon and her dying

- 3.16: Buck reveals he might still be hung up on what happened with Abby and he realises he needs to move on, the ambiguous „Us“ is brought back

- 3.18: Buck runs into Abby and actually moves on

- Side note: considering 2.08 and 2.10 and 3.09 and some remarks made throughout the show, Buck and Eddie are somewhat aware of the relationship struggles the other had which isn’t really relevant but also sort of is

Parallels with canon couples

This is TV and TV and especially shipping lives through tropes and parallels inside the story to subtext tell you something you need to know without actually having to say the words, but just to plant the idea in the viewers head.

For example, and please I am just spitballing here, you are writing a show about Lifeguards. And there are these two characters who are named … Paddie and Tucker. They have amazing chemistry and they are best friends and love each other a lot. Now, you, as the showrunner, are considering making them a romantic item but you need to do it slow cause while you do have queer characters and a queer following this show is fairly mainstream and also the characters have presented as straight in text so far. So you need to do crumbs, right?

Okay, so how do you best do that? Well, Tucker is known as this really caring guy and very open with his feelings and he freaks out when someone he loves is in danger - so you put Paddie in danger, right? Proofs he loves him, right?

But then you want it to have some deeper queer implications, right, in case you do decide on making them romantic? So how do you best do that? Well, lucky for you, Tucker has a sister. And you were planning on putting her in danger as well this season anyways, so you just have Tucker react a bit more subdued here, right?

But then you really want it to hit people, like you need people who are more casual and mainstream and might not have noticed the romantic undertones Tuddie has had to notice that, right? So you put these two episodes back to back.

Except „Paddie Begins“ is set to air first and well, Tucker IS known to lose his shit about people he cares about being in danger, so they might not actually notice anything more. Or they will just consider Tucker not reacting as hard about his sister, Sadie, being in danger bad writing. And you can’t have that!

So how do you fix that? Well, you just change the episode order! Now the episode with Sadie in danger airs first and people will spent a week complaining about how out of character Tucker was and it will be still on their minds when „Paddie Begins“ happens and Tucker goes feral and it will hit EVERYONE! Like damn, apparently Tucker cares more about Paddie than Sadie? Why? What makes Paddie so much more important?

Anyways, this is how you test out an idea in TV and why tropes and parallels are important…

Moving on:

- 2.14: „‚It’s a miracle… bro #nohomo’“: Now I have already written a bit about Buck’s reaction to Eddie potentially dying to safe the kid and while it is fairly tame for Buck it’s still something you usually see a guy do for a love interest (Any of ya’ll watch „Chicago Fire“? Because I watched like the first two Seasons and the main „Will they / won’t they“ - couple had a scene like that about once every three episodes. Cause it’s a trope!)

- 3.02 „Eddie hates earthquakes - the remix“: This is a teeny tiny bit of a stretch and there wasn’t even any nice cuts to anyone in the firefam to indicate they were referenced (which I found odd, considering this would have also fit for Bobby) but the guy who got impaled with his son in law said: „She‘s the love of my life but he‘s her‘s.“ which considering this episode has Buck doing everything to protect Christopher means a lot and I think about it once a day, okay?

- 3.14 vs 3.15 vs. 3.16 vs. 3.17 vs. 3.18 - Losing the love of your life and how to deal with that:

This may be the biggest parallel of all, and maybe I could have included 2.14 as well but I didn’t because it’s a whole season removed. It also seems meaningful that this episodes happen one after the other, making us naturally compare the scenes and see / look for patterns.

But to explain real quick:

In 3.14 Maddie is in danger and Chimney, who is her boyfriend and told her he loves her just one episode earlier, freaks out completely

In 3.15 Eddie might die / is considered dead by several of his friends already and Buck utterly looses it! We are talking frantic screaming and trying to dig Eddie out by hand and running around trying to figure out ways to save Eddie only to turn full on catatonic when none of that works. I mean, his mood turns faster than mine when I am hangry while on my period and that is saying sth!

3.16 could be considered a bit of a stretch but we do see Red lash out a lot when he realises that Cindy, the woman he considered the love of his life and someone he pined after for quite a while doesn’t exist like that anymore.

In 3.17 Athena is put in great danger and Bobby is forced / able to listen to it and while I am not sure if the blank look on Bobby’s face is bad acting, a deliberate but accidental acting choice OR done consciously in a way that mirrors Oliver’s acting in 3.15 - it’s there and it’s a parallel and we can watch it and compare it and see it.

To bring this whole thing home for us they contracted another outside player in the form of Connie Britton playing Buck’s ex-girlfriend Abby, who similarly to Red and Buck, turns frantic upon possibly loosing her fiancé and starts panic and lash out a little, which is fair and also part of a motherforking pattern, ya’ll!

- Another fairly obvious parallel between 3.14 and 3.15 is Buck telling Sue - as the watch Maddie and Chimney hug - that Maddie already has everything she needs when Sue asks him why he didn’t immediately rush toward his sister. Which can be compared to 3.15 were he does immediately rush to Eddie’s side and support and hug him!

-  I’ve already written about 700 words on 3.17 and the line „Buck invites Eddie“ so I’ll just point you back toward that part of the guide where I pointed out that Buddie was actively compared to the three main canon pairings here. Which is a lot and also could have been avoided and probably queerbaiting.

- Again, teeny tiny bit of a stretch maybe but like, we’re here to talk about anything in canon pointing toward Buddie and also this is my guide and I do what I want but in 3.18 we learn that Abby is now engaged to a single father and considering she was only gone for about two years (Season 2 takes place over the course of one year and in 3.13 we learn that Madney has been dating for just under 11 months so unless there was a time jump somewhere in the last 5 episodes we weren’t really told about, we clock in at about 2 years and maybe one or two months, tops, at the end of Season 3), they have been together for less than that time, even if we think Abby already knew him when she was still dating Buck. Which timeline wise puts them meeting maybe around the time Buck met Eddie, maybe a bit after, meaning Abby met and began dating and fell in love with and decided to marry a single father in the same timespan Buddie did … whatever it is they are doing! Which is meaningful because for the viewing of the Abby/Buck relationship which I am glad more and more people are realising was very unbalanced and provides an interesting parallel to Buddie because this means Abby and Buck met and developed feelings for a single father around the same time. Idk, I understand that the whole father thing was to make Buck care even more but damn, it’s a parallel so I mention it!

- Michael and Doctor Hale vs Eddie and Ana (3.17/3.18 vs. 3.12ff.)

Now, of course we need to realise that Eddie and Michael are fairly different characters and Michael has way less relationship related baggage than Eddie has which is why he goes after what he wants way faster (also, carpe diem, he just found out he won’t die). Also of course, there is no moral component to address in Michael dating some doctor vs. Eddie dating his son’s teacher, but still:

Michael and Dr. Hale had one scene together and it wasn’t even overly flirty and yet, we knew where it was heading, we felt the chemistry and everyone ended the episode saying: I ship it, more of that - which they did give us, just one episode later. They had some awkward moments, yet the show never left a single doubt in your mind where this is heading.

Now look at Eddie and Ana:

First of all we learned more about Doctor Hale in the two short scenes than we did about Ana in four scenes. That seems deliberate.

Second, while we do realise Eddie thinks Ana is attractive from the get go she repeatedly shuts him down by pointedly saying „Mr. Diaz“.

Third, every scene between Michael and Doctor Hale was romantically coded and we know where this was heading while aside from the initial scene between Ana and Eddie and maybe the second scene there were no hints of romance between the two. In fact in 3.15, an episode that is about Eddie moving forward in his life and letting go of the past she is both mentioned and actually appears, yet there are no hints of romance and romantic interest, not from Eddie and not in form of teasing from Buck and especially Carla, who pointed out Eddie’s interest in her previously. Soooooo…

Parallels with Love Interests

Now, obviously we also cannot talk Buddie without talking about them dating in general and then relating this to each other. In other news: there are parallels between each and every love interest Eddie ever had and Buck and also between Eddie and Abby.

(Side note: I could probably also find parallels between Eddie and Taylor and Eddie and Ali but tbh both of these barely qualify as love interests, especially Ali, who despite actually being in a relationship with Buck we know nothing about (hi, original Ana! You did good and I am sorry people hate you for having boundaries!))

Eddie paralleling Abby

I mean the truth is we don’t even need Eddie paralleling any other girlfriend of Buck cause there are so many between Abby and Eddie!

- Abby and Carla vs. Eddie and Carla:

The biggest one might be parallel that both employ Carla and why. Which is in part because Buck brought Carla to Eddie but goes deeper than that.

There is that conversation between Bobby and Buck about Abby and her mother in 1.09 when Buck wanted to break up with Abby and Bobby basically said: if you wanna date someone you have to love them baggage and all and should be there for them as well - and while Buck did try doing that with Abby, well, Patricia died before he could fully step into the ring and then Abby left, BUT he showed no hesitation after that to step right into Eddie’s life, into his issues, with him. And he even brought in Carla as a baggage carrier, isn’t that nice?

Also the whole reason why they need Carla around in the first place as both of them are taking care of a family member (plus the fact that Christopher is a literal child so even without CP Eddie would need help taking care of him working the hours he has).

Also tía Pepa quite literally calls Eddie a saint and I am pretty sure Abby was called sth similar by Carla and Bobby in Season 1 though I don’t care enough to check mainly because the implication was there all through the first ten episodes about how Abby was such a great person for taking care of her ailing mother.

But really it comes down to the parallels between Bobby telling Buck that a real relationship is about sharing the load and the conversation between Maddie and Buck as well as anything else in 2.04 where Buck is so desperate to be there for Eddie and help him.

- There is also a definite parallel to be drawn between the conversation Abby and Buck had in the Jeep while looking for her mom about how Abby hasn’t had sex in a year and Buck asking Eddie about dating in 2.04. It’s a little subtextual, but between the expression on his face and the topic and the teasing and the walking shoulder to shoulder it does feel alike to me so I mentioned it.

- street fighting vs. the apology: losing yourself

Now this one I love a lot because while it does happen half a season apart and isn’t explicitly expressed on the show: Eddie’s whole ark in Season 3a is about losing control and by extent losing himself because Buck wasn’t around. Abby meanwhile talks about how she found herself after she left LA and how she would have lost herself again if she returned to Buck (which is absolute bullcrap but not the point).

- There are also some parallels to be drawn between Buck, Eddie, Abby and Shannon (and technically also Maddie) and the whole leaving each other thing, with Eddie leaving Shannon for the army without consulting her about it while Abby left Buck for Ireland and then also the lawsuit where in a way Buck left Eddie like Shannon did, being so caught up in his own feelings he didn’t consider what Eddie (and Christopher) were going through.

But we can also acknowledge how it must have felt to Buck with Lena / Eddie taking Bobby’s side like he was once again replaced / left for someone else, much like Abby left him for Ireland and Maddie left him for Doug.

Buck paralleling Ana, Lena and Shannon

Buck on the other hand side parallels Eddie’s love interest a lot sometimes down to the clothes (and yes, technically Lena isn’t a love interest but Ryan Guzman thought she was and aside from the fact that he’s into women that could beat him up (which for once, not judging you, bro) and considering the parallels with Buck … that means if Buck was a woman, well, ya know?) so let’s talk about that

- Buck and Shannon:

I’ve already talked about that one a lot so I will only mention it here real quick but the whole Eddie not trusting Shannon vs. trusting Buck despite his betrayal again like right away once he apologised (which yes, what Buck did was not as bad and far more justified) and letting him back into Christopher’s life IS a parallel, considering for example how Shannon asks about Chris missing her (though it’s been over two years, at one point children just stop asking as we know Chris did) and Eddie telling Buck Chris misses him in the grocery store scene.

Also Eddie not trusting his wife and Chris’ mother with him fully even after they reconciled and him telling Buck he was the one he trusted most in the world when it came to his son is … something.

There is also a little parallel to be drawn between 2.17 when Shannon goes for ice cream with Christopher and Abuela and Eddie is all like, well, don’t come crying to me when he won’t sleep because sugar high and saying basically the same thing to Hen and Chimney in 3.02 when they ask about „Operation: Buck up Buck“ because Chris ate loads of pancakes.

Also Shannon in 2.07 said she needed Eddie to have her back and Eddie says he always did but Shannon disagrees (which might be a little how Buck felt with the lawsuit) and you know, Buck and him agreed to have each other’s backs just six episodes earlier.

- Buck and Lena:

 Now, with Lena, despite her being most connected to Eddie, the first (and second) time we actually see her is in 3.01/3.02 through Buck, which connects the two from the get go.

Eddie then finds out she was at the pier in 3.02 (before meeting her) just like Buck (though he doesn’t know that) and then meets her in 3.03 and she spends the whole episode running around LA trying to find her Captain while injured, much like Buck is doing in the same episode.

I also mentioned in my meta-series how I think one of the reasons why Eddie likes Buck so much was that Buck wasn’t impressed by his military background like everyone else (or his looks, I mean, it was probably more about his looks tbh) and how when Buck started liking him it was really about Eddie and not whatever he had heard about him - yet Buck was / is still never afraid to call him out bullshit, much like Lena from moment one.

There is also the fact that Eddie goes to her for advice and she literally uses Buck’s locker (and will I ever stop laughing about the tape? Probably not, I think it was hilarious, okay?)?

Then of course we have Buck in 3.04 reacting quite similar to seeing her for the first time as he did with Eddie in 2.01, even saying basically the same thing.

- Buck and Ana

Now, Ana is an interesting case because we see her a total of four times and she is mentioned two more times throughout the show and each and every single moment is connected to Buck somehow and sometimes so very unsubtle to.

In „Fools“ we cut from Buck saying he likes being single to Eddie doing parent-teacher conference and yes, meeting some other teachers first but also Ana, showing us that while Buck is fine with being single - Eddie might not be. And then Eddie introduces himself as Eddie and Ana knows immediately this is short for Edmundo - unlike Buck in 2.01 who guessed Eduardo? Also, Carla’s „big blue eyes“ line which is a little clown-y, so take it with a grain of salt that it could connect us to Buck.

Then of course her next scene is Eddie getting in her face about Christopher being hurt. Later in the episode we see Buck reference this on a call, meaning either Carla or Eddie told Buck about it (I am leaning a little toward Carla making fun of Eddie in front of Buck and Eddie then having to come clean about all of it, because I cannot wrap my head about the idea of Eddie telling Buck about having a crush, I’m sorry.) (And will I ever be over Buck being so gleeful that Eddie will now be dating the teacher after all? Because boy was close to cackling which even if he was in love with Eddie at the time and therefore happy he wasn’t off the market - still quite rude for a best friend if you ask me! Like, sure, do that but in front of strangers?)

Her next scene is Eddie coming to apologise to her and she gives her speech about limitations - which we can of course connect to Buck and Eddie talking about Christopher and his limitations before that and then afterwards going skateboarding with them. (It does feel a little deliberate.)

And then of course we have „Eddie Begins“ and you guys, they could have very very easily have either Carla or Buck make a joke about Mrs. Flores and Eddie’s crush in the firehouse scene, but they didn’t! And then we do get to see her at the end where she has one whole line and Eddie barely looks at her and you know what happens? They have a child ask the same question Buck asked at the beginning about ever just wearing the medal (which sounded very not straight in its delivery, Mr Stark, what were you thinking about?), making us think of Buck. Like, it would have been enough to establish Eddie doesn’t feel like a hero if the question was asked only once - twice in the span of 45 minutes constitutes a callback, meaning we are supposed to think of the other scene and that means thinking about the other person that asked, which was Buck.

Is this … flirting

Now, some of these are quite ambiguous but there are several scenes that imply they consider each other attractive or feel like flirting and here they are:

- 2.01: „I think I’ve seen this in porn before“

Now, we all know Buck’s initial dislike of Eddie was about Eddie being to good at the job and Buck being afraid of being replaced, but considering one of the first things we hear about Eddie is Hen saying that boy is so fine it transcends sexualities and considering they talked about the calendar which chooses them based on hotness just before and then all the references to the calendar throughout, it stands to reason that Buck considers Eddie attractive.

Also their whole conversation during the gym scene, what was any of that? I mean, Buck thinks the pictures of Eddie are professionally done which means he thinks they are good which means, yes, Buck thinks Eddie looks good in those!

Plus the whole scene is riddled with (sexual) tension. From Buck constantly increasing the weight he is lifting, while throwing looks at Eddie as if double checking that he sees he could bench press him and the way he gets in Eddie’s face to Eddie’s veiled barbs about the girlfriend breaking up with him and doing the same thing as a firefighter but he was getting shot at. I mean, what was that if not the beginning of a porno? (And here we have our first parallel between Buck and Eddie as we find out later because Eddie, too, has been left by a woman. Now the real question would be does he consider them broken up?

Not to mention that when Bobby tells him at the end of the episode that he wasn’t chosen Buck immediately assumes Eddie was and also is so very happy for his new friend, because he thinks he’s hot (right?).

- 2.04: „Hearteyes, motherforker“

In 2.08 Buck has a conversation with Chimney about his pick up technique and well, did anyone in production watch this episode because when Buddie walks away from tailpipe-girl-emergency he literally does everything he described.

Also Maddie says the words „Does this man crush on Eddie mean you are finally over Abby?“ to Buck and his only reaction is „Cute.“ meaning one) Maddie has teased him about his Eddie gushing before and two) maybe Buck does have a bit of a crush?

- 2.06: „Bucky Barnes murder strut - 911 edition“

Again with the Maddie and Buck scenes!

Basically what happened was Maddie talked about how cute Chimney was but Buck assumed she meant Eddie because apparently if someone says cute, Buck thinks Eddie. This is just a fact, okay?

- 2.14: „‚It’s a miracle… bro #nohomo’“

Like my name for the episode already says, there is this scene were Buck and Eddie stand next to each other and Eddie says „That was incredible!“ and Buck who is already standing in Eddie’s space leans in further to basically whisper the words „It’s a miracle.“ into Eddie’s ears and then lean back a little and I am not sure if that wouldn’t fit better with Subtext but also Buck looks at Eddie like he wants to eat him alive and Eddie looks like he would let him and say thank you after while still embarrassed because he cries during sex.

You know, acting.

- 3.04 „discount!Buck in the house!“

Listen, I am convinced this is all Ryan considering the reaction of Kenny / Chimney and Aisha / Hen but that doesn’t change the fact that they used a take which had Eddie stare at Oliver / Buck’s butt the whole time and I mean, what horrible things happened in the other takes that made production choose this one unless they want us to see Eddie looking at Buck’s butt while Chimney and Hen stand around looking amused?

- 3.09: „#tw: mild adult themes & implied sexual content / #pwp - porn without porn“

Listen, from the moment Buck says „Cause you would prefer working it out in the ring?“ and then does this dorky thing with his arms while Eddie smirks into his beer about how he fought in a cage not fenced in (which, I’m a little unclear on the distinction I think, but I am nitpicky af so who am I to judge? Probably just stuff getting lost in translation) that whole scene changes vibes, going from apologising to teasing. And I think it’s very interesting that this is when Buck chooses to come closer (and then keep coming closer until he is right in Eddie’s personal space while touching his belt which we all learned by now means he is thinking about sex) and they have this whole conversation about who could take who which happens in sort of half sentences and does not feel like they are talking about fighting each other at all.

I mean, Buck keep coming closer, while Eddie stands there rooted to his spot, leaning against the bar, smirking, like every hot guy in a bar ever who knows one smile and a bit of smolder and they will come to him (which Buck does, playing right into it, I mean, come on, bro, weren’t you once a serial dater? How do you not know how to play hard to get?) and holding the beer (you know, phallic shaped obj- okay, I’ll stop here, it’s a reach), occasionally drinking, like maybe he tries to draw attention to somewhere or he has a very dry throat and honestly: this is how porn starts!

I don’t think my writing (or anyone’s writing really, not that ya’ll aren’t talented af) can properly express how very not platonic and innuendo-heavy this scene felt.

- 3.13: „‚Bro, what if I flirted with you in a bowling alley while out on a call?‘ - ‚Bro, what if I invited you out to lunch after telling a friend to say I love you before it’s too late?‘ - ‚BRO 😍‘“

Again, the title gives everything away but like so many scenes between these boys that moment at the bowling alley when Buck channels Arnie and Eddie is all: you’re a dork and also wrong! and then later when Eddie invites Buck to get lunch (which is sort of Eddie’s thing, remember 2.01?) after earlier telling Chimney to tell Maddie he loves her if he has a chance because he might regret it. And to really drive the point home or maybe make it in the first place, after Eddie asks Buck - and only Buck - to have lunch with him, Buck then declines because of a little blood (Evan, come one, you’ve seen worse! I know I have!) - only for Chimney to consider this the push he needed to invite Maddie for dinner so he can tell her he loves her.

So, you know, platonic.

- 3.16: „The rope was a metaphor after all“

I mean, what was that scene in the locker even with Eddie leaning against the doorway all cheeky and grinning like: yeah, come hang out with me! - obviously it was about Buck never saying yes to babysit a group of nine-year olds when he could be out drinking (as someone who works with kids, I approve), but yeah, that’s not what it felt like? So unless ya’ll cannot act anymore this was deliberately a bit over the top and ambiguous.

Jealousy

Now, no good ship works without jealousy and neither does Buddie so here are some examples of Buddie being jealous.

- 2.06: „Bucky Barnes murder strut - 911 edition“

Now, your probably saying: Bucky Barnes murder strut? That’s a tall order! But damn, Ryan nailed that, okay? Listen, we’ve seen Eddie walk out of uniform several times at this point and NEVER before and never after has he struted this predatory. Eddie walks tall and military, you know, the way he stands, Eddie doesn’t strut!

Yet, here he does! And what I love about this scene is that we see him in the background while Bobby talks to Taylor, working out with no care in the world - and then Buck comes over and flirts with her, suddenly Eddie feels the need to be part of the conversation?

And he doesn’t even wait until he is standing next to them to talk, he calls over while still sitting on the lifting things.

So yeah, that one is him being jealous.

- 2.10: „It’s all about ‚not my business‘“

- Now 2.10 is a great episode for Buddie and in part it is due to Buck’s facial expressions in the background and out of focus of the camera when Shannon comes to the station.

I mean, Oliver always plays Buck very intense and expressive and with his whole face but that was a bit much, you’d think he just found out Eddie broke a vow of chastity or had an affair while being married (which technically is what Buck compares it to later so kinda makes sense he looks like that but also doesn’t, Buckeroo, what’s the big deal? Did Eddie show up at your doorstep a week earlier telling you what a punk ass bitch his wife was, or…?)

- 2.17: „*fridges female character for man pain* Haha, we’re so random!“

„Talk to Bobby. Maybe he can get you guys a discount.“: There is a point to be made about Buck just not liking Shannon considering everything he knows about her and has heard about her, the same way Eddie doesn’t Abby, but still. This scene and this line, Buck does not sound happy for Eddie or truly interested and yeah, it’s off and it seems jealous.

- 3.04 „discount!Buck in the house!“

It’s actually not just my interpretation, it’s actually - between the similarities to 2.01 and everything that happens after with the lawsuit and how Buck explains himself - literal text that Buck was jealous here with Lena. So there!

- 3.09: „#tw: mild adult themes & implied sexual content / #pwp - porn without porn“

Tim Minear please send me over some scripts or have someone call me and explain what they were going for with the „You had sex with your therapist?“-scene because Eddie was so huffy and offended and I need to know!

- 3.12: „There’s a horse loose in a hos… school“

Buck sounds awfully gleeful Eddie will probably not date Christopher’s teacher and while that might just be him making fun of his best friend being so very overprotective and short tempered when it comes to his son (Mr. Control has left the building!), still, it reads a little like jealousy over some unknown pretty woman Chris might have mentioned some time and Carla probably described in great detail when she told Buck all about Eddie losing his cool!

- 3.17: „LegsTM“

It’s technically not really a jealous moment because it’s not Eddie being jealous but Buck simply refusing to mention his ex-girlfriend here, but considering 3.18 and also and most importantly the fact that there are only two other people in the truck, one being an unknown firefighter driving the truck and the other Bobby, who very much knows how Buck was supposed to take a hot air balloon ride with Abby, for who but Eddie was Buck concealing her identity for because Bobby already knows?

There really is only Eddie left, who probably figures out what Buck was about as well because bro may not be Buck and his out of the box thinking smart but he is fucking smart and he can figure shit out as well! Yet Buck refuses to mention Abby’s name and for what? So he can pretend Bobby and Eddie don’t know he is still bitter about her? I mean, fucking hell, send over the motherforking scripts, Minear, I am done with you!

- 3.18: „Traincrash? More like train WRECK? *cries*“

While I think Eddie is being more protective than jealous here, he is awfully involved and he is uncharacteristically out of control and emotional here and I wanna know why? Does Abby being back remind you of Shannon? Is it jealousy? WHAT IS GOING ON??? WHY YOU SO MAD, ARMY BOY???

Subtext

Now, I am first gonna talk about Subtext things in general like clothing choices, music and cuts between scenes and I am gonna be honest, I probably missed quite a few!

- One of my favourite is that while Buck wears the same colours in 3.03 as Shannon does in 2.07, Eddie wears the same exact shirt - and considering the fact that Ryan got buff between Season 2 and 3 that was deliberate, someone bought that shirt again because we are supposed to connect these scenes with each other!

- As I wrote before in 2.10 we can see Buck and his reaction out of focus when Shannon comes to the firehouse to talk to Eddie and ya know, why?

- Tim Minear himself said the elf in 2.10 was an easter egg for us Buddie shippers and he also said we can make out of the fountain in the background what we want, so there, Buddie is talking about Shannon and Eddie having sex and how much that messes shit up while a fountain shoots water in the background and yes, that is an innuendo and subtext and I hate it a little.

- 2.13 has this hospital scene I love a lot and you know what? Buddie is basically dressed the same, because the subtext of this scene is these two are alike and connected and they GET EACH OTHER.

- Another scene I really love is in 3.01 when Buck comes in for the surprise party because not only does he not hug his sister or Athene but runs up to Eddie first, Bobby actually shoves Eddie at Buck so he is the first person Buck hugs (and then the hug itself, what was that? The way they hold onto each other for a moment just looking while their hips are still touching?! Is that how you two hug because I want in!).

- Also they are dressed basically the same, should we discuss this as well?

- And still in 3.01 when Buck thanks Bobby and they talk and Bobby tells Buck he’ll find someone better and then asks him if he is doing okay, the first person the show cuts to is - nope, not Evan Buckley’s sister who is also there but his best friend, Eddie! Jup!

- And still in 3.01 when the firefam talks about helping Buck in the firehouse, Eddie first acts dismissive but the scene ends with Bobby saying Buck has them even though he may not believe that right now and half of that is said while the camera is on Eddie’s face who looks thoughtful - only to cut from them to Maddie and Josh discussing the same thing and mainly how Maddie doesn’t know how to help Buck and what he needs from her. Which you know, the episode ends with Eddie basically giving Buck a swift kick in the butt like she though he might need (and then 3.03 has Eddie basically telling Buck everything is gonna be okay, so we see Maddie talking about helping Buck but never see her doing it and instead we get two scenes of Eddie being there for Buck and also no Maddie in relation to the lawsuit but an extreme focus on Eddie? Writers, I see you and you aren’t wrong!)

- Also worth another mention is the cut between Madney talking about children, saying Buck didn’t have any either - to Eddie waking up Buck so he can babysit Christopher and specifically calling Buck „his Buck“ to make us think on their relationship and let us know how close they are and also to tell us to not trusts everything Maddie says about her brother because she gets shit wrong.

- In 3.03 after Buck tells Eddie he lost Christopher and then Eddie sees Christopher and rushes over and and Buck collapses and while Eddie holds Chris after he checked for injuries and Chim and Hen and Bobby hold Buck and Bobby asks Buck if he is okay, well, this whole time Buck is staring at Chris and Eddie and Eddie is staring back at him and Bobby, if you wanna know about me, gotta tell you, I am not okay?!

- And then we have the loft scene and yeah, okay, this deserves 5000 words of his own, from the fact that they played „Photograph“ by Ed Sheeran which includes lyrics about how they will never be alone and how loving can heal and mend your soul and the fucking song ends on the words „Wait for me to come home“ just as Eddie knocks and brings Christopher over and tells Buck there is no one he trusts more with Christopher than Buck and I am sorry, what are we supposed to think here? This show is from the US, these people speak english, it’s not like these lyrics leave much room for interpretation!

Not to mention the whole monologue Buck did about being lost and not knowing how to get from where you want to be to where you need to be before Eddie showed up and then talking about how a few choice words can sometimes be the life raft one needs to get home and how we are all just searching for someone to see us? I love Maddie and I love the Buckley siblings, but damn, she’s not the one he has been searching for!

(And I keep bringing up Maddie here because as his sister she is the person Buck could feel closest to and should care about the most and be cared about the most by and yet all canon evidence points to Eddie being that person! Also she is the person next to Eddie Buck has the most scenes outside the firehouse with.)

- This one is a bit of a stretch but Buck looks very uncomfortable during the whole deposition in 3.05 but he looks everyone in the eyes until the lawyer mentions Shannon and suddenly his lap is so much more interesting and yes, after is when all of them get asked the really hurtful question but still, this is when Buck stops being despondent and realises, fuck, I went a bit to far

- Someone please find for me where the director talked about purposely framing them as romantic in the apology scene because I cannot find the post for the life of me, but never the less: In 3.06 during the apology, in the beginning of the scene we see Buddie from quite a distance and Eddie has his back turned toward Buck and there is a column in the shot to visually indicate the divide and yeah, the whole framing is quite something and the way the camera angle goes from far away making it seem like unbridgeable distance cutting to closer shots and how we slowly see alongside the words hey, they aren’t actually that far apart, like yeah, this scene was something else!

- Not a direct cut but during therapy Eddie talks about how he wants to be at home with Chris because he is the one good thing he has going for him and the one thing he gets enjoyment out of (because he is so fucking depressed and I cry), yet when we later see Chris and Eddie together it is neither in Eddie’s house nor are they alone, nope Buck is there as well, meaning Buck is considered a part of that one thing even if he wasn’t explicitly mentioned!

- During 3.10 when they take the photo with all of them Buck is grouped between Madney and the Diaz family, like right between and not just next to them. Also earlier when the eat Buck sits next to Christopher who sits next to Eddie and therefore on the opposite side of his sister and her boyfriend.

- Yes, they were probably amused by the meddling mom asking then „Are you boys single?“ in 3.11 but come on! They look at each other and smirk? For real? Hand over the script, Timbo!

- Also as mentioned before the fact that when Chim and Eddie talk about family and the 118 being the family they choose the camera is on Albert, Buck and Christopher, no one else is in the shot. And of course the song that is playing here, another song about home.

- The callback to Buck in 3.12 of Ana immediately guessing Eddie is short for Edmundo unlike Buck as well as Carla saying blue eyes (which Buck has) is also Subtext.

- Said it before but: the scene in 3.13 when they arrive at the hospital and Eddie asks Buck out to eat and then Buck changes his mind but Chimney runs off to call his girlfriend because he wants to have dinner so he can tell her he loves her like Eddie told him to do at the beginning of the episode is … interesting.

- I already explained why I think Shannon wasn’t in that many scenes in the video in 3.15 yet Buck was in most of them but it bears repeating. Also again it’s subtext that Buck is part of Eddie’s family and Buck is very important to Eddie and Eddie loves Buck.

- Also the question about the medal in 3.15 and the little boy at the end repeating the question, sorry, were we not supposed to think of Buck here, Tim???

- Also just in general 3.15 focuses very very heavily on Buck and Buck’s reaction - much like 3.18 later does with Eddie. All the non-Eddie scenes feature Buck and Buck freaking out about Eddie potentially dying and Buck making plans and being frantic and the driving force of hope cause homeboy cannot even for a second entertain any thoughts on Eddie’s passing.

- The rope metaphor in 3.15 / 3.16 is of course also subtext but I already explained that one and don’t have anything to add really.

- This one is a little bit of a stretch but I do think there is a reason Eddie was the first one to be taken out of the equation in 3.16 and because of his son and not a love interest.

- Also the pool playing scene in 3.16 there visually we see Eddie and Buck together in nearly all shots, there are two shots of Eddie without Buck in it but not a single one of Buck without Eddie in it and considering camera angles and actors literally being told were to stand it is deliberate that Buck is only seen with Eddie by his side here.

- I’m repeating a lot of things here but Buck refuses to say Abby’s name in 3.17 even though Bobby clearly knows who he is talking about.

- „No. He stopped waiting for me a long time ago.“ cuts to „Summer Camp?“ I mean sorry, what were we supposed to think here? Because this does imply he really did stop waiting because now he has Christopher and Eddie!

- Not to mention it sort of hammers home what I wrote before how Abby is dating a single father and Buck is sort of dating a single father.

- Also 3.18 puts a lot of focus in general on Eddie and his reaction to everything when say, Bobby, who actually knows Abby and was there for the relationship would have made more sense - unless they are pushing an agenda here!

The first person we have Abby interacting with at the traincrash is Eddie and then Buck joins them and the scene literally goes: Eddie *talking to Abby* > cut to Buck, coming closer > Buck: „Abby?“ > cut to both Abby and *Eddie* > Abby: „Buck?“ while the camera is still on her and Eddie > cut to just Eddie’s face having a realisation > cut to Buck

So sorry, why do we focus so much on Eddie here, Mrs. Lynch? Is there a particular reason, oh director, who art also directed 3.01 and which has also loads of Buddie subtext?

There is also Eddie coming to stand visually between Abby and Buck when Sam is loaded into the ambulance as if he is physically putting himself between them and then Buck running back toward the traincrash and Eddie following him after and all the shots of them and Christopher during the party together and once again having Bobby asking Buck if he is okay visually connected to Eddie, though in reverse this time because the scene goes from Eddie and Chris having fun to Buck and Bobby talking. (And should we talk about how this is the first time Buck actually answers the question because finally he has an answer or are we thinking about that right before sleep today when it’s easier to cry?)

- Also very interesting subtext is the fact that Buck and Eddie wear nearly the exact same colour and a similar cut pullover when Buck talks to Abby at the end and when Eddie says goodbye to Christopher and I mean, thematically both scenes are about saying good bye and letting someone go? But also it connects Buddie with each other and connects these scenes, which Idc, I probably wouldn’t have done without the clothes?

Not sold seperatly

- Also subtext / visual thing is the fact that Buddie is basically always with and next to each other at the firehouse and on calls (and before anyone says: well, they are partners, Hen and Chim aren’t as much), and that is a long list so I am just giving examples: in 2.05 they sit next to each other at the table while in 2.06 they sit next to each other on the couch and in 3.08 they sit next to each other at the table again and then we have 2.02 standing outside and 2.04 walking away from the scene together and Eddie handing Buck a weapon in 3.17 and walking toward the ambulance together in 3.13 and several other times, the point is there are a shit ton of scenes of them being right next to each other in case you thought that was a fanfic thing!

„The Buck lens“ / „The Eddie lens“

I’m pretty sure there is an actual technical term for what I am trying to describe here but basically there are several instances where we see Eddie the way Buck does, meaning while the scene shows us Eddie doing something the focus is on Buck watching this. Sort of POV but not quite I guess? Also the reverse is true as well, even if those scene aren’t as pronounced!

- Let’s talk about 2.01 once again as we have done for most of this meta and finally, finally look at Eddie’s first scene which we all know is sort of gay and the first time we see Ryan shirtless because Tim accidentally wrote a certain quota of shirtless scenes he needed to do into Ryan’s contract and he needed to get started on those right away.

Also please remember while we as well as the core four are watching Eddie get dressed „Watta man“ plays in the background, which, considering we are introduced to Eddie through Buck’s point of view might be the song playing in his head here? Anyways, back to the topic at hand and how we as the viewers don’t see Eddie until Buck turns around and sees him as well. Which is significant because several times through the conversation between Buck, Hen, Bobby and Chimney we see the locker room in the background so they could have filmed that differently.

Instead they had Chim, who stands off centre, noticing something while Buck banters with Bobby about how he will get to represent the 118 in the calendar, then the camera changes angle so we no longer stand between Bobby and Chimney but rather behind Buck, making him centre stage and putting a focus on his reaction to Eddie. In this scene we have Buck framed by two people commenting on Eddie’s attractiveness. Now we don’t get to see Eddie until we have gotten all reactions of the core four to him, with special attention to Buck, both in filming and text with everyone taking a jab at Buck before walking over to introduce themselves to Eddie which leaves Buck alone, watching.

(Now keep in mind this scene also has Hen basically say Eddie is so hot it transcends sexualities while „Whatta man“ plays as Buck slowly turns around and Idk, mate, that does seem shippy to me.)

- Another scene that focuses very heavily on Buck is when Eddie rushes and hugs Chris at the end of 2.03. In fact for most of the scene we see Buck in the car watching them.

- Also, the hospital scene in 2.04 and how once again we see Eddie interact with Chris while Eddie watches them because fuck knows why.

- Similar to the Buck lens we have 3.10 where Eddie talks to Hen about Chris while the two (or rather Eddie since he sits at the centre) watch Buck play with Chris and Danny. This is significant because Buck is also placed in the middle, putting him opposite Eddie and also making him the focus of the camera for most shots when the scene was about Christopher and Eddie feeling guilty. Huh, we say!

- Something similar happens in 3.11, which is the next episode several months removed when Eddie talks to Chimney about the 118 being their family and while this time Chris is the one sitting in the front, Buck once again is in the middle and also in focus in a scene shot from Eddie’s POV.

Other people reacting to them / commenting on them

Now, I am not sure if this is really Subtext but who knows where else it fits in? (This is a rhetorical question, only my opinion counts around here while I write!) So It goes here! And I think the title is self-explanatory enough.

- I’m a little on the fence on the Bobby looks because - no offence to Peter Krause - he doesn’t have that many facial expressions in general, but yeah, at the mechanics Buck watches Eddie and Bobby watches Buck.

- Our first real one of those scene is the truly savage tía Pepa who is a woman after my own heart because she says the mean shit to your face and the nice things behind your back because she loves you but she loves vibe checking egos more! And well, she is understandably confused by Buck’s being there at the hospital and asks Eddie who that is and why he is here and gives one of the best lines of the show by being so sarcastic, because oh, you work together? Damn, wouldn’t have guessed from the fact that both of you wear LAFD t-shirts! (I love her!)

- In the same episode Maddie comments on Buck’s boycrush on Eddie and while I am unsure whether that is supposed to make it sound less gay or it’s Maddie saying: Bro, you sound 12! but oh well! It’s a comment on them!

- I loath a little to include the elf in 2.10 because Tim has said that was an easter egg for Buddie shippers and a tongue in cheek thing but yeah.

- Also Bobby watches the whole „It’s a miracle“ exchange in 2.14 with that look.

- In 2.18 we get some text on the screen when they help instagram girl about how hot the both of them are and also how THEY should be dating which I’m putting into the same box as 2.10.

- The fact that Bobby shoves Eddie at Buck in 3.01, like sorry, why was it so relevant that this is the first hug?

- When Eddie / Ryan stared at Buck’s / Oliver’s ass in 3.04 we see Hen and Chimney grin about it.

- I know I have said myself that Maddie’s reaction in 3.08 was due to the fact that she just said: can ya’ll stop gossiping - and Chim and Buck were like: sure thing! and then started gossiping but still.

- There is Buddie flirting at the bowling alley in 3.13 and once again Bobby gives them the look and yeah.

- In 3.15 everyone seems very worried about Buck especially and they keep reassuring as if he were Eddie’s next of kin.

- Again a Bobby look I am unsure of but in 3.17 we see him giving them the look in the truck and yeah.

Other people’s heartache

Now, as I’ve said in the beginning, I didn’t wanna just include my perspective on Buddie, so I asked a few other people about this and while this isn’t a representative statistical number it’s still interesting, right?

(Also originally this Guide was organised by episode and I would have included the comments when the things came up but alas that didn’t work and I think I turned a little grey because of that)

@buckleysbabe:

When i first watched 9-1-1, I had no idea that Buddie existed (i hadn’t been on tumblr a lot at the time so I hadn’t seen gifs or anything) and when i started s2 I really thought they were just best friends, but then 2x10 and the ”you two have an adorable son” scene happened and Buck’s ”thank you” and the shy smile AND I WAS ON BOARD!! That was really the first moment, then I got the confirmation after 3x03 and the scene where Buck sees Eddie in the tsunami scenery, and then the whole Eddie saying theres nobody in this world....like in that moment I felt like they were seriously in love 😍❤️

About the 2x10: that scene has so many things. Like the water fountain in the back, Chris in the scene with them (like they are a family), then the elf saying what she said, Buck being for a second like ”huh?” and then you see the light bulb going on when he’s like ”ohhhhhhhh yeah” and then he says thank you 😍😍😍 saying HE IS CHRIS’S COPARENT. AND THEN THE SHY SMILE

@theleftboobgrabber

Right off the bat I thought they had chemistry but I think the entirety of 2×04 is when I genuinely started shipping it. Like.... the constant heart eyes, the support, Buck trying so hard to be there for Eddie and Eddie absolutely never questioning it, the look Buck gives Eddie at the fire house was absolute fire (when Bobby tells Eddie Buck asked for Chris to stay with them) like Eddie's like you did this for me??? And Buck has just this massive Big Buck Energy from where he's sitting like "get used to it" and I remember absolutely loosing my mind that Bobby got the hug and not Buck at the end of the scene like in what universe??? And yeah the rest of the episode is just the same but that feeling of 'that's the wrong man you're hugging' was the tipping point

@emotionalsupportfirefam

Okay so mine was kinda two moments?1) when Buck took Eddie to Chris' school after the earthquake and we see his reaction to Eddie's joy and relief as he holds Christopher and then spends the next episode trying to find ways to help Eddie with finding a suitable caregiver/ support for Chris and 2) the fact the took them whole of five minutes to go from 'rivals' to the 'dynamic duo' after the grenade call.

@evaneddie

Honestly? Literally every scene they have is romantically coded. The first scene of them, with Eddie being shirtless and us seeing it from Buck's perspective with „Whatta Man“ playing? That's subtext.

You can have my back any day? Yo.

The scene when the elf Blair(e) said they have an adorable son and Buck just said thank you instead of correcting her before he literally skipped away?

Eddie showing up at Buck's apartment and Buck not even questioning how he got in?

The way Buck is like a second father to Chris and protects him like one in the tsunami?

"THERE'S NOBODY IN THIS WORLD I TRUST WITH MY SON MORE THAN YOU"?! REALLY EDDIE? WHAT ABOUT LITERALLY ANY OF YOUR FAMILY? OR CARLA? Baby, that's love.

THE HALLOWEEN HUG?!

THE KITCHEN SCENE, THE WHOLE SEXUAL TENSION IN THAT SCENE?! BUCK'S HAND ON HIS BELT, THE GLANCES, "I'D STILL TAKE YOU", ON THE COUCH EDDIE LOOKS TO BUCK'S LAP, LIKE COME ON!

"You boys single?" *Looks at each other*

"This is Eddie's house, I'm not really a guest"

Buck's breakdown when he lost Eddie under 40 feet of mud. That was not the breakdown of losing a friend, that was the breakdown on losing someone you love. There's a meta I saw once literally just for this scene alone, the way Buck dug so desperately at the mud with his bare hands, the screams of heartbreak, the way he collapsed into Bobby, the pure dissociation as Bobby was giving instructions later on, Eddie's memories filled mostly with Christopher and Buck. Sure, the others were there, but, it was FILLED with Buck and Chris.

Then the ending scene of the season?! What was he trying to do with the necklaces? Thrusting his hips towards Eddie, hitting him in the face, then that soft touch on his face?

@adamngoodbuck

Hey! Nice question and for me really easy to answer. I started watching the show back in 2018 when it first aired but I was a casual viewer. Very casual. So casual I actually watched everything up to 2x10 and then I thought it was the season finale so I forgot about it. And then season 3 started. And nothing made sense. So I checked and welp, I had to catch up. And I did and something started brewing inside of me. I wasn't part of the fandom yet. And then. The THE SEARCHERS happened. And that scene. The there's nobody in this world I trust with my son more than you scene. My icon scene. And I was done. Hook, line and sinker.

@the-family-we-choose-118 

My main ones were all the big ones: the kitchen scene, the end of 3x03, the Christmas episode one where Buck is helping Danny and Chris make gingerbread houses and then plans a whole party for the firefam, Buck clawing at the ground in 3x15, Eddie interrupting Taylor Kelly when she came to the station to do the documentary in Dosed, the fact that Eddie was introduced from Buck's POV with „Whatta Man“, the entire earthquake episode where Buck is reassuring Eddie his kid is okay and then drives him to get his kid later on, and the scene where Buck introduces Eddie to Carla in (I'm pretty sure it's) the same episode where Maddie asks him if his boy crush on Eddie means he's over Abby (that was my main one). And I was fully convinced when Eddie walked in Buck's apartment in the beginning of S3 and ripped his blankets off him and was so sure he doesn't sleep naked/wouldn't have anybody over.

And the „official“ part of the guide is done but I do wanna say something else real quick which is:

You have just read about 20.000 words I painstakingly wrote over the course of several weeks and while I get that meta is even more harrowing to reblog than gifsets or fics because meta involves so much opinion and interpretation and what if you disagree with parts of it?

Well, again, I invested a lot of time in this and also: IF YOU DISAGREE TELL ME!!! TELL ME IN THE REBLOG OR IN THE TAGS!!! Because different to fics and gifsets meta is a dialog and I can’t have a dialog unless people talk to me! I’m not here to lecture you on right or wrong, I am here to tell you: okay, this is how the scene looks from my point of view, what do you say? So honestly, please consider liking and reblogging and tagging and maybe talking a little about it with me, because screaming into the void is so very boring

(And also in general: reblog reblog reblog! All these funny posts you see on buzzfeed and instagram screenshoted from tumblr? Half of them were made great by reblogs and all of them were noticed by these sites because of reblogs)

Anyways, before I (REALLY) let you go it would be hypocritical now to not talk about some people who inspired some of this (but ya’ll have to understand I cannot talk about everyone)!

I can however say these four especially helped me write this:

- @diggorypuff , who I have never talked to but whose posts about interesting parallels actually sort of got me into thinking deeper about this show: (X)

- @ingu, who fairly recently did a series of gifsets on Buddie and how Buck is framed as Eddie’s love interest which gave me life: (X)

- @matan4il, who is such an amazing friend and does the most concice and well thought out metas on Buddie without having to watch the show a million times like other people we shall not name have to (me, I am talking about me). Find her buddie metas here: (X) 

- And most importantly my girl, my babe, my love, @chimbuckleys who is the voice of reason between us and always lets me rant about stuff and was the sounding board for this and so much else I have written - I couldn’t do this without you! (ALSO I AM GOING TO BED NOW, BABE!!!)

AND DEAR READER, you made it! Now go have a blessed day and plant some trees because earth is dying and we with it!

[valentinax]

[ VALENTINA ALVAREZ.   30.   CIS WOMAN.   SHE / HER ]  is here!   They’ve lived in Silver Lake for  [ 12 YEARS ]  and are originally from  [ PASADENA,  CA ].   They are a  [ BARTENDER AT DUNGEON & YOGA INSTRUCTOR AT 24/7 FITNESS ]  and in their downtime love  [ PLAYING VIDEO GAMES ]  and  [ UPCYCLING CLOTHING ].   They look a lot like  [ EMERAUDE TOUBIA ]  and live  [ IN OASIS APTS ].

content warnings:  mentions of alcohol and underage drinking,  pregnancy and labor,  allusions to nsfw content.

timeline.

december 10, 1990  --  valentina elena maroun is born.   half-sister to four older brothers,  her biological father misses her birth and is almost entirely absent throughout valentina’s youth.

1990 to 2008  --  valentina spends her formative years in pasadena,  ca with her family.   during this period,  her mother gets back with her previously separated husband  ( valentina’s brothers’ father )  for good.   valentina considers this man to be her real dad,  and at the age of 9 valentina’s surname is changed to his:  alvarez,  matching the rest of their family.   upon her high school graduation at 17 years old,  she prepares to move to silver lake with two of her friends:  they’re both to attend usc,  while valentina attends ucla on a partial athletic scholarship for softball.

2008 to 2010  --  spends her first two years of college doing exactly what most expect:  going out with friends,  experimenting,  drinking whatever she can get her hands on,  and so on and so forth.   she still takes her studies and softball seriously,  and works part-time at paco’s tacos in silver lake during this time.

2010 to 2011  --  falls pregnant at 19 and gives birth to her daughter,  rosa torres,  shortly after turning 20.   has taken the fall and spring semesters of this school year off to prepare for her daughter’s birth,  as well as to be home during rosa’s infancy.   has a strenuous,  lengthy and difficult labor.   it’s under pressure from her parents that valentina pursues a romantic relationship with rosa’s father,  lucas torres,  for rosa’s sake.  by 2012 however,  they come to agree a platonic relationship coparenting works best for everyone involved.

2011 to 2014  --  moves in with her brother in santa monica,  bringing rosa along with her,  to return to school and cut her commute in half.   has lost her athletic scholarship,  yet earns a partial academic one.   valentina relies heavily on family to help out with rosa during this period and has reached out to her biological father for financial aid.   their relationship is strained,  but on the mend.   upon her graduation,  valentina gets a job as a server at maria sol on the santa monica pier.

2015 to 2016  --  though valentina doesn’t want to,  she relents to moving back home so rosa can be closer to her father.   valentina reluctantly moves back in with her parents and enters a job tending bar at dungeon.

2016 to 2018  --  unable to stand living at home,  valentina convinces another one of her brothers to let her move in with him in silver lake.   gets a second job as a yoga instructor at 24/7 fitness.   she cuts back her hours at the club when in 2018,  she manages to land yet another job:  as a project-based writer for buzzfeed reviewing and researching sex toys.   this quickly leads to her brother encouraging  ( read:  telling )  her to move out when he’s put in the uncomfortable position of,  to put it as cleanly as possible,  hearing her working.

2018 to 2021  --  valentina finally moves out into a three bedroom apartment at the oasis with long-time friend,  helena,  for a roommate.   still works part-time at dungeon with hopes to quit soon,  and continues to teach yoga and contribute to buzzfeed.

personality traits.

alluring,  assertive,  vehement  --  valentina is a very passionate person and this translates into her sensuality.   she’s never really been afraid to go after the things she wants,  whether it’s in her personal or professional life.  in personal relationships,  valentina isn’t ashamed to make the first move and can be quite flirty at times.   unfortunately,  valentina has yet to be in a relationship that’s lasted longer than a year or two.   while she does want to settle down,  she can be fickle and unsure of what  ( or who )  she wants.

candid,  effervescent,  resilient  --  in general,  valentina is a person who values honesty and respects people who tell the truth when it’s most difficult.   her keen attitude on brutal honesty doesn’t,  however,  get in the way of her easygoing nature:  it’s not hard to get along with her and she’s incredibly outspoken and outgoing.   of course,  this may rub people the wrong way at times.

egocentric,  erratic,  frivolous  --  it may or may not be obvious that valentina has a penchant for changing her mind.   she does her best to think of others first,  especially so when it comes to her daughter,  but she’s entirely susceptible to her own whims.   she’s impulsive and seems to lack purpose.   and,  ultimately,  it scares her to consider that she’s never known what she wants to do with her life:  so she doesn’t stop to think.

recalcitrant,  resentful,  rigid  --  valentina is a fan of grudges.   she tends to hers like pets.   she’s often stubborn and unwavering and entirely unwilling to admit when she’s in the wrong.   fully the type to never forgive,  never forget,  but just move on.   and perhaps it comes from being the youngest,  but she’s also known for being pouty and upset when things don’t go her way.

miscellaneous headcanons.

for about 2 years beginning when she was 25,  valentina was apart of a roller derby team in los angeles.   given that the pronunciation of her nickname valé sounds so close to valley,  she quickly adopted valley hurl as her derby name.   she eventually quit due to no longer having the time to attend practices.

she still roller skates to this day and,  a year ago,  blew up on tiktok  ( along with her roommate,  the one who initially put her on to skating )  when she posted a video of herself skating and dancing down the street.   she’s since deleted previous videos and curated her entire tiktok feed to focus solely on her roller skating.

her social media totals:  1.8m tiktok followers,  178k instagram followers,  2k twitter followers.   most of these were gained within the past year and she’s certainly not famous by any means,  though she has been able to make money off sponsored ads on her instagram.

she’s very into fitness!   she played soccer growing up and still loves a good game of softball,  she loves running,  taking various fitness classes,  etc.   and on the mention of sports,  she also loves going to dodger games and watching sunday night football.

has considered streaming on twitch but ultimately decided she doesn’t have the time to commit to that sort of endeavor.   also has considered starting a podcast.   sort of a jack of all trades,  master of none.

case in point:  got into upcycling clothes a few years ago.   as a result,  got into sewing and began to go thrifting more frequently.   briefly sold stuff on depop before quitting that endeavor a month or so into it  --  now she mainly upcycles pieces for herself and her friends,  as gifts for people,  etc.

has a few tattoos  ( tbd )  that are easy to cover up and generally only visible when she’s wearing certain clothing.   her mother and grandparents were disappointed when they found out but are okay with them now.

is actually a pretty damn good singer!   her entire family is.   at family parties,  you’ll often catch them getting into karaoke or clearing out room somewhere for a dance floor.   it’s not unusual for them to egg you on to join in.

on that note,  a big part of valentina’s enjoyment comes from this type of fun.   even since having a child she’s never necessarily cut back on going out  --  whether it’s to nightclubs,  dive bars,  karaoke nights,  concerts,  anything  --  and has made some technically irresponsible choices.   still makes them to this day.   she’s not perfect by any means.   she’s learned to be more conscientious over the past decade,  however.

ultimately,  valentina struggles with motherhood:  she does the best she can and although her parents are great people,  she wants to make different choices than them.   there’s a lot to be said about how she dealt with parenthood at first and how she still struggles with it now,  but the short version literally is this:  she’s trying.

is afraid of the dark...   like very.   checks under the bed and in the closet at night to this day.   likely stems from the various pranks her brothers played on her as a kid.

currently does not eat noodles.   after a conversation with her daughter about how noodles look like worms,  valentina agreed to abstain from eating them out of solidarity.   is hoping her daughter will get over this aversion soon because valentina loves noodles.

[ravenpaw-93]

So I got this idea that at some point Harry has a mild sort of early mid life crisis and realises being an Auror isn't for him and while he loves Ginny, he isn't in love with her, which he feels is a bit unfair to them both. So he opens up to her and after a lot of heart to hearts and careful deliberating, they split amicably and share custody of the kids. Harry ends up taking the DADA teaching position at Hogwarts and arranges for the children to visit the castle and stay on the weekends while school is in session.

When Harry attends the start-of-term staff meeting at the end of August he's surprised to see that Neville isn't the only familiar face. As it happens, Draco Malfoy had taken the position of Charms professor a year prior, unbeknownst to Harry. He's even more surprised when he learns that he is one of the most well liked teachers among the students. 

As the term goes on he finds himself spending a lot of time with Draco, even away from Nevelle. They have a lot in common, both being recently divorced, single fathers. Harry learns that, though he's still a bit prickly, Draco is actually very kind, patient and funny. 

By Easter Harry is completely smitten. He and Draco spend most of their evenings through the week in each other's offices grading papers and chatting over tea, or after particularly trying days, a nice glass of wine. Harry often gets mesmerised by the way his eyes light up when he talks about a student finally mastering a charm, or when he brags about Scorpius. He loves the way Draco's brow furrows and that little crease appears between his pale eyebrows when he's grading an essay. And the way he snorts in amusement before making a note in the margins. 

Over the summer holiday they decide to make their relationship official. Harry was nervous to broach the subject with Ginny. He certainly had not expected this to happen so soon. But to his relief Ginny was very open to meeting Draco, he suspects Neville has something to do with that. When Harry and Draco introduce each other to their children, it goes better than either of them could have hoped. Scorpius and Albus are the same age and he fits right in with him and James. Lily is a bit shy at first, being just over a year old, but soon enough she warms up to Draco and starts babbling to him and blowing raspberries at him when he makes funny faces. It makes Harry's heart melt just a little. 

It amazes Harry how seamlessly the Potter-Malfoy family blended together. Weekends during the school term would be spent with the kids exploring Hogwarts, taking idle trips to Hogsmead, and occasionally taking trips into Muggle London to meet with Ginny and Astoria taking the children to the zoo. When James starts little league quidditch he easily has the largest, noisiest group in the stands, with Albus, Lily, Scorpius, and all four of their parents in the front cheering the loudest. 

Idk I just love the idea of a Potter-Malfoy blended family where they're all still friends and they coparent all together and have big family barbecues and holidays and all of that. 

[hollywoodx4]

First Sight-Orpheus (Modern AU)

Hi! Here’s the other part of this little pairing of fics (Eurydice’s is here). I’m working on a long one now, that’ll hopefully be up by the end of the week, but here’s the thing-do you mind a longer one, or would you rather it be broken up? 

(Thanks, @dilforpheus​ , for coparenting this au baby and reading everything I send your way all the time and putting up with my bullshit. See you in a MONTH.)

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              They’re booked; every practice room in the building, every tiny slice of solace. Orpheus lets out a frustrated breath of air as he passes by them again, looking through the windows to find tired artists practicing their craft. A group of singers lounges while holding sheet music in one hand, a girl draped over the piano their wayward conductor. In another room a small group of string instruments is hardened and serious, thin-lipped. Another singer sits in the middle of the floor in front of a mirror, stretching her mouth and prodding at her chin as she sings. Orpheus looks on at them in envy as he passes; he’d forgotten to reserve his room, occupied by the tiny black book of song lyrics and chord progressions he’d been plugging away at. He’s in the middle of a song for an assignment, something he can’t quite figure out. He had bits and pieces, ideas that would not string themselves together to form more than a few coherent bars.

              He wanders down the hall for a moment, letting himself stop and stare at plaques and banners, competition winning singers and bands proudly coating the walls. He thinks about his own assignment, not meant for competition against anyone but himself and his grade. Orpheus takes in a breath and continues walking. There are only a few bars he has figured out, and they play over and over in his mind tauntingly, as if to remind him that he is not yet finished.

              Orpheus wanders aimlessly until he ends up at the old, hole-in-the-wall coffee shop, moving through the door and standing wait as he takes in his surroundings. It’s a strikingly unfamiliar place. There is a sort of organized commotion, people wandering around with cups in their hands, greeting each other and sitting in clusters in old armchairs and at tables with colorful folding chairs they steal from their place hanging on a wall in the back of the shop. Everyone seems to know where they’re going, walking up to the counter and stringing together bunches of words that seem random in order but are understood between both parties. It isn’t as though he hasn’t heard the words associated with the drink-no, plenty of the other music majors live on it, and he often makes cups of strong dark coffee for patrons at the bar. He just isn’t sure how to go about ordering something cohesive without messing up. And so he moves to the counter, stands and recites a few things over.

              He stares at the chalkboard wall in confusion, shifting from foot to foot as he tries to decipher the choices at hand. He’s not a coffee drinker-Hermes, who drank one singular cup of dark coffee with some sugar in the morning, had never let him have it. Demeter had told him that caffeine was poison. He hadn’t had a stitch of it, whether out of respect for his uncle or genuine fear of what it would do to his body. In hindsight, choosing this particular spot hadn’t been his best idea. He moves to his spot first in line at the counter anyway, leaning against it and making casual conversation.

              “So I’ve never really had coffee before, I’m a little lost. What would you suggest?” The barista, a tall guy with the beginnings of a scruffed beard and cropped haircut, looks back at him dumbfounded. He answers his questions, though with a bit of hesitation and a look of genuine confusion, and he settles on something made with maple and vanilla. Sweet, less caffeinated, but popular among those who “drink their milk with a side of coffee.”

              He sits, exhausted from the interaction, in a corner of the shop away from most of the larger groups of people. There’s a chair by the window with just enough of a table to fit his drink, and he sits cross-legged before pulling his guitar onto his lap. He fingers the chords delicately, playing at a threadbare volume in an attempt to keep the rest of the shop happy.  He begins with the few that he has, playing them over and over as he sings a light melody over them. It’s simple-he knows that. He’s spent far too long toying over the same line, hoping that its companion pieces will follow naturally. The change in atmosphere is a difficult adjustment; but it isn’t detrimental. There is a sort of beauty to the way things flow in this space, where everyone has something important to do or someone to see. It’s a far cry from the solitude of a practice room, where his only company is his guitar and these few chords. Here, there are snips of conversation, a mixture of voices melting together. He’s next to a study group who seems more interested in someone named Greg-Greg with a sneer, because apparently his business sleeping around kept turning up between pages of complicated microbiology and Orpheus’s muddling with his guitar.

              He reaches over his guitar to grab his notebook-a tiny black journal he has in duplicates, filled and replaced, carried around everywhere he goes. His pen stops mid-air, however, when he notices the other side of the shop. In the farthest corner, closer to the barista, a girl with dark, cropped hair sits in her own old armchair. She’s tucked up comfortably, one leg dangling over its arm while the other drapes to the floor, not quite touching it. She has a book in her lap and a pencil in her hand, and he notices varying sizes of sticky notes jutting out from their covers. She taps the pencil, bites her lower lip as her eyes dart along the page in focus. He’s intrigued by her-the casual posture with which she sits, the two tables she’s pushed together in front of her chair to hold her books. There are two empty coffee cups in front of her, and the barista from earlier stops by her table with another. He leans down to her and they chat, the girl sitting further upright and holding her posture tall. He watches the interaction carefully-she nods, takes the cup, and waves. The barista does not move so she waves again, her eyes narrowing in irritation. Orpheus can’t hear what she’s saying but can feel the bite in her voice through the sharpening of her features. The barista leaves and she stays on guard, shifting to lean over the table.

              He isn’t sure what draws his attention to her-he turns his focus back to his music only when she looks his way, worried that he’s been caught in his own daydream. She’s one of the most beautiful human beings he’s ever seen, he’s sure of that. Her dark eyes draw him in even from this distance. She’s wearing flared jeans and a self-cropped top, knees now tucked back underneath her as she cracks open yet another book. There’s something about her posture-confident yet with reservation, one eye continually scanning her surroundings. He moves back to his notebook, pen flowing easily now. It’s not the song he’d been working on, but something new. Although his coffee has set itself in his already jittered system, Orpheus knows he’ll be back again.