#so glad that the finalists r both girls<3< /div> Explore tagged Tumblr posts

[eldest-sibling-tournament]

Eldest SISTER Tournament — Final Round

may the odds be ever in your fave's favor!

[yibuo]

UMMM I would love to know what exactly happened with xnine too if you know??

i didn’t know how to answer this without hating on long danni but... that’s not possible when you’re talking about xnine

CORRECT ME IF I’M WRONG IN ANY WAY @ DIMPLES AND CFANS

tldr ceo addicted to producing survival shows realizes boy group is incapable of feeding her fat rabbit because of her OWN mismanagement and throws them away (literally? probably not, maybe, idk)

HOLY SHIT THIS BECAME RLY LONG IM BEGGING KEEP READING TO WORK LO LOL LOL

long danni= wjjw company ceo

wjjw=company that xnine, xz, r1se, etc are under

huo mala: fat company rabbit that WILL give u nightmares goodness gracious thinking about him sends chills down my spine

alright so long danni (ldn i will refer to her) & ee media along w/ tencent and sm made the survival show x-fire... the premise of xfire was that 16 contestants split into two different teams (white and red) and then at the end it would boil down to each team having 4 members and the winning team would debut as a group called xfire...but wait...the group’s name is xnine? so out of red team (peng chuyue, baishu, xiao zhan, xia zhiguang) and white team(wu jiacheng, gu jiacheng, zhao lei, and guo zifan) white team won...and they unofficially debuted as xfire..went abroad to train yadda yadda yadda and then a few months later, TELL ME WHY LONG DANNI DECIDES TO RELEASE POLLS TO LET FANS VOTE IN 5 MEMBERS INTO XFIRE TO CREATE XNINE! ldn PLEASE if u wanted to rig the show you should’ve decided in the beginning what was the point of making the teams and the fans fight against each other...

so yeah xz and crew weren’t actually supposed to debut according to show rules...i mean i’m glad they debuted obviously bc x9 is x9 but ee media and frickin ldn couldve handled this better...like every member except chen molerat is amazing and great but....WHY DIDNT MaNAGEMENT NOT BLATANTLY RIG THEM INTO THE GROUP

but also thank u ldn for also letting us get to know the 4 guys who were added n not chen molerat <3 but like DO UR JOB PROPERLY

anyway the polls were RIGGED obviously thanks ldn what did u expect out of making POLLS, and xiao zhan, peng chuyue, xia zhiguang, yan xujia, and chen z*** were added to the group to create xnine...talk about rigged when chen z*** the molerat lookin turdface misogynist was added... anyway at the time he wasnt known to be problematic but ya the whole rigging thing caused a whole rift esp when x9 debuted bc there were fanwars and death threats initially but xfire did well because it was one of the (if not only) survival shows at that time and x9 debuted w/ a good response etc

then they got moved to wjjw (still owned by ldn thanks ldn) and wjjw is known for hoarding artists and not promoting them (THEY HAVE LIKE 45 ARTISTS BUT WERE FORMED 3 YEARS AGO MAKE IT MAKE SENSE) and not being promoted properly was EXACTLY what happened to xnine. as idols what they needed was music promotions, variety shows, etc stuff to get them as people out there but this genius ldn decided to promote them through stupid zodiac dramas like super star academy (to promote xfire finalists) and oh my emperor (which was an xnine drama). now i haven’t watched OME, but SSA gave me enough brain rot and gunk for me to not watch OME. (the only person who could act was baishu), and the story was SO BAD. nevermind the acting, because the boys weren’t initially slated to be actors, but the story was horrible, girl without superpowers suddenly becomes white cult goddess at the end??? WHAT???????? why didn’t ldn just promote them normally !!!!!! are they an actor group or an idol group???? I LOVE XNINE, THEY ARE TALENTED ARTISTS !!!! and eventually some went into acting (xz, guo zifan, gu jiacheng) BUT WAS THAT THE TIME DLFNJNF and then they just kept getting sent into random dramas and movies as random side characters instead of being able to make music and promote????? i’m sorry i’ve been stuck on using dramas to promote x9 for a while because that’s such a SILLY IDEA *vigorously shakes head* 

ldn knows how to do survival shows but she doesn’t know how to promote her artists thanks ldn. xnine has so much talented, we know xiao zhan is a great singer, but other main vocalists like wu jiacheng, zhao lei, and peng chuyue are amazing as welll, here’s me plugging this video of zl and pcy performing their self-written song on produce camp because it’s the most beautiful thing ever

-oh yeah somewhere in here insert chen molerat getting outed as a pedo misogynist cheater by his gf who still has the audacity to have xnine in his weibo name because xnine starting to get popular gtfo rat lookin ass i WILL barf, when we say ot8 xnine we mean xnine w/o chen toadratass but sometimes ppl think it’s xnine minus xz which is untrue-

they also have talented rappers (gu jiacheng yan xujia) and dancers (xia zhiguang guo zifan) like xia zhiguang can end me with his spinning flying kick thing and i WILL let him 

so YEAH !! TALENT that went to waste because wjjw gave them weird random hiatuses and kept pushing them as actors??? seriously what is with this actor stuff...so that’s why they debuted in 2016 and have very little discography to their name because wjjw just gave up...trying to promote them GOD thank u so much ldn for ur incomptency <3333 xnine had members in diff stages of life (ranging from xz who was born in 91, to yan xujia born in 2001, they were all close tho soo cute) and wjjw really was like nope we’re not gonna try to promote yall’s dreams of becoming singers on the stage because they couldn’t add 34783473 pounds to fat huo mala’s weight

so ya a lot of people are like omg wjjw hates xiao zhan!!! ya no they hate all of xnine but now xz is bringing enough money to make huo mala even fatter so good for huo mala i guess /s

also rumors and any bad media? lol wjjw doesn’t care they do a shit job at handling bad things too WHAT A WELLROUNDED COMPANY

OH ALSO TALK ABOUT HOW THYE HAD 3 DAYS TO PREPARE FOR A CONCERT???????????? WHAT????????? wjjw u mfs

anyway to summarize my rants above wjjw did  a SHIT job of promoting xnine as idols when the boys worked so hard and wjjw kept tryna push them to acting bye (some of them can’t act and literally don’t WANT TO ACT HHHSFLNF), wjjw is also horrible at letting all of the xnine members shine when as i mentioned before, they’re ALL TALENTED!!!! and then they just gave up on xnine somewhere in 2017-2018... ok anyway so is xnine disbanded? no although some may say their last concert in dec 2018 was their last concert ever they’re not disbanded

xiao zhan , gu jiacheng, and guo zifan went into acting

wu jiachang is focusing on his music etc (he was actually the first member of xnine i came across when i watched the collaboration/cyzj in 2018...yes carats this is That wu jiacheng!!!) MAN CAN SING

peng chuyue, zhao lei, xia zhiguang, yan xujia all went on produce camp 2019 (aNOTHER SURVIVAL SHOW BC THEY WANTED TO BE ON THE MF STAGE BC THATS WHY THEYRE HERE IN THE FIRST PLACE WJJW) along w/ fellow labelmates zhou zhennan and zhai xiao wen ... and everyone but peng chuyue made it to the final 11 spots and got to debut in the group r1se...UNFORTUNATELY ALSO UNDER WJJW HELP SEND HELP

if they’re in r1se does that mean they quit xnine? no! they’re in both that’s just how survival shows work it’s kind of weird

peng chuyue recently released a song and it’s really good and you can’t not tell me that it’s gay here it is

anyway xnine hasn’t disbanded!! the X玖少年团 (xnine) in the non-r1se members’ weibo names say that loud n clear!!! and when the r1se members from xnine won produce camp 2019, they all made xnine signs SO XNINE IS ALIVE and they do keep in contact!!

why haven’t we seen blatant public interactions btwen xiao zhan and the xnine members? because some frickin annoying xz solo stans/xfx claim that the other members use xz for popularity (HELLO??????? IN WHAT WORLD DOES THAT MAKE SENSE HALF OF THEM R LITERALLY HIS KIDS BUT OK) 

anyway in conclusion wjjw doesn’t know how to promote any of their artists, thus screwing over xnine members and making them go on a group hiatus where they focus on acting/singing/r1se for r1se members but they are very much xnine as of now !!!

here’s some REALLY GOOD RESOURCES to follow xnine bc as an ifan it’s mf hard

-xnine slideshow

-xnine faq

-xnine eng sub channel by yuer

-all of that content i listed above was made/subbed by one person and she is the queen of uhh...xnine international fandom outreach (????) how do i word it but she’s been subbing and spreading xnine long before xiao zhan’s popularity skyrocketed so go follow her for updates and memes here

-xnine intl fanbase twt and tumblr

-and here’s this twt account with dumb pics of xnine because why not

also i’m pretty sure there’s a wip video explaining x9′s history being created (by yuer because queen) so when that’s posted i’ll rb this and post it here

also here’s this video dragging wjjw

[omdaily10]

TROUBLEMAKER

Guest Artist: Flo Rida

Writers: Olly Murs, Claude Kelly, Steve Robson, Tramar Dillard

Producers: Steve Robson

Album: Right Place Right Time

Release Date: 18/11/2012

B-Side: ‘Troublemaker (Cutmore Club Mix)’ (Credits as above)

Chart Positions: #1 (UK), #1 (Hungary), #1 (Scotland), #2 (Germany), #2 (Bulgaria), #2 (Luxembourg), #3 (Ireland), #3 (Austria), #4 (Australia), #4 (Japan), #5 (New Zealand), #5 (Slovakia), #5 (Belgium), #8 (Switzerland), #8 (Israel), #12 (Finland), #13 (Denmark), #14 (Italy), #15 (Canada), #16 (Brazil), #19 (Spain), #25 (USA), #31 (Sweden), #41 (France), #66 (Netherlands)

Sales: 765k+ (UK, Platinum), 1m (USA, Platinum), 160k (Canada, 2x Platinum), 280k (Australia, 4x Platinum), 150k (Germany, Gold), 15k (Austria/Italy/New Zealand, Gold/Platinum), 30k (Switzerland, Platinum), 140k (Sweden, 2x Platinum)

Nominations: 'Best British Single', BRIT Awards 2013 / ‘Most Performed Work’, Ivor Novello Awards 2014

As the autumn of 2012 dawned, six months had elapsed since Olly had last released a single in the UK – the longest such gap since his debut. Recording his third album was part of this, but the other reason was one we touched upon briefly before and will be exploring more in both this entry and in the ones to come. After a successful band or solo artist has achieved a substantial amount of success on home turf and in immediate surrounding territories as he had, it’s not usually unreasonable to try having a crack at what so many have attempted to become a success in, yet so few have achieved the elusive dream of - breaking the American market.

It’s not unfair to say that Olly had a struggle and then some to begin with. At his performance at the BRITs in February, some bigwig execs from Columbia, a subsidiary of Sony Music who Olly was signed to under Epic, were sat in the audience. They were impressed with what they saw, so much that his first Stateside deal was offered – but with a few caveats to address. Even though the US version of The X Factor had been on air for a year on Fox Network, his success as a result of the original UK series meant diddle squat there.

Fortunately, the timing was good. The early 2010s were something of a purple patch where British artists in America were concerned. Adele and Florence & The Machine had been resounding successes, Tinie Tempah was giving the US hip hop giants a run for their money. The Saturdays filmed a reality show for the E! network and had some success on dance charts. Hell, even the hopeless likes of The Wanted had a Billboard top 10 hit with their UK chart topper ‘Glad You Came’. But all of them were eclipsed by the gargantuan success of a boyband who shared something in common with Olly – chiefly, where they first came to attention.

Bronze finalists on the 2010 UK series of The X Factor, One Direction had already topped the charts with their debut ‘What Makes You Beautiful’ upon its September 2011 release in the UK, setting all manner of sales records in the process. Its success was quickly replicated across the pond, as a generation of Twitter trending uber fans who’d discovered them on the aforementioned social networking site and YouTube all started shrieking for mankind about a new British invasion. Columbia had signed One Direction in the US, and after seeing Olly perform at the BRITs, decided to put two and two together and have him support them on their first American tour that summer.

This initial attempt to make him known to a US audience was one met with nervous doubt by his audience back home, worried that Olly was on the verge of being made untouchable and inaccessible like they had become and lose the very British charm that had made him so appealing in the first place in order to make him more commercially palatable Stateside. The worries weren’t confounded any less when a radically different mix of ‘Heart Skips A Beat’ was chosen as his debut release in North America, ditching Rizzle Kicks from the original version in favour of obscure, buck toothed rapper Chiddy Bang. It was poorly received by fans on both sides of the pond, and also by an incensed Rizzle Kicks, who rightly called out Sony in the press for the botched A&R decision. The fact that the remixed single bombed out at #96 in the Billboard charts, even after two separate promo videos (one at a soccer match, the other on Venice Beach) and lacklustre radio play tells its own story.

When Olly returned home to continue recording and writing his third album in July that year, he was back working with Claude and Steve again, this time on a funk laden slice of pop about a wrong doing woman who proved irresistible. There was never any doubt that the driving disco funk pop of ‘Troublemaker’ had the potential to be a hit that would take him worldwide, but it needed an extra sparkle of magic to make it really take off. That sparkle came in the form of bechesticled US rapper Tramar Dillard, better known as Flo Rida. After all, he’d made more than his fair share of trips to the top of both the US and UK charts in recent years by the time he was approached, and had also guested on UK hit singles for The Saturdays and Alexandra Burke. Not for the first time in Olly’s career, however, the guest feature didn’t extend to the video for the song directed by Michael Baldwin, with Flo Rida’s part shot separately to his in Miami, bouncing car and all, whilst Olly hoofed it up pursuing and eventually hooking up with a hot girl around downtown Los Angeles who finds herself repeatedly fired from a series of jobs. At least it wasn’t the obvious choice of treatment for a song called ‘Troublemaker’. But again, showcasing an iconic look – the same long-sleeved granddad tee and braces he was rocking on the cover for the single’s parent album – cemented its imagery and his audience grew again.

Thankfully, those expecting more Chiddy Bang style buffoonery upon the single’s first radio play at the beginning of October – just as Olly began a national book signings tour in support of his illustrated autobiography ‘Happy Days’ – were breathing a sigh of relief when they heard the final version. Far from selling out, it was a stormer of a pop song up there with his best moments. A comfortable six weeks of solid airplay on TV and radio ahead of its mid-November release saw to it that, even with a chart battle against a returning Girls Aloud, who were marking their 10th anniversary with a new greatest hits album and that year’s BBC Children In Need single ‘Something New’, that Olly would achieve not only his biggest first week sales for a single – 125k are agreed to be the final number – on its way to sales of over three quarters of a million in the UK alone, but that he would also enjoy his first UK chart topper to spend more than a week at the top – his second week’s competition coming from Bruno Mars, whose ‘Locked Out Of Heaven’ had to settle for a #2 debut.

But crucially, ‘Troublemaker’ also did what the disastrous remix of ‘Heart Skips…’ had failed to do. It finally established him as the next UK success story in America, eventually reaching as high as the top 30 of the Billboard charts the following March, and shifting over one million copies in the process, as well as becoming a top 5 or top 10 hit in fourteen other countries. More nods at the following years BRITs and Ivor Novellos ceremonies confirmed just what a success the single had been for Olly. It had given him the freedom to becoming the international superstar he had dreamed of becoming on that audition stage all those years ago, whilst much like Take That before him, ensuring that he’d never forget where he was coming from.

OTHER THOUGHTS

The CD single came backed with a just about passable remix from dance DJs Cutmore, whilst the digital bundle boasted an additional reswizzle from UK garage gods Wideboys, famed for their 2001 top 20 hit ‘Sambuca’ with Dennis G. A rare version of ‘Troublemaker’ also exists in the ether with no feature from Flo Rida included – an additional verse from Olly appears in the place of his rap instead. This was done to cater for the audiences of national British stations like BBC Radio 2 and Heart, who were a little less inclined towards rap artists. The trick seemed to work, as it helped the single to top the UK radio airplay chart for several weeks at the end of 2012. Olly still performs this version live now in Flo Rida’s perpetual absence.