#smax music

[melysmax]

EXCITING NEWS!! We are thrilled to announce our series, LoversRock Chats Reboot, has been nominated for Best Reality/Vlog for the 2020 Asia Web Awards

Three years ago we launched LoversRock Chats to discuss all things love and relationships from our own unique perspectives. Parenting life and demanding schedules put our LoversRock Chats series on hiatus. So when COVID-19 and quarantine lockdown took place in late March 2020, we decided it was a good opportunity to revive our series with a 6 week run (2 videos a week, one pre-recorded discussion, and one FB Live session). It was great to reconnect with our audience and bring back our LoversRock Chats which is a fan favorite! THANK YOU Asia Web Awards for selecting our series and this nomination! And congrats to all the other nominees as well!

See the official announcement at the 9:12 mark in the YouTube link belowhttps://youtu.be/MVMexuP4xG0

[sisstarloop]

#sisSTAR HOLIDAYS --> JOIN US Sat, Dec 14 from 1-8p for our Special Holiday Pop-in🎄🎄Shop and support women-owned business this holiday season at the Jolie & Jade SoHo Store at 435 Broadway with sip & shop, holiday sales, and more! Plus ENJOY LIVE MUSIC - ART - DANCE with incredible special pop up guests Smax Music, R.P.Gallery and Tiffany Saint Cyrus. RSVP @ www.ssholiday2019.eventbrite.com

[smaxmusic]

#enjoylife #jwilavi Join The sisSTAR Loop on December 14 and support women owned business at the Holiday Pop-in at the Jolie & Jade SoHo store on 435 Broadway - we're bringing the jolly jolly

[mldigitalart]

MEET OUR #WE2019 7th ANNUAL WOMEN EMPOWERMENT PANELISTS!  The 7 Year Itch is our 7 Year Switch! Featuring an all male panel for the FIRST TIME in our event's history! We are thrilled to announce our WE2019 panel lineup:

PATRICK L. RILEY Author & Journalist, https://bit.ly/2FAKDut Patrick L Riley Public Page . SMAX MUSIC Artist & Entrepreneur, www.smaxmusic.com Smax Music . CHARLIE A. VARGAS Attorney & Professor, www.charlieavargas.com Vargas Law Firm . Performance by Kenzy Whyse Clerdonna, Artist The Sixth Element . ✨✨👍🏽🤩 Join the conversation with us on March 17 at Town Stages - book yours @ mdad7.eventbrite.com and stay tuned for updates & announcements for the Women Empowerment sisSTAR Summit taking place before the 7th Annual Event

[thetunesclub]

‘Real Love’ by Royal Smax Amazes All With Its Real Hip-hop Explosion on Spotify

[warsofasoiaf]

The Data Angels are the last human faction for you to cover in SMAX. Would love your analysis, particularly how they relate to the 1990s concept of internet culture versus how it has actually developed.

Alpha Centauri's Alien Crossfire expansion created radically different societies (with the exception, perhaps, of Foreman Domai and the Free Drones, which is quite familiar to contemporary audiences), an anarchic group based on hacker culture is fairly out there. Mechanically, it's a faction based around the probe team mechanics in a way that not even Morgan can match, but the lore perhaps dates the game almost as much as the early Secret Project "The Human Genome Project," which was launched in 1990 and declared mostly over by 2003. The Data Angels are deeply immersed in early hacker cultures that were found on college campuses and lurking within various Usenet groups.

The Internet was not new during the game's development cycle from 1996 to 1999, but it was radically growing - in 1993 the Internet carried 1% of all information transmitted over two-way telecommunications links, but by 2000 it was over half. We take it for granted today with near worldwide wi-fi, but the world even 30 years ago was radically different to the world today, a truly transcendent transformation not seen since the advent of atomic warfare. With the rise of computers came the rise of computer programmers, many of whom were engineers that saw the limitations of computer programs as engineering problems to be solved, not requiring brute force lines but creativity in the code. These individuals often chafed at the stolid, traditional method of computer programming in favor of creative, free-thinking experimentation, pushing the boundaries and restrictions of what modern computers were capable of. If traditional programming was the "the methodical experimentation and categorization which gradually extend the boundaries of knowledge," then these free-thinking hackers, as they called themselves, could conceive of themselves as "the revolutionary leap of genius which redefines and transcends those boundaries," perhaps not always the most accurately given that many were experimenters, categorizers, archivers, and most importantly, sharers.

Hackers developed their own unique subculture, blending a disdain for authority, sharing of their own created code, and encouragement of others to add on to their own code (forking). One overriding and abiding ethos was that information must be free to permeate throughout the net, available to all, and that such practices would benefit mankind. Even the 'jazz' that Sinder Roze remarks on is found in hacker culture, there was a strong current of both humor and style in hacker culture. Steven Levy even mentioned in his 1984 book Hackers: Heroes of the Computer Revolution that "to qualify as a hack, the feat must be imbued with innovation, style and technical virtuosity." Elegance and creativity in form was essential to qualify as a hacker, and not just a computer programmer with exceptional skill. This itself gave hackers a strong element of counterculture, of deliberately being different and being themselves, of never compromising and letting their code speak their worth for them. The Data Angels are this culture taken and expanded to a full society, a full nation of free thinkers and eccentrics who are true to themselves and express themselves in the way that they love, and their code is what determines how worthy they are (many of the Data Angels follow Roze because of how good she is as a hacker, an anarchic aristocracy - not the medieval conception of the word but the literal Greek definition, rule by the skilled). This is just like jazz music itself, improvisation, to take something and make it your own, is critical to jazz. The Data Angels take the bebop era and turn it to everything in the code, singing the body electric in 1's and 0's. At its best, the Data Angels is mutually supporting even when they differ, radically free, and celebrating of its differences.

"Ideology is a tool of power. Anyone who dangles a bright, shiny ideal in front of your eyes is likely trying to distract you from the chains they're about to snap around your wrists." -Datatech Sinder Roze, Infobop

Of course, like with every other faction that adheres to a strong ideology (which is all of them), Sinder Roze is a massive hypocrite when it all comes down to adhering even to the core beliefs of the hacker ethos. Roze doesn't believe in information freedom, she believes that all information should be free for the Data Angels. They will penetrate their adversary's computer networks and take their data, but not share the technology - they will hoard it for themselves. In this, they become every bit the corporate programmer that hackers profess to despise, the ones who copyright their programs and refuse to share the source code, even when every sense of profit is long gone. Roze takes all data and tags it for later use, which had its own implications in the 1990's but takes on a terrifying dimension in the 2020's with digital privacy and the rise of China's digital surveillance state. Privacy is a key topic in computer ethics discussions today, and Roze's cheerfully disregards it as irrelevant, save perhaps for herself. This itself is one of the negatives of anarchy, that it often devolves into strongmanism or mob rule, where the strong do what they can, and the weak suffer what they must. If you don't want your data stolen, then you'd best be a better computer engineer that can build a better firewall (or develop the Hunter-Killer algorithm), otherwise Roze will use your data however she wants and you'll just have to eat it. This was the case in the Spanish Civil War, where anarchists would surround farms and force them to turn over their grain under threat of execution as a Falangist or Francoist collaborator, or wait until the farmer left the grounds for any reason and occupy their home, seizing it as theirs. While Roze talks of ideology as a tool of power, she herself uses ideology as a tool of one herself, even if she forbids the pursuit of Power for power's sake.

Much like with Cha Dawn forbidding Wealth instead of Free Market because Deidre already had the Green/Free Market dynamics, Roze forbids Power instead of Police State despite her strong democratic ideals. Lore-wise, Roze would probably deeply despise of the Human Hive, whose brutal serfdom is deeply at odds with Roze's anarchist beliefs, and the Lord's Believers, whose fundamentalist approach censors information and dislikes dissent (unless its Miriam herself, dissenting against things like Zak's nanorobots). However, she'd also run afoul of Morgan, whose copyrighted and monopolized MorganNet software is the antithesis of her hacker spirit (although mechanically they don't cross paths) and the Spartans (who value Power in a way that Roze forbids).

Governmentally, Roze favors democratic governance in a way reminiscent of social anarchic thought. Particularly after the first few years after Planetfall and the difficulties of survival begin to fade, using informational technology, from network nodes to telepathy once it gets researched, would establish a form of direct democracy reminiscent of Iain Bank's The Culture series of books, albeit without the all-knowing power of the Minds (and that's all I'll say lest I rant about the Culture). However, Roze is not forbidden from taking the other choices available. A Police State runs close to modern-day China, a digital surveillance state where all behavior is categorized and filed away like any other piece of information, used to predict the point where free-thinking turns to dissent. This could help to corral the decentralized nature of the Data Angels and likely involves as many or more internal security personnel manned to the Network Nodes than physical security on the streets. Whether Roze rescinds it as a temporary measure or maintains it as a "temporary measure" common to other tinpot dictators is up to her (and the player). Fundamentalist thought likely takes Roze to enacting both information security and the notion of all information must be free to the Angels to the hilt, indoctrinating the people in the ideas that taking all information not known is a moral and social good. There is no need to invest in labs when the information is out there. A Fundamentalist Roze runs on copyright theft and manufacturing knock-off goods, ordering take-out when others are cooking.

Economically, nothing is off limits to Roze, and this is probably where her particular flavor of anarchism comes. Planned economies likely end up having a large degree of social property in the vein of social anarchism and access to tools with a high degree of worker self-management, causing inefficient production shortfalls but establishing a wide range of industry (and ideally, new forms of self-discovery and expression). A Free Market Roze embraces individualist anarchism and private property and becomes an ancap jazz queen. Private defense and insurance extends to the cyber realm, where skill is free to flourish and compete to continually prove itself the best or fall to a new competitor. Unfortunately, this could even result in societal collapse to drone riots with any sort of military unit away from the base, forcing Roze to truly rely on her maxim: "War is war; destruction is destruction. You think this is obvious. But war is not destruction, it is victory. To achieve victory, simply appear to give your opponent what he wants and he will go away, or join you in your quest for additional power." After all, if she can't send an army, she'll have to use her probes. Green Roze likely embraces eco-anarchism (though not anarcho-primitivism) as she seeks to accommodate even the Planet's mind into her society. This is both idealistic (Planet offers such a unique perspective on existence) and practical (a Planet not dealing with industrial waste is one that's not sending boils of Mind Worms to eat the Data Angels' brains). With the advent of telepathy, and the evolution to transcendii, new forms of thought become possible, and a closeness with the code is something that is entirely new - not the crude cyborgs of Mind/Machine Interface but those who have transcended humanity into running on the datalinks or in Planet's consciousness itself (and with the Ascent to Transcendence, both), and the early elements of this are found in accommodating Planet and exploring the planetary consciousness of Centauri Empathy.

For values, Roze is prohibited from Power, meaning that on some level, she does not celebrate a culture of strength. Power can be subverted, and the anarchic mind sees force as anathema to mutual gain. Power is ultimately hollow. However, what Roze can value can determine what her society values. Knowledge is the discovery, the new and novel that comes from an unchained mind (imagine Francis Crick on LSD developing the double-helix model of DNA as an example). Knowledge Data Angels might see chaotic labs as a scientist announces "I've got an idea" and others flock to see, then others fork off that research until something coheres. Wealth is instead the valuation of others. What do others think is worthwhile, and how can I provide that value in the context of the mutual aid that characterizes anarchism. After all, if the fundamental question is "how can I help you and you help me," then you saying "I want this," is exactly how I can help you.

For a Future Society, Sinder Roze looks like she would favor Eudaimonia, the ultimate end for the anarchic society where everyone does express themselves. This is the end-game that shows Roze meeting her utopian anarchist ideals in free expression. What really mattered was the jazz all along. Eudaimonia is the jazz, where everything looks as you want it to look, and all others cannot help but marvel. Cybernetic Roze ends up deciding that really it's the code that matters, and as AI becomes better and better, it becomes a better hacker possessed of even more jazz that Roze herself. How could it not, when it thinks so much faster, on so many more cycles per second. The only solution to stay on top, of course, is to further push herself and transcend, and the jazz is the code. Thought Control is the fugue, a betrayal of the anarchic state as ultimately unworkable and the devolution into strongmanism that has characterized anarchic states in the past. Everyone simply has to believe they are free, regardless of whether they're not. Everything looks the way Roze wants it to look, and all others cannot help but marvel, for they can do nothing else.

Thanks for the question, Anon.

SomethingLikeALawyer, Hand of the King

[aardwolfpack]

“End of the Line,” from The Traveling Wilburys, Volume 1, produced by Jeff Lynne and George Harrison.  Music video directed by Willy Smax.

A different cut of the video exists, but isn't currently available on YouTube.  It ends with an exterior shot of the train crossing a tall bridge, silhouetted by the setting sun, slowly fading to black.  It really works much better.

[solplparty]

[MV] White Brown(화이트브라운) - 사랑하기 때문에 (Official Music Video) https://youtu.be/vwj_FoAQH_Q Artist : White Brown(화이트브라운) Album Title : 화이트 브라운 (White Brown) Release Date : 2009.12.16 #발라드 #ballad #화이트브라운 [ABOUT] 화이트의 따스한 느낌과 브라운의 감미로운 향기를 닮은 두 남자의 하모니 [화이트 브라운 (WHITE BROWN)] 2009년 12월. 추운 이 겨울을 녹여줄 R&B 남성 듀오 "화이트 브라운" 이 처음으로 대중앞에 섰다. 화이트 브라운은 동방신기, 신화, 플라이 투더 스카이, t 등 수 많은 가수들의 앨범에 참여를 하며 이미 가요계에서 그 실력을 인정받아 온 보컬 주니(JUNY)와 김태우와 부른 "봄 여름 가을 겨울", "사랑 더하기"를 비롯하여 김범수와 부른 "부재중 전화", 아이유와 부른 "월화수목 금토일" 등 많은 곡에서 사랑 받아온 래퍼 수호가 2008년 12월. 팀을 결성한 이후 1년 동안 야심차게 준비하여 대중 앞에 선 프로젝트 그룹이다. 이들은 사실 이미 오래 전 "smax" 라는 팀에서 함께 활동을 했었던 동료였는데 그 동안 각자의 길에서 음악을 하면서도 함께 자주 만나며 음악적 교류를 해오던 중 ���로가 비슷한 음악적 감성을 가지고 있다는 사실을 알게 된 후 다시 한번 팀을 만들게 되었다. 이처럼 끈끈한 우정과 음악이란 매개체를 바탕으로 결성이 된 화이트 브라운은 팀 이름처럼 화이트의 색채가 주는 깨끗하고 따스한 분위기과, 브라운의 색채가 주는 감미롭고 포근한 음악들로 자신들의 첫 번째 싱글 앨범을 만들어 냈다. 총 두 곡이 수록 된 이번 싱글 앨범 안에는 smax 당시 선을 보였었던 R&B 곡 "니가 아니면 안될 것 같은데.." 란 곡의 리메이크 버전 "사랑하기 때문에" 와 리드미컬한 neo soul 분위기의 "처음처럼" 이란 곡이 실려있다. 이 중 타이틀곡 "사랑하기 때문에" (작사: 화이트 브라운, 정성헌/작곡.편곡: 김성훈)는 팀으로 활동할 당시 두 멤버가 너무나도 좋아 했었던 노래로써 더 많은 이들과 함께하지 못했던 아쉬움을 이번 앨범을 통해 새롭게 편곡하고 재 녹음하여 만든 두 멤버 에게는 보석과 같은 작품이다. 또한 이 곡은 원래 멜로디가 주를 이루었었는데 랩퍼 수호의 합류로 랩과 멜로디의 절묘한 조화를 만들어 내며 원곡과는 또 다른 느낌을 전해주고 있다. 다음 트랙의 처음처럼(작사작곡:주니/편곡:GEL)이란 곡은 감미 로우면서도 리드미컬한 곡으로 멤버 주니가 만든 자작곡이며 보컬 뿐 만이 아닌 뮤지션으로써의 실력까지 여실히 보여주고 있으며 여기에 또 다른 멤버 수호 또한 이미 자신의 많은 솔로앨범에서 작사 작곡 프로듀싱을 인정 받아 온 뮤지션이기도 하다. 이렇게 오랜 시간 동안 쌓아온 경험과 탄탄한 실력을 겸비한 화이트 브라운은 근래에 보기 드문 보컬과 래퍼의 조화로 신선한 느낌마저 주고 있으며, 이들이 추구하는 아름답고 따뜻한 음악을 통해 많은 이들의 가슴을 사랑이란 색채로 물들이려 오늘도 노력하고 있다. NEW는 영화, 음악, 드라마, 극장사업 등 다양한 엔터테인먼트의 분야를 아우르는 종합 콘텐츠 미디어 그룹입니다. MUSIC&NEW의 유튜브 채널을 구독하시고 K-POP 아티스트들의 신곡과 뮤직비디오, 미공개 독점 영상 등을 가장 먼저 만나보세요. NEW (NEXT ENTERTAINMENT WORLD) content media group always thrives to bring the best new entertainments like movies, music, drama and musicals to the audiences. Subscribe and stay tuned to MUSIC&NEW's YouTube channel to get your eyes on newly released songs, music videos, exclusive videos and etc of K-POP artists. MUSIC&NEW 뮤직앤뉴

[universityoferror-blog]

A NEW WRONG ORDER is a compilation of volumes on erratic tracks and audio cracks collected by guests around the world. A celebration of the accident; the sound of failure...

A NEW WRONG ORDER Vol.VI by ALEX SILVA

(español abajo después del tracklist)

A NEW WRONG ORDER Vol.VI / €??0? by Alex Silva

For many centuries, in the European musical culture there are rules and guidelines for composers, the so-called classical music. My beginnings in music were linked to punk, in fact I had a project (that has never come to light) called "proyectoerror", so the idea of discovering something totally new as a result of a "mistake" and observe it, fascinates me . When I finish a piece it is because I see in it a component of nature, of spirituality, something not perfect but with character, of something possibly seen as an error but interesting, of a unique time fraction...

That is how I make music right now, many times I start writing music and when I get bored I try to make mistakes consciously (either on rhythm, texture or form). I also work a lot with modular synthesizers (and applied software) in which there are innumerable functions and parameters to decompensate the perfection of sound waves or physical and mathematical commands that control sound, rhythm, melody...

When Pablo invited me to do a mixtape for A New Wrong Order, the first thing that came to my mind was to make a mix with raw electronic noisey sounds (which I think would be interesting), but I wanted to vary between styles and show a vision of pieces within a certain margin of error in textures and musical forms.

I include in it classics by Steve Reich (US), Todd Terje (NW) or Alva Noto (GER). Some abstract pieces by Aphex Twin (UK), Tom Boram (US) or Foodman (JP), and new composers such as Patrick McMinn (US) - who publishes cassette in Canadian Duck Tapes-, Smax (Pakistan) ... or precious songs by Suzanne Kraft (US) and Bullion (UK), but all of them with a non-perfect theme that in my opinion, is the basis of their identity."

Alex Silva

Patrick McMinn "Day10" (Canadian Duck Tapes 2017) Lee Gamble "DTI" (PAN, 2012) Steve Reich "Tellihim" (ECM 1982) Oneohtrix Point Never "Describing Bodies" (Editions Mego, 2010) Craig Leon "She wears an hemispherical skull cap" (Takoma, 1981) Aphex Twin "Track16" (Mt Fuji Tape Warp 2017) Sculpture "Hackle Scam Populator" (Software 2012) Suzzanne Kraft "VI" (Running Back, 2013) Patrick McMinn "Day 12" (Canadian Duck Tapes 2017) Tom Boram "Track 3" (Ultra Violet Light 2016) James Ferraro "Sim" (Hippos in tanks, 2011) Foodman "Kiki" (Orange Milk, 2015) Pierre Moerlen "Arabesque Intro" (Arista 1979) Smax "Aslam Bahi" (Hidden Waves 2017) Todd Terje "Myggsommer" (Small Town Supersound, 2012) Patrick McMinn "Day 13" (Canadian Duck Tapes 2017) Alex Silva "NMS" (Unreleased) Alex Silva "String Theories" (Canadian Duck Tapes 2017) Bullion "Make a new mistake" (Deek Recordings, 2016) Alva Noto "Haloid Xerrox copy 1" (Raster Noton, 2007)

___________________________________

“El error, cuando no se habla de matemática, es subjetivo. El desorden y kaos también. El error es natural, es lo que caracteriza y da sentido a las cosas. Es el principio del descubrimiento en algún modo. El mecanismo de clasificación de nuestro cerebro está muy desarrollado y cuando recibimos algo que no está en nuestra clasificación nos produce un estado de perturbación. A algunas personas les pondrá de los nervios y otras simplemente observarán y harán de estos errores o equivocaciones su gusto, su experiencia vital o su personalidad.

En la cultura musical europea desde hace muchos siglos hay reglas y pautas para compositores, la llamada música clásica. Mis comienzos en música estuvieron ligados al punk, y de hecho tenia un proyecto (que nunca ha salido a la luz) llamado "proyectoerror", por lo que el tema de descubrir algo totalmente nuevo a raíz de una "equivocación" y observarlo, me apasiona. Cuando termino una pieza es porque veo en ella un componente de naturaleza, de espiritualidad, de algo no perfecto pero con carácter, de algo posiblemente visto como error pero interesante, de una fracción temporal irrepetible…

Es como hago música ahora mismo, me explico: muchas veces me pongo a escribir música y cuando me aburre intento hacer errores conscientemente (ya sean ritmicos, de textura o forma). También trabajo mucho con sintetizadores modulares (y software aplicado) en el que existen innumerables funciones y parámetros para descompensar la perfección de ondas sonoras u ordenes físicas y matemáticas que controlen el sonido, ritmo, melodía…

Cuando Pablo me encargo el mixtape para A New Wrong Order lo primero que me vino a la cabeza fue hacer un mix con sonidos crudos electrónicos ruidistas (que creo que sería interesante), pero creí más conveniente variar entre estilos y mostrar una selección de piezas con cierto margen de error en texturas y formas musicales.

En ella incluyo clásicos de Steve Reich (US), Todd Terje (NW) o Alva Noto (GER). Algunas piezas abstractas de Aphex Twin (UK), Tom Boram (US) o Foodman (JP), y de nuevos compositores como Patrick McMinn (US) -que edita cassette en Canadian Duck Tapes-, Smax (Pakistan)… o canciones preciosistas de Suzanne Kraft (US) y Bullion (UK), pero todas ellas con una temática no perfecta que en mi opinión es la base de su identidad."

Alex Silva

Follow Alex Silva Soundcloud   Canadian Duck Tapes

[sisstarloop]

TOMORROW is our Special Holiday Pop-in at the Jolie & Jade SoHo store (435 Broadway) from 1-8pm! ENJOY LIVE MUSIC - ART - DANCE with incredible special pop up guests Smax Music, R.P.Gallery and Tiffany Saint Cyrus! Sip & shop, holiday sales, and pop up experiences from 1-8pm - RSVP @ https://bit.ly/2RP22pt

[smaxmusic]

#enjoylife The MELySMAX Arts Program at the @cleanhandsforhaiti Community Center is growing with the formation of the CLH Band 🎶🎶🎸Help us continue to support the cause for CLH students & families in Haiti. We seek various instrument donations or support of our ongoing fundraiser. If you’d like to support the MELySMAX Arts Program, ask us how 🎸🎶🎶💥

[mldigitalart]

Women Empowerment sisSTAR Summit followed by the 7th Annual Women Empowerment Event - Sunday, March 17, 2019 - Town Stages in NYC

#womenempowerment is the movement!  2 Events / 1 Empowering Day! The movement continues as women across various industries and professions unite to discuss and tackle some of the most pressing issues affecting women today to further empower our personal and professional lives, while paving a new way forward for generations to come.  The Women Empowerment sisSTAR Summit is an extended platform of the Annual Women Empowerment Event by MelimeL Digital Art Design featuring keynote conversations, panels, workshops, performances, opportunities to network with other women-owned business and professionals, and more!  This influential experience will bring together and celebrate the diverse voices and insights of women on the rise and on the grind.

The Women Empowerment sisSTAR Summit will be followed by the 7th Annual Women Empowerment Event featuring an all-male panel for the FIRST TIME in our event's history!  We look forward to a powerful conversation on March 17!  Join us for both events to NETWORK. DISCUSS. LEARN. EMPOWER.

OUR WOMEN EMPOWERMENT sisSTAR SUMMIT LINEUP:

MelimeL - Host/Moderator Creative Artist & Mompreneur MelimeL Digital Art Design & The sisSTAR Loop

Anu Prestonia - Keynote Speaker Natural Perfumer & Owner Anu Essentials & Khamit Kinks

Amelia Moore - Master Class Workshop Author & Entrepreneur Buzz Builder BMC

Robin Sokoloff - Panelist Executive Director & Founder Town Stages & Sokoloff Arts

Dr. Rhonda Cambridge-Phillip - Panelist Author & Health Coach Food Is Your Medicine

Dr. Maha Nasrallah-Babenko - Panelist Certified Sexologist Bond Better

Jeanne Marie Boes - Guest Performer Singer-Songwriter

Raquel Olmo - Live Reading Guest Occupational Therapist Play4Promise

OUR 7th ANNUAL WOMEN EMPOWERMENT EVENT LINEUP:

Patrick L. Riley Author & Journalist, That's What Friends Are For: On The Women Who Inspired Me Smax Music Artist & Entrepreneur, www.smaxmusic.com Charlie A. Vargas Attorney & Professor, www.charlieavargas.com Performance by Kenzy Whyse Clerdonna Spoken Word Artist, The Sixth Element Podcast

Ticket options include:

• WE sisSTAR Summit & 7th Annual Women Empowerment Event • 7th Annual Women Empowerment Event ONLY • VIP Ticket

****NO FEE TICKETS AVAILABLE @ www.mldigitalart.com

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MelimeL Digital Art Design is a recipient of a 2018 Sokoloff Arts Fellowship.  The event is being held at Town Stages. Space for this event was sponsored in part by Sokoloff Arts. Town Stages 221 West Broadway New York, NY 10013 www.townstages.com 212-634-7690

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