#slavic beliefs

[royalfilm]

If anyone has resources on upper Silesian folk magic or folk beliefs, I am desperate for some! They are hard to come by in English but ones that can be translated would be amazing

[landfilloftrash]

earlier beliefs had the butterfly symbolizing a departed soul

I figure him and his beloved’s soul might have had a few instances like this

[slavicafire]

Would it be a fun ask game for you to tell you why we came and why we stayed?

feels horribly self-indulgent but I am kind of curious

[fujouppy]

okay wah oh i remembered the Outfit Interest. man i need to find more fashion youtubers that dont suck

[dvudushnydiaries]

Custom also forbade them to whitewash the walls of the room in which the person died ("in case the soul of the deceased is resting in a crack in the plaster"). The belief in the possible return of the dead was so widespread in the Carpatho-Rusyn homeland that tales on this theme have been retained in all the villages. According to the stories, the late relative most often returned to pick up his or her favorite things, such as a pipe, tobacco, or a musical instrument. These things were usually laid upon the grave in order to prevent any further return of the dead.

Via carpatho-Rusyn.org

This little tidbit pulls at my heartstrings

[tobyneedssleep]

I need a book that covers everything about my interests actually

[oysterie]

wait rats kings are something from real life??

[get-more-bald]

I should make a white vampire or something

[szczekaczz]

i have to learn more about belarus

[zhimaqiu]

yeehaw, let's become a myth my slav kin. we could as well close our borders and act like elves

this tweet made me want to NOT have a phone so I didn't have to read this

[ayakashibackstreet]

It's funny how my dad's side of the family deeply believes that if you don't get that One Specific Wedding Band for your reception, your marriage is going to fall apart.

[writingwithcolor]

WritingWithColor FAQ: Why do I need to be so specific with my character’s identity?

We often receive this question from people whose asks have been rejected because the terms they used were not helpful. Consider racial/ethnic terms associated with regions like:

“Native American” / “Indigenous”

“Pacific Islander” / “Pasifika”

“Asian”

“African”

“Hispanic” / “Latin American” / “Latino/e/x”

“Middle Eastern”

“Slavic” / “Siberian”

“Nordic”

These are common but overly broad demographic terms meant to be used by governments for convenience and record-keeping purposes. In other contexts, these terms cover far too wide of a range of nationalities, cultures, and ethnicities to be informative. For example, while “Native American” is often used as catch-all term for every Native nation across the US, this encompasses a very large continent’s worth of cultural variety. You could not accurately portray a Native person unless you knew their specific tribe’s stereotypes, beliefs, customs, and day to day lives.

These terms can also be relative or vague when used alone. “Indigenous” is even broader, and covers any native inhabitant of a region anywhere in the globe, having the potential to cause confusion if it is used to refer to Native American identities.

---

This Q&A is an excerpt from our General FAQ for Newcomers, which can be found in our new Masterpost of rules and FAQs. If you're looking to send us an ask about your own writing, go there first!

-Writing With Color

[lilshoots]

Finished another wip, you could say :P

Context:

In Ukraine, you give a buqet with an even number of flowers only to those who passed away. (the tradition dates beck to the slavic pagan beliefs. Even numbers were the personification of evil, and the even number of flowers meant the end of the life cycle. Therefore, it brought troubles to the family and death.)

My younger self was so shocked and horrified watching foreign movies in which the guy gave the girl he likes a buqet of paired flowers. Like, why would you do this? Do you want her dead??? That's six flowers. Just add one more. Wait... Why are you giving these 4 flowers to your mother??

So, yeah. I thought it would blend well into the Senju/Uchiha cultural differences

P.S. Tobirama clearly knew about these cultural differences. He just believed in Madara's brain too much, thinking he knew them too. He just thought Madara gave him these frowers to mess with him:P

[wilddogsdivorce]

EVERYTHING WENT VERY WELL!! and we did some errands too, on top of the meeting :D

going to my first library meeting after the move while feeling physically unwell. wish me luck

[hayatheauthor]

How To Write Vampires With An Original Twist 

Mythical creatures are an essential part of the fictional scene, but the same creatures have been used so many times that these creatures now often seem redundant and boring in fiction. This is why I've started a new blog series: How To Create Original Mythical Creatures. I'm kicking off this series with vampires!

Join me as we dive into the world of vampires, from their mythical beginnings to their modern-day interpretations, and learn how to write them effectively in your own narratives.

Origins of Vampires

Vampires have a rich and diverse history rooted in ancient folklore and legends. Across various cultures and civilizations, tales of bloodsucking creatures have emerged, each with unique characteristics and behaviors.

One of the earliest known vampire myths comes from ancient Mesopotamia, where stories of blood-drinking demons known as Lilitu or Lamashtu date back to around 3000 BCE. These entities were believed to prey on humans, particularly targeting children and pregnant women.

In ancient Greece, the Lamia was a mythical creature often depicted as a female vampire who lured and devoured children. Similarly, in Roman mythology, the Strix or Strigoi were vampiric entities that fed on blood and flesh.

Moving forward in history, Slavic folklore introduced the concept of the Upyr, a vampire-like creature that rose from the dead to feed on the living. These early depictions of vampires often portrayed them as revenants or undead beings with a thirst for human blood.

Modern-Day Vampires: Where Were They Originated? 

The modern concept of vampires, as we commonly know them today, took shape during the European Middle Ages and the Renaissance. Legends of vampires emerged in Eastern Europe, with notable figures like Vlad the Impaler contributing to the folklore. Vlad's reputation for cruelty and his association with impaling enemies on stakes led to the creation of the vampire archetype, inspiring Bram Stoker's iconic character, Count Dracula.

From ancient Mesopotamia to medieval Europe, vampire lore has evolved and adapted, weaving its way into popular culture and literature. Understanding the origins of vampires provides writers with a rich tapestry of mythology to draw upon when crafting their own bloodsucking creatures.

I wanted to go into more detail regarding the Lamashtu and Lamia since they’re not as well known as their Slavic and European counterparts, but unfortunately, that would deviate from the purpose of this blog. 

The Evolution Of Vampiric Appearances 

Before we proceed with this section, it's crucial to clarify that the mythical creatures and beings discussed in this blog are not direct representations of ancient vampires. Instead, they serve as inspirations for the concept of vampires and share certain attributes with our modern-day depictions, including blood-feeding, pale skin, human-like appearance with some animalistic features, and so on.

Vampiric Creatures In Mythology

In ancient mythology, vampiric entities were not always depicted as the suave, charming figures we see in modern vampire tales. Instead, they often embodied primal fears and monstrous traits.

Lamia: In Greek mythology, Lamia was a terrifying creature depicted as a woman with a serpentine lower body. She was known for her insatiable hunger for children, often depicted as a child-eating monster. Lamia's appearance combined elements of human and serpent, emphasizing her monstrous nature and predatory instincts.

Lamashtu: In Mesopotamian mythology, Lamashtu was a malevolent demon who preyed on pregnant women and newborns. She was depicted with a fearsome appearance, often described as having the head of a lion, the body of a donkey, and bird-like talons. Lamashtu's grotesque features and destructive tendencies reflected ancient beliefs about the dangers of childbirth and infancy.

Lilitu: In Mesopotamian and Jewish folklore, Lilitu or Lilith was often associated with nocturnal demons or spirits. She was depicted as a seductive, winged demoness who preyed on men and newborns. Lilitu's appearance varied across different myths but often included features like wings, long hair, and sometimes talons, emphasizing her otherworldly and dangerous nature.

Strix: In Roman and Greek mythology, the Strix was a bird-like creature or vampiric owl associated with dark omens and death. It was believed to be a shape-shifting creature that could transform into a woman or an owl. The Strix's appearance combined avian and human features, instilling fear and dread in those who encountered it.

Strigoi and Upyr: In Eastern European folklore, Strigoi and Upyr were blood-sucking undead creatures similar to modern-day vampires. Strigoi were believed to be restless spirits or revenants that returned from the dead to torment the living. Upyr, on the other hand, were vampire-like beings with sharp fangs and a penchant for drinking blood. Both creatures were depicted as pale, gaunt, and often with elongated canines, reflecting their predatory and undead nature.

Medieval Depictions: Shift in Appearance

During medieval times, the depiction of blood-sucking mythological creatures underwent a transformation, shifting from monstrous and terrifying to more humanoid and relatable appearances. This change in portrayal can be seen in various aspects of their physical features:

Teeth: Originally depicted with long, sharp fangs or talons for blood-drinking, medieval depictions often featured more subtle fang-like teeth or no visible teeth at all, aligning with the concept of vampires being able to blend in with humans.

Skin: While ancient vampires were often described as monstrous and otherworldly, medieval vampires were portrayed with paler skin to signify their undead nature but without extreme deformities or monstrous features.

Appearance: Medieval vampires were often depicted as more human-like in appearance, with regular clothing and a less monstrous demeanour. This shift allowed for more nuanced storytelling and exploration of themes like temptation, desire, and the struggle between humanity and monstrosity. This is also what birthed the romanticization of vampires. 

Mythological Vampire vs Modern-Day Vampire

Mythological vampires, rooted in ancient folklore and mythology, were often depicted as malevolent spirits or creatures with supernatural powers. These creatures varied widely across different cultures, from the Lamia and Lilitu in Mesopotamian mythology to the Strix in Roman and Greek folklore, and the Upyr in Slavic tales.

These ancient vampires were not always the suave, charismatic beings we see in modern media. Instead, they were often portrayed as terrifying and monstrous, with features that reflected their otherworldly nature. For example, the Lamia was described as a demonic woman with the ability to transform into a serpent, while the Lilitu were associated with storm demons and fertility spirits.

In contrast, modern-day vampires, especially those popularized in literature and film, have undergone significant transformation. They are often depicted as sophisticated and alluring, with a penchant for romance and drama. Authors and filmmakers have humanized vampires, giving them complex personalities, tragic backstories, and even moral dilemmas.

While modern vampires still retain some traditional attributes such as a need for blood and sensitivity to sunlight, their portrayal has evolved to include a wide range of characteristics and abilities. This shift has allowed for more diverse and nuanced storytelling, exploring themes of immortality, love, redemption, and the eternal struggle between good and evil.

Which Option Is Better For Your Novel? 

When deciding which type of vampire to incorporate into your story, consider the tone and themes you wish to explore. Mythological vampires offer a darker and more primal essence, rooted in ancient fears and superstitions. On the other hand, modern-day vampires provide a canvas for exploring human emotions, relationships, and societal issues through a supernatural lens.

Ultimately, the choice between mythological and modern vampires depends on the narrative direction and atmosphere you want to create. Both types offer unique storytelling opportunities, allowing you to craft captivating tales of mystery, romance, horror, or even philosophical introspection.

Research and Resources

Writing about mythical creatures like vampires requires a solid understanding of folklore, mythology, and literary traditions. Here are some resources and research methods to help you delve into the world of vampires and other mythical beings:

Books and Literature

Start by exploring classic works of literature that feature vampires, such as Bram Stoker's "Dracula," Anne Rice's "The Vampire Chronicles," and Stephenie Meyer's "Twilight" series. These novels not only showcase different interpretations of vampires but also delve into the cultural and historical contexts surrounding these creatures.

Mythology and Folklore

Dive into ancient myths and folklore from various cultures to uncover the origins of vampire legends. Look into Mesopotamian, Greek, Roman, Slavic, and other mythologies to discover different vampire-like entities and their characteristics.

Research Journals and Articles

Academic journals and articles can provide valuable insights into the evolution of vampire folklore, the psychological aspects of vampirism, and the cultural impact of vampire mythology. Explore journals in folklore studies, literary analysis, and cultural anthropology for in-depth information.

Online Resources

Utilize online platforms such as mythology databases, folklore websites, and literary forums to gather information and engage in discussions about vampires. Websites like The Vampire Library, Vampire Empire, and Vampire Rave offer a wealth of resources for vampire enthusiasts and writers.

Historical Research

Delve into historical records, archival documents, and historical accounts related to vampire hysteria, vampire burials, and vampire folklore in different regions. Understanding the historical context can add authenticity to your portrayal of vampires.

Interviews and Expert Opinions

Consider reaching out to folklore experts, historians, and scholars specializing in vampire mythology for interviews or consultations. Their insights and expertise can provide valuable perspectives on vampire lore and storytelling.

Creative Exploration

Don't hesitate to let your imagination roam while exploring vampire mythology. Experiment with creating your own vampire mythology, incorporating unique traits, powers, and origin stories for your vampires.

By combining thorough research with creative exploration, you can develop rich and compelling portrayals of vampires in your writing. Remember to stay open to diverse interpretations and adaptations of vampire folklore, allowing room for innovation and originality in your storytelling.

I hope this blog on How To Write Vampires With An Original Twist will help you in your writing journey. Be sure to comment any tips of your own to help your fellow authors prosper, and follow my blog for new blog updates every Monday and Thursday.  

Looking For More Writing Tips And Tricks? 

Are you an author looking for writing tips and tricks to better your manuscript? Or do you want to learn about how to get a literary agent, get published and properly market your book? Consider checking out the rest of Haya’s book blog where I post writing and publishing tips for authors every Monday and Thursday! And don’t forget to head over to my TikTok and Instagram profiles @hayatheauthor to learn more about my WIP and writing journey! 

[thetepes]

"Fuck it, I'm going to go back to calling people Nazis if they look at me funny." - 4:20 is the timestamp.

She is such a fascinating streamer, no? Dead air, no music, bringing up a cosplayer who killed themselves over accusations after saying it's perfectly fine and good to make flippant accusations. Telling her viewers to mass report Ant's videos, something which youtube found her so inert and completely fucking unable to meaningfully achieve they automatically considered his report solved because there was never any meaningful threat to begin with.

Anyway, it means nothing. This accusation. These words. Nothing, but meaningless piss from a person who so loudly declares their victimhood and cries about their status as a poc, a transwoman, a disabled person who lives off government assistance.

These things that all of which would have made you a victim of this meaningless regime to you. Let's look at who they targeted!

Black people

Civilians accused of disobedience, resistance, or partisan activity

Gay men, bisexuals, and others accused of deviant sexual behavior

 whose religious beliefs conflicted with Nazi ideology, such as Jehovah’s Witnesses

people with disabilities 

Slavic People

Political opponents and dissenters in Germany such as communists

Roma and other people derogatorily labeled as “Gypsies” 

Social outsiders in Germany derogatorily labeled as “asocials” or “professional criminals”

Soviet Prisoners of War. 

Hm, would you look at that? It seems we both meet the measure of those who would be eradicated. We would be victims of Nazis, Lily. Both of us.

Most estimates place the total number of deaths during the Second World War at around 70-85 million people. Approximately 17 million of these deaths were due to crimes against humanity carried out by the Nazi regime in Europe. In comparison to the millions of deaths that took place through conflict, famine, or disease, these 17 million stand out due to the reasoning behind them, along with the systematic nature and scale in which they were carried out.

They were 17 millions of us. A number not one of us can begin to fathom the actual scale of.

So why do only I know the weight of this between us, Lily? Are you really so disconnected from what you are that that multi generation eradicating horror is something you can't comprehend? Nazi isn't some flighty term like Republican that can mean anything from a out of touch grandma who thinks a house can still be bought for 25k to a man holding a tiki torch saying we should nuke downtown Atlanta. Nazis are one thing. They are the thing I struggle to describe as people, but they were and are people and we must remember the great evil people are capable of.

These are not the same thing. You can't just fling Nazi out like it's meaningless. To do so demeans not just the victims, but people still living. You belittle us. You belittle yourself. When you reduce Nazi to a buzzword you take away the sheer magnitude of the violence and loss they caused. Nazi is a word with meaning. It should hurt to say because of how heavy it is.

Have some pride. Have some dignity. Some grace. Have some respect for our lost kin and those that would have been our friends, for the strangers that would have been connected to us by the single thread of this group's hatred.

Give that word it's meaning.

This part is for all of us who have grown too casual with our language, not just her,

Stop calling people Nazis unless they are. Nazis aren't fairytale creatures or monsters under the bed. They're human. They're your brother, your father, your cousin, your next door neighbor. That's what's so scary about them. They're just people. Hateful people. They look like you and me. Look at what a Nazi is. Look at their beliefs. Look at what they did. Memorize it. We all must look even though it hurts because we need to be able to identify them and half of that is giving that word weight so when we see the danger we can name it. For our own safety.

It's time to demand better. It's time to have meaning. It's time to use our words and use them accurately.