#slaugther band

[theart2rock]

Slaugther To Prevail

DEATHCORE-PERFEKTION Mit dem letzten Output „Viking“ haben Slaughter To Prevail eine nahezu perfekte Deathcore-Ramme abgeliefert. Die 2014 gegründete Band aus Jekaterinburg kommt im nächsten Frühjahr nach Pratteln, um mit voller Härte ihr 10-Jahr-Jubiläum zu feiern. Quelle: Z7 Lesen Sie den ganzen Artikel

[adriheavymetal]

Blas Elias 🥁⚡🎵🎼💀🔥🤘🤘⚡📷

[sadboymetalhours]

welcome to the masterlist of all the videos i've made for the rock bands i am obsessed with. organized by band! misc vids will be at the end.

please feel free to request anything!!!

(this post will continue to get updated!)

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funny moments 🖤

slaxl moments

slash and duff mckagan being "besties"

axl rose out of context

slash out of context

duff mckagan out of context

izzy stradlin being the absolute death of me for 6 minutes

learn the alphabet with guns n roses

crack series 🖤

part 1

part 2

part 3

part 4

part 5

part 6

part 7

the boys being cute (clips over music) 🖤

slash being uncontrollably and unreasonably adorable for 4 minutes and 42 seconds

axl rose making me h*rny for 4 minutes and 20 seconds

duff mckagan making me absolutely wEAK for 4 minutes and 9 seconds

izzy stradlin making my heart beat so fast i have a heart attack for 4 minutes and 18 seconds

steven adler being a complete ray of sunshine and melting my heart for 3 minutes and 47 seconds

guns n roses/80s mtv aesthetic edits that make me miss the 80s and want to be a groupie

music edits 🖤

november rain but ur listening from outside the concert cause u couldn't afford tickets

rocket queen slowed & reverb

my michelle slowed

sebastian bach 🖤

sebastian bach being completely chaotic for 14 minutes

sebastian bach being a chaotic nightmare for 4 minutes straight

that part at the end of 18 and life where sebastian bach's screams give me ~chills~

sebastian bach-literal legend

rachel bolan 🖤

rachel bolan moments i think about everyday

crack series 🖤

part 1

part 2

part 3

music edits 🖤

quicksand jesus but you're listening to it trapped in a dungeon underneath the stage

blas elias 🖤

blas elias being drop dead gorgeous and a genuinely cool guy for 6 minutes and 8 seconds

mark slaughter 🖤

mark slaughter making a p**sy throb for 4 minutes and 31 seconds

adorable clips (over music)🖤

hanoi rocks being the blueprint for 5 minutes

michael monroe 🖤

michael monroe appreciation post

funny moments 🖤

poison ~band~ cRaCK part 1

music edits 🖤

talk dirty to me but ur listening to it from outside a party because your friends hate poison lol

tommy lee 🖤

tommy lee being the main character for 6 minutes and 44 seconds

nikki sixx 🖤

nikki sixx raising hell for 7 minutes

music edits 🖤

looks that kill slowed

funny moments 🖤

def leppard being adorable idiots

klars 🖤

kirk hammett & lars ulrich being boyfriends for 4 minutes and 30 seconds

music edits 🖤

exit light, enter NIGHT

whores 🖤

rockstars being wh*res for 10 minutes (rockstar cRACK...nsfw)

rockstars being wh*res part 2!!

rockstars acting like their zodiac signs 🖤

part 1

part 2

misc audio edits 🖤

audios for edits-ROCK EDITION

audios for edits-ROCK EDITION part 2

rock you like a hurricane slowed & reverb

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[blackaltarapparel]

Black Altar Apparel: Slaugther to Prevail.

When she gets a text from me, telling why Slaughter to Prevail is the superior band in metal..

WE SHIP WORLDWIDE🤘🏽

B.A.A

www.blackaltarapparel.com

[afaimscorner]

Everytime I think it can’t get worse for me with “Star Trek”...

Ugh, that first “Star Trek: Coda”-Novel is so bad, it makes me wish they would just have let the Pocket Universe die without trying to give it an ending. I mean, yes Disney just cancelling the Expanded Universe and de-canonizing every Novel, Comic and Game ever written made me quit “Star Wars” and made me regret a good part of my fan-life, but if this is the alternative ... well, no but thanks.

The worst part is that it is “Star Trek: Picard” all over again. Every fan, who is here for anything else than Picard and some TNG Nostalgia is treated like a second class citizen. I mean, why promote this as a Crossover Series, if the first novel bascially only is for TNG-Relaunch Novel Fans? Not even “Titan” is in it, so why promote this as Picard, Riker, Sisko and Dax and their ships banding together, when this is not happening at all? (For reasons, I will get into later).

It seems like the second novel focuses on DS9 after all, but as a DS9-Fan, who read the first novel it’s like Icheb in “Picard” for Voyager-Fans all over again, but he got to be at least a boy in the fridge for Seven, and it was “only” Icheb, but here ...

SPOILER ALERT They just go an kill of Ezri Dax like she is just another Pocket Book Universe Supporting Character and not a Main Character from an actual Canon-Show! They make the greater tragedy of T’Ryssa Chen dying than Ezri and Dax dying! And, yes, it is a TNG-Novel (even though - again! - the lie about that everywhere), but when they killed of Janeway in another TNG-Novel back then it was a big thing and not an afterthought with her as one of many casulties. Granted, Pocket Books Ezri Dax has not much in common with Canon Ezri Dax at this point, but still ... they would never pull that with let’s say Geordi in a DS9-Novel, would they? It’s bad enough the whole Crossover seems to be “Let’s slaugther as many of our characters, that we investeted a good part of the last two decades of ST-Novels in, as possible, even though the Multiverse is ending and Our Timeline is probably  going to be earased anyways”, but giving a Canon Character this treatment ist just beyond wrong. Sorry. I mean, feel free to do with the Pocket Book Character what you will, that’s in your rights, but this just isn’t, if it does not get the space it deserves. And if this was supposed to be a “Anyone can die”-Moment, why put on in an Universe-Ending Storyline? They stakes can’t get any higher than everyone dying and that is the fucking plot, so why do it at all? SPOILER ENDING

And apart from the senselss slaughter this novel was hundreds of pages of Wesley Techno-Babbeling Time Travel Mechanics combinded with a Jean-Luc Picard-love fest. Not a single interesting moment there for anyone who is interested in Wesley as a person instead of Plot Device or anyone whose favourite Trek-Character is any one but Jean Luc Picard.

I can’t believe this is supposed to be a love letter to the Pocket Book Universe, because frankly it feels like is was written by someone who actually hates it. Dayton Ward can claim he wrote that book, I refuse to believe it, even the worst David Mack Trek-Novels are usually better than this and Dayton Ward’s Trek-Novels always were much much better than this one in the past.

So, I hope this series gets better in the next two books (but I have my doubts), but mainly I am just done with the whole “TNG is the only Trek-Series that matters and Picard is the only character that matters”-attitude of all those so-called fans turned authors, who then claim to write for the whole fandom but only every shit on DS9- und Voyager-Fans. It’s all right to only write for TNG- and Picard-Fans, but if you do that don’t use the characters from the other shows! It is as simple as that.

So, no waiting for the translation did not pay off and my gut-feeling about “Coda” not being something I would like was totally spot on, at least for the first novel, but I fear it won’t get better.

[escaping-thoughts-reviews]

Star Wars Visions

Ep.9: “AKAKIRI”

As a Jedi (Tsubaki) is fighting a band of thugs, he is rescued by an exiled princess (Misa) and her two guides. Together they travel to the city, to help Misa reclaim her throne.

They infiltrate the palace and we have a glimpse of their past, when he served under her father. They are then confronted by her aunt, a Sith who usurped the throne and killed Misa’s father. Tsubaki and her fight, but he’s defeated. In a fit of rage he slaugthers the guards, just to discover that one of them was actually the princess. As he despairs, the darksider tempts him, he accepts and swears loyalty to her.  She then brings Misa back to life and he follows the sith, leaving a confused and distraught Misa behind.

With a more stylized animation, not my flavor, but fluent and with personality, great lighting and atmosphere. The palace looks amazing as it blends japanese architecture with the grand structures that define the Star Wars temples and Sith tombs. This episode has an interesting ending, very different from the other stories, that leaves untapped potential for a continuation.

Rating: Ok

[the-eng-circle]

#rallysurf #pearl_jammers #jeremy_nailing #in_class #today As remembered in chess-school, Je-remy was always the worst. Despite his great losses, his cornered positions, he wasn't the telepathic chess-player that couldn't sacrifice yet another of his 'fake friends'. They say he started his career like a dwarf, with a motto to express at the start of every 'game'; "-Prepare to be boarded!". A famous quote from TV/cinema-screens of today modern needs. This time someone (who once named the top-position-uniform in the world-chess-games 'the bo-mb', same as 'the black pearl' among pirates from the carribeans or as 'the ghostship' in children's cartoons from before) used it in case something was a-woken (Godmother has her E-woks)... ...like The Godfather, without his Little Mermaid/Sea-maid in his 'eye-sight', looking like a "Great White" (shark) in oceans storms or scary as a monster in Jaws (the movie) - that 'bo-mb' or 'Black Pearl' will go right in, like a disolvable tablet/throat-pill to "clean some up". Now, that 'pill' has shrunk, demands ownership of The Godfather's private suite (Captain's Suite) and a back-up-team is sent in to check how the hell Je-remy is doing, in his so darkened class-room and super-long session ─ where demands of "Remy!" is the only thing heard from one corner and one very persistent title-holder... ...and stripped of all glory and honor his obsession in his rival + "Remy"-demands is NOT much hope for the back-up-team, where a police-commisarie (or a couple) descreetly comes 'dancing in' ─ undercover, and looking like ragular sailors, in an honorable harbour-barfight ─ just to check into the scoreboard (or the truth) in Je-remy's reports back to his own police-district, from once he came. With Je-remy's own plans (or his son's) of tree-paneling (some kind of 'fancy-up' his own funeral-casket, I believe ─ as he was planning to bury someone he was in a "fight" with (or against). It has been reported (in the darkness) that police-commisarie is sending men he barely know himself, to befriend Je-remy ─ but that can be a desillusion from a 'Dark Lord'... ...to be continued (when money isn't out). PEARL JAM - JEREMY: https://www.youtube.com/watch?v=MS91knuzoOA - - - Time is 20.13, the same date - and I have recieved a greater donation of €20.00 up north of the river, close to VIA Di S:t Lucia (tiny.cc/viastlucia) by one 'supporter' with family. I'll do my laundry tomorrow (smell really bad) so I went through Carrefour Food shop south at Torquato Square (tiny.cc/torquato) to buy some cleaning detergent for tomorrow and some milk for immediate 'cool-down-liquid'. The chest has an higher temperature ─ creates a fever-temperature I mentioned before, constant 39'C body temperature. It makes you 'witter' ('erode') by vaporising, in Hell on Earth. - - - Continuation of previous text: ...that knows how to do 'swift rocades' in hidden spaces of a long night-session/barfight like the one described above. Making the revolving-door/swing-door (like on a wild western saloon) in a Croquet-/Bocchia-games most Holy Ground ─ the 'double-frame' in the center courtyard ─ might fool the fool itself, if he's just 'strecthed-out' a bit ─ like the giant jelly-rat he is ─ and 'force-fed' into his 'other end'. 'Je-remy's speaking', in class today. "Pearl Jam", might be his favourite musical group/band ─ much emotions in their music. Describes even the smallest jelly-rat's most inner feelings, after entering such a strange obsticle but a must-pass-through gateway on their life-course. The album "Ten" was Pearl Jam's 'global-break-through' ─ and seeing "Je-remy", in his chess-career in such a album's collection of songs, is knowing he is no computer, like 'Deep Blue'... ...he's just like everyone else, even when power that corrupt (over-/high-power) really corrupts a mind ─ and brutality going against all rules & regulations ─ and finally end up against the butcher and everything fades over to a 'slaugther-chess' instead, where even 'Geils' (as Je-remy himself is one certain example of), are entitled into be a "Danish Whore"/"-Prince" or the "-Feature" (in one of my simple songs from down the river-bank), with it's 'golden' Choco-ladde'... "reaching down".

[jaybe11]

rock n roll - i have lived it, i have been a rocker and metal head for a long time and use to play in bands and have gone to more shows then most people way more.Aerosmith was my first real show as a kid on the get a grip tour, i saw alice n chains on the dirt tour and meet jerry on that tour and the other guys were there to , very nice guys, i saw kurt once with dave on there tour and meet magadeath and many other bands. i had v.p. tickets for sabbath. i have seen ever thing from king diamond,slayer,anthrax,metal church,testament,lamb of god,alice cooper and ozzy and dokken, poison,gwar, kiss a few times,tesla,fire house,skid row,guns n roses,slaugther on the motley crue tour for doc feel good and to many bands to name and started at a very young age.

[shyearthquakedaze]

ROCK N ROLL- i have lived it, i have been a rocker and metal head for a long time and use to play in bands and have gone to more shows then most people way more.Aerosmith was my first real show as a kid on the get a grip tour, i saw alice n chains on the dirt tour and meet jerry on that tour and the other guys were there to , very nice guys, i saw kurt once with dave on there tour and meet magadeath and many other bands. i had v.p. tickets for sabbath. i have seen ever thing from king diamond,slayer,anthrax,metal church,testament,lamb of god,alice cooper and ozzy and dokken, poison,gwar, kiss a few times,tesla,fire house,skid row,guns n roses,slaugther on the motley crue tour for doc feel good and to many bands to name and started at a very young age.

[vinylofthebeast-blog]

Five years ago in December, Woods of  Ypres’ frontman and Thrawsunblat’s drummer, David Gold, tragically died in a car accident. So it’s fitting to review some new material from a band he was involved in. While Woods of Ypres split up, Thrawsunblat, a band founded by ex-Woods of Ypres guitarist Joel Violette, continued and released their third studio album (and second without Gold) back in june. The vinyl version which I am going to review was released at the beginning of December 2016, nearly half a year after the CD release,  via what appears to be the band’s own label in collaboration with Broken Limbs Recordings. Since the vinyl was not available through a european merch I had to order directly from the band which added a ton of shipping costs – and in this case It was worth it!

Quick Facts:  Artist: Thrawsunblat Album: Metachthonia Version: 2LP, Limited Edition, Winter Sky (white/blue swirl and clear with blue haze) – Discogs Link Label: Ignifera Records/Broken Limbs Recordings

Quality/artwork: Let’s start with the good – the LP’s are among the best looking of 2016 in my collection (and I bought roughly 200) especially the clear with blue haze second LP. The white/blue swirl reminds me a lot of Blood Music swirl releases of the past. This being a non heavyweight vinyl release actually adds to the looks this time. The spindle hole is cut out perfectly, the stickers are well aligned, the records are neither warped nor off-center. Great quality pressing.  The records come in a plain black paper sleeve unfortunately and not in anti-static ones.

The gatefold however is another story. While the quality is pretty good (although I received it bent, a risk you have to take when ordering overseas) the whole artwork is not very appealing (to me). I usually like nature as cover art (see Negura Bunget – Tau) but this looks like a random image in the woods with a bright flood light, a photoshopped sky and some instagram filter put over it. The back of the gatefold is black with the track list in  a hard to read font and the bonus tracks in another font. The inner gatefold is a grayscale image with the lyrics printed on it. Due to very little space in between it looks rather cramped. All three images could easily be from three different albums.

Metachtonia looks like a patchwork. Colourful cover art, grayscale gatefold, black back, blue/white record and clear/blue record. It’s a bit much but fortunately I do not care, as the music is a completely different story!

Music quality: The album is definitely among the better sounding releases of 2016. It was mastered for vinyl by Garry Brents of GAB Recordings. The sound quality is excellent – There have been a lot of issues with the DR Offline Meter lately so I won’t be able to provide the correct rating this time. I got a lot of confusing readings like the lossless version of the album (which comes with the album via a download code) having the same FDR Rating as the MP3 and Streaming version (FDR of 5) while the vinyl version showed a rating of as high as 13. Apparently there are some issues with the connection from my turntable to the line in of my computer as the analysis in Spek (see pictures below) suggests. Nevertheless – the vinyl version seems to be on par with the losless flac version of the album. At least that’s what my hearing suggests. The streaming version (Spotify/extreme Quality) and the MP3 version (320bit) sound less dynamic and worse. When comparing this album to other high quality releases like the FDR reissue of At the Gates – Slaugther of the Soul or Moonspell’s recent reissue of Irreligous the quality is roughly the same. So an excellent release in terms of sound quality.

FLAC in Spek

Vinyl in Spek

The music: Thrawsunblat managed to make a stunning album which stands out in a genre where many bands sound alike. There are passages reminding me of older and newer Woods of Ypres, Agalloch, Winterfylleth without plain copying them but rather weaving those influences into a very distinctive and unique sound. The cuts between harsh singing and the slower, almost peaceful clear vocal parts create an atmosphere I have only experienced on AHAB’s – The Giant so far. The folk elements are refreshing and have nearly nothing in common with the usual folk influences in metal. This album is definitely in my top 5 of 2016 and I am really looking forward to any future releases of Thrawsunblat.

Up next:

I know I’ve said in my last review that I’d ditch the up-next part. But in this case I already know what my next review is going to be about. As I finally got my hands of the recent Spinefarm/Candlelight reissues of the Emperor albums I will finally be able to compare “In the Nightside Eclipse” to the awful Back on Black reissue I reviewed last year.

Thrawsunblat – Metachthonia Five years ago in December, Woods of  Ypres' frontman and Thrawsunblat's drummer, David Gold, tragically died in a…

[theart2rock]

Wie Randy Rhoads zu Ozzy kam

Es war Spätherbst 1979 als Bassist Dana Strum (Slaugther) im Studio von Frank Zappa am Sunset Boulevard mit seinem Equipement erschien. Dana wurde von Manager Legende Don Arden (Dem Vater von Sharon Osbourne) eingeladen auf eine Empfehlung, man solle sich ihn mal anhören für die neue Band von Ozzy. Ebenfalls im Studio war der damals 27-jährige Gary Moore, dessen Talent damals schon nicht von der Hand zu weisen war. Dana Strum glaubte jedoch zu diesem Zeitpunkt, dass sein Sound nicht dem entsprechen würde, was Ozzy suchte. Nach dem Vorspielen lud Ozzy Dana noch ins Le Parc Hotel ein um über eine allfällige Zusammenarbeit mit ihm zu diskutieren. Dabei schlug Dana Ozzy vor, den Gitarrenlehrer und Leadgitarristen der Band Quiet Riot einzuladen, Randy Rhoads. Dabei meinte Dana, dass Randy genau die Art von Gitarrist ist, den er suche. Ozzy anscheinend zu betrunken lud aber alles andere ein nur nicht Randy. So sah sich Dana gezwungen Randy selbst zu holen und ihn zu überreden bei Ozzy vorzuspielen.

Dana, hatte Randy’s Telefonnummer von Jackie Fox, der Runaway Bassistin, und rief immer wieder an, solange bis er dann endlich mal den Hörer abnahm. Das erste Gespräch zwischen den beiden verlief nicht sonderlich erfolgreich, weil Randy so gar nichts mir Black Sabbath anfangen konnte. Ein paar stürmische Anrufe und der Macht der Überredenskünste liess sich Randy doch noch zu einem Vorspielen bewegen.

Wie Randy später in einem Interview erzählte, kriegte er den Job bei ihm in der Band, ohne auch nur wirklich vorgespielt zu haben. Beide konnten jedoch nicht unterschiedlicher sein, nur musikalisch waren sie auf einem Level, wovon viele auch nur träumen können.

Ozzy flog zurück nach England und traf sich dort mit Bob Daisley um ein wenig zu jammen. Bob merkte aber schon schnell, dass Ozzy da irgend etwas im Köcher hatte und war auch sofort bereit der Band beizutreten. Randy flog dann ebenfalls nach London und wohnte den Proben bei. Im März 1980 war die Band komplett, nachdem Lee Kerslake und Don Airey kurz vor dem Studioaufenthalt in Surrey zur Band stiessen. Die Aufnahmen dauerten rund einen Monat und begannen am 22. März. Als am 19. April die Aufnahmen abgeschlossen waren interessierte sich niemand für die Aufnahmen. Ozzy’s Ruf schien alles zu nichte zu machen. Die Plattenfirmen wollten nicht mit ihm zusammenarbeiten. So lehnten Warner als auch EMI die Demoaufnahmen zu Blizzard of Ozz ab. Sharon Osbourne nahm die Demos dann und ging zu ihrem Vater und seinem Label Jet. Dieser veröffentlichte das Album dann und bis heute hat es weit mehr als 6 Millionen Stück verkauft. In Europa wurde die Platte am 20. September 1980 veröffentlicht, ein halbes Jahr später im März 1981 dann auch in den USA. Nachdem es dann in Amerika erschienen war, konnte sich das Album rund 2 Jahre in den Billboard Charts halten und heimste diverses Edelmetall ein.

Heute jährt sich einmal mehr der Jahrestag des Gitarristen Randy Rhoads, der mit diesem Album der ganzen Welt zeigen konnte welch einzigartiger Gitarrist er war. Oftmals wurde damals auch darüber spekuliert, dass Randy Pläne hatte Ozzy’s Band wieder zu verlassen um seinen eigenen Ideen nachzugehen. Er wollte ein Soloalbum machen, traf aber seinen eigenen Aussagen nach, zu diesem Zeitpunkt noch nicht die richtigen Leute. Sein 5-Jahresplan hingegen kannte er schon 1982, er wollte als Gitarrenheld anerkannt werden, dies war sein erklärtes Ziel. Deshalb nahm er auch überall auf der Tour noch selber Unterricht in klassischer Gitarre. Leider wurde diese Karrierenplanung viel zu früh abrupt beendet. Eines hatte Randy jedoch erreicht, in vielen Augen ist er ein Gitarrenheld geworden.

  Wie Randy Rhoads zu Ozzy kam was originally published on The Art 2 Rock

[theart2rock]

Diese Songs schrieben Geschichte

Jede Generation hat seine Songs die mehr oder weniger Einfluss auf die Geschichte hatte. Elvis war des Teufels, nur wegen seinem Hüftschwung. In den 80er Jahren da kam das Böse aus den Boxen wenn man Heavy Metal hörte. Aber einige Songs, die haben die Geschichte nachhaltig geschrieben, ohne dass sie es eigentlich wollten. Hier meine 7 Songs die Geschichte geschrieben haben.

The Beatles – Get Back Obwohl der Text eigentlich aussagen will, dass man sich dem inneren Kind und dem inneren Frieden zuwenden soll, gab es viele die diesen Song missverstanden haben. In England wurde der Song als heimliche Attacke auf die Immigration, kein Wunder bei einem Titel wie „Get Back“. Ist ja gerade wieder topaktuell. Und da die Beatles ja seit 1966 immer wieder Opfer von Verschwörungstheorien sind, wieso auch nicht hierbei.

  Judas Priest – Better By You, Better Than Me Als die beiden Teenager James Vance und Ray Belknap 1985 Selbstmord verüben wollten, war der Schuldige schnell gefunden. Heavy Metal, insbesondere Judas Priest und ihr Song „Better By You, Better Than Me“. Leider blieb es bei Ray Belknap nicht beim Versuch. Die Eltern von James Vance hingegen klagten gegen die Band aufgrund von versteckten Botschaften im Song. Die Verhandlungen vor Gericht dauerten einige Tage, bevor Judas Priest dann freigesprochen wurden. Rob Halford und die Band konnten glaubhaft machen, dass sie eigentlich Interesse daran haben Platten zu verkaufen und nicht Leute mit ihrer Musik umbringen wollen. Übrigens verstarb James Vance 1988 an einer Überdosis Schmerztabletten, die er sich selber verabreicht hat.

Nirvana – Rape Me Kurt Cobain hat immer gesagt, der Song „Rape Me“ vom letzten Nirvana Album In Utero, sei ein Anti Vergewaltigungs Song. Was natürlich nicht alle glaubten, vorallem nicht die Frauenorganisationen. Kurt Cobain hat oft auch Texte geschrieben, die einfach keinen tieferen Sinn hatten, sondern einfach nur Songs waren. Bei In Utero bezogen sich seine Songs jedoch immer mehr in Richtung Musikindustrie, und so bringt der Song eher zum Ausdruck, dass die Band sich von der Industrie vergewaltigt fühlte. Nebenbei hat Nirvana zahlreiche Konzerte bei Wohltätigkeitsveranstaltungen für Vergewaltigungsopfer gespielt, in den USA oder auch im vom Krieg gezeichneten Bosnien.

Iron Maiden – Bring Your Daughter…To The Slaugther Um die Weihnachtszeit 1990 kletterten Iron Maiden mit diesem Song bis an die Spitze der englischen Hitparaden. Es war ihr erster Nummer Eins Hit in England überhaupt. Der Song wurde für den Film Nightmare on Elm Street geschrieben. Aber er zog auch die Aufmerksamkeit von verschiedenen Organisationen auf sich, weil sie im Song die Glorifizierung von Gewalt gegenüber Frauen sahen. Der Song wurde zwar nicht auf den Index gestellt, das Originalvideo wurde aber zu einem Zusammenschnitt von Liveaufnahmen abgeändert, da man nicht noch mehr Trubel verursachen wollte. Iron Maiden hat in einem Statement mitgeteilt, dass man einfach etwas zum Thema des Filmes beitragen wollte.

  Ozzy Osbourne – Suicide Solution Eine solche Liste kann es ohne Ozzy einfach nicht geben. Auch er wurde vor Gericht gezerrt, weil man ihm vorwarf, versteckte Botschaften im Song mitaufgenommen zu haben. Suicide Solution ist jedoch ein Lied über die Gefahren des Alkohols und seinen Weg wie er dich langsam umbringt. Wie auch immer, dies sahen die Eltern von John McCullom anders. Er hat sich erschossen, weil er eben die Nachricht „Get the gun, shoot“ erhalten haben soll. Aufgrund Mangel an Beweisen wurde der Fall dann abgeschlossen.

  The Sex Pistols – God Save The Queen Ein einziges Mal in der Geschichte der englischen Hitparade kam es vor, dass dort keine Nummer Eins gelistet war. God Save The Queen von den Sex Pistols erschien und schoss nach ganz oben. Die BBC jedoch boykottierte den Song und spielte den heutigen Punk Klassiker nicht, und so wurde der Song auch offiziell von der Topposition gestrichen.

Guns N’Roses – One In A Million Sänger Axl Rose hat es geschafft mit One In A Million gleich mehrere Gemeinschaften gegen sich aufzubringen. Er hat auch gleich mehrere nicht ganz nette Worte wie „Niggas“ und „Faggots“ benutzt. Keine Wunder dass dann Schwulenorganisationen, Einwanderer, Polizei und der schwarze Anteil der Bevölkerung keine Freude an One In A Million hatten. Axl musste sich verteidigen, und reflektierte seine eigenen Erfahrungen in den Song rein, die er gemacht hat, als er zum ersten Mal nach Los Angeles gekommen sei. Zudem hatte selbst „sein“ Gitarrist Slash eine schwarze Mutter, deshalb könne er doch schon gar kein Rassist sein. Slash selbst meinte dazu ganz einfach, dass ihn das Ganze nicht kümmere.

Diese Songs schrieben Geschichte was originally published on The Art 2 Rock