#sketching is still awkward digitally

[payasita]

expressive

[quesoarts]

i need a goddamn haircut

[the-dumpster-fire-of-life]

Hiii hello! How about some Miles Morales (e-1610) x reader headcanons where reader also likes to draw but in digital🌻🌻🌻

(Hello! Sure I can! Enjoy!!)

Digital!Drawer

He obviously is very big on drawing

When y'all got together it was a given and very noticeable

I don't think he would outright show you his drawings, because they were private to him

Also a lot were of you-

He's an admirer! Okay?!

He's always drawing you in some random place or if he just sees you in a random moment and gets the urge to draw you, he will

He's still an amazing drawer now though

He didn't really know for a bit that you also draw but he was pleasantly surprised when he did

He always wants to see what you're drawing but respects if you don't want to share just yet

But if you did he would gladly compliment them

You probably came up with a little sketch for his new spider suit

He doesn't mind that your drawing is digital

He knows everyone has different ways to draw what they like and yours is digital

He actually likes how they come out when you do draw them

But if you draw him he would be shocked at how amazing it is

Especially if it's so realistic and detailed

He always keeps the drawings somehow or he takes a picture or screenshot and sends them to himself

He has many pictures in his gallery of him taking a picture of whatever you draw on with the drawing

He will probably print them out if he can

He will playfully pose for you when you're drawing when in a more happy or relaxed mood

He will tease you though if you draw him

"I'm just that amazing you gotta draw it down, huh?"

He thinks he's soo funny

Though at times when you first started out drawing him and when he first saw it?

He was a bit awkward and shy and thinks he looked very good

He complimented you a lot on the drawing and thanked you for drawing him

He was awkward because he didn't expect it and he was a bit flustered because he didn't even know when you were drawing him

Especially if it was him doing a pose or him doing something when you were there

He then remembered that's why you kept looking at him from your tablet or screen

He's a dumbass but he's cute

[moldspace]

new year new news

hey everyone! wow! 2022 is over! what a year! i made a lot of art, had some cool opportunities (painting a mural!!!) and some challenging transitions (quitting my job, switching academic programs!) but i think, overall, i’m glad to put this one in the rear view mirror. 

now, to get out of the rear view mirror and look forwards into the metaphorical windshield - my resolution this year is to MAKE MORE ART and to GET OUTSIDE OF MY COMFORT ZONE and with that in mind, my first actionable goal for 2023 was...

to start a patreon!

not gonna lie, i’ve been just as nervous as i’ve been busy setting this up the past few weeks (and the imposter syndrome has kicked in HARD), but hey, doing new things is always scary and awkward. and i really wanted a good excuse to put some time and energy into behind-the-scenes stories, progress shots, sketchbook pages that aren’t pretty enough to post on their own, and rambling talks about the winding path my own art tends to follow. so maybe check it out and throw some money my way, if you’ve got extra and are curious!

currently i’ve just got one $3 tier up, but i’m sure that will change and evolve as i figure out what i’m doing. but what can i access with three dollars, i hear you ask? well...

full digital copies of all of my zines! with transcripts, and personal commentary!

polls! maybe i'm making new stickers and don't know which design to go with, maybe i'm amassing work for an update and don't know if i should make some more selkies or some more sphinxes - these polls will help ME decide what to make more of, and help YOU ALL see more of what you want from me. win-win!

behind the scenes posts and videos! i have to admit that i harbor a secret love for video editing, but I have so far had no real outlet for it (aside from the AMVs that i occasionally make in a fugue state and NO i’m never showing them to a soul) - but i've just filmed and edited the first full start-to-finish process video for patreon! watch me make a ceramic beasty from sketch to glaze firing, with full voiceover commentary (my voice was once described by a child as “why do you sound like that? you sound like you’re going to cry” so look forward to that!) i have plans in the future for tutorial posts and videos, more process timelapses, and full behind the scenes zine-making retrospectives, from writing to illustrating to binding.

this month (january 2023) only, sign up as a patron and i will personally send a little doodle to your house! yes, like in the mail. feel free to send me a prompt with your pledge, otherwise it’ll probably be some sort of creature with a human face and stars on it. maybe it will still be that, even if you give me a prompt.

finally, you will get my eternal gratitude! i truly cannot thank you all enough for the support and love over the years. it's been such an amazing honor to find other people who like the wacky little critters i make, and whether you've purchased art from me, follow me, or are even just someone who's seen and liked a piece of mine, i am forever grateful to be able to connect across space and time, with you, over art. 

whether or not you decide to pledge, from the bottom of my heart, thank you! i am so lucky to have this space on tumblr to share my work - every kind comment means the world to me, and i just hope my work can be enriching to your worlds in some small way, too! i know making it enriches mine :^)

[mikodrawnnarratives]

OK

Before I talk a LOT (I'm not joking, A LOT)

About this au, how I stumbled upon the idea, story and all in a rushed format,

APPRECIATE THIS

TOOK FOREVER

COMPLETELY out of my general comfort zone in art BUT OH WELL LOOK AT IT :DDDDDDDD

Also serves as a good hook for what this post is about mehehehehehehehe

CUT TO RAMBLINGS

Oh I have your attention?

Excellent.

It started with me thinking and wondering about a specific fic that is unrelated to this post, frankly different fandom, and I was wondering how it would play out in a movie format, but seeing as the fic in question currently is unfinished and won't be for a while I decided to direct my attention to other fandoms, got to DCA fandom, came up with a few cute ideas i didn't write down for unfinished fics, for the record I do think it would be interesting if Solar Lunacy was a musical just saying, and then I started to think about ok what fics ARE fini-

SLEUTH JESTERS HECK YEAH

Unfortunately at the moment I don't have any digital sketches to share for some of these points and the sketches I do have are pretty messy SO I'LL JUST RAMBLE cause I already wrote down a lot of these separately

Firstly, I imagine this kind of musical being in universe kind of au. Possibly an extension of the Actor AU where the original media (tv show? movie?) got so popular it got a musical adaptation

I imagine the actual music, whether the songs or just sound track, would be heavily inspired by Jazz or smthn. Like, the genre of music most popular during the time period Sleuth Jesters is in ish. It would still be musical-like but you can tell the genre they are going for

And before continuing, to get around not actually saying "y/n" on stage cause that might be a little awkward MAYBE there could be some kind of special sound affect for the actors mics that the audience knows is y/n's name?? Half baked tho

COSTUMES

Sun, Moon and Eclipse (at least) would have highly decorated masks to match the original just added onto because they are on stage. Masks, so that there are more options for who to cast. To make up for this, the actors have to make it clear in their body language to make up for lack of expression

in productions with higher budget mayhaps one function could be the eyes have options for what emotion they could express

In most productions there will be sound effects in the background that mimic the noise that Sun Moon and Eclipse make as they move. Or at least be incorporated into the sound track ooooo

Y/n's clothes would have an easy to notice difference in quality compared to the DCAs, which makes the bell and ribbons much more noticeable on stage

Smaller note but I think y/n's make up could be kind of fun with how they show the y and n on their face

Would probably have a wig colored various shades of silver but not required

FIRST SONG FIRST SONG FIRST SONG

Would be the introduction (of course) and depict the first chapter and likely have something to do with "Until Next Time". I think possibly it would have little breaks in the song to fit in the dialogue

Honestly, in an adaptation there might just be more scenes added between the earlier chapters to fill in points in time or smthn

OR (the answer I like better) The first act uses time between chapters to fill in reader watcher on backstories or past's of characters

Actually yeah little hints would be packed in the first half

Any other songs could be filled in for the boys or y/n that could have the potential to return as a Reprise

Now listen Mandatory Eclipse Villain song(s)

this is not optional

Duets Duets DUETS

One duet could be between characters that are foils or mirror each other but it's one of those duets that have different lyrics that still match up musically

Particularly I think the latter could be used for Sun and Moon's complicated relationship with Eclipse but not completely sure where that would be, probably second half, speaking of which...

ACT ONE ends in the chapter that Y/N has to return the favor to Eclipse, where he crashes the party and they go with him, reassuring Sun and Moon that they allways can wiggle out of situations

REPRISE OF THE FIRST SONGGGGGG

Until Next Time Reprise

Which will have a moment of silence after, showing their mutual understanding yet make it perfectly clear sun and moon don't want to do resort to this

Doesn't last to long as it proceeds with the sound track DROPPING in tone as Eclipse stuffs y/n into the car, that is actually just a prop that leads to the back stage

FADE TO BLACK INTERMISSION

ACT TWO (any major costume changes or forever hold your piece) I think would start off with Sun and Moon's dilemmas first before getting back to y/n

WHICH would likely cut to y/n maybe already in the burgundy shirt but meh that's not solid

I think the way Eclipse gives them the burgundy ribbon and bell could be changed in an adaptation of the story since it would be easier I imagine to show it later than in a car set piece

(Admittedly I have to reread these specific chapters to know specifically the order) But when Eclipse drops the bombshell he knows their past, and I think he leaves them alone for a bit after that, SONG TIME (though song could still happen with him there honestly)

Something similar to the theme "I thought I burned everything" and would just

And after that likely more backstory could be cut to depending on what it is and how relevant it is at that point. WOuld be much grimmer in tone but hey it's the second act.

Though if this opportunity is taken, this could be reprised later when Y/N proposes to the boys, with the necklaces to show being more comfortable with their past

More song opportunities with Y/N's trust issues, Sun and Moon's brother issues, etc

Final act-ish, where y/n first runs away after Sun and Moon "find out" and from there would have more focus on the score than any songs that could be fit into that small frame.

My thoughts went kind of to Heather's Dead Girl Walking Reprise and then Veronica and JD's tussle toward the end if songs got implemented there

AND OF COURSE The moment of Eclipse's death is really what makes me think this would be adapted into a musical in universe

Because it does kind of fit the bill for being tragic

You feel bad enough for what could have been

But also remember "Nah that bitch deserves it"

But also.. it's sad

PERFECT FOR MUSICAL ENDING

ish

After proposal, there is possibility to do a QUICK little glance into the future at the end, not unlike Dear Evan Hansen's ending, but maybe not

Ok now Applause section!!

Freddie and Gregory would bow together

I forgot to mention earlier, but the character that is revealed to be a spy for Eclipse at the police station I'd imagine would have hints on their clothing (like burgundy) that would foreshadow their side

Eclipse would bow by himself, flaunty as ever, yet you can still kind of tell the actor is kind of a sweetheart

Sun and Moon would enter, bow together and then welcome Y/n

Who would get to bow on their own, then with Sun and Moon

Then the rest of the cast is welcomed

How the arrangement would go from left to right I was thinking

Law Enforcement and basic background cast making up crowds, Freddy, Gregory, Sun, Y/N, Moon, Eclipse, Michael, Other Aftons and Spy, rest of Law Enforcement and basic background cast making up crowds

AAAAAaaand thats what I've got.

@naffeclipse did you catch all of that?

and @sunnys-aesthetic for their detective au! :3

[floatingxendlessly]

Day 22? Day 22, flirty

Lookie, I made a background! This piece has caused me trouble, and I'm not fully happy with the end result but I'm still so proud of it!

I'm not happy in the sense that it's not what I envisioned in terms of shading, lighting, rendering, yada yada yada, but I'm so proud of myself regardless because I've got a ways to go with this medium (but also i got lazy and its been three[four] days.) (>◇<)/ I prefer my traditional art but it just wasn't coming out the way I wanted! First I couldn't find decent references so I fused two pictures of myself, made the sketch on Ibis, tried recreating it on paper but in the end I got frustrated and I liked the digital sketch so! This is the end product :3

Anyways back to the boys, I wanted Fuyuhiko to be the one holding Kaz's chin, but I like seeing Fuyuhiko blush so please, accept the alt

I think it's so cute when people blush and their ears turn red <3

This piece is super indulgent for me. All of my art is indulgent but still! Here's my headcanon for it: Kazuichi would be more nervous to initiate touch at the beginning of their relationship, mostly for fear of crossing a boundary, so Fuyuhiko ends up being the one to initiate hand-holding, do a side hug or place his hand on Kaz's waist to encourage cuddling, any of the standard 'couple' or 'romantic' gestures. It wouldn't take too long for Kazuichi to find the confidence to be more affectionate but since they'd likely keep their relationship hidden for a while, any PDA that can't be passed off as regular, friendly interactions are off-limits.

Which means they'd wait to be 100% alone in private to be affectionate, so this would take place a year or more later, when they're out and give less of a dam. Kazuichi would be more touchy but not exactly flirty, and when he does attempt to, it falls a little flat from either his awkwardness or lack of confidence. So the times he does flirt successfully are very impactful. As for Fuyuhiko, he also isn't super flirtatious by nature but he's got more confidence to pull it off. And Kazuichi is a bit more easily flustered by words than Fuyuhiko is, so most of what the blonde says to Kazuichi ends up with him blushing and feeling fuzzy. But that's my personal headcanon, what about you? :v

[viperrot]

⇁high school sweethearts | leon kennedy | pt. 5

resident evil 4 remake leon s. kennedy x fem!band-student!reader high school au

the kennedy girls are much sweeter than their older brother, who seems to have completely forgotten the midnight serenade he gave you the night before.

pt.1 pt.2 pt.3 pt.4

content contains: mild angst, is this even enemies to lovers? i dont know anymore., mean? leon, cliches, story is told in first person, reader is a bit shy and is an oboe and trumpet player!, leon and reader are in their juniour year, fictional town set around 1980!

not proofread i am sleepy

2689 words

song rec: "sketching on the boat" from when marnie was there

The school day was horrifically long, so much so that I found myself dozing off in my English class. The lectures given by the stocky old teachers made my head hurt as the events of last night replayed over and over in my mind, the image of Leon's crooked smile forever etched in my memory.

Despite what he did to me, I couldn't find the want to be angry at him in that moment.

The dreaded hour of chemistry rolled around, and I found myself sitting awkwardly in my not-assigned-assigned seat. Leon's presence to my right made the hairs on the back of neck raise. My fingers grip the wooden pencil tight, anxiously scribbling down notes about calorimetry in my composition book. As Mrs. Bradshaw droned on about our lab for next class and being safe, I took a peek to my right, stealing a glance at the blonde boy next to me.

His head is tilted down as he jots down notes, and I smile to myself when I remember how disgusting his handwriting was last night. His eyebrows knitted together as he quickly wrote, his ballpoint pen dragging against the college-ruled paper. Leon's hair jostled slightly as his wrist flicked quickly, and I grew to admire his attention to the lecture, but the thought leaves my mind quickly when I remember what had happened between us.

The memory of my oboe slamming into the ground made my gut turn, and I recall the smug smile Leon had when he saw the look of despair on my face.

How could he be so sweet to me despite all that happened?

I don't realize how intently I stared at him until his eyes lock onto my own, and I immediately feel my throat go dry. If my stomach wasn't hurting ten minutes ago, it's definitely hurting now. The pen in Leon's fingers spun between each digits, hypnotically looping. We exchange awkward looks, and his lips twitch and pucker slightly, as if searching for words to say to me, but he couldn't whisper anything due to Mrs. Bradshaw calling for him.

"Mr. Kennedy, you have time to ogle girls after class," she scowls from the front of the room, the think chalk in her hands still on the blackboard. The ace's attention snaps to the teacher, his mouth slightly agape as his eyes dart around in search of an excuse.

"Can't help it, ma'am," Leon says coolly, leaning back into his desk chair with a soft smirk.

"Right... Please don't let me catch you staring at Mrs. (L/n) again, Mr. Kennedy," the woman sighs, resuming her lesson. Leon throws another look my way, and I notice how his leg shakes as he continues to play with the pen in his hand. I flash him an awkward grin before turning my attention back to the notebook on my desk, wanting to focus on my notes again. The last stretch of class begins, and I find myself sneaking glances at Leon more than once.

I don't notice him returning the favour.

"Leon!" I grab the sleeve of his Carhartt jacket as we walk out of the lab, the thick fabric between my fingers as I pull him to the side. He shoots me a glare, eyebrows furrowed as he stares at me with his nose slightly turned up.

"Do you need something?" He sneers at me, eyes piercing and harsh. I swallow dryly as I recognize the hostility in his body language.

"Can we like... talk?" I press, my lips forming a tight frown.

"About what? Your stupid clarinet?" The blonde's eyebrow raises, and I cringe slightly at the sound of him calling my oboe a clarinet.

"Last night... Y'know, how you played the-"

"I have no clue what you're talking about," Leon's nose crinkles as he tugs his wrist out of my grip. I look at him confused, not understanding how he could forget such a moment between us.

"Wh- how could you forget? Remember how we-" Immediately, he grabs the strap of my bookbag and drags me to a less crowded part of the hallway, gently pushing me into a locker with his hands resting atop my shoulders.

"Listen, princess," he sighs. "I can't let people knowing I'm into shit like that, okay? I already get enough talk in this hellhole as it is," he explains to me, and I feel some form of guilt tug at my heart. Even then, I grew even more confused.

"I... but why?" I frown at the boy, feeling tense beneath his grip.

"Whaddya mean 'why'? I just... don't wanna come off as a nerd," Leon chuckles humorlessly. The look on my face deepens.

"Leon," I pull his hands away from my shoulders, holding his left with a gentle squeeze. "Music isn't something you should just... turn away from. Why not share it with your friends?" I see Leon scowl slightly as he tugs his hand out of my grip.

"It isn't that simple..." he sighs, shaking his head softly. Blonde hairs dance around his face, concealing his icy blue eyes from my gaze.

"But-"

"See you around, princess," Leon turns on his heel, readjusting his backpack as he walks away from me as if nothing happened. I feel a headache begin as I scold myself for not stopping him, for not forcing him to talk to me or even pay for the damage he did to my poor oboe. I huff, disappointed in myself as I begin to walk to the band room.

The journey isn't long, and I find myself slumped in my chair towards the back of the room as I set up my trumpet. As I checked the valves of the brass item, the mouthpiece was wedged underneath my thigh to get it warm--a habit I've had since sixth grade. The instrument was greased and oiled to my liking, the valves and slides moving without any problems.

I inserted the mouthpiece before playing a simple chorale, adjusting my lips against the instrument as I tune myself.

"Sweet pea," I hear someone call from my left, knowing immediately that it was just Samantha. I pull my trumpet away from my face, turning my body in the plastic chair to look over at my best friend.

"What's up?" I cock my head to the side, curious as to what she has to say. She's got this funny look on her face as she crouches down to my level.

"Someone told me that you're gunna be tutoring the Kennedy girls... Is it true?" The flutist whispers to me softly. I'm taken aback at this, my brows knitting together.

"Who told you that...?" I give her a concerned expression. She giggles softly.

"Sunday, after church, your mom told my mom about it. I didn't think it was true, so I wanted to confirm with you," Samantha explains, getting up from her hunched position. I roll my eyes.

"Of course she told them," I grumble, flipping the pages of my binder to find the list of pep-tunes being used for this football season. "Yeah, I am. Their dad wanted them to like... be prepared for high school or whatever," I explain, slightly embarrassed. Samantha laughs under her breath.

"I see! Well, if you ever need an extra hand, I'm a drive away," she pats my shoulder before heading to the front of the room, sitting in her chair just inches away from the podium before class began.

Trios.

Glasses of water, stands, and wooden chairs from the dining room sat in the center of my bedroom.

Anxiety filled my stomach as I sit in one of chairs, my leg bouncing up and down as I try to calm myself. The air felt extremely hot all of the sudden as I stare down the book in front of me, the inked staffs and eighth notes taunting me as I await the arrival of the Kennedy girls.

I learned that the youngest was named Sherry. She played the euphonium, and I heard she wasn't the best at it from her father the other day. The other girl, Christina, is a trumpet player. She's a year older than Sherry, and she will be enrolling into Everglade High School next year. Their father speaks pridefully about them, and I can't help but find it a bit cute.

Even so, my nerves never faltered. Especially not when the doorbell rang.

I hear my mother greet the two girls, giving them a warm welcome before stomping up the stairs and towards my room. My heart pounded as I hear a gentle knock on my bedroom door.

"(Y/n)? The girls are here," she states. I stumble out of the wooden chair over to the door, opening it wide to let them in with a sheepish smile.

"Hey! It's good to see you," I awkwardly greet them. They nod at me in a similar manner as they enter my room, their footsteps pit-patting against the floorboards as they carefully walk over to the circle of chairs in the center of my bedroom. I take a seat, which is closest to my bed with my trumpet resting close to the foot of the chair. I clear my throat, trying to ignore the awful tension in the pit of my stomach as I took in the sight of the young girls in front of me.

They sat in the dining chairs daintily, their instrument cases set against the wooden chairs as they settled down. Sherry was a frail thing with baby blue eyes and her blonde hair styled in a low pony with a sweet red ribbon tied on the crown of her head. Her baby-blue vest was checkered, worn over a white dress shirt with a blue tie just under her chin. She also wore baggy cornflower shorts that went down just a hair past her knees.

The other girl, Christina, had chocolate brown hair that flowed freely down her back in long tresses, a bit matted. Her attire consisted of a simple pastel pink sweater and blue jeans that fit her legs a bit loosely. Her eyes were the the same shade of light blue as the rest of her siblings along with their button noses and fair skin. It was easy to tell that they were all related—the Kennedy's had very prominent features, especially with those perfect eyes of theirs.

It was hard to believe these girls are going to start high school so soon with how little they look, but I choose not to comment about it, clearing my throat with a cough before speaking.

"So... let's get to know each other before we start anything...!"

Posture is everything, I've learned.

I spent a good half of the two-and-a-half-hours with the girls trying to figure out why they sounded so... stale before realizing that they were both slouching in their seats. Their backs were hunched over the slightest amount to make them sound so weak while playing, and I had noticed only thirty minutes before our session ended.

Sherry and Chris—I had learned that she preferred to be called Chris—sat straight in their respective dining chairs, shoulders back with their bums at the edges of their seats. The younger of the two looked so little with the big ole euphonium planted in their lap that I was worried Sherry couldn't reach the mouthpiece at one point. Despite our bumps throughout the lesson, I came to like the Kennedy Girls.

Sherry, despite looking as fragile as a porcelain doll, wasn't afraid to get dirty. She easily slicked her fingers up with slide grease when I asked her to check her instrument before we tuned together, and even threatened to bet with her older sister about drinking valve oil which I immediately broke up. Even so, she was soft spoken for the most part, only ever getting rowdy if she was talking to her sister.

Chris was naturally smart-mouthed—it reminded me so much of her dear old brother. The difference between her when we first began the lesson to the end was quite apparent, it was hard to believe she was shy at all. The brunette played the trumpet quite well for her age, and I found myself satisfied with how she and Sherry learned so quickly.

"I think that's a enough for today, yeah?" I rest my trumpet on my lap and give the girls a soft smile. They nod in agreement, and I watch their jaws wiggle back and worth uncomfortably. I chuckle softly. "Go ahead and pack up and then I'll walk you two home, okay?"

"Okay!" they hum in unison, immediately reaching for their soft cases beneath their chairs. I get up to set my own instrument on my bed before leaving my bedroom, walking towards the bathroom just down the hall. Halfway through the short distance, a fake cough snaps me out of my thoughts. To my right is Damien's room, the door wide open to show me his lazy self lounging on his messy bed. I raise an eyebrow at him, my arms crossing below my chest.

"What do you want, Dami?" I tap my foot against the ground expectantly. He sticks his tongue out with a blank expression, looking at me upside on his bed.

"You guys are super loud," the idiot comments. You click your tongue at this.

"We're playing brass instruments. Of course we're loud," I walk away from his door and continue towards the bathroom.

I ignore his quips as I wash my hands, making quick work to get back to the girls. When I walk back into my room, I see them close my window and lock it, and an uneasy feeling fills my stomach. The two children notice me with light blushes dusting their faces, and I cock my head to the side questioningly.

"Was I interrupting something...?" I ask hesitantly. They shake their heads as a no, hands behind their back like ducklings as they try to act innocent. I decide it's best to not pester and keep the questions to myself.

"Are you two ready to go home then? I'm sure your dad wants you home for dinner," I walk towards the door of my bedroom, motioning them to follow. I watch them pick up their instruments before waddling up to me.

We walk out to the lower story together, the two girls trailing behind me. I lead the out the door silently, bidding my parents goodbye as we stepped out onto the porch. The autumn sun began to set, painting the sky in perfect hues of gold, pink, and blue as us three walked across the street. The distance to their house was short and sweet, and we stood on the front doorstep in a matter of seconds. The Kennedy Girls turn to face me, crooked-toothed smiles on their faces.

"Thank you for the lesson today, Missus!" they beam, and I feel my heart squeeze. I ignore the fact that they called me "missus" and flash them a smile back.

"Of course. I'll see you girls tomorrow in the high school band room, okay?" I remind them. Sherry looks a bit confused, but Chris quickly nods before dragging her sister into the house. When the door opens, I spot Leon standing a few steps away in the hall, watching us with a glass of milky-pink liquid in his hand.

He looked so innocent and sweet, but I wouldn't be fooled.

The ace has a cold look in his eyes, the same eyes the Kennedy family seemed to all share. His peachy lips are pressed into a tight, thin line as he glares at me from his spot in the hall before he looks down at his sisters with a cheesy smile that reaches his ears. It was almost terrifying how quickly his demeaner changed.

The door shut close with a light slam a soft clicking sound, telling me that the girls locked it.

I hold my breath as I begin the journey back to my home, silently wishing that tonight I can hear the sweet strum of a guitar before I go to bed.

finally the fifth part UHHHH this one kinda sucked i dunno i am kinda just doing what i want but ermmm..,

stay tuned for a self indulgent side story soon,,,,.,.,.,,..?

also yay this is now officially cross-posted on my ao3 under the same username!!

taglist: @bonnibuckets @umooooo74 @kurawooooooo @ilovemen1242 @elliewilliamsno1simp @v1v1dst4rs @iyagikkun @ir3nic-sluvv

[egginfroggin]

Imagine...

Emmet is transported to Hisui.

He became five or six years old.

When he comes back, Ingo learns that he will now become a father.

Extremely late answer, sorry, Anon.

I feel that Arceus would get punched by a very irate Subway Boss in that scenario, I love it.

This has spawned many words in the master document, as my brain has decided to positively gnaw on this idea, and alas, nothing is finished yet, so have a bit of worldbuilding and some drawings in the meantime.

Worldbuilding and close-ups under the cut, and please click on the images for better quality.

And again, thank you so much for the ask, Anon, this was really fun! ^^

Pencil sketches:

first doodle of the Little Guy

height comparisons to further emphasize the "Little" part of the Little Guy

a) Akari and Rei making the mistake of turning their backs on Emmet for 0.5 seconds as he notices something off-camera b) the twins continuing to talk, oblivious to Emmet's act of absconding c) the twins turning around to talk to their teeny charge d) swift baseball bat of Realization at the Emmet-shaped absence in their immediate vicinity

Pen sketches (part of a page of sketches that were otherwise unrelated, hence the numbering):

3. a very happy lil man, despite the oversized hat 4. he skrungle scribble 5. who's he looking at? who knows

Digital art:

Emmet craves violence. Akari and Rei are used to this (featuring: probably the best expressions I've ever drawn)

he's a bit older now, but still smaller than his evolved starter; Typhlosion can tell his soul is older, but he is physically small, so she abuses his lack of height to shower him in affection

an internal mess of conflicting instincts, thoughts, and emotional maturity, but Arceus's plan is set in motion, and there's nothing Emmet can do about it

Worldbuilding:

Emmet got shrunk on his way to Hisui, due to the Rift's distorted power affecting him on the way out; he lands on Prelude Beach, drowning in his Depot Agent uniform now that he is teeny tiny

Arceus, panicking a little bit, communicates more directly with Emmet, urging him along on his mission

Emmet's memories are messed up, and his conduct is an odd combination of a child and an adult. By which I mean he can be disconcertingly clever and mature, but also the poutiest little guy with a habit of crying

Young age plus being overwhelmed plus stress equals one mute boi; this does not change his penchant for causing Problems

Jubilife is a lot more lenient with him because of how young he is, but Laventon, Cyllene, and Kamado suspect that he isn't supposed to be like this due to how he was found

Emmet is in an awkward position as far as finding living conditions go, being too odd for most parents to want to take in but also much too young to live on his own

Akari and Rei are assigned babysitters. Let the stressing and development of gray hairs commence

Emmet is Perfectly Behaved and causes no Problems at all, of course, why would he? Why would he?

(He bolts for the gates the moment Akari opens the door in the morning) (Ress caught him)

After sending Emmet home, Arceus shortly feels a distinct feeling of being in danger

After finding out that his brother has been shrunk and not fixed, Ingo fixes metaphorical (and perhaps literal) crosshairs on the back of Arceus's head

Arceus may be in danger

Close-ups of the digital art:

(Program used for the digital sketches: Krita; time taken: about 90 minutes)

Thank you for reading all of this! I hope you have a wonderful, blessed day. :>

[wewerebornsextuplets]

@flowerakatsuka I actually LOVE getting excuses to talk about this kind of stuff so ill be happy to elaborate!! under the cut in case this gets too long (which it probably will)

so full disclosure, there was a pretty long gap between when proto-kiru (then called yoshimi) was initially Designed and when i started to flesh her out as an actual oc. i actually wasn't into ososan at the time and it was more a challenge of "how would I design an ososan oc Now now that im not 15 anymore", and i didn't pick her up again until february of this year when my BTAS hyperfixation started to fizzle out. the first drafts for keiko (then named hibari, which i changed since it was a bit too similar to one of my long-time ocs hikari) were drawn the same day i picked up yoshimi again. so she was both a day-one character and Not at the same time!

please ignore the poor lighting on these pictures.

i had a pretty strong Idea for what i wanted from keiko in terms of appearance at the start and a basic concept for her (a bit more bookish + "nerdy" than other ososan girls we've seen thus far), but I had a pretty hard time applying it to the design sensibilities of ososan. her first outfit was basically just uehara-san's outfit, and i struggled with rendering her curlier hair in the ososan style which made it look more goopy and awkward. i also wasn't quite sure what to do with her face yet.

still, i translated what i thought would be my final sketches for her and (then) yoshimi to digital, and from here I started to develop their designs at roughly the same time, sort of balancing them out and trying to make sure they look good together. i was proud of them for maybe 3 days before I decided i hated how they looked.

granted, there were a LOT of reasons for this; for one, I was color picking yanas skin tone for kiru, which didn't work well at ALL because he's way paler than it looks. but more than that I wasn't really referencing features that actual ososan characters had? so they looked more like strange fun house mirror imitations of ososan characters than anything else

see what i mean? they don't look right at all. but if you look closely you can sort of see me figuring out keikos hair!

a lot of the refining process when it came to getting to where we are now was just... referencing actual ososan characters. trying to make them feel more believable and like they could actually exist alongside the current ensemble. it was honestly more about them looking right in the style than anything else, since i like to stay pretty canon compliant in terms of design when it comes to fandom ocs-- I find that the limitations make me more creative!

for keiko specifically my main inspirations were nyaa and osoko, though i referenced dobusu's hair pretty frequently as well since they have roughly the same hair texture. she was honestly a lot harder than kiru to balance out in this sense, since i had to make sure she didn't look Too generic compared to the other pretty girls in the canon cast (i.e totoko, homura, etc). her more eccentric fashion sense is also an attempt to remedy this because plot twist! she's a weirdo!

ippei however I had down from day one. he's always looked the same and always will. my perfect creation <3

[projectsekai-sekaiundead]

This isn’t really a question but you are SO GOOD at drawing scared expressions like Honami having a panic attack (I think) during one of the comics looked so good and like sjkakajsis and like youre so talented I love the comic idea alot and you’re art style is so fluffy (?) like marshmallows like I’ve never liked an art style sm like HSHAHAHAJWHWH I need to study this in a lab maybe one day Ill be able to draw this nice(?)ly!! Also, do you have any tips on making comics? Because the text bubbles always turn out weird and theyre always hard to read in the right direction for me :(

Anyways you are like SO COOL like I was panicking alot writing this because I didn’t wnat to make any mistakes or sound weird, heres some digital candy for being so cool 🍭 and baibai!! :D

(Also sorry for any mistakes Im not that great at english :/)

Sorry to leave this one sitting for so long!

Thank you so much for liking my art and my comic!! It really means a lot to me 🫶

As for comic tips, I suggest you layout your bubblea during the sketch phase! If you do that they won't appear awkward to anything when you try to place them in! Think of the panel as an entire unit rather than seperate parts like you normally would with a regular drawing. The background, character, and bubble should all be put in at the same time to avoid them looking unatural. And for better bubble flow, I recommend looking up references for that to see how comic artists in general place their text! The bubbles usually tend to point to the next focal point of the panel (whether it be eyes, hands, etc) and those focal points lead to the next bubble! It's still better to actually see what I'm talking about though rather than just explanation

[reds-fluff-extravaganza]

Gangle x artist!reader

Requested over on ao3. I didn’t think I would get any for her and I’m happy I did!

Your digital form is what looks to be a painter, with the beret and everything. This had caught Gangle’s attention when you first arrived to the digital circus, as she also does art, so imagine her surprise and excitement when she found out you are also an artist!

Despite how socially awkward you are, you two of you bonded over your love of art, cartoons and anime, and video games. You two spend time together playing games and watching anime, which you were surprised was even allowed in the digital circus, but you aren’t complaining, as well as drawing together. Over time, you had developed feelings for Gangle, but you didn’t want to tell her and her reject you. However, what you didn’t know was that she had the same feelings for you, but was also afraid to tell you.

One night, after a long gaming session in Gangle’s room, you were now lying on her bed, just talking about whatever came to mind. That is, until you brought up some deep and emotional topics as you were doodling in a sketchbook.

“What would you do if we were to get out of here, Gangle?” You look over at her as you asked this, her tapping her ribbons together in a slightly nervous manner.

“I.. I’m not too sure, really. Sure, it would be nice to.. get out of here, but I would miss everyone.”

“Even Jax?”

“Well… unfortunately yes. I know he’s a jerk a lot of the time, but he has his moments.” You laughed a bit at this, giving her a look of ‘are you sure about that?’

“Yeah, yeah. I don’t think he does, but hey what do I know?” You roll over onto your back, now staring up at the ceiling as you held your sketchbook to your chest. It was silent for a few moments, before you spoke up again,

“Would you… want to leave..?”

“I… I have thought about it, yeah.” Gangle turned to face you now.

“But do you want to leave? What would prevent you from leaving if you had the chance?”

“I’m… n-not too sure what’s brought this on, but… do you really want to know?”

“Yeah, I’m curious. We don’t have to talk about it, if you don’t want to.”

“N..No, no, I don’t r..really mind, I was just curious is all.” It was silent for a few moments, as if Gangle was trying to collect her thoughts. You had opened your sketchbook back up and were now sketching little doodles of her as you awaited her response.

“The reason that would keep me from leaving here… would be… you, Y/n.”

“Me..?” You looked up from your sketchbook, making sure you had heard her right.

“Y-Yes, you. Think about it.. we never knew each other until we ended up here, right?”

“Yeah..?”

“E..even if we do somehow manage to even make it out of here… we would all be separated… most likely end up back in the same place we had been before we ended up here.” Gangle looked away from you, as if not wanting to talk about the subject anymore. “And I don’t want to be separated from you, Y/n.”

“I didn’t think about that, I’m sorry..” you mumbled as you set your sketchbook aside and hugged her as best you could.

“I know, it’s okay..”

“No, it’s not okay, I upset you..! That’s not okay..”

“I’ll be okay, Y/n.” You sighed a bit and nodded with a soft “okay” in response, still hugging her. Everything was silent for a few moments until you said, while letting her go from the hug,

“You didn’t really answer my original question. Why me?” Gangle nervously pressed her ribbons together as she mumbled something you could not hear.

“Could you repeat that, I didn’t hear you.”

“I..it’s because I love you, Y/n.” She said just loud enough for you to hear her. You had to take a moment to process her words, before you realized: “wait, say something you dingus, she just confessed her feelings!”

“I love you, too.”

“You… you really do? Y..you’re not just pulling s-some kind of prank on me, are you?”

“No, Gangle, I’m not pranking you. Who do you think I am? Jax?” Gangle giggled a bit at your response.

“I’m.. I’m so happy to hear that, Y/n.” You smiled softly and lie back down with her beside you.

“Me too, Gangle. Funny enough, I was actually uh… doodling you in my sketchbook.”

“W-Wait what? You were?”

“Yeah, do you… want to see them? It’s nothing bad, I promise. I don’t think Caine or the digital circus would appreciate that very much if I did, which I would never do.”

“Sure.” You handed her the sketchbook you had a few minutes ago, and she flipped through the pages, finding several doodles and sketches of you two together, and some of just her.

“These are… v-very cute, Y/n, thank you.”

“You’re welcome.” You put the sketchbook back on the nightstand once she gave it back to you.

“You up for watching something before bed?”

“I-I don’t mind at all.” You nodded and turned on (fav anime) and the two of you ended up watching for a few hours, talking and just enjoying the show and each other’s company before eventually falling asleep, mumbling a soft “I love you” before you both fell asleep.

[concerningwolves]

There's a post I can't find now that was expressing frustration that a lot of writing advice on writeblr (don't edit as you write, try switching POV for a scene if it's not working, only write the dialogue/only write the action, etc.) is for first drafts and not subsequent drafts. And I do agree, at least in part; a lot of writeblr is focused on how to, y'know, write the story.

It did make me think, though, and what I thought was this: ogres are like onions.

Or, more accurately: stories are like onions (and ogres?), because they have layers, too.

Writers who use the drafting method write drafts, and with each draft, the story gains more layers (layers of meaning, plot coherency, more cohesive ideas, etc). By draft four or five, a story has enough layers that it looks both pretty and structurally sound. Ideally, the only changes you'd need to make at this point are upper-layer, superficial ones – reshuffle some paragraphs, cut some excess scene padding, smooth out some awkward prose. Maybe rewrite or reposition a couple of scenes. Mostly though, the story feels fixed in place and is semi-polished, which is often the biggest obstacle preventing a writer from solving a problem.

Early drafts typically come out kind of wonky and unstable, their component ideas still sludgy from the primordial creative soup. Writing them can feel like sticky, awkward work – but it's also when the ideas flow most freely! The prospect of going back into that sludge might suck, especially if you've already started to see the final version of your story take solid shape, but it might also be the answer to the problem. Sometimes you have to peel back the pretty layers to look at the uglier structure beneath to see what isn't working. Other times, you need to be more hands-on and pretend you're still in the primordial creative soup to get the brain gears properly lubricated again.

Digital art also has layers. Some artists start with a rough sketch, others with blocks of colour. As the layers build up, so does the picture, but every now and then there'll be something about the picture that just isn't right. If the problem is in the sketchy early layers, the usual options are to either a) go back down to that layer and fix it there, then correct the upper layers to match or b) start again, this time learning from the mistakes made before. If something isn't working for me when I'm doing a digital painting, I'll also sometimes open a fresh canvas and mess around with the same concept in different variations as if I'm starting from scratch, then return to the original piece and use whatever I learned to fix it. So long as I don't prematurely flatten the layers, I've got plenty of wiggle room to figure things out in.

So, yes, some writing advice is only going to work for specific stages of story-making. But also, the creative process is a dynamic one, and no part of a story needs to be set in stone until all the layers have been flattened into their final form, ready for sharing with other people.

[annwhiskers]

6th Birthday

Today is the day I made my main two boys, Rune and Hyde, exactly 6 years ago, in 2018. These are the only two I keep up with with that, since they’re my longest lasting ocs and I like to use it to keep up with my progress every year. So I thought I’d share the drawings I made for them on their birthday every year, including the first drawings I ever made of them and share a bit of their history. And give a brief history of my art journey along with that.

These are their very first sketches, before I figured out their personality, backstory, or even that they’d be a couple. Some key elements are already there, like Rune’s earring (which I’d actually forgotten about for a while until I looked at this sketch again), and Hyde’s scar on his lip (although, not very visible.)

I made this not long after. They were originally part of a cast of characters which was supposed to be more of a found-family thing. I thought they were going to be side characters and that Selene would be the main character. But as the story developed, I grew to love them more and wanted to focus on them. Half this cast is gone now, and the ghost girl is no longer a ghost, simply a human (that’s Raven). This world no longer has mermaids, that’s become entirely its own thing. The purple mermaid stuck around for a while as a human, as more of a regular friend to Hyde in the village, but in the end, I also got rid of her. The only one I kinda miss is the zombie boy, he was cute. But he didn’t serve much of a purpose, other than his existence hinting at Selene’s experiments. I guess he’s been replaced by a rat now, poor boy.

This was their first birthday, when I started getting more comfortable with digital art. I was quite wishy-washy about Rune and Hyde’s dynamic for a while, which one of them would be wearing the pants, sort of. That’s probably why Hyde is so small here. Now, neither are more dominant in the relationship than the other.

I didn’t do much for their second birthday. I didn’t draw much at all that year. Especially not them, because 2020 is the year where I lost interest in them for a while and started developing both Team of Thieves and Merfolk. (More on that another time.)

In 2021, my interest in them still hadn’t come back all the way, but I did still care about them. They look a bit awkward, because I was developing a lot in my style and hadn’t drawn them in this new style before. I did a lot with markers at this time, so I made a marker drawing.

2022 is when my interest in them finally came back. I started reworking the book that I’d already written before, an early version of Please, Go Home, and I started making illustrations for it. At the end of the year, I scrapped all of it and began completely rewriting it into what it is today. This was around the point where about 90% of my art became digital. I still like traditional and I want to do it more often, but digital is just so convenient.

This illustration was originally supposed to be animated for a school project (which is why Hyde’s hands are hidden in his sleeves, much easier to animate), but that ended up falling through. So I made it into a more detailed illustration. A lot of the art I made around this time was school work, so I had to shove my characters in wherever I could.

And here we are today, 2024. They’ve been a consistent presence in my art all this time, and now they have their own book out there, and their sequel is currently being written. These two have been with me for six years and I don’t see them ever leaving.

These long illustrations are made for bookmarks, which I may or may not actually get printed. Which is why they’re so long. Perfect for a phone background, though :)

[scorkaji]

[Image ID: A digital drawing of Mizuki Akiyama from Project sekai. They are drawn from the skirt up with colored lineart and cell shading. Both of their hands are on their hips, and they are making an awkward face, blushing with two red lines on each cheek and red airbrush. They are wearing their set outfit and the ribbon is drawn differently from canon, taking a more bowlike appearance. Their color pallete is mostly salmon and fuschia, with their black outfit popping out. Text is next to them, saying “Enanan~”. END ID\]

it isnt mizorker time yet in my timezone bur i am still fiercely excited for it so!! my mizuki birthday art

sketch version under the cut

[IMAGE ID: The same image as described above, but drawn with graphite pencil and pen on notebook paper. There are other sketches visible, although mostly cut off. The text from the digital version is not present and their ponytail is notably longer.]

[cactuseri]

saw this and wanted to make my own post real quick bc i’ve gotten some questions abt my art before & now that i feel a bit more secure in my style i thought i’d give a few tips to anyone who wanted that :)

first i have to address how the submission is phrased: i'm sorry & i know no one wants to hear this but “keep practicing” is not a platitude that is always going to be the best advice 😭 the real question is:

how do you make practice fun?

1. challenge yourself in a way you find enjoyable/fulfilling :)

i liked doing things like art prompts from inktobers, and to draw comics of the stories i wrote, but mostly the answer for me was “set random number goal, meet random number goal, inject the validation from completed goal directly into my bloodstream, repeat.”

i worked on things kind of systematically, which just made my brain happy; i spent one summer when i was 14 doing nothing but drawing 10 full bodies a day, all with references of course. did the same throughout the fall with hands, then eyes, then expressions, then clothes, etc etc. it always had to be 10 diff angles and positions.

i did a repeat of this 10-drawings-of-10-angles rule throughout quarantine in 2020. failed all my online classes cuz i was drawing 6-10 hours every day and ignoring my homework but still passed the year in the end 💀 i got the idea from yumeii-art; it's been over 7 years since, so idk if i remember right, but she had given a similar rule of thumb as a response to someone's question about drawing without a reference, i think.

is this the Best path? probably not, idk. and it definitely lead to awkward phases where i was much better at drawing bodies than faces, for example — but it worked for me. i liked breaking things down like that, it felt more manageable.

the other number goal was. in 9th grade i saw this post:

and i was like. y’know what? yeah. i keep feeling bad abt my art, how about i put that feeling on pause until after i’ve filled 14 sketch book. i hope this user knows i owe all my achievements to the phrase “fill 14 sketch book” powering me through years of depression and art block.

so i did fill 14 sketch book!

i met that goal between ages 14 and 19. obv this doesnt include the doodles on my homework, on other random surfaces, or the ~150 digital artworks i’d done in that time, so maybe it was more like 16 sketch book? but that doesnt matter, i had 14 labeled & organized sketchbooks that were full, and i did feel better about my art by then. this was my anime training montage. this was 90% of my improvement. this was the best art advice i’d ever gotten.

so i guess what made art the most fun to me was numbers? which sounds lame but i guess since i’m competitive & love competing against myself the most, it just worked for me.

comparisons, with 2016 on the left and 2020 on the right:

(the new sketches are still rough and lack some detail ofc but i have terrible ADHD and always found it hard to sit down and keep working on a sketch once it was “done enough” — for some reason i dont rlly have the same impatience with digital art & have less of a problem completing pieces on my ipad now) (the point is. 14 sketch book level complete. 1000% worth it)

then my 2021-2024 improvement, when i had bought my own ipad and again spent most days drawing instead of doing my schoolwork (i.. did end up failing that first year of uni):

2. try out different mediums aimlessly!

what i mean is just go ham with some charcoal or whatever you have on hand, without the determination to Make It Good. i can’t say if this helped my actual art get better but what it did do was keep the joy of it alive & i had fun which lead to more practice & therefore improvement. color pencils weirdly were my favorite. hell, my school had us do a project with linoleum printing (is that how u spell it idk) and it gave me months’ worth of art inspo.

i also recently got a gift card for a stationery store and got some nice markers and those also gave me a ton of motivation. markers r good

3. if u do digital art, find ur fave brush; it will be ur familiar ur trusted companion ur lover in a past life

for lineart i mostly use the IGB office pack, favorite ballpoint. you’ll have to buy & download it online tho i think it was like $7? but yea it was worth it. (i did a lot of work with the gesinski ink brush in past years but i think it’s a bit too “sharp” now)

but also go crazy try them all it’s fun!

4. in my opinion it’s fine to do redraws of ur fave artist’s work now and then — as long as u keep it to urself and dont take credit for it

i’ve had ppl ask to use my art as a ref and my answer is always Not Sure Why You’d Want To Bc It’s Not All That, But Yes Of Course. as u can see most of my 2021 work was redrawing panels of the “gangsta.” manga; it didn’t even end up influencing my style much, my style was already based on all the manga shit i drew at 13, but it was the only thing i was motivated enough to draw at the time, and it was valuable practice.

art teachers still stress that the best reference is to draw from life & yeah thats true maybe but idc sometimes ur just not feeling that! so mix it up, whatever works. obviously respect it if an artist says not to reference their work and don’t only reference ur art from one artist but generally i think it’s harmless.

especially when there’s a specific thing an artist does very well that’s hard to find other examples of; personally i was fighting for my life trying to find how to best translate references of dynamic movement into art of dynamic movement. and i think the bnha mangaka does this wonderfully so i often referenced thise action panels as practice. and i think it helped loosen up my art style. (and… i was extremely ridiculously mentally ill about hawks so that…. contributed…. my fave ask to date is still the person who clocked hawks as my old fave character based purely on how i draw eyes 😭😭)

tracing is a diff conversation and my advice there is it is not actually helpful and it's. idk it feels very Against Artist Code. sometimes, and i havent done it in a couple years, but if a piece REALLY isnt working i've done the thing where u trace the general movement of a pose then go from there but i've never posted completed works where i used that method bc it felt wrong. but yeah that's a separate thing that i don't wanna go too deep into

5. another fun thing that motivated me to practice was doing speedpaints!

if you draw on procreate, it's probably set up automatically already. i don't have the storage to record everything, but when i do have it on, the knowledge that i'll have a speedpaint of the finished piece pushes me to put the last necessary touches on it. (if you'd like to see some of my speedpaints i have a few on my instagram)

some more technical advice:

1. flip your canvas flip your canvas flip your goddamn canvas i KNOW it hurts i KNOW it’s like ripping off a bandaid that’s superglued to ur skin i know but YOU HAVE TO FLIP YOUR CANVAS

(when i didn’t have an ipad i’d do this by taking a picture of the drawing on my phone and flipping the image in the photo app)

IT IS THE WORST THING IN THE WORLD AND IM NOT ASHAMED TO ADMIT I’VE RAGE QUIT SOME PIECES OVER SEEING THE CANVAS FLIPPED BUT LOOK AT THIS ART BEFORE AND AFTER I’D FLIPPED IT AND FIXED HOW WONKY IT WAS: desaturated so tht the colors dont distract so much

like it's the BEST and honestly often the ONLY way you're going to catch things that were off/out of proportion/etc. flipping your canvas gives your brain a "new eye" and it's invaluable.

2. until you have color theory figured out…. i honestly depend on adding layers and setting them to color dodge, divide, multiply, overlay, etc…. i am cheating, perhaps, but it works

3. this is how i draw front-facing noses because it's what a czech woman in an extremely bad mood taught me in a cramped overheated stuffy classroom in germany when i was 12

it was our only meeting but she changed my life. i do not know how common this method is but it's possibly the only thing i can concretely give you a tutorial for. after a few times you won't need to do step 1 anymore

anddd i think that's all the advice i have that wouldn't be a repeat of every other art advice thing you've seen. i do know it boils down to "keep practicing" but again you won't get around that, and i just hope that concretely showing what's motivated me might help motivate someone else.

as an ending note, please take this sentence that motivated me just as much as the 14 sketch book rule: (via graveweaver, author of the webtoon "i'm the grim reaper")

[sampanyalilokum]

look i can’t draw digitally for shit i still got some sketching skills left from high school so here is my two awkward boys. gumball and hot dog guy.