#since their strife sequence feels a lot more one sided than the previous two which means that songs first appearance is bro kickin daves ass

[telaraneas]

the leitmotifs in homestuck frustrate me so much because of how ambiguous they are sometimes, which is kinda natural given the music was a massive collaborative effort with relatively little direction etc but jus sometimes. sometimes i think about how touhou music is one of the main melodies in heir of grief and i just get the tiniest bit sad. sometimes i just wish there had been a bit more consistency to what melodies are tied to what characters and themes, because when they hit as intended its The Best Musical Moments Of Homestuck

[spectraling]

My problems with S3

Salty rant in no particular order below the cut

What the HELL happened to the Byers? They went from being the emotional heart of the show to literally having one brief scene together in ep1 and then Will and Joyce had a hug by the end of ep8, which btw Jonathan DIDN’T EVEN JOIN IN ON??? He was literally in the background in that scene, are you trying to tell me my boy Jonathan Byers would not come out to hug his family after all that shit they just went through???? Jonathan and Will spent like what, four episodes standing next to each other and they barely even exchanged a single line?? Not a comforting touch, a hug, anything??

The Byers’ financial situation and how that could’ve given them some interaction, weight to Joyce’s desire to move and also the Byers talking about that AT ALL was lying right there for the taking. Joyce and Jonathan both had obvious concerns about losing their jobs

Joyce got to spend time doing something else than worrying about Will this season which was nice (instead running after manchild Hopper, great), but where are the repercussions of that? With the growing up theme I was hoping for Joyce to start to look into herself, about letting go and who she is when she’s not a mom

Jonathan was once again reduced to being Nancy’s sidekick, spending most of his time following her around and standing next to her while she drove the plot forward with a vengeance. He spent most of his time in the beginning being an abrasive grump and his pov was barely there with the lack of Byers fam content, which made his argument seem as weak as it did in s2. His scenes with Nancy hit the ground running, were rushed and few and far between. As soon as Jonathan was not by Nancy’s side he disappeared entirely from the plot until she called on him again. He didn’t have one single scene without her

Nancy Wheeler would never, ever stoop so low as to mock Jonathan for a) his socioeconomic position and b) his trauma with his dad. A super ooc low blow. Nancy can obviously be ignorant about how economical strife affects others, but actively mocking him??? This is not the Nancy that approached Jonathan “the freak” in s1 and expressed her concerns despite the entire school side-eyeing her. At least Jonathan got to sass back at her later

Where was Nancy’s backstory that was hinted at before the season? Was hoping for her to get some development OUTSIDE of her rallying to save the world 24/7

Will starts out the season having a semblance of an interesting, very relatable arc (abandonment issues, afraid of growing up, done with The Straights) that then goes nowhere in lieu of The Plot and Will just... doesn’t have a lot of beef with the MF. This thing and the other monsters of the UD fucked him for life, let him have something badass to do like I dunno, give him powers you cowards, let him fight the MF you cowards

Also let Will talk to his family about his issues, or have it be a point that Jonathan is now busy with Nancy and how he misses him. Jonathan being somewhat conflicted about spending all this time outside his family and the potential guilt and effect that has on him. Will destroyed Castle Byers that he and Jonathan built together, where the hell were my brotherly feels???

There was a lot of talk about “new pairings” with the characters, but everything felt very same-y. Jopper goes off on their own, jancy does the same thing, El and Mike have a ton of screentime devoted to just them, Steve and Dustin amped up their bromance to eleven, etc. Even when characters that usually aren’t grouped together were in the same scenes, they barely got anything to say or do (Lucas being said to “become closer with Jancy” was a flat out lie or referred to literally physically standing next to them). Where was Nancy and Joyce solidarity, El and Will siblings, Mike and Nancy bonding over their family falling apart, Jonathan and literally anyone but Nancy?

Villain focus completely shifted from the US government to the spoopy, evil Russians with their spoopy language. Stereotypical, tacky and bland af. Being American is Great and in no way problematic! Go patriotism/capitalism!

The abundance of action and cgi. Omg all of the action sequences. It felt like 70% of the season was spent on El throwing shit around with her powers and Hopper fighting Russian dudes. I remember being halfway through the season and thinking they really should’ve slowed down the plot. But that’s an issue with too little time for too many characters. I had no time to bond with any of the characters I liked since the plots were So Big and So Many that they ate up every opportunity for emotional intimacy and reflection. We had time for a goddamn ad for coke but not for the Byers to interact like once???

Also the whole infection/MF working in the shadows thing? Completely wasted potential. It was set up to induce paranoia in the characters and the MF tricking, playing with and torturing them, people not knowing who to trust which could’ve lead to some really compelling scenes. Nope, it’s just a big meaty version of the MF and now it’s running around town trying to fuck El up while nobody conveniently notices and tons of people died but who cares

Robin was shoehorned into the plot and magically had all the skills it took to figure out the code, could decipher Russian with no previous knowledge (the languages she listed as knowing are not at all related to Russian and why tf does she know so many languages??). At least she slapped Stobin in the face and gave us some actual LGBT rep since the doofuses are hellbent on beating around the bush with Will infinitely

Erica was 100% SASS and nothing else. It got old really quick

The entire plotline with Steve/Dustin/Erica/Robin took up about 60% of screentime with memes and sassy jokes and provided about 5% of relevance in the grand scheme of the plot. Everything they found out in the Russian facility could’ve been relayed by the Russian guy Jopper kidnapped

Which btw, why did a random Russian dude take up that much screentime? He had way more emotional development than 80% of the core cast. Also did we need that much Murray?

Speaking of, I did not need Murray doing his creepy, invasive psycho analysis thing on Jopper like he did Jancy last season. It was terrible and lazy writing then and it’s terrible and lazy now

Steve complaining about popularity “not being that great really” made me want to punch him in the face even more than usual. Nobody gives two shits about a rich white boy who got everything he pointed at, all the popularity and more girls than he could count at school while stomping on the outcasts

Also didn’t need that jab at Nancy in his heartfelt scene with Robin (which was funny bc Robin has a lot of similar traits to Nancy)

Karen and Billy was gross, but at least Karen stopped herself to go back to her unfulfilling but legally sound marriage. No need to rock that boat unnecessarily! A completely mediocre man is just fine for her I guess. At least she got a kickass scene with Nancy

Why in the fucking world did Billy get as much screentime as he did. Why on earth did this asshat, racist abuser get some bs sob story about his awful childhood when we have 47 other, way more sympathetic and interesting characters that could’ve been explored instead. And then he did some stupid “grand heroic sacrifice”. I cried more when the Russian dude died

Max was a victim of Billy’s abuse for years which was completely undermined by her ooc constant concern for him and overblown grief at his death

El being oh so concerned about Billy when she knew he was the asshole who had abused his friends Max and Lucas (and beat up Steve) before felt really insincere

Hopper was a huge, loud, violent jerk this season and I’m not having it. I felt sorry for Joyce having to put up with him and then he presumably died heroically (??? he’s obviously still alive guys) and I...didn’t really care? Was kind of on the Jopper train but have no hopes for it now. Where was their supposed “history” together that was hinted at before the season? It just felt like Hopper constantly acting like a huge, controlling manchild and Joyce having to pep/comfort/discipline him. No sense of back and forth support

What the fuck was that music number with Dustin and Suzie?? Omg cringe. I could feel how the characters all died inside

On the subject of music, they stole Jancy’s theme song and gave it to Steve and Robin and then Mileven. Mileven also stole Jancy’s “I love you”, which was clearly hinted from the name of the song on the soundtrack titled “The first I love you”, which is literally a rehash of their theme “The first lie” in s2. A huge slap in the face to end the season with

[rebelsofshield]

Star Wars: Alphabet Squadron-Review

Alexander Freed resurrects the X-Wing novel in Alphabet Squadron, a rousing and emotionally complex adventure that ranks among the best in the current canon.

(Review contains minor spoilers)

The second Death Star is destroyed. The Emperor is dead. The Empire is falling and its forces are scattered and desperate. For the first time since the Galactic Civil War began, the Alliance, now the New Republic, is winning. However, as a galactic government collapses and a scattered militia group begins to take its place, it turns out that the waning days of the war may be more chaotic than anyone anticipated. Among those caught in the chaos is Yrica Quell, a former Imperial TIE pilot of the infamous 204th Imperial Fighter Wing aka “Shadow Wing,” who herself just one of thousands of other former soldiers looking to escape to the otherside of a losing war. After Yrica attracts the attention of New Republic Intelligence agent Caern Adan, she is drafted into a makeshift working group to hunt down and eliminate her former wingmen, whom have become a major thorn in the burgeoning Republic’s side. Overseen by Adan, New Republic general Hera Syndulla, and a reprogrammed Imperial torture droid, Yrica helps to form a group of misfit and war addled pilots to help save the New Republic from dying before it even begins.

At Celebration Chicago, Alexander Freed said that he was inspired to write Alphabet Squadron by the classic Expanded Universe X-Wing novels written by Michael A. Stackpole and Aaron Allston. While Freed’s pilot focused narrative and thrilling action sequences are sure to evoke memories of this series, the book that Alphabet Squadron seems to brush shoulders with most after first read is Chuck Wendig’s Aftermath trilogy. Like Aftermath, Alphabet Squadron is the first in a trilogy following an ensemble of misfit characters in the waning days of the Galactic Civil War and the fallout of the Battle of Endor. Wendig’s trilogy always boasted an impressive scope and stylistically impressive prose, but the first installment of Aftermath struggled due to characters that failed to make an impression and an unfocused narrative. Each novel in the trilogy improved on the one that preceded it, but it is hard to deny that Aftermath got off to a rocky start. Conversely, while Alexander Freed’s dense prose may not appeal to some readers, Alphabet Squadron launches out of the gate with fully formed characters and a sense of purpose and place.

Like his previous Star Wars novel, Battlefront: Twilight Company, Freed excels in making the Galaxy Far, Far Away feel lived in. As previously mentioned, his dense writing style may turn off some readers, but it does an incredible job in helping this setting come to life. It’s clear that Freed put extensive thought into helping to realize a galaxy in this degree of turmoil. In the months immediately following the Battle of Endor, there truly wasn’t a seat of power in the galaxy as both The Empire and the New Republic are each in periods of transition and internal upheaval. The Empire finds itself lacking in direction and leadership and facing a long collapse that seems unlikely to turn in their favor. The New Republic must not only contend with forming a new government but transitioning from a guerilla military to an expansive force capable of finalizing a war it never really prepared to win. Alphabet Squadron in the process evokes such classic pieces of desperate military science fiction like Battlestar Galactica and even The Last Jedi. In the aftermath of such devastating canon events as Operation Cinder, Freed captures the fluctuating and unstable state of the galaxy with descriptive settings, well thought out dips into everyday life of the average galactic citizenry, and first and foremost the characters at its center.

As any good novel should do, it is truly the characters of Alphabet Squadron that make this book sing. Freed brings together an ensemble of damaged and diverse pilots to make up the titular Alphabet Squadron. Fittingly each of these characters not only feel as unique and varied as the ships they fly, but they all realistically bear the scars of beings who have spent their last years embroiled in war. For better and for worse, Freed frames much of the narrative around the reader and the characters gradually learning about the pasts and motives of the different pilots and their commanders. While Freed maintains a rotating third person limited point of view, it becomes quickly apparent that what we learn from each of the characters isn’t necessarily to be trusted. These are damaged people that are hiding things not only from their teammates but from themselves and it is this obscuring, while at times perhaps a bit too illusive, that adds a larger sense of discovery and engagement to a narrative that by and large follows the familiar “learning to work as a team” structure.

Of the five main characters, Yrica is undeniably the most intriguing and fraught. Unlike many classic Imperial defectors, Yrica joined after the Battle of Endor when Palpatine’s regime was already collapsing. While her motives for seeking out the New Republic are mostly self-serving, Freed succeeds at making Yrica a sympathetic protagonist, if an undeniably flawed one. Her narrative becomes one not only of finding a purpose or direction in a galaxy that wants nothing more than to cast her aside, but of deprogramming from fascist doctrine. “Think like a rebel,” becomes a mantra that carries its way not only in the cockpit but to the cantina, to her therapy sessions, and in learning to be a leader to her team.

The rest of Alphabet Squadron are similarly impressive. Nath Tensent is a classic Star Wars style rogue, a mix of pirate, rebel, and early Imperial defector, with a charisma that easily wins over reader and co-pilots alike. He’s the type of lovable bastard whose true intentions are often hard to read and frequently underhanded but nonetheless is capable of incredible moments of humanity and empathy for others.

Wyl Lark and Chass na Chadic hail from two formerly paired squadrons, whose long, tortured final mission takes up a large portion of the first act of the novel. Lark becomes Alphabet Squadron’s heart, bringing a boyish sense of naiveté but also empathy to his fellow pilots. Smartly, Freed knows how to show the dangers of this though and demonstrates how Lark’s inherent good nature sometimes leads to personal danger and overstepping his bounds in the care of his teammates. It avoids cynicism while also teaching the value in trusting the independence of others. In particular, this is demonstrated with Wyl’s relationship Chass na Chadic, the music blasting Theelin pilot, who joins Alphabet Squadron alongside him. Given their shared trauma and different manners of coping, Freed frames the frayed relationship between these two particular characters as a central arc of the book and it works well, especially given how well drawn both characters prove to be.

And Kairos? Kairos is the resident, silent badass. Cloaked in rags, armor, masks, and mystery, Kairos remains the closest to an enigma at the novel’s conclusion. What little we learn of her hints at a past filled with trauma and strife which not only comes about in cold mystery but short bursts of intense violence. She feels not unlike the fan favorite animated bounty hunter, Embo, with a dash of Wolverine-esque tragic past. It makes her brief moments where she opens up to the other members of Alphabet Squadron linger for pages afterward.

Even supporting cast members spark with their own sense of personality and life. Caern Adan tows the line between grandstating jackass and pragmatic foreward thinker in a way that makes him feel realistic if not empathetic. Chass and Wyl’s former squadmates before joining Alphabet Squadron shine through with individual quirks and personalities and their presence becomes particularly haunting and painful despite their relatively little time on the page. Even Adan’s mechanical assistant, an Imperial Torture Droid turned team therapist, is a standout with an unexpectedly endearing sense for emotional sensitivity.

Fans of Star Wars Rebels are also sure to enjoy Hera Syndulla’s meatier than expected role here. Freed paints a picture of a war weary Hera that is driven by duty and longs for the days of Ghost family. Her maternal caring for those under her command shines through and her moments of guidance to the Alphabet Squadron team rank as some of the most emotionally affecting beats of the novel as a whole. Those hoping to see Jason Syndulla or some of the other members of the Rebels may be disappointed, but any fan of the Spectre Two is sure to get a lot out of this book.

Freed also succeeds in bringing these characters into action. While his prose while the characters are grounded is often dense with detail and minutiae, Freed somehow finds an incredible balance when his characters step into the cockpit and begin fighting off TIE Fighters. Dogfights feel energetic and kinetic and Freed manages to block these with a sense of action and pacing that feels clear and exciting. Alphabet Squadron even gets creative in just how a squadron of five different types of ship would function and the resulting set pieces feel both imaginative and surprisingly practical. Given the strong work done to fleshing out these characters and their chaotic world in the quiet moments, it gives the beats where blaster bolts are flying and starships are exploding an extra oomph of tension and emotion.

It may not be immaculate, but Alphabet Squadron is a truly engrossing and affecting read. Between Freed’s incredible sense of setting to his well-drawn characters, it’s hard to find a more satisfying book in the current Star Wars canon and the wait for the next installment of this series in 2020 feels like an eternity away. The sequels may be ending this winter with The Rise of Skywalker, but the next great Star Wars trilogy may have already just started.

Score: A-

[stillness-in-green]

Human Debris Masterpost (7/??)

So wow, guess who totally underestimated how much her post length was going to balloon when the increased Human Debris presence of season two hit her four-episodes-per-post guideline?  Yes, it’s me.  So for the rest of season two, I’ll be posting on the basis of trying not to dump over five thousand words into the tags in one go, HAHAHAerk.  Only two episodes today, and it’s still as long as any of this series’ previous longest posts, back in the Brewers arc!  

So, getting on into it, we open season two with...

EPISODE TWENTY-SIX — New Blood 

We open with a gravestone/memorial covered in names, almost certainly a number of which belonged to some of the unnamed Human Debris of the first season.  Alas, we have no way to track them specifically, but here’s the stone in any case, if for no other reason than that some of the names on here are A+ ridiculous Gundam Names.  (R.I.P. Purple Downey.)  

We find that some time has passed since we last left our group, but they’ve been plenty busy, swearing oaths to Teiwaz proper.  None of our boys in attendance at that ceremony; it seems that it was a bit more exclusive, as we see only Eugene, Mika and Merribit as known figures on the Tekkadan side, and only Naze and Amida (and the very first shot of Jasley, notably) on the Teiwaz side.  

No, our very first red-stripe watch shot of the season, even before Akihiro, surprisingly goes to Aston! 

He’s on scene when Atra is narrating about how Tekkadan’s new position as military advisor for Arbrau, and the associated Earth-branch location where we will be spending so much time in the season’s second set of episodes.  It’s immediately followed by our first shot of one of last season’s boys, Chad, watching Takaki do a certain amount of the talking, though we’ll eventually find out that Chad is, in fact, in charge around here.   

As you can see by the fact that as he’s gotten a uniform jacket that doesn’t have a huge red stripe slathered across the shoulder and back, Chad and our other ex-Human Debris have finally and truly become ex-Human Debris.  Praises be! And I’m glad that it is Chad who’s actually in charge; I’ll confess to a moment of miffed protectiveness, back when I first watched the episode, at the idea of Takaki (in season one, still designated as ‘the leader of the younger boys’) having been promoted over Chad.  It seemed a trifle unfair, though of course we had no idea which of either of them was better suited to a command position at the time.  But more on that in due time.

Our other two members of the original trio follow along shortly, as we find Akihiro and Dante back on Mars.  This is our first hint that Dante will also be moving into a more major role; you’ll recall that in the first season, he was an extremely sporadic presence, a third-stringer who showed up periodically to support Akihiro or back up Shino, but who seldom got much at all to do, and tended to vanish from group scenes practically as soon as he’d entered them.  You had (or at least, I had) the impression of him as someone who was kind of a jack-of-all-trades, flitting around from one area to another as his presence was required, but with no dedicated position like Chad or Akihiro held. Well, we’ll soon find out that he does indeed have a preference on the matter, and his appearance here, with Akihiro and Shino—Tekkadan’s second- and third-best mobile suit pilots—makes it fairly plain what that preference is going to prove to be.

Our last character to be on the watch for, Derma, will have to wait just a little longer for his first showing of the season.

This shot comes up as Atra tells us about the increasing strife in the world and how Tekkadan’s startlingly good performance at Edmonton has lead to a higher number of children being sent to war, and a likewise growing number of Human Debris.  So these boys don’t have the red stripe yet, but they’re bound for it.  And they are all boys, I notice.  We never do see a girl with the signature Human Debris mark, and I wonder a bit about why that is.  There are certainly possibilities that leap to mind, but they’re as unpleasant as they are obvious, so I won’t get into them here.  I will say that it’s something to keep in mind for when we get to the Turbines backstory.  

And speaking of the Turbines!  To the tune of a rather jazzy piece of music that I’m pretty sure is played absolutely nowhere else in the series, we find Lafter hard at work beating some training into an extremely outclassed Dante, who’s making some really great faces about it.

Dante, for all his hacking skills, is kind of a meathead, but he’s an extremely loveable meathead.  He’s dedicated and stubborn, earthier and more pragmatic than the perpetually upbeat Shino, but still more openly firey than either Mikazuki, who’s as remote as his namesake most of the time, or the taciturn, stoic Akihiro.  This makes him a great addition to the main roster of pilots, giving the writers someone they can be a little comic with—witness his defensive yelling and cursing here about trying his best as Azee shouts at him to react faster—without sacrificing sincerity.

Looking a little exasperated, Yukinojo helpfully namedrops him for the audience, plenty of whom had absolutely no idea who he was, as was very obvious if you were following the various review blogs covering the series at the time.  Zack, the pompadour-newbie, observes that this is Dante’s first time in the mobile suit.  If I had to guess, I’d say Dante has been pushing for priority in mobile suit training for some time, and pestered everyone about it so much that, when they got in the shipment of Shidens, they decided to let him be first in line for the “Lets all get annihilated by Lafter” party.  If he was half as persistent about it as Akihiro was in season one, but way louder, it’s easy to imagine why Yukinojo felt so facepalmy about it.  

Rather pleasantly, the new guys assume that Dante’s holding his own as well as he is because of his Alaya-Vijnana implant, a view Shino quickly corrects for them.  No, Dante actually is just that capable, or that well-read, or has done that much time in a simulator, or some combination of the above.  

Anyway, you guys, I love Dante and so should you.

Directly, we find out that Akihiro is now in charge of a unit of his own, with Ride as his second-in-command, and the little firebrand is very quick to jump in with the drill sergeant talk.  Gotta be faster if you wanna get a word in edgewise, Akihiro-han.  

This, incidentally, could suggest that Dante is Shino’s second, if you assume that picture earlier of the four of them talking by the mobile worker is a unit leader meeting of some kind.  

When next we see him, Akihiro is clarifying for us how much of its work Tekkadan still does with no shirts on.  Dante was shirtless earlier, of course, but that was just for practice, and during the day!  Surely, as a fancy official company, Tekkadan doesn’t let its employees do actual commissioned jobs half-naked?  

No, in fact, Tekkadan does exactly that, a fact which will be thrown into even more hilarious contrast when they’re teamed up with McGillis for the whole Hashmal misadventure later.  Look forward to it.  

It’s easy to miss in the glare, but here’s our first shot of Derma for the season!  As well as a quick little moment for the ShinoYama shippers, we also find Dante examining a data slate alongside Echo, as probably the most computer-literate people on the field right now.  The grouping tells us that Dante is indeed in Shino’s unit, as is Derma, a supposition that will be confirmed shortly.  It also lays some early groundwork on Derma and Dante having taken to each other enough to hang out when they’re not immediately on the job, as we will later see. 

I really feel for Akihiro in this sequence.  He spent almost the entirety of the first season in a mobile suit, and half of it in a Gundam, and now he’s back in this rattling three-wheeled deathtrap as a bunch of mobile suits charge the field? My God, couldn’t they at least have gotten him one of the Shidens or something to pilot?  Or is this one of those things where Tekkadan is doing all it can not to escalate, only to look on in horror as a villain proves willing to up the ante (see: Graze Ein entering Edmonton; everything about the Dainsleifs)?

Apparently not, as Shino swoops in to save the day in the newest iteration of his Ryuusei-Go, the lot of which I will at some point assemble a post for you all on, because they’re all great, especially the crash helmet.   

And here we have confirmation of Derma and Dante’s placement under Shino’s wing, as well as the headaches it causes poor Derma, who probably never imagined something like this was going to be his life back when we met him in the first season.  

Possibly to not have to think about how deeply embarrassing Shino’s weird naming themes are, Derma moves in, and proves himself to be an entirely capable combatant with a sword, it turns out.  Witness his opponent’s jazz-hands of defeat! 

Dante, meanwhile, keeps his firing range distance. Judging by his expression, he’s having a bit of trouble here (it is, after all, his very first live combat in a mobile suit).  It may also be the case that’s he’s already worked out what Elgar and Enbi are hollering at Hush and Zack about—that this assault is too straightforward, and that there’s going to be more to it than there first appears.  

Derma continues to perform like a tiny champion badass, saving Dante (not so good with a sword, it seems) by making a huge skyward leap and landing on Dante’s opponent with his machine’s foot driven squarely into the man’s cockpit.  Truly, the difference in their levels of experience is made very clear in this scene, in case anyone has forgotten that Derma fought an unknown number of space battles in a grunt mobile suit under the command of Kudal Kudan, a man who treated his subordinates with all the affection and respect an underground dog fighting ring affords its combatants.  

Dante keeps at it like a champ, though, responding that he’ll make it last when Derma asks after the levels of fuel left in his thrusters.  It’s a risk he’s taking here, as running out of fuel would leave him completely disabled on the field.

Thankfully, as the early haze of predawn gives way to the blue of early morning, the team ace arrives, with the new opening theme streaming out behind him, and we bring the episode to a close.  Before we get to the next one, though, lets hit that new intro, shall we?

OP 3 — Rage of Dust

This opening’s a little fun in that it’s more grounded and contiguous than the others, with less generic Purposeful Walking, Forceful Yelling, or Significant Imagery. There’s a sense that we’re seeing snippets from a particular set of events—a Tekkadan sortie in space against Arianrhod, a fight the Earth branch and McGillis are dealing with on Earth, and so on. For example… 

Our first shot, right near the beginning, is of Akihiro passing by a room where Mikazuki and Ride are suiting up for space combat.  Akihiro’s managed to get dressed more quickly than either of them, because Ride is still kinda bad at it and Mikazuki is trying to do it one-handed while also bolting a snack. 

He heads on down the hall, serious as ever. 

We find Derma and Dante, paired up again, drifting above a Shiden hanger, also suited up, with Dante getting some orders of some kind via his helmet. 

After the title screen, we skip to some shots of more everyday life, like Akihiro and company being amused at Orga’s irritation at the petty everyday difficulties of running a business. 

Chad is dealing with similar fine detail work, though assisted by, as we will find, a far more treacherous accountant. 

Aston we find having a late afternoon snack with his new (only) favorite family. 

He’s very happy, and it’s a little impressive how hard you can raise a death flag using no more than a smile in an opening sequence.

We are now into the more standard imagery, but at least everyone looks nice.  Here’s Chad with Eugene, our two responsible, sub-leader types (and Shino, who dived out of the sub-leader position like he was getting scored on it).

Akihiro gets the screen with the two he’s shared his last name with, though of course we won’t find that out for some time. 

And there’s Dante, squirreled well away from anyone significant to him.  (Do your best, Dante.)  

And that’s it for the new intro, so lets get onto the next episode! 

EPISODE TWENTY-SEVEN — In the Midst of Jealousy 

Showing his similarity to his squad leader, Dante is entirely ready to pursue the Dawn Horizon guys when Mikazuki drives them into retreat. 

Derma is little different, protesting when Mika calls them back from following.  He also shows the distinctive shape of his mouth here.  I think there’s a Japanese term for this quirk of character design, which I do not immediately recall, but it’s pretty unique to Derma (albeit not wholly consistent), and gives him a kind of sulky look, like someone whose lips are perpetually set in a terse line.  Also, the kid is ripped. Not so different from any of the others, but seriously, go back and compare his build in the Brewers arc to here. Tekkadan has been good to him.  

Derma and Dante both begin rebuking Mikazuki for his reckless usage of Barbatos, which is fun. Derma, having a particularly terrible space rat kind of upbringing, doubtlessly has a pretty finely tuned handle on fuel management, which Mikazuki does not and never will bother with developing, while Dante is just miffed that they just got it fixed, too.  One gets the sense that everyone who’s been with Tekkadan for any length of time gets pretty used to Mikazuki Being Like This.

  Certainly it’s not news to Akihiro. 

We see again here, on the Dawn Horizon flagship, the piratical red stripe theme.  The captain, Sandoval Reuters, has a big red bullseye painted on his forehead as well.  At this point, I almost begin to wonder if the red stripe is more a mark of Outer Sphere horrors than anything else.  Piracy, slavery; throw a red stripe on it and it’s like a code for civilized society to stay as far away from it as possible.  

In any case, while Dawn Horizon absolutely uses Human Debris, as we will later find, they certainly don’t use them on the bridge like the Brewers did, which definitely suggests an organization that has its act together a bit more thoroughly than Brooke Kabayan did.  

We return to a sobered Tekkadan, where the veterans are discussing a future containing up to ten assault ships, and the new recruits are wrestling with the reality of how quickly and brutally death can show up when you’re working for a mercenary outfit.  Akihiro comes in and tells the newbies that anyone who wants to quit can do so. Tekkadan lets people decide if they want to stay or leave, live or die. 

He strokes his fingers down the front of his uniform while he says this, right over where his stripe used to be, and it’s maybe my single favorite of his character moments in the entire show.  It’s quite clear that he’s thinking back to when Orga took over and offered the lot of them not only their freedom, but a choice, to go and take severance pay with them, or to stay and be as much under the organization’s protection as any other member.  I love that the show just trusts us to have figured out what the stripe indicated, remember where it was, and know why that freedom of choice was and is so huge to Akihiro that he needs to make sure everyone understands that they have it.

It’s unclear how much of this weighted history the newbies are aware of, but Shino certainly understands the significance, giving Akihiro a rueful, understanding smile.  

Meanwhile, in far less introspective territory… 

Dante is super pumped about being a mobile suit pilot now, and wants to start putting a kill count on his unit.  I, meanwhile, reflect on the fact that Dante, who until he got his first paycheck doubtless never actually owned anything post- whatever incident it was that landed him with a Human Debris stripe, wants to start personalizing his unit right away, anything to put his mark on it.  Taken together with his season one preview dialogue about finding comfort in neatly aligned computer data, it suggests someone who values physical proofs of existence, and is reassured by things you can observe and interact with, regardless of what anyone else thinks of them or you.  

The Turbines girls (and Ride) are less than impressed, reminding him that he didn’t take down anybody solo, and also, it isn’t his personal unit to mark up yet anyway.  Poor Dante gets no respect.  I’m glad he’s of a personality that can roll with being rebuked by someone several years younger than him with nothing more than some complaining about procedure. 

Meanwhile, back on Earth, Chad has his hands full with his own Teiwaz liason, Radice here, who is already talking faintly treasonous talk about how HQ (Tekkadan) is failing to uphold their bargains, and doing that talking right out in the open hallway instead of taking it to whatever sort of private office Chad must logically have.

When he gets to the point of suggesting that the troubles of the Mars branch have nothing to do with the Earth branch, Chad looks surprised, then stern, and responds with a firm defense of Orga’s requests and considerations of their situation.  When Radice doesn’t back down, only complaining more openly, Chad tells him point blank that regardless of the branch Orga is the boss of Tekkadan, which means his words are to be trusted and followed; that this is what defines Tekkadan.  

Guys, I’ve liked Chad since season one, but I didn’t blame anyone back then for not knowing who he was.  His position was never detailed, he had nothing but throwaway dialogue, and you never saw him away from work long enough to get any kind of bead on who this guy was and made him tick.  This is his first real stand-out scene as a character, and it is so, so defining.  It gives us so much material to work with in one scene. 

It tells us that this is a young man who’s responsible, open-minded enough to let others say their piece, reluctant to push too hard or make a scene, but wholly willing to plant his feet and refuse to budge when someone goes too far in questioning the people and organization to which he is unfailingly, unstintingly loyal.  Knowing he’s in charge despite not being very prominent last season tells us also that he works well with others, that he’s cool-headed enough to be put in charge, and more than that, put in charge of a branch located on a planet he’s barely seen, working with people he doesn’t know, dealing with anything from unintended microaggressions all the way up to full-throated, to-his-face ethnocentricism.  Taking that position (because I very much doubt he had the self-worth to volunteer for it) shows him as either quite brave or distressingly selfless, depending on how long he thought about it before accepting it.  

You guys.  I love Chad.  You should too.  

ANYWAY, Radice gets frustrated and stalks off.  He says it’s because the conversation isn’t going anywhere, but with what we know about how the upcoming arc plays out, I suspect it’s more because Chad refuses to back down, and he really hates it when teenagers don’t concede to his adulthood.  There’s maybe no character in the series who more purely disdains Tekkadan as children, I think, than Radice, so someone like Chad, who’s serious and responsible and, just sometimes, completely impossible to sway, must be just infuriating.

It would be very satisfying to me if it didn’t lead to Chad spending the bulk of said upcoming arc in uncertain health and almost wholly offscreen.  SIGH.

Chad also seems to find the encounter frustrating, sighing hard and rubbing his head, probably discontent and wondering if there’s any better way to handle that guy than he can figure out, along with being worried about his friends back home.

  Meanwhile, other adults are getting mouthed off at by even younger children, who have a far less respectful attitude about it. Aston, we find, has been trying to “show the ropes” to some of Arbrau’s military, and one of them has not taken kindly to some point of policy or another, and is having to be physically restrained from taking a swing at the very unapologetic Aston. 

Takaki breaks it up and apologizes, but cannot get Aston to do the same.

Man, this kid’s eyes.  They were sharp and vivid even in season one, but they’ve only become moreso with the increased focus from the narrative.  It’s interesting that he played kind of a mediator with his companions with the Brewers, trying to ease both sides of the closest thing we ever saw to an inter-group conflict with them.  He’ll be doing the same later on in this arc with his new group, but he certainly doesn’t seem to give a damn about playing the peacekeeper where outsiders are concerned.  Aston, your wolfpack tendencies are showing. 

Back at the Uno household, we find Takaki has invited Aston back for dinner, though Aston was expecting a scolding from Chad’s second in command.  It’s a little notable here, I think, that compared to Derma, Aston and Takaki have not bulked up anywhere near as much, suggesting either that Derma is really dedicated to a workout routine or that there is less conflict/stiff competition for mobile suits on Earth.  It could be an inconsistency between animators, but I’ll be keeping an eye on it.

When asked how his food tastes by Takaki’s sister Fuuka, Aston says it tastes good, then shares a somewhat inconsiderate (and depressing) personal detail: that he used to eat garbage growing up, so everything tastes good now.  (This suggests he ate even worse before joining the Brewers, who at least seem to have thrown nutrient bars at him every now and again.)

He asks Takaki if he doesn’t get lonely on Earth, away from Mars, and then gets just the tiniest bit flustered when Takaki calls him a friend, and man, I just don’t buy this kid as a detached recluse who never cared about anyone before Takaki and Fuuka.  How would he even understand loneliness well enough to ask after it if that were the case?  I wonder if we’re meant to read all the ship-teasing that will follow as legit? Because it would certainly explain things if Aston felt something different for Takaki than for Masahiro and Derma and the rest but could never quite put his finger on the word for that difference, so just assumed that his more intense feelings After Takaki must have indicated a dearth of feelings Before Takaki, when it’s plain that he’s always been fairly invested in his immediate peer group.  

Anyway, I will continue to try to puzzle Aston out as we move on, and beg your forgiveness for harping on the same point repeatedly.  

Normally at this point I would cover the third ED, Shounen no Hate, but as it turns out, it has not a lick of red stripes in it anywhere, so it’s a wash for our purposes.

That said, I have the next episode down, and have been making relatively steady progress through them, so our next episode should not be altogether too long in coming.  Look forward to it!