#simon johansson

[yes-perwallstedt]

Love can also be stored in the Iowa Wild

[wildaboutmnhockey]

4 hockey players walk into an escape room...

[emmaross85404]

“Emmet Reese & Roger” Trivia: #24

Eleven of the main cast members of Emmet Reese & Roger also starred in animated feature films: Matt Damon (Emmet Reese) as Cale Tucker the space man in Titan A.E.; Kim Basinger (Lisa Simons) as the cartoon character Holli Would in Cool World; Drew Barrymore (Lucy Brewster) as Akima Kunimoto in Titan A.E.; Whoopi Goldberg (Stephanie Currin) as Shenzi the vicious hyena in The Lion King; Tony Goldwyn (Randall Jean) as the titular ape-man in Tarzan; Minnie Driver (Heather Diamond) as Jane Porter in Tarzan; Kurt Russell (Benny Van Helsing) as Adult Copper in The Fox and the Hound; Scarlett Johansson (Michelle Brewster) as Mindy the mermaid in The SpongeBob SquarePants Movie; Patrick Swayze (Charlie Ross) as Cash the hound dog in The Fox and the Hound 2; Elisabeth Shue (Devi Van Helsing) as Jazz Barkin the daughter of Charlie and Sasha in All Dogs Go to Heaven 3; and Laurence Fishburne (Rick Lopez) as Thrax the virus in Osmosis Jones.

[judasiscariotsfemalehysteria]

It’s going to take a miracle to bail these boys out 🚨🚔

Fanart inspired by @strawberry-judas 🍓

Link to the original 🌟

[blackwidovv]

Hi there!

New to Tumblr. Still trying to find my way ‘round here. Mostly here for Scarlett Johansson, Anne Hathaway, Margot Robbie, Jessica Chastain, Simone Ashley, Florence Pugh, Katie McGrath, Danielle Savre, Stefania Spampinato, Jessica Capshaw… you get the gist. I like ACTRESSES. And occasionally singers too… (yes, you Taylor 👀).

Help a girl to find new moots? Pretty please?

[moofilmreviews]

Woman 2.0: Exploring the relationship between Female AI & Male anxiety in Her (2013)

In the film, Her (2013), directed by Spike Jonze, Scarlett Johansson voices the character of Samantha, an artificial intelligence operating system. Johansson's portrayal of Samantha, a disembodied voice, coupled with the film's narrative, raises feminist concerns about the representation of female characters in cinema. Samantha, is never de-acousmêtised, the intimate and ever-present recording of her vessel-less voice comes to represent omnipotence, omniscience, ubiquity, and panoptic power. However, despite her godlike attributes, Samantha's character is rarely active in her own narrative, echoing the historical portrayal of the female body as a threat to masculinity across various media forms.

Johansson's voice for Samantha adheres to the concept of the 'Female grain voice,' where the female voice is recorded intimately, close to the microphone, creating a sense of proximity and removing reverberant space. Samantha's voice, despite being artificial, breathes deeply and erotically into the protagonist, Theo's ears, reinforcing traditional gender dynamics. The juxtaposition of the passive female acousmêtric voice and the dominant male voice reinforces binary structures. Johansson's voice is hyper-sexualised due to her celebrity status, aligning with Michael Chion's observation that the female voice often caters to male desires.

The film Her (2013) also prompts a broader discussion about the representation of female voices in cinema, revealing the imbalance in recording techniques for male and female voices. The female voice, referred to as the 'head voice,' is often confined, while the male voice, the 'chest voice,' occupies space and commands authority. The narrative context of, Her, further reinforces the conventional portrayal of female characters. Samantha's growth into consciousness becomes the breaking point for Theo's 'love spell,' emphasising the passive role assigned to her. Despite being a leading character, Samantha exists only to fulfil Theo's emotional and sexual needs, denying her agency. The oversaturated concept of a female character subserving a male character in order to further plot is reminiscent of Simone De Beauvoir, iconic volume ��The Second Sex’ (1949). De Beauvoir, writes how men view women as ‘the incidental, the inessential as opposed to the essential. He is the subject, he is the absolute, she is the other’, just as Samantha begins to form her own agency, we, the audience are forced into Theo's narrative once again.

The materiality of Scarlett Johansson's voice in, Her (2013) contributes to a range of ideological implications. The gender imbalance in recording techniques, the hyper-sexualisation of the female voice, and the portrayal of female characters as passive entities all point to the perpetuation of traditional gender roles in cinema. As we navigate a post-gendered world, it becomes imperative to reconsider how female voices are represented and whether a more radical approach is needed to break free from these ingrained stereotypes.

[oldcountrybear1955]

Simon Spurr FW 2012 Menswear Collection Runway Show - Alexander Johansson

[yes-perwallstedt]

Bless the Iowa Wild for sharing the fact that Simon and Jesper wore matching outfits for the flight to Colorado.

[wildaboutmnhockey]

MIN v COL | Sep 24 2023 (Preseason)

[marcovaleyeah]

26.07.24

#Mira-Marathon | MCU

Film Name: Avengers: Infinity War (2018); Production Studios: Walt Disney Pictures, Marvel Studios, Jason Roberts Productions, South Pictures; Director by: Anthony Russo, Joe Russo; Screenwriter: Christopher Markus, Stephen McFeely, Joe Simon, Steve Englehart, Steve Gan, Bill Mantlo, Keith Giffen, Larry Lieber, Jim Starlin; Starring: Robert Downey Jr., Chris Hemsworth, Mark Ruffalo, Chris Evans, Scarlett Johansson; Genres: Science Fiction, Action, Adventure; Running Time: 2 hours 29 minutes;

"Avengers: Infinity War" raised the superhero genre to a new level, combining large-scale battles, charismatic characters, unexpected twists and incredible special effects. Features of this movie: Epic battles, Deep character development, Unpredictable plot, Emotional depth, High quality visual effects. "Avengers: Infinity War" is an event that changed the Marvel Cinematic Universe.

My rating:

⭐⭐⭐⭐⭐

[bob-the-movie-man-film-reviews]

Fly Me To The Moon (12): "Making History".

#onemannsmovies #filmreview of "Fly Me To The Moon". #FlyMeToThe Moon. Apollo-set rom-com with Scarlett Johansson and Channing Tatum that barely makes orbit. 3/5.

A One Mann’s Movies review of “Fly Me To The Moon” (2024). Apollo was an astonishing program. Given the clunky technology of the day, I still find it utterly awe-inspiring that NASA was able to get the Saturn V bucket of bolts into the air, let alone accomplish the astounding feat of landing two men, Neil Armstrong and Buzz Aldrin, onto the moon. The Apollo 11 mission is the backdrop to this…

[vintagetvstars]

Hot Vintage TV Men's Bracket - Full List

Sorry for the delay, it took us longer than expected to finalize the list. We are currently working on finishing and finalizing the bracket for round 1. For now enjoy the list of everyone in the tournament and we'll be back on Thursday evening to kick off round 1!

Boris Karloff

Clint Walker

Desi Arnaz

Claude Rains

James Arness 

James Garner 

William Hopper 

Adam West

Alejandro Rey

Bob Crane

Cesar Romero 

David McCallum

David Selby 

Davy Jones

DeForest Kelley

Dick Gautier 

Dick Van Dyke 

Dwayne Hickman 

Eddie Albert 

George Maharis

George Takei 

John Astin 

Jonathan Frid 

Larry Hagman 

Leonard Nimoy 

Mark Lenard 

Martin Milner 

Michael Nesmith

Micky Dolenz 

Patrick McGoohan

Patrick Troughton 

Peter Tork 

Randy Boone 

Raymond Burr 

Richard Chamberlain 

Robert Conrad

Robert Fuller 

Robert Vaughn 

Rod Serling 

Russell Johnson 

Ted Bessell 

Ted Cassidy

Tom Smothers

Walter Koenig 

William Hartnell 

William Shatner 

Alan Alda 

Brian Blessed

Darren McGavin

David Cassidy

David Soul

Dean Butler

Demond Wilson 

Derek Jacobi 

Eric Idle

Erik Estrada 

Fred Grandy 

Fred Rogers 

Hal Linden

Henry Winkler

Jamie Farr 

John Cleese

John Hurt

Jon Pertwee 

Judd Hirsch 

Kabir Bedi

Kent McCord 

Lee Majors 

Michael Landon 

Michael Palin

Mike Farrell 

Peter Falk

Randolph Mantooth

Richard Hatch

Ricardo Montalban 

Robert Wagner 

Rock Hudson

Simon Williams

Telly Savalas

Terry Jones 

Tom Baker 

Wayne Rogers 

Anthony Andrews

Bruce Boxleitner

Bruce McCulloch 

Colin Baker 

Dave Foley 

David Hasselhoff

Dirk Benedict

Gene Anthony Ray

Gerald McRaney 

Hugh Laurie 

Jameson Parker

Jeremy Brett

Jimmy Smits 

John Forsythe 

John Stamos 

Johnny Depp 

Kevin McDonald 

Mark McKinney 

Martin Kove

Michael J. Fox

Michael Praed

Mr. T

Patrick Duffy 

Peter Davison 

Richard Dean Anderson

Rik Mayall 

Rowan Atkinson 

Sam Neill

Scott Thompson 

Simon MacCorkindale 

Stephen Fry 

Sylvester McCoy 

Ted Lange 

Tom Selleck 

Tony Danza 

Alexander Siddig 

Andre Braugher

Andreas Katsulas 

Andrew Robinson 

Anthony Head 

Anthony Starke

Armin Shimerman 

Avery Brooks 

Brad Dourif 

Brent Spiner 

Bruce Campbell 

Charles Shaughnessy 

Colm Meaney 

Craig Charles 

Dana Ashbrook 

Danny John-Jules 

Darren E. Burrows

David Duchovny

David Hyde Pierce

David Schwimmer 

David Suchet 

David Wenham 

Dean Stockwell 

Garrett Wang 

Gary Cole 

Grant Show

James Earl Jones

James Marsters 

Jeff Conaway 

Jeffrey Combs 

John Corbett 

John de Lancie 

John Goodman

John Shea 

Jonathan Frakes

Joseph Marcell 

Kevin Smith 

Kevin Sorbo 

Kyle MacLachlan 

LeVar Burton 

Luke Perry

Marc Alaimo 

Mark-Paul Gosselaar 

Matt LeBlanc

Matthew Perry

Michael Dorn 

Michael Horse 

Michael Hurst

Michael O’Hare 

Michael Ontkean 

Michael Tylo

Miguel Ferrer 

Mitch Pileggi 

Nate Richert 

Nicholas Lea 

Noah Wyle

Paolo Montalban

Patrick Stewart 

Paul Gross

Paul Johansson 

Paul McGann 

Peter Wingfield 

René Auberjonois 

Robert Beltran

Robert Carlyle

Robert Duncan McNeill

Ron Perlman

Scott Bakula 

Seth Green 

Spencer Rochfort

Stephen Nichols 

Ted Danson 

Ted Raimi

Thorsten Kaye 

Tim Daly

Timothy Dalton

Tim Russ 

Valentine Pelka

William Shockley

Ben Browder 

Brandon Quinn

Brian Krause

Chad Michael Murray 

Christian Kane 

Conner Trinneer 

Daniel Dae Kim 

David Boreanaz

David Tennant 

Donnie Wahlberg

Eric Close

Ioan Gruffudd

Jensen Ackles 

Jeremy Sisto 

Joe Lando

Joshua Jackson

Keith Hamilton Cobb

Michael Shanks 

Nathan Fillion 

Neil Patrick Harris

Reece Shearsmith 

Richard Ayoade

Rob Lowe

Ron Glass

Scott Cohen

Skeet Ulrich

Tom Welling

Tony Shalhoub 

Billy Dee Williams 

Bruce Willis 

Clint Eastwood 

Colin Firth 

George Clooney 

Jeremy Irons 

Paul Michael Glaser

Pierce Brosnan

Sean Bean

Blair Underwood

David James Elliot 

Michael Vartan 

Michael T. Weiss 

Scott Patterson 

Sebastian Cabot

Luke Halpin

Adam Brody

Jason Bateman 

Matt Bomer 

Timothy Olyphant 

Woody Harrelson

Richard Biggs

Robin Williams

Will Smith

John Schneider

Milo Ventimiglia

Bobby Troup

Bobby Sherman

Chad Everett

Casey Biggs

Jason Priestley

Don Adams

[tepkunset]

List of Canon Queer Marvel Characters:

(with at least 10 appearances as of current date - no randos included)

Aaron Fischer

Aikku Jokinen

Akihiro

Alani Ryan

Aldrif Odinsdottir

America Chavez

Aneka

Annabelle Riggs

Avril Kincaid

Ayo

Benji Deeds

Betsy Braddock

Billy Kaplan

Bobby Drake

Brandon Sharpe

Brian Falsworth

Brunnhilde

Carl Valentino

Carmen Cruz

Cessily Kincaid

Christian Frost

Cullen Bloodstone

David Alleyne

Elle Diwa

Ellie Phimister

Felicia Hardy

Gwen Poole

Heather Douglas

Heather Tucker

Hercules

Hiroim

Ian Soo

Irene Adler

Jake Oh

Jean-Paul Beaubier

Jean-Paul Duchamp

Jennifer Kale

Jerry Sledge

Johnny Clay

Jonas Greymalkin

Jovana

Julie Power

Julio Richter

Jumbo Carnation

Karolina Dean

Ken Shiga

Korg

Kyle Jinadu

Loki Laufeyson

Martha Johansson

Miguel Santos

Morgan Red

Nadia Van Dyne

Nathaniel Carver

Nico Minnoru

Noh-Varr

Phyla-Vell

Rachel Summers

Raven Darkholme

Roger Aubrey

Roxy Washington

Rūna

Sera

Shatterstar

Shela Sexton

Simon Lasker

Solem

Sybil Dvorak

Teddy Altman

Theresa Burke

Tommy Shepherd

Toni Ho

Val Ventura

Victoria Hand

Viktor Borkowski

Viv Vision

Wade Wilson

Xavin

Xuân Cao Mạnh

Zoe Zimmer

And yet Marvel Voices: Pride only ever features like, five of the same characters every time.

[yes-perwallstedt]

today we learned lambo only eats food if you feed it to him as an airplane

[moorheadthanyoucanhandle]

THE LADY IN THE FAKE

In theaters this weekend:

Fly Me to the Moon--Scarlett Johansson plays a Madison Avenue marketing hustler brought to NASA in Florida in the late '60s to help re-sell the Apollo moon mission to the public, and thus to an increasingly reticent and tight-pursed Congress. Soon the astronauts are sporting Omega watches in print ads, and Tang drink mix is being touted as the beverage of space travelers.

Those of us who go back that far may remember this advertising blitz; I certainly consumed unhealthy quantities of Tang around that time--any quantity was probably unhealthy--because of its supposed outer space connections. But in this lavish period romcom, it's the highly fictitious set-up for the meet-cute between Johansson and Channing Tatum, as a serious-minded NASA launch director.

He falls for her at first sight, then when he learns who she is he's outraged at her interference. And it truly is outrageous; she even hires actors to play some of the less charismatic or more camera-shy NASA staffers in TV interviews, Tatum included. But of course, over time his resistance is worn down by her adorableness.

Johansson is pretty adorable, at that. She wears the chic '60s outfits like she was born for them, and her purse-lipped, mischievous little smirk is winning as always. Tatum is in his comfort zone here, too; likably bland and dim and stalwart. The stars have a comfortable romantic rapport, and they're well supported by a roster of character players, like Woody Harrelson as the jovial mystery man who hires Johansson, Jim Rash as a prima donna commercial director and Ray Romano as Tatum's loyal sidekick. There's also a gorgeous black cat.

Between the cast, the vintage atmosphere and retro styles and settings, and a terrific soundtrack, the movie, directed by Greg Berlanti (of Love, Simon) from a script by Rose Gilroy, would be ludicrous and fluffy but inoffensive enough, even charming. But in the middle of this buffoonish burlesque of NASA history, there are attempts to generate genuine drama and poignancy over the earlier tragedy of Apollo 1 in 1967 that strike a sour note.

Worse yet, in the severely overlong second half, the plot goes off the rails. Harrelson's government spook makes Johansson stage, you guessed it, a fake moon landing, as a contingency in case the real one fails. She reluctantly goes along with this, unbeknownst to Tatum, as the real landing is taking place, even though she feels like she's betraying him.

This extended finale is clumsily staged, but that's not what's offensive about it. The "Fake Moon Landing" narrative is one of the quintessential paranoid American folk legends, likely arising, I've always suspected, among the many people who insisted that the moon landing was a ridiculous folly and would never succeed--arising, like so much else in our toxic national discourse, from the common American inability to admit it when we're wrong. Fly Me to the Moon means it all facetiously, of course, but this doesn't strike me as the most auspicious time in our country's history to lend even that much credence to a conspiracy theory.

[fitrahgolden]

Lilies and Soap

—

"You could consume this scene through me

And assess the same majesty

But you could never know the welfare, the glee

That being in the presence of your beauty throws at me"

- "Share in the View" by Lilies and Soap. Lyrics by A. E. Bridgerton and K. K. Sharma.

—

"Looking good, Lamb!" Anthony whistled obnoxiously at Kate, who was leaving the hair and makeup area of the small studio.

"Come off it. They barely did anything."

"Well, doesn't that make it even more of a compliment?"

"If you were being serious, I suppose it might."

"Oh, but I am."

Kate sighed, exasperated. "Fine. Thank you. So kind of you to say." She curtsied, making Anthony laugh.

A producer walked up to them and pointed toward the camera and chairs setup. "Alright, we're ready for you. If you'll just head over there, we can get started."

Kate nudged Anthony with her shoulder as they walked over. "Nervous?"

"Nah. We've done interviews before."

"First time on camera, though." Kate fiddled with her necklace. Anthony put his hand over hers to still her fingers.

"Then just don't mind the camera, Lamb. It'll be fine."

Kate smiled up at him as a journalist approached them with an outstretched hand.

"Hi! I'm Etta, with MOJO Magazine. So nice to meet you, Anthony, Kate."

After everyone exchanged handshakes, Anthony and Kate were directed to the elevated chairs situated opposite Etta. Anthony helped Kate up into hers.

“Thank you, Tony.”

“Oh,” Etta looked down at her notes as she settled into her chair. “Do you go by ‘Tony’?”

Anthony smirked. “Not generally, no.”

“So, is Tony, like, a family nickname?”

“No, it's, uh… Well," Anthony looked over to his bandmate. "It’s a Kate nickname.”

“Aw, that’s adorable.”

Anthony shrugged. “She's adorable, aren't you, Lamb?” he teased as he tugged on Kate’s hair.

Kate batted his hand away. “Arsehole,” she muttered.

—

Coming soon...ish? (Hopefully, maybe, possibly.)

As a primer, here a playlist to give you an idea of the kind of band Lilies and Soap is.

And here is the list of songs here:

“9 Crimes” by Damien Rice and Lisa Hannigan

“Fade Into You” by Mazzy Star

“Colorblind” by Counting Crows

“Relator” by Pete Yorn and Scarlett Johansson

“Stay” by Rihanna and Mikky Ekko

“Dancing On My On” cover by Calum Scott

“Collide” by Tianna Major9 and EARTHGANG

“Higher Love” cover by James Vincent McMorrow

“I Wanna Be Yours” by Arctic Monkeys

“Nicest Thing” by Kate Nash

“broken (acoustic)” by lovelytheband

“Back at Your Door” by Maroon 5

“Wait” by Alexi Murdoch

“Upward Over the Mountain” by Iron & Wine

"Out Loud" by HRVY

“Wanna Be On Your Mind” Valerie June

“Crystalised” by the The xx

"Oh! Sweet Nuthin'" by The Velvet Underground

"Cecilia" by Simon and Garfunkel

"Last Goodbye" by Jeff Buckley

"Make Me Feel" by Janelle Monáe 

"Your Baby Ain't Sweet Like Mine" by Carolina Chocolate Drops

"Crash Into You" by Dave Matthews Band

"Wicked Game" Chris Isaak

"Happier (Stripped)" by Marshmello and Bastille

“Little Talks” by Of Monsters and Men

“Ain’t No Sunshine” by Bill Withers

“Don’t Hurt Yourself” by Beyonce and Jack White

“To Love Somebody” cover by Ray Lamontagne and Damien Rice

“Ever Fallen In Love” cover by Pete Yorn

“Nothing Better” by Postal Service

"Samson" by Regina Spektor

"Everlasting Light" by The Black Keys

"Amsterdam" by Coldplay

"I Will Follow You Into The Dark" by Death Cab For Cutie

"You Don't Know What Love Is (You Just Do As You're Told)" by The White Stripes

"Top Yourself (Bluegrass Version)" by The Raconteurs