#side panel one done

[bluedesignwall]

After hitting the Boxing Day sales and getting caught in the torrential downpour we ate a lovely lunch together. Big brother arrived with our Christmas presents. The presents had been left behind in the rush of Christmas morning. When all was quiet I took some time to lay out the big blue star hexie quilt on the lounge room floor. I had a feeling I had got the math wrong on the next side panel. I finished the first side panel on Christmas eve which is how I picked up that I may have made an error. I also chucked it on the new bed to see how much bigger I am going to have to make this thing. I will definitely have to hand quilt it as I think it will be too big for a long arm quilting frame.

[dreamsy990]

some of the less nice thoughts about being aroace

extras below the cut

sketch

closeups on my favorite panels

bonus: adios

[martyrbat]

batman: shadow of the bat #0

[ID: a flashback of the outside of Wayne Manor at night. A narration box (unrelated to the scene) reads, “Ya think he's got a guardian angel, or somethin'?” Inside the manor, Leslie Thompkins and Alfred Pennyworth are talking in regards of young Bruce Wayne. They sit in a magnificent library at a small table as Bruce sits at his own desk that's across the room and has his face buried in a book. Alfred reassures her, “— Worried about him, Doctor Thompkins? I can assure you there's no need! Master Bruce has the manor to live in — myself to look after him — the best education money can buy—”. Leslie cuts Alfred off before he can continue rambling out more examples. She tells him, “It's what he doesn't have that bothers me, Alfred. Friends — hobbies — the kind of life a normal teenager looks forward to. He spends all his time in the gym, or here reading. I don't think he ever recovered from his parents' death.” We're shown Bruce, now in a close-up and able to see the book he's reading is titled ‘Lip Reading For Beginners’. Bruce peers over the book intensely as Leslie continues to express her rightful concern, “He almost seems obsessed!” END ID]

[coconut530]

AND THEY WERE ROOMMATES

[everykonan]

ch. 436

[deus-ex-mona]

asuna.exe has stopped functioning…

since it’s the good ol’ ‘mas, and i’ve still got a little left to go of this chapter, here’s the tl of asuna’s haseo-induced internal struggles~~~

Yeah, Haseo has really dropped down on one knee to apologise to me, but why the hell is he giving me a downcast look like this all up close?! Huh?! Haseo's eyelashes are surprisingly long!!! I never knew!!! It's news to me! I bet he looks totally adorbs when he's sleeping too! Geez, can’t he spare a thought for how I feel [cut off]

[lemongogo]

thinking about rem and knives

[keeps-ache]

ggghhg i hate vehiclessssssss ghghghhghhhhh [dies dies dies forever]

[knightlas]

lyla... .. i love y ou.... .

[pocketramblr]

The more raw translations say the Himura's have been around for a long time, what are the odds of AFO and Yoichi being related to them?

I know I specialize in family trees and not statistics, but think about what else was learned of the Himuras that maybe I don't want AfO and Yoichi specifically to be related to them in this instance

[akkivee]

get you someone who looks at you the way hayama-san watches his team 💜💜💜

[painted-bees]

A quick, sloppy little comic about Magritte

[OC's]

(image description under the cut)

[Image Description: It's a vertical comic strip of 14 panels arranged one under the other. The style is realistic, done with sketchy lines in a dark burgundy. It is not colored or shaded and there is no background. The comic features the interactions of a couple, Magritte (also called Margie) and Rafael (also called Raf). Magritte is a young woman, she is wearing a baggy armhole tank top with a tight fitting black top underneath, shorts and boots. She has a messy bun and a small messenger bag slung over her left shoulder. Rafael is her partner, wearing baggy pants, sneakers, fingerless gloves, V-neck t-shirt and an open button-up jacket with a hoodie and the sleeves rolled up to his elbows. His hair has short side with long top bangs and a short goatee.

 (First panel): There's only Magritte visible from the waist up. Off screen, Raf says to someone else: “Magritte has our tickets.” Magritte is excited, looking straight forward. Her left hand in on her bag's strap, her right hand rummaging inside her bag. Magritte says: "Yeah! Even made sure to put them in my wallet so that I wouldn't- uh..."

 (Second panel): She is beginning to look concerned, now with her face turned to her back, both left hand holding the lip to open the bag wider and her right hand still rummaging inside. Magritte says: "wouldn't forget.... Hang on, it's not on it's usual pocket. Haha." The last is a nervous laughter.

 (Third panel): Magritte is kneeling on the ground. Rafael is standing to the side and behind her, only his feet visible. Magritte looks frantic, searching inside her bag. Her right arm is forearm deep digging in her bag. Magritte says: "It's definitely here-! It's the one thing I never forget 'cus I never take it out of my bag!" Rafael says, firmly: "Margie, when you took it out to put the tickets in, did you put the wallet back in the bag?" The letters are bolded, with the word "back" underlined for emphasis. Magritte says: "Give me some credit, there's no way I'm that stupid." The last three words are underlined for emphasis.

 (Fourth panel):  The scene has changed and now Magritte and Rafael are in a car. We see them from the passenger's side. Rafael is driving, looking straight ahead at the road. Magritte is hunched forward, hugging herself with the left hand. Her right hand is holding her head. She is looking out the passenger window, avoiding Raf.

 (Fifth panel):  Rafael turns slightly to look at Magritte.

 (Sixth panel):  The point of view is now a side profile view from the drivers side. Rafael has his left arm leaning on the open window, his right hand on the wheel. Magritte is hunched over facing the passenger window. Rafael says: "I'm not mad at you, if that's what you're worried about." Magritte says: "I can literally feel your disappointment."

 (Seventh panel): Back to the passengers side, Rafael is looking at the road. Magritte is frustrated, no longer leaning her head against her right hand and instead her hand is palm upwards. Rafael says: "Well, yes. It is a disappointing situation, but-" Magritte interrupts: "You'd think I'd be able to do the one thing I was asked to do-! That I'd at least learn from the last billion times I forgot shit. Rafael says, quieter: “that's not where I was going with this...”

(Eighth panel):  Magritte has her right hand holding her face with the palm on her cheek, left hand placing the tips of her fingers on her left temple and eye brows. She is frustrated and angry. Magritte says: "It's not like I've got anything more important rattling around in my brain.  But, for some reason, if it's not my music, or like.... food or something, then it's just not a priority. I can't make myself care enough to make it a priority!"

(Ninth panel): She now has both hands in front of her, elbows bent, finger extended in a vague hand gesture as if there was something in front of her. Magritte says: "I'm an adult in my 20s and I still manage my responsibilities like a child. I'd be more dependable if I could just stop and think for a second, but I'd probably forget to even breathe if it weren't for the..."

 (Tenth panel): Her frustrated expression turned to confusion. Her hands are still in the air in the same position as before. Magritte says:"... why are we parked?" Her noticing this stopped her rant.

(Eleventh panel): Magritte straightens up and faces the window entirely, left hand crossed over her body to lean on the car door. Rafael, off screen: "Margie." Magritte says: "Oh." Magritte's inner thoughts are written around her. "He stopped the car to scold me. No, not ‘scold’. Don't be a child about this. He's disappointed and just needs to make sure you understand so you can do better next ti-"

 (Twelfth panel): Magritte is still looking out the window, but now with a shocked expression. Rafael reached with his right hand, and its now resting gently on her upper back. Rafael interrupts her inner monologue with "I need you to stop repeating the shit your parents and teachers and such yelled at you growing up. They were wrong, and nothing you just said makes sense."

 (Thirteenth panel):  The perspective switches back to the driver's side profile. Rafael says: "A poor memory isn't synonymous with poor priorities. Nor does it speak to a lack of maturity. The priority was there, we just have to build a better habit of checking things before we leave the apartment. Both of us. It's gonna take time. You afford everyone else a ton of patience, all the time. Can you please afford some for yourself? The situation sucks, we were both looking forward to this. But it's not the end of the world. We didn't forget things on purpose. So let's take it easy and try to end the day on a good note. Alright?" Magritte says: "Okay... c-can we um...."

 (Fourteenth panel): Magritte has turned to face Rafael and her eyes are filled with tears and they're running down her cheeks.  Rafael looks startled, lifting his arm off Magritte's back. Magritte says: "Can we get some ice cream on the way back?" Rafael says: "O-of course!" End of description.]

This description was written and provided by Hiwi.

[welldrawnfish]

Do you know what its like to be trans?

[Comic description: A comic about being trans. Long descriptions follow.

1. A light-skinned trans woman with shoulder-length brown hair stands at her bathroom sink wearing a T-shirt with a fish on it, draped so that her left shoulder hangs out. The text reads, ‘Let me teach you, what its like to be trans.’ 2. A blister pack of unlabelled pills sits next to this are two prescription bottles, one of Estrodial and one of Spironolactone, the latter of which is on its side with pills spilling out. The text reads, ‘What it’s like to spend years of waiting / For the right people to tick the box to tick the box to say your sick enough to get treatment. / Treatment to be you.’ 3. The woman brushes her teeth while looking at a tablet propped up by the sink. The text reads, ‘Do you know what its like to be a prop for political power? / To know they Dont actually care?’ The word ‘actually’ is underlined. 4. The woman sticks her tongue out in concentration as she works on the clasps of a bra behind her back. The text reads, ‘Do you know what it’s like? Do wait years for your body to change?’ 5. The woman starts shaving her cheeks and chin, which are covered in cream. The text reads, ‘What its like to work (emphasis) so (end emphasis) hard to overcome every toxic gender norm?’ 6. The woman touches her own shoulders with an unhappy expression. The text reads, ‘To take stock at the damage puberty has done?’ 7. A bottle of nail polish lies on its side dripping onto the counter. Polish has been splashed against the wall. The woman’s hands are visible in the sink, with just her right thumbnail painted. The text reads, ‘Do you know what its like? / To paint your nails only to see how disgusting your hands make you feel?’ 8. The woman bends over the sink, with her eyes shut and tears streaming down her face. The text says, ‘What its like, To do your makeup wrong / and see every feature you hate (emphasis) highlighted (end emphasis)?’

9. Fully dressed with a bag on her shoulder, the woman stands in her doorway with the door open and light streaming in. The text reads, ‘Do you Know what Its like to go outside? / When all it takes is one person to think that you are large enough danger to childrens lives to end yours.’ 10. The door is closed. A single point of light streams in from the peep hole and hits the woman’s head. She has one hand on the door and is looking down at the doorknob with a sad expression. Her bag lies on the ground beside her. The text says, ‘It paralyzes you.’

11. Back to the scene in the bathroom, similar to the first panel but mirrored and with a large black X scratched over the woman’s face. The text reads, ‘Do you Know what its like? / To not be seen as a person? / Because that’s what you taught me.’ \End descriptions]

[orcaking]

*in the fading light*

[ID: A digital illustration of a gay trans couple sharing an intimate moment , drawn in two panels. The top panel features the couple cropped close, just showing them kissing, with a transparent starburst around their mouths. The second larger panel is cropped from the shoulders to the thigh. One figure is in the center, sprawled back as their partner touches their stomach and kisses their shoulder. They are both shirtless with top surgery scars, and the center figure has boxers on. There is a third narrow panel on the left side, showing a simple skyscape of a orange star falling through clouds. The whole illustration is done in a restricted palette of soft warm green and teal, with pops of orange. /. End ID]

[swampjawn]

Dungeon Meshi Episode 7 was super interesting from an adaptation standpoint - this'll be a little different from what I usually write about (though I do still talk about the animation in the full video).

Studio Trigger have never done a straight-up manga adaptation before - and led by Yoshihiro Miyajima, a big fan of the manga who pushed hard for the adaptation to get made, and who has never directed a full series before, it was unclear if they'd be able to find the right balance between a simple panel-for-panel recreation and making something that's completely different.

And in the first few episodes, you could really feel the tension between the influence of a cautious young creative with great respect for the source material, and a studio with a unique established visual style. It kinda seemed like they were ping-ponging willy-nillily between the two sides of that spectrum.

But this episode showed that Miyajima (and series writer Kimiko Ueno) can take 3 chapters, slice them up and rearrange them into a cohesive-feeling episode while taking into account the differences between screen and page, and using them to their advantage.

Starting with the way the water looks. This line from the manga describes a faint magical glow to the water in this lake and you can see that the cavern fades into darkness above, but Kui's illustration style doesn't really define lighting and shadows very much compared to the cel-drawing style of animation. So the animators took the opportunity to use the water as the light source, and make a whole episode that's lit almost entirely from below. It really gives an otherworldly feeling to this area.

Particularly when the Kelpie shows up, that under-lighting works wonders to define its anatomy within the relatively simple line art.

What do you do when you can't show the immense fuck-off scale of a monster with a beautiful full-page spread like this?

Well you use what you do have: the ability to move the camera instead. This is such a great way to communicate the scale of this thing, AND such a great way to show some of Senshi's anime-original butt-cheeks!

This is one of my favorite shots from this episode - this whole sequence is super hectic, cutting quickly from character to character, but they use tricks like this to keep you from getting confused. This is framed much like it is in the manga, but with the moving image, they're able to use the trajectory of the fish head in the background to lead your eye directly from Chilchuck, right to the point where Senshi pops up in the foreground and transition seamlessly from one character to another!

Now, it's not all good - I am a bit disappointed that they removed Marcille's own Senshi-style soap-making montage, which was the perfect visual representation of the culmination of the character development and understanding built between Senshi and Marcille.

It's a shame to see it go.

I get more into that, what else was cut, and much more in this video where I broke down the entire episode!

Check it out if you feel like it. If you don't, jump in a ditch, cover yourself in leaves and jump out at people as they walk by.

Thanks for reading!

[altruisticalastor]

↳˗ˏˋAlastor x Readerˊˎ˗ ↴

☒ Summary: You tend to Alastor's wounds after the fight with Adam. The weight of almost losing him nearly breaks you.

☒ Warnings: gn!reader, hurt / comfort, implied established relationship, descriptions of injuries and stitching them up, mentions of anxiety, the reader cries a bit, comforting!alastor, and also soft!alastor, one kiss, non-sexual undressing, soft touches

☒ Word Count: 1,010

All you could think of the moment the battle ended was Alastor.

The last you saw of him, he was going head-to-head with Adam. But witnessing Nifty stab the lowly man made you worry something terrible happened to Alastor.

The moment you had a second to breathe, you rushed toward the Radio Demon's tower. A trail of blood leading toward his sanctuary sent a wave of fear down your spine. Your steps quickened at the sight, and all the worst-case scenarios flooded your mind. 

When you swung the door open, the view of Alastor blanketed your body with a cold sweat in the weight of a moment. He was doubled over the control panel, ears pinned flat to his head as the crackle in his voice echoed through the space with each breath he took. 

"Alastor!" You cried out, rushing over to his side in an instant. The sound of you calling his name caused his head to whip around. You wasted no time assessing his injuries, scanning your anxious gaze over his frame. 

"Worry not, my dear," Alastor coughed, blood spilling down the corner of his mouth. Your eyebrows knit in concern as you began raiding his radio tower, frantic to uncover a first aid kit. "Of course, I'm going to worry- you're bleeding all over the place!" You exclaimed, letting out a breath of relief as you found the emergency medical kit. 

Hastily, you began pushing Alastor's torn overcoat past his shoulders. The injured man simply gazed down at you, a weary smile decorating his visage. "Darling, I can handle this myself," Alastor clamored through gritted teeth, stopping your hands with his own before you could start unbuttoning his dress shirt. 

You shot your head up to meet his gaze, frustration evident on your face. "No, you can't! You need to let others help you when you need it! Stop trying to handle all these battles on your own. Please, Al," Your voice softened toward the end of your sentence. You didn't want to shout at him while he was wounded so badly, but Alastor's stubbornness got under your skin. Especially now. 

Alastor closed his eyes for a brief moment, taking in a shaky breath before releasing his grasp around your hands. "Alright, my darling... I won't stand in your way any further," His voice was barely above a whisper as he presented you with an apologetic look. You offered him a weak smile in return before undoing the buttons on his blood-soaked shirt. Peeling it off his frame with great gentleness. 

Your eyes widened in fear as you finally saw just how gnarly the gash across his torso really was. Your hands shook ever so slightly as you began threading the needle you uncovered in the first aid kit. "Tell me if it hurts too much, and we'll take a break." You expressed softly, eyes meeting his crimson ones. Alastor only nodded at you as he gritted his teeth harsher than before, bracing for impact. 

Alastor's grip on the edge of his desk tightened, leaving deep claw marks in his wake. You tried to make the stitching process as painless as possible, but there was only so much you could do. "I'm almost done, my love. You're doing so well," Alastor endured the grueling treatment, letting out a breath he wasn't even aware he was holding as you finished patching him up. 

You generously applied ointment before wrapping gauze all the way around his frame. Alastor let out a hiss as the bandage came in contact with his gash. "I know, my love... just hold on a little longer for me," You snuggly secured the gauze before bringing your hands down. You grasped his hands. Clutching his large palms comfortingly as you beamed up at him. 

"There, now you're as good as new." You quipped, massaging the pads of your thumbs into the back of his palms. Alastor grinned wearily, his crimson eyes holding much adoration for you. "Thank you, my darling... I reckon I should apologize for being so uncompromising before," A slight chuckle escaped his lips as Alastor squeezed your hands right back.

You let a laugh of your own fill the room as you leaned in closer. "Ah, don't be... I'm just glad you're okay," Before you could catch up, your head came flush against his shoulder. The adrenaline finally wore off, leaving your body shaky and weak. Alastor didn't miss a beat. He gripped your hips to stabilize you instantly. "My dear, are you alright?" His voice was laced with concern, radio static crackling out ever so slightly.  

Tears began brimming in your eyes before you could stop them, and a lump formed in your throat. One that you couldn't seem to swallow down. "Sorry, I just..." A hiccup shook your body as your hands came up to his chest, being careful not to graze his injury. "If you would have died... I couldn't bear it!" 

Alastor felt his heart ache at your sorrowful cries. Your solemn words only added fuel to the fire. One of his hands unhurriedly came up to the back of your head, cradling your neck as Alastor cooed at you. "Oh, my dear," He allowed you to sob into his shoulder for as long as you needed, only releasing his grasp around your head when he heard your cries fizzle out. 

You slowly pushed yourself back against Alastor's chest, sniffling softly as you looked up at him. Before you could process it, Alastor captured your lips with his. Pouring all of his love into the chaste kiss. Your heart fluttered as he rubbed soothing circles into your hips. Your worries seemed to melt away from his embrace. Alastor was your everything, and the fact that you nearly lost him today scared the fuck out of you. 

Alastor pulled back unhurriedly, still keeping his face close to yours. He nuzzled his nose against your own before he whispered, "I'm not going anywhere, my darling. You're stuck with me for all of eternity. I expect you haven't forgotten that already!"