#siddham

[renegade-hierophant]

Medicine Buddha Mantra

namo bhagavate bhaiṣajyaguru vaiḍūryaprabharājāya tathāgatāya arhate samyaksambuddhāya tadyathā oṁ bhaiṣajye bhaiṣajye mahābhaiṣajya samudgate svāhā

homage to the blessed medicinal teacher, to the king of jewel-like radiance, to the one who is like that, the worthy, the fully awakened one, thus: oṁ healer, healer, great healer, appear! well said

[newstaphyd]

Ys jagan speech in siddham

Jagan has been repeatedly injecting into the minds of the people that 80 percent of elected and nominated posts — from ward members to sarpanches, MPTC members to Mandal Presidents, ZPTC members to ZP chairmen, MLAs, MLCs, Assembly Speaker, Council Chairman, Cabinet Ministers and Deputy Chief Ministers — were filled with backward and downtrodden sections. “Those who have never got an opportunity to ascend to such positions have all been accommodated by our government. Even in the direct benefit transfer (DBT) schemes, the biggest chunk covered 80 percent of the people belonging to weaker sections.”

[6-evil-6-soul-6]

I made stickers from DMC1 DT gauge runes

Bonus, my variations

[talonabraxas]

Maha Vairocana Talon Abraxas

Mahāvairochana (virocana) is the central figure in Tantric Buddhism, the lord of the Tathāgata family. He represents, in anthropomorphic form, the fundamental principle and the eternal existance of the universe. He is viewed as the embodiment of the 'Awareness of the Continuum of Reality', one of the five awarenesses. His body is said to consist of all forms in the universe, his voice to be all sounds, and his mind to consist of all thought.

Mantra of light (Amogha Empowerment Light Mantra 不空大灌頂光真言)

"Oṃ! Amogha vairocana, mahā-mudrā, maṇi-padma, jvala pravartaya hūṃ!"

Om! invincible Vairocana, the Great (hand) Seal, the Gem (on the) Lotus, the Flame, (Please) come forth, hum!"

(center- 'Ah' in Siddham Sanskrit)

[kiragecko]

Hey, guys! Want to vote on the best 6th-10th Century script (writing system) that I, Gecko, personally like?

Of course you do! Writing systems are SO COOL!

And here's a bit about each of the contenders:

Arabic (Naskh Script)

Derived from the Aramaic Script, which grew out of Phoenician, Arabic has a variety of forms. The Naskh script is the one I find the most beautiful, with it's extreme variation on character length and height. I also love the use of multiples colours for Ḥarakāt (vowel marks and other diacritics). Add in the elegant curves and solid lines, and Naskh Script becomes one of the most stylish scripts around.

Latin (Insular Script)

Derived from Greek, the Latin alphabet is usually a competent and pleasant mix of lines and curves, uprights and descenders. Insular script plays with these qualities, and the result is electric! many of the uprights (t, d, f) are gone. New descenders are added (r, s, f). Horizontal lines take a new prominence. Line weight is increased, and the curves become more angular. Something old to us becomes new again.

Chinese (Semi-Cursive Script)

There are many ways to write Hanzi (Chinese characters), and Semi-Cursive Script manages to combine the best qualities of most of them! The expressive curves and flow of a cursive script. The solid shapes and readability of Regular Script. One of the joys of Hanzi is the visual interest of so many unique characters; which share components, but use them differently. Semi-Cursive keeps much of that interest, while also providing a dynamic energy and movement.

Sogdian (Cursive Script)

Derived from the Syriac script, which grew out of the Aramaic Script, the Sogdian Alphabet was developed by traders who met most of the major cultures of the Old World, and let all of those cultures affect their language and writing. Sogdian can be written write to left, like most Aramaic scripts, but also top to bottom, like the Chinese Scripts of their main trade partner. Curvy cursive lines, and characters of wildly varying length, give this script a interesting sense of flow.

Hebrew (Ktav Ashuri Script with Palestinian Vocalization)

Another offshoot of the (Imperial) Aramaic Script, the Hebrew Alphabet has a really interesting, heavy, square, solid feel. In contrast, Palestinian Voicing (an extinct form of writing vowels where all of them were above the consonants) is really light, stacked on top their vowels in little floaty towers. It's a cool combination!

Maya (Classical Maya Script)

The most famous script of the Americas, Maya has one of the most unique reading orders of any script. Characters are written in blocks, which are then read in a zigzag (right, and then down-left) pattern. Full of heads (both animal and human), torches, seeds, and other half-identifiable shapes, Maya texts are works of art, and the more you study them, the more beautiful they become.

Nubian (Old Nubian Script)

Derived from Greek with additional letters from Coptic (Egyptian) and Meroitic (a previous Nubian culture). Lines above letters are used to skip parts of words deemed unnecessary. The mixture of rectangles and triangles, heavy and light line weights - it reminds me of telegrams, or early typewriter text. I love it!

Khmer (Angkorian Khmer Script)

Derived from the Pallava Script, which derived from the Brahmi Script, Khmer is probably my favourite script to write. The curves feel so good! The spirals so pleasing! You write consonant clusters by writing little letters below the main one! A joy to create, and a joy to look at.

Japanese (Cursive Script)

See these wiggles? They're Chinese characters. Elegant, looking like poetry no matter what they're saying, Cursive Japanese is art. It's also ridiculous. 3 different characters, each with multiple strokes, indicated by wiggling the brush as you draw a line! Most cursive scripts are like this, but the contrast between the square solidness of Regular Script and the flow of Cursive is one of the more extreme. What a delight!

Sanskrit (Siddham Script)

I had SO MANY options for Sanskrit (Brahmi) Scripts, you guys. SO MANY! But in north-west India, during the period I study, this version of Siddham is the prettiest. Look at the curves! Those aren't just decorative, each curvy line that goes above or below the text is a vowel. Consonant clusters are shown by combining the characters together in one spot. The lines at the top haven't yet started connecting, like they do in modern Devanagari, but there's already a sense of it's existence. Such a cool script!

[xadianglyphs]

Cursed Coins (A Disappointment)

@elvesdragonsanddarkmagic was kind enough to send me their meticulous recreations of the cursed coin model, so I had to dick around about 80% less with securing screenshots:

The same set of eight runes repeats on both halves of the coin face, and the same four runes repeat around the length of its edge:

None of these then show up anywhere else. There are a couple in—of all things—Aditi's flashback spell that are just close enough in their general shape and concept that if someone later said, "yeah those are supposed to be the same" I would believe them, and then a couple more that if someone said "the coin face runes correspond to runes from Aditi's spell" I'd tentatively match up. BUT it's really a lot more likely that's just a coincidence:

Anyway, since I had nothing better to do I wound up looking at like 30+ different real-world writing systems to see if there were any similarities, the way some of the magic mirror runes are clipped from Devanagari. This was kind of iffy from the start, since the face runes and edge runes honestly look like they come from different writing systems, but whatever. I'm not well-versed in any South/Southeast Asian, Oceanic, or particularly ancient written languages to recognize them on sight, so it wasn't totally wasted effort?

The most similar in "feel," particularly for the edge runes, would probably be something like Siddham, which is an ancestor of Devanagari but still used (pretty much exclusively) in writing Sanskrit texts for Buddhist practices:

But it can't really be said to be any closer to that than to something like Terran writing from Final Fantasy IX or this one dude's super fancy Latin alphabet styling:

So yeah, at the moment it appears to be just random custom designs, but with some potential of other things matching it in the future.

THIS, though, I'm still 150% certain is going to be a THING:

What thing exactly remains to be seen. What would be the significance of a star seemingly split in two? A fallen star broken on impact? Does it represent something else entirely, like a broken wax seal or a splash of liquid or a wide-open eye? IT'S A THING, THOUGH, DAMMIT.

[satanicmacchiato]

some siddham and also a couple attempts at drawing buddha images i did these past few days :3

[chevvy-ryder]

💕 self-love time! talk about which ones of YOUR creations (edits, artworks, fanfics) you like the most then send to other creators to do the same 💕

I may chose my art for this one!

it's been a long while since I drew my last pic! (back in 2021 I think) – if at all, I drew once a year during the last 5 years bc it takes me ages.

I used to do a lot of traditional fanart back in the day (and during my studies), then I found a liking in drawing with illustrator (lol yes) and did digiatal stuff as in outliens in this programm and then went on coloring with photoshop (I never got into using ipad apps to draw).

But let's start with

OLD BUT GOLD – traditional stuff (I'm still proud of):

Phoenix, garuda fighting nagas and a Japanese Zombie Dragon yo!

I've been influenced a lot by Japanese traditional woodblock print and tattoo art and I love mythical beats and creatures. So these exist.

I'll put the two I did of Kyo (vocalist of Dir en Grey) extra including the songs I drew them for, next. He's perfect for art (I may have been influnced by his artbooks and album designs a little as well at that time).

and this stuff here is my most recent I did for a personal 960s au fic of an old tv western show I started writing when rona times hit (it kept me super busy, thankfully). Since I wanted to make more or less a book out of the chapters I decided to draw a bit for it as well, so have Gil, Rowdy and Rowdy's bike:

I miss doing illustrations sometimes and I often thought about drawing my pixel boys as well but tbh, I can take pics of them that almost look real to me at times and like I always wanted them to be, it costs me a few hours now instead of 3 days spending on an illustration like I used to do (I mean, look how often I lost myself in drawing details already in my traditional ones - the work behind it was often immense — I remember having parts of Lotus lyrcis, which were Japanese, translated into Siddham for the Lotus Kyo one! To this day I do not know if it is right or wrong, noone can read it anway i guess? lol

[nordiamus]

Les Civilisations Paléomagos

La découverte pour les humains du monde magique suite à l’Événement de Stonehenge ne fut pas le seul choc majeur qui suivit l’Éveil de la Magie.

Les multiples barrières de dissimulations tombées révélèrent également les Mers, que même les magus avaient oubliés… mais surtout de multiples ruines à travers le monde, prédatant toutes les civilisations connues!

Ces ruines, il s’avéra vite, étaient les vestiges des civilisations Paléomagos, peuples d’Homo Magicus vivant durant le Mésolitique, et ayant disparu au Néolithique.

Ces civilisations faisaient toutes un grand usage de magie, à un niveau équivalent, voire parfois supérieur au niveau de connaissance et de maîtrise de la magie actuel, et même un niveau technique et culturel proche des Homo Sapiens durant l’Antiquité. De plus, l’usage de magie fait que ces civilisations pouvaient voyager et communiquer à travers le monde avec une facilité qui ne sera plus vue jusqu’à la Révolution Industrielle. Même si on avait perdu tout souvenir d’elles, ces civilisations avaient clairement laissé leur trace dans l’Histoire, puisqu’on trouve encore, des millénaires après leur disparition, des vestiges de leur culture dans les civilisations humaines ayant suivi.

Liste des Civilisations Paléomagos:

Agartha

localisation : Ouest Asie, principalement dans l’Himalaya jusqu’en Inde et au Népal mais également jusqu’en Mongolie et en Ouzbékistan langue : Samskrtam Agarthan écriture : Siddham Agarthan style architectural : rappelant des temples hindous Il s’agit d’une civilisation presque entièrement souterraine, si bien que les ruines auxquels on a pu avoir accès sont très bien préservées. En contrepartie, la découverte et l’accès à ces ruines est parmi les plus compliqués.

Les Agarthans étaient un peuple vivant relativement isolé, ne faisant que peu de commerce, et très spirituel, cherchant à se rapprocher toujours plus de l’essence de la magie. C’est probablement pour cela qu’ils vivaient sous terre, cherchant à se rapprocher plus des points telluriques où la magie était la plus puissante, mais aussi la plus instable. Leur utilisation de la magie s’appuyait largement sur les gemmes taillées, faisant de leurs zones magiques des œuvres d’art étincelantes.

Avalon

localisation : Europe du Nord-Ouest, de l’Islande à la Bretagne et de l’Irlande jusqu’en Suède langue : Gaelg Avalonan écriture : Ogham Avalonan style architectural : rappelant du celte et viking Les Avalonans était un peuple très spirituel, mais ouvert aux autres cultures dans son ensemble. Religieux, la divinité principale de leur panthéon était une déesse de la Magie et de la Flore. Ils construisaient donc énormément en symbiose avec la nature. Leurs ruines ne sont pas faciles à trouver, car les constructions les plus durables sont enfouies pour se rapprocher des lignes telluriques, tandis que le reste était fait pour être difficilement différenciable de la nature. Des recherches à Stonehenge ont révélé que le site avait été bâti au-dessus d’une place religieuse Avalonane, d’où l’Événement de Stonehenge a probablement été déclenché d’une manière ou d’une autre… Les écrits à travers le monde semblent s’accorder pour dire que les Avalonans étaient un peuple ayant un don pour la Divination inné.

Atlantis

localisation : Bassin méditerranéen langue : Ellinika Atlantida écriture : Alfavito Atlantida style architectural : rappelant du style gréco-romain antique Peu de ruines ont pour l’instant été explorés, car cette civilisation possédait probablement les barrières les plus sophistiquées, difficiles à désarmer et dangereuses à forcer. Des rares ruines ouvertes, il est clair qu’ils sont l’influence principale derrière l’architecture gréco-romaine. Ils paraissaient avoir une approche quasi scientifique de la magie, n’ayant quasiment aucune notion de religion et étaient très commerçants. Ils ont probablement créé les fondamentaux de l’Arithmancie.

Hyperborea

localisation : de la Suède jusqu’en Corée, couvrant principalement la Russie et l’Europe de l’Est langue : Hyperboroi Yazik écriture : Cyril Hyperboreal style architectural : rappelant les fort militaires XVIIe siècle C’était un peuple martial, très ordonné, voyant plutôt d’un mauvais œil ceux s’intéressant de trop près aux lignes et points telluriques, car ils étaient considérés comme trop dangereux, puisque la magie environnante en est plus puissante, mais surtout plus instable. Ils commerçaient assez peu et ont provoqué des conflits avec la plupart de leurs voisins. Les rares ruines identifiées pour l’instant étaient toutes des forts, massivement fortifiés aussi bien magicalement que physiquement, ayant probablement inspiré les premiers châteaux au Moyen Âge et confirmant leur côté très belliqueux.

Iram

localisation : Moyen-Orient, de la Turquie à l’Éthiopie, de la Libye au Pakistan langue : Iram-Gi écriture : Cuneis Irami style architectural : rappelant Pétra et les villes troglodytes Tout aussi commerçants que leurs voisins Atlantes, les Iramis avaient en revanche une approche bien plus artistique de la magie, et sont ceux qui ont laissé le plus de recueils écrits de l’époque dans leurs ruines. En outre, la désertification de la région a enfoui nombre de ruines, les rendant difficiles à retrouver. C’était un peuple troglodyte, rendant leurs ruines d’autant plus délicates à retrouver, mais le travail fait dans les montagnes et autres ravins où on a retrouvé leurs traces est absolument époustouflant.

Lemurie

localisation : Sub-Sahara et Océan Indien langue : Al’Lemuria écriture : Abjad’ Lemuria style architectural : navires de tous types

On ne sait que peu de choses des Lemures, car très peu de ruines ont été retrouvées. Cependant, tout indique que c’était un peuple de marins, très doué en astronomie et vivant plus en mer qu’à terre, leurs navires ayant été de vraies villes flottantes. Malheureusement, cette vie sur l’eau fait que presque tout a été perdu de leur civilisation, à l’exception de quelques restes très dégradés par le temps. Cependant, les rumerus veulent qu’il existe encore certains de leurs navires, si bien protégés qu’ils n’ont pas encore été retrouvés, et que ce seraient eux qui sont à l’origine de la plupart des légendes de navires fantômes.

Mu

Localisation : Amérique du Nord, mais également Nouvelle-Zélande et Australie langue : Tjukurrpa-Kapi écriture : Tjukurrpa-Waru style architectural : rappelant les ruines Incas

Ayant entretenu des liens étroits avec les Avalonans, le peuple de Mu avait une civilisation similaire, mais donnant la part belle à la Faune plutôt qu’à la Flore, et que leurs temples n’étaient pas sous terre mais au cœur des montagnes. Il est fort probable que les premiers Bestiamihis viennent de cette civilisation.

Tiwanaku

localisation : Amérique du Sud et Centrale langue : Tsagali Mu écriture : Sequoyah Mu style architectural : rappelant les ruines mayas C’est le seul peuple dont des ruines ont été découvertes avant même l’Événement de Stonehenge, bien que, bien entendu, personne à l’époque n’ait cru à la datation qui paraissait fantaisiste des lieux. C’est peut-être le peuple le plus différent, cherchant au contraire à s’élever vers les cieux en s’établissant sur de hauts plateaux montagneux plutôt qu’à vivre sous terre comme le faisaient nombre de leurs contemporains. Ils pratiquaient énormément la magie rituelle, et sont l’exemple typique que l’on donne pour prévenir des dangers de la magie noire : on pense en effet que cette civilisation s’est écroulée avant les autres suite à une pratique trop intensive de rituels dangereux, ayant rendu une bonne partie de leur civilisation folle ou corrompue.

Yamatai

localisation : Japon, Chine et Asie du Sud-Est langue : Yamatai Guo écriture : Kan Yamatai style architectural : rappelant les châteaux japonais Cette civilisation était probablement la plus isolationniste, n’ayant quasiment pas de liens avec les autres peuples de l’époque et se contentant de commerce interne. Ils avaient une bonne maîtrise des rituels, et des lois très strictes à ce sujet pour éviter les cas de corruption et de folie.

C’était également un peuple spirituel, respectueux de la magie qu’ils possédaient et tout à fait conscient de sa dangerosité. Là encore, leur architecture a été adoptée, d’abord part les Youkais, puis par les populations non magiques de la région bien plus tard.

[voidsteffy]

thank you for testing my telugu skills w the post tagged as telugublr, i thought i lost my understanding skills because i don't intertact? a whole lot in telugu but good to know i still understand it for the most part

Ala appudappudu prasninchadiniki nenu siddhame

[siddhamhospital]

Best Doctor of ENT in Jaipur for Advanced ENT Care

Siddham Hospital, home to the Best Doctor of ENT in Jaipur for Advanced ENT Care, provides top-tier treatment for all ear, nose, and throat conditions. With state-of-the-art technology and experienced specialists, Siddham Hospital ensures personalized care and effective solutions for your ENT needs. Trust us for expert care and a seamless recovery journey. Book your consultation today!

[renegade-hierophant]

100 syllable Vajrasattva mantra

oṃ vajrasattva samayam anupālaya vajrasattvatvenopatiṣṭha dṛḍho me bhava sutoṣyo me bhava supoṣyo me bhava anurakto me bhava sarva siddhiṃ me prayaccha sarvakarmasu ca me cittaṃ śreyaḥ kuru hūṃ ha ha ha ha hoḥ bhagavan sarvatathāgatavajra mā me muñca vajrī bhava mahāsamayasattva āḥ

oṃ O Vajrasattva honour the agreement! Reveal yourself as the vajra-being! Be steadfast for me! Be very pleased for me! Be fully nourishing for me! Be passionate for me! Grant me all success and attainment! And in all actions make my mind more lucid! hūṃ ha ha ha ha hoḥ O Blessed One, vajra of all those in that state, don't abandon me! O being of the great contract be a vajra-bearer! āḥ

[atplblog]

Price: [price_with_discount] (as of [price_update_date] - Details) [ad_1] Siddham Telugu Full Movie DVD Starting Jagapathi Babu, Sindhu Menon, Kota Prasad, Srinivas Rao, Subbaraju, Narsing Yadav, Shiva Prasad, Item part number ‏ : ‎ santosh1272 Director ‏ : ‎ J.D.Chakri Actors ‏ : ‎ Jagapathi Babu, Sindhu Menon Studio ‏ : ‎ Universal Producers ‏ : ‎ Kiran Kumar Koneru ASIN ‏ : ‎ B084CXXVFT Country of Origin ‏ : ‎ India Number of discs ‏ : ‎ 1 Manufacturer ‏ : ‎ Universal [ad_2]

[siddhamcoolers]

Protect Your Fiber Cooler from Sun Damage: Simple Tips

1. Introduction

Rajasthan’s scorching summers can damage fiber coolers, reducing their efficiency and lifespan. Sun exposure weakens their structure, affecting performance. 

This guide provides easy ways to protect your cooler from extreme heat and UV rays.

2. Effects of Sun Damage on Fiber Coolers

Excessive sun exposure can cause:

Fading & Discoloration: The outer surface loses its color, making the cooler look worn out.

Cracks & Weakening: Heat weakens fiber material, leading to cracks and reduced durability.

Reduced Cooling Efficiency: Heat affects cooling pads and motors, impacting airflow.

3. Best Placement to Avoid Direct Sunlight

Keep in Shade: Place it under a porch, balcony, or shaded area.

Use Sunshades or Awnings: Reflective covers reduce UV exposure.

Ensure Proper Ventilation: Positioning in a well-ventilated area improves efficiency.

4. Use Protective Covers

Water-Resistant & UV-Protected Covers: Prevent heat absorption and damage.

Right Cover Selection: Choose breathable, well-fitted covers to avoid moisture buildup.

5. Regular Cleaning for Longevity

Remove Dust & Dirt: Clean the exterior to prevent heat absorption.

Clean Water Tank: Prevent bacteria growth using mild detergent.

Use Gentle Cleaning Solutions: Avoid harsh chemicals to protect fiber material.

6. Apply UV-Protective Coatings

How It Works: Forms a barrier against sun damage.

Best Options: Choose UV sprays for plastic and fiber surfaces.

Application Steps: Clean, spray evenly, and let it dry.

7. Seasonal Maintenance Tips

Pre-Summer Check: Inspect for cracks and dust buildup.

Off-Season Storage: Drain water, clean, and store in a covered area.

Check Components: Inspect cooling pads, fan, and motor before summer.

8. DIY Hacks to Reduce Sun Exposure

Use Heat-Reflective Sheets: Deflects sunlight and keeps cooler cool.

Create Temporary Shades: Use cardboard or wooden panels.

Optimize Positioning: Face cooler away from direct sun.

9. When to Replace Your Cooler

Signs of Damage: Cracks, discoloration, and poor cooling indicate replacement.

Upgrade to UV-Resistant Models: Look for robust, heat-resistant designs.

Invest in Modern Coolers: Energy-efficient models offer better durability.

10. Conclusion

Protecting your fiber cooler from sun damage ensures long-lasting performance. Use shades, covers, UV coatings, and regular cleaning to maintain efficiency. Follow these simple tips for uninterrupted cooling all summer. Stay cool!

If you’re in Udaipur and looking for a high-quality fiber cooler, consider Siddham Coolers, a trusted name in durable and efficient cooling solutions.

[talonabraxas]

Maha Vairocana Talon Abraxas

Mahāvairochana (virocana) is the central figure in Tantric Buddhism, the lord of the Tathāgata family. He represents, in anthropomorphic form, the fundamental principle and the eternal existance of the universe. He is viewed as the embodiment of the 'Awareness of the Continuum of Reality', one of the five awarenesses. His body is said to consist of all forms in the universe, his voice to be all sounds, and his mind to consist of all thought.

Mantra of light (Amogha Empowerment Light Mantra 不空大灌頂光真言)

"Oṃ! Amogha vairocana, mahā-mudrā, maṇi-padma, jvala pravartaya hūṃ!"

Om! invincible Vairocana, the Great (hand) Seal, the Gem (on the) Lotus, the Flame, (Please) come forth, hum!"

(center- 'Ah' in Siddham Sanskrit)