#show us this man in a Cavender’s

[spamsmcgee]

No thought just Cowboy Yuki.

[hopepaigeturner]

I've been thinking about how they could fix the lake scene because it's such an iconic scene that they should keep it in some way. And knowing Bridgerton, they will. I think I'd feel better if they are both in the lake. They should keep Sophie spying on Benedict (oh, no sorry, it was academic curiosity). But instead of her sitting there to enjoy the view, she is on the lake and she notices he's there too and hides behind some branches or something. I don't know something that will ease them get closer in the water... Also it could be a nice parallel to the bath scene later on.

The thing is that I don't want Benedict pulling her ankle, or threatening her with chasing her while he's naked. This woman escaped a gang rape, she doesn't need to be Benedict to be an ass and do that. And he can't blackmail her, again, she just escaped harassment!

And I know someone would think that Sophie watching him is also problematic. I remember Luke Thompson talking about this saying that he wants to do it and that it's not the same to put a man in that position because of the way we have regarded male bodies in opposition to female ones. It would be the same as Anthony's lake scene.

In answer to your thing about Sophie staring at Benedict....well, my version has a bit of both. Also it hopefully shifts Benedict from being an ass. And as for getting them closer to the water....well... 😉

An Offer from an Avid Reader: The Lake Scene

Yeah, I don’t like this. And not just Benedict’s role within it but Sophie’s as well. Sophie punches him, he grabs her ankle. She rightly points out her rejection and he is patronising to her, insults her and then ultimately blackmails her.

Wow. How romantic.

And you are also right to point out that Sophie has just escaped harassment and gang rape. In my previous post I did talk about the MeToo movement and general shifts in female representation meaning that BookBenedict’s behaviour is more problematic and far less ‘redeemable’. Nor would it really fit with the highly emotionally intelligent Benedict Bridgerton set up in the show.

So, as usual, this is an adaption not assignation of AOFAG. So, we just need to tweak some of his actions. For we cannot get rid of the lake scene—as @the-other-art-blog says—it is an inconic Benophie scene.

Here is my idea…

Context:

The viewer does not know Sophie’s backstory. They know she is the Lady in Silver and they know she had a terrible time at the Cavender’s as well as with an ‘old mistress’. The night before Benedict tried to teach Sophie to dance. It is almost mirror for mirror of the masquerade and that is when Sophie realises who Benedict truly is. After that dance scene, Benedict's vivid dream about the Lady in Silver returns after laying dormant for a while. There is a scene where Benedict uses the ever so reliable Bridgerton logic to justify how Sophie is not the Lady in Silver. One of the big indicators being that the Lady in Silver did not have scars across her face (that look like nail scratches). This scene follows the book but Benedict is pacing up and down, vocalising his thoughts. However, such logic does not discount for the wealth of feeling he still feels for Sophie—and how last night he desperately wished to kiss her. *~*~*~*~*

✨The Scene:✨

Firstly, Sophie, trying to sort through her jumble of emotions, is the first one to go to the lake. It is a hot spring morning, and the water looks ever so inviting. So, she shucks off her shoes and stocking, ready to paddle. ��

Then she hears a twig snapping.

She turns to find Benedict, stumbling into the clearing, (wishing to clear his own thoughts). They stare at each other, just a moment too long…so, Benedict starts rambling.

“I apologise, I wanted…I just…I shall go…”

“Oh no—I shall leave,” Sophie replies.

“No, no, stay. You were here first.”

“I insist, this is your property.”

“And you are my guest.”

Conversation trails off…

“I suppose the lake is big enough for the two of us. I do not mind if you join,” Sophie says, surprising herself. She still does not know how to act after the revelation that he, Benedict, is the man she has been in love with for the last two years—a man who does not even recognise her.

Benedict eventually sits by the bank—a little distance away from where Sophie sits.

There is an awkwardness that lingers around them, an antithesis to the bliss that the viewer has seen them share during their entire time at My Cottage.

After a while Benedict speaks.

“I wish to apologise.”

“Whatever for?”

“You seemed upset last night after our dance. You must know I never intended to make you feel uncomfortable and I apologise if I did.”

“That was not—you were not. There is nothing to apologise for.”

“Truly, then you do not despise me?” he asks.

Sophie turns to him, the disappointment of him not recognising her not quite overriding her heart.

“No. I do not despise you. I was merely overwhelmed and needed space…” She ten whispers, “I do not think I could ever despise you,” It is not the entire truth, but she needs to say something to release the pressure that has been building all night in her chest.

He continues to sit a couple paces away, respecting her space, when all Sophie wants to do is be back in his arms on that terrace, but also with the comforting banter and company they have shared over the last couple weeks. It is all an infuriating conundrum. So she turns back to the water.

“There is something utterly serene about water,” she finally says, “you could almost pretend that all of this,” she gestures to the picturesque clearing, “is in another world, removed—a fantasy.”

“An escape.”

“Yes.” Sophie smiles at him. “The water an enticing invitation, to sink under the surface and into its cool embrace.”

“Well, why not?”

“I do not understand?”

“We should go swimming.” Benedict’s voice picks up with his energy.

“We?”

“Yes.” Benedict stands up and takes his shirt off. Sophie’s stares a beat too long and he smirks at her blush. “Do not worry Sophie, I know how much you have appreciated my wood chopping skills.”

“Such glances are of analysis and derision rather than appreciation,” she quips back.

“Ouch, Miss Beckett you should not wound a man so,” he bats back.

Sophie can’t help but grin, their usual comfort making a welcome return. She stands and as soon as she does Benedict turns away and goes to the trees to give her privacy. Sophie strips down to her chemise and wades in slightly.

“It is a little bit cold…perhaps we should not…”

Benedict turns around.

“Sophie, do you want to go swimming?”

“Well, yes.”

“Then let’s go!” Benedict swings her up in the air and throws her into the lake as she screams. He knows he should have been a bit gentler but any longer seeing her in that threadbare chemise…

Benedict laughs to himself then pauses. Sophie has not resurfaced. He scans the lake. There are no bubbles.

She did say she could swim? He can’t quite remember because at that precise moment a soul captivating look had possessed her eye making Benedict’s breath catch.

Sophie?” he looks again—nothing. “Sophie!” he cries launching in, spinning around and around in water, heart pounding, voice desperate—

Then a mini wave completely soaks him from behind. He turns to find Sophie grinning mischievously, head-half out of the water.

But instead fo laughing, as she expected, she finds herself dragged into Benedict’s arms.

“Are you alright. I am so sorry—”

“Ben, Ben—I am fine.” She soothes. Then she smirks and flicks him with water. “Payback.”

“You do not wish to start this fight, Miss Beckett.”

“I assure you I do, Mr Bridgerton,” she replies but squeals when he splashes her back.

This continues for a while, splashing and enjoying each other’s company unselfconsciously.

Finally, they calm down and Sophie starts to float on her back, eyes shut. Benedict joins her, their hands drift over one another but due to the current or their own wish, they do not know.

And maybe because of the pictureqsue setting being like that of a fairytale, or how being in the water seems so far away from the world, and Benedict's presence is so comforting...that Sophie starts to speak, staring at the sky,

“I love floating…there was a lake at my childhood home and when I was alone, I would lie back and watch the clouds, feel the water rippling around me and the quiet deafening of my ears in the water. Mrs Gibbons used to scold me, scrub my hair ferociously, but for days the smell of lake water would linger. And in the moments and days when she—” Sophie’s breath catches, “…I could smell my hair and imagine being on that tranquil lake, suspended, untethered…adrift. Those are the only moments I have ever enjoyed feeling adrift."

Benedict entwines their fingers together as they float.

“For many years I felt adrift, ever since…I think ever since my father’s death if I am honest…then after the academy I—I would go from party to party, drink to drink, without direction or purpose or interest... And gradually I felt like a ghost, even among my family and their happiness. Lost. Then my brother sent me here, to this house in desperate need of repairs, and for the first time I felt a little tug back to earth, but even so I still wandered…And then I met you.” They turn to look at each other. “And in this past month, being with you, talking with you, dancing with you…it is as if I have finally found my footing, I have finally found some type of anchor.”

She lifts her head, and they return upright, but do not let go of their hands, something pulling them slowly into one another.

“I have spent my entire life adrift, never knowing where I belong,” Sophie whispers.

Everything seems to hush and Benedict tips her chin up, so they become lost in each other’s eyes.

“Then let me help you. Let me be your anchor.”

And in that quiet hush they kiss.

It is slow, tender, and sweet, with each kiss tumbling into the next. The camera cuts to a wide shot, showing the couple on a still lake, framed by tranquil nature and dappled sunlight. The whole scene could be plucked from the most romantic of fairytales.

And when they finally break for breath, they have their eyes closed, intoxicated by the emotion that encircles them. Therefore, Benedict’s words tumble out of his mouth, he mumbles between kisses;

“God Sophie, I have never met a woman like you…Stay with me...Let me give you comfort, and you will want for nothing...Let me keep you safe and you will never need to fear...Just stay with me...I beg you…”

Sophie has initially been swept up in her emotions, but something pierces her mind, punctuating the moment like a pin to a balloon.

“Sophie, stay with me…”

“As your mistress,” she states.

Sophie pulls back slightly. Benedict blinks as if surfacing from a trance.

“What?”

“You want me to be your mistress,” Sophie repeats. Benedict furrows his brow, mind stumbling to coherence…

“I suppose…that is what makes logical sense.”

Sophie wrenches herself away.

“No.”

“Sophie?”

But Sophie swims away.

He tries to keep up, calling her name.

“Sophie? Sophie—wait!” He calls scrambling up the bank as she bundles up her clothes. “What is wrong?”

Sophie whirls around, eyes hard, stance strong.

“I will not be your mistress.”

“Why not?”

“I will not be your dirty little secret to hide away; I will not be your little toy to pick up whenever it suits you.” Then she starts to leave, Benedict following.

Benedict is utterly confused—how could she ever think that? Did she not hear what he admitted? Did she not feel the inexplicable pull between that went deeper than physical attraction?

“You would not—”

“Oh, do not be naïve!” Sophie cries. “I am sure you have had many mistresses Benedict, you know what you are asking of me.” He manages to catch her hands.

“I am asking us to continue this,” he gestures around the clearing, “what we have been experiencing for weeks. I am asking you to be with me. I am asking you to let me provide comfort and safety for you—”

“I was surviving perfectly well before I met you.”

“What if you find yourself in a situation with a man like Cavender?” (Keynote here: unlike the book, Benedict’s tone is concerned/anxious not condescending).

“If you recall I could handle myself quite well, and I have been surviving for a long time on my own—”

“But you do not have to! I could help you. You would want for nothing, living in luxury and security with me. Do you truly wish to give this opportunity up?”

We see a moment of Sophie considering, but not wavering. With conviction she says,

“I have my boundaries, I have my reasons, and they are ingrained within my very soul. No pretty smile will rub them away.”

“But do you not feel it?” Sophie’s eyes become uncertain, so Benedict closes the space between them. “Can you not feel this connection, this pull we have to one another? I know you feel it.”

“You do not know what I feel.”

“Then look me in the eye and tell me that there is nothing between us.”

(Unlike Anthony in S2, this is not uttered sensually, this is uttered with desperation to show how much Benedict wants this.)

Sophie looks him in the eye and that palpable emotion starts rising as it did last night during their waltz, as it did out there on the lake.

 But sometimes the brain dominates the heart. Sometimes memories are more potent than emotions. So, Sophie takes a deep breath and says,

“I will not be your mistress, Mr Bridgerton. Not now, not ever.”

And then she leaves before she bursts into tears at the cruel irony of it all—that the man of her dreams has proffessed such sweet words in the wrong context.

Benedict stands still, his entire being seeming to churn before it snaps back like a rubber band.

He starts running after her, calling her name. He just needs a little bit more time to convince her, to understand why she would deny what was so obvious…

He sees her exit the forest and halt. He runs up, hands on her shoulder ready to talk—

“Mr Bridgerton?”

Their time is up. The world is no longer suspended.

Benedict turns to find an old couple, hair on the precipice of turning grey, staring at the pair of them with wide eyes.

Benedict puts on his best Bridgerton smile.

“Mr and Mrs Crabtree, welcome back!”

*~*~*~*

Hopefully what I’ve shown here is…

 Benedict being a bit more respectful to Sophie than in the book.

A lack of punching/ankle grabbing (don’t worry, Sophie shall have plenty of opportunities to use her right hook later).

Benedict’s desperation at the rejection--his reposne greater than orevious relationships/

that Benedict wishes for her to be a mistress because of their emotional connection rather than just a physical one.

And as @sophiebernadotte said, (in a previous post about Benedict and Women in S1&2 here) the mistress question can be about revealing Sophie’s character and hopefully this rewrite has. Hopefully the viewer will understand that Sophie is a woman of conviction, principles and one who knows herself. And a woman who will not take the easy path—unlike Benedict…

(Yes, I know Sophie has not agreed to return to London to work for the Bridgertons but that occurs after Benedict visits his Grandma Alexandra sans blackmail.)

*~*~*~*~*

What do you think?

I know lots of people have lots of ideas for this scene so I would love to hear other people’s thoughts!!

[bridgertonbabe]

I always find it extremely sad how Sophie had tears in her eyes everytime someone showed the slight sign of kindness to her and I hate how she always had to ask herself "Why is this person being nice with me?" it's literally were you can see how abused she has been in her life

Omg yes! When she came to Number Five and was just confused as to why she was being invited to take tea with the Bridgerton women, she struggled to fathom why they were being so nice to her or even wanted her around in the first place. It's in the small details; in how in awe she is of the Bridgerton siblings getting along and clearly having a lot of love for each other; how hesitant she was when Benedict insisted she occupy a bedroom at My Cottage during her stay there; and even how she initially didn't take up his offer to help herself to the breakfast Mrs Crabtree had made for him, despite the fact she hadn't eaten in some time. Sophie is so accustomed to being placed last and servant to all, that the inherent kindness, generosity, and just the plain show of decency bestowed onto her by the Bridgertons is quite disorienting to her. Even though she knows Benedict and his family are far nicer than Araminta, she's still so used to being treated poorly that she struggles to adjust to people actually loving her and caring for her.

What I find really interesting about Sophie is that I'm pretty sure (to my recollection) we only see her cry the once in AOFAG after Benedict first takes her back to My Cottage. From years of abuse I think Sophie learned to bury her misery deep down because even if she were to cry or express her sadness, nobody was ever going to comfort her and she made peace with that. It's not until she finds herself with the man she's dreamed of for the last two years, a man who doesn't recognise her, not to mention the shock of almost being assaulted by Cavender and his cronies, that really brings her emotions to a boiling point in which she can't contain them any longer and she bursts into tears - and then to her greatest surprise, Benedict holds her and comforts her. In my headcanon I think as a child Sophie cried on only a handful of occasions; when she first came to Penwood and wanted her grandma, after Araminta became her stepmother and blatantly hated her, and after being forced into servitude. Despite her tears, no one ever came to comfort her, to hold her, to hug her, to tell her everything would be alright. She learned for herself that her tears meant nothing to no one - until Benedict. It was the first time anyone had shown her love in her hour of need and while it left her stunned, she finally learnt what it was to be cared for.

[juwonderland]

I saw a lot of people from Bridgerton fandom talking on Twitter and Tumblr that they wanted Sophie to be a man and so far so good huh everyone has their opinions and I respect them despite NOT AGREEING WITH THEM.

Most of these people haven't read the books and don't have the slightest idea of what Sophie went through at the hands of Araminta, Rosamund and Cavender.

But what shocks and angers me most are the arguments (which MAKE NO SENSE).

Their argument is saying that everything Sophie went through in the books, her man version would too. LIKE WHAAAT ??????? HOW WOULD THEY GO THROUGH THE SAME THINGS ?????

How would they put a man back then through the same prejudices? For the same psychological and physical abuses Sophie suffered from Araminta and Cavender??

What world do these people live in? Even today, women suffer from these types of prejudice and abuse (some men too of course, but minimal research shows that most are women) while most men do not.

I know that male and female bastards suffered a lot at that time, but you can't deny that bastard women suffered a lot more, so you can't compare this situation in the book.

If Earl Gunningworth had a male bastard child it would be very different, even because at that time most nobles men wanted male children, bastard or not.

The Earl would probably leave something much bigger for his son than just a dowry for his daughter, and Araminta wouldn't be able to hide and steal everything from Sophie if she were a man.

Because in my point of view, if Sophie were a man, when he reached the age of majority, a lawyer or someone would definitely show up talking about his heritage and such because at that time men only truly respected other men, but it is logical that no lawyer or solicitor would look for a bastard woman to say that she has a dowry but if she was a man then the game would change, right?

And how would they explain the abuses of Araminta on a man, because surely he would not become a simple employee, he would probably have a proper job with the Earl as his pupil and this already proves that if Sophie were a man, she would have a different treatment coming from her father, so this can't be compared.

And another thing, how were they going to show the harassment of Cavender and his friends towards a MAN at that time????

So NONE OF THE ARGUMENTS of these people MAKE SENSE because they are COMPLETELY DIFFERENT situations

So that's why Sophie must and will continue to be SOPHIE, a working class queen who in the midst of difficulties never stopped dreaming, of having a good heart and being herself.

Be glad or Be mad baby but queen SOPHIE BRIDGERTON is coming ❤️👑🔥

PS: I do not intend to offend or belittle anyone's opinion. 

I just wanted to use this space to vent about these irrational arguments. 

I respect all opinions, although I don't agree with some. So don't be offended or mad at me for speaking my opinions clearly.

AGAIN sorry for my english and any grammatical error

[silverhallow]

You know I hope that to a certain extent the Bridgerton show takes some liberties with Sophie’s character, and my that I mean there were times where she behaved more like a naive debutante than a woman who had been trying to survive working as a maid for around a decade. I know she was raised as a lady for the first part of her life but she then spent it as a working class woman. Like she may not use curse words but she would be aware of what they mean and would be fairly desensitised to it. Her knowledge about sex in the books was more akin to someone like Kate or Eloise but in reality maids talk and she would have been far more aware and desensitised to people discussing it instead of blushing or being scandalised. I mean do you really think she didn’t know atleast on maid who after work likely were sex workers for extra income (it was very common back then). I mean she would understand the differences in how these gentlemen treated ladies and how they treated working class woman. She would understand the difficulties for woman outside of the gentry and ton. I reckon she would also be more aware of the realities of the world and be less naive than Benedict. But the books don’t really show that.

Hey Nonnie

You are absolutely correct.

I’m gonna stick this below the line as it’s like 8am and maybe a bit early for sexy talk 😂

Sophie did a fair chunk of her life as a maid and as a result I think out of the wife’s she’s absolutely the least naive in a lot of ways and probably a lot more up for trying things and I rather imagine Ben and Sophie’s honeymoon to be ✨wild✨

He wants to teach her and she wants to learn. It is probably why they spend a lot of their time chasing each other through the house.

Literally i can imagine Sophie dropping to her knees and Benedict being all 👀 and Sophie telling him to shut up and let her do it as she’s a curious little bean… in fact I did write something to that effect here though it was before they married 😂

I imagine Sophie is very open and wants to try all these things she’s heard The other maids talking about but wants to do them in the safety of her marital bed. She’s not insensible to women who do sell themselves and she doesn’t judge. She’s kind to everyone.

I can see her using her curse words for the first time with Benedict and him absolutely loosing his mind. Cause his wife could put a sailor to shame and whilst she might not Blaspheme she can swear with the best if them and Benedict ✨loves✨ it.

In my fics yes she’s an innocent and acts it but that’s what she was taught and her life experience taught her that she has to be or at least appear to be less knowledge about that sort of stuff so whilst she won’t know loads she knows more.

Your right the books don’t show that but I think for the bulk of Sophie’s time as a maid with Araminta I think most of the other maids wouldn’t have out and out treat Sophie like an equal as Mrs Gibbons and the rest of the staff new better… but I think once she reached Cavenders a lot of it changed.

Yes I think she would have still avoided walking in on a naked man, cause well she was desperately trying to avoid Phillip… and she blushed at Benedict cause it was ✨him✨

Let’s hope we get to see a bit of everything cause she is an innocent but she’s not a simpering debutante and I hope that comes across

[nosafespacess]

Episode 2: Now It’s At Home - Women are Responsible :(

Something that I felt needed to be brought into the episode on victimization of women at home was this idea I learned about in my criminology class which inspired this whole show! This idea is that in a neo-liberal society a person is responsible for what happens to them because if they’d been doing what was right, and self-policing nothing would have happened (simplified version of the idea, but you get it)

This topic came about while we were talking about Judge Judy. You’ve heard of her, you might even love her (I can’t stand her), but she’s a female judge with her own show which people come before her in court and she decides their fate, she doesn’t really use the law, but instead her own morals to make decisions. I learned mostly about her show through an article entitled The People’s Law versus Judge Judy Justice written by Steven A. Kohm. It’s a long intricate academic article so I’ll just tell you about the pieces I pulled out of it in order to help write Now It’s At Home.

One of the pieces I pulled inspires a conversation between Emma, and her casual friend, Lia, the two are chatting and Emma is finally starting to open up about what’s going on with Garrett, her constantly saying no and him never listening, the bruises he’s leaving on her. Lia laughs everything Emma’s saying off, saying that well maybe Emma should stop saying no, because either she get with it or she kicks him to the curb, all the while rolling her eyes and sort of.. taunting Emma. This whole thing was inspired by some of the things that were being said by Judge Judy including  “unless you enjoyed the fighting and making up. I’m not so sure. But you’ve gotta smarten up!” and  “But you’re also a dope. It’s time for an eye-opener” [1] Both of these are said to women who are in abusive situations, Judge Judy basically says that the women aren’t smart enough to get out of these bad situations, this leans towards victim blaming and making their women responsible for the own assault, which in my opinion is freaking horrible, but that’s what this society leans towards, self-policing and street smarts.

We even see this in the quote I talked about last post, about Carson’s conversation with Emma, his exact wording is, “Why would you let someone you love hit you then.” He didn’t mean anything by this, I wrote him I know, but it’s something that anyone would say, because even if you don’t think it, you do think that women have some responsibility for what happens to them. 

In an article I talked about during Episode One, there was a topic spoken about that women who are raped by sexual partners, ones that they know, aren’t seen as real victims, [2] 

This falls more into an idea I haven’t talked about but it’s Hegemonic masculinity and Emphasized femininity, well I haven’t stated these terms they’re really entwined in everything we’ve talked about. Hegemonic masculinity is the ideal idea of a man, strong, intelligent, that violent tendency always lingering, Edward Cullen, if you want to pull twilight back into it. Emphasized Femininity is the opposite of this, sexually passive, nurturing, caring, think of the idealized version of a housewife in the 50s. So, if a women in this society is supposed to be sexually passive, her saying no to a partner, well she’s doing something wrong, she’s breaking this mold and making herself an other, that’s what all of this does, it creates these poor women who are being abused into others and it’s seen as their own fault. It’s such a stupid idea that so many of us think we’ve grown past but it’s always there, in real life and in the media.

The neo-liberal society that we live in pushes towards a privatization of our lives as well as a responsibility to ourselves, it’s our duty to look after ourselves even if it’s someone doing the abuse unto us. It’s a wicked and messed up place we live in and I wanted to break that down by having Carson help Emma out of the situation, I wanted to show people, be different than that horrid judge Judy, that there’s somewhere there to help and not everything rests on our own shoulders.

I hope you enjoyed this look into my research for this episode and it encourages you to dive in deeper!

REFERENCES

1.   Kohm, S. A. (2006). The People’s Law versus Judge Judy Justice: Two Models of Law in American Reality-Based Courtroom TV. Law & Society Review, 40(3), 693- 727.

2. Cavender, G., Bond-Maupin, L., & Jurik, N. (1999). The Construction of Gender in Reality Crime TV. Gender and Society, 13(5), 643-663. Retrieved August 4, 2021, from http://www.jstor.org/stable/190327

[ramajmedia]

10 Guest Stars We Forgot Were On The Twilight Zone | ScreenRant

If you haven’t seen an episode of Rod Serling’s “The Twilight Zone,” then you probably don’t own a TV. Simply put, it is one of if not the greatest science fiction series of all time. That’s why there have been several attempts at remakes and reboots and movies over the years; most recently the Jordan Peele-guided CBS All Access series. But like a lot of remakes of other properties, there is nothing quite like the original.

Over the course of the epic anthology series, many stars came to the Fifth Dimension beyond which is known to man. Some in classic episodes, some became reoccurring members of Serling’s troupe. Some of the stars of Twilight Zone were once huge stars in their day, like Silent Era Star, Buster Keaton (“Once Upon A Time”), others were made stars because of their appearance on the show, or their appearance led to stardom. Here are 10 Guest Stars We Forgot Were On The Twilight Zone.

10 William Shatner - “Nick Of Time”

The future Captain James Tiberius Kirk was on one of the series’ most popular episodes, “Nightmare At 20,000 Feet.” But he also took part in the Richard Matheson written episode, “Nick Of Time.” He plays newlywed Don Carter who stops at a diner with his wife. They happen upon a fortune telling machine. Most people would play with it for fun, but on The Twilight Zone, the machine tells them all kinds of truths, some they want to hear, and others not so much.

9 Don Rickles - “Mr. Dingle, The Strong

While the titular Mr. Dingle, of “Mr. Dingle, The Strong” is played by frequent cast member, Burgess Meredith, this episode also features one of comedy’s greatest performers. “Mr. Warmth,” Don Rickles also showed up in the episode.

Related: 5 Things We Love About The New ��Twilight Zone’ (& 5 Things We Don’t)

A two-headed Martian gives Mr. Dingle super-strength, and one of the people that Mr. Dingle shows off in front of us Rickles’ character.

8 Robert Redford - “Nothing In The Dark”

For years in Hollywood, Robert Redford was the quintessential leading man. But first, he made a stopover in The Twilight Zone. He guest-starred in the season three episode, “Nothing In The Dark,” as Harold Beldon. Wanda Dunn is a frail woman who won’t open the door to Redford’s Beldon (there’s a first), for fear that he is Death. It takes some convincing, but Wanda eventually comes to realize that she has nothing to be afraid of.

7 Carol Burnett - “Cavender Is Coming”

For years, the incomparable Carol Burnett was the undisputed queen of comedy. As Agnes Grep, she is a clumsy woman who is removed from every project she works on. Enter a Guardian Angel, Harmon Cavender. In order to get his wings, he is tasked with improving Ms. Crep’s life within 24 hours. In this light-hearted episode, It’s A Wonderful Life - Twilight Zone style, featuring a future Hollywood treasure ascending to her throne.

6 George Takei - “The Encounter”

Several members of the original Star Trek cast traversed into the dimension of sight, sound, and mind before they traversed the cosmos in the Enterprise. In “The Encounter,” the ghosts of race-relations and wars past take hold over George “Sulu” Takei, as Arthur Takamori and Neville Brand as WWII veteran, Fenton. Shared guilt over the past transgressions of both individuals during WWII take hold in a parable whose lessons could still be gleaned to this day.

5 Leonard Nimoy - “A Quality Of Mercy”

Rod Serling loved his war stories almost as much as the science fiction tales of morality he would weave on the show. In “A Quality Of Mercy,” a U.S. Army general is shown both sides of the spectrum of war. He orders his men to fire on a Japanese battalion. His men try to talk him out of it.

Related: 10 Things Fans Didn’t Know About the Original Twilight Zone

He then wakes up as a member of the Japanese soldiers in 1942 and is in a similar situation. “Mr. Spock,” Leonard Nimoy guest stars as a member of the battalion in an episode that got adapted for Twilight Zone: The Movie.

4 Ron Howard - “Walking Distance”

In only his third role ever, the future Opie and Richie Cunningham, respected director and producer, Ron Howard was part of “Walking Distance.” The episode is still looked at as one of the best. Here, he had played a small part of the Wilcox boy. When an ad exec stumbles into the town he grew up in, he not only longs for the days of youth, but the town hasn’t aged a single day. Ron Howard’s performance and insistence that the man isn’t who he says he is, is a pretty good indication that Martin Sloan took a longer walk than he meant to.

3 Julie Newmar - “Of Late I Think Of Cliffordville”

As one of the original Catwomen from the sixties Batman series, Julie Newmar was heralded in her time for her statuesque hourglass figure. A perfect visage for the devil incarnate herself in “Of Late I Think Of Cliffordville.” Here, she shows a powerful business magnate life wasn’t all it was cracked up to be and if you spend your days making money off the backs of others, then you won’t exactly know how to make the money yourself.

2 Cloris Leachman - “It’s A Good Life”

With over seventy years in show business, Cloris Leachman is still working, even at 93 years old, that’s definitely a good life! Which is exactly the episode Leachman starred in - the classic Twilight Zone, “It’s A Good Life.”

Related: Top 10 Twilight Zone Episodes You Might Not Remember

She plays Anthony’s mother, Mrs. Fremont, one of the many citizens of Anthony’s little town who quivers in fear of her own son, who has the ability to wish and create anything he wanted. Be nice to him, or he’ll wish you away.

1 Burt Reynolds - “The Bard”

The fourth season of the series featured one-hour episodes. The last of these featured one of Hollywood’s “tough guys” actually channeling another. After a down on his luck writer inadvertently conjured up the spirit of William Shakespeare to help him write a few screenplays. The episode parodies a Hollywood writer’s room and Reynolds does his best Brando impression eliciting a response from the ancient Bard himself - he punched Reynolds out!

Next: 5 Things Black Mirror Did Better Than The Twilight Zone (& 5 Things Twilight Zone Did Better)

source https://screenrant.com/guest-stars-forgot-twilight-zone/

[angstyamethyst-blog]

What happened to all the classic horror movies that many generations know and love? Well, they are still somewhere, hidden in the old movie part of the video rental shop, waiting to leave fear of the people again.

What happened to all the classic horror movies that many generations know and love? Well, they are still somewhere, hidden in the old movie part of the video rental shop, waiting to leave fear of the people again full movie Many of the original black and white films were restored and digitized in DVD format, some of which remained in the original black and white, while others were colored. What made these classic horror movies attract a lot of audiences, many times? That's the state of the special artistic effects then, stop the camera movement, allowing you to see Lon Chaney Jr.. transformed from ordinary human to the tortured soul of the wolf man. How many people see this transformation in great horror, even though they know they are watching a movie? When people watch the horror films of today, they think that many of the special effects that are incorporated today are generated from the classic horror films of the past year. Stop motion photography, rubber masks and other accessories, creating techniques, all of which have not yet been heard before the movies launch. The special effects group back in the day did not have all the computer graphics and then had to find out everything literally from their own imagination. It's not just the special effects that make classic horror movies so many times considered, they are the characters brought to life by the actors who put their hearts and souls into it. their job. Although the classic Dracula has been remade many times, like Frankenstein, and the werewolf activities, many of us will remember Bella Lugosi, Boris Karloff and Lon Chaney Jr.. in these classic roles. Not only did they bring these characters to life, they brought hearts and souls to these classic monsters. These actors also tell the sad story characters in these classic horror films, from the issues that Dracula has to face to live forever, alone, watching the world progress around him. I did not do that. Or Boris Karloff's role on the innocent Frankenstein monster, given like the fragments stolen from graves. You have experienced your child as his attitude and astonishment when he accidentally killed the child. You can see the question in your eyes while the villagers are attacking, 'Why are you doing this to me?' These are the characters that many people like to hate but also the first to have tears when these poor creatures experience their downfall. Many in the younger generation today are watching the scary movies of today being horrified by the special effects. A story can change, or some even do not have a good plot, "cumbersome movies" because they are often called they have no resemblance to the classic horror movies that have grown up. with. Of course, because with modern technology, the classic movies of the past year have been taken from the dead again. I guess you just can not keep a good monster down, maybe a good thing in the 'end'. Cool Ghoul is a Horror Supplier in Northeast Ohio. That's the Cleveland area, with you and me. His show was broadcast weekly, from 1970 to 1972 and from 1984 to 1986. George Cavender, not only a big fan of the classic horror genre, he is also an authority subject. study-topic, problem.

[a-lienacja-blog]

What happened to everyone who knew and loved all the horror films of many generations? Well, they're still there, hidden in the old video rental stores, to overwhelm others.

What happ full movie ned to everyone who knew and loved all the horror films of many generations? Well, they're still there, hidden in the old video rental stores, to overwhelm others. Many black and white cinema films have been restored and digitized in DVD format, some are black and white in color, others have been colored. What was the audience so much attracted to classic horror films, again and again? Afterwards, it was the state of the art effects, the motion camera techniques stopped, allowing Lon Chaney Jr to become a soul of tortured souls from ordinary humanity to the wolf. How many people saw this transformation in a dreadful fear, even though he knew they were watching the movie? When they are watching today's horror films, the many special effects that have been introduced today are considered to be born of ancient horror films. Stop motion photography, rubber masks and other add-ons, complete the technique, before listening to the movies. The special effects returned to the computer created by the computer all the time ago, and everything they needed to literally get out of the imagination. There was no special effect on more than one classic horror film, as well as actors who often included their hearts and souls in their work. Although many of the classic Dracula have recovered, like Frankenstein, and the wolf man's tour, many of us will always remember Linda Lugosi, Boris Karloff and Lon Chaney Jr. in those classic roles. Not only were those characters brilliantly survived, these classic monsters put their hearts and souls on. These actors also told them the sad stories of these horror films, that Drakula had to live forever, problems, loneliness, because he did not see the world evolving around him. Boris Karloff portrays the portrait of Frankenstein's innocent Monster, similar to the stolen pieces of the grave. He was a child when his children did not die, and his sadness was wonderful. You see almost the look while the citizens are attacking, "why do you do that?" They are the characters who love hatred, but the eyes were the first tears. Today, many new generations that see scary movies today have special effects are awesome. Some of the story lines may change or some are not very good, as they are called "slasher movies", they have the same commitment to horror films that have grown a lot. . However, even with modern technology, these classic films of previous years have once again been dead. I think you can not keep a good monster, maybe it's a good thing at the end. The Cool Ghoul Norgehiko is a Horror Host in Ohio. That's Cleveland field, both you and me. His show was in the air, weekly, between 1970 and 1972 and between 1984 and 1986. George Cavender (AKA The Cool Ghoul) is just a huge fan of classic horror genre genres. theme

[ceurede-blog]

What happened to all the classic horror films that many people knew and loved? They are still different, in old movie stories of pasture shops, waiting to redouble the dealer again.

What happened to all the classic horror films that many people knew and loved? They are still different, in old movie stories of pasture shops, waiting to redouble the dealer again full movie Many original black and white films have beer restored and digitized to the DVD format, some remain in their original black and white form, while others are more brighter. What was it about the classic horror film that attracts so much audience and again? It was the state of the special background material, stop motion camera techniques, allowing you to change Lon Chaney Jr from a common man to the attacking soul of the king. How many people are watching this transformation into full horror, even though they already saw a movie? When people see today's horror films, they will be responsible for many of the special effects that have been created today by the classical horror film of the day. Stop motion photography, rubber masks and other add-ons, make techniques, were all inappropriate before these films came out. Special backdrop teams in the day did not have all the computers that were made graphically and had to literally come up with their own imagination. It was not just the special effects of classical horror films that were to be seen and seen, it was also the characters that were brought by actors who often lay their hearts and souls in their works. Although the classic Dracula repeated many times, just like Frankenstein, and apart from the king's wolf, many of us always visit Bella Lugosi, Boris Karloff and Lon Chaney Jr. to recreate in these classic roles. Not only did they liken their characteristic brands to life, they put heart and soul in these classic monsters. These actors have also told the famous story in this classic horror film, of the problems that Dracula presented for eternal life, lonely, the world was awakened around him, while he did not. Or portrait of Boris Karloff of the innocent Frankenstein monster, brought forth leaves of pieces drawn from graves. You have loved his children as lover and his sadness as he promised the child. You can see the question almost in the eye, while the village vendors are attacked, why are you for me? 'These are the characters that hate much love, but were also the first with tears in the eyes when these bad creatures put their succession to the end. Many of the younger generation today are sharp films today being shot by special effects. An anticipation of the story may have changed, or some who do not even have a very good idea, 'slasher films', as they are often called, they just do not have the same effort as the classical horror movies have a lot to grow . However, it is good, because with modern techniques these classic films of the years have been redone again from the dead. I think you just can not keep good monsters, which is often a good thing at the end. The Cool Ghoul is a Horror Host in Northeastern Ohio. That's the Cleveland area, to you and me. His show was on the air, on a replacement base from 1970 to 1972 and from 1984 to 1986. George Cavender, (AKA The Cool Ghoul) is not just a great fan of the classic horror film genre, he is also an authority on the subject.

[jboygonzalessj-blog]

What happened to all the classic horror movies that many generations of people knew and loved? Also are still there somewhere, hidden sections of old movies of vidjowkat stores, waiting to shy away from bad people again.

What happened to all the classic horror movies that many generations of people knew and loved? Also are still there somewhere, hidden sections of old movies of vidjowkat stores, waiting to shy away from bad people again full movie Many original orange and white films failed bees and documented for DVD format, some still in their original form black and white, while others are colored. What about the classic horror films that attracted so many audiences, again and again? It was the most advanced effects of the art at that time, set up the hidden camera techniques, and be able to see Lon Chaney Jr. transform a normal man tortured by sleep human wolf. How many people watching this transformation in utter horror, even though they knew they were watching a movie? When people see the movies of today's horror, they consider that many of the special effects were incorporated born film classic horror of the past. Stop motion photography, rubber masks and other additions, making techniques, were all imaginative emerged before those movies. special effects teams back in the day did the graphics generated by a computer and then played out literally everything from their own imagination. It was not just the special effects made a film classic orchestra to see more and more, was also the characters brought alive by players who often put hearts and their souls into their work. Although the classic Dracula has been repeated many times, like Frankenstein, and spin-offs of human-wolf, many of us will always remember to Bella Lugosi, Boris Karloff and Lon Chaney Jr. in the classic roles. Not only are brilliantly bring these characters to life, they put heart and soul into these classic monsters. These players also said the characters sad story in the classic horror movies, the problems faced Dracula to live forever, lonely, you see that the world evolves around him while he was . Or representation of Boris Karloff of innocent Frankenstein Monster, brought a similar pieces of stolen from graves. Did you son / his / her child like demeanor and his sad wonderment when accidentally kills son / daughter. You can almost see the question in her eyes while the villagers are attacking, "why you're doing this to me?" These are the characters that much iħobbhom hate, but they were also the first ones with tears in their eyes when these poor creatures met with their death. Many of the younger generation today watch movies of today are horrified love special effects. An Story lines can be changed, or some even have a great plot, "slasher films" as they are often called, they just do not have the same engagement as many classic horror films grown with. But all is well, because modern technologies, these classic movies of the elderly have been brought back from the dead again. Loved you simply can not keep a good monster down, maybe is a good thing in the 'end'. The Cool Ghoul Horror Host is in northeast Ohio. That is the area of ​​Cleveland, you and me. His show was on the air, on a weekly basis, from 1970 to 1972 and from 1984 to 1986. George Cavender (AKA The Cool Ghoul) is not only a huge fan of the classic genre of horror films, is also authority on the subject.

[hardstyle-stoner-princess-blog]

What happened to all the classic horror movies that many generations of people knew and loved? Well they are still out there somewhere, hidden in old movie sections of video rental stores, waiting to scare the crap out of people once more.

What happened to all the classic horror movies that many generations of people knew and loved? Well they are still out there somewhere, hidden in old movie sections of video rental stores, waiting to scare the crap out of people once more full movie Many original black and white movies have bee restored and digitized to DVD format, some remain in their original black and white form, while others have been colorized. What was it about the classic horror movies that attracted so many audiences, again and again? It was the state of the art special effects back then, stop motion camera techniques, allowing you to see Lon Chaney Jr. transform from a normal human to the tortured soul of the wolf man. How many people watching this transformation in utter horror, even though they knew they were watching a movie? When people are watch the horror movies of today, they take for granted that many of the special effects incorporated today were born from the classic horror movies of yesteryear. Stop motion photography, rubber masks and other add ons, make up techniques, were all unheard of before these movies came out. Special effects teams back in the day didn't have all the computer generated graphics back then and had to come up with everything literally from their own imaginations. It wasn't just the special effects that made classic horror movies something to watch over and over, it was also the characters brought to life by actors who often put their hearts and souls into their works. Although the classic Dracula has been redone many times, just like Frankenstein, and spin offs of the wolf man, many of us will always remember Bella Lugosi, Boris Karloff, and Lon Chaney Jr. in these classic roles. Not only did they brilliantly bring these characters to life, they put heart and soul into these classic monsters. These actors also told the characters sad story in these classic horror movies, from the problems that Dracula had faced having to live forever, lonely, watching the world evolve around him while he didn't. Or Boris Karloff's portrayal of the innocent Frankenstein Monster, brought to like from pieces stolen from graves. You experienced his child like demeanor and his sad wonderment when he accidentally kills the child. You can almost see the question in his eyes while the villagers are attacking, 'why are you doing this to me?' These are the characters that many loved to hate, but were also the first ones with tears in their eyes when these poor creatures met their demise. Many of the younger generation today watching scary movies of today are horrified by special effects. An while story lines may have changed, or some that don't even have a very good plot, 'slasher films' as they are often called, they just don't have the same engagement as the classic horror movies many have grown up with. It's all right though, because with modern technologies, these classic movies of yesteryear have been brought back from the dead once more. I guess you just can't keep a good monster down, which is perhaps a good thing in the 'end'. The Cool Ghoul is a Horror Host in Northeastern Ohio. That's the Cleveland area, to you and me. His show was on the air, on a weekly basis, from 1970 to 1972 and from 1984 to 1986. George Cavender, (AKA The Cool Ghoul) is not only a huge fan of the classic horror movie genre, he is also an authority on the subject.

[guayabadetaiwan-blog]

What happened to all the classic horror movies where many generations of people knew and loved? It's ok that they're in a certain place, hidden in the old movie parts of the video lease stores, waiting to threaten the exit of people over and over again.

What happened to all the classic horror movies where many generations of people knew and loved? It's ok that they're in a certain place, hidden in the old movie parts of the video lease stores, waiting to threaten the exit of people over and over again full movie Many dark black and white movies have bees restored and made of DVD format, some live in their black and white form, while others are cited. What about classic horror movies that attract so many audiences, over and over again? It was the result of specialized technology back then, standardized camera techniques, allowing you to see the conversion of Lon Chaney Jr. from the ordinary person to the soul of the hunter. How many people have watched this horrible change, though they knew they were watching the movie? When people are watching scary movies at present, they easily assume that many special effects combined today have been born from the original classic horror movies. Stop photo movements, rubber sticks and more, make plans, everything sounds before these movies appear. Special working days behind the day did not have all the graphics generated at the time and they had to come up with everything that came from their mind. It was not only the special effects of classic horror movies that he had to look back on, but it was the characters produced by players who often put their hearts and soul into their work. Although the ancient Dracula has been renewed many times, such as Frankenstein, and spin offs a man, many of us will always remember Belou Lugosi, Boris Karloff, and Lon Chaney Jr. in these ancient verses. Not only do they bring these features wisely, but they also have the heart and heart of these ancient creatures. The couple also told the characters the sad story of these sadistic classics, from Dracula's problems of eternal life, lonely, watching the world turning to him when he did not. The disclosure of Boris Karloff or the Frankenstein Monster was unpunished, stolen by stolen pieces in the graveyard. She met her child as a behavioral and astonishment when she killed a child accidentally. You might almost see a question in his eyes when the people were attacked, 'why are you doing this to me?' These are the many letters that were popular to hate, but they are also the first tears in their eyes when these poor creatures are attacked. A very small generation today look at the horrible movies today being hit by special effects. While story line rows may change, or some do not have the best design, 'slasher films' as they are often called, they can not just have the same involvement as old-fashioned old-fashioned horror movies. That's fine, because of modern technology, these old-fashioned movies have been raised again from the dead. I think you can not keep a good monster down, maybe a good thing to end. Cool Ghoul is a Horror organization in northeastern Ohio. This is the place of Cleveland, you and me. His show was visible in the air, weekly, from 1970 to 1972 and from 1984 to 1986. George Cavender, (AKA Cool Ghoul) is not just a great singer of the classic movie of horror movie, and is strong in title.

[jiishwadun-blog]

What happened to all the horror films that many generations of people knew and loved? Well, they're still out there, hidden in sections of old movie rental video stores, waiting to scare the crap of people once more.

What happened to all the horror films that many generations of people knew and loved? Well, they're still out there, hidden in sections of old movie rental video stores, waiting to scare the crap of people once more full movie Many original black and white films have the bee restored and digitized to the DVD format, some remain in their original black and white format, while others have been colored. What happened to the classic horror films that attracted so many audiences, over and over again? It was the state of the art special effects by then, the techniques of moving camera stop, allowing you to see Lon Chaney Jr. transform from a normal human to the tortured soul of the wolf man. How many people watch this transformation in absolute horror, although they knew they were watching a movie? When people are watching today's horror movies, they assume that many of the special effects incorporated today were born from classic horror movies of yesteryear. Detention of moving photography, rubber masks and other accessories, make-up techniques, were not heard before these films were released. The special effects equipment back in the day did not have all the graphics generated by the computer at the time and had to see everything literally from their own imaginations. It was not just about the special effects that made classic horror films watch over and over, they were also the characters starring actors who often put their hearts and souls on their works. Although the classic Dracula has been repeated many times, such as Frankenstein and the spin offs of the wolf man, many of us will always remember Bella Lugosi, Boris Karloff and Lon Chaney Jr. in these classic roles. Not only brilliantly shone these characters, they put heart and soul to these classic monsters. These actors also told the characters the sad story in these classic horror movies, of the problems Dracula faces having to live forever, lonely, watching the world evolve around him while he has not. Or the interpretation of Boris Karloff of the innocent Frankenstein Monster, brought to the liking of stolen pieces of tombs. You have experienced your child as a behavior and his sad wonder when he accidentally kills the child. You can almost see the question in the eyes while the neighbors attack: "why are you doing this?" These are the characters that many adored while hating, but they were also the first with tears in the eyes when these poor creatures met their death. Many of the younger generations today see horror movies today are horrified by special effects. Once the history lines may have changed, or some that do not even have a very good plot, "slasher movies" as they are usually called, simply do not have the same commitment as the horror movies that many have grown with. Even so, because with modern technologies, these old-time classic films have been recovered again. I think you can not just keep a good monster down, that maybe it's a good thing in the 'ending.' The Cool Ghoul is a horror guest in northeastern Ohio. That is the area of ​​Cleveland, for you and me. His show was on air, on a weekly basis, from 1970 to 1972 and from 1984 to 1986. George Cavender (AKA The Cool Ghoul) is not only a great fan of the horror movie classic genre, the theme is also the authority.

[starlightrph-blog]

What happened to all the horrible tribal movies that many generations of people knew and loved? Well still out there somewhere, they have been hiding some of the old movie video stores, awaiting fear of leaving people again.

What happened to all the horrible tribal movies that many generations of people knew and loved? Well still out there somewhere, they have been hiding some of the old movie video stores, awaiting fear of leaving people again animeshow Many original black and white documents have bees have been restored and improved in DVD format, while others remain in their original black and white form, while others have been colored. What was it about cinema fears that attracted many audiences, often? It was the state of special art effects at the time, the camera tactics stand, allowing you to see Lon Chaney Jr. to convert from man to normal to the torture of the wolf. How many people look at these changes in great fear, even though they know they are watching the film? While people are looking at the horrible movies of today, they consider that the many side effects that have been incorporated today were born from the oldest scary films. Put photography, ball masks and other additions, make the way, they were not heard before these movies came out. The special team of back-to-date effects did not have any computers that were generated on the computer at that time and should have come with everything real from their own ideas. It was not just the special effects of triggering tribal scenes of looking at and over again, as well as actors brought by actors who often put their hearts and hearts into their work. Although the usual Dracula has come back many times, such as Frankenstein, and the fly of a wolf, most of us will always remember Bella Lugosi, Boris Karloff, and Lon Chaney Jr. in these ordinary roles. Not only did they bring these characters carefully, they are focusing on the spirit within these ancient creatures. These traffickers also told the story of sad tragedies in these cinematic fears, thanks to the problems that Dracula had faced with eternal life, alone, watching the world around him when he did not. Or a picture of Boris Karloff of Frankenstein's innocent monster, derived from sculptures from tombs. You have seen her child as a trend and her sad surprise when a crash kills a child. You can almost see a question in his eyes when the villagers attack, 'why do you do this to me?' These are the characters who most loved to hate, but they were also the first and the tears in their eyes when these poor creatures died. The generation of many young people today watching scary movies today is scared by special effects. When stories of story can be changed, or some that do not even have a very good plot, 'leap movies' as they are often called, they do not just share the same with many movies of old fears that they grow up with. However, because of modern technology, these ancient ancient movies have been raised from the dead again. I think you can not keep a good monster down, which is perhaps a good thing in 'end'. The Cool Ghoul is the Horror Army in the North East of Ohio. That's the area of ​​Cleveland, to you and me. His show was on the air, weekly, from 1970 to 1972 and from 1984 to 1986. George Cavender, (AKA The Cool Ghoul) is not just a fan of the kind of movie of tribal horror, it is also the subject of the subject.

[swtch-blog1]

What happened to all the classic horror movie that many generations of people knew and loved? Well, they're still out there somewhere, hidden in old movie parts of video rental companies and waiting to scare the crap again by people once more.

What happened to all the classic horror movie that many generations of people knew and loved? Well, they're still out there somewhere, hidden in old movie parts of video rental companies and waiting to scare the crap again by people once more animeshow Many original black and white films have been restored and digital in DVD format, some remain in original black and white, while others have been colored. What was the classic horror movie that attracted so many audiences, over and over again? It was the technological advancement, in turn, stop video technology, which allows you to see Lon Chaney Jr. transform from a normal man to the torn soul of the wolf man. How many people watch this full horror transformation, even though they knew they were watching a movie? When people are watching the horror image today, of course, they take many of the special effects taken today were born from classic horror films from the previous year. Stop moving photography, rubber masks and other add-ons, make up techniques, were all unheard of before these films came out. Special effects teams back in the day did not all computers restore graphics again and had to come up with everything literally from their own ideas. It was not just the special effects that made classical horror pictures to look over and over again, as were the characters brought by actors who often put their hearts and souls into their work. Although the classic Dracula has been restored many times, just like Frankenstein, and the wolf's spin, many of us will always remember Bella Lugosi, Boris Karloff and Lon Chaney Jr. in these classic roles. Not only did they glorify these characters for life, they put heart and soul into these classic monsters. These actors also said the characters that were sad story in these classic horror images, of the problems that Dracula had faced living forever, lonely, watching the world evolve around him while he did not. Or Boris Karloff is the pronouncement of the innocent Frankenstein Monster, resulting in a piece that was stolen from graves. You experienced the child like behavior and sad wonder when he kills the child by accident. You can almost see the question in his eyes while villagers are attacking, "why are you doing this for me?" These are the characters that many loved to hate, but were also the first with tears in their eyes when these poor creatures came to them. Many of the younger generation today watch the awesome movies today are afraid of special effects. Some story lines may have changed, or some who do not even have a very good plot, "slasher movies" as they are often called, they just do not have the same engagement and classical horror movie that many have grown up with. That's all right, because with modern technology, these classic movies from the previous year have been moved back from the dead one more time. I think you just can not keep a good monster down, which is maybe good in the end. The Cool Ghoul is a horror host in northeastern Ohio. It's the Cleveland area, you and me. His show was aired weekly from 1970 to 1972 and from 1984 to 1986. George Cavender, (AKA The Cool Ghoul) is not only a huge fan of classical horror films, but he also has authority over the subject.