#should we ship them?

[kaahmbem]

legend has it that the young witch circe and the once beautiful nymph scylla shared a complicated past...

[youchangedmedestiel]

Imo the best ending to Supernatural would have been to just stop with them alive on a random hunt or them finding jobs and living the life they just wanted or whatever.

And then the story just fucking STOP, because Chuck is not here anymore, so they are no longer part of a story they are finally free. And we could still write and read fanfic about how they live after they won.

[the-oracle-of-the-lost]

can 2024 please be the year where we stop acting like Jadzia's bisexuality was subtextual and that her queerness should be treated with the same validity as other common headcanons. i love queer headcanons! i love thinking about gay subtext (intentional or unintentional)! but i cannot possibly understand how kissing a woman, professing your love to her, and risking your future to spend your lives together is somehow subtext. (well i can understand because 1) fandom doesn't like to focus on queer women nearly as much as queer men and 2) seeing queer women who later marry men as somehow not "actually queer" is just. classic biphobia.)

[lucabyte]

you dream of devouring your friends whole

[voiider]

I need codependent Danny/Jason as a little treat (for me) and I love the idea of them having some sort of instant connection the moment they meet (bc ghost stuff idk)

Danny who's been dropped in Gotham with no way home (alt universe??) and he's been here for 36 hours and having a Very bad time senses a liminal being and immediately latches onto them heedless of the fact that his new best friend is shooting at some seedy guys in an alley and goes off about how stressed he is and how he can't make it back to the ghost zone and what a bad day he's been having (and it's important to note Danny is a littol ghost boy literally hanging off of Jason's neck as he floats aimlessly) and Jason is like "who are you??" And Danny is like "oh sorry I'm Danny lol" and then just continues lamenting his woes

And honestly ? This might as well happen. Nothing about this Danny guy(is he human?) gives Jason a bad vibe and tbh he's never felt more calm and level headed before so he just keeps up his usual Red Hood patrol and doesn't even think about it when he heads back to a safehouse and feeds Danny dinner (breakfast) before crashing for half the day

The only thing I actually need is Jason meeting up with the bats for some sort of Intel meeting and they're like "uhhh who's that" and Jason is like "that's Danny." And does not elaborate (very ".... What do you have there?" "A smoothie" vibes)

And it takes them a while to realize that these two have known each other for less than 12 hours and are literally attached at the hip

[4nju]

finished my season 3 rewatch and couldn't help myself

[kittykatstiles]

“why do you ship stiles with a grown man like derek” oh my goddddddddddd i’m so sorry that 15 yo me has no idea how old derek was and seeing him like an older boy whose stiles has a gay awakening on. i’m sooo sorry that years later i still chose to not taking teen wolf’s inconsistent writings and inaccurate timeline of changing derek’s age just for the plot convenience seriously. so sorry for being able to grasp how fictional age is an arbitrary number where i can change derek’s age however i want. i am sooooo so sorry for not being serious about his age because the show runners made it so sloppily. in fact i should be sent to the deepest pits of HELL!!!!!!!!

[feketeribizli]

diversity win! the cars from your childhood are bisexual

[boar-cry]

Gear Station is not haunted. No, Gear Station is alive and well.

A bit of an explanation below the cut:

I had this idea at the end of September, and it has had me in a death grip ever since.

I've always had a fascination with stories about haunted houses, of which aren't haunted by ghosts or demons or monsters, but are instead deemed haunted because the House itself is Alive. The Haunting of Hill House by Shirley Jackson, Anatomy by KittyHorrorShow, House of Leaves by Mark Z. Danielewski, just to name a few.

But after a while, it got me thinking; if a House could be Haunted, then what else could? What about other feats of architecture? How about ships or stations?

And if Houses learn to hate because they are abandoned by humanity, can other places learn to love because they are loved by humanity?

Anyways, this is a very VERY long-winded way to say that two of my special interests have combined into the idea of Gear Station itself being Alive and watching over the twins and its other inhabitants. Hopefully nothing bad happens after realizing an eldritch Being is possessing your workplace, and I hope nothing bad further happens after realizing it Knows you! 🫶 surely nothing can go wrong!

[floofle-universe]

Joyxiety or something

[poorly-drawn-mdzs]

jin guangshan and lan qiren yaoi perhaps? since their shapes create a perfect balance?

Two old men perform worlds first successful 96.

[worldsokayestdragon]

shipping Lucifer and Alastor but not romantically or sexually or even platonically but in a secret fourth way. enemies to enemies who hang out with each other all the time. kismesis without the sexy parts. a QPR but in this case the R stands for Rivalry. they both built their own tower on opposite sides of the hotel to avoid each other but neither of them are ever in those towers because they spend all their time in the lobby bickering. they have at least five musical showdowns a week. at first Charlie steps in to deescalate whenever it looks like they're about to actually kill each other but they're always like "we were just talking what's the problem?" so eventually she just leaves them to it. any suggestion to either of them about rising above it or trying to stay away from the other is met with some variation of "I can't back down and give him the satisfaction of thinking he won! also he's fun to piss off" Vox tries to start shit with Alastor and gets smited by the king of hell himself because Lucifer "can't let anything happen to my daughter's hotel's bellhop!" Lucifer seems down after an argument with Charlie and Alastor convinces her to talk things out with her dad who "isn't nearly as entertaining when he's moping about." at no point do they show any signs of hating each other any less. imagine if one of the most important and stable relationships in your life was based on mutual loathing.

[dykedvonte]

You ever just see a Mouthwashing take that makes you want to bang your head into a wall? I literally just saw someone claim Curly couldn't have been emotionally abused by Jimmy before the crash because he was in a higher position of power than Jimmy.

-Shrimp Anon

The mouthwashing fandom has shown me that people genuinely do believe that certain types of abuse are not as detrimental as other types especially when they deem those immune/resistant, ergo, believing one is objectively worse no matter how it affects the person nor the intersections of power, history and dynamics at play.

Get ready cause this is a yap session:

Cause like it's heavily implied that Curly and Jimmy's friendship was toxic and abusive, pointedly in the direction of how Jimmy uses Curly's belief/comfort in him. Curly wasn't forced to enable Jimmy but he was emotional and mentally on edge around him in almost every scene in some way. Mental and emotional abuse are not contingent on what positions you have at work. Yeah, he's Jimmy's boss but he was Jimmy's friend first and it's like getting into Psych discussion to talk about how social power tends to overshadow any perceived organizational power in the human mind. People are concerned about their jobs ofc but they tend to hang onto and put more value/investment into their personal relationships, hence why there tends to be laws and restrictions around mixing the two.

I always see the sentiments that "Curly is a grown ass man", "Curly is bigger than Jimmy", "Curly is Jimmy's boss", "He just needed a backbone" as criticisms of Curly and while I do agree that on the surface level all of these to be true and viable ways Curly could've taken more control of the situation, I often look at the parallels of Anya and Curly as victims of Jimmy pre/post crash.

The way Jimmy talks to Anya post crash is how he talked to Curly in the pre-crash segments. It's hard to pin-point mainly because we know he hates and wants nothing to do with Anya compared to his contrary but similarly handled obsessions with Curly. It's a weird sort of "honey-moon" effect of abuse Jimmy does in terms of emotional and mental victimization. He is always horrid to Anya, always talking down or questioning her abilities and thoughts in a situation, this of course includes the harassment and assault. However, he has a moment of attempted gentleness/conditioning when he question her about the mouthwash when she's contemplating drinking it at the table. The key difference is he has no personal investment in Jimmy outside wanting nothing to do with him, meaning there is no sort of romanticized version of him that he can condition her off of. He knows this, hence, why he always reverts to trying to make her to scared to oppose him.

This sort of give and take of "kindness" doesn't work on her because she knows he is just doing it to take more from her than whatever he could possibly give but it reflects even the "softer" scenes between him and Curly where he always rewords or rephrases Curly's sentiments and concerns to sound more shallow. He is feigning a deeper understanding by reworking Curly's emotions into something bad and needing to be hidden. Everything is laced with envy and resentment, an outburst just around the corner, I mean he even slams the table in the birthday party scene, a tactic in emotional manipulation to set the victim on edge and cloud their ability to respond. Even if Curly knows Jimmy won't get physical in that moment, the physical actions is intended to make him back down in the confrontation in case it does. This is something that is just not person specific. It ingrains itself into how you interact with the world and life and it shows in major and minor ways with Curly.

Post-crash, the abusive nature is more in tandem to the physical victimization Anya went through and the stripping of voice and autonomy we see take place. Like the parasite in HFIM, Jimmy speaks for Curly most of the time and puts words in his mouth, similarly to how he takes Anya's plans as his own. He very commonly, with the both of them mind you, supplements the worst aspects of himself into them; pettiness, selfishness, lack of understanding... And tries to cover himself with their best qualities; kindness, planning, initiative, etc...

These parallel are just to say that positional power has little to do with if a person can be abused and how it can even be flipped to further the abuse. There is no doubt that Curly could've picked up on Jimmy's envy of his position hence another reason he never confronted him as a Captain but as a friend as doing so would immediately put Jimmy in a space to be confrontational/combative.

I think the disdain some people have when they talk about the heavily implied if not implicitly stated emotional/mental abuse Curly experienced being Jimmy's friend is when treating it as an excuse to why he didn't do more. I can understand that completely because it is not an excuse to why he didn't do more but is a very real reason people in his position in these scenarios can experience whether in the context of a work or social environment. However, I also think the way people talk about it really does demonstrate a bigger problem when talking about abuse when somehow who is/was abused is either part of the issue or enabled it.

Harkening back to the sentiments about Curly's inaction regarding Jimmy, I think the exact phrases I used/have seen show how there is an inherent belief that it is easier to overpower the effects of emotional/mental abuse that go in tandem with the perception of Curly as someone who should be able to. There is not an age you suddenly stop being susceptible to abuse nor a set point or low where you realize how it has affected you. You don't suddenly know to stand up or put a face on to face your abuser nor admit that you inadvertently enabled them to subjugate someone else to the same treatment. Maybe it's my psych brain but their is this growing belief that direct action is somehow easy or always the best method with the game shows you instances where it is not always the case. In real life that rings true too. He should have done more, but it's not impossible to see why he struggled to find a way or didn't even if it makes us mad.

It's not easy to suddenly gain a "back-bone". You don't immediately want to resort to aggression, especially if it mirrors the type you were a victim to. You don't want to believe you allowed yourself to be treated this bad, let it get that bad or allowed something bad to happen to someone else. It is easy to be in denial, to retreat to your thoughts or make excuses to avoid the painful truth. It's frustrating but in a way we know is relatable. It why we both hate and love Curly for it. We know we'd be better, we think we'd be better, we like to think we wouldn't falter in the same ways but it's always easier to say that from the outside looking in. It's easy to see what he was doing wrong because we are seeing it, not him, but the game really does make you picture what you would do if this was your raw reality and it's why this debate about Curly seems so never ending/contradictory. We can all say what we'd do but bottom line is that's much different when you're in the moment with all the emotions and human feelings attached.

I personally think Mouthwashing tackles the themes of rape culture, enabling, toxic masculinity, types of abuse and patriarchy in ways that are meant to deconstruct the typical straightforward views we mostly have of these concepts and how little subtilities of them are just as, if not more, detrimental than the overt/obvious parts. The game deals with the idea of little details and bigger picture in a way to show that sometimes the bigger picture is not the issue but the little details that make it up. It's why I have a personal dislike of depictions of Jimmy as the typical horrible person who would of course do something like this because the game is about noticing the little warning signs, the foreshadowing and foresight.

It's why I dislike the typical discussion of "bro code" and "boys will be boys" for the game because the game makes a point to avoid the standard depictions of such. It is about the type of men who still enable despite not condoning, agreeing or even perpetuating harmful beliefs because they can't see the little details or the ways it seeps into their everyday. The severity is not obvious to them as it was not obvious to Curly, Swansea or even Daisuke the way it was to a woman like Anya. There are little details about Jimmy that should ring alarms but if you are too naive like Daisuke, too distant like Swansea or too conditioned like Curly, they are just off markers.

There is 100% more constructive/concise ways to say "Curly was a victim of Jimmy's abuse on an emotional and mental aspect that clouded his judgements and perceptions in the scenario" while also critiquing on the side of "Curly still had a responsibility to protect Anya as a crew mate and Captain that he failed to do due to biases and stigma's he failed to surpass" without the weird condemnation people give him about should've knowing better than to let himself be manipulated by a person he considered a close, if not family/best-friend and had his own reasons to trust initially. Also stop being weird about victims of abuse in general with this fandom, like sorry not everyone has a like social epiphany the moment someone's nasty to them. People are treating it like you immediately know when you are in a toxic relationship immediately or comprehend when a person is actively dangerous and either it's your fault for not knowing how to leave/cut them off or you deserve it. Like the hypocrisy of people believing how certain fans treat the story reflect their irl views but not their own is crazy.

End statement is: I honestly don't even know man, I've been writing this too long and just like no man on that ship was perfect or really helped Anya when it mattered and I feel like pitting them against each other in discussion on who did the least or most or how it was justified sucks cause in the end Anya always did the most and best thing for herself.

[unknownarmageddon]

hello kross nation

cross belongs to jael peñaloza killer belongs to rahafwabas

+ individual versions with notes!!!!

[alexandraisyes]

The cutest reminder ever that the way family works in TSAMS canon is that two parties have to be in mutual agreement that they are family. If one party doesn't agree then they aren't family. Parties can revoke familial ties whenever they want and that means they are no longer family.

"Code Relation" theory is stupid because you're then implying that Eclipse is Sun and Moon's child. Which he isn't. Or that Killcode is somehow Moon's child and his brother at the same time that he's Eclipse, Lunar and Bloodmoon's "father" at the same time that they're Sun and Moon's grand children. Like, we're seeing the issue here, right?

Don't make things more complicated than it has to be. Just accept the fact that family is literally determined by a verbal agreement between two animatronics and nothing else because none of them were born from wombs. That means respecting canon when characters in canon decide that they aren't comfortable being family (like Eclipse) or just straight-up disown everyone (like Bloodmoon). It's okay to have headcanons, but don't try to push them onto canon.

[starcurtain]

My favorite brand of Ratiorine is definitely:

"They both experienced immediate attraction upon seeing the other and are (silently) interested in the possibility of pursuing a relationship, regardless of their differences and the difficulties of their situations."

But also:

"Despite being two of the most hyper-competent people in the universe, they are absolutely idiot4idiot when it comes to romance or discussing their feelings, and they are about to make their complete inability to express themselves and court like normal people into everybody's problem."