#should i tag very character on this post even though most of them only have like one metion

[ravengards-rogue]

WHAT SET YOU FREE, BROUGHT YOU TO ME BABY.

rdr2 men + short blurbs about their favorite sex positions.

ft. arthur morgan, john marston, javier escuella, and charles smith.

✧ tags : SPOILER HEAVY, fem + afab!reader, unprotected sex, light angst (in the horny post is crazy im sorry fdkjjkds), very gendered language, javier says one thing in spanish (thank u @nanamimizz), a little sprinkle of plot with each (and some canon divergency), john co-parents w abigail, otherwise just horny. 18+

✧ wc : about 1.4-8k each (6.3k total)

✧ a/n : sorry for making a multi character post for the cowboy game its cooking me to death. my john bias is showing rip. title is from rebel yell by billy idol but i listen to the bvb cover

sorry about charles and javiers but if i edit this anymore im going to level an entire city using hollow purple technique. please rb if you enjoyed i worked kind of hard on whatever this is.

sorry for . the THIRD repost of this i promise i wont after this. its just really bugging me. PLEASE

.𖥔 ݁ ˖˚☽˚｡⋆ ARTHUR MORGAN + PRONE BONE ; 

It’s an odd feelin’ for Arthur. 

Wanting something, he means. Wanting anything as much as he wants you. He’s lived a less than quiet life up until now. And he ain’t the brightest, certainly, but living this kind of life teaches you many lessons. One of them being, it’s better not to covet anything. Coveting something you’re not entitled to, well—it’ll lead you places you wouldn’t want to go with a gun. 

Arthur has made the mistake of coveting love before, dreamed of a future so completely out of his reach he almost convinced himself it was possible. Dreamed of it so foolishly he’d even go visit a woman he very well ought to forget. It’s his problem, his burden to bear - always desiring outcomes unsuited to him. 

He’s just that sort of man he reckons. But he learned his lesson. He tries (tried?) to stay away from it after that. Tried not to pine too much for normalcy when such hopes had failed him twice. The loss of his child completely on his account and the loss of his love at the same fate. 

So, wanting you - well, he feels like the world's dullest fool. Really. How is it that Arthur had fallen in love with someone again? It had all just happened so quickly. You were another woman he’d saved from the O’Driscolls, though it wasn’t like you were no damsel. A lot of those men were dead by the time they arrived. That sort of perseverance would stick with you while you traveled together. Much like Sadie, you didn’t take well to housework - you liked to earn your keep. Though you’re not nearly so trigger happy. 

You’re quiet, thoughtful, well-read. Plus you’re good at making money. That’s why Dutch don't complain about you joining them, he figures. 

(Arthur tries not to pry into it too much at first, but he eventually learns that you’re gambling. Which is how you’re able to make such a fast turn around. A prim little lady like you makes for a fine poker player, and you love to play men out of their money. He thinks it’s one of the funniest and most interesting things about you. He can’t help but love you a little more for it. )

When the feelings in him start to stir, Arthur tries to overlook it. Arthur convinces himself, time and time again - that there’s no way he’ll grow more tender about you. Eventually, it’ll die down. You’re a decent woman is all, a kind one - who’s easy for him to love and even easier for him to confide in. In your time together, you often come to Arthur and you always seem to have some profound wisdom he is so sorely lacking. Someone easy to love, who does not expect much from Arthur at all. It’s only natural a lonely, covetous man like him would start to dream about you. He tells himself, it will pass eventually. Should he simply let it run by him, it will pass. But Arthurs a fool, you’ll remember. 

 Of course, by the time he understood all that - he already loved you enough that he couldn’t bear it. It was already too late and it wasn’t going to change any time soon. Especially not while everything changed around him. 

So, Arthur is undoubtedly a fool, but he’s lucky. He felt divinely blessed when you’d returned his feelings for him so politely. A coy little smile on your face, a laugh like you thought he was silly for being doubtful. Arthur tried to explain himself but you wouldn’t hear a word of it. Maybe that’s another thing he loves so much about you. There’s nothing he ever needs to explain. 

In any case, all Arthur seems to do lately is want you. Wants you when it’s inconvenient. Wants you before he wants liquor or a cigarette or some other vice. Any time anything goes wrong, you’re the first thing his mind can conjure up for relief. That pretty smile and that self-assured way of living. It’s hard to get time alone in camp. And Arthur is a man in love, so any touch could be enough to set him on fire. Last week you hugged his waist a little before giving him a kiss goodbye and he had to listen to you laugh yourself into a fit as he waited for…little Arthur to settle down. 

He don’t get many chances to be with you. Lay with you in that way that grown folk in love do. Though, if the two of you book it somewhere for a few days - the camp knows better not to ask where you’ve been. But it’s not often you get to really be together, where it’s peaceful to do that. Someone’s always hounding one of you to do something. 

Arthur is a lucky man though, like he said. Today he had time. Today he’s alone with you in a beat up little saloon and today he gets to do as he likes. He gets to be greedy. And it’s an odd feeling for him, really, to want something so bad he disregards everything else in the world for a little while. 

Feeling you, though - absolves the guilt for wanting. He’d be stupid to want you any less desperately. 

Arthur’s favorite way to have you is on your stomach. Laid flat, just barely pushed up against him as he fucks you deep. You’ll fuck like rabbits for a little while and Arthur will wear you out just like this, maneuvering you until you’re pinned all underneath his weight. You lose any fight you might have, too exhausted to worry yourself with pleasing him - and when you’re like that, you let Arthur take care of you. 

(He really ain’t talented at much, but he’s good with his hands. Being dexterous is part of being a talented shot. When Arthur has the time to spread you sweet in his lap and make you cum all over his fingers, he does so for as long as he can. At least until you beg him so sweetly otherwise. The same hands, soiled with gunsmoke, look so good so deep in you. At least in his eyes.)

Wet and pliable and helpless. Arthur loves you like that. He knows, he knows you’re anything but - but he’d be damned to pretend this don’t feel best. Tight, wet cunt so welcoming from all the pleasure he’s ripped out of you. Your bodies pressed together, your heartbeat pulsing through your skin. All sticky, honeyed need and animal desire as Arthur lets all of him sink on top of you. His heavy, lumbering form crushing you in - trapping you somewhere you can’t run from him. The curve of your spine pushed against his chest, ticklish. 

Every inch of his body that so wholly wants for you, Arthur aches to make you feel. Burn it in you lest anything happens that risks your forgetting. 

He can feel his hips meet your ass, backside squished against him - desperate for deeper friction. Whining. You’re whining to him so pretty, a pillow pushed underneath you to give friction to needy clit. 

Arthur can feel how much you want more. Maybe Arthur is greedy, but he likes that look much better on you. Your pussy is sucking him in so tight, silken walls pulsing with every shallow little measured thrust. Arthur lets his arm wrap around your neck, your face pressing into his bicep. You moan again and he laughs. 

“Arthur,” Your words come out in a messy slur. He lets his scruffy face press against your neck, a kiss behind your ear. He wants to kiss you all over. There’s not enough hours in the day. “Oh, god, Arthur,” 

“Still feels good, then, I’m guessin’,” 

“Shut up,” You huff and press your cheek into his arm. He doesn’t bother stifling his laugh. “Still feels…big. Stretchin’ me out—hicc—so much,” 

You really don’t try to rile him up - but you do a damn good job of it anyway. He groans, grunts as he pulls back and pistons himself in you. A gesture half-way between a kiss and the warning shot of a gun. The sound of skin hitting skin echoes, noisy and vulgar. Arthur don’t pay it much mind. He laughs against your shoulder.

“One of these days, that moutha’ yours is gonna get me in real trouble.” 

You giggle back at him 

“What kinda trouble is that now?” 

Even from your side glance, you’ve got that lovely little smile on you. Fuckdrunk and ingratiating, like you know he’s wrapped so tight around your fingers. And he is, like nothing else in the world could have him. A wave of possession curls up over Arthur, makes him press more of himself into you. Onto you. Another deep push of his cock, sliding against the tenderest parts of you. Staking some silent desire in you. He wants and wants and wants, and hopes that whatevers above him can forgive him for making the same mistake thrice. 

“Dunno,” Arthur comments, teeth grazing your shoulder and kissing the indentations “Got our whole lives together to find out, I reckon.” 

“I’ll hold you to it, Mister.” 

Arthur laughs. “Hope you do, Miss.” 

.𖥔 ݁ ˖˚☽˚｡⋆ JOHN MARSTON + COWGIRL ;

John doesn’t say that he loves you lightly. 

Hardly a thing he says can be said that way. Could never afford too. In an alternate universe where nothing goes wrong in his life, maybe - but he has a hard time picturing what the hell that’d look like. A version of himself so untainted, without all of the violence and blood and gunsmoke? Foreign. John can’t picture it worth a damn. 

Who John is without a deadbeat father and a dead Ma is somewhere far beyond his reach. Ain’t nothing about his life, at any point, lighthearted. 

On top of all that mess, he’s got a boy at age four with a woman he ain’t married too. And that relationship is always on rocky waters, even though John’s decided to do right by his own flesh and blood sometime ago. Most things in the world he should feel good about he doesn’t, and most things he should understand render him clueless. He’s a mess on multiple accounts, and he still doesn’t know how exactly he’s meant to approach this life of his. He knows what he should do, but nothing about how to do it. 

John doesn’t come to love you easily ‘cause he wouldn’t know easy love if it hit him in his face. Quickly and painfully, but not easily. 

Your return to the gang was an odd one. You were an old presence and your disappearance was an even older story. John thought he’d never gonna see you again for sure. You’d been a part of the gang back long before all of the nonsense that took place in Blackwater and you left about the time Arthur’s boy died. John don’t remember why you left exactly. He thinks it was a fight with Hosea, of all things.

 Dutch weren't too happy about it neither, but Dutch back then didn’t make a show. 

So you left, and John buried every feeling he ever harbored. You found all them again up in Colter, where you’d been living out your days lately. According to you, in the middle of riding, you thought you’d heard Arthur. So, somewhat recklessly, you went chasing him. Didn’t matter if he was just something your mind conjured. According to you, if it was him, it was at least worth checking to make sure. You’d reunited with Arthur and after some tears, he rode with you back to camp. 

Upon your return, the gang welcomed you with open arms. 

You’d done a lot in your time alone.You spent most of that time just like that, a ghost wanderin’ the planes. You weren’t gonna stay with ‘em, but Arthur insisted and Hosea did too. That wasn’t enough to compel, so John was last to chip in. You should stay, at least until Valentine. 

(Silently he thought, you should stay so John can trace memories of you. It was so long ago, he should’ve forgotten all of it. You were a year older than John and always on his ass but easy for him to talk to. Didn’t fuss over his failures. You just barely grew into your womanhood when you set your sights on running away. You wanted more than this life, and John never really forgave you for it. His first heartbreak, maybe - but it’s all too blurry for that. 

You understood him though better than anyone, and one day you were gone. Nothing’s really the same.) 

You changed tremendously and not at all. He missed you. God, did he ever. Missed you a long time. Didn’t realize how much until you came back and everything in him felt right again. Your return stirred up old feelings and everyone noticed. He wasn’t trying to keep it a secret, but he really wasn’t trying to fall back into anything with you. Not how he did. 

Just like you did back then, you read John like an open book. And just like he did back then, he loved you all too helplessly for it.  It was just all too easy again, to be with you. 

You stayed out of the way at first, for the sake of his family. 

But, John ain’t a half-decent man even when he’s trying to be. So he set himself on being with you. It wasn’t easy - most things with him aren’t as you’ll see.  Having you around again straightened what was left of his common sense, at least. He told Abigail before telling you. He figured you wouldn’t even reply unless that was all out of the way. That turned out as well as you’d expect.

 It was settled between the two of you thereafter. He’s lucky she didn’t toss him into the street. 

Everything works out in a way. As best they can between broken people. You make peace with each other. His boy loves you like a third parent (you’re better with him than John is). Abigail commends you for straightening out such a worthless man though she’s a little melancholy.  John just tries to stay out of the way. You’ll be together in the end. There’s a plan with the five of you. 

But until it all falls apart, he doesn’t get all that much time with you. 

There’s moments like tonight, though. Rare ones. Together out robbin’, cooped out some place in the woods where no one is around. A place so shaded by nightfall that John can absolve himself of every sin he’s ever committed in his life and pray at the altar between your hips. John is convinced he might find worship like he’s always hearing about there whenever he touches you, the marred skin of his hands and knuckles reading the scripture of your body with careful precision. 

You might turn him into a literate man yet. 

John glances up at you. Only the light of the fire and the moonlight there to accompany as he watches you over him. You’re beautiful. John couldn’t picture a single thing more perfect in his life. 

Your hands against his bare chest, nails digging into the flesh as you lean forward. Your palm dug into the dirt, John finds his own hands rested at your hips. John looks at you awe-struck, cock twitching at the mere sight. His heart settles in his throat, but he’s calm all at the same time. With you, he forgets. All of it. The worst of himself. 

Bare naked and so close, he watches your face as you strain. You feel soft. Every inch of you in comparison to him is. A bead of sweat slides down the valley of your breasts. John cranes his neck up to catch it with his tongue, licking a stripe up to your neck - letting his teeth sink into the space between your jaw and neck. You want to make it last and John doesn’t blame you. It’s so rare you get to have each other so unrestrained. John can feel all the ways you want him, can see it in your face - all pinched with need. You’re holding yourself back, trying to get it to last as long as the night will allow. It’s cute in a way.

It’s different than how he’s used to seein’ you, all cocky or otherwise. You’re needy like this. Just needy. His stomach turns with lust, jolting through him like a strike of lightning. His cock twitches against your folds, sliding against them. Pure admiration watching the sticky mess of his pre-cum and your own arousal mix together and smear on your mound. You make a soft noise in the back of your throat, faint and tender as you fall forward just a little. John laughs against your neck. 

“Darlin’,” He says with a huff. Not malice. Something akin to bliss, where he can rarely afford it “Have I done something to piss you off today?” 

You pick yourself up and look down at him and frown. John kisses the corner of your mouth, resisting some crude desire to fuck up into you. 

“Just,” You grunt as the tip of his cock passes over your throbbing clit, your whole body wracking to a shiver. John looks awed. “Pent up. Goddamn it,” 

John figures it out quickly after that. It’s this part of it he likes. The proximity. The closeness. Feeling the tremble in your hands as they struggle to keep up right, muscles strained in your forearms. Being able to hold you, to keep the pace or let you take the lead. The clear view of your face as pleasure travels up through your spine and melts into you. He grabs your hips, the fat dimpling underneath his fingers as he moves you along. He can’t wait. You don’t bother to protest seeing John can’t seem to bear it anymore. You collapse into his chest, your tits pushed flat against his pecs.

His cock throbs near painfully, sliding against your soft cunt before finding himself lined with you. He thinks to himself that it’s this he was looking for, as he tucks your face against his neck and lets his tip stretch you out slowly. Such a vice like grip, stretching - resisting him like your whole body can’t anticipate the sensation of fullness. You gasp against his throat. 

“John,”  

What a sweet sound from your mouth, even sweeter as he bucks himself up. Keeps you steady and lets his cock stretch you full, feel you deep. “That’s right, my angel. Didn’t think you’d remember my name when you’re all worked up like this.” 

“You’re,” You gasp and John thrusts, thrusts hard until he’s buried to the hilt. You shudder, walls pulsing around him as he bottoms out and John laughs like the terrible man he is. He fucks you again, over and over - a wicked little smile watching “Awful. Just awful, John Marston,” 

“Ain’t that the truth,” He hums against your mouth as his hand snakes between your bodies, thumb rubbing against your clit. “Wonder what kinda woman that makes you,” 

“A foolish one,” 

John laughs. 

“I sure do love you for it,”

.𖥔 ݁ ˖˚☽˚｡⋆JAVIER ESCUELLA + SIDEWAYS ;

Javier hasn’t thought about much other than surviving. 

It’s been like that. Been like that for a while, probably much longer than he cares to admit. He’s sure any sane man would suffer the same plight if they lead the same life. Anything but survival is little more than a pipe-dream, so Javier tries not to go for anything too strongly. In that aspect he’s like many of the members of the gang he’s in, perhaps that’s why he sticks to them. There’s that phrase Hosea’s always saying - that misery loves company. Javier will take any decent company he can get.  He’s desperate for it just like he’s desperate for most things - inwardly, silently. 

Some of that desperation may be symptomatic of who he is. After he killed a man in a crime of passion for a woman he loved and ran from a government who would sooner exile him than change, Javier decided to not dream anymore. Every revolutionary who dreams too hopefully pays the price in blood.

(Javier thinks there’s probably nothing in the world as true as this. A form of gospel. He remembers the first dream he ever had after his uncle passed. Not a nightmare but a dream. He remembers the exact feeling of waking up, cold and confused. What is a dream, except a memento of survivor's guilt that loyal people cling onto fruitlessly. When hope starts to feel like a debt he’s going to waste his life paying back, Javier loses sight of everything. The beginning of the end in some way.) 

His mind doesn’t occupy itself with anything bigger than that. Since Dutch found him starving, there was never a desire to try and live off aspirations. He pays his penance with loyalty and honor. Practices some form of humility and tries, not too desperately, to carve a place for him to fit. All without drawing too much attention or caring too much. If you ignore the bleeding in his fingers, his penchant for knives over guns, and his refusal to talk too long about the place he comes from - it’s nearly believable that none of it matters. 

Except loyalty. All Javier honors is that. It’s the only thing he has some part in choosing, so he choses it every time. Living like that didn’t make any difference to him. He was surrounded by mostly decent people. He didn’t hate the life he was living. 

It wasn’t important. It didn’t matter. His directionless-ness, his floating. Hadn’t since he joined the gang. At least not to anyone but him. He didn’t know what he’s meant to do or if he was meant to proceed with this forever. He was (is)  loyal to Dutch. To the gang. 

He hadn’t thought much about what comes after. 

And it didn’t matter until he met you

He’d sworn off love after seeing where it got him, at least until he could love more dispassionately. When the women bring you back from their outing from Valentine and beg Dutch to let you stay, Javier doesn’t think much of it all. He thinks you’re pretty, if it counts for anything. But he doesn’t let himself linger on you too long. 

But that’s the sequence with you two, really. The whole time.  He doesn’t linger until he does. It doesn't matter until it does. He doesn’t think about you until it’s all he can think about. 

You go for him first. And it’s in little, unimportant ways that might not mean shit to you but mean a whole lot to him. You have some kind of tenderness about you that you wear deep, runs through your blood like love ran through his once long ago. Some softness he can’t really measure with his own. It’s not that that gets him. It’s that sometimes you look at Javier like he's … someone you want to see. He forgot what that was like all together. It felt foreign to him the first time it happened. Seeing how you light up when Javier is around. 

You wanted to see him. You noticed that he’s gone. If he sang by the campfire - you’d sit by him and listen.  If he was out in the trees keeping guard, he’d hear the soft call of your voice to Grimshaw ask Where’s Javier? And sometimes the girls will make fun of you - but you wouldn’t deny anything they said. It’s so small and ordinary. He would’ve never considered himself simple before meeting you. Nothing is simple. Nothing. 

(But then, Javier thinks of the kinds of songs he sings and the way he takes care of himself and the clothes he wears and maybe Javier has some kind of affinity for preciousness that explains all of it.) 

When Javier confesses his feelings for you - he finds the affair to be like most things between you. Ordinary love, not really between outlaws but people. It’s up against a tree while you share a drink and he’s looking at the curve of your mouth and the plum color Karen’s so kindly put on you. And his head fills with kissing you so he does. A breathless confession between alcohol stains and the feeling of your hands curled in the lapels of his suit. 

From there, Javier is your lover. He’s not interested in the business of secrets, but he tries not to let it show too much. Not that he doesn’t want to. He wants to show you off more than anything - at least some part of him does. But the other part wants to keep you away from prying eyes, keep his love for you only where the both of you can see. If he could keep that pretty lovestruck face you make all to himself forever he would. 

When he gets a chance to whisk you away from everything, Javier jumps at the chance. Not often, but Javier makes time for you. Makes time to indulge in love he thought he’d  never find again. 

That’s why he’s here with you in the middle of nowhere, a ghost town where no one knows you.. A reserved room with a bed and lowlights all to yourselves. 

Javier can’t keep his hands to himself and he doubts you expect him too. 

For Javier, this sense of proximity is what intoxicates him most. The warmth of your bare skin in the slivers of yourself exposed. Javier is fond of finding you like this after a long day of horse riding. Of sneaking touches to your waist as you push back against him to sleep, only to find his desire for you - laid clearly. He likes hearing you whimper feeling his length poke against your back, the embarrassment when it dawns on you that he wants you after all. Always surprised, even though Javier tells you it so often. Whispers it along your neck and shoulders whenever you’re at camp together.

You like the feeling of his hands so Javier always starts with them. He squeezes your hips. Planes his palms over your chest before squeezing your chest, pushing the fat between his fingers. You like the way  they look when they grope you, his chin resting against your shoulder as you spoon. In the lowlights of a cheap hotel - Javier gets the perfect view of your silhouette. Your body is sensitive over the fabric of your gown, heat prickling through you. 

Javier who is always so gentle with you, rouses so deep listening to your whining as he explores your body. The suffocating closeness of a single bed intoxicates him. 

“Javier,” Your voice is sweet and thin. Plays in Javier’s head like music and makes his mouth curl up into a catlike grin as you push back on him.  You look slightly over your shoulder, lips pushed into a pout. “Please,” 

He tugs at the fabric of your nightgown. The top half pulls haphazard underneath your tits, nipples perky and sensitive to touch while the skirt pools at your waist. What gets Javier like this is the desperation. Wanting so much but not being able to look too long. A way for you to mirror him, it’s a matter of possession. In some stupid way. Bunching your clothes up, pushing the fabric of your panties to one side, letting his arm wrap around your waist to touch and tease.  All of these are imprints of his longing, tucked faithful into your side as he whispers sweet nothings into your skin.

His cock twitches as it pushes past your folds with finality, your hands curling up at your sides.  You whimper softly, let your cheek rest against the sheets as Javier takes you on your side. Terribly close, you fuss as you feel him slide every inch into you slow, your hands reaching back for purchase. It’s the fit of you against him so perfect, the silent strokes of intimacy, the hush-hush giggles between the sheets that Javier loves most about fucking you like this. Too enamored with you to look too closely, he lets his eyes flutter closed. He could get drunk just being in your space. 

He carves out space for himself inside of you, feels your cunt accommodate for him like it loves him. A feverishness breaks out as his forehead rests on the space between your shoulders, an uncharacteristic whiny quality in his words. 

“Ser mío,” Javier says - as a reflection of what he really wants, to belong only to you. “Belong to me.” 

Darling as you always are, you nod softly. 

“All yours, Javier,” You whimper, finding his hand. “Forever,”

.𖥔 ݁ ˖˚☽˚｡⋆ CHARLES SMITH + MATING PRESS ; 

Wandering. 

He’s been doing it his whole life. Not something he’s proud of. Or ashamed of either, really. Just how things have gone for him until now. Charles doesn’t think his life has been any better or any worse than anyone else's. At least not when he weighs it with the same kind of pragmatism he does most things. It’s been a hard life, and a miserable one in so many ways. Still, it’s not something Charles is too keen to dwell on. 

There’s just something thematic about loss in Charles' life in a way he finds completely unpleasant. It’s more constant than anything. Loss of his home, loss of his mother, loss of his father in an attempt to find what’s best for him. It’s some overarching message that hangs over his head like a shadow. Everywhere he goes, trying to rectify his own solitude seems to come back to him. It doesn’t help that it’s an unfair world to start with, and would’ve been if he had just been black or just been native. But Charles is both, and has lived a life that reflects that specific injustice thoroughly. 

There’s not really anything Charles can do about it, at its baseline. When he left his father, the name of the game had simply been survival. He was well-equipped enough for that at least. But after survival comes trying to live and trying to live isn’t something so simple. Jumping in and out of gangs who thought they could get away with slighting him or generally being surrounded by unpleasant people. Trying to find something in pages of book and scripture, or in the way water ripples when it rains. 

He’s never felt any one way towards the gang. Even when he joined them all the way back in the Grizzlies. Lost in the cold, they’d crossed paths as Charles was out hunting. A lot of it feels like a blur. Of all the folks he’s met in his travels though, Dutch treats him fair and the rest of them (or most of them) are decent, honest folk. Charles stays in the Van Der Linde gang for such simple reasons as trying to stay alive and be somewhere that isn’t actively hostile towards him. He’s a good gunman, and a better fighter. The inner workings of gang politics and forging connection isn’t at the forefront of his mind, with the exception of the kindest few. 

The Van Der Linde gang is just a place where he can figure out what his purpose is meant to be, even if he doesn’t find it there. He’s never expecting anything to come out from his loyalties to it. 

Of all the things Charles expects of his life in the Van Der Linde gang, love is at the very bottom of the list. 

Maybe it’s about time he stops being surprised by these things happening to him one or way another.

 You were a member of the gang far before him, and someone Charles took to quickly. You’d joined the gang not too long after John from what Arthur tells him. Though the brunette speaks about you more fondly than he does his brother. A problem child at the start, according to Arthur - always getting into all sorts of trouble. Something you seemingly feel embarrassed about now and refuse to bring up. Charles has a hard time picturing it having only known you as you are. 

The woman you’ve grown into is someone else completely, and Charles sees that in you all the time. Compassionate like Hosea but charismatic like Dutch, and clever. And you’re beautiful, too, though Charles feels a little shallow admitting that’s part of what drew you into him. 

It wasn’t Charles that approached you first. You were the one who spoke to him, as often as you thought necessary but never in a way he found invasive. He doesn’t know what it is exactly about you that charms him near instantly. You’re enigmatic to a fault. It’s like you always know exactly what to say and exactly when to say it. Even more than that, you’re a terribly pleasant person to be around. Subtly warm and free of assumptions. When Charles talks to you about anything, you listen without making him feel like it’s any sort of burden to you. You don’t pry, don’t make missteps. Treat him fair, and then some. 

It’s unbearably simple, just how quickly and how easily he comes to adore you.  And, in some ways, Charles knows better than to believe that his purpose is loving someone. There’s more to it than that, surely - after everything. 

But then, he’ll watch you do something. Watch you do some kind of menial work that he could do for you instead. Thinks of skinning animals for new clothes and chopping wood and rubbing the soap off of you and all of a sudden it makes him feel anchored. Everything he could do for you. You anchor Charles easily, with a wispy smile. Make him want to find purpose in life with you. He never wants to be somewhere you’re not. 

He confesses it to you just like that, and like you do with most things - you accept and reciprocate without making too much of a fuss. 

For Charles, making love is an extension of wanting to ground himself in you. A distant siren song - the intersection of lust and bone deep adoration. Like most things, you’re the one to approach first every time. A soft hand on his forearm, a whisper that you want him. It’s with ease that he draws you away. Drags from you camp during nightfall with his horse and blankets and picks a spot with the perfect view of the stars. 

Charles watches you under the glow of moonlight, his vision adjusting to you easily. Naked underneath him, laid on your back with your legs folded at your knees - heaving deep breaths. He can see the sweat beading down your skin, your chest rising and falling - and the perfect view of your pussy. His hands and mouth are wet as you breathe out. He finds himself smiling at you, his own erection pressed against your thigh, pre-cum leaking out in a mesmerized haze. 

You lift your hands up and he leans down, surprised as you wrap them around his neck and pull him closer to you. Your mouths meet like that, and Charles laughs against your lips as you kiss him so eagerly. You blink at him, pretty. You’re always prettier than he remembers you being the last time he looks. 

“Charles,” You frown at him. “It’s impolite to keep a lady waiting,” 

He kisses the corner of your mouth. “Sorry, my love. I don’t want to hurt you,” 

“Well, I’m fine with it,” You repeat, almost petulant. Charles frowns. “‘Sides, it ain’t my first time taking you, you know?” 

“Well, I’m not fine with it.” 

You pout, looking at him all endeared. Charles couldn’t help but love you even if he tried. “You ain’t gonna hurt me. C’mon. Please?” 

“Please, what?” 

You look at him aghast before breaking out into a faux-scandalized giggle. “Now you—please fuck me. Pretty, please.” 

Charles feels something tickling against his spine hearing you say it. He couldn’t imagine getting sick of you in his whole life.  “Yeah, that’s good to hear.” 

You make an indignant noise but it’s silenced quickly as Charles positions himself against your entrance. He has plenty of discipline when it comes to matters like these, but right now - he feels like he’s going to lose his mind. Not nearly enough patience to wait. He lets his hands go up underneath your knees just to have something to hold onto. 

You make a little gasp as the tip of his cock pushes into you. Your walls are so soft, likely after all the orgasms he’d given you prior. You stop him in a shocked gasp, and Charles immediately readies himself to pull out. As if sensing his hesitance, you shake your head. 

“Charles,” You gasp, the words caught in your throat and hoarse “Deep. Want it deep,” 

His abdomen tightens, cocking twitching hard at your words. He agrees silently to your desires. 

When it comes to sex, there’s very little Charles dislikes.

But this is his favorite. He’s simple but no other position lets him see you so close. He likes the way your eyes widen as he pushes up underneath your knees and folds you underneath his weight. How you look pinned down under him, the perfect view of your eyes rolling back into your head and the proximity from your face to his. He lets his cock stretch you out slowly, throbbing each time your nails dig desperately into arms trying to keep your composure. Fuck you feel so tight like that. Soft pussy, dripping and sticky. You suck him in relentlessly, and Charles groans as he bottoms out. You take every inch of him so well. So perfect like the rest of you. 

Your eyes flutter open as he stays there, buried in you in complete bliss. You’re dazed. 

“Kiss?” 

Surprise followed by adoration, he abides by your request easily. Overwhelmed with it as he presses a chaste peck to your mouth, he laughs. “As many as you want.”

Anything you want, Charles thinks, he would give to you. 

.𖥔 ݁ ˖˚☽˚｡⋆

[darkficsyouneveraskedfor]

Great Expectations 1

No tag lists. Do not send asks or DMs about updates. Review my pinned post for guidelines, masterlist, etc.

Warnings: this fic will include dark content such as noncon/dubcon, power imbalance, age gap, and possible untagged elements. My warnings are not exhaustive, enter at your own risk.

This is a dark!fic and explicit. 18+ only. Your media consumption is your own responsibility. Warnings have been given. DO NOT PROCEED if these matters upset you.

Summary: Professor Holmes' class is your most difficult, but he's about to make it even more challenging.

Characters: Sherlock Holmes (modern AU)

Note: It was a drabble then it weren't.

As per usual, I humbly request your thoughts! Reblogs are always appreciated and welcomed, not only do I see them easier but it lets other people see my work. I will do my best to answer all I can. I’m trying to get better at keeping up so thanks everyone for staying with me.

Your feedback will help in this and future works (and WiPs, I haven’t forgotten those!) Please do not just put ‘more’. I will block you.

I love you all immensely. Take care. 💖

You're not certain. Not at first. But when are you ever confident in anything?

Yet you're assured by the dark curls and vibrant eyes, the slanted brows never devoid of judgment. More than anything, it's his posture that confirms his identity. Professor Holmes is staunch and indomitable even as he browses shelves of antique style pens; crystal, wood, and brass. He considers each as he would every word of a term paper. 

You're doubt turns to what to do next. Do you say hello? Or pretend you don't see him? Would he know either way? You're fairly convinced he can't pick you out of the lecture hall. 

So you do what you do best and fade into the scenery. You trail along the shelves and dip around the other side, putting your attention to the spools of thread, organized in a perfect spectrum of hues. As you mindlessly touch the thread, your mind wanders back around the row.

You would never expect to see the professor there, though honestly, you've never thought of him outside the classroom. You avoid that as much as you can, you stress enough over his unattainable standards. His is the only class which has you below an A. 

You contemplate the silver twine. You've been looking for the very thing and yet the price is much above your budget. All that for some shine? 

You move on, turning around to the balls of wool and needles arranged from thinnest to thickest. Your ears are pricked by the familiar timbre. The professor's voice carries as easily as in the lecture hall. You try not to listen but you can't help the instinctive decipher of each syllable. 

"Are these genuine silver?" He asks, presumably of a passing associate.  

"Um, I'm not sure, sir," the squeaky adolescent reply is met with an impatient sigh. "I work in the back." 

"Work in the back doing what? Sorting stock? Do you not know what you put on the shelves?" Professor Holmes' disapproval is unmistakable.  

His tone make you want to run. It is the same detest wrought into the feedback scribbled in the margins of your assignments. If it isn't perfect, it's not acceptable. 

You should go. You don't have the money to waste on hobbies you don't have time for. Nor do you relish an encounter with the very man responsible for your lack of free time. 

You make sure to walk toward the far end of the aisle and avoid any possible sighting. The very thing you meant to distract yourself chases you from your procrastination. Two days before your paper is due, and you've not even touched the readings due for that week's class discussion. 

📕

You’re barely awake as you claim a seat in the melancholic lecture hall. The coeds are silent, only yawning between slurping from paper cups, or slumping dangerously over the narrow armrests. There’s a dour commiseration in the air; a sort of resignation. 

Papers are handed in and yet the outcome is almost assured; Professor Holmes will surely find at least a dozen reasons to dock marks. Sometimes it seems even the font can draw his ire. Yet, there is more to be done. He will expect a lively discussion before that three-hour block is done and if he doesn’t get it, you will all sweat for it. 

You flutter through your notebook. Unlike your other courses, the paper is crinkled and the writing is erratic. Each week sees you with at least another twenty pages added to the reading list. You don’t understand how anyone can keep up with it all; the work alone is as much as all your other classes combined. 

You jump in your seat as his even-keeled voice rolls through the air. He hardly has to project as his baritone fills the large room. You look up and fumble for your pen. Professor Holmes doesn’t permit devices. The last person caught merely looking at their phone was dropped from the course. 

You chew the end of the pen as he begins his introduction, but not without a sharp remark about your midterm papers. It’s as if he’s already made up his mind that you’ve all failed. There’s no bell curve in this class, just an impossible mountain. 

“To make it simple,” his accent lilts off his tongue, “I’ve decided we will do things a bit differently this week. I will have you sort yourself into groups and each will discuss an assigned article. At the end, we will reconvene and you will nominate a member to present your conclusions. You may use our usual guiding questions for these purposes.” 

You nod and furrow your brow thoughtfully. The idea of splitting into groups is daunting on its own. It’s one thing to put your hand up amid the wide sea of your peers but it’s another to parse yourself down into a smaller group amid strangers. Despite weeks of sitting side-by-side, you don’t really know anyone. They all seemed to have made friends before that and made no effort to find any more. 

“Well, off you go,” Holmes flicks his fingers, “you’ve two minutes to arrange yourselves. I’m no kindergarten teacher, certainly you can figure it out.” 

There’s a low murmur then a lull before anyone moves. You hear the chatter that connects the smaller pairings to each other; aren’t you in my econ class? Oh, you were at the Delta party? You gather your notebook and stand, searching for an in. 

“Um,” you approach the nearest cluster of bodies, ���room for one more?” 

It’s as if you’re invisible. You wince and clear your throat. Before you can try again, a deeper ahem comes from behind you. You crane to see over your shoulder. Professor Holmes stands at the end of the row, one brow arched as he crosses his arms. His old-fashioned vest strains as his chest bulges against the buttons. 

“Eh, she’s in need of a group. Have some manners.” 

You’re surprised by his intervention, but grateful. You try to smile but it’s probably more of a pathetic simper, “thank you, professor.” You nod and turn back to the other students. 

“Uh, sorry, yeah, can I tag along?” You ask. 

They shrug, none of them daring to ignore Professor Holmes. You sit at the edge of the group, heat speckling up your back in embarrassment. The others as good as ignore you as they go back to complaining about their papers. 

“I didn’t sleep,” a blond you think is named Ethan mutters, “fucker had me tearing out my hair.” 

“Yeah, I was supposed to go to a Barbie party but I need this class,” a pretty redhead rolls her eyes. 

There’s at least ten other students circled between three rows. You glance around at the others as they bow and chatter in kind. You shuffle your notebook in your lap and lean in, trying to seem involved. 

“Right then, you,” Holmes points to your group, “take Jones et al,” he moves his finger towards the next group, “Halloway,” he continues down the list of readings as silence pervades the space.  

It isn’t until he bids you to start that anyone dares speak again. The professor paces at the front of the room, hands in his pockets, as his longs stride take him from one end to the other. As you watch him, he seems to sense it, and his blue eyes meet your own. He hardly reacts before he puts his attention back to his repetitive route. 

“Alright, so Jones et al,” you redirect your attention as your peers continue their griping over lost sleep and shitty coffee. “So uh, we should go over main arguments first--” 

“Didn’t read it,” Ethan scoffs and two girls giggle. 

“I don’t know how that tight ass thinks we have all day for the stuffy bullshit,” another guy snorts. “Some of us get laid.” 

You blanch and chew your lip. You look around and receive only agitation and indifference. 

“Since you’re such a smarty pants, why don’t you do the presentation, huh?” The redhead chirps, “you always have so much to say.” 

You frown. You only put in what you need to get a decent mark. You’re hoping the discussion grade can save you from your disastrous first assignment. Besides, aren’t you all facing the same foe? Shouldn’t you be allies? 

“Well, we should talk about the article a bit. Did anyone else read it?” You insist. 

You don’t get an answer, only scoffs and sneers. Shoot. You look down at your notebook and shrink into yourself. It’s just like high school. You’re the one building the diorama by yourself until midnight. You’re the one doing all the talking in the class debate. 

You scribble notes in the margins as the other garble on about some party and the new cafe opening up at the Student Centre. You keep a hand on your neck as the heat builds under your skin. You should’ve just stayed on your own, not that you have much of a choice. None of them even want to acknowledge you. 

Professor Holmes calls time and you pop your head up, catching your glasses before they can bounce off your nose. You fix them as the lecture hall hushes and you all twist and turn to see the professor. He walks up the centre aisle and points to the group in the very back. 

“You, come on,” he demands. 

There’s crinkling of paper and scratchy coughs. A guy in a polo sweater stands with a cluster of lined paper in hand. He reads out with fractured syllables as if he can’t make out the writing. Professor Holmes sighs and you glance over at his scowl. He’s not impressed. 

“Right, and beyond the obvious, what were your final reflections? Did you have a single thought about the author’s narrative on the consequences of the railway on colonized communities?” He pauses and waits, tapping his clefted chin. Silence. “Mm, absolutely compelling,” he remarks dryly. 

You gulp as your group fidgets. Holmes jabs a finger at another group, calling out a student by name, “thank you for volunteering.” 

The woman with the buzzcut stands, looking nervous as she peers around her group members. She sways and wets her lips, playing with the ring around her lower lip. She laughs nervously before she begins, pausing and umming and ahhing. 

“Enough rambling,” Holmes shakes his head and turns toward your group. Your eyes go wide as the rest peek over at you. You rise as the professor stands just at the end of the rows. “Ethan, you seemed to be doing most of the talking, let’s hear it.” 

Ethan grimaces and sends you a look. He shakes his head. You shrug. You don’t know what to do. You offer your notebook and Holmes clucks. 

“I’m sure he can do it himself, he’s a big boy,” Holmes insists, “let’s hear your take on Jones et al. They have some rather interesting arguments about the cultural significance of the Silk Road, did they not?” 

Ethan exhales and stands, a tick in his jaw as he faces the professor. You chew your cheek as he stutters, “well, what we were talking about was that... er, the Silk Road... um...” 

“Yes, yes, you made some rather intriguing arguments about the Gammas, didn’t you? And how you have so many important things to do, eh? Well, Ethan, if you can’t keep up, you don’t have to bluster,” Holmes reproaches, “your boasting does suggest incompetence over importance.” 

Ethan chokes. There’s a low titter of laughter from further back as the rest of your group stares at their hands. You hug your note book and lower your head as well. 

“Come on, then,” Holmes wags his fingers and calls your name, “stand up. Let’s hear something coherent.” 

“Oh, uh,” you lift your chin as Ethan falls into his chair with a snarl. You get up and focus on your notebook. You swallow tightly before you get your vision to clear, “typically when we think of the, er, Silk Road, er, we fixate on, uh, on uh, on the movement of goods such as dyes and, and, and rice...” you can’t help your stuttering. You just know the professor will have your throat next, “but Jones et all argue that, ummmm, um, the movement of peoples and contact between various cultures is just as... as important--” 

“Ah, yes, someone has done their work,” Holmes proclaims with a clap. 

“All of you. One thousand words on your groups assigned article by the end of the week. You may drop them off at my office.” 

“What?” Several students burst out in shock. 

“It is an individual effort, yes? Not a group project. You have until Friday at 6pm.” 

“Professor,” a woman whines from the back. 

“Would you like a thousand more words?” He turns to face the lecture hall completely, “no, alright then. I can be generous. You may go early so that you can catch up on your readings.” 

He smirks and tilts his head smugly. He spins on his heel and strides down the low steps to the front podium. You glance down at your notebook and slowly flip the cover. 

“Fucking browner,” Ethan growls. 

[xitsensunmoon]

Biting the Hand That Feeds au FAQ (Vampires + donor au)

Any general content warnings for bhtf au?

Yes. A normal amount of fnaf warnings, a normal amount of vampire warnings. For someone who doesn't know I elaborate... For vampire stuff, the most obvious ones are blood, hypnosis, bites, and animalistic behaviour. Less obvious - slightly suggestive themes. For fnaf - fnaf's usual violence, dark themes, a drop of gore and murders. The lore is uh. Very dark. I will try to decrease the amount of all of the cruelty but man. People who know, know how hard it will be. But I will tag everything properly so don't worry.

Is there a fic for your au?

No. And currently, I'm not even planning on writing one.

How do I find the story?

For now, we have two comics that are directly connected and one that doesn't have a specific place in the story but is about canonical lore.

[ 1 ] - [ 2 ] - [ x ]

In future, we will have more and I probably absolutely will forget to update this post so I recommend checking the tags. Here's the tag list

Tip: don't click the tag. Tumblr hides half of the results. Type it in the blog's search instead :)

Are the comics the only canonical thing about au?

No! I answer asks and draw a lot of doodles with bhtf au all the time and 90% of them are canon. You can, yet again, find everything in the tag list linked in the previous question.

Can I draw/write fan stuff for your au?

Yes, please!! I'm always happy to see fanart and fan writings and literally everything that you do! Just tag me when you post and use a fanart or fanwriting tag for au specifically so I don't miss it!

Can you include my characters in your story?

No, unfortunately, I cannot. The story is already written and I don't have any "space" for background characters either. Maybe it will change but currently, things are like this.

I asked a question with an interaction with my characters and I never got an answer, why?

I don't accept such requests. I'm not ready to spend my time drawing other people's characters for free(if I personally don't want to, of course)

Is there any limit to how many questions I can ask?

No, not at all! You can ask all you want just please make sure your question wasn't answered before. There is a big possibility I will just simply delete it if it was answered beforehand many times. Check the ask tag for it.

What about limitations? Any boundaries?

Please no questions about tickling🧍‍♀️ I got so many of those it already makes me uncomfortable. And for some reason, a lot of people send asks that include violence towards my characters and while I don't really feel uncomfortable with this I just idk what to answer and why are you even doing this lmao

What questions I should avoid?

Well, not really avoid but I will mention it anyway.

The things I have planned to draw right now:

- Sun and Moon and y/n's first meeting

- The creation of Sun&Moon

- Why S&M are sensitive to light and darkness

- How they hunt

So no need to ask me about these. I will show it, I promise.

What about sexual themes?

I understand that I post a lot of suggestive stuff and it may appear I allow such a thing but no.

You can create content with it tho, I don't mind for the most part. Just be ready that I may not reblog it, as my Tumblr is a SFW place. It's always 50/50.

Romantic themes?

I do draw some kisses and cuddles when I feel like it and you of course can send ideas for cute interactions but in the story we're very far away from it lol.

My question gets ignored even though I followed everything that you mentioned here. Why?

Answered in main FAQ.

Can I share the ideas for your au with you?

YES!!! Yes, yes and yes! I'm very open to that, like yes! The only thing that I definitely want to mention - you should expect that I actually can take your ideas and use them. Some people are protective of their ideas so if you're like this you probably should not share them with me :)

The information that you're using for your au is wrong.

Happens sometimes yeah. I know nothing about any medical stuff for y/n so I usually improvise. After all it's an au about robotic vampires man, this information is absolutely wrong. But! You're free to drop feedback/constructive criticism in my inbox!

Will be updated later

[zgvlt]

sending your crush a survey form hcs part 2 second years x reader (separate) -> riddle, ruggie, azul

author's note: jade, floyd, kalim, jamil, and silver will be posted separately because of the tumblr image limit, i can't fit them all into one post (also i'm having trouble with massive lag for this post as is huhu)

general tags: gn reader, fluff + attempt at humor, sfw, not beta read, mix of text and images (for images, alt text/image description available)

part 1 w/ first years

character: RIDDLE ROSEHEARTS premise/trope: sending Riddle an "academic survey" to answer

HOW HE REACTS WHEN YOU SEND THE FORM LINK

You've done too good a job at making the link look legit, at hiding your intentions. Using a link shortener like twst.ly so that no preview would show up, talking about how you needed respondents, all that jazz.

Riddle would help any student in need (academically) if he was capable of doing so, he was just that kind of person, but because he liked you he was very willing to go above and beyond.

He was going to help anyway, but telling him things like "I really appreciate you doing this for me," seals the deal for him.

You had a survey that needed answering and you wanted him to answer it because you needed respondents? Well, what if he sends the link to other people as well?

He asks you about how much respondents you still need, though you don't respondent yet. He decides to delay sending it to the rest of Heartslabyul for now, only sending it to Cater and Trey.

Thank the Sevens for that.

Trey and Cater are immediately poking fun at him, telling him to actually open the survey first because they knew that he wouldn't want to send it to anyone if he saw the contents.

"Aren't you lucky you sent this to us and not the rest of Heartslabyul?"

"How embarrassed would you have been if you sent this to the Dorm Leaders gc?"

"Or worse... to Ace and Deuce."

He's rather angry, not necessarily at you (though he is a little bit annoyed, could you not have done something else less... troublesome?) but mostly at himself for not checking first. He should be more vigilant next time.

RIDDLE: Cater said this was a trend, but... I still don't understand why you would make something like this.

You haven't responded yet, so Riddle decides to answer the form all the way through.

In his head he wonders, whatever happened to regular courtship? Like he's not flustered by the whole situation.

Riddle's answers carry that tone where it feels like he's seriously questioning your intentions/decisions, but also like he's trying to answer genuinely. It's almost like he's trying to let you have your cake and eat it too (that is to say, letting you have your fun) despite not being quite sure of how to go about it.

The point is, the fact that he actually answers it is a miracle in itself, and you don't shy from letting him know you appreciate it.

HOW HE ANSWERS THE QUESTIONS

AFTER HE ANSWERS THE FORM

Actively seeks you out in person to confront you about the form. He has a feeling you were being serious about it despite the formatting, so he pretty much confirms that you do like him.

Also asks you why you would want to go about it this way, and most answers don't exactly satisfy him, but at the end of the day he's happy about the results.

You like him, he likes you, and that's what's important, really.

(Though he has no real intentions of telling his mother that he's getting into a relationship, he wonders how she would react if she found out not only did he not ask his s/o out first, but that you did it in such a bizarre manner)

"I don't think I would even give this the time of day if someone else sent it," Riddle tells you honestly, "but because it's you... even something this weird is endearing."

character: RUGGIE BUCCHI premise/trope: sending Ruggie the classic crush form, except you send it when he's busy with work and now he can't concentrate because he's too busy blushing and giggling and kicking his legs at the thought of you 👍👍

HOW HE REACTS WHEN YOU SEND THE FORM LINK

He hadn't planned on viewing any of your messages at first (or anyone's messages, really). He planned on viewing them once he finished up for the day.

But Leona was getting annoyed with the constant beeping, and honestly he was too (like, couldn't they just send it all in one message, whatever it was they wanted to say?) so he moved to view the messages quickly, maybe answer if he felt like it, then mute his phone for an hour.

Except he saw that the messages were from you, and he caught a peep of the link preview... and then he just lost it.

"It" being all sense of focus and comprehension and he knows it's bad because Leona's staring at him weirdly.

"Why are you blushing and giggling like a school girl what the hell..."

Leona just doesn't get it, Ruggie justifies. When the actual love of your life confirms their feelings for you it's enough to make anyone collapse to the floor and weep, and if anything Ruggie is holding up pretty well by, well, still being able to fold a shirt properly in spite of it all.

And then he almost messes up the laundry by mixing the colors with the whites, so maybe he is too distracted after all.

RUGGIE: ya rly hda to go send it now of all times, dontcha?? do ya want me to embarras myself in fornt of leona or smth???? wth have mercy on me

He makes a bunch of typos but he can't be bothered to correct them.

He can't really focus for the rest of the day, and when he's free from his assigned tasks he heads straight for his phone. He should be studying, but he doesn't think he can focus on that at this point without reading the form and just... seeing if you're for real, for real.

Ruggie answers like he's trying to be slick but he also can't help but slip in just how much he likes you and the types of reactions you get out of him.

HOW HE ANSWERS THE QUESTIONS

AFTER HE ANSWERS THE FORM

He needs to call you (honestly would prefer to meet up in person, but it's pretty damn late and he wants you to get your rest and... yeah, the in person talk can wait for a little bit)

Honestly you've just... lightened up his mood, like a lot. Like he just knows he's going to be full of energy and motivation tomorrow, and maybe the days after because of how much happiness you've given him.

You can tease him all you want for his answers and the spelling/grammar mistakes (in his defense, his hands were shaking the whole time!) but he can't even get himself to be too upset by it. You're laughing and giggling and that's all enough for Ruggie's good mood to skyrocket.

After that dies down, though, the two of you end up planning for your upcoming date.

"Don't think I'm not gonna getcha back for this, shishishi..."

character: AZUL ASHENGROTTO premise/trope: sending an s/o application form to Azul, who's been crushing on you for a while now

HOW HE REACTS WHEN YOU SEND THE FORM LINK

Makes sure to check the link properly first since bait links are popular these days (he learned his internet safety from Idia). Messages you in a different platform to ask if you've been hacked.

When you tell him you were the one who sent the link, it still doesn't quite sink in that you're being genuine. Before a crush you are a friend and he does trust you, but a part of him wonders if this is some prank or if someone forced you to send him something like that. You must know how badly he likes you, don't you? Please don't make fun of his feelings like this.

He calls you to really make sure, and with some reassurance from you he finally understands that this isn't something mean, that it was a trend you wanted to hop on, and that you won't judge him for his answers

You tell him that he doesn't have to answer if it makes him uncomfortable, that you just thought it seemed fun, but he tells you he does want to answer it.

"If... if you really consider me as someone who could become your partner... When opportunity knocks on my door, who am I to not answer its call?"

He tries to sound more confident, but inevitably hangs up because he doesn't think he can answer properly with you on the phone. He might end up typing a bunch of nonsense!

Azul struggles with having a fun answer and answering completely seriously, almost like it's a job interview or something. Doesn't realize until the last few questions that there are no other candidates to compete with. Maybe he should have skimmed all the questions first before answering.

The good thing, though, is that you do learn about how Azul sees romance, so even if the whole form was meant as something silly at first you do learn more about him.

HOW HE ANSWERS THE QUESTIONS

AFTER HE ANSWERS THE FORM

The last two questions gave Azul some confidence when it came to pursuing you. There's just something reassuring about actually knowing that his feelings weren't unrequited as opposed to having to make assumptions or having to make the effort to get you to fall for him.

You've already made most of the first moves, from confessing your feelings (albeit not quite in person, maybe he could try doing that...), to being the one to ask him on a date... There must be something he can do. He wants to play on equal ground, make the first move as well.

That's when the idea strikes him. It's not very innovative, but there's no need to fix what's not broken, is there?

Azul sits in front of his laptop for approximately an hour, and when he's satisfied he converts the file into a PDF. It's not a very serious document, even if it's formatted as such, and that's how you know that he's finally eased up.

"Since I've passed the application period, the next step is to sign a partnership contract, is it not?"

masterlist | end notes

[ 1 ] twst.ly is basically bit.ly, the link shortener

[ 2 ] compared to part 1 (the first years) where it was set post-NRC, this time i set it during NRC. the remaining second years will also be set during NRC, though the third years is mixed 👍

[ 3 ] the text versions of the images are in the alt text/image description but do let me know if you would prefer it to be in the post itself!

[ 4 ] i'm thinking about whether i should continue making the forms manually instead of just using the actual google forms app, it's such a hassle my laptop keeps overheating these days huhu

[remember-digimon]

Prodigious!

Izzy is the reason all these kids are still alive btw just wanted to make sure we all know that

So Izzy is smart. He brings a laptop and cellphone to summer camp and uses big words. But thankfully he does not fall into the trap of 'smart kids' of western media; overly nerdy, completely socially inept, you get the idea. No, Izzy is more than that. His intelligence has a basis in something besides a trope; namely, computer science and engineering.

(Don't even get me started on Matt being the one to go into engineering when IT SHOULD HAVE BEEN IZZY)

From the moment the kids land in the Digital World, Izzy is curious about it. His crest is knowledge but I really think it should've been curiosity. He gets Tentomon to evolve by hacking his code. He comes up with some aliens conspiracy to explain why they're there and why there's things like phone booths on the beach.

Izzy is the problem solver of the group. In fact, without him, the other kids are just... Kinda lost. Izzy has the answers, and if he doesn't he'll at least know how to find them.

Even though he's younger than the others, being 10 when they're 11, they treat him as an equal. This is opposed to the other kid that's 10, Mimi, who is kind of coddled, and the two youngest, TK and Kari, who are literally the hope and light of the group.

Izzy is basically Tai's second-in-command, deferring to Tai's leadership while Tai takes his input very seriously. However, Izzy isn't much of a leader on his own.

He gets distracted by details. When Mimi finds him in the temple, he's so busy on his laptop that she gets upset and runs off into a maze. I would attribute this to him being younger, and as he gets older he does get better at applying his intelligence to a leadership role.

Most of the kids have an interesting family dynamic and Izzy is no different. It's revealed that he's adopted, that his birth parents died shortly after he was born and his adoptive parents were friends that took him in.

What I like about this reveal is that, of course, Izzy found this out on his own due to his curiosity. He overheard his parents discussing whether or not they should tell him, deciding not to because he's too young.

During the Odaiba raid, when the kids have a moment, Izzy gets to finally have the conversation. They admit that he's adopted and tell him what happened, and he says he already knows. He didn't want to bring it up himself because he thought he could just pretend like things were normal, like before he knew. But obviously it couldn't. This shows the price he pays for his curiosity, that sometimes knowing things isn't all fun times and computer jargon. It isn't helpful for Izzy to pretend to not know, to ignore what he knows. Instead it's better for him to apply what he knows to react appropriately, instead of hiding behind the easier mode of willful ignorance.

This also comes into play, though in a different way, during Izzy's confrontation with Vademon. Izzy gives away his curiosity (under extreme duress but still) and is basically empty of all character after that. He does a weird alphabet yoga meditation and willingly gives up his crest and tag, when earlier in the episode his curiosity was at a boiling point over it.

This causes Tentomon to de-digivolve to the baby stage; the only other partner Digimon to go back to this stage is Patamon. With the loss of his curiosity, Izzy has lost the core of his being and is no longer able to maintain Tentomon's existence.

Of course, he gets it back and everything is fine afterwords. This episode is very interesting when looking at how things work for the kids and their Digimon, why the crests are important, etc. But that's a post for another time.

Izzy is incredibly important to the team. Without him, I highly doubt they would've made it very far at all. He's able to look up Digimon on his laptop, kind of like a Digimon version of a Pokedex, when none of the currently present Digimon can give an explanation about who they're up against. But aside from his usefulness as the Smart Kid, it's noteworthy that he uses his intelligence to be helpful instead of lording it over everyone. And he is still a kid, albeit with an impressive vocabulary, so sometimes his curiosity gets him into trouble.

[wajjs]

i hate batstans who spamming hal jordan tag ughh

I know this is related to the now deleted poorly written post about Hal/Arisia, in which Jason chases Hal threatening to murder him for being a "pedo freak" and Hal is somehow scared of Jason when in reality Hal has no reason to be afraid of him since they're not on the same power scale.

I was saving this ask to post a good answer, but I'm very sick and ultimately it boils down to this:

The infamous "not a child molester" panel is purposefully shared out of context because it has inflammatory language and it's the best way to rage bait people + it prolongs ignorance in fandom circles (already known for never looking at the source material) by not explaining the whole situation like it should be explained.

It is an incredibly scummy thing to do considering how sensitive and delicate the topic is. It is also incredibly telling that it's mostly antis the ones who share this panel out of context and without nuance. Antis LOVE to use words like "child molester" and "pedophile" like they're candy and like these words have no real weight behind them.

I have seen antis pile on a survivor of child molestation for saying they do not agree with calling Hal a pedophile, because in context he's not, and using that accusation as a blanket statement "gotcha!" only helps to water down the complex terms and alienates survivors. I've witnessed antis tell survivors to "get over it" and that "maybe they (the survivors) are the real pedos" for "defending Hal Jordan".

I'm gonna break down the context in simple terms so that it can be understood:

Arisia joins the Green Lantern corps as a preteen/young teenager

Hal consistently, repeatedly, explicitly, calls her "little sister" across multiple issues and treats her like family

Arisia develops a crush on Hal that starts off Innocent and turns into an Obsession

Hal explicitly, repeatedly, consistently, turns her down

When they're trapped in a cave, Arisia cannot take Hal's "no" as valid answer and uses her willpower to age herself up into a full-fledged adult. She must have Hal

I repeat, she's NOT a child. In text, in canon, she's now drawn and written like an adult — a very precocious young adult, yes, but an adult nonetheless.

ONLY AFTER she turns into an adult does Hal show interest in her, and they make out in that cave to then develop their relationship

What's the REAL issue?

I am aware that the context is far from good, but what is most important from it is that the relationship is very clearly out of character within the same run it develops from. Before Steve Englehart, the writers consistently kept an older brother/little sister dynamic between them. Englehart was the one to add the ""romantic"" twist to it and directly contradict not other writers, but even himself. Moments before making out with Arisia, Hal is written turning her down. Again.

This is clearly not a character trait of Hal. This is a self insert situation in which the writer, and with support of the editors, decided to put his fantasy on page. It's not the first time this ever happened in comics, it will not be the last — it just is, unfortunately, infamous all around the internet.

To sum things up before I pass out again from the amount of meds in me:

Hal is not a pedophile. He only develops a romantic relationship with Arisia AFTER she's grown into an adult (in the blink of an eye, yeah). He is not a child molester. Nowhere in the run before or after was that ever a thing. It is beyond me why Englehart wrote that dialogue. Who knows.

His relationship with Arisia has its surprisingly sweet and stable moments, though it quickly deteriorates because Arisia and Hal are at different life stages. They break it off. It was retconned. I repeat, IT WAS RETCONNED. IT'S NO LONGER CANON. And for good reason.

I am TIRED of Batstans, mostly Jason Todd stans, using a clear example of bad writing to bash on a well beloved character. As if Jason hasn't suffered from atrocious writing as well.

Now can we stop with the obvious rage baiting and blatant spreading of misinformation?

short cbr article with a breakdown of events for those interested

[ride-thedragon]

Before I start this, I don't want any hate towards this person, I won't include their user name, or the platform I got it from and if you do know leave it be but I want to talk about my issues with what they said. I don't know them.

This is really weird and reductive. I'm not saying you can't be a fan of Rhaena potentially getting Nettles' storyline even if I'm not, but the way this is framed is horrible.

Nettles specifically is George using stereotypes of black girls and women and subverting them.

Nettles is 'dark' and 'ugly' because it's a Valyrian beauty standard that is being upheld. It could very well simply be her black features that are being called ugly. Look at who says it in the books and look and who maintains it. They are all white.

Now I'm not one to say we can't have ugly characters, but I am one to impose something in the written narrative, and in this case, that plays out into George subverting racial stereotypes with Nettles. So, while she could be ugly, I also think there is a large possibility that she isn't. She could just look unambiguously black.

I'm not one to defend a white man against racism allegations, but not all the black and brown women are sexually promiscuous. George does have an orientalism issue, but let's not deny that there are characters like Missandei, Sarella, and Nymeria in the narrative. Summer Islander characters are a bit harder, but there is a real-world reason for them to be sexual, its not just George on his snow bunny arc. Their culture views it as a type of worship.

There are 3 fics under the Nettles / Addam Velayron tag, and I've read one that isn't like that. I'm not saying it's not plausible, I'm just saying out of three fics it's not that big of a deal. As for bigger Nettles fics and ships. it's a stretch to say that half are written in her own pov, but typically, her stories have a romantic arc because that's what most fanfics do. Create romantic arcs. And as someone who's read the majority of her fics (I'm being dead ass), it's not mindless sex. It's a conclusion to her romantic narrative arc about 75% of the time. Call it bias but I can't remember the last time I read a Nettles fic where the writers let her be a whore. We've failed on that mark. We have a snow bunny issue, but outside of that, it's not that serious (free my girls from the shackles of white men)

Moving on to the weird respectability politics. "Smart, tough, elegant, and not becoming the street urchin /ghetto stereotype like Nettles."

The only thing that stereotype doesn't have in common with that phrase is elegant. That's literally the only difference. I'm not American, so I'm not going to impose myself on that view, but I will speak to holding anyone to respectability politics. Black girls especially don't have to act one way to be better than others. There isn't one way to be black. That goes hand in hand with being both respectable and assimilating and 'ghetto'. It's reductive to say that anyone should be and applying the 'better' one to Rhaena and baela and the 'worse' one to Nettles is foolish and ignorant. I will have a bigger post on this soon.

As I've said countless times before, Rhaena taking Nettles' story is racist because they aren't interchangeable. Rhaena isn't black, nor is she poor or disposable within the narrative. Daemon isn't going to be miraculously proud of her. Nettles deserves her narrative. No one can cry the way Nettles does after the Battle of the Gullet. Not even Baela and Addam or Alyn. No one can have their life seen as disposable by Rhaenyra like Nettles can and no one can start the burned men but Nettles.

For the show, it doesn't make sense to take Nettles out entirely. There are way too many gaps to full when you can just add her character.

Lastly and all of this to say, you don't have to defend liking something, making stuff up is weird and acting as though it's a better choice to combine a black character and a non black character is crazy. It can just be a choice you like.

On the other hand, I want all three final girls because I can have them, and there is no reason not to.

[trappedinafantasy37]

There is a trend that I've noticed amongst fandom spaces around games, and it isn't a trend that is unique to Baldur's Gate. I have seen it happen in my other fandom spaces like Fallout, Cyberpunk, Dragon Age, etc. But people have a habit of having very strong opinions about companions/characters that they do not know.

It is comical to watch the abject lies people create about companions and use them as justification to dislike said companion because they know they don't have a valid reason to do so. This isn't unique to Minthara, this happens to ALL companions (ironically, the funniest and most egregious lies I've ever heard actually aren't even about Minthara). It's just glaringly obvious when it comes to Minthara as she is the least recruited and most killed companion in the game and is thus the least known. So the lies and mischaracterizations pop up more often, and there is an abundance of them. And it gets exhausting having to constantly fight these lies all the time. Especially when so few people actually know her and thus there are few who are able to defend her.

I remember there was a poll a few months ago that overwhelming voted Minthara as the least loyal and most likely companion to cheat on you. To me, that just screams that the people who voted for her in that poll have never had a conversation with her outside the goblin camp. Minthara is the most loyal companion. That is not an opinion of mine. That is a fact. That is canon to the game. She is canonically your most loyal companion. And it's not that she's the least likely to cheat. She never will. Again, not an opinion. That is canon to the game. But this is information people don't know, because they've never spent a single moment getting to know her. This is a lie being spread about her that will be used as justification to dislike her and to justify not recruiting her or justify killing her.

I have also seen people admit that their opinions about her is formed solely on social media posts from YouTube, TikTok, Twitter, Reddit, or Tumblr because they just can't stomach having her in their party. As ironic as this is going to sound, but your opinion about a character should never be based on social media alone. The people who do this are missing out on the context of that post and often fail to use it in comparison with the rest of the character (especially since there is a high risk of a social media post containing misinformation or just straight up lies). People will take this one snippet of a character, and use it as if that it is all that character is. Posts on social media, including mine, are meant to be supplementary to your experience of a companion, not the sole foundation.

When it comes to these social media posts, no two people are going to have the exact same interpretation, which may cause confusion for an outsider looking in. Even amongst us Minthara enjoyers, we do not always agree, and that is to be expected. We are all different people who have lived different lives and thus have different experiences informing our interpretations. Even amongst my mutuals we do not always agree, and that's normal. But at least we have taken the time to get to know her and come to our own conclusions and can understand how someone else came to a different one. My posts, or anyone else's, should not be your sole source of information about Minthara or any other characters. You still do need to form your own opinion and that can only be done by actually spending the time to get to know them.

Recently, one of my old posts in which I talked about the relationship with Minthara and Karlach has exploded again. And I see the tags that people are attaching to it. The game has been out for 10 months now. And it makes me sad that people still have the wrong opinion about Minthara. It makes me sad just how little people actually know about her. It makes me sad that people are only now going to go recruit her for the first time, even though the knock out exploit has been here for months. Don't get me wrong, I'm happy that my post has changed the way people see Minthara and encouraged them to want to get to know her. But it breaks my heart that I have to use another companion to convince people to get to know Minthara, because to them, Minthara alone just isn't good enough. They have already made up their mind about her, even though they don't even know her.

People are allowed to have whatever opinions that they want. But don't get online and share those opinions about a character you don't even know to people who do. It's like highschool level petty nonsense where people would rather believe and spread rumors about a person, rather than getting to know the person themselves and forming their own opinion. And, no, I don't care if your opinion is a positive one because even positive opinions can be inaccurate and wrong if you don't know the character. Again, this isn't just about Minthara but all characters and companions. And I'm only scratching at the surface level here. This essay would be significantly longer if I actually took the time to talk about how implicit bias, racism, homophobia, and sexism have all had a negative impact on fandom perception of Minthara and the other companions.

I will never tell anyone to do anything with their game they don't want to do, I will only encourage people to try new things. If you truly do not want to recruit Minthara or interact with her, that's fine. It's your game, your world, your rules, your vision.

But, I will say this. If the only conversation that you have ever had with Minthara is the one in the goblin camp, shut the fuck up about her. This cruel, heartless, evil person that floats around is a twisted version of Minthara that only exists on social media and was created by people who do not know her. This bastardized version is nothing like the version that actually exists in the game. And you would know that if you ever spent a single second of your time getting to know her.

[theresattrpgforthat]

Do you know of a ttrpg where travel is the main focus? Like I tried one ring and travel felt like a mini game rather than a key feature

THEME: Travel (Part 2)

Hello friend, so I’m firstly going to link you to this Travel Recommendation Post I put together in June of last year. (It’s a lot of posts and I didn’t tag it very well! Working on remedying that.)

Rig Rats, by kyusenbo.

The year is 30XX, and climate disasters and human negligence have brought the world to its knees. Only large, corporation-run cities remain, surrounded by large, climate-controlled domes. However, in order for these corpo cities to send and receive goods and services between each other, we need Rig Rats. These are ragtag teams of big rig operations rogues, needed to run rigs on the desert roads, to ensure that these deliveries make it on time through radar attacks, bad weather, and poor road conditions.

Rig Rats takes prime inspiration from Mad Max, and while the game itself is just two jpeg images with a list of rules and a few scribbles, just by reading it I think it can deliver that kind of high-octane experience. Each of your characters has a role on the rig, such as Driver, Mechanic, or Lookout. You get to decide what you’re carrying, and why your cargo makes things complicated.

Each session is a single trip from one city to another, so it makes the game great for one-shots, and the number of obstacles that can come up make your trip truly harrowing. Will the rig break down? Will you run into rival bandits that want your cargo? What about environmental hazards, like minefields or electrical storms? What if a singular guy in a really modded-out car shows up and kicks the shit out of you because he wants your gasoline?

Anyways, you should check out Rig Rats.

Gone Too Far, by The Badger’s Den.

Gone Too Far is a GM-less rules-lite narrative game about travelling to distant planets. It can be played as a solo journaling game or as a collaborative roleplaying game for up to three players.

Far in the future, mining & scientific corporations send scouts to distant places to find suitable expansion locations or useful resources. They use a risky teleportation technology that is high risk / high reward, as there is a chance the user will go out of range for a return journey. 

You (and your friends if playing together) play as one of these scouts going to lost places and mineral-rich planets.

While much of this game is exploration-focused, the danger of travelling too far is central to the premise. You are voyaging to new and wondrous places with heavily experimental and limited technology; the possibility that you don’t make it back makes the portal roll incredibly important to the game, even though it only happens at the end of a player’s trip. You play this game over and over series of rounds; the player experience can be rather siloed from other people at the table, unless you choose to use an optional aid mechanic. As a result, I think Gone Too Far might work rather well as a solo or duet game, and is a great option to consider if you like themes of travelling through space.

Ferryfolk, by cthos

Another day, another fare, another series of mysterious islands to traverse. You are a Ferryfolk, though there are those who call you by an older name: Psychopomp. Your job is to guide lost souls down the river Styx and see them to their final destination unharmed and hopefully having learned a life lesson or two.

Only the weirdest and most difficult cases draw multiple Ferryfolk to a single boat, and you've been selected for the job! Travel from island to island facing the Fare's fears and memories and guide them to be a better person before they reach their Destination. 

As a 24XX game, Ferryfolk is rather rules light, with everything you need to play in just 5 pages. It carries elements I typically associate with the OSR (roll-tables, high amounts of danger, upgrades in the form of gear), as well as elements I typically associate with story games. The primary piece that feels story-like is rooted in the cargo your characters are ferrying across the River Styx: people.

Your passengers have personal problems that they’re wrestling with, and part of your journey must include visiting various islands, which contain memories that the passenger must work through if they are to overcome their personal fears. These passengers have a fear track, and risk becoming lost should they run into the wrong kind of hazard.

The fact that your boat has a distinguishing ability that gives it a unique advantage, as well as potential companions that can make your journey easier, makes this game both solo-friendly and suitable for a small campaign. If you liked the video game Spiritfarer, I think you might like Ferryfolk.

Courier, by Sleepy Sasquatch.

Courier is a solo-RPG where you take control of a Courier—someone who travels the Wasteland delivering and trading cargo in exchange for REP, the currency of this post-apocalyptic future. As you explore the world around you, locations and factions are revealed and recorded on your map. Choose to take jobs for factions and build reputation to access new benefits all while becoming better at your job and earning new character perks.

You will continue to take on quests delivering, recovering, or scouting the map for one of the many factions populating the Wasteland. Every choice you make as a Courier will reflect how these factions view you and open new opportunities and bonuses as your standing increases, or decreases through a fame and infamy system. Choices will have you siding with a few select factions by the end of your game and seeing the world change for it.

If you are a big fan of Death Stranding, I think you might like Courier. The game is all about exploring a wasteland and delivering items from one location to another. The game involves revealing hexes and tiles, so moving in a certain direction on the map can have really big consequences.A really large chunk of the game is focused on exploration, and that includes creating routes and shortcuts between locations: basically, improving your map to make future quests easier to complete. New locations give you both obstacles and opportunities, with both hazards and interesting scavenge that might be useful in keeping you alive.

The designer for Courier also has an updated version of this game called Courier - Repacked Edition, which they are very proud of - however I don’t own a copy of that game so I don’t know what exactly has been changed in the second version.

MythRider, by Natalie Jones.

When the great fires died and the distant reaches of civilisation were plunged into darkness, Riders were called upon to chart the dark. Explore the uncharted wilderness of a supernaturally huge forest, call forth legends into the world and bend magic through the wings of dragonflies.

Mythrider is a rules-light fantasy roleplaying game using the Wild Words engine to tell stories about knightly heroes and their giant insect steeds.

Like Wildsea, which uses the same system, MythRider has a whole type of scene dedicated to travel. Typical of a Wild Words game, you have a danger track that fills every time you run into trouble or move too fast, and a distance track to indicate how far you have to go before you reach your destination.

Games like this aren’t incredibly granular when it comes to any specific mechanic; many parts of the story can be abstracted out, including a montage that you can partake in whenever your crew has downtime at a settlement. This abstraction means that you can draw out the moments that mean the most to you, especially travel.

The setting for Mythrider is fantastical, with a really iconic set-piece of gigantic dragonflies and other insects that you can ride. I think these unique setting pieces make the game a compelling sell to any interested game group.

Wilding Road, by Resident Gorgon Games

Aldea was once a far flung colony of Earth. The people lived easy, carefree lives in a society fueled by clean, renewable energy and maintained by a benevolent AI known as the Overseer. Until the Collapse.

Something went horribly wrong with the gate in orbit, causing it to shatter and bring ruin to the world below. The lucky ones were able to escape and build a life on Aldea’s moon, Duru. Those left behind struggled to survive and what remained of the Overseer and Aldea’s infrastructure fought to return the planet to the garden it had once been.

Caravaners make a living by traveling between these pockets of society and civility. But, the road makes for a hard life. Even with beasts and bandits, the Overseer is constantly on the look out for those that would disturb its work of returning Aldea to what it deems as perfect. So, Rigs must walk the line of being able to travel but go unnoticed by the world around them, lest they be discovered and draw ire.

Wild Words games are typically great about travel: in this case, you also have the added difficulty of moving from point A to point B without getting noticed by something big and powerful.Your characters have a rig, which you use to cross the weird wilderness. You have a threat track, which is marked whenever the Rig runs into trouble, and eventually will likely introduce a hazard of some kind. You also have resources, in the form of both cargo that you are carrying and scrap you might discover, which can make the journey easier.

The designer for this game is doing a lot of work with this engine, making Realm, a fantasy game about exploring a world of spirits and wonder. If you like the ideas presented in Wildsea, you might want to check out these games!

Aquanautica, by Old Grog

Aquanautica is a subaquatic sci-fi setting inspired by the Aquazone Lego sets from the ‘90s. It takes place on Tethys-95, an oceanic, alien world filled with mystery and adventure. It was designed for use with tabletop roleplaying games but is system-agnostic and therefore doesn’t require any specific game system to play.

Aquanautica is a hex crawl setting that has a very colourful and useful map. This map has icons to represent different locations and environment types, as well as a colour reference to represent how deep you are at any given hex. The game comes with some dangers: running out of power or oxygen can bring your journey to a pretty definite end, and it will also make your navigation incredibly important: how far or deep can you go before you need to turn back?

The game has a lot of tools to help generate the setting and make it feel alive: there’s a roll table for encounters, some factions that will be trying to lay claim to parts of the setting, and a creature generator. There’s also a cave system generation process, which includes tunnels and additional dangers of getting lost and racing against the to find the exit.

This isn’t a game in itself - it’s an adventure setting for another game. I think a game like Mothership, Into the Odd, or perhaps a Tunnel Goons hack would be appropriate systems for Aquanautica.

Other Recommendation Posts To Check Out

My Isolation and Desperation post which had some funky recommendations for a person looking to craft a spooky road-trip.

My Pacific Drive Recommendation Post.

My Exploration recommendation post.

[opbackgrounds]

Hello! I like the way you write analyses so I thought I'll ask you a few things.

If you could change one piece in a way that makes the story better for specifically you, what would you change?

What is a cover story/light novel/any other not strictly manga content would you like to see animated?

I found an ancient post where you talk about how you like koala. Can you give me all of your thought on her please? Cause I never see anyone talk about her in a way different than sabo's nami and that's kinda sad even though it is pretty true in terms of how the story's written.

And finally: why do you not tag your posts with the names of characters? It would be way easier to find them, not only for people to discover your blog in general but also for trying to find something on you blog (you know how it is with tumbles search function lol) and it also just seems very intuitive to me i guess, is there any reason?

I'd tone down Sanji's gross pervy behavior quite a bit and edit down most of the post time skip arcs

I think all the cover stories should be animated since they involve people who come back into the story, but the anime would have benefited from Ace's in particular, since it established a few of his important character traits

I am hopelessly endeared to the FI flashback in general, and since Koala is one of the few decent characters who came out of it not dead I can't help but love her. The story of this tiny little girl going from slave to Revolutionary is great, and the foil work between her and Nami hits me hard. What can I say, it's just good writing, and in a just world she would be Dragon's right hand woman instead of Sabo

I tag characters when the post is about them, but I'm not going to tag evey single person who shows up in a panel every time. It's tedious for me and I imagine obnoxious for the people actually looking through the character tags wanting to find analysis on their favorite characters. For example, yesterday's post about the foreshadowing of Sabaody had nothing to do with Luffy even though he was the one talking, so I'm not going to tag him. For the people actually searching through my blog, I tag chapter number

[gothlute]

Since you said it was okay to send you asks about Lute (and I really wanna talk about her ajshgs): do you have any headcanons for her as a character, fallenwings and/or guitarspear? :)

Also, as a doodle idea: fallen angel Lute!

I love this so much!!!!

Okay so the fallen angel Lute doodle will be done a bit later since I ordered a graphic tablet and I wanna draw it on it. I'll tag you!

Ive already made a post about Guitarspear headcanons too :D I might post more if I get ideas!

___________________________________________

Lute headcanons.

• Metalhead & likes goth music

• Had an emo phase, obviously, tho she won't admit it

• She's REALLY into music, either listening to it or making it. Adam and her make music together! She can sing and kinda play drums (tho she's a begginer)

• Her favorite bands is Type O negative

•Her favorite colors are black and red

• Super picky eater, and so is Adam

• High IQ, and possibly autistic, she gets told to get tested a LOT but she doesnt want to

• Is SUPER good at make up, she does her eyeliner super fast

• Very very good at strategy games. She's overall very smart and learns fast. The kind of kid to learn how to read super early and then get pissed at other kids because they can't do it

• Super serious most of the time, but the most unhinged mf with Adam because she trusts him deeply. She actually makes almost as much dirty jokes as him when it's just the two of them

• Both bi and homophobic : she was raised in a SUPER religious family and feels attraction to girls but is deeply ashamed of it.

• Had a situationship with Vaggie, but had too much internalized homophobia for it to work. She's SUPER bitter about it

• Pretty interested in mythology

-She's pretty muscular and very strong, she works out a LOT and pretty much all gay exorcists have/had some sort of crush on her (and everyone's aware of it except for herself)

• Wears a band shirt and black sweatpants like 50% of the time when out of uniform

• She would LOVE the Saw movies. They have gore, interesting lore and she'd love to learn about all the traps (she would wanna try them on demons LMAO)

___________________________________________

Now let's dive deeper into the Lute and Vaggie part.

Fallenwings headcanons (sorta)

!!CW interalized homophobia

I don't believe Vaggie and Lute dated. I do think they had something going on though.

To begin with, I think Lute is bisexual, with INSANE. amounts of internalized homophobia and religious guilt. She's plain homophobic, and thinks it's a sin, while ignoring the part of her that likes it. It has been easy at first because she wasn't into ONE specific girl.

But when she started liking Vaggie, everything was way harder. Her feelings were too hard to ignore. She felt genuine physical attraction, to the point where training with her was getting hard. Everything was complicated.

And Vaggie felt this way too. She started flirting with Lute, and even though she felt painfully guilty about it, she gave in.

They kissed a copious amount of times (never in public), slept together almost as much, and genuine feelings were developping for both of them.

But Lute's self hatred was only getting worse, and it was getting in the way. She would rather die than make their relationship official (though let's be honest you'd have to be blind to miss the sexual tension during training), and Vaggie had to constantly remind Lute that it was okay, that it didn't make her a sinner.

She didn't believe it.

She sometimes pushed Vaggie away when she initiated any contact, even chaste and friendly, and got very cold and disgusted to talk to her. Because after all, she's gay.

Vaggie tried to be as understanding as possible, but it was getting too far.

Her and Lute got into an argument.

Vaggie was like "this is stupid, you insist that we hide when we see eachother, you seem uncomfortable and it's clear that you don't really like me SO we should probably just stop". She wasnt that mad just a bit annoyed and sad

Except Lute took it very badly, and got VERY defensive and mad, because Vaggie was right. She got mean and lashed out on her, Vaggie left and they just...stopped talking

Basically, Vaggie thinks Lute used her to "try it with a girl" while Lute had actual feelings, and she HATES Vaggie because she let her see her weaknesses and thinks she's disgusting for making her fall for her!! She was a lesbian after all.

+ She betrayed heaven and it was OVER. It was the proof Lute was waiting for, proof that Vaggie was just a filthy sinner, disgusting, that she deserved to rot in hell, and that Lute's little phase was over, probably a test from God she passed.

Sometimes, Lute still dreams of the filthy sinner, of her sweet words and the warmth of her embrace. She still feels all warm when seeing two girls kiss, she still gets jealous. But she knows better than to indulge in those feelings now, she's a warrior.

[littlestar-center]

~☆ENJOY YOUR STAY!☆~

Welcome to the LittleStar Center(2007)! Our lovely cast of friends are here at your every service, Kiddo! Ask us anything and you shall receive an answer!

Hello! I’m @callmeend ! And this is my Dandy’s World AU (technically) Where someone that saw the downfall of the Gardenview and went “Wait, why don’t I just make my OWN?”

I’ll try to make my own animations to post to this blog! I’ll also try to make art for asks!

LAST UPDATE: Nov 18th

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-3Special Tags!3-

Little Star ~ well whadda think? Anything Little Star related!

☆You’ve got Mail!☆ ~Asks to deliver!

☆Lost Mail…☆ ~Skipped asks :(

☆Keep this In mind☆ ~Semi interesting stuff that could definitely help you in the future

☆Lore☆ - …?

☆Video-Gif☆ ~Me struggling to make anything that happens to not be a still

☆Hall of Art☆ ~(Reusing this from my main) Art!

☆Event Asks☆ ~ Events created by Askers!

☆- Truth asks..

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The Current characters you can talk to are..

(You can also talk to The Narrator!) You can also talk to Sunny, Though, he might not respond.

(Every 5 unanswered/skipped asks you will be blessed with the truth..)

Quick rundown for new comers except I’m not serious as I should be (autism)

Artesia ☀︎- She is a shy artist (at least she’s told) that carries around a small sketchbook and draws the most eye catching things she notices. Drawing is her everything! She is an easy target and very gullible, often having trouble standing up for herself.

Jack ☀︎- A trickster and has the confidence of a God, oftentimes pulling pranks on the others around him, despite being pretty rude and rough apon first meeting, he’d soften up if you give him a chance, probably has the energy and humor of a middle schooler with great (inappropriate) music taste. Even the most beloved creators has a horrible creation and it’s him.

Cambina - Watches carefully over everyone’s moves, is really vague and will most likely leave you in a state of overthinking. She just likes looking over people and can’t bare being alone, kinda wishes she was a real toon.

Gloria ☀︎- Most likely ate the food you told people not to touch but replaces it always. Author, burnt out but also has motivation. Likes singing as a hobby but she wouldn’t do it if you asked her too, 4th most likely to drown a child in strawberry syrup (what am I typing)

Stamps - Ever get a pop up ad? Would come out of thin air to tell you something, would talk a lot but would probably be bombed by Jax again. Would defend you better than a lawyer being paid 7 bucks a second. He would die with your secrets

Balloony ☀︎- (by my sister) he is playful + funny (can make jokes in Morse code (weird flex))

Yoyo ☀︎- THE MINOAUR. Doofus, if you asked him what 11x2 was He would still need a piece of paper, most likely has a to do list and yearns for badges. “Boy Scouts code number —“ ass. ADHD. Needs glasses but keeps breaking them and 9/10 he has undiagnosed autism.

Connor ☀︎ - the baker (NOT COSMO) the cooker (NOT GAY.) “nice” is an understatement, being around him would make your day (mainly because he makes free food) no enemies, because he poisoned them all, has years worth of rage stored up inside of him but when he’s mad he thinks “why are you over reacting” before dancing to breakcore

Crispin ☀︎ - Everyone already said it, Western.(def lives on a barn) Somewhat sweet and tart, would load up his double barrel shotgun and put it in your mouth if you tried to drink him. Provides most of the food in the little star center!

Serena - This sorrowful siren isn’t technically apart of the little star center, disconnected from the others, she tries her best to get by. Normally she would have a snarky attitude towards you and would sing songs to hypnotize you, so watch out! Serenas jewelry is her most prized possessions! She is the only siren in her family (her 2 sisters and father). Sunny keeps close eye on her.

Dr. Crow - The Doctor of the toons, also a Potion-brewer! She has the power to heal most pains, emotionally or physically with the perfect mixture of ingredients. She lives in a hut and actually does have a crow companion! Sunny keeps close eye on her. Iris ☀︎- (The Minour part two!) this over curious, lovesick toon. There is no true purpose to her existence, but she gets along well with the others! She is fairly clingy and will often need reminders for personal space. She is the only toon with a diary! 

☀︎ Sunny ☀︎- Lovely all mighty.. He gatekeeps rather he's a witch or a Wizard, he would appear when someone had a problem, He would tackle tough topics, He doesn't spend much time with the others because he's a loner (he would if he did he just doesn't becaus-), He has once had a wife/love interest that is always brought up in very vague ways, He can fly by using clouds, he's the smartest in the team, He loves the water (just sitting in the sunset/sunrise, watching the water), He acts as a Guide since he knows most, he likes drawing and writing on walls. Worst person to have on your bad side. Keeps everything and everyone safe, after all, you need the sun right?

Friend Made Ocs-

Daria - ‘Daria is one adventurous gal! She loves to create fun quests for people to take up. Since she never backs down from a challenge, it means she can be a little overconfident at times—often saying things she’ll never actually do. But, either way, she’ll be your guiding light throughout any task.’ ~ @umaisho

Loucky the computer - MINOR - computer but unfortunately stupid as hell at times (damaged system). Yaps in python, responds in python ~ @machlover54666

Autumn the Pumpkin - Autumn is a young, energetic pumpkin. He enjoys doing lots of dangerous activities, and enjoys the thrill of it. Autumn inspires children to face their fears! (Rundown one)

Autumn - This kid’s got guts. Rushing into any dangerous situation without hesitation, he’ll do anything just for the thrill of it. In case something goes wrong, he’s always equipped with his water gun. He never really needs it though, because it’s just a water gun. He may seem fearless, but truly, he has a lot more worries than he lets on. (Rundown two) ~ @thatonewizard1806

Sparks and Carmella - Nobody knows where they came from. They just showed up one day. Sparks is excited and joyful almost constantly, running around recklessly and always getting into trouble, while Carmella is an elegant and refined one, who would rather stay inside all day. These two are commonly with Autumn when he’s not busy on some bizarre scheme. ~ @thatonewizard1806

Tara - Tara is often working on some dangerous experiment. She’s gone kind of insane and has some… odd theories, to say the least. To be completely honest, she’s probably the least trustworthy person in the entire center. ~ @thatonewizard1806 AGAIN.

Boomie - He is a chill and laid back dude who will stand up for and protect others whenever needed, despite this, he refuses to use physical violence of any sort ~ @a-rand0m-bl0g

Lily - Lily randomly appeared at this place one day, this coincidentally happened on the day Sunny's wife died.. We don't know where or what she came from, but we have reason to suspect she has underlying intentions. what do I do with it. ~ @noddlewhodoodles

Rhonda - Rhonda is your completely normal toon! For a radio, she isn't that talkative around other people. For some reason, she can't remember where she came from! She's too busy with her awesome radio talk show, "Radiohead Rhonda" to care about that. She's mostly found at the station. There'll be a chance she calls people "callers", don't read too much into it. ~ @i-ate-all-of-my-toes / @not-iaaomts-rp-blog

Collan - "Collan is one lazy too- ..wait, why am I even writing this..? I don't get paid for this!" ~ @jackoffalope-2

ᶻ 𝗓 𐰁 .ᐟ ꩜˚.Seeya₊˚𖤐~.

[zvtara-was-never-canon]

I saw this one post tagged under Aang deserved better and Katara deserved better. As someone who loves both characters. I hate how people mischaracterize them while saying they supposedly deserved better, when really they’re just salty about shipping when it comes down to it.

Here’s the post:

https://www.tumblr.com/empressofthesunslittlecorner/748486832898048000/a-rant-about-aang-and-byrke?source=share

"What does a 14-year-old want with a 12-year-old?" Same thing a 16-year-old wants with a 14-year-old, aka maybe a romantic relationship, maybe just a hook up, maybe just friendship, maybe nothing at all. You can't put people in a box like that. When I was 14 I wouldn't have cared if the person who had a crush on me was too years younger, two years older, or the exact same, all that would matter would be "Do I like them back or not?" Plenty of girls my age were the same, others would be caught dead with someone younger, and others thought that it was weird to date anyone older.

"It's just creepy, no matter the gender" *proceeds to ship Zutara, that has the same age gap, but the guy is older*

"It would have been better if they got together at like 22 and 20" Why? It's a two year agep gap, not twenty - why age them up to adulthood? 12-years-old is right around the time most people either start having crushes, or already have been having crushes for a while, it's not weird. And again, why it Zutara acceptable with Karata being fourteen, but Aang needs to be at least twenty for it to not be creepy, even though the only thing that changed was the gender of the younger character?

"I haven't read the comics" good for you, don't do it, they're terrible, every character was ruined and Yang should be as hated by the fandom as Shyamalan.

"But what I saw on tumblr" Ah yes, because you can always trust that people online are not biased, mistaken, or full on lying. Just ask the leader writer, Aaron Ehasz, about all the times he had to say "No, zutara was never going to be a thing, please stop sharing that fake interview in which people claim I said otherwise"

"Legend of Korra" Korra is also terrible, that's why the audience for it got so bad that Nick just dumped the final season online without a care.

"He kissed her TWICE, TWICE, without her consent and never said sorry for this" Nope, it was ONE poorly timed kiss that he immediately felt sorry for. Katara is seen blushing and thinking on that kiss during The Invasion because she enjoyed that kiss.

"He thinks he deserves her love because he is the Avatar (the hero) and that's how it be" He thinks the girl that got offended when he said he didn't want to kiss her, that has flirted with constantly, and has consensually kissed twice already is at the very least a potential girlfriend. When he is made to question if that's really the case, he full on ASKS HER if she only thinks of him as a brother and he simply misinterpreted her signs, to which she openly says THAT WAS NOT THE CASE. He explicitly mentions "After we kissed, I thought that meant we were together." He never, ever, ever said "I'm the Avatar, therefore you have to like me." Just because AN ACTOR in a play about THE AVATAR called her "the Avatar's girl" instead of "Aang's girl" doesn't mean he thinks his role means more than her feelings - again, he literally went to talk with her to clear things out. This is not how an entitled person behaves.

"He replaced the love for his people with Katara" No, he did not. The Guru explicitly said "Your love for them lives on the form of new love." When he saw Gyatso's dead body, Katara saying she and Sokka were his new family was what made Aang calm down. Yes, Aang is in love with her, but that moment was much more about general, familial love than romantic love. Honoring the people you lost by valluing your connection to the ones that are still in your life is not placing a burden on them, or being obsessed with them, or thinking that being loved by them will fix your trauma.

"He needed to let go of her" He did. Twice. First in Ba Sing Se, which led to him being killed and KATARA bringing back to life, then again in "The Awakening", in which he just up and leaves to focus on his mission and Katara is heartbroken because SHE DOES NOT WANT TO BE LET GO OF!

"Aang could still love Katara, he just needed to stop to put her on a pestal!" He never put her on a pedestal. He knew she was flawed and would openly disagree and even argue with her at times. Cherishing someone is not the same as idealizing them.

"Book three was... bad, and so was the finale" No, it wasn't. It had it's issues and it is the weakest season, but it is still good. Most of the problems were caused by poor pacing due to them sticking to three seasons instead of four. Aang's feelings for Katara were not a problem to be fixed, because the "entitlement" you complain about doesn't exist.

"Aang is a self-insert of Bryke" Bryan and Mike have repeatedly said that they're like Aang AND ZUKO, in the sense that one is goofy and the other is grumpy. By that logic, Zuko is also a self-insert, therefore shipping him with Katara would also be "bad."

"They act like Zuko is a bad boy instead of a dork" Zuko is a dork with social anxiety, who spent two and half seasons SUPPORTING GENOCIDE. "Bad boy" doesn't even BEGIN to describe him.

"No normal 14-year-old girl would date a 12-year-old and if she did call the police on her ass!" Go touch grass, you're insane, two children having feelings for each other is not pedophilia.

"Avatar was only amazing because of writers like Aaron Ehasz" Ehasz himself disagrees with you, and a lot of the "good changes" you made were decided by/along with Bryke.

"A lot of writer wanted also Zutara to happen and not Kataang" Ah, I see you DID read that fake interview. The writers were all on board with Kataang, even though some of them did like Zutara AS WELL. They're not mutually exclusive, you know?

"If I remember right season 3 was so rushed and lacking because the movie-who-shall-not-be-named was in production" You're remembering made up bullshit just right. Fans keep repeating that, and even I once wrongfully believed that in the past, but it's not true. The movie was going to happen regardless of when the show ended, and Bryke genuinely only wanted three seasons instead of four. Bad idea? Yes, but nothing to do with Shyamalan.

"Aang would find other airbenders" If that's true, I'm glad it was scrapped, THE LAST AIRBENDER needs to be THE LAST AIRBENDER for the show's premise and name to make any sense. Korra was also heavily criticized for a later seasons plot point of random people just magically becoming airbenders because it cheapens the gravity of the genocide by going "Lol, fooled ya! They're still running around!"

"Broodmare to repopulate" Three children is not exactly repopulating a nation, you should have paid more attention in math class.

"I'm a big fan of the theoretical season four" You being a fan of a thing that doesn't exist is surely on brand for a zutarian.

"Also, people who make fun of their own fans because they ship a pairing themselves not like are the worst!" Scream the zutarian that is doing exactly that. If you can complain about ships and call people creeps for it, you can take people pointing out your ship is just a figment of your imagination. Either suck it up or change your behavior so you're no longer a hypocrite.

[thepersonperson]

Ok so i kinda binge read all of your blogs in your pinned post and GODDAMN the gojo ones BROKE me it's not like i already didn't have a fair clue about the entire Gojo's loneliness and cruel treatment that's inflicted on him but going onto it in such deatail...oh my god... it's 2am here and i'm literally sobbing

i'm someone who's always been a part of either twitter or IG fandom and most of the times its either people (dudebros especially) are always completely mischaracterising Gojo, making him some kind of god who they can project themselves onto or either its just thrist posts or satosugu, female fans do have an emotional knowledge and understanding to it and it's no surprise how male fans perceive him but now when I think about it it's just so sad and unfair like even in real world people DO NOT see him for who he truly is (they just see him as the 'strongest' or 'nah i'd win' iykwim) and always ignore his vulnerability and emotions aspects of his character that makes him HUMAN oh my god it's making me sick. We don't deserve Gojo Satoru.

He is such a well written character, truly one of the best and Gege knew what he was doing when he made him such a prince charming, undeniably beautiful man to ecer exist and I think that just makes people completely ignore the core of his character.

I'm sorry if it ended up being a yapping session (you don't have to reply at all!! we cool)

I just couldn't help myself, your blogs seriously changed my life. If I loved Gojo before now I love him even more and most importantly I accept him for who he is, all these powerscalling seriously takes away so much of his character but sadly there's nothing we can do about it.

And let's not even start on the whole homosexuality romance stuff, there was no hope to begin with given the rise of dudebros in recent times.

brb gonna go cry more...

I love it when people yap at me don't worry about it.

Ok Anon. The timing of this ask is crazy because in the post you mention there was an interesting convo going on in the replies. I want to include them in my response to you.

Replies on the post mentioned by the anon from @userdemerda and @creatorizuru below the cut.

Thank you for the compliments.

Tag me in whatever fic you create userdemerda. (I actually went from an anime-only to a manga reader because I wanted to better understand Gojo to write a Gojo/Jogo fic. Part of the reason I started my yapfests was to write a Sukuna/Gojo fic. So I totally understand the obsession.)

This all is the power of Umineko. It's difficult piece of media to get through, but it very much encourages accepting people as their whole self rather than just the bits you enjoy. I really wanted to see all the love Gege put into the characters to better understand them.

On STSG...

Though the dudebros are less homophobic than they usually are with JJK, there are still some that can't fully embrace the queerness a part of Gojo's character. It's really important to knowing how he works. So even if you don't like the ship, you still should acknowledge that Geto is someone Gojo deeply loved.

As much as I like those two together, I would have loved to see Gojo move on in a way where he can carry the loss of Geto more like a charm than a curse. Everyone loves a good tragic first love, but second loves that acknowledge loss are quite rare.

On Gojo's end...

Gojo is one of the most traumatized characters in the series. And since JJK has otherwise done a good job showcasing how people cope with trauma, I can't accept the ending's pacing and tone as someone who has recently started recovering from my own. It's a slog, non-linear, and it takes a lot of time.

When I want Gojo to come back it's because I'm so sick and tired of extremely traumatized characters getting killed off because creators don't know how to handle or even want to depict their recovery process. It really mirrors how people irl will just give up and leave you to rot.

Yuji and Megumi were having a pretty good long-term display of the recovery process right up until the end. One of the things about trauma is you can't ever go back to the way things were. You can try, but it's always just kind of there. It doesn't have to be a bad thing. Just a thing you accept. Sadly, JJK dropped the ball on that.

Especially with Sukuna. Acknowledging your trauma is the first step. You can't cast it aside and move onto the next life like that. I cannot vibe with one of the other most traumatized characters needing to die to get his recovery process started. He was in denial way more than Gojo. You can't just flip on a dime like that. I wish I could just flip on a dime like that.

And the last point from userdmerda:

"speaking as a person who lives with post-traumatic stress and has big problems healing from the past all i want is to move on and be mentally healthy and i wish so much that satoru could have had that"

That's why Gojo's death and the world moving on like he never existed feels really bad. I think it's because that's often how traumatized people like him get treated irl. You can see the negative response even in the Japanese fans. It's like your worst fears of no one ever really caring about you because your trauma makes you too difficult to be around being realized.

And I decided to discuss that more in depth in this sort of follow-up post. Hopefully you all get a kick out of it.

[lizzybeth1986]

Drake and Kiara: When You're Fucking Racist

Series - TRR's Alternative LIs - The "Romances" that Didn't Happen

Previous - Hana and Madeleine: When You Reward Your Favourite Bully with One of Her Victims

A/N: Again, apologies for the length. There was a LOT to unpack in this one!! I'm really, really not going to be nice to Drake here. It was harrowing to go through a lot of these scenes again and I honestly don't have the patience or inclination to sugarcoat any of it.

CW: Mentions of gun violence and minimization of trauma. Mentions of racist fan vitriol towards a black character. Examination of the Jezebel stereotype.

Whenever I think about how unhinged the hatred towards Kiara (and especially towards Kiara's attraction to Drake) was, a specific edit comes to mind.

On the surface, it looks quite simple. Kiara in a white wedding dress, Drake right next to her in his blue formal suit. Both of them are smiling at the viewer. The background is a beautiful forest, and the entire picture is bathed in a lovely, muted sepia tone. A sweet, simple wedding scene.

The caption underneath this edit?

Classify under things no one asked for.

Kiara's dream come true!

The tags read "#i barf a little looking at this" and "#i must post to share the suffering". You find out in the comments that the OP created this edit inspired by one of the many fics where Kiara was Drake's stalker, and intended to make her creepy and deranged (but ultimately failed).

The comments are...tbh, things that this fandom has long since normalized and shrugged at when it comes to Drake stans. Multiple puke-face emojis. Multiple gifs signaling disgust. One stan even equates the ship name (Driara) to the word diarrhoea.

"She looks very stalkeresque and white "I drugged Drake so he's marrying me" wedding ready!"

"Well it's close to Halloween so we should expect scary shit"

"THAT is why I made that bitch my Maid of Honor...so she got the message LOUD AND CLEAR...it ain't NEVER gonna happen honey" (right below a barfing gif)

I wish I could say this example of Kiara hatred was the worst of the lot, or even the only one. It wasn't. I'm not sure even an entire essay would be adequate space to explore the sheer levels of vitriol, hatred and double standards dumped on this one character.

Until now, we've seen examples of alternative LIs that were treated with respect. With adulation. Often with kid gloves in case we hurt their poor lill fee-fees. Up until now, no matter what an alternative LI may have done, the LI matched with them wasn't allowed to treat them badly, nor was the MC able to get away with hurting them without punishment.

But in this series, Kiara was, is, and will always be an anomaly.

The Jezebel Stereotype

In most media, black women in particular tend to be subjected to a variety of stereotypes that often have serious, real-world implications. The Mammy, the Sapphire (that over time evolved to what we now know as the "Angry Black Woman" stereotype) and the Jezebel, being the most prominent ones among them. In this essay, I will be focusing specifically on the last.

An article in the Black Then website explains the definition and history of the trope this: "The portrayal of black women as lascivious by nature is an enduring stereotype. The descriptive words associated with this stereotype are singular in their focus: seductive, alluring, worldly, beguiling, tempting, and lewd. Historically, white women, as a category, were portrayed as models of self-respect, self-control, and modesty – even sexual purity, but black women were often portrayed as innately promiscuous, even predatory. This depiction of black women is signified by the name Jezebel."

So it isn't altogether uncommon to see stories where black women are juxtaposed against "pure", "innocent" white/white-passing women, and viewed as lesser. PB hasn't exactly escaped these stereotypes in their stories either - though there are a variety of characters and character types, we can't deny that there was a time when a black woman was made the antagonist, often in ways that were meant to measure her up to the MC/another white woman to her detriment.

(VoS screenshots from the HIMEME YouTube channel, ACOR screenshots from Vika Avey's YouTube channel)

Two very prominent examples of PB using this trope are Scarlett from VoS, and Xanthe from ACOR. There are other black women who serve as antagonists but in a more professional space, but these two particularly are measured on their attractiveness, sex appeal and "purity" in the narrative in comparison to either the MC, or someone close to them.

In VoS, Scarlett Emerson and Kate O'Malley are the sisters of the two male LIs (Grant and Flynn), but their treatment couldn't be any more different. Scarlett's role in the book is pretty short-lived. She's very prominent in the first half of the book as Kate's potential MOH who secretly hates her, before it's revealed in Ch 5 that Tanner was cheating on Kate with her (and that she'd loved him since she was a child). Notably, in that very scene, the MC places most of the blame on Scarlett (rather than on Tanner for choosing to betray his fiancée) by labelling the act as her seduction of him.

Thereafter she is either only mentioned, or has blink-and-you-miss-it appearances in one or two chapters. We see her in the "memory" portion of the bonus scene, but we are never shown what her future is like (even as minor characters like Miss Harleney get one!). Her bonus scene shows us how her bracelet ended up on Tanner's boat, and it is an uncomfortable scene to get through. Tanner berates Scarlett for having sex with him a week before his wedding, but it is she who points out that he asked her to come there! Yet the MC and others view her as the temptress who "seduced" Tanner, as if the man had no mind of his own.

The narrative often juxtaposes her with Kate, the pure, innocent, sweet fiancée (and she actually is! No pretence there) and the fandom lapped it up. There were many demands for Kate to be upgraded to LI status, which eventually resulted in PB allowing us to marry her if we chose. As I mentioned earlier, both Scarlett and Kate are sisters to two of our LIs - but one is made an LI, while no one bothers to even imagine what the other's future entails.

An even worse fate greets that of Xanthe, the sole female antagonist in ACOR. The slut-shaming and disgust over her overt sexuality is far more blatant here. And it is extremely ironic for Xanthe to be viewed in this way, because the MC herself is a courtesan and uses wiles to get men to do her bidding. While Xanthe herself is not perfect by any means - she is depicted as xenophobic and callous, going as far as to mock Syphax when he is sent away to a possible death as a gladiator - the MC's targeting of her goes beyond just her "righteous indignation" and develops into a form of hypocrisy. She has no qualms mocking Xanthe for her direct approach or her skimpy red dress (even though the MC herself wears a skimpy red dress and can seduce a man in a temple not too long after).

The end Xanthe meets is horrific in its implications - the black matron of her scholae (who began by promising the MC herself that "you need do nothing against your will") sends her away to sexual slavery in Sicily, while the black man who was one of the few bastions of morality in the book, escorts her, smiling, to the ship that will take her there. As far as the narrative is concerned, the end was well-deserved...even though PB has had no issues allowing white women to do far worse without any punishment.

We cannot view what ACOR did with Xanthe in isolation. They had built up to it early on - from the MC's reactions towards her, her patrons' dismissiveness of her, the MC's LIs' viewing her with derision and zero respect. The MC - despite her own unscrupulousness - is viewed as the "noble whore" to Xanthe, yet it is clear on even a surface read that there is not much difference between the two women.

The Jezebel stereotype, ultimately, is about dehumanizing the black woman it focuses on, so that her actions and choices are viewed as deviant from what is "normal" - feeding into either responses of disgust and derision, or a desire to objectify her. To some readers, it makes whatever awful or comparatively unfair end they meet, more palatable. Scarlett and Xanthe are not viewed as people by the narrative - especially not the way the MC of their books or even white female antagonists are. No one cares for their backstories, coos over their losses, wonders if they are okay. When they meet their inevitable end, the characters and so many in the fandom alike just shrug and move along.

How does a character like Kiara fit into this? Her smarts and linguistic talents are her most prominent traits, and while she does have feelings for Drake, she never really acts out-of-pocket towards him (more on this later). So at least from what we see in canon, there's very little about her that seems to apply to the Jezebel stereotype. Yet, the fandom is not only inclined, but eager, to view her as one. Kiara's feelings have been viewed in a far more predatory light, perhaps more often than any other female character in the series. Why is this so?

A response I have often seen - on reddit, on Kiara's wiki page, at times on Tumblr too - is how there is a "certain something" about Kiara that people "just don't like". Many players who prefer Penelope to her are often very aware of what she has done, but still insist they like her far more than they do Kiara. On a reddit thread about questioning the logic of having Kiara and Penelope as options for the MC's MOH in TRR3, certain players commented thus:

"I don't know why, I just dislike her a lot. Penelope is fine to me, but Kiara irritates me." (said commenter is an Aerin stan)

"I liked Penelope, I thought she was nice. But Kiara got on my nerves."

In her book, The Sisters Are Alright, Tamara Winfrey Harris makes an eye-opening (to me at least!) observation about how misogynoir works:

"Misogynoir, abetted by dehumanizing caricature, is like water. It fills its vessel, taking many forms, and then overflows, creeping unnoticed into the cracks of things, rotting the foundation. It spreads a belief in Black women’s inherent wrongness." (Italics mine).

Now of course, if I were to ask the current fandom, they would come up with a range of reasons. Some that emerged from fandom myths and became more popular than the truth in time, some from PB's excessive pandering to players that hated her. But the root of it all is in a certain "je ne sais quoi" that makes her automatically unappealing, resulting in those readers leaning towards misreading or misremembering her scenes, misrepresenting her motives, or watering down the impact of worse actions from whiter women. It results in a group of writers (who have thus far gone to the extent of retconning the worst of a white woman's actions just to make her look good) leaning into such readings, even when they're not true.

TRR1 Kiara: Pragmatic Courtier or Backstabbing Snake?

"Kiara is fake", "Kiara is a snob", "Kiara is self-serving", "Kiara promised to be friends with us but dropped us like a hot potato the moment we became unpopular". These are some of the most enduring takes about Kiara in the past few years, and readers who say this usually bring up a vague recollection of TRR1 and 2 as proof. Mostly that "Kiara was our friend" in the first book, and left us hanging at the beginning of TRR2.

Is that reading based in fact, though? Let's take a look at TRR1!Kiara and find out.

We are introduced to Kiara (along with Penelope, and standing next to Hana) in TRR3 when we meet Liam's other suitors. Olivia introduces each woman differently, and the descriptor she uses for Kiara is that she is the "daughter of a diplomat and fluent in ten languages" (note: Kiara never boasts of her linguistic skill, Olivia does. Nor are there any scenes of her looking down on anyone who doesn't speak her mother tongue French, unless of course you accidentally ask her to sleep with you).

Both she and Penelope note immediately that the MC doesn't quite fit in - if the MC questions the women about being allies with Olivia, a woman who calls them "harpies", they view that as an overreaction. When the MC tells the ladies at the Derby about getting lost, Kiara finds her tardiness and inability to fit in, a sign that she cannot keep up with the competition. Until the chapters in Lythikos, Kiara's and Penelope's characterizations are almost interchangeable, personality-wise. It is likely the team envisioned them more as European nobility rather than specifically Cordonian (based on Olivia's introductions), and they are both depicted as poised, refined and aware of their place in court.

It's in Lythikos that Kiara, at least, begins to show a more distinct personality (for Penelope it's after the Regatta). Unlike the rest of the court, who watches Olivia's unwanted kiss on Liam with either mild shock or disinterest, Kiara is angered by what she sees as a very obvious power-play - which gives the MC the opening she needs to gain an alliance.

Now this "alliance" scene of Kiara's is interesting, for two reasons. One is that fandom often uses this scene to establish her "double standards" in TRR2, claiming that Kiara opted to be friends with the MC. Yet nowhere in the scene does the MC or Kiara ever suggest a friendship with each other - they both agree to an alliance. Furthermore, this is an arrangement that benefits the MC more - there isn't exactly anything she contributes (or is expected to contribute) to Kiara from her end. Kiara's promise is that she will put in a good word in the MC's favour, and she upholds that promise throughout the social season.

Another is that among the courtiers, Kiara herself is the first person to identify and respond to the MC's potential if she shows it at the Derby and the tea party (though Hana is also a courtier, I view her strictly as an LI in this context - since her support is by default and is founded on a more emotional basis). Not many nay notice this, but there is a distinction between how Kiara responds to an MC in a successful play vs a failplay...in a way that none of the other suitors do. Take note of the screenshots below:

The top two pictures in this collage are dialogues that feature by default. The bottom two, however, are dependent on branch-coding. They only appear IF the MC has managed to win the approval of the King, the Queen and the press. If you don't succeed in the same, she will not mention your performance in the social season at all, nor will she say anything about the value of your alliance.

That is a far bigger deal than most players of this series realize. It means that Kiara has been watching us closely, and has understood our potential over the course of just three court events. Only two other characters are shown tracking our progress this way: Bertrand (who is our sponsor, so he has to keep track) and Queen Regina (who can guess already her stepson's feelings for the MC, which automatically makes her a person of interest). For Kiara to understand the MC's capabilities, and to openly admit she has potential this early in the competition - it takes a high level of rationality, honesty and pragmatism to come to such a conclusion. Unlike Olivia (who lashes out in jealousy at the MC), Penelope (who has to be told why exactly it's good to have allies), and Madeleine (who dismisses us as competition until it's too late), Kiara actually views the MC with a discerning, impartial eye and an objective approach.

So on the surface, it appears as if Kiara is written by a team that likes her! You could almost be convinced that they thought she was cool but were forced to pander to "crazy Drake stans" in their writing later (which is an argument I have heard often). After all, she's established as beautiful, skilled, smart and observant. You wouldn't do that for a character you don't like, right?

But even as early as TRR1, a disdain for Kiara creeps in from the writing that you rarely see for any of the others.

This is especially apparent when you look at how Kiara's proficiency with language is spoken about. It is supposed to be her most visible skill - Olivia identifies her by it, we see her peppering her English sentences with French words (of course, many may argue that she doesn't exactly sound like an actual French person...but let's remember that her writers aren't exactly very used to the language themselves or interested in doing extra research for authenticity!). As we approach the end of the first book, there are at least two dialogue options that result in people doubting her abilities or mocking her for speaking only English and French most of the time.

In TRR1 Ch 16, Madeleine optionally speaks to the MC over phone (believing her to be a reporter taking her interview) about her thoughts on Kiara. Kiara's tendency to speak mostly in French and English is supposed to be a sign that she "exaggerates her accomplishments". Mind you, this is from the same woman who claims to be the best choice for Cordonia despite her poor strategies and her antagonizing potential allies during the engagement tour (TRR2); who complains if the MC doesn't compliment her for mediocre work as a press sec (TRR3). The MC can also choose to diss Kiara in a similar way, treating Kiara like she is a circus performer and her skills as if they are meant for the MC's entertainment. The only solace I could derive from this dumpster fire of a dialogue option, was that Kiara managed to shut the MC up with her multilingual response.

No other time are we allowed to call a courtier's abilities and skills into question. The MC accepts on faith that Olivia is a badass with great fighting skills. Same with Penelope's ability as a seamstress. The MC is never even allowed to have legitimate complaints about Madeleine's work as press sec, besides maybe that she could "be a little nicer". So the fact that the writers not only have other characters doubt Kiara's talent, but also allow people to mock her about it in all three books...is really something.

Another possible indicator of this disdain is the fact that Kiara is the only suitor who never gets a chance to actually interact with Liam on-screen. Even Penelope, a fellow minor character, can approach and talk to him twice...and her gift to him is shown in Ch 18 whereas Kiara's and Hana's aren't. Despite the fact that Kiara is a potential suitor, the story never allows her to interact with Liam. She doesn't exactly have any interactions with Drake in this book either, but honestly nor does any other couple have much time together besides Liam and Olivia.

Drake and Kiara hardly seemed to be a possibility back in TRR1. Drake himself didn't seem to associate with anyone besides the MC and the group in the first book (and even with the group his interactions were infrequent). Kiara herself doesn't have many scenes that aren't related to the court or to the competition, even once she is no longer participating. The closest she comes to any sort of association besides Penelope, is a friendship with Hana that begins sometime before the Fox Hunt. Drake and Kiara never actually have any scenes together, or interactions, or references. It is likely that the idea to pair them up was entirely a Book 2 thing.

On a fandom level, neither Kiara or Penelope garnered much attention or fan reactions. They weren't noticed much, nor did you see their scenes too often. Probably that is why it was so damn easy to remember Kiara's entire equation with the MC wrong. Why certain stans of the book were able to get away with misrepresenting the relationship between her and the MC in TRR1, to hate on her in TRR2. I will not deny, though, that certain dialogue choices from PB (like "I thought we were friends!" in the Fydelia scene) may have had a hand in those beliefs becoming the "truth".

TRR2 Kiara - Pragmatic Courtier or Backstabbing Snake (Part 2)

I plan to get into the way the Drake and Kiara angle is framed in canon, but before that it's important to tackle that one elephant in the room - Kiara telling the MC the alliance is over. Because very often, people used this scene (coupled with their misinterpretations of Book 1) as their "justification" to hate her. Often, people would choose the ruder options (such as the Christmas card dialogue) and assume that Kiara was rude by default, rather than as a consequence of the MC's behaviour towards her.

Kiara and Penelope are the first to express surprise at the MC's return (and their reactions are shown as representative of the rest of the court). Kiara in fact is shocked that the MC dared to return (which is kinda warranted! Several people in these early chapters view that as a risky move, a gamble that could backfire on her. That's why Bertrand gets her a press secretary). Their scene with the MC immediately follows the MC's conversation with Liam and Madeleine (and mind you, in the option where the MC can tell her she was set up, Madeleine herself voices disbelief of the same. Conveniently, this is never used as a reason to hate her). Both women let the MC know of their change in status, and therefore the change in their relationship with her.

What gets missed overall, is that Kiara is a lady-in-waiting (which is an actual role with specific duties) to Madeleine, which means her loyalty now has to lie with this woman whether she likes it or not. For her to even agree to approach the MC and explain the situation, is a risk. In at least two dialogue options in this scene, she tells the MC straight-up that they will be in trouble if they're even seen talking to her (this becomes a moot point by Ch4, mostly because Madeleine herself is shown talking to the MC and allowing her into conversations in public, once Hana arrives).

Penelope is often viewed in a better light in this scene because of her obvious friendliness and her sadness at no longer being the MC's friend, but once you have the reveal of her being a traitor, her behaviour in this scene seems wildly disingenuous, and I'm surprised more people didn't call her a fake when the reveal came out. She had to know the allegations against the MC were fake when she rushed to hug her, having been an integral part of that fabrication. It makes her lament when she's caught, in the failplay, ("I can't do anything right. You were never supposed to find out!") that much more chilling. She is eager to have the benefit of the MC's friendship and emotional support, without ever being honest about her role in smearing her reputation.

The other was that - no matter what you may choose to think of this scene - Kiara was placing herself at risk to let the MC know it was over. Approaching the MC was the right thing to do, but what is never spoken about is the fact that it was also a brave thing to do. Rather than ghost the pariah of the court and never give an explanation, she tells her honestly what the situation is, and strives to protect her impulsive friend (who could get both of them in trouble) at the same time.

When you view Kiara's actions from that lens - when you look at the facts - suddenly the claims that Kiara was "fake", "a flip-flopper", "a backstabber", "unscrupulous and self-serving", sound pretty hollow.

TRR2: The Drake x Kiara "Romance" Begins...and So Does the Vitriol

So...an interesting thing about the general reaction to Kiara in the early chapters of TRR2. I was new to the fandom when this book was released. There was an annoyance at Kiara when the first chapter came out, but to my surprise it didn't exactly become full-blown hatred until she started showing an interest in Drake in Ch 3.

This book is often used as a reference by Drake stans when they speak of Kiara as an obsessed, stalker-type, sex-hungry woman - often in contrast to their "pure", "innocent" MCs. Basically...the Jezebel. But the five scenes we see of this ship in the book itself tell a completely different story:

1. Drake Helps Kiara Lift A Heavy Beam (TRR2 Ch 3)

Chapter 3 is perhaps the first time we see an indication of Kiara's attraction to Drake on a physical level. The scene takes place at the barn raising, but only if we choose to stay with Drake over Hana for the barn raising activities. Kiara shows up in a rather pitiable state - her friend Penelope abandoned her for thirty whole minutes, leaving her to lift incredibly heavy beams alone. Drake helps Kiara and mildly chides her for not asking for his help, and Kiara stares at his bare chest, mesmerized.

She isn't exactly alone in this - the MC herself ogles at his bare chest at one point (if we go by the lines in the narrative that read "his muscles glisten in the sunlight" which is def from the MC's PoV). This scene was meant as fanservice for stans who wanted to drool over Drake's physique for a bit, and belatedly build up an alternative (at least for all three male LIs, they were trying to do this in TRR2).

The MC can either point out Kiara's obvious attraction towards Drake, or suspect her of being part of the plot. This will not be the last time the MC or the group will view her with suspicion, with little to no basis in fact. In the option that calls attention to Kiara's attraction to Drake, she is shown covertly sneaking a second look at him. Drake is shown with a visible discomfort at even the idea that Kiara could like him, one that only the MC notices considering she is working in proximity with him.

The reaction to this was instantaneous from several Drake x MC shippers. One or two glances at Drake's chest was enough for Drake stans to begin typing posts in capslock, screaming "BACK OFF KIARA HE'S MINE". The excuses given at the time were that the MC didn't get much opportunity to romance him (Drake was trying to refrain from kissing her in Ch 2 because he felt guilty), and largely-inaccurate judgements of Kiara's character. Jealousy of this kind is sometimes seen as the norm when you have a popular ship and a third angle is created, but this was about to take form in some...very disturbing ways in later chapters.

2. Kiara was Once Savannah's Friend/Kiara's long-standing crush on Drake (Ch 4)

A misconception I often see in the fandom (particularly in relation to how Kiara's feelings for Drake aren't given the same level of consideration that Olivia's for Liam is) is that Olivia's are "more genuine", and Kiara's are "mere lust" or "only physical" and this is probably why she's not given as much respect as Olivia was. Even though, tbh, Kiara was far, far more respectful of Drake and his personal space, than Olivia was of Liam in TRR1.

Leaving aside the obvious problems with that train of thought (viewing sexual feelings as "lesser" just because they're not rooted in some intense emotion), this is not even true, and the first part of the Driara garden party scene is proof enough. Kiara says, straight up, that Drake had been "such a good friend to [Liam]. It's part of why I always liked you." (Bold mine). If the MC voices doubts about this (likely incorporated for readers who would question it as a retcon...and it was a retcon since they didn't interact in TRR1), Kiara tells her that she doesn't wear her heart on her sleeve, which actually matches her practical approach to most things. In fact just a few scenes earlier, when the MC questioned her about wanting a husband (when she'd mentioned earlier about wanting to join the ministry), Kiara informs her that it would never hurt to have both. So it makes sense for her character if she's someone who kept her feelings for Drake a secret, especially while in a competition for winning the Crown Prince's hand. But we cannot, in any honest capacity, claim that Kiara's feelings for Drake weren't deep enough, or lasting enough, or genuine enough. At least based on the evidence we have.

Another point this scene brings up is Kiara's friendship towards Savannah. Up until this point, the only people who did reference her were Olivia, Drake and Maxwell - and Olivia's mockery of especially seemed to imply that the ladies of the court weren't very nice to her. Kiara's account is very different from this, and actually quite affectionate ("she was one of us", "she was coming along so well in learning French"). It's not the closest friendship, but Kiara did care enough to tutor her in the language and clearly missed her. It is possible that this scene was positioned to both build up to the alternative romance and foreshadow Savannah's presence in Paris. There is a lot more that could have been done with this angle, but perhaps that is a discussion for another section.

3. Never-Have-I-Ever (Ch 9)

This is a small option in a drinking game - the MC can get to say "never have I ever had a crush on Kiara", and loses, because Drake says she isn't his type (ironically he claims he isn't her type in the next chapter). It's interesting that he does consider her as not as bad as some of the others in that group.

3. Flirting with Drake in Paris (Ch 10)

For five chapters, we don't see any more hints of this romance. We see Drake in plenty, and we see quite a bit of Kiara. But none of it shows them together.

Kiara's scene with Drake at the tea party, is in some ways a continuation of his diamond scene with Savannah. He knows now where his sister is and what her big secret was, but this scene is where he realises how little he actually knew about her, if even her "noblewoman friend" knew she had intentions to go to Paris and he, her brother, didn't. This scene also takes place at what I call a "rest period" in the story - the group has just come out of a high-intensity altercation with Bastien, and it is one chapter before the major reveal about Constantine. So the MC can relax a little, some of the loose ends of previous stories can be tied up, and we get a vibe check on at least two alternative ships.

Drake is rather civil to Kiara in this conversation, mostly because he's trying to get information about his sister out of her. There isn't much he contributes besides this - it doesn't seem to matter much to him that Kiara was a rare friend among the court to Savannah (tho TRR3 would later retcon this), and when she talks about herself he doesn't pay much attention. Kiara does make an attempt at a light flirtation which goes largely unnoticed.

The MC's response when she first sees them goes three ways - a neutral comment about the petit-fours, a "matchmake-y" comment that points to them that they "look cozy", and a "jealous" comment about interrupting them. The third one especially results in Drake inadvertently confirming he doesn't think of Kiara in a romantic light, and Kiara appearing disappointed. Remember, at this point she doesn't see much evidence that Drake and the MC romancing him are an item.

The follow-up conversation with Drake, too, follows along similar lines. The neutral comment just asks him about the information he gathered from Kiara, the "matchmake-y" one points out she has feelings for Drake and the "jealous" one is... something.

The third response is very obviously crafted for the more possessive Drake stans to get satisfaction from dissing Kiara, perhaps in a more aggressive way than the Maxwell stans could. While the Maxwell MC can pass an insult or two to discourage Penelope, the Drake MC will go as far as to tell him he belongs only to her, and can threaten to "push her into the petit-fours".

Ironically, this scene follows a scene with Olivia about her lingering feelings for Liam - and Olivia's grief, the MC's clear sympathy and Liam's concern for Olivia are all by default. There is a certain level of sensitivity the Liam MC is required to have for Olivia that is never once expected of the Drake MC, and that plays out in very dangerous ways in the next book.

This scene, again, brought forth rather violent reactions, and in fact the language of the MC's responses itself seemed to encourage that kind of response. A poster later compiled an entire set of these responses ranging from mocking, to "back off, Kiara!" to straight up demands for murder (I couldn't link to this post because the names of the people involved were included in it, but I do have quite a few of those screenshots for reference).

After this point, you don't see any more scenes where Kiara actively flirts. In fact for most of the second half you see her and Penelope very rarely. So it does feel really wild in retrospect that "obsessed Kiara" became such a popular interpretation, after one checking-out scene, one flirtation and one rather sweet and genuine compliment of him as a person.

4. Pranking Kiara (Ch 17)

A pattern you would have noticed by now is that there is a bit of a mean streak in Drake for Kiara that is either very dominant or latent, based on whether the MC tries to encourage him, or shows jealousy towards her.

And this isn't necessarily an indicator that he can never be interested in Kiara. A distrust for nobility is almost a norm for him at this point, and let's not forget that Drake's first few interactions with the MC too didn't exactly leave her with the best impression of him either. Kiara initially being on Madeleine's side at the beginning of the story could be a factor in some level of disdain too. Such complications could - in a good story - add layers to a potential romance in the future if that was the direction the writing was going for.

Around the MC who doesn't mind them as a pair, he shows a small sliver of an inclination towards Kiara herself. His response if the MC points out that Kiara was flirting with him (Ch 10) is that he doesn't believe he is Kiara's type, not the other way around. In this scene, a drunk Drake who is encouraged to write a "nice note" to her as a prank, can write "your hair is pretty and your French is totally not stupid". Both of these lines present a sign of a possibility that a romance could happen. His behaviour when an MC casually hints at this possibility, is of someone who may like this woman deep down, but show it in very strange ways (akin to the age-old metaphor of the "boy who pulls the pigtails of the girl he has a crush on"). They wouldn't have even needed to show his responses in this way if they weren't trying to hint at a possibility.

His response to a "jealous" MC is to delightedly bask in her possessiveness of him, and to go hand-in-glove with her as she insults or suggests violence on Kiara in any way. Now one could perhaps headcanon this as a behaviour that comes from being unused to female attention focused on him, coupled with his affection for the MC - but when you take into account his behaviour towards Kiara herself in TRR3 as well, there seems to be a blatant lack of consideration or compassion towards her as a human being. Compare this, again, to the way Liam's behaviour towards Olivia is written in canon, and interpreted by the fandom. Liam is expected to be kind to her, even if he's clueless about her feelings or if she is harming him (eg. Even when she kisses him, he cares enough to opt for a reaction that will not publicly humiliate Olivia).

Not so for Drake. He is very happy to follow in the MC's lead, even in hurting Kiara. And in this scene, he pretty much kickstarts it with the suggestion of a prank.

Drake knows where Kiara's room is (thanks to a nameplate on the door, and the familiarity of the hallway, which he likes for the view outside) and wants to prank her. The MC can either accept or refuse. If she accepts, there is one nice option, and two distinctly mean-spirited ones. The first proposes to mess up her book organizational system, and the narrative describes the attempt as "ruining any semblance of order to Kiara's bookshelves". These are materials she likely requires for her career as an aspiring diplomat, or even books she uses to update herself on the world. But to this MC and Drake, her work and interests are little more than a joke.

The second one is not only aggressively mean - it also is an attempt to ruin her personal space with her personal items. Going by the array of haircare the narrative mentions, maintaining her hair is very important to Kiara (I am not equipped enough to speak about black women and their relationship with their hair, but this option did make me very uncomfortable, because of the little I've seen on how essential regular haircare and good products can be for many black women). Not only does the MC suggest using all that product to render Kiara's bed practically unusable, she also insists Drake waste the full bottle of said product. Because, yknow. "It's a prank. Go big or go home". Drake has one moment where he tries to be less mean in this option (when he attempts to use less of her hairspray), but the moment the MC encourages him towards a crueller direction he does not hesitate. In fact, when the MC first suggests this option, he regards her with something approaching awe, and praises her as "an evil genius".

There's a mean streak in Drake here no matter which option you choose. If you do go for the nicer one, he complains at first that it's not exactly a prank and in fact does claim that they "could still put glitter in her cupboard" as an alternative prank. But the other two options encourage the player to give full vent to whatever underlying frustration/enmity/hatred one could possibly have against Kiara, goading a drunk Drake to be merciless towards the things in her room, in her absence.

Maybe, perhaps, one could just view this as a "fun vent" for the "possessive stans". It allowed the Drake MC and her LI the chance to gang up on her, mock her and cause her discomfort through things that were clearly important to her, treat her like the butt of their joke, and get away with it. When you encourage that kind of hatred with your writing, it can go into some very dark, disturbing places. And it did, especially in TRR3.

The overall response to this scene didn't show much, since it was just one small sequence in a larger scene - and most of the focus was on the heartfelt bonding between Drake and the MC when he takes her to his "special hideout" and his reveal about his motives behind calling the MC by her surname.

Many Drake stans, however, took note of this specific section, and took their interpretations in a completely different direction. Questions were asked about why Drake knew about Kiara's room - completely ignoring that he frequented the hallway regardless for its view and her nameplate is literally placed outside her door - and several fans suspected the two to be involved in an affair just on the basis of him knowing where her room was. These suspicions, again, would crop up from the fandom in a more dramatic way in TRR3.

5. Drinks at Homecoming Ball (Ch 19)

This scene takes place in the finale, just before Kiara and Penelope apologize jointly to the MC for their comments in the beer garden.

Drake is, quite predictably, at the bar in this scene. In some ways one could draw a parallel between this one and the "bar" scene between him and the MC in TRR1 - the only differences being that the two were alone in the first, and that he and the MC are free to romance each other now. However this time, the two ladies of the court could also communicate with him about drinks, and he could use his knowledge of alcohol to guess their preferences.

The scene with Kiara is, again, written to be both a possible sign of familiarity and a diss (mostly the second, I think). With Penelope he just vaguely mentions cocktails and focuses on the decoration for the drink - with Kiara he is able to name the specific wine even though in TRR3 he has no idea what tannins are. There are ways one could envision that as a sign that he notices more about Kiara than he lets on.

The diss, of course, comes with his claim that no matter how top-shelf the wine is, it will still always be "old grape juice" (which is a very strange thing to say because most alcohols are fermented from basic ingredients be it fruit or grains - where did he think his high-quality whiskey that he regularly carries around in his personal flask came from??).

Kiara's attempt to impress him is pretty obvious, but the diss isn't something that weighs too much on her mind. There are less indicators here of a dejection if he brushes her aside, unlike the scene in Ch 10 - she just looks a bit surprised he could guess the exact drink she wanted. Kiara in this scene is more likely to shift gears to something more important. In this case, that is apologizing to the MC for what she views as poor behaviour that sprung up under the influence of alcohol, and offering her an olive branch (the specific apology is for her asking the MC if she came to gloat, not for telling her the alliance was over at the beginning of the tour. In that scene specifically she feels she has nothing to apologise for, and I'm inclined to agree for the reasons I stated in that section).

The overall pattern for this ship seems to indicate that it's...kinda there in case the MC doesn't want to pick Drake, but I always feel like they focused a lot more on the jealousy options and didn't spend enough time to see what a possible relationship could look like. They do claim later that Kiara's affections were supposed to be one-sided, but the buildup at least seemed to indicate some small baseline of interest from Drake's end, even if shown in some rather bizarre ways. However, because there seems to be very little respect for this character already, having the MC threaten violence and having her and Drake overreact over what were essentially harmless interactions from Kiara's end really does indicate that the writers didn't mind taking potshots at her whenever they felt like it. Like I've said before, the trashfire that was Kiara's treatment in TRR3 didn't develop overnight.

Smart, Skilled...Disliked?: Kiara and the Writing Team in TRR3

On 25th Sept 2023, PB released a two-chapter series on Storyloom called "Choices Secrets", which involved at least three writers (Andrew, Kara and Chelsa) talking about ideas and plots and backstories that didn't make it to the released book. In one section, Kara Loo speaks specifically about the ending of TRR2:

According to this account, the original idea was to kill off Olivia and possibly use that as a segue into the Nevrakis plot of the book, since her aunt and Justin were the real villains at the end of the series. When they decided to keep her alive in the series, Kara mentions finding "more members of your group get injured, like Drake".

Interestingly, Kara referred to "members" in the plural, and Drake is the only person from the core group to get shot. So it's just as possible that the choice to have Bastien, Justin/Anton and Kiara sustain injuries, was made once they decided to do away with the storyline about Olivia's death.

Olivia got spared because her writers cared for her. Kiara was likely one of the people injured in her stead, and probably the only one out of them (except for the one who was the main villain) who wasn't getting a prominent scene that focused on her being a survivor of the attack until some readers protested (the entire intro of TRR3 was dedicated to Drake recieving tender care from the MC, Bastien gets showered with concern and care from Constantine, Liam and optionally the MC. The MC comes to the estate, makes a perfunctory mention of the injury once and proceeds to emotionally blackmail Kiara into joining the tour. Let's not even talk about Lythikos. That shit warranted its own essay). No matter how much you downplay the situation, the truth is that Kiara got grievously hurt in a terrorist attack and her writers didn't think it was important enough to address.

I often wondered in the beginning, why Kiara was chosen for this. A close friend at the time theorized that perhaps it was done to ensure Madeleine would become our press secretary, because there was no way the MC would be considering her for this position if someone less hostile (like Kiara) was around. Another wondered if we might get opportunities to address palace security through the experiences of the survivors. Being a Drake x Kiara supporter at least by the end of TRR2, I wondered whether it was a coincidence that they both were injured at the same ball, and the possibility of the two bonding over such a painful experience.

Well. Boy was I about to be disappointed.

Because why did Kiara have to be so badly injured, if it was going to amount to nothing? If they weren't even going to address it in her own home? If - after even players who didn't care much for her, noticed the silence around that attack - the best you could offer was a scene that followed the MC and her friends suspecting the victim of this attack??

Had I looked at Kiara's narrative treatment (from TRR1 onwards) closer back then, perhaps I wouldn't have expected so much. It would have occurred to me that maybe they hurt Kiara the most, because they cared for her the least. Kiara is viewed as smart, poised, talented. Madeleine even calls her "one of the more competant courtiers" at some point. But that doesn't always mean that the team that writes her deems her worthy of respect.

For one, the writers tend to lean more into fandom perceptions of her in this book, rather than looking at their own canon. Kiara being a snob is not canon - that is ridiculous considering that she was such good friends with Savannah, and her support of the MC when she fits in well. Kiara acting like her linguistic skill makes her better than anyone else isn't canon either - nor is she obliged to speak in all ten languages on a loop just for the MC's or Maxwell Beaumont's entertainment. Kiara being perpetually mean to her best friend is inaccurate at best - she is often frustrated by Penelope, sure, but she spends far time and energy helping her than anyone else in that court.

Yet the narrative gives both these statements as dialogue options for the MC, where she can bitch about Kiara...but somehow only ever allows the same MC to be nice and caring and loving to Penelope - never once reminding her of the hell she'd put the MC through in the past. And because the fandom expected the Kiara-Penelope friendship to focus only on Penelope, PB got away with having Kiara's "best friend" stay conveniently silent as the MC berated her in her own home. The narrative even threw Kiara under the bus in TRR3 Ch 16, in order to make Madeleine look better in Hana's memories of the TRR2 bachelorette, claiming falsely that Kiara shouted at Penelope so much while drunk, that the latter was brought to tears. There is way more energy spent in painting an inaccurate and negative portrait of Kiara, than there is in showing the truth.

For another, the way the courtiers' and their parents' agreement to join the tour is coded...is extremely suspicious. When you compare both a successful and a failplay, you will find that all the parents have the chance to reject the MC's proposal to join the tour...except for one. Kiara's father, Hakim. In a failplay where you purposely do all the wrong things...out of the entire group of people who are still doubtful about supporting you, only Kiara and Hakim join your tour by default, without any expectation of a reward (Madeleine demands her own department after the wedding). They will be a part of it no matter what you do, no matter your failures, no matter how badly you treat them.

Hakim may have joined mainly to confront his old friend the King, but he still stays on even after Constantine dies. The writers made sure to branch-code things in a way that Kiara and Hakim could never drop out even if the MC was awful to Kiara, and never once acknowledged what it must take for them to do that. After Kiara herself had been fucking stabbed!!!!

Joelle, Kiara's mother, and Ezekiel, Kiara's brother, can reject the offer if they aren't impressed with the MC, but out of these two characters only one is viewed with respect - the one they were going to pair up with Penelope.

The narrative doesn't mind letting the MC mock Joelle for her passionate support of the arts if she doesn't win her approval, and her insistence that it is the sign of a thriving kingdom...and they make her sound petulant and churlish in response to that mockery. This despite the fact that in a successful route, she says one of the most profound political statements in the books:

"Hakim and I don't just want Cordonia to remain stable and peaceful. Those are blessings, naturallement, but our kingdom can do so much more than just survive."

In contrast, when you look at the same failplay, Emmeline and Landon are treated with far more respect from the narrative, even though Hakim and Joelle's plans for the country would benefit Cordonia as a whole. Drake looks up to Penelope's parents as an inspiration, especially if he's going to become a duke. Meanwhile Hakim actually acknowledges Drake and his bravery in a way that none of the other dukes and duchesses did, and Drake never gives a shit.

Emmeline can accuse the MC of not taking their situation seriously, if she does a bad job at the polo match, and the MC only has the grace to look contrite rather than lash out at her. Landon himself is never judged for coddling his daughter the way he does. Their focus on Portavira rather than the country is respected, and the MC not meeting their demands is viewed as her weakness, not an overreaction from their end. They never get the snarky responses Joelle gets, where the MC can outright call her "a handful" in front of her own husband.

And then there is the matter of how PB deals with the problems of all the court ladies.

(Screenshots from the Skylia YouTube Channel)

The period of the Unity Tour isn't exactly an easy time for anyone. The LIs each deal with their own shit, and the ladies of the court themselves have their own reasons for being reluctant to return. The entire point of this tour is to address their specific concerns as well as that of their families', because without the courtiers themselves we wouldn't have as strong a court.

In Madeleine's case, we have to talk to her through a diamond scene and then educate her mother on her ways of mourning lost opportunities, among other things. In Penelope's case we are required to give her complete protection and emotional security, for her to even bother joining the tour (there is branch coding where she can refuse to be a part of the tour at all). Even for Olivia - who is already an ally - the diamond scene encourages us to stand up to her aunt, by letting Olivia know that it is valid for her to lean on others for support without being considered weak.

But for Kiara? The best we can come up with, while in her duchy, is some version of - "You're smart. You'd know that if you left now, people will say bad things about Cordonia and then it would be your fault". You either manipulate her, or insult her as being a useless excuse of a diplomat. As I mentioned in another essay, Kiara's comfort is a non-factor. The gap between the care we were expected to give to Madeleine and Penelope, and what we deign to give Kiara in Castelserraillan (which is...well...nothing), is massive. And this gap would only increase - not reduce - in the books to come.

It might seem a bit irrelevant to talk about this, especially when this essay is about Drake and Kiara. But it's important to take note of this inherent disdain the writers had towards this one character - and people close to her. Because it is only too easy to pretend that the writers "got scared of the crazy stans".

Of course the stans had a huge, huge role in this. Of course their vitriol and racism succeeded in bringing about (what I consider) one of the most disgusting dialogue options in this series...or perhaps in any series. But I doubt those "crazy stans" would have gotten this far, without a team that didn't mind being cruel to Kiara.

When the Fandom and Canon are both Heartless: Drake and Kiara in TRR3

As I've mentioned in previous essays in this series, playthrough divergences truly begin in TRR3 (eg. While the playthroughs acknowledge who you chose as endgame by end-TRR2, you can still access diamond scenes through a small tweak that allows you to romance other LIs). And whichever LI didn't get engaged with the MC had indications of a new romantic possibility coming up. These were scenes you wouldn't find in your own playthrough with that LI as your fiancé/e.

Kiara doesn't appear in TRR3 until Ch 7, when the entourage comes to her estate Castelserraillan. There aren't a lot of Drake and Kiara scenes themselves, and I will get into why, section by section.

1. Kiara Greets the Group at Castelserraillan (TRR3 Ch 7)

Many Drake stans - once they found their MCs engaged to Drake in TRR2 - seemed to be practically giddy at the prospect of showing off their newly-engaged status to Kiara, and hurting her through the news. They were perhaps more excited about this than their upcoming wedding.

Well, they got that chance in Ch 7. In every other playthrough, she still holds the same feelings for Drake, and compliments his suit as Drake awkwardly fails to meet her eye. In his specific playthrough, Drake defiantly shows off his relationship with the MC, and Kiara shows a slight wistfulness before she forces herself to be normal then wishes the happy couple well. You'd think that would be enough to satisfy the stans who had been baying for her blood all of the previous book.

A throwaway line about Drake knowing where Kiara's room was, had already raised the heckles of a whole bunch of his stans. Kiara's "wistful look" in her first TRR3 scene somehow added fuel to that fire. Suddenly, you got to see a raging torrent of posts demanding to know if Drake had had an affair with Kiara. Fanfic had already been written about Drake cheating on the MC with Kiara by this point - and some of those headcanons and fanfic hinged on making Drake the innocent/vulnerable one, taken advantage of by this sexy, obsessed woman who would be either a danger to him or would be juxtaposed with the "pure", "virginal", "perfect" MC. Drake would never be the problem here, and none of the stans screaming over the possibility of Drake sleeping with Kiara would dream of blaming him for it. No, Kiara was predatory, Kiara was obsessed, if anything happened between them it would be likely Kiara's fault.

This is where it's important to note, again, that none of the more obvious signs of the "Jezebel" stereotype seem to be used in canon for Kiara. While cruel in her own way, the TRR MC doesn't exactly slut shame her or believe Drake will be unfaithful to her, Kiara isn't accused of seducing (or even trying to seduce) anyone, and she actually places respectful personal boundaries for herself in her attraction to Drake, that she never crosses. She may indulge in a light flirtation with him, try to impress him or simply talk to him - but you will never catch her forcing her sexual attention on him like Olivia did with Liam. Yet in popular fanlore, even Olivia's feelings were often cast in a far more noble light in contrast to Kiara's.

In her essay, The "Offending" Breast of Janet Jackson: Public Discourse Surrounding the Jackson/Timberlake Performance at Super Bowl XXXVIII, Dr Shannon. L Holland explores the historical and contemporary uses of the Jezebel stereotype in depictions of Black women in popular culture and discourse, especially in contrast to white masculinity (which in these contexts, is often viewed as innocent and blameless - and much of the blame lies with the Jezebel figure). The "Jezebel" stereotype "has come to symbolize both a malign, cunning sexual object and an autonomous, liberated sexual agent" - she is at once an independent sexual being making her own choices, and someone who is "incapable" of reining in her sexual appetite...and is therefore often depicted as not only a threat to the "purer" (and often "whiter" or "lighter skinned") woman, but also dangerous for whoever she is "obsessed" with. And we see this time and again in the discourse around Kiara - the fanfic that depicts her in a range of scenarios (stalker, obsessed lover, abusive girlfriend who will break a bottle over Drake's head, at times even descending into murderer to get the man she wants). Which is how we wound up in a position where Kiara even breathing the same air as Drake was viewed as a threat.

It didn't matter that he was flaunting his love for the Drake MC in that playthrough to send a message to Kiara, or that he stayed silent with the others as his wife badgered her into joining the tour. It didn't even matter that Kiara never got a diamond scene the way the two other women did, despite being the most harmed among the ladies. What mattered was that Kiara existed. Her damn existence was the threat.

2. Cheering for Drake's Victory (Ch 10)

Ch 9 of TRR3 was released to players on April 27th, 2018. Immediately after, a mid-book hiatus was announced, mostly to work on some new art (very possibly the red pandas), work on the wedding, and make changes (such as shifting diamond scenes from character-centric ones to LI specific - they'd already started making changes to LI diamond scenes). The book would return 2 months later, in June.

In a livestream before the hiatus ended, the writers had made it very painfully clear that Kiara's feelings for Drake was one-sided. And by that I mean they really emphasized on the one-sidedness of her affection, almost as if to reassure the panicking stans. This would manifest in any future interactions between the two - both in Drake's single and engaged playthroughs - and any hope that such a pairing would even be hinted at was over. But there was one variation that the team had perhaps neglected to edit out.

A small one-word depiction of Kiara cheering Drake when he wins his duel against Neville, joining his friends to praise him. It really isn't much - just Kiara saying "bravo!" before Savannah rushes up to hug him, which is replaced by a scene of Drake himself going up to the MC and passionately kissing her in his own playthrough. What is definitely striking about this depiction is that Kiara was clubbed with his close friends and his sister, rather than the second group of people that largely represented the larger court (Rashad and Queen Regina) who offer their congratulations.

Given the way the writers wrote any remaining interactions between Drake and Kiara, and the fact that this small appearance doesn't really amount to anything, it is possible that this variation was part of an earlier draft that involved other hints, that the writers failed to notice when they put up Ch 10. If they had, I'm pretty certain it wouldn't have stayed in the book.

3. Leaving Court + Wedding Conversations

Remember how I kept stating in this essay that the narrative was going to take their enthusiastic pandering of the "possessive stans" end of the fandom, to some dark, disturbing places? Well, here we are.

Tbh, the writers could have just stopped showing any interactions between the two, or given Kiara another boyfriend if their aim was simply to show that Drake and Kiara would never be endgame. They had done that with Maxwell and Penelope already...oh. I forgot. They actually wanted us to care for Penelope.

Up until this point, Drake's mean streak re: Kiara was present, but not really as obvious as it gets here. PB takes that cruelty several steps further in these two chapters, starting with Ch 11. Ch 11 was fanservice to the people who shouted abuses and "joked" about killing Kiara in every chance they could get. Ch 12 showed this sentiment at its worst, covered it up with enough fluff so it would be harder for people who liked Kiara to notice...and let those players get away with it.

In Ch 11, Kiara approaches the MC and her group to inform them that she is withdrawing from the tour. Drake is the first to respond to this, remaking at the suddenness of the departure. The MC can speculate on a couple of things, ranging from sympathy (that she might be afraid), selfishness (that she is "bailing out" on the MC) and suspicion (that she is hiding something).

In all three options, a pensive Hana expresses sympathy and encourages the group to "reach out". In all three options, Drake will only view Kiara as a suspect.

Mind you - according to Ch 12, Drake is saying this knowing Kiara was injured at Homecoming Ball...and knowing exactly which weapon she was injured with. Aware that she has gone through an event as traumatic as that (if we go by his "just one step at a time" monologue to Kiara), better aware than most how it would feel...he still opts to act like her motives should be suspicious.

This is further emphasized in the Drake playthrough, through the armory scene that the MC takes with Maxwell.

As I've mentioned in the post on this scene, it is divided into three halves. The first half deals with whoever the MC rejected (either Liam, or Drake in Liam's playthrough). The third is buildup to Lucretia's plans to usurp the throne. The second is supposed to be about the excitement among the members of the court for the wedding, and of course as the only people who come for the tour by default (and Madeleine is already taken for the first scene), Kiara and Hakim are used for this scene!

I will only focus on the Drake version of this scene today. There are a few things you notice straight off the bat:

1. Since this is Drake's playthrough, the narrative seems to do away completely with any lingering feelings Kiara may have had are done away with. In this scene she is quite happy about Drake's wedding - in fact, practically chipper. Literally nothing about her behaviour here serves as a reminder that she once had feelings for him.

2. Drake's response to Kiara attending his wedding ties in pretty well with his earlier default suspicion of her. Unlike Hana who is surprised but also happy that Kiara is attending, he seems to voice it as a doubt or a question. While that makes sense and there is continuity, it's pretty awful that he is allowed to suspect her like this and feel no remorse when the truth about her is revealed.

3. Now as I said in the post, this scene is meant to be a buildup to Drake's ice-palace scene. He speaks about wanting a private, country-style wedding in a natural place there, and Kiara's gentle teasing in this scene is supposed to be an indicator of how much he dislikes the usual fanfare. Okay. Fair enough. You're uncomfortable with the fancy decorations and the insane planning, fine.

4. But it's Drake's attitude towards Kiara in this scene that leaves a bad taste in the mouth (unless you were one of those Drake stans that liked to threaten murder on this character ig). The narrative really went out of their way to make him sound uncommonly angry with her, just for asking about his wedding. He angrily hisses at her to keep her voice down the moment she asks about the wedding, and then lashes out the moment she teases him about his love for the MC and his reluctance to be very public about it in that context. Of course, people who either liked Drake or hated Kiara would downplay this scene - either blaming Kiara for not magically knowing his likes or dislikes, or acting like Drake's behaviour in this scene is no big deal.

And his explanation in the ice palace scene really doesn't cut it as a reason for why he should be this pissed off at Kiara's excitement. There is no real bitterness or resentment tied in with the fancy trappings that are mentioned in that specific scene - it's just that he likes simplicity better. If Kiara doesn't know him well enough to understand that - it's because he has never properly talked to her. She made attempts to converse whenever she could. You can claim he never owed her a conversation - but in that case she doesn't owe him a complete understanding of his wants either. He could have just politely answered the question and changed the subject, or quickly took his leave.

He is well-versed enough in court etiquette by this point that he could have managed to sound civil enough. That he could have made a quick, polite exit. But no, he gave her the kind of anger that one reserves for someone who is kicking a puppy or stealing candy from a child, instead. And it was Kiara's grace that allowed her to view that awful behaviour in a more positive light.

It's pretty clear this scene - and to some extent the framing of the next - was made specifically for those Drake stans who were screaming and throwing tantrums about a possible affair. It was to highlight that there was no way Drake could ever return Kiara's feelings - and the only way they could do that was by making sure he treated her as rudely and inhumanely as possible.

I didn't think it could get any worse than this, when I saw this version of the scene...but then I saw Ch 12.

The Talk

If you were to speak just about fandom reactions to this scene...the responses to Kiara chronicling her trauma after Homecoming Ball, were pretty positive. Plenty chose the middle option "You're suffering from the trauma of the event. You need help", and cooed over Drake's touching little monologue about "taking it one day at a time".

I admit at the time I was fooled too. But one thing did niggle at me as I played both this option, and the "understandably cautious" one (I would later understand that the latter was not very good either - it has a thin veneer of "validating" Kiara's feelings, but it still has the MC and Drake expecting her to put their needs before her own safety and sanity).

Drake was reassuring to an extent in both options, sure. But why were his responses so different? Why was his answer to Kiara so closely tied to whatever point the MC was making, rather than independent of it? After all, he was the one who should be able to better relate to Kiara - wouldn't he have thoughts of his own here? If the MC chose that horrible final option, Drake would correct her and comfort Kiara instead, wouldn't he? Wouldn't he???

It was only when I (reluctantly) pressed that third option ("not as driven as I thought you were") that I understood what Drake's role in this scene was.

He wasn't going to be there for Kiara. He wasn't even sympathetic to her! It wasn't even going to be about two traumatized people connecting over their trauma. Drake was a puppet. He was there to parrot whatever garbage came out of the MC's mouth.

Because in the third - and most horrific - option, the MC is allowed to minimize Kiara's trauma, and mock her ambitions in the face of what she has just gone through. Drake is allowed to agree with her ("sometimes ambassadors have to work in dangerous areas"). Kiara is forced by the same narrative to find value in these words.

And all of this, stems from a scenario where Drake and the MC go in suspecting this woman from the jump. Where Maxwell is happy to make jokes about her being a suspect. Where the only two decent people in this group - Liam and Hana - are conveniently written out of the scene, ensuring that these ghouls can act the way they want around Kiara, and get away with it.

Not once is Kiara herself ever allowed to know that the group suspected her by default, nor is she allowed to go through with her intention to leave court. The very roots of this scene are rotten.

Very often, when this scene in particular is addressed, not many people actually address Drake's behaviour here - or in the previous chapter. Stans will vaguely, and conveniently, blame the group as a whole rather than their favourites. Such a tactic allows them to never name the specific people or specific actions, and therefore the main people involved in speaking to Kiara the way they did never have to be held accountable. This is particularly relevant in the case of Drake.

It was Drake's idea to interrogate her. He was the one constantly harping about her "suspicious behaviour". He was the one aware of what happened to her yet chose to think of her as shady. He was the one who should have known better, yet was absolutely game to minimize her trauma or engage in emotional blackmail. And neither he nor the MC came out of this conversation feeling anything resembling remorse. Because, apparently, they never did anything wrong.

They got what they wanted. At best, Drake and the MC manipulated this woman (again) into returning to their court. At worst, they badgered and bullied her into that decision. Either way, she was going to return, and the narrative was going to pretend that the MC and Drake were great people for making it happen.

I have heard some justifications over the years for Drake's behaviour here. One is that he "tends to act like an asshole to everyone". Another is that Kiara is a noble so he was never going to see her in a positive light. Which is hilarious to me, honestly, because in the same book you have Drake reassure Penelope - the woman who had made the MC the target of a reputation-ending scandal - and comfort her when she sees Madeleine. If this was really about the chip on the shoulder he had for nobility, why was he so kind to Penelope? And if Penelope's mental health warranted a change in mindset and behaviour from Drake's end, why was Kiara not worthy of that as well?

The truth is this. Drake was allowed to express his mean streak to a black woman, bully a black woman (the pranks), lash out at a black woman (the conversation at the Lythikos Ball), suspect a black woman, and finally minimize her trauma if the Duchess he had a crush on wanted to. While being overly protective and chivalrous to the white woman who actually did harm her. No matter what way you spin it, that is what Drake's behaviour - especially in TRR3 - is.

The way the team trampled over this "pairing" post that miniscule hint in TRR3 Ch 7, would make a rampaging elephant look like a ballerina in comparison. They wanted to make it clear after the hiatus that Drake x Kiara would never happen, in any eventuality, in any future, in any universe. And no matter how much we pin this on "crazy stans" (who do hold some responsibility for sure, for their own veiled racism), it's a fact that the writing team was comfortable doing this. They had already found other ways to pile disrespect on their sole recurring black female character - what was a little more?

TRH and Beyond: Taking Away What Was Left of Kiara's Remaining Fanbase

Given all the narrative back-and-forth and shadiness, I'd have to say the end Kiara got in TRR3 was comparatively...decent. Not great...not exactly satisfying...decent.

Her fighting off the assassins at the boutique ("not again...not again!!") was the highlight of that scene. In Hana's playthrough, Kiara was her MOH by default, and the lines the MC could give if you chose her in other playthroughs was pretty sweet. At the end of the book, her father would make Kiara his heir, after her older brother Ezekiel abdicated. There were still things I was always going to hate (such as the fact that we could lie about "having Kiara's back" - we absolutely did not) about the aftermath, but all in all as a fan...I could maybe envision a fairly happy ending for her with what we got.

The next series, The Royal Heir, would debut on June 2019, almost a year after TRR3's own debut. This would be the first series that would go completely LI-divergent, spanning four books. It started out as an attempt to envision the future (and pasts) of the main characters, as well as tie loose ends...but descended into an incoherent, retconning mess with each book.

Kiara doesn't feature much in Book 1, but is pretty prominent in certain chapters like Ch 7 (Savannah's bachelorette), Savannah's wedding, and the Apple Ball in the finale. You'll often find a marked difference between the way she is looked at for most of the book, and how the MC speaks to her in TRH1's finale.

Savannah's bachelorette, for instance, features all the ladies of the court in Texas, with new "country" looks and engaging with Texan culture. Here, too, you see a sign of PB leaning into popular perceptions of Kiara rather than remembering their own writing, when we see how Savannah praises the MC by default but has very little to say about her former friend Kiara. Since Savannah's return to court in TRR3, the team seemed to have forgotten that other ladies of the court weren't very nice to her, and Kiara was the only one concerned for her. They have Olivia act sweet and caring towards Savannah in both TRR3 Ch 17 and TRH1 Ch 7, conveniently forgetting the insults she piled upon Drake's sister in the first book. Savannah never has to talk about Kiara's friendship at all, other than a teasing comment hinting at her French lessons. Savannah was never expected to have any gratitude or affection towards Kiara even though she was the only woman who cared about her in court before she left.

An interesting thing to note in the diamond scene of the bachelorette is the way the courtly ladies' previous/current "romances" are framed. Kiara's, in particular, warrants a lot of discussion. Unlike Olivia (who can address her feelings for Liam regardless of playthrough, if asked, and can actually show some level of resentment towards him for not picking her), Kiara's feelings are addressed only if the MC isn't married to Drake. If she is, Kiara mentions a fondness for "rugged, down-to-earth men" (which the MC and Penelope perceive to mean hunky and muscular), and avoids mentioning his name at all.

There are two very interesting things to note about this sequence. One is the pattern of how, and how far, are Olivia and Kiara are allowed to address their feelings for these men. Not only is Olivia allowed to be open about her feelings and her bitterness (despite Liam actually romancing her in TRR3!), the narrative demands our respect for her position and plight. The Liam MC lauds her honesty and her decision to move ahead, unfazed even by her anger for something Liam didn't even owe her. In contrast, in the Drake playthrough, the writing makes sure Kiara never mentions him by name. And not only that, when the MC and Penelope tease her about her romantic preference, she is shown to stammer and seems downright afraid of the MC.

The fact that there is such a gap in how Olivia and Kiara are allowed to act about the men they love, and the fact that this gap was normalized so much in fandom discourse that it didn't even warrant a discussion, tells us plenty about the fandom too. The fandom position has almost always been that Liam owes Olivia love, appreciation, kindness. And that Drake owes Kiara nothing, not even common human decency. Which is why the fandom wants Liam punished for the high crime of not loving Olivia back. Which is why Drake is allowed to treat Kiara like an irritating pest at his best, and like utter garbage at his worst...and almost no one so much as bats an eyelid.

Since most of the story of TRH1 seemed to revolve around the ranch, the ladies of the court made minimal appearances and most of those were in keeping with patterns established in TRR3 (except for maybe Olivia's spy scenes). Some of their parents - too - feature in Royal Council scenes: Godfrey and Landon are part of this council and are seen during the MC's announcement - no one from Kiara's family, besides her brother Ezekiel who is dating Penelope, make any appearances in this book. Towards the end of the book, however, you suddenly find a scene or two where the narrative is suddenly, and inexplicably, syrupy sweet to Kiara:

(Screenshots from the Skylia YouTube Channel. 1-5 are from Ch 18, during the council meeting. 7-10 are also from Ch 18, at the start of the ball. The last two are from the finale as buildup for the pregnancy photoshoot)

There are indications of Kiara's diplomacy and good advice in other parts of the book too (such as her suggestions for dealing with the foreign royals at the baby shower) but never were the praise and compliments as obvious as they were in the last two chapters of TRH1. Kiara was given a quippy dialogue to spout at Godfrey, who would later be revealed as the murderer of Queen Eleanor. All three of the MC's dialogue options in response would praise Kiara by default (a rarity). King Bradshaw would shower her with compliments too about her talent and expertise. And when Kiara approached us with an offer for a pregnancy photoshoot, the MC could cheerfully say "for you, Kiara? Of course!" as if they'd been bffs from the beginning.

There isn't any obvious reason why we saw this sudden change, but I can make an educated guess or two. A pattern that commonly emerges with attempts to address something that would benefit Kiara, is that the writers often only do it when enough people complain; that was how we got the horrible Lythikos sequence. Midway through TRH1, I managed to put up an essay exploring Kiara's treatment (centered around the Lythikos sequence in TRR3 Ch 12) in comparison to Penelope's and Madeleine's. It did not receive an immediate fandom wide response, but several readers did come away from that essay feeling like Kiara really got the short end of the stick, compared to all the other court ladies. I'm not sure whether that essay had a direct impact, but those three scenes PB added to the finale chapters do make me wonder. Was the team trying to prove to the fandom that they did like Kiara and wouldn't personally sabotage her, either for their own enjoyment or to pander to a section of the fandom?

If they did, then that plan didn't last beyond these two chapters.

Another possibility of course was to give Kiara something slightly positive before they did her dirty - again - in TRH2 and 3. Because in those two books, they managed to first make her - along with the rest of the council - party to a vote (that everyone was involved in, including the LIs!) that would later prove detrimental for the country. They would then have her be the only heir involved in the notorious Coventus Nobilis, which ensured that anyone who wanted to hate Kiara could tie her to her vote in favour of Bartie Sr, without ever asking any further questions. This was a far more successful attempt, because most of the fandom already believed the misconceptions of Kiara's characterization to be truth, and these storylines simply added fuel to the fire.

Kiara's biggest supporters tended to be a section of the Liam fandom, as well as wlw stans who tended to like most of the courtly women. Having her vote for Bartie at the end of TRH2, and her explanations in TRH3 about the "MC's ruling style" (which was really canon's way of making sure she did more a silent diss on Liam) was written specifically to place a serious dent among her fans who liked Liam. And sadly, it worked in part. Because even if one considered Kiara's thoughts on "reactive ruling" accurate, it was a fact that the nobility (she included) would have to be blaming Liam for something that the entire Council voted for, and that Liam and his friends fixed on their own.

Making Kiara the lone person to voice this argument, made her a target in this fandom. I mean, people were ready to praise Madeleine and speak of her as loyal (eagerly ignoring that she was actively involved in the child's kidnapping if you didn't coddle her enough), and badmouth Kiara in the same breath, claiming that Kiara wasn't worth forgiving and people should just get over Madeleine's deeds in the past.

This resurgence of hate didn't just erupt out of nowhere. Once they finished spending two chapters on two-second compliments to Kiara, PB reverted in the next two books to some of their usual patterns with her. For instance, remember how I mentioned that PB had an obsession with never letting Kiara and Liam interact? In TRH, they repeated this pattern, but with the Heir. The only scene Kiara has where she can so much as touch the heir is in the last part of TRH3, if you choose for Kiara to read to her. Penelope is regularly allowed to hold her even though she has often placed this child in dangerous situations (on one occasion, Kiara herself had to stop her) - even Madeleine is given an entire babysitting scene to win her favour. But Kiara is the only lady of the court who is made to stay away or care for the child from a distance.

Kiara's family (besides Zeke, and just because he is Penelope's fiance/husband) is subject to disrespect in this book too. Hakim and Joelle were both conspicuously absent from the pregnancy announcement presscon in TRH1 (where Landon, Godfrey and Bartie Sr somehow featured!!), and future books would either retcon the family or force them to do things the other families didn't have to do. In TRH2, the MC takes a tour of the Great Houses with her newborn daughter, and each house is expected to pledge loyalty to her and the crown in different ways. Hakim is written as "bending to his knees" for the child. This is something only Adeleide and Madeleine - whose house, might I remind you, are considered the house of traitors at this point - have to do. Landon and Emmeline are never expected to express their loyalty to this extent.

In TRH3, the narrative callously pushes the Therons under the bus to make the Ebrim family's reluctance to help the MC make sense - the Therons are now "traditionalists" who frown upon scandals and may not allow Zeke to marry Penelope on the account of her past annulled marriage (this makes no sense when you take a closer look at the Therons themselves in TRR3 - they're a far more balanced, far more progressive family than any of the other Great Houses. They even took Zeke's abdication well!). Furthermore, you'll notice that the framing of Penelope's past with Guy is worlds apart from the disdain the narrative shows for the Therons during the flower festival. It is notable that in the latter, the black women are depicted very negatively - Kiara is shown unable to manage her own competition, Joelle is depicted as pompous and incapable of losing gracefully, Drake gets to take sarcastic potshots at Lerato for trying to charm the MC into voting for her and Drake into convincing her to vote. Meanwhile white people like Landon and Marguerite are presented in a just as humourous but less mocking light (eg. Landon moving his table courteously before flipping it in the flashback).

Even into TRF (Ch12), the narrative gives us choices where we can stand up to people criticizing Landon and Emmeline's parenting ("Duke Landon and his wife raised a kind, generous daughter..."). We are allowed to be far less critical of the Ebrims overall, we are allowed to be more charitable even in the dialogue options for suspecting Landon than we are of Kiara (think of how Maxwell can suspect that Kiara was planning to betray us all along). At the end of the Flower Festival, Kiara is made to appear contrite as the MC can choose to either demand she make this right before the latter can forgive her, or indicate that she never will. Ironically, a Penelope who can choose her fancy wedding over the safety of the MC's child never has to face words that harsh.

You will also notice if you look more closely, that the narrative continues to frame events surrounding Penelope and Kiara in opposing ways. Penelope is perpetually viewed as a victim, and Kiara constantly as a suspect.

We are expected to support Penelope, and to mistrust Kiara. And even though Kiara's feelings had long since become a thing of the past, Drake still maintains his animosity towards her and her family. And like everything else, it is so normalized at this point that you barely even notice it anymore.

In TRH2, Drake is allowed to tar all nobles with the same brush because of Godfrey's actions. Though his statement about the nobility ("We can't trust any of them to have Liam's back...not unless it's in their own selfish interests") is about the entire nobility, it is striking that he says this just before they go to Castelserraillan. The Therons are also the only noble family that Drake makes sarcastic comments about (in reference to Liam informing us that their province is a trade hub, Drake quips that "they are going to want to trade babies with us"). These snide comments he rarely makes about other noble families, and serves as a sharp contrast to how he treats the Ebrims (during Penelope's wedding festivities, he is unnaturally invested in Penelope getting a happy ending with Ezekiel). We can't even claim that his behaviour towards Kiara is in line with his disdain for nobles, because Penelope is proof that he is perfectly capable of showing compassion to most of them!

TRH3 ends with Kiara doing an apology tour of sorts - diplomatic missions aimed at improving Cordonia's international relations. TRF finds almost all the ladies of the court - even Olivia - in very minimal roles, as the focus shifts to the Via Imperii. Still, the narrative makes more references to Penelope than to Kiara, to the extent that the epilogue ends on both the MC and Penelope celebrating their pregnancies (Penelope's first and the MC's second) together.

Overall, you will find that the narrative repeated certain patterns with Kiara - the tendency to find her suspicious, purposely limiting scenes with important characters like Liam (TRR) and the heir (TRH) while the white courtiers get almost unlimited access, the discrepancies in expectations for her vs other ladies (eg. Madeleine is hailed for being "good" even though that is solely dependent on how you treat her. Kiara is largely ignored whenever she does help, and attacked when she is written to support the enemy). Drake - even as a former alternative to her, who should have gotten over whatever nonsense beef he'd had with her earlier - is allowed to make snide remarks about her home and family.

It's pretty clear they could do this because they could get away with it... because most of the fandom made it so easy for them to get away with it.

Fandom

When I look back at how the perception of Kiara in the fandom progressed over the years, I find it half-amusing, half-sad how much of it is rooted more in fanlore, and how little in actual fact. And this is something you couldn't just pin on "crazy Drake stans" - they were the biggest promoters of these lies and misconceptions, sure, but normally analytical, commonsense readers often believed that Kiara was fake and a snob and awful to Penelope too.

I get some of it, given the timing of Kiara and Penelope's scene at the beginning of TRR2. It takes place at a low point in the MC's story, a time when she isn't even sure the LIs want to support her. Coupled with that is the lasting image of Penelope hugging you and complaining about Madeleine, making you feel like she's more willing to give you a sliver of solidarity. Coupled with that, is Olivia's newfound popularity in the fandom - once she emerges in Ch 5 of that book, fans believed they found their wildcard who would stand by them in complete solidarity among the ladies of the court (did they ignore Hana's already massive contributions to the investigation? Yes they did. Yes they did). Madeleine herself is shown giving quotable quotes about female solidarity and Tariq's guilt in TRR2 Ch 7, which - coupled with Justin's high praise of her - made people want to find things to like about her too. Penelope's own betrayal was overshadowed by an expectation to support a person with serious mental health struggles.

Kiara's the only one who doesn't get such backstories or explanations. So at least in the heat of the moment, in reading those chapters between weekly gaps, it makes sense that a false impression of her got somewhat solidified.

But when you build your interpretations out of lies and misinterpretations, how does it become so valid that even the writers bend to it and prefer to show that?

Every fandom has its "crazy stans". And this instance wouldn't be the first or last time they are pandered to. But when the same stans get backed up by the "saner", more commonsense members of fandom; when even neutral readers promote versions of a story without actually looking at the scenes in question - that's when a fandom is in danger of turning a "headcanon" into canon.

Kiara being a horrible friend to Penelope wasn't canon. Kiara being a snob was not canon. Kiara being creepy towards Drake wasn't canon either. Especially when you take the fandom response to Olivia's forced kiss on Liam into account.

And that brings me to another point. I had been asked once why I felt the need to compare Kiara to the other ladies in my defenses of her. It's important, when we speak of the kind of hate Kiara received, to understand how a lot of flaws that the entire court has (eg classism) is often pinned onto a lone person, and how several white female characters could get away with worse behaviour while Kiara alone was slammed for harmless interactions.

This is most apparent when you look at how Olivia's violation of Liam's consent is perceived, vs Kiara's harmless flirtation with Drake in TRR2. Which woman had fans foaming at the mouth and wanting to kill her? Which woman was given dozens and dozens of fanfic and content that depicted her as creepy, desperate, downright obsessed with their man? Which woman got the "oh well, he doesn't owe her anything 🤷🏽‍♀️" vs a "he doesn't love her back?? WHAT AN INSENSITIVE ASSHOLE!!1111"?

Perhaps this Olivia/Kiara comparison is where the fandom's tendency to cast Kiara into the Jezebel stereotype is the most visible. Kiara's very act of talking to Drake sometimes is registered as a threat to those stans, and it reflects in the way they speak of her, the way they speak of their MC's own relationship with Drake in association with her (eg. the number of posts rejoicing at the thought of showing off their "engaged to Drake" status at Kiara's estate), the way they're allowed to dehumanize her and villify her (eg. The edit I mentioned at the beginning). This is often encouraged by their friends who are fans of other characters, and you can see that in sharp contrast, Olivia - despite her actions in Book 1 and her resentment of Liam for not loving her back in other books - is still often viewed with sympathy and respect. Her feelings - still viewed as genuine, even pure. To the point where PB eventually allows Olivia to constantly address her feelings about the MC's and Liam's relationship, while forcing Kiara to not even utter Drake's name in his playthrough.

But you see this with other characters, and in other contexts too. Particularly how Madeleine can be duplicitous, hypocritical, and power-hungry, and it's Kiara who is called these things despite her actual honesty in canon. Madeleine can get away with actually helping Bartie Sr kidnap the MC's daughter in TRH3 without a murmur, in the same fandom where people can curse Kiara for voting for Bartie Sr "to take the child away" (despite her telling the MC and spouse that she was promised they would have custody of the child, therefore the claim that she "voted to take the child away from their parent" is inaccurate).

You saw some of these discrepancies in how Penelope and Kiara were spoken about too - Penelope's crime in TRR2 was considered easily forgiveable, while Kiara's innocence is constantly called into question. Kiara was often viewed negatively for what the fandom perceived as "meanness" to Penelope (when it was in fact Kiara worrying about how Penelope would fare when she wasn't around) while Penelope herself was never expected to be a good friend to Kiara. An interesting thing to note about the fandom response to Penelope and Kiara showed that often when posters wanted to hate on Penelope, she and Kiara would be clubbed together, almost as a unit. This was especially prevalent in TRH3. It was easy to express hatred for Kiara independently, but most posts that showed a dislike for Penelope (besides from specific Kiara stans) would often tie her with Kiara, as if there wasn't much to hate about her otherwise.

It is important to line up whatever hate Kiara gets with the responses to the other women - especially in the face of what the latter are allowed to get away with. In doing so, you get a better sense of what is allowed for a certain subset of women, and what isn't allowed or permitted for black women specifically.

Often, the fans who would not hesitate to call her alone fake, opportunistic and creepy were WOC, and there have been cases where some would use their identity as WOC to shield themselves from the criticism concerning their vitriol. It would often descend into "I don't hate her because she is black, I hate her because {insert inaccurate/false/convoluted justification here}". It didn't matter that much of this information wasn't based in fact, or had a heavy bias that they never applied to anyone else. It only mattered that because they were WOC, somehow that meant that they couldn't possibly be racist. That their unfounded hatred for Kiara had to be legitimate. As if there was no chance that someone who was WOC couldn't be antiblack too. I mean, the ultimate proof of this could be found in TRR itself - the two head writers of the TRR/H/F series' are Asian women - who have a pattern of liking mean (white) women, and who didn't mind throwing the black woman and her black family in their story repeatedly under the bus, who didn't mind minimizing and retconning the abuse and childhood trauma that the darker-skinned Asian woman in their story went through.

Overall, it is possible that the fandom did take some of their cues (for their impression of Kiara) from the inherent disdain found in canon itself. But many of them also misinterpreted several things about Kiara, then didn't bother to revisit those biases with a critical eye, or even try to see if they were wrong. And that baseless hatred fed the already-existing disdain that Kiara's own writers had towards her. Resulting in the kind of horrific, racist garbage that we got to see in TRR3, and the constant attempts in canon to pull her down in TRH.

Did Drake and Kiara Ever Have A Chance?

There have been various opinions - from both Kiara fans and haters - for why a Driara ship would never work. He hates nobles, she won't like his disdain for art and culture, he likes the simpler life, she's a snob...so on and so forth. Many people will agree it's not a great ship, but of course with differing opinions on why.

I, however, often wondered at possible scenarios where such a pairing could work. The magic of shipping is often that you can play around with personalities and pair almost anyone, and find enough reasons to explain why they would tick. And in Drake and Kiara's case, personally, I do feel like it's a complicated question to answer - primarily because I feel like the authorial intent at the beginning may have been very, very different to what finally happened in Drake's story.

A lot of Drake's early writing focused on the reasons behind his mistrust of the court and his tendency to view the people he loves who are part of it (eg. Liam and later the group) as anomalies. There are two ways you could take such a story in TRR2 - you could either get him to admit to the flaws in his own thinking (thereby providing a more nuanced insight) and allow him to grow from there, or you could just have him double down on his biases and never change beyond the superficial. The team of TRR - esp the head writers, Kara and Jen who were both v fond of him - definitely seemed to go in the latter direction.

Drake's prediction in Coney Island does indicate that he should let go of the past, and I honestly feel like the sequences where he learned about Maxwell straining House Beaumont's finances to help her, and Kiara and Savannah's friendship, could have been turning points for him if the writers weren't so obsessed with proving him right all the time - even when he was supposed to be wrong. Maxwell and Kiara, in their own ways, were proof that not every noble was the same, nor would every noble treat the commoners around them all the same way. However, the narrative trampled all over this possibility in TRR2 Ch 9, where Drake could optionally claim that the Beaumont brothers (among others) were "just looking out for themselves, no matter the consequences", or later when the narrative had Savannah be grateful to him for breaking her confidence to Bertrand, and have Maxwell try to earn his forgiveness in Ch 12 rather than the other way around. It allowed Drake to be selective about the nobles he admired or defended, while still free to treat certain others like garbage.

I could easily envision a Driara pairing for most of TRR2. I could even see it as potentially salvageable in certain parts of TRR3. But the moment they had Drake readily suspect her, the moment the team thought it would be okay for Drake to even suggest minimizing her trauma...that option was no longer worth seeing. Not for Drake, but for Kiara. Drake would have to be the worst possible guy I could find for her, in such a scenario.

But I could see potential in a storyline that had Drake understand that some of these people weren't the monsters he so desperately wanted them to be. In one where he could hear about Kiara's friendship with his sister, and learn about a whole new side of her. One where he maybe felt insecure ("I'm not her type") and could be reassured by a woman who had likely held a torch for him since they were teens/young adults. One where they could reach out to each other in their pain and trauma, and find solace. One where Drake knew that the family he may be marrying into would respect him, and his father too. There were possibilities there.

It would still take more work - his mean streak for one would need to be reduced by more than a half. A lot of it, of course, was kept for the Drake stans, but it really doesn't add much to Drake's character besides making him a mean-spirited, hypocritical bitch who only targets the lone black woman this way (and Olivia occasionally, if she goads him). If the narrative did want to keep a characterization where Drake acts weird around the girl he likes, they could - but that story would need a lot more work to be palatable.

All of this is to say that regardless of personal bias, there were possibilities there. There was a sliver of potential. And if they wanted to let go of that potential midway, they didn't have to go about that the way they finally did. They could have just worked on creating another love interest for her. They managed to create a brother for her overnight just so Penelope could have a boyfriend; they could have easily done the same for Kiara.

Multiple factors went down that explain why the Driara ship didn't take off. But many of them boil down to one specific root cause - the white women (whether they caused actual harm or not) needed to be protected, needed to be cherished. The black woman who dared to ask for the same things from their pet LI, would be viewed as a threat, a villain, a creep...just for breathing in his direction.

And her writers cared so little, that they took the fanon perception for her and stamped it onto their canon, like it was the truth.

They didn't do any of this for the woman who forced a kiss on a prominent LI. They didn't do this on the woman who betrayed the MC and set her up for assault. They didn't do this to the woman who bullied the lone female LI, and swore to continue doing so till she broke.

They did this for the one woman who was fairly innocent of most of these crimes, actually respected the LI and treated him well.

They did this because they could get away with it. Because they were confident that the fandom they wrote the story for, would let them get away with it. And tragically...they were right.

--

Resources I used to learn about the Jezebel stereotype:

The "Offending" Breast of Janet Jackson: Public Discourse Surrounding the Jackson/Timberlake Performance at Super Bowl XXXVIII by Dr Shannon Holland

Janet Jackson, Justin Timberlake, the Jezebel and white masculinity by Khadija Mbowe (I actually got the recommendation for the first paper from this video essay).

From Mammy to Jezebel: The Portrayal of Black Women in American Cinema from the BlackThen website

[unabashednightmarepizza]

𝑆ℎ𝑎𝑑𝑜𝑤 𝑎𝑛𝑑 𝐵𝑜𝑛𝑒 𝐶ℎ𝑟𝑜𝑛𝑖𝑐𝑙𝑒𝑠, 𝑇ℎ𝑒 𝑆𝑢𝑟𝑝𝑟𝑖𝑠𝑒

Tagging: @augustwithquills , @bloody-mf-bsc

Liked by freddycarter1, benbarnes, vancityreynolds and 5,897,655 others

Y/N Y/L/N: This man unsettles me. Why the hell do you smile at me like a proud kid looking at his mom for praise?

We filmed the most gut-wrenching, soul-wrecking traumatic scene for your character.

You just know what you will be doing to the fans. You know their pain, and enjoy it and they are gonna come after you for therapy bills. Hope you are rich.

View 657,564 comments

User5: Freddy is just a sneaky cat. That's it. That's my comment.

User7: I don't wanna know the scene... yet again I have a guess .

User9: There is water... And Kaz's trauma includes water... We are, guys, once again...

User6: doomed. As usual.

User4: It's usual at this point, like I can't go on with my day without at least one tiny bit of drama

User3: Once again, mother Y/N is right. We all hope you are rich ASF Freddy.

freddycarter1: I could make Y/N pay for them?? She is the reason you guys cry

Y/N Y/L/N: don't bring me into this, Freddy. It's your fault, you have to deal with it. Or... I can tell your wife that you are bullying me😎

freddycarter1: you wouldn't dare! My wife loves me!

Y/N Y/L/N: Maybe... Not as much as me tho😉

User12: the way Y/N doesn't just conquer the women cast members' hearts but the male cast's wives as well...

User5: Teach us where this rizz comes from Y/N!

User6: Just Y/N and Ben casually making us fall in love with them

Liked by benbarnes, freddycarter1, amita_suman, jessie_mei_li and 6,573,435 others

Y/N Y/L/N: More memes!

1. Freddy is my one true love, and more attentive and mature and cares more about me.( this is definetly not my amazing,handsome, attentive and bullied boyfriend whom I should pay more attention to.)

2. This is what I was talking about! Look at hım and tell me you wouldn't immediately accept whatever mindblowing War crime he wants to commit together?

3. The only surprise element here is that I paid for the tickets... Even if they were the ones who went to to cinema.

View 566,564 comments

User1: Ben is being a gremlin again by taking her phone... Again.

Y/N Y/L/N: See? Everyone else is very mad at you benbarnes 😒

User5: Y/N show some love to poor boi 😭

User9: Ben is struggling so much djsjsh

User8: he is like a puppy following her around dnjd Have you seen the BTS of shadow and bone? He is always looming behind her and looking over her shoulder to get a glimpse 🥹🤭

User4: We love men who respects and shows his love openly to their lover😎

User6: Istg they want me to put a toast in the tub and live there like that by how cute they are being... look at her giggles and wide smile through her Insta posts after they got together and say otherwise

User9: They really are the best for each other and they are so cute, so supportive of each other and you can also see the Ben's grin is wider and shinier too!

User14: Being the "sugar mommy" of them is Y/N's fate now...

freddycarter1: I didn't hear any complaints from her.

User2: She has all the tittles now, the only one missing is... The Milf 💫

User14: That could change at any moment and we wouldn't know...

User3: 😳

Y/N Y/L/N: First all, no one can be like me... Or else you would be in constant hunger because you two can't cook to save your lives.

benbarnes: my cooking isn't that bad... Right?

Y/N Y/L/N: Could have been worse.

User6: Y/N does he use that kicked puppy eyes on you too?

Y/N Y/L/N: Whenever he wants kisses... Which means all the time. But I have no complaints, I love kissing hım.

User6: So it works?

Y/N Y/L/N: It works wonders.

Liked by benbarnes, freddycarter1,zendaya and 6,899,790 others

Y/N Y/L/N: Not my fault that they are living moods

1: Me, when they show me the most shocking, spectacular,eye-burning, gut-wrenching,soul-wrecking, traumatic script ever

2. Also me, whenever I look at my boys. And yes, though I always say I hate them here, I love them all so much. I'd probably commit arson for them if they asked but... Yeah.

3. Yes, you saw it right. He took my phone again 😑Like,why do you have your's if you always use mine?

View 678,768 comments

freddycarter1: does that script include us??

Y/N Y/L/N: I don't know...😳🤐

jacktwolfe: I say we give her candy she loves so she can't resist and then take the script and run away when she isn't looking 😊

Y/N Y/L/N: Jack what the fuck? Get out of your Wylan head.

User5: I'M BEGGING IN THE NAME OF OUR LORD AND SAVIOUR, Y/N HAVE MERCY ON OUR SOULS😭

User8: indeed, we finally saw that she had a heart and It's full of love for the boys too... Just not as much as the women

freddycarter1: mind you, this is the best thing that had ever been told to me... I STILL prefer Ben tho

Y/N Y/L/N: All my hardwork was for nothing... But legit anyways, I'd choose my baby too

User5: does it ever bother how Freddy is just you in another font, Y/N?

Y/N Y/L/N: He can do all he wants... I'm the only one who sees Ben in... different light🤭

User6: HOLY SMOKES-

User9: Y/N just casually dropping hints on their private life is just... Golden djsndbdv

User1: Fr she and Freddy are fighting for Ben's hand jddjjd

User7: Considering the rest of the books and knowing all the scenes by heart now... And adding Y/N cinematography...

User1: we're doomed.

User6: Will go and make a confession to the local church now, for the person I'll become when that happens

Y/N Y/L/N: Calahan is keeping me in a headlock so that I would backdown from my heart-tearing plans... I HAVE YOUR PICTURES WITH A TIARA AND TUTUS, FREDDY AND CALAHAN! Don't make me share them

User5: Poor Y/N... Keep doing it Calahan, just a few more minutes, I live close to her. I can just grab that script and run away

freddycarter1: benbarnes please leash your chihuahua of a girlfriend before we spoil your plans

Y/N Y/L/N: what surprise? Ben is planning something behind my back?? benbarnes, what do you have to defend yourself? 🤨

benbarnes: I will kill you when I'm done running from my girlfriend, Carter...

Y/NandBen.fanpage: GUYS GUYS GUYS, I THINK IT'S FINALLY HAPPENING OMG-

Liked by benbarnes, shadowandbone, amita_suman, jessie_mei_li, blakelively, tchalamet and 9,896,798 others

Y/N Y/L/N: GUESS WHO IS BECOMING A BARNES?🤭

Oh, and @ user3? You are a Seer, that's for sure. Thank you for calling dibs on our marriage, lovie!

And to everyone who always said we were cheaters: İt must SUCK to be with yall because you don't trust your lovers! 😎🫳🎤

View 998,789 comments

benbarnes: You are so beautiful, my ex-girlfriend...

Y/N Y/L/N: Stop saying that, idiot... And, oh... I am beautiful? 🥹🤭

User6: OMG CRYING, SHITTING TEARS WTF THIS IS SO CUTE DJDJSJS

User9: Y/N and Ben are both melting for each other and OMG I'm crying too 🥹

User5: for a fact, I just know that these two cried and still is crying tons while cuddling and reading our messages

Y/N Y/L/N: Do you have cameras in our house??

User7: SOMEONE MAKE SURE USER3 IS ALIVE BECAUSE GOD KNOWS I WOULDN'T BE IF BEN AND Y/N MENTIONED ME

User3: I'M INDEED NOT OKAY I'M ALIVE BUT BARELY BREATHING WTF I WASN'T EXPECTING THIS

User6: YOU ARE LIVING OUR DREAMS!! *shake shoulder harshly* HOW DOES IT FEEL LIKE TO BE THE IT GIRL?!

User8: Someone keep that fucking hater away from here or else there will be millions, including celebrities, who will throw hands!

User2: I think they will not be here because if mother Y/N dissed me like that, I would have found a hole and never get out.

User5: When I tell you I am at my granny's funeral and trying so hard to control my giggles... THE FIGHT IS REAL

User8: We have a holy knight here, hang in there sis! We still need to see their wedding photos!

User10: what's even funnier is that "Ben Barnes I hope you can fight" tag is trending in Twitter lol

blakelively: look at that excited smile! Finally, you are joining the married life! Welcome to club 🤭

User4: Today folks, we all can rest in peace for we achieved what we always wanted for 3 years 😌

amita_suman: beautiful people ❤️ Love you both so much!

freddycarter1: Does that mean we call her Barnes too?

jessie_mei_li: Yes, since they are the mom and dad 😒 Is that even a question?

kittheyounger: we are all united under one holy flag: The Barnes' Holy Kingdom

User15: After 3 years, Ben Barnes finally put that ring on her finger. A day to celebrate for years to come indeed.

tchalamet: Congrats to my favourite director!

Y/N Y/L/N: Don't let Greta hear that Ti 😉

tchalamet: she would say the exact same

User17: DAYUMN THAT RING IS THE SAME SIZE AS MY HEAD HOW RICH ARE YOU BEN?!

User16: Just like that, we achieved it. Now, there is one last thing needed: A mini Ben-Y/N