#shomotsu

[faragonart]

The Blue

__________

Shomotsu was a small kojin trader who frequented Sui-No-Sato, trading journals and books from the outside world, and where Ridel got most of his books from. She was very fond of the boy, and helped him escape Sui-No-Sato when he asked for her aid around 5 years prior. She blamed herself when it was assumed that he didn't make it to the surface...

[mustiels-art]

an artfight for @dirkv2 and his friend Jace! This was a fun piece to do we love csm ocs who are buddies :J Fantastic little dudes

[vinceticious-mmd]

Some fresh new art of some danganronpa OCs along with my friend(@rosymunwonder on Instagram)'s OC as well!

Gisō-sha Onsei, Sakka Dorama, Azamuku and Tonchaku Seishin belong to me

Tsundoku Shomotsu belongs to @rosymunwonder

[belphesnore]

Your pussy stinks

Shinjiteru ze! Shinjiteru yo! Oingo Boingo Burazaazu!

Ore wa Oingo Henshin dekiru~ Shinchou, taijuu, nioi made mo Omoi no mama sa Dare ni mo barenai, satorarenai Souzou no Kami: “Kunumu”!

Boku wa Boingo Manga de yogen~ Kanarazu ataru yo, machigai nainda Tottemo uchiki de itsumo hitori bocchi sa Shomotsu no Kami: “Toto”!

Subete! Subete! Umaku iku! Sou yatte kita daro

Insatsu ni deta yogen wa mou kesshite kaeru koto wa dekinai Yogen no toori ni koudou sureba Subete umakuiku! Sou yatte kita daro Oingo Boingo Burazaazu! Shinjiteru ze! Shinjiteru yo! Oingo Boingo Burazaazu! Kujikecha dame da yo Jinsei to wa sou iu mono da kara!

[learnjapanesebod]

Japanese Word of the Day

#Japanese #WordoftheDay 書物 (しょもつ/shomotsu) 'books' Example: その光月一族の腕で作られた壊せぬ書物。

— Learning Japanese (@LearnJPBOD) June 4, 2020

[chanoyu-to-wa]

Nampō Roku, Book 5:  Nambō Sōkei’s Conclusion to Book Five.

❖ [Nambō Sōkei's Letter to Rikyū -- apparently upon receiving the collection of sketches back from him.]

    With respect to the teachings on the daisu, [I] am overjoyed that [you] have deigned to transmit these fifty or so pages [to me], together with the sixteen others that [illustrate] the arrangements for the kyū-dai and naka-ita.  Verily, when handing down these teachings, [you have included] frequent rubrications and other things of that sort while preparing this scroll, which [I discovered while] inspecting it.  If [I] understand the point of all of this, [it is that you] have made [the appropriate] corrections.

    I will close here.

          Eleventh Month, Fifth Day.                                                                                                                                                  Nambō Sōkei

                        to Hōsen shukō [抛筌主公].

==============================================

❖ [Rikyū's Reply to Nambō Sōkei -- which he seems to have written on the same piece of paper, immediately following the text of Sōkei’s missive.]

                        [With reference to] the preceding:

    Having glanced through this scroll, so to speak:  over the course of many years none of [the arrangements] have been lost.  And [since you] have diligently gathered them together, as a gesture of obedience [to a fellow traveler] on the Way [I passed my comments along to you].  There is naturally no difference in the ceremony [between one arrangement and another].

    Nevertheless, if you should look elsewhere, you will find that the transmitted teachings have become diluted.  You should keep such opinions out of your mind.  Otherwise, wiping your head, might you not become confused by these changes?  Because, for your training, it is better to dispense with books.

    Having said that much....

          Eleventh Month, Twenty-eighth Day.                                                                                                                                        Sōeki

                       Nambō

_________________________

◎ The two letters translated here are found at the end of some versions of Book Five of the Nampō Roku.  Because of the highly anomalous language*, both are almost certainly spurious.

    That said, the original texts of the two letters are as follows:

〇 migi daisu go-tsutō ukarete sazuke no o-kiri-kami go-jū mai yo, awasete kyū-dai・naka-ita kazari, sono-hoka jū-roku ka jō ikkan tori-atsume oki-sōrō, motto mo o-sōden no toki, shu-gaki nado tsukamatsuri-sōrō mama, sunawachi makimono ni shitate sōrō-aida kake o-me sōrō, moshi oboshimeshi-tokoro mo sōrō ha ba, o-tensaku tokoro ōse-sōrō, i-jō

    Jū-ichi gatsu itsu-ka　　　　                                                                               Nambō Sōkei

                        ue  Hōsen shukō

[右臺子御傳授之御切紙五十枚余、幷弓臺・中板飾、其外十六ヶ條一巻取集置候、尤御相傳之時、朱書等仕候まゝ、則巻物ニ仕立候間掛御目候、萬一思召所も候ハヽ、御添削所仰候、以上、

          十一月五日　　                                                                             南坊宗啓

                      上抛筌主公]

〇 kiyu†

ikkan ichi-ran mōshi-sōrō, ta-nin no kiri-kami shiba-shiba o-funshitsu naku tori-atsume sōrō-koto, michi ni tai sōshite no o-shinsetsu, shin myō-myō, sōi no gi mochiron nashi no sōrō, shikare-domo moshi oyobi ta mi-sōroeba, sōden so-ryaku ni nari-yuki, shin-gai ni sōrō mama, atama haku ha shichi ke hachi retsu tokoro ōse-sōrō ka, shikashi anata no o-tanren shomotsu irazu-koto ni sōrō, kashiku

[几右

一巻一覽申候、多年之切紙數〻御紛失なく御取集候事、道ニ對而之御深切、神妙〰、相違之儀勿論無之候、然共若及他見候ヘハ、相傳疎畧ニ成行、心外ニ候まゝ、頭ハくハ七花八裂所仰候歟、倂貴僧之御煅煉、書物不入事ニ候、かしく、

          十一月廿八日                                                                             宗易

                      南坊]

    These letters would seem to have been contrived to suggest that all of the kaki-ire [書入] were written by Rikyū.  Since many of them are known to have been added by Tachibana Jitsuzan and the Enkaku-ji scholars, this fact would seem to argue against accepting these two letters as authentic. ___________ *They are written in what people of the Edo period (and into the early modern era) considered “academic Chinese.”

    This sort of language, and its idiom, do not match either Nambō Sōkei's numerous comments that are preserved throughout the Nampō Roku, nor the language used in Rikyū's own densho (almost all of which contain epistolary and/or dedicatory passages).

    Furthermore, in Nambō Sōkei's letter, Rikyū is addressed as Hōsen shukō [抛筌主公], Hōsen refers to Rikyū's purported sai-gō [齋號] Hosen-sai [抛筌齋] (shukō means “lord” or “master”).  However, the use of this name seems to begin with Urasenke’s 11th generation iemoto Gengen-sai Sōshitsu [玄々齋宗室; 1810 ~ 1877] (and it is in his copy of the Nampō Roku that the letters that are translated in this post apparently were found).  In none of the surviving material that passed between Rikyū and Nambō Sōkei (such as the Nambō-ate no densho [南坊宛の傳書]) is this name ever used; neither is it found in any of Rikyū's other surviving writings or correspondence.

    Tanaka Senshō also states that the letters are associated with the “Sen family version” of the Nampō Roku (which means the copy of the text owned by Gengen-sai); while, according to him, they are missing from the other versions of the text that he has inspected.  He, furthermore, adds that the presence of these letters may be taken as verification of the Sen family’s version’s authenticity.  (In Tanaka's writings, “Sen family” invariably means Urasenke, since it was a teacher affiliated with Urasenke who brought Tanaka into the practice of chanoyu; and, later, he was initiated into the ōhi [奥秘], or most secret teachings, by Yūmyō-sai Genshitsu [又玅齋玄室; 1852 ~ 1917], the 12th generation iemoto and Gengen-sai's son-in-law.)  Tanaka also verifies that Urasenke’s daisu-temae (which he learned from Yūmyō-sai) are consistent with what is found in Book Five of the Nampō Roku.

†Kiyu [几右] means a desk.  Tanaka's version of the text has o-migi [御右], which would mean “[in reference to] the preceding [material].”  Kiyu, then, is most likely a miscopying.

[teigeki-graph]

Sakura Taisen Song Box

Released: April 15, 2009 (digital only)

Available at iTunes

This is like a mashup of 2003′s “Complete Song Box” and 2006′s “Zenkyokushuu,” only with a lot less content: it’s got 120 songs, while the aforementioned collections had 139 and 122, respectively. For the price, though, it’s still a good deal for people who just want a lot of Sakura Taisen songs, not necessarily all of them.

Songs with a “—” instead of a number are songs that were part of the physical collections but that are not included in the digital version

Full track listing under the cut

[Complete Song Box]

Disk 1

1. Geki! Teikoku Kagekidan

2. Sakura

3. Etude

4. Nayamashi Mambo

5. Only Man

6. Tokyo-teki Kyuujitsu

7. Shakunetsu Boogie

8. Yoru no Samba

9. Ai wa Daya

10. Ai Yue ni

11. Hanasaku Otome

12. Kono Yo wa Tanoshi ~Natsu Kouen~

13. Kono Yo wa Tanoshi ~Aki Kouen~

14. Tsubasa

15. Kono Yo wa Tanoshi ~Fuyu Kouen~

16. Cinderella

17. Kono Yo wa Tanoshi ~Haru Kouen~

Disk 2

1. Omatsuri Dansu

2. Watashi no Aozora

3. Geki! Teikoku Kagekidan Kai

4. Yume no Tsudzuki

5. Metro de Ikou

6. Ikiteru Yorokobi

7. Haru ga Kuru

8. Minamikaze Go Go

9. Itoshi no Jean Paul

10. Zettai Unmei no Tango

11. Koi no Hassha All Right

12. Shonen Red Shudaika

13. Miyako no Hana zo

14. Moshimo...

15. Icarus no Hoshi

—Kiseki no Kane

Disk 3

1. Akatsuki no Senshi

2. Kanpan Furafura

3. Dream / Yume no 1 Pound

—Kiseki no Kane ~So special a day~

—Happy Day Happy X’mas

4. Chanbara Boogie

5. Dandy

6. Kibou

7. Kore ga Revue!

8. Geki! Teikoku Kagekidan (Kai II)

9. Yuuyake no Mukou ni

10. Watashi no Natsu

11. Chichin no Pui

12. Kamona Asakusa

13. Hirameki no Uta

14. Subarashiki Butai

15. Shinjirareru Koto

Disk 4

1. Ai wa Towa ni

2. Masquerade

—Ucha! Yorokobi no Uta

—Benitokage no Uta (Kanna no Musou)

3. Tabi no Sora e

—Rikken Braun

4. Harukaze no Koi Uta

—Gekitei!

—Yumemite Iyou

5. Hanagoyomi

—Ima Totsugu Hi ni

—Futari ni Kanpai!

—Furui Piano

—Kagayaki

—Gekitei Ondo

6. Gekijou e Ikou!

7. It’s Showtime!

8. Scandal wa Dame yo

9. Star Kagayaku Hoshi

10. Yukai na Yoru

—Watashi no Okini’iri

—Iza Tachiagare

—Kokoro wa Sabaku no Youni

11. Arabia no Bara

12. Atarashii Ashita e

—Kinema Koushinkyoku

—Jidai no Ressha

—Akai Katyusha

—Center Spot

—Shitamachi Rhapsody

—Hibari no Uta ~Tsubakihime no Yuu yori~

—Stone Monkey

—Tsubasa (TV version)

—Hanafubuki Shiranami Benten

—Ohanabatake

—Yumemiru Kikai

—Kokoro wa Sabaku no Youni (Baragumi version)

-Hanagumi wo Tsubuse!

—Anata no Okini’iri (Kanna no Musou 2)

—Sakura Zensen

—Yume no Tsudzuki (Todoru Hana Kenran Mix)

—Euro Gekitei

—Euro Koi no Hassha All Right!

13. Mihata no Moto ni

14. Hana no Paris

Disk 5

—Erica Ohayou Dance

1. Inori

2. Eroica/ Eiyuu Densetsu

3. 192455631

4. Issho ni Arukou

5. Kokoro no Kasa wa

6. Sentimental na...

7. Kimi Shinobu Uta

8. Kokoro no Okibasho

9. Geki! Teikoku Kagekidan III

10. Mirai (Voyage)

—Mihata no Moto ni (Les Chattes Noires Mix)

—Hana no Paris (Les Chattes Noires Mix)

11. Hanagumi Revue

—Bus wa Yukuyuku Yume Nosete

—Ramune no Uta

—Shiawase na Yume

—Kangaeru Ashi

—Kuchizusamu Uta

—Umi no Utage Hana no Utage

—Kono Shomotsu wa

—Yoru no Kurage

12. Subete wa Umi e —Gekijouban-Kiseki no Kane

—Gekijouban-Subete wa Umi e

—Monogatari no Hajimari

—Utsukushiki Mono-tachi yo

—Kaijin Debeso (Kanna no Musou 3)

—Akawanikun Irasshai

—Boku no Paris Watashi no Paris

—Kuroneko Rumba

—Montparnasse no Yoru

—Koi wa Makafushigi

—Shimakaze

13. Kimi yo Hana yo

—Tsukiyo no Mori e

—Ciseaux no Theme

—Aijou Ippai

—Yozora no Hana

—Sumire Chachacha

—Kore ga Revue! (Full Version/Bonus Track)

—Tsubasa (Tanaka Kouhei Version/Bonus Track)

[Zenkyokushuu]

14. Hana no Youni Yume no Youni

—Ohayou Good Morning

—Nakama-tachi yo

—Koubu

Disk 6

1. Kagayaku, Ginza Street

—Kibou no Hoshi yo

—Sumidagawa

—Neko Odori

—Aku no Hana

—Fusehime Kigen

2. Mirai no Kyoudai-tachi e

—Saboten Mambo

—Dokidoki Audition

—Hoshi yo

—Ragtime Show

—Yumeoibito

—Ai no Hi wo Seine ni Tomose

—Natsu ga Kita

—Waga Na wa Javert

—Itoshiki Hito yo

—Koganemochi wa Kanemochi da

—Koi no Deai

—Waga Kokoro ni Naru Kane

—Nanairo no Niji

—Natsu no Nichikado

—Yoshuu Fukushuu Memo Kaki Benkyou

—Sunset Summer

—Trump no Uramote

—Yuuki Rinrin

—Kodomo no Yume wa

—Kaizoku Kagyou

—Umi no Jo’ou

—Yasei no Otakebi

3. Takarajima ~Yuuki no Hata wo~

4. Namida yo, Au revoir

5. Canariya

—Mihata no Moto ni (Ecole de Paris Version)

6. Romance

—Yodel Musou

—Storyteller

—Lucky Man

—Usotsuki Oomu

—Waratte Shine

—Daidako no Uta

—Nagareru

—Lucky Man

—Akawani Dansu

7. Chattes Noires

8. Misterious

9. Yunhua ~Revue Ouka Ranbu~

—Watashi wa Ima...

—Ginza Koushinkyoku

—Eien no Inochi

—Tenjiku Doko da!?

—Bakabakashiku mo Arigataku mo

—Nageki to Kanashimi

—Mouja no Uta

—Akutoku no Hanabira

10. Shin Saiyuuki ~Inochi ga Meguri Sekai ga Tsunagaru Toki~

11. Samurai Damashii

—Imadoro Boushite Kita yo

—Kanna no Musou ~Radio demo Yaranai Taisou na Koto~

—Ore ni wa Ore no Jingi ga

—Chouju no Momo

—Okane da ze! Everybody

—Mitsukaranai?

—Ushimaou no Daienkai

—Zettaizetsumei

—Inochi Hateru Toki

—

12. Akuma no Youni

13. Koi wa Speed

14. Mihata no Moto ni (Le Nouveau Paris OVA version)

15. Circus

16. Yoru no Kisetsu

Disk 7

1. Modern Boogie

2. Kurayami no Ou

3. Nigatsu no Akai Hana

4. Chijou no Senshi

5. Koko wa Paradise ~Littlelip Theater no Theme~

6. Hana no Revue

—Koi wo Shimashou

—Mi yo Akatsuki ni

—Toki no Nagare ni

—Yume no Naja ni

—Karen na Hana yo, Tsuyoi Hans yo

—Neko no Uta, Inu no Uta

—Bluebird

—Yoru no Rondo, Hikari no Sonata

7. Kibou ~Shin Aoi Tori~ yori

8. Boku no Yume

9. Downtown Heart

10. Bounty Hunter Rika

11. Aru Hi Aozora Miagete

12. Kagayaku Seiza

13. BON-PSY

14. Kiss me sweet

Disk 8

1. The City

2. Over the Rainbow Sunshine

—Modern Gang

—Yokubou no Machi

—OH! Manjuu Tengoku

—Aoki Hono’o

—Koi Uta

—Hana wo Kazarou

—Cafe Tiger

—Modern Boys

—Cafe Tiger

3. Revue ~Shin Aoi Tori~

4. Watashi no Aruku Michi

5. Christmas Paris

6. Tenshi no Hitomi

7. Anato to Naraba ~Around the World~

8. Sono Na wa Rodeo

9. Viva! Harlem

10. Ai no Hana

11. Jungle Revue

12. Try

13. Atashi Naichaimasu [bonus track]

14. Hana Bon-Bori [bonus track]

15. Geki! Tei ~Saishuushou (Finale)~

[totochan-from-japan]

●●日英

あなたはPlatonを知っていますか？

彼は、

自分の書物で人間の徳が何なのか知るために、

より大きい国家を調べています。

僕も世界を知るために自分の中身を知ります。世界と自分を重ねます。

自分と世界を重ねます。

それは、非常に似ています。

世界のすべては一で、

自分のすべては一で。

世界の中の自己も他者も海も空も陽も一で。

自分の中の自己も他者も海も空も陽も一で。

自分のすべては一で、

世界のすべては一で。

それは、非常に似ています。

世界と自分を重ねます。

自分と世界を重ねます。

僕も世界を知るために自分の中身を知ります。

僕は、

自分の書物で此の世界が何なのか知るために、

より小さい自己を調べています。

あなたはtotochanを知っていますね。

Anata wa Puraton o shitte imasu ka?

Kare wa, jibun no shomotsu de ningen no toku ga nan'na no ka shiru tame ni, yori ōkī kokka o shirabete imasu.

Boku mo sekai o shiru tame ni jibun no nakami o shirimasu.

Sekai to jibun o kasanemasu.

Jibun to sekai o kasanemasu.

Sore wa, hijō ni nite imasu.

Sekai no subete wa ichi de, jibun no subete wa ichi de.

Sekai no naka no jiko mo tasha mo umi mo sora mo yō mo ichi de.

Jibun no naka no jiko mo tasha mo umi mo sora mo yō mo ichi de.

Jibun no subete wa ichi de, sekai no subete wa ichi de.

Sore wa, hijō ni nite imasu.

Sekai to jibun o kasanemasu.

Jibun to sekai o kasanemasu.

Boku mo sekai o shiru tame ni jibun no nakami o shirimasu.

Boku wa, jibun no shomotsu de kono sekai ga nan'na no ka shiru tame ni, yori chīsai jiko o shirabete imasu.

Anata wa totochan o shitte imasu ka?

Do you know Plato?

He looked into a larger nation to find out what human virtues are in us in his books.

I also know what myself is to know the world.

I overlap the world with myself.

I overlap myself with the world.

It's very similar.

Everything in the world is the one,

All of myself is the one.

The self, the others, the sea, the sky, and the sun in the world are the one.

The self, the others, the sea, the sky, and the sun in myself are the one.

All of myself is the one.

Everything in the world is the one.

It's very similar.

I overlap myself with the world.

I overlap the world with myself.

I also know what myself is to know the world.

Do you know totochan?

I looked into a smaller myself to find out what this world is in me in my books.

2111272148

問題は僕が誰なのかでなく、

問題は君が何なのかである。

[alcenoterius]

My_real_me_is_scattered

My real me is scattered （バラバラバラバラ） My real me is scattered （バラバラバラバラ） 星座星雲惑星のように （バラバラバラバラ） バラバラあちこち散在点在 （バラバラバラバラ） 無限の細胞のように （バラバラバラバラ） バラバラあちこち散在点在 （バラバラバラバラ） まるで点描画 のように （バラバラバラバラ） 《画法》スパッタリングのように （バラバラバラバラ）

My real me is scattered (barabara barabara) My real me is scattered (barabara barabara) seiza seiun wakusei no you ni (barabara barabara) barabara achikochi sanzai tenzai (barabara barabara) mugen no saihou no you ni (barabara barabara) barabara achikochi sanzai tenzai (barabara barabara) marude tenbyoka no you ni (barabara barabara) supattaringu no you ni (barabara barabara)

My real me is scattered (scatter scatter scatter scatter) My real me is scattered (scatter scatter scatter scatter) Like constellations, galaxies and planets (scatter scatter scatter scatter) Here and there, I am scattered (scatter scatter scatter scatter) Straggled about are my specks (scatter scatter scatter scatter) Like infinite cells (scatter scatter scatter scatter) Here and there, I am scattered (scatter scatter scatter scatter) Straggled about are my specks (scatter scatter scatter scatter) Just like a sketched drawing (scatter scatter scatter scatter) Like paint spattering (scatter scatter scatter scatter)

My real me is scattered （バラバラバラバラ） My real me is scattered （バラバラバラバラ）

My real me is scattered (barabara barabara) My real me is scattered (barabara barabara)

My real me is scattered (scatter scatter scatter scatter) My real me is scattered (scatter scatter scatter scatter)

あるいはこうも思う わたし空想書物によってあるもの わたし幻想書籍によっているもの わたし幻獣辞典によって変化しつづけ わたしあなたの夢で成るもの

arui wa kou mo omou watashi kuusou shomotsu ni yotte arumono watashi gensou shoseki ni yotte irumono watashi genjyuu jiten ni yotte henkashi tsuzuke watashi anata no yume de narumono

Or maybe, think of it as I am fantastical books, therefore I exist I am illusory publications, therefore I live I am the cryptid dictionary, therefore I continue to change I am that which your dreams become

（あるいは）

arui wa

Or maybe...

わたしあなたの目線で存在し わたしあなたの言葉で語れるもの わたしあなたの力で運動し わたしあなたの夢で成るもの

watashi anata no mesen de sonzai shi watashi anata no kotoba de katarerumono watashi anata no chikara de undou shi watashi anata no yume de narumono

I exist in your gaze I am who your words speak of I am the movement of your strength I am that which your dreams become

ああ　まぼろし夢幻のわたしのわたしは わたしの目線で成るもの

aa maboroshi yugen no watashi no watashi wa watashi no mesen de narumono

Ahh, my self of the illusory vision Is that which my gaze becomes

わたしのわたしはわたしの人体図書館

watashi no watashi wa watashi no jintai toshoukan

My own self is my library of the human body

わたしのわたしはわたしの （My real me is scattered) わたしのわたしはわたしの （My real me is scattered) わたしのわたしはわたしの （My real me is scattered) あちこちバラバラあるあるバラバラ わたしのわたしはわたしの （My real me is scattered) あちこちバラバラあるあるバラバラ わたしのわたしはわたしの。。。

watashi no watashi wa watashi no （My real me is scattered) watashi no watashi wa watashi no （My real me is scattered) watashi no watashi wa watashi no （My real me is scattered) achikochi barabara aruaru barabara watashi no watashi wa watashi no （My real me is scattered) achikochi barabara aruaru barabara watashi no watashi wa watashi no...

My own me is my （My real me is scattered) My own me is my （My real me is scattered) My own me is my （My real me is scattered) Here and there scattered scattered I am I am scattered scattered My own me is my （My real me is scattered) Here and there scattered scattered I am I am scattered scattered My own me is my...

Barabara is a terrible word and I'm fairly certain it's also a pun. It's a sound effect word that means scattered, one bara is roses (also sometimes manly men) and Barubara/Barbara is probably also based on this pun. Unrelated, Seazer did Baramon薔薇門/Rose Gate once withTenjo Sajiki which had the Bara no Kakumei薔薇の革命, which was Rose Revolution, but it was about gay dudes. And it's suki yoooooo~ Admittedly, when Akio says 薔薇の門 bara no mon/Rose Gate in the last episode, it's all I can think about. That isn't relevant here, but I felt everyone needed to know. I like to think barabara is also rose petals because of course I do.

The 'aruaru' in 'achikochi barabara aruaru barbara' is translated as "I am I am" the first lines that say barabara achikochi have 散在点在 and the two repeated kanji are also 'aru' sometimes which is basically 'exist' and while aruaru already is a phrase, it means so many things and we had a similar line with most the sentence, so I used that.

I wanted the last lines to say ‘my own me is mine’, but it really kinda just trails off :/

I maybe also admitted to someone I never actually learnt English in an actual educational or professional setting earlier today.

[quetzalpapalotl]

My real me is scattered

Song no. 12 of Seazer’s new Utena album, most likely the reason for that Barbara in the title. I love this song. And Seazer is part of the reason why I’m studying Japanese, so I might as well give it a try.

I just want to clarfy that my Japanese level is pretty basic and not enough to try to translate Seazer songs of all things, I did asked for help in some parts, still don’t take any of this at face value and feel free to input:

My real me is scattered (バラバラバラバラバラ) My real me is scattered (バラバラバラバラバラ) My real me is scattered (barabarabarabarabara) My real me is scattered (barabarabarabarabara)

My real me is scattered (scattered scattered)¹ My real me is scattered (scattered scattered)

星座星雲惑星のように (バラバラバラバラバラ) バラバラあちこち散在点在 (バラバラバラバラバラ) 無限の細胞のように (バラバラバラバラバラ) バラバラあちこち散在点在 (バラバラバラバラバラ) まるで点描画のように (バラバラバラバラバラ) 《画法》スパッタリングのように seiza seiun wakusei no you ni (barabarabarabarabara) barabara achikochi sanzai tenza (barabarabarabarabara) mugen no saibou no you ni (barabarabarabarabara) barabara achikochi sanzai tenzai (barabarabarabarabara) marude tenbyou ga no you ni (barabarabarabarabara) supattaringu no you ni

Like a constellation, nebula, planet (scattered scattered) Scattered, all over the place scattered, dotted (scattered scattered) Like infinite cells (scattered scattered) Scattered, all over the place scattered, dotted (scattered scattered) Just like a pointillist painting (scattered scattered) «Art of painting» Like ink spattering

My real me is scattered (バラバラバラバラバラ) My real me is scattered (バラバラバラバラバラ) My real me is scattered (barabarabarabarabara) My real me is scattered (barabarabarabarabara)

My real me is scattered (scattered scattered) My real me is scattered (scattered scattered)

あるいはこぅも思ぅ わたし空想書物によってあるもの わたし幻想書籍によっているもの わたし幻獣辞典によって変化しつづけ わたしあなたの夢で成るもの aruiwa kou mo omou watashi kuusou shomotsu ni yotte aru mono watashi gensou shoseki ni yotte iru mono watashi genjuujiten ni yotte henka shi tsudzuke watashi anata no yume de naru mono

Or perhaps also like this I am according to a fantasy book I am according to a illusory publication I continue to change according to the Book of Imaginary Beings​² I shall fullfil your dreams

わたしあなたの目線で存在し わたしあなたの言葉で語れるもの わたしあなたの力で運動し わたしあなたの夢で成るもの watashi anata no mesen de sonzai shi watashi anata no kotoba de katareru mono watashi anata no chikara de undou shi watashi anata no yume de naru mono

I exist in your view³ I shall speak with your words I shall move with your forze I shall fulfil your dreams

ああまぼろし夢幻のわたしのわたしは わたしの目線で成るもの aa maboroshi mugen no watashi no watashi wa watashi no mesen de naru mono

Ah! The me of the illusory dream me⁴ shall fulfill my view³

わたしのわたしはわたしの (My real me is scattered) わたしのわたしはわたしの (My real me is scattered) わたしのわたしはわたしの (My real me is scattered) あちこちバラバラあるあるバラバラ わたしのわたしはわたしの (My real me is scattered) あちこちバラバラあるあるバラバラ わたしのわたしはわたしの… watashi no watashi wa watashi no (My real me is scattered) watashi no watashi wa watashi no (My real me is scattered) watashi no watashi wa watashi no (My real me is scattered) achikochi barabara aru aru barabara watashi no watashi wa watashi no (My real me is scattered) achikochi barabara aru aru barabara watashi no watashi wa watashi no…

my me is my (My real me is scattered) my me is my (My real me is scattered) my me is my (My real me is scattered) all over the place is scattered scattered my me is my (My real me is scattered) all over the place is scattered scattered my me is my…

¹ バラバラ (barabara) is not a verb, but an onomatopeia for something scattering. Is common for Japanese people to use onomatopeias in sentences.

² 幻獣辞典 (genjuujiten) refers to El Libro de los Seres Imaginarios, or Book of Imaginary Beings in English, a book by Argentinian Jorge Luis Borges, basically a dictionary of 120 fantastical beings found in myth, legends, folklore and literature.

³  目線 (mesen) usually means gaze or someone’s point of view, but my teacher told me that here it could probably be talking about “what someone has their view upon” like a goal. Hard to put a definitive meaning since the lyrics talk about both, being what is dictated by something else and fulfilling someone’s dreams 

⁴ I wanted to see if there was a particular reason why  まぼろし (maboroshi/illusion) was writen in hiragana instead on kanji, turns out  まぼろし is the Japanese title for  Sous le sable or Under the sand, a French film by  François Ozon. The film is about awoman whose husband goes missing while swimming in the sea and she goes into denial and acts like he is still living with her. The decomposed is later found, but she doesn’t acept that is her husband. I can’t assure you this is revelant, but it could be!

[teigeki-graph]

Sakura Taisen Teito Hanagumi Live 2010 track listing

Title: Sakura Taisen-Teito Hanagumi Live 2010 (サクラ大戦・帝都花組ライブ2010)

Release date: June 23, 2010

Physical CD JAN: 4571164382319

All songs by Hiroi Ouji (lyrics) and Tanaka Kouhei (composition)

Note: to purchase this from iTunes/stream it through iMusic, search using the Japanese title or just ‘サクラ大戦’

Taiga Shinjirou appears as a guest.

Full track listing under the cut.

DISC 1

1. ゲキテイ (檄!帝国華撃団)/Gekitei (Geki! Teikoku Kagekidan) Performed by the Teito Hanagumi: Yokoyama Chisa (Shinguuji Sakura), Tomizawa Michie (Kanzaki Sumire), Takano Urara (Maria Tachibana), Nishihara Kumiko (Iris), Fuchizaki Yuriko (Ri Kouran), Tanaka Mayumi (Kirishima Kanna), Ikura Kazue (Reni Milchstrasse), Orikasa Ai (Fujieda Kaede). TV series version of the theme song.

2. MC1

3. キネマ行進曲/Kinema Koushinkyoku Performed by Tomizawa Michie (Kanzaki Sumire), Tanaka Mayumi (Kirishima Kanna). From the second OVA series.

4. 希望/Kibou Performed by Nishihara Kumiko (Iris), Ikura Kazue (Reni Milchstrasse). This is the version from the “Aoi Tori” drama CD, not from the “Shin Aoi Tori” kayou show

5. 下町ラプソディー/ Shitamachi Rhapsody Performed by Yokoyama Chisa (Shinguuji Sakura), Fuchizaki Yuriko (Ri Kouran). From the TV series.

6. わたしの青空/Watashi no Aozora Performed by Orikasa Ai (Fujieda Kaede). From the first OVA series.

7. 春風の恋歌/Harukaze no Koi Uta  Performed byTakano Urara (Maria Tachibana), Ikura Kazue (Reni Milchstrasse). Drama CD song.

8. 甲板フラフラ/Kanpan Furafura Performed by Suyama Akio (Oogami Ichirou), Suganuma Hisayoshi (Taiga Shinjirou). From the first OVA.

9. いま嫁ぐ日に/Ima Totsugu Hi ni Performed by Yokoyama Chisa (Shinguuji Sakura), Takano Urara (Maria Tachibana), Tomizawa Michie (Kanzaki Sumire), Nishihara Kumiko (Iris), Fuchizaki Yuriko (Ri Kouran), Tanaka Mayumi (Kirishima Kanna), Ikura Kazue (Reni Milchstrasse), Orikasa Ai (Fujieda Kaede). A single that was performed at the 2000 bridal show. 10. MC2

11. 美しきものたちよ/Utsukushiki Mono-tachi yo Performed by the Baragumi: Yao Kazuki (Seiryuuin Kotone), Matsuno Taiki (Oka Kikunojou). From “Kaijin Bessou.” 12. MC3

13. モダンブギ~モダンボーイズ~モダンギャング（メドレー)/Modern Boogie~Modern Boys~Modern Gang (medley) Performed by Okamura Akemi (Fujii Kasumi), Masuda Yuki (Sakakibara Yuri), Hikami Kyouko (Takamura Tsubaki), Yao Kazuki (Seiryuuin Kotone), Matsuno Taiki (Oka Kikunojou), Nishimura Youichi (Nishimura Yantarou), Velo Takeda (Berumucho Takeda) The ladies’ version is from a drama CD, but the guys’ versions are (AFAIK) from “Shin Aoi Tori.” 14. MC4

15. さくら前線/Sakura Zensen Performed by Yokoyama Chisa (Shinguuji Sakura). From the second OVA series.

16. MC5

17. めぐりあう時/Meguriau Toki Performed by Suyama Akio (Oogami Ichirou), Suganuma Hisayoshi (Taiga Shinjirou). Single. 18. MC6

19. 夢見ていよう/Yume Mite Iyou Perfirmed by Yokoyama Chisa (Shinguuji Sakura), Tomizawa Michie (Kanzaki Sumire), Takano Urara (Maria Tachibana), Nishihara Kumiko (Iris), Fuchizaki Yuriko (Ri Kouran), Tanaka Mayumi (Kirishima Kanna), Ikura Kazue (Reni Milchstrasse), Orikasa Ai (Fujieda Kaede). TV show ending song.

DISC 2

1. いざ立ち上がれ/Iza Tachiagare Performed by Yokoyama Chisa (Shinguuji Sakura). From “Arabia no Bara.”

2. 心は砂漠のように/Kokoro wa Sabaku no Youni Performed by Ikura Kazue (Reni Milchstrasse). From “Arabia no Bara.”

3. この書物は/Kono Shomotsu wa Performed by Fuchizaki Yuriko (Ri Kouran). From “Kaijin Bessou.”

4. 仮面 舞踏会/Kamen Butoukai Performed by Tomizawa Michie (Kanzaki Sumire). From “Shin Ai Yue ni.”

5. 伏姫祈願/ Fusehime Kigan Performed by Orikasa Ai (Fujieda Kaede). From “Shinpen Hakkenden.”

6. 海賊稼業/Kaizoku Kagyou Performed by Tanaka Mayumi (Kirishima Kanna). From “Shin Takarajima.”

7. 勇気リンリン/Yuuki Rinrin Performed by Nishihara Kumiko (Iris), Nishimura Youichi (Nishimura Yantarou), Velo Takeda (Beromucho Takeda). From “Shin Takarajima.”

8. 悪徳の花びら/Akutoku no Hanabira Performed by Takano Urara (Maria Tachibana). From “Shin Saiyuuki.” 9. MC7

10. 恋の発車オーライ/Koi no Hassha All Right Performed by Okamura Akemi (Fujii Kasumi), Masuda Yuki (Sakakibara Yuri), Hikami Kyouko (Takamura Tsubaki), Yao Kazuki (Seiryuuin Kotone), Matsuno Taiki (Oka Kikunojou), Nishimura Youichi (Nishimura Yantarou), Velo Takeda (Beromucho Takeda). San’nin Musume song.

11. MC8

12. 檄! 帝 ～最終章～/Geki! Tei ~Saishuushou~ Performed by Suyama Akio (Oogami Ichirou), Yokoyama Chisa (Shinguuji Sakura), Tomizawa Michie (Kanzaki Sumire), Takano Urara (Maria Tachibana), Nishihara Kumiko (Iris), Fuchizaki Yuriko (Ri Kouran), Tanaka Mayumi (Kirishima Kanna), Ikura Kazue (Reni Milchstrasse), Hidaka Noriko (Erica Fontaine), Shimazu Saeko (Glycine Bleumer), Kozakura Etsuko (Coquelicot), Inoue Kikuko (Lobelia Carlini), Takamori Yoshino (Kitaooji Hanabi). From Sakura Taisen 4.

13. 君よ花よ/Kimi yo Hana yo Performed by Suyama Akio (Oogami Ichirou), Yokoyama Chisa (Shinguuji Sakura), Tomizawa Michie (Kanzaki Sumire), Takano Urara (Maria Tachibana), Nishihara Kumiko (Iris), Fuchizaki Yuriko (Ri Kouran), Tanaka Mayumi (Kirishima Kanna), Ikura Kazue (Reni Milchstrasse), Orikasa Ai (Fujieda Kaede), Hidaka Noriko (Erica Fontaine), Shimazu Saeko (Glycine Bleumer), Kozakura Etsuko (Coquelicot), Inoue Kikuko (Lobelia Carlini), Takamori Yoshino (Kitaooji Hanabi). From Sakura Taisen 4.

14. 夢のつづき/Yume No Tsudzuki Performed by Yokoyama Chisa (Shinguuji Sakura), Tomizawa Michie (Kanzaki Sumire), Takano Urara (Maria Tachibana), Nishihara Kumiko (Iris), Fuchizaki Yuriko (Ri Kouran), Tanaka Mayumi (Kirishima Kanna), Ikura Kazue (Reni Milchstrasse), Orikasa Ai (Fujieda Kaede), Okamura Akemi (Fujii Kasumi), Masuda Yuki (Sakakibara Yuri), Hikami Kyouko (Takamura Tsubaki), Yao Kazuki (Seiryuuin Kotone). From Sakura Taisen 2.

15. Geki! Teikoku Kagekidan / Yokoyama Chisa (Shinguuji Sakura), Takano Urara (Maria Tachibana), Tomizawa Michie (Kanzaki Sumire), Nishihara Kumiko (Iris), Fuchizaki Yuriko (Ri Kouran), Tanaka Mayumi (Kirishima Kanna), Ikura Kazue (Reni Milchstrasse), Orikasa Ai (Fujieda Kaede), Suyama Akio (Oogami Ichirou), Suganuma Hisayoshi (Taiga Shinjirou), Okamura Akemi (Fujii Kasumi), Masuda Yuki (Sakakibara Yuri), Hikami Kyouko (Takamura Tsubaki), Yao Kazuki (Seiryuuin Kotone), Matsuno Taiki (Oka Kikunojou), Nishimura Youichi (Nishimura Yantarou), Velo Takeda (Beromucho Takeda). Yes, they performed this song 3 times (2.5 if you want to get really technical) during this show.

[teigeki-graph]

In preparation for the OSK’s performance of “Kaijin Bessou” this summer, I wanted to post the information for the original kayou show performance’s CD for eventual comparison (I included the first disc’s information just because it felt weird not to).

Sakura Taisen Kayou Show Go-Shuunen Kinen Kouen “Kaijin Bessou”

サクラ大戦歌謡ショウ五周年記念公演「海神別荘」

Official English title: Sakura Wars Revue the 5th. Memorial Performance

JAN/ISBN: 4988064142460

Disc 1

Prologue [前説]. Performed by Hiroi Ouji and Nakajima Toshihiko (Oyakata)

Hanagumi Revue [花組レビュウ]. Performed by the Hanagumi cast

Bus wa Yukuyuku Yume Nosete [バスは行く行く夢乗せて]. Performed by Orikasa Ai (Kaede) and Sonooka Shintarou (Dandy)

Monogatari no Hajimari [物語のはじまり]. Performed by Ikura Kazue (Reni) and Okamoto Maya (Orihime)

Kangaeru Ashi [考える足]. Performed by Tanaka Mayumi (Kanna), Fuchizaki Yuriko (Kouran), and Nishihara Kumiko (Iris)

Utsukushiki Monotachi yo [美しきものたちよ]. Performed by Yao Kazuki (Kotone), Matsuno Taiki (Kikunojyou), and Nishimura Youichi (Nishimura)

Ramune no Uta [ラムネの歌]. Performed by Nishihara Kumiko (Iris)

Kaijin Debeso [怪人デベソ]. Performed by Takano Urara (Maria), Yao Kazuki (Kotone), and Matsuno Taiki (Kikunojyou)

Shiawase na Yume [幸せな夢]. Performed by Tomizawa Michie (Sumire)

Kuchizusamu Uta [口ずさむ歌]. Performed by the Hanagumi cast

Disc 2 (Kaijin Bessou)

Roukyou (second act beginning) [浪曲(第二幕冒頭)] Performed by Kunimoto Takeharu (Unkokusai). Note: Roukyoku is a type of traditional Japanese storytelling

Umi no Utage  Hana no Utage [海の宴花の宴]. Performed by Orikasa Ai (Kaede), Okamoto Maya (Orihime), and Nishihara Kumiko (Iris)

Yoru no Kurage [夜の海月]. Performed by Yokoyama Chisa (Sakura), Tomizawa Michie (Sumire), and Ikura Kazue (Reni)

Kono Shomotsu wa [この書物は]. Performed by Fuchizaki Yuriko (Kouran)

Akasame Kun Irasshai [赤鮫クンいらっしゃい]. Performed by Tanaka Mayumi (Kanna), Yao Kazuki (Kotone), and Matsuno Taiki (Kikunojyou)

Roukyoku (second act finale) [浪曲(第二幕終盤)]. Performed by Kunimoto Takeharu (Unkokusai)

Subete wa Umi e [すべては海へ]. Performed by Yokoyama Chisa (Sakura) and Takano Urara (Maria)

Hanagumi Revue [花組レビュウ]. Performed by the Hanagumi cast

Gekitei (Geki! Teikoku Kagekidan) [ゲキテイ(檄!帝国華撃団)]. Performed by the Teikoku Kagekidan

Bonus track: Hanagumi Iwai Taiko [花組祝い太鼓]. Performed by the Teikoku Kagekidan

The studio-recorded companion CD is “Sakura Taisen Shin Kayou Zenshuu III (サクラ大戦新・歌謡全集III)”

[vinceticious-mmd]

A little tidbit from a new animation :> ____ Tsundoku Shomotsu belongs to @rosymunwonder Tonchaku Seishin belongs to me Motion by HimeHina Camera by Angelic Whispers #danganronpa #danganronpaoc #danganronpaocs #danganronpaaoh #danganronpaasylumofhope https://www.instagram.com/p/BybybH0AfySE1fpN91n-tzZkmgFN4iDgLS16JA0/?igshid=14138brmhw1qu