#shitty writing and somehow longer than several fanfics ive written???

[moreaugriffins]

Imagine Peter getting a call in the middle of the night

him thinking it's probably Ray getting excited about a definitely haunted hairbrush, and letting it ring

eventually picking it up as it continues to ring for a few minutes, only to find out it's Egon's wife

She's stressed, and worried, and Peter isn't sure why she's ringing him

But Winston isn't picking up the phone, and she knows that Egon and Ray have been arguing a lot recently so...

But she's worried

Because Egon's not doing well. He hasn't been sleeping much, or taking care of himself much (which Peter had noticed every time they went on call together), he's been muttering weird stuff, and obsessed with his notes and books, and usually she can help stop him spiralling but he's been pulling away recently, and spending less time and home and-

"He hasn't come home yet"

Egon always comes home, they made an agreement years ago. He's never broken the agreement before

So she's worried

And Peter is too

He knew Egon wasn't doing well, but they were men in their 40s, Egon wasn't a child, he could look after himself, and it was not Peter's job to monitor him. If Egon was struggling, he could speak up. He knew he could come to his friends for help

Then his mind casts back to the time in uni when Egon tried to drill a hole in his own head, how it all started just like this: the sleepless nights and obsessive studies, and pulling away from everyone, even skipping his lectures.. Peter and Ray just about got there on time.. Though Peter joked about the incident now, he's still rattled by it

He's still pretty rattled by many of Egon's vaguely suicidal experiments

He says he'll go look for Egon (after all, she's got a toddler to keep an eye on)

Reassures her that he's fine, that it'll all be fine, he probably just hyperfocused on the proton packs or something, you know how he is

It doesn't reassure her much - he doesn't even believe his own words either, but what else can he say

After the call, he heads to the Firehouse, knowing that if Egon was anywhere, it would likely be in the lab. It was practically the scientist's second home

He storms up to the lab (the place felt eerily quiet. Janine doesn't work at night anymore, Winston has his own home, and Ray has his flat above his shop)

the light is on

that's something

He opens the door, expecting to see Egon in a chaotic state (or god forbid...), and to be fair, the room is an utter mess, with books open, numbers and scripture written on the whiteboard, a pile of empty Twinkies packets around the bin stuffed full of crumpled papers

and in the middle of this mess, is Egon, head in hands, book open in front of him. It's subtle, but he can see the rise and fall of his shoulders

at least he isn't dead (he ignores how worrying that thought is)

He goes over to Egon and whacks him over the top of his head - usually an affectionate gesture from Peter (the affection is slightly lost)

"Come on Spengs, you really leaving your wife at home?"

Egon looks up at him, brows furrowed, and a practised guarded expression, though his eyes gave away the deep exhaustion and paranoia the scientist must be feeling

If it were Winston, he'd know the exact thing to say to Egon, a talk on how his actions are making his (Egon's) wife feel, and to get his act together, with the reminder that everyone was here for him

If it were Ray, despite all the arguments the two had recently, Ray would comfort him, know the exact words to calm the man and ground him back in some sense of reality - those two understood each other on a level like no other

But it was Peter here, right now

And he's not good at emotional conversations or situations. A serious conversation makes him feel like he's going to break out in hives. It's easier to joke than deal with emotions. (that's why he and Egon got on well. Neither liked talking about how they feel)

So when Egon replies with ramblings about Gozer, clearly lost and not in his right mind, Peter makes a couple jokes, he deflects from Egon's worries and brings the man down to the kitchen to make a hot chocolate to calm Egon's mind (that's what they used to do, right?)

There's more talk, mostly from Peter, about some studies he's working on (that are mostly accurate), and how Dana and Oscar are doing, and the show because oh boy does he have a story about that one man who believed he could communicate with fish-

Egon is barely engaging, Peter could see, his mind is elsewhere, running at a million miles an hour, doing complex calculations and making connections. Peter didn't envy the man really - it must be difficult having a mind so clever and loud.

So when he can tell the talking isn't working, he asks "We defeated Gozer, remember? when my girlfriend was turned into a dog, and Stay Puft got the biggest commercial for free, and we crossed the streams. He's gone forever, right?"

Egon seems to come back to reality for a moment, and they stare at each other, before Egon nods slightly and finally takes a sip of his hot chocolate.

Peter eventually drives Egon home, selfishly because he wants to keep an eye on his friend for a little longer, but Egon doesn't utter a word. That's fine. The silence makes Peter's skin itch but it seems to be doing Egon some good.

They arrive at the house (the living room lights are still on), and Egon goes to leave the car, but Peter reaches over last minute, his mouth moving faster than his brain, "All you gotta do is ask, if you need help. We're still your mates, yeah? I don't know what goes on in that brain of yours but you aren't alone."

Egon seems to be mulling something over in his head, then pulls away from Peter's grip - "Goodnight Peter." - and heads inside.

Over the next few weeks, Peter keeps an eye on Egon

He seems to slowly get better

There are no more phone calls from Egon's wife (except one to talk about what happened that night), his eyebags seem to fade away, he talks less about Gozer, the notes disappear and the books are put neatly away or are packed up, and most importantly he seems to be arguing less with the group and making an effort to spend time with them

Then he's gone

and all the equipment and Echo 1 are gone too.

[magnoliamyrrh]

Paul is a fucked up manchild who berates his mom the second he gets supernatural powers and sees himself as better than everyone. That’s only if you can get past herbert’s awful writing where his villains gotta be fat and gay and he repeats these facts every single time they switch povs as if the audience has somehow forgotten (seriously, highlight every time herbert mentions the villain is fat. It’s so common it’s just boring stale writing). Paul in dune is the worst kinda self insert fanfic. Dune is such a shitty book girl how do you enjoy it

ohh he definetely is a man child; i feel bad for him in like the first half of the first book mainly bc hes a teenager, hes 15, like, a teenager teenager not an almost adult 17-18. he may come from a powerful family but hes just thrust into very messed up circumstances, more or less tortured to prove hes human, has to grapple with being some sort of raised-to-be-exceptional genetic experiment and being used in some weird intergalactic lie and war, and incredible amount of historical pressure and other things. like, at 15, hes more kid than adult dealing w this. but also, while being 15, he is smart, and charming to others, and he quickly rises to great infleunce and is good at manipulation. and yea the moment he gets some more power he turns it even against his own mother, against himself, and against others and the longer they go on the more insufferbale he becomes; what ground of expeptionalism in him existed gets raised tenfold -hes an inherently flaued character by all means who even when he tries he fucked up badly many times. i mean like hell, among all the shit he ends up doing, even just that thing that he himself didnt have the power to put shit in order, so he ends up forcing it on his son, like how he was shoved into a bunch of things when he was younger

and yes lol i am well aware of the villan thing. i do get that in this context the "fat" thing and even the gay pedo thing is moreso an allegory for greed and the keeping of and hoarding of precious things (im Not saying fat ppl are like this mind u, im not saying its good either, but in many cultures fat has or is indeed revered as a sign of wealth; and this is used to contrast to those who dont have, and i reckon this is where it comes from in the story). but yes, i do think thats uhh i hate this word problamatic. the fat thing, the gay thing, the pedo thing. definetely part of an ongoing issue of attaching several of those characteristics to villans, and also of making villans generally ugly, thus associsting the two together. like yup, its definitely not good

idk tho, i think. dune was written in the 1960s by a white dude. like, it doesnt suprise me that that stuff is in there. ive read plenty of things that have parts of them that are problamatic or outdated or offensive and it just,, is what it is. like idk i can enjoy something while also being aware and critical of the parts of it that are fucked up - i think if i wasnt able to, i wouldnt be able to like,,,, explore a lot of the literature that exists out there, especially older literature, no matter from where its from in the world or if its written by men or women. most of it or most authors at least have written some weird shit or held some weird shit. idk just a stupid parallel off the top of my head i love the 1001 nights stories - i grew up with them - but theyre filled to the brim with weird shit and problamatic things and sexism and racism and slavery and whatever else, like absolutely filled - to an extend they reflect the times. i still, however, enjoy reading them tho

i also dont know how much paul is a self insert - maybe. ive never read the dude as sympathetic or a sympathetic anti-hero much. i did find the idea that out of this all-female order theyd have the idea that a male would be the one w the greatest power and some sort of prophesied force of power weird, sooo idk maybe. but idk, if its a self insert i rlyyy dont think its supoosed to be a flattering one much. the dude just gets worse and worse as the books progress, and he ends up after fucking up so much and being too weak to fix it, exiled, alone, spending his last yesrs wondering in loneliness and deep regret. so, i dont think its shown that his superiority complex or anything else brought him something good; it just lead to tragedy

mostly i like the series for the intricacy of its plot and the way its introduced, the messages it tries to send even if it at times fails or does so badly. like yea, its not perfect, but it is trying to ssy something about foreign meddeling and co-opting of religions and cultures and desperste situstions, or colonialism and capitalism, of exploitation, greed, power, etc. and also in very large part its lore, its scifi elements, its weird out there mysticism, and all the parts of it that are very, very weird. i am fascinsted by the world that this dude created. im a really big fan of magical realism and to an extent the books are like this - because they start more normal and over time become more and more mystical and fantastical and weird and less grounded as more concepts, creatures, and affects of the spice are introduced. i also do like that the main character isnt an actual hero. all this talk of prophecy and whatever, but its all bad, and it goes so fucking bad. its to an extent a subversion of classical fantasy tropes, combined with space scifi.... and yes. there are times when the writing isnt great, or when its outdated, or when it hammers things again and again (like the villan thing). i also think in many places the writing is intriguing, careful, and calls for attention and contemplation of what is happening

and idk apart from something like 1001 nights..... to an extend, i feel abt dune as i feel about game of thrones. i rly love those books. yes theyre writing by an old white man. yes there are parts of them (less than the show id say) which are problamatic and outdated and i could go on a whole list about that. but, i still enjoy them. i think the world grrm martin created is insanely insanelyyy complex, beautiful, fascinating, the lore is some of the deepest and most intriguing ive ever seen, and the character writing - the sheer complexity of the characters, the willingness to show how fucked up humans are and how often things are so stupidly complicated, the way he can get us to love even insufferable characters, the way there are no perfect good heros, the broader anti-war and even climate change message, the harsh and grounded realism of much of the series,,, the way theyre also kinda like magic realism, bc over the books magic keeps coming back more and more, the world becomes more full of mystic and mystery and prophecies which arent 100% true, the way the books are largely a subversion of fantasy tropes. like, yea. theyve got issues, grrm martins writings got issues. but i think theyre brilliant in many ways at the same time 🤷‍♀️

so i guess. yea. im definitely not saying the books dont have issues or theyre perfect or theyre the peak of literature. but im still able to enjoy parts of them