#ship psychology
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avituses · 3 months ago
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We are two sides of the same coin
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bangs-coffee-fandoms-unite · 19 days ago
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magicpiano · 13 days ago
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Dark AU, Arkham patient! Jazz Fenton.
Sadly, Jazz Fenton is convinced that her brother Danny is still alive, that Phantom didn't kill him, that ghosts are actually sentient and not necessarily evil. Clearly she was brainwashed by Phantom who was pretending to be her brother.
The GIW graciously don't charge her with the crime of violating the anti-ecto act by protecting ghosts as a kindness to her parents who have done so much good work. She is sent to a mental hospital outside of Amity Park because they think she will recover better away from ghosts.
Well Arkham doesn't know what is about to hit it and Jazz is going to do whatever it takes to escape and save her brother.
#i think this could be well combined with arkham patient Jason and Jazz/Jason ship#Maybe Jason senses that Jazz is Important (ghost princess) and they team up to escape together#Jason is happy to have his murder urges turned on people who deserve it#you could take this two ways depending on your taste. Either the bats actually help and realize what is happening OR they are the antagonis#if Jason is there than probably they are antagonists. Even though he was treated okay there in the comics actually#but we can ignore canon for angst if we want#does this one exist yet? I have seen villain jazz and dark jazz but not this specifically#mostly i see AUs where she works at Arkham#some quick content warnings for implied:#psychiatric abuse#medical abuse#psych abuse#Although I am a bit tired of the use of medical abuse in Arkham in canon and fanon.#It would be neat to see it portrayed as a place that actually tries to help people.#Because in canon they do try to make it better!! So it would be interesting if Jazz wasn't abused in the typical way here#instead they ARE trying to help her but they are just WRONG about her 'illness'. It would make things more fucked up actually.#Like wouldn't it be MORE fucked up if she was treated well? If her parents were kind and supportive? Trying to help her 'recover'.#Imagine the Fentons bringing sweets books games to their 'sick' child. The only child they have left. They want her to 'get better'#Wouldn't that be like peak fucked up?#especially because she is a person who believes in psychology so much. yet it betrays her...#jazz fenton#danny phantom#dc x dp#dc x dp crossover#dc comics#dpxdc#dp x dc crossover#dp x dc prompt#batman#arkham asylum
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jjcattt · 20 days ago
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@ everyone talking about "omg he chose helly markhelly real"
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countlessofvoids · 3 months ago
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Hiccup was a runt, the most awkward, frailest guy around. He was created with the intent of being someone who's different from everyone else; both in his design and story. Someone who's weak around people who value strenght, someone who befriends dragons while others want to kill them. Hiccup makes up for his physical weakness with compassion and trying to bring peace to both sides.
Which is why in his every iteration after the first movie (+ ROB); Hiccup is a 6'1, modern beauty standart who can easily beat everyone in combat no matter how more build or/and experienced they are, unless the writers decide they need to higher the stakes, or they have other characters fight the enemy for him.
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abyssalzones · 4 months ago
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can I say something is this a safe space. it's kind of fascinating that ford is meant to read as a deeply repressed character and a capital s Scientist no less but he leads this other half of his life entirely dedicated to the occult. in the 70's-80's. like the historical connotations of the occult and what they represented in the united states at least seems kind of interesting in this context. for no reason in particular I find the dual aspects of "extremely dedicated to presenting as a logical, steadfast researcher trying to earn respect and social acceptance to the point of hinging all of his self worth on this vision for the future working out" and "deeply tied to the paranormal and "unsavory black magic" and everything Weird/freakish but feels like he needs to hide this aspect of himself from even the people closest to him" Very interesting. hiding six-fingered hands compulsively behind his back even if it's the emblem he puts on his journals. "what are you attracted to?" and "maybe you're simply attracted to things that hurt you" from two different points in the book. sweet dreams (are made of this) on the record player. hey does anyone know what that tarot card with a snake on it is meant to represent
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venic-of-paper · 1 year ago
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Hey remember when i posted fnaf here? Me neither
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bumblingbabooshka · 19 days ago
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Tuvok Pon Farr episode deleted scene where Janeway sadly goes to her quarters and puts her Vulcan strap away (there's a calendar behind her with the day circled three times in red. exclamation marks.)
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scimagic · 6 months ago
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Who’s your favorite and least favorite character to draw? :3
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I may have a preference..........
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vatrocvet · 3 months ago
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pygmalion and galatea
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rorvk · 2 years ago
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nice ears idiot
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devils-yui · 2 months ago
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Rewatching TFA, for the hundredth time in a row, and I've got to say. I used to think Sari was, kind of annoying, during my first initial watch and sometimes. The things she does makes me go wide-eyed and gripping at the screen going, "WHAT ARE YOU DOING!?"
But then now, as I'm rewatching it hundreds of times over. I have to physically remind myself that she is a child.
And not only that, but she was a child that was BARELY raised properly. She didn't have other children to socialize around, she had a robot teacher, a robot dog companion, and her occasionally in her life father who was busy manufacturing robots, entertaining the ideas of tours and etcetera.
So maybe, yes. I can definitely understand why she does rash things, and act the way she does. I understand why she's seen as a social outcast amongst other groups of kids (like in the show, ON HER BIRTHDAY).
And I'm not as mad as her, as anybody should be for a child who was raised/taught the wrong things or having not been taught at all.
However...
THIS GUY.
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IS A WHOLE 'NOTHER CASE.
I JUST WANNA-
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sarasade · 10 months ago
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Since the new adaptation of Black Butler is currently airing I've been looking into the Tumblr and YouTube side of the fandom and it's exactly as defensive about the show's more transgressive elements as I thought it would be.
It's so weird to hear the new female and LGBT+ fans saying stuff like: "I can't believe the yaoi fans are ruining Kuroshitsuji with their weird shipping!" And then denying the obvious psychosexual subtext of Sebastian and Ciel's relationship which has cleary been there since the day one.
Then I watch the show with my straight cis dude friends who don't give a fuck about the discourse and their reaction is like "LOL THAT Yaoi Bait Show from the 00's is still a thing?? Anyway it's pretty good."
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tempestimes · 27 days ago
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Last week I was going to write an essay on the symbolic parallels of the imagery in Ave Mujica to Revolutionary Girl Utena aka The Lesbian Anime ever, but right now I'm also just disappointed by episode 11 because of. Everything. It feels weird to make so many references to such an iconic queer anime then slap the "and they were related !!" thing on a major (albeit unhealthy) ship. To be clear, I'm not an Uisaki shipper and I never saw Uisaki as endgame, mainly because Uika's obsession over Sakiko is far from healthy and is clearly not romanticized or portrayed in a positive light. It clearly has an impact on Uika's ability to function and maintain other relationships and obviously Saki is not happy about this. But at the same time, there were so many connections I could draw between the imagery in Uika and Saki's relationship and Utena and Anthy's.
The MV for Imprisoned XII is packed with Utena imagery:
The coffin filled with roses a girl is sleeping in.
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2. The endless stairway up to "eternity" (which is supposedly some kind of freedom, but that freedom is only an illusion constructed by the people who control the greater stage play)
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3. The setting of the bird-cage like garden.
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And then there's the references/imagery inside of the actual show itself.
Sakiko reading Demain, which has this iconic line about a bird breaking out of its shell, which is referenced repeatedly in Utena.
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2. The two cups of coffee Uika always makes for herself and Sakiko, and the cups of tea Anthy and Utena share. (The "I poisoned the tea" and the "Well, I poisoned the cookies" bit in RGU ugh UGH)
3. The theatrical and stage play nature of Ave Mujica itself and the artificial world/theatricality of RGU (perhaps best illustrated by the Shadow Play or the moving architecture much like stage pieces in the film Adolescence of Utena).
Additional note: the line between Gothic dolls and fairytale princes/princess ough ough.
Additional additional note: Uika was designed to be fairly ambiguous in gender, which really interests me as this relates to Utena Tenjou and her masculine gender presentation as a way to be more "prince-like" but also her insistence she is "still just a girl" wearing a boy's uniform.
Additional note to the additional additional: Y'all remember all the fanart of Sakiko stabbing Uika with the "you could never be my prince, because you are a girl" line, right? Y'all know that's a direct reference to Utena right?
There's probably more I'm missing out on but these makes me so conflicted about how Uika and Sakiko's relationship is portrayed.
Both Uika and Utena have this interest in/curiosity for a girl (Sakiko, Anthy) who is trapped in a patriarchal system where she is at once idolized and villainized (along with other factors playing into the complicated nature of each of their situations, Sakiko's being class and Anthy's being race). But whereas Utena takes that scene she saw as a child of Anthy's suffering and decides to become a prince/play into gender roles to save Anthy from cycles of abuse (something Anthy can only step out of on her own later on), Uika - being a lonely and isolated child- built up an idealized image of the girl who her sister got to experience joy with, the girl who had all that she was denied, the girl who could give her meaning, and ended up becoming incredibly and deeply obsessive over someone who was ultimately her family member. I could go deeper into some of the Sakiko and Anthy parallels, but it is just so heavy.
I don't think I need to go into detail about how fucked up is (especially because of fucking Akio Himemiya and what he did to Anthy), but yeah. It just feels like a slap in the face to make so many (what felt to like to me) clear references to an iconic queer anime about disrupting cycles of abuse, the patriarchy, and victims of abuse and assault and then also add on the "and they're related and if you thought Uika's obsessiveness was bad you don't know the HALF of it"
Maybe I'm just way out there for making all of these connections between Ave Mujica and RGU, but this connection I made early on in the show definitely impacted how I felt about episode 11 and the Imprisoned XII MV. If you like toxic yuri, then you do you. This just isn't my cup of tea and I'll leave it at that.
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hadideedee · 27 days ago
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I would just like to say, to any avemuji/bandori fans that struggle with moral scrupulosity or engaging with media that has/alludes to problematic elements;
You are not a bad person for enjoying said media. You are not a bad person if you don’t feel any particular way about something having problematic elements.
Obviously if it makes you really uncomfortable please take a step back and do what you need to do to make yourself feel better (blacklist tags, log off, etc.), but don’t feel like you have to completely purge yourself of something that you find entertaining/comforting just because something in it is a bit unsavory. All types of media and art dabble with darker themes.
You’re not a bad person for being interested in things, I promise.
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mc-lukanette · 5 months ago
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Flip the Transcripts
Marinette sighed, pulling her hair tie free and shaking her head to let her bun go. It was a terrible, exhausting day, and she lingered around the main area of the building to take a breather while people filed out. There was still a faint scent of macarons in the air from all the ones she'd dropped on the floor and a (probably underpaid) worker was busy cleaning them up.
She'd gotten to sit next to Adrien during the movie, but she didn't actually feel accomplished about it. Her mind was still racing with thoughts of why she even bothered. It was high effort for little actual reward, and it felt embarrassing more than anything else.
Why did she do it anyway? There was always a weird correlation with everything going wrong for her on days when akuma happened, even if the akuma didn't directly cause it. Maybe she had a sixth sense for it and it made her stress out more?
So weird, she thought, idly running her fingers through her hair with one hand and dusting off her maid outfit with the other. In retrospect, that too was a weird choice; more "trying to catch the sight of a guy with certain interests" than "dressing for the occasion."
As she was mulling her own choices over to herself, a flash of white from the corner of her vision caught her attention. She looked over, seeing a large stack of papers near the entrance of the building as well as Thomas Astruc turning on the other side of the door to continue down the sidewalk. With a little urgency, she headed over to pick up the papers in both arms, noting that they appeared to be transcripts for something.
Her eyes zeroed in on the name Thomas Astruc and she hurried out, looking the way he'd gone as she called out to him.
Yet, he was nowhere to be found. Puzzled, Marinette looked back down, shuffling through the transcripts mindlessly.
Adrien probably knows him since he was in the movie, she thought. I can ask him to give them back—
She stopped before she'd finished the plan in her head, caught off-guard by how she'd wondered about Adrien so casually without having some crush-induced freak out in public. The day was just getting weirder by the second, and it became even more so when she took a better look at the transcripts in her hand.
It seemed obvious initially that it would've been the transcripts for the movie, or maybe a potential sequel, yet they were for a TV show called Miraculous Ladybug. She'd never heard of such a thing and found it even stranger that Thomas Astruc was listed as a writer, not a director.
Curiosity gnawed at her as she fidgeted with the pages. A little peek wouldn't hurt, right?
—————
Having dismissed Tikki after getting a scolding of looking into things she wasn't supposed to, Marinette dropped the transcripts onto her table and began to sort through them. It was perhaps petty to look into an unreleased series like this, but considering what happened with the movie and all the mutterings she heard from people who "didn't know Ladybug was afraid of cats," she would prefer to get ahead of whatever nonsense was going to be released in the future.
The transcripts were already in order of episode, so she started at the top, flipping the page to start reading.
It all went downhill from there.
It appeared innocent enough at the start, following akuma who already existed whose civilian selves may have given interviews on being akumatized, but the first double take of many began when Marinette saw her own name in the transcript. That may have been fine on its own, yet this Marinette lived where she lived, in a bakery with her parents Tom Dupain and Sabine Cheng.
She swallowed, her hands crinkling the paper from their tight grip. Whoever wrote this knew that she had been Ladybug and somehow got down the events of the written days with precise accuracy. Was she being stalked somehow? How did they know all about her, and was this planned to be released to the public?
Despite her stomach churning at the implications, she continued reading.
—————
It was late into the night, Tikki already sound asleep up on Marinette's bed, when Marinette had decided to stop reading for the day. She pinched the bridge of her nose, exhausted yet wide awake at the same time.
Everything in the transcripts lined up with her memories and filled in gaps where she previously had nothing to work with. Written down when she'd transformed, what she'd done, who her friends were and what they did with her, and beyond that were things she'd either suspected or not known at all.
Adrien was Chat Noir, Gabriel was Hawk Moth, and it all made sense when put into a format like this.
It didn't appear like someone who knew too much had put pen to paper anymore. Rather, it felt like something written before it even happened: fate sitting behind a desk and planning out what was to be. There were even "episodes" of events that hadn't happened yet that Marinette felt could only be a matter of time.
She raked her fingers through her hair, clutching the strands tight as she tried to make sense of it all. Did it mean that she was just part of some show? Was she a character mindlessly following these scripts? How much was her and how far did her relationships with others go past what was written down for them to have?
Her mind spun, the chair underneath her feeling like it could collapse at any moment. Blood going cold, goosebumps formed along her arms as she looked around to see if she was being watched.
Everything added up and put into perspective things she'd never thought about before. All of the little inconsistencies that she hadn't given a single thought to were now staring at her right in the face, like the very fabric of the universe was broken and everyone went on like nothing was wrong.
And it was Chat Noir who caused Theo's akumatization, but he never told her and she was left in the dark. He'd planned in advance to ditch the search for Andre's ice cream to go set up the "date" with Ladybug that he passed off like it wasn't a big deal.
There was also Alya, who knew very well that she'd been willing to let Kagami be with Adrien when she'd agree to third wheel at the ice skating rink, only to then claim that she was jealous of Lila because of Adrien. Adding to that was Chloe, who Marinette herself was told to "be the bigger person for" and broke the identity rule for just to make her bully of multiple years Queen Bee again, which sounded reasonable at the time but crazy actually reading it.
Finally, there were her failures to get Adrien's attention and the inability to confess to him, whether to be rejected or otherwise, while Chat Noir skated by due to conveniently confessing his crush on Ladybug to Ladybug's civilian self. Why?
Because she was the punchline. She was constantly being set up to fail. The insane scenarios she was always roped into were the forces behind these transcripts twisting themselves into knots to ensure that she would be little more than a joke.
Tears formed in the corner of her eyes. Who could she even trust if everything involving them was made up in such convoluted fashion?
Furiously wiping at the tears, she decided on the only thing she could: she would test the transcripts and go from there. She could go off script, do things it didn't expect, and try to prevent what was predetermined. Clutching the papers to her chest, they were wrinkled with resolve rather than fear this time.
If it wasn't fate that put these in her hands, then maybe she could still do something. With these, she had power, she had control. More importantly, she could have an ally; someone she trusted, but often went ignored by the transcripts and thus was the least affected by them.
Setting the transcripts off to the side, she retrieved her phone and scrolled through her contacts. Most of her friends were dismissed almost immediately, having been around since the start of the series, and she couldn't trust Tikki either. After all, if there was any mouthpiece for the forces behind the transcripts - the "writers," she supposed - it was her.
Her thumb stopped skimming when she saw the black and blue hair: Juleka's brother, Luka, who she'd shared numbers with when she invited him out to the ice rink just in case plans changed. It was a reasonable concern at the time because of how often Adrien had to bail, but of course he was able to show up when it was written that she would make a fool out of herself in front of him, the one consistency throughout the entire series.
But Luka, he'd only been around starting in season 2 of the "show" and appeared prominently in a couple episodes at best. It made even more sense when she thought about that day at the ice rink, the akuma having conveniently started to attack while she was trying to sort out her feelings on him.
The show wanted him there, but didn't want her to think about him.
A burst of confidence snaked its way through her anxiety as she opened their messages to each other. Casting a glance at the transcripts, she thought, I don't have to play your game anymore.
Thus, she typed out a quick message to him.
Hey, are you free in a couple weeks for a meet up? Just the two of us? It's really important.
After hitting 'Send,' she brought the phone up to cover her mouth and attempted to take a steady breath through her nose. Two weeks was plenty of time to test the waters of what she'd seen, and anything else could be planned out after she met with him.
She could handle this. She wasn't the failure she was written as; she didn't have to be.
—————
Marinette had heard before about people so close that they could predict what the other would say. Others could be so in sync that they'd say things at the same time, even without trying.
It was an entirely different matter when she already knew what someone was going to say, not because she was close to them but because she'd read it before.
Three episodes - though it was strange to call them that - happened in the weeks leading up to seeing Luka: Bakerix, Backwarder, and Reflekdoll. The former came first and was the most unnerving of them all, being the one that put the transcripts set in the future to the test.
So long as Marinette followed the transcript, every line went exactly as intended. Her parents and grandmother spoke as if they had read it themselves, like actors in a play they weren't aware they were in. Even when Marinette didn't follow the script, she could feel the words trying to come up through her throat like an itching sensation before a cough.
Or, more accurately, bile building just before throwing up.
Almost unintentionally, she took a passive role by not going to see her grandfather, freshly disillusioned by the events and what they could mean for the people she knew and interacted with. He was, however, still akumatized, though without any action on her part. She didn't ask him why, already having the information she wanted most: that the world still tried to follow the transcript even if she fought it. It was proven further when her family saw the news, somehow recognizing the akuma as their relative, and rushed to see him when he was deakumatized.
They worked everything out from there, which on the surface sounded nice, yet Marinette was disturbed by the idea that it might've only happened because he was written into her future, likely for her own humiliation at some point.
At the very least, the world continued turning whenever she went off script as she'd planned. Her worst case scenario had been that everything would break apart or she would be unable to go against what was written.
She had little choice but to take action the day that Marianne was meant to be akumatized; Adrien was going away for a time and Master Fu had no one else to trust in delivering his letter to her.
According to the transcript, she would be humiliated in front of her friends after mixing up the letters, and Marianne would be akumatized when she too was given the wrong letter. With her thoughts dripping with sarcasm, Marinette supposed that was "her own fault" for expecting a magical yoyo to offer what she'd asked for when she reached inside. She could even imagine Thomas Astruc's face along other, faceless writers, hitting their desks laughing as they wrote down Adrien handing her constipation medicine.
Still, the solution was simple: she confirmed that it was Marianne's letter before handing it over. She could've given Adrien her own love letter as well, but had avoided him as much as possible since finding the transcripts. Her nature of spitting out word salad was there when they did see each other, yet became more manageable the more she refused to engage with him.
Him being Chat Noir made it all a bit easier. While she'd been sympathetic of his woes in being told nothing, the knowledge that he'd kept quiet about the grimoire while complaining to her about secrets and threatened to quit while Paris was underwater was, needless to say, quite the turn off.
Even when they weren't set to follow a plot, he was still as flirtatious as ever despite her rejection of his advances. It made sense as, though she may have hoped otherwise, she couldn't say she was a different person even after reading the transcripts; only one more aware of the world around her.
Juleka getting akumatized into Reflekdoll was something Marinette worked hard to prevent. Whether or not their friendship was "written to be," she still cared about people she felt close to and could relate to Juleka's anxiety.
Alya, of course, tried her hardest to fight back against her efforts to exclude Adrien, all with mixed results. Adrien still came along in the end, but Marinette managed to keep the photoshoot about Juleka, even if that meant ditching the group for a while to hide in the bathroom and talk her down from a potential panic attack.
Juleka taking the full spotlight was something she worked hard for, as not only would she not have wanted to ride off of Adrien's image to give her website any attention, but the idea that he would certainly have overshadowed Juleka in the eyes of the public disgusted her. She didn't need him, no matter how the forces "in charge" tried to convince her otherwise.
All in all, it was crisis successfully averted, and now she'd had multiple separate experiences to come to a few conclusions about the nature of her world.
The first was the obvious: that events were preventable, which was a relief given what she'd read about the season 3 finale. Sometimes things such as akumatization could still happen, but her actions as someone with knowledge of "the future" could reign in the worst of it.
Secondly, those around her could not stray from the transcript unless they were forced to by her or the changes she made, almost falling into loops of trying to make something occur unless they couldn't anymore. It was unnerving, seeing the double-edged sword of the power she held, but it was workable.
Thirdly, and perhaps even more important than the first, was that people could still be people. They acted similarly to what she might expect off script, but not always in a way that was bad. Juleka, for example, didn't blame her for anything that went wrong during the photoshoot as she had - rather nonsensically - in the transcript.
Marinette saw nothing less than her friend. She could still care about people without a nagging voice in her head telling her that it wasn't "real" or that she didn't actually mean anything to anyone. In the ideal scenario that came from everything she'd learned so far, there was a light to be found at the end of the tunnel: either the show's plot would end, or she would change it so drastically that no one could follow it any more.
Thinking back on it all, she let herself feel hope at the memory of Juleka's grateful smile, the light shining off the hair clip Luka had given her in just the right way.
It also gave her an idea.
—————
Marinette sat quietly on her chaise lounge as Luka pulled off his guitar case and settled it to the side of her room, so gently that she couldn't hear the sound of the case against the wall. She'd had two full weeks to process the transcripts and what they meant for her life, but it didn't mean that she wasn't still on edge when she thought about it.
It was one thing to have been given the knowledge herself. She was the one who picked up the transcripts, she chose to sit down and read them, and she continued looking into it even while knowing how stressful it would be.
It was an entirely different matter to inflict that on someone else. A few times, she'd debated with herself on excuses she could've made for their meeting in case she felt like backing out, but dismissed all of them in the end. She wondered how she could tell a person something so profoundly life-altering and how that would affect them emotionally, or if they'd even want to be told.
But how would one gauge that? Marinette could only use herself as a reference, knowing that she, at least, would want to know. The unknowns that revealed themselves to her throughout the experience - the things that were intentionally kept from her, Hawk Moth's identity, the future itself - had been nothing but beneficial to her, despite the horrors that came with them.
She wanted to share that; to know that she wasn't alone. She wanted—
"Marinette?"
She looked up, catching Luka's concern at what must've been a heavy expression on her face. She shook the thoughts away, offering him a gentle smile that she hoped conveyed, 'I'm glad you're here.'
"Juleka had so much fun at the photoshoot," she said, evading the topic of the current atmosphere. "It was sweet of you to put that hair clip on her. I bet it made her feel more confident."
His brows were still furrowed in worry, but he let it be for now and smiled back at her. "Thanks." He gestured at the spot next to her in a silent question and she accepted, shuffling to the side just enough to give him a comfortable amount of room to sit down. His weight sank into the cushion as he wondered aloud, "Did Jule tell you? She doesn't talk about me that much."
He stated it casually, clearly unbothered and of the opinion that Juleka wasn't obligated to talk about him in either a positive nor negative way. Marinette didn't say anything on it, but thought that of course Juleka didn't talk about him much, because how odd would it have been for someone's brother to just appear a whole season later and not be mentioned otherwise? Did he even exist before the day they met?
That was one thing she actively tried not to think about, having been too afraid to look up her grandfather's address before his mention in the transcripts. There was only so much she could take without imagining that Luka only came into existence a while ago.
Despite knowing that his question had, in all likelihood, been rhetorical, she answered it anyway, "...No. I didn't hear it from her."
She'd tried to be careful, giving him enough information to mull over but not anything that appeared outright supernatural. Technically, Juleka could've told Rose, who could've then told her at some point, which would've been far more normal compared to the truth.
But Luka, judging from the way he stared at her, eyes narrowed in contemplation, had caught onto the subtle implications in her tone.
Gripping her capris and taking a deep breath to steady her mind, Marinette pushed herself up to walk over to her computer chair. Nudging it aside with her leg, she turned to him and placed a hand atop the stack of transcripts, explaining, "I found these when I was at an event for the Ladybug movie everyone was talking about. There was a guy - Thomas Astruc - who directed it, but these call him a writer and I couldn't find out anything about it."
It all sounded irrelevant to what they were discussing, but Luka stood and came to stand alongside her, eyeing the stack and waiting for whatever she might say next.
In response, she held out three transcripts: Captain Hardrock, Frozer, and Reflekdoll. "You should read these first, but.... you might not like what you'll see."
It's all the warning she could give him without sounding like she was insane; his last way out before plunging under the depths with her. There would be no going back afterwards.
Luka, though puzzled, reached out for the papers, eyeing her face one last time before taking the transcripts in his hands to look at them properly. His eyes widened at what she imagined what the name of his mom's akuma, but he didn't comment on it as he went about reading.
Marinette stayed quiet the whole time, hands clasped tightly together to keep herself from making any movements. There would be time later for all of her discoveries and personal observations, but for now she let him piece it together himself.
Luka didn't say anything either, so she could only infer how he was feeling based on facial expressions and body language: the twitch of his eyebrows, the way his eyes flicked back up to reread something he found particularly unbelievable, and the sudden exhales he made that would ruffle the paper...
She could imagine that he was having a similar experience to her own, but what she couldn't was how it must've felt to realize the role he played.
Without question, he could've been invited to the photoshoot; he should've been invited and they could’ve easily made the time work out for him. After all, what better way to keep Juleka's anxiety at bay than to have the brother who knew it best along for the ride? She had men's clothes too and he could've easily modeled alongside his sister, the only reason Marinette hadn't invited him at the time being that she feared tampering with the plot with additional variables.
But she knew why it wasn't written into the original, at least. He was second place to someone else, so rarely thought about even with his role of being the "main character's" other crush. In the eyes of the plot, his feelings were written to be discarded, and it didn't matter how sweet he was or how compatible they might've been otherwise.
He would fail no matter what, tripping at the word 'go' without a chance of getting back up. She couldn't fathom why anyone would think to do that: to write a character who only served as a stone to be stepped on in order to get the person he liked with someone else.
She shuddered just thinking about it.
Luka's movements were unsteady - unlike himself - as he tore his gaze away from the transcripts in his hands to the ones on the table, his hip awkwardly bumping against the edge. He set the ones she'd given him aside to start reading from the others, leaning against the table with his back turned to it for support.
Marinette bit her bottom lip, sympathetic. The stack contained a majority of the transcripts she'd picked up and, while he may've intended try to pour through all of them, she did keep a choice few tucked away: specifically, the ones from the future that had him in them. It wasn't that she was ashamed of what she was written to do or wanted to keep him in the dark, but she'd wanted to mull things over herself first.
In more direct terms, her feelings for him. She would never deny that their first meeting had been "staged," written in such a way for them to start crushing on each other. She'd spent the full two weeks questioning her own emotions, sorting through them to see which felt real and which felt manufactured. It wasn't easy, and even now it was hard to gauge exactly what she felt that day.
So on some level, she looked forward to this: seeing Luka in front of her after reading something that treated him as someone to set aside. He still felt real, she'd still been aware of his body heat when they'd sat next to each other, and she couldn't help watching how he tilted his head just slightly when his bangs got in the way of reading a line or two.
She brought her clasped hands to her chest, feeling her own heartbeat. Regardless of the past, she knew the quickened thumping wasn't only from nerves, but what she couldn't know were his feelings.
Withholding those few transcripts for just a little longer played into that.
Marinette noticed the papers quiver in Luka's hands, looking down to see a tight grip that was all too familiar to her. Unable to stand aside any longer, she stepped towards him and unclasped her hands. Her fingers were stiff from gripping herself so tight, but she reached out anyway, delicately sliding her hand over his.
Luka's haunted gaze broke as he made eye contact with her, searching for something she couldn't quite place. Before she could say anything, he moved, both arms going around her and pulling her into a tight squeeze. The air left her lungs in a gasp, and her next breath took in his scent, so very close to her.
"Haaa—" He stopped for a moment, wavering, then tried again. "H-have you been dealing with this all by yourself?"
Her vision started to blur, tears coming to her eyes unbidden. He was the heavier of the two of them and she could feel it in his embrace, but the weight coming off her shoulders made it feel like nothing. She hadn't given a thought to what she may have liked to hear herself after what she'd been through, yet his words struck her in the heart in every right way.
It was an unspoken 'You're not alone anymore.' She hugged him back just as tightly, burying her face into his shoulder as she cherished the moment.
"I'm sorry," she murmured, having little else to say after keeping it a secret for what felt like so long. She might not have needed to apologize for it, but it clearly hurt him to know that she had been hurting.
And now he'd be with her through all of this; he'd shown her as much. Whether that involved helping her figure out what to do about Hawk Moth or how to break away fully from the plot, he'd be there.
That meant there was only one more thing to check.
Slowly, Marinette loosened her grip on the back of his jacket, giving him a sign that he could let go. His hands dropped back down to his sides, one hand still clutching the transcripts he'd been reading, but before he could step away from her, she reached up to take his face in her hands. His mouth dropped open without a sound, the hair in front of his ears tickling her fingers as she slid her palms against his cheeks.
His face was paler than usual from everything that'd been revealed to him, but colored at her featherlight touch. She tried to communicate everything with her eyes, giving him every opportunity to pull away from her.
The plots consistently tried to keep the events in place. Her grandfather still got akumatized, she'd put back and pulled out the wrong letter multiple times before giving up and keeping it between her teeth while she reached inside her yoyo, and Adrien still came along to the photoshoot no matter what she did. She could almost feel the world resisting her at every turn.
It wasn't safe to let her guard down when she knew one of the transcripts were taking place. It was already hard enough trying to make changes while the threat of the "destined" outcomes loomed over her, and there were other outcomes that were clearly avoided, such as her and Chat learning each other's identities.
When she first learned - read - that Adrien was Chat, there were a few days where she struggled to remember it. Maybe it was because of so much information being piled onto her at once, or something was fighting knowledge that she wasn't supposed to have.
And now, right there with her, was someone she wasn't supposed to have.
"Luka," she whispered, then closed her eyes and kissed him.
It was purposeful. It was delightful. It was terrifying. If there were only an external force causing his feelings for her, this is where it would all come undone. She kept her eyes shut tight, trying to feel out any sign that he didn't want this.
Instead, she heard the fluttering of papers, the transcripts falling at her feet as Luka held her again. He returned the kiss just as passionately, the stiffness and nerves from before fading away while he let himself drown in the comfort of the contact.
Faintly, she could recall her first kiss - the one demanded of her if she wanted to take out the akuma - but memories associated with anything written before she'd read the transcripts had slowly drifted to the back of her mind. They detached themselves from all else, as if she'd only experienced them in someone else's body.
Kissing Luka, meanwhile, felt vivid, her body shuddering in a mixture of joy and relief. Even when the kiss broke, he didn't step back from her, pressing their foreheads together. His eyes were half-lidded and appeared almost more blue than usual, a color she was quickly associating with hope.
Both at a loss for words, they accepted it and left talk of the future for the future. As for right then and there, they could write their own story just for themselves.
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