#shes destroying herself because its the only thing she knows how to do
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autisticlenaluthor · 1 day ago
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“I’m just so tired,” Lena cries, leaning forward, and pressing her heating pad further into her stomach. “I don’t want to live like this anymore.”
She inhales deeply and releases the breath back through her mouth. It’s an instinct now– breathe through the pain, slow and steady. Steady and calm. Calm and consistent. Breathe so she won’t pass out, so her heart rate won’t continue to rise, so she won’t spiral even harder the next time the knife digs into her side and expands so far she thinks it might make the entire organ pop. 
“I don’t want to be sick. I don’t want to keep doing this.”
She sniffs and squeezes her eyes shut. Hot tears trail down her cheeks as her nose begins to run. The heating pad is making her sweat now too. It’s damp around her shoulders and inside her armpits. Her back is sticky and so are the undersides of her knees. But if she takes her sweatshirt off, she’ll start to shiver, even with the heat cranked up. 
So she pulls her arms around her and tries to ignore the wet spots on her back because somehow, she’s still freezing. And when she opens her eyes again, she looks at Kara, as if somehow, Kara could fix things. But all Kara does is return the same regretful glance. 
“I’m sorry,” she says– like she had any say in this. “I’m so sorry. You don’t deserve this.” 
Lena nods and bites down on the inside of her mouth. She hugs herself around the heating pad and presses it in so deep it burns. 
She used to think it was true– nobody could deserve to live like this. It was a cruel fate to watch your body rip down its tendons like wallpaper, peel apart its muscles like expired fruit, and chip away at its bones. Lena had felt every last aggression and with each attempt to fight back– to savor the life she knew, was met with more anger.
 Accusations over anxiety diagnoses and trauma, as if she’d committed a felony for having emotional pain too. Speculations over her weight, her age, and her family. It didn’t matter that one day, the vessel she was living in decided to tear itself apart while she was still stuck inside. All that mattered was that her symptoms, her personality, and her past, weren’t convenient enough to be taken into consideration. 
Lena knew that kind of treatment wasn’t normal. She knew that at least, it shouldn’t be. And yet it was. So she rationalized it. She told herself that maybe she did something terrible in a past life. Something eons worse than anything Lex Luthor ever did, and this was her punishment. She told herself whatever vague, obscure story she could come up with in the moment because pain like this shouldn’t be allowed to exist without a reason. She’d tear down everything she’d ever believed in– destroy the fundamentals of science and existence and everything else she’s put a lifetime of faith in because she needs to keep herself on this Earth and if she doesn’t have a reason, she isn’t sure she can continue to stay. 
“What can I do?” Kara asks her. “How can I make this better?”
Wordlessly, Lena shakes her head. Another wave is hitting her. It’s sharper and stronger than the last one, and God, she feels like she could puke. 
“Just…”
Sit with me, she wants to say. Hold me.
“I don’t know.”
Kara looks at her with an expression like Lena just shot a baby deer and somehow, Lena manages to start hating herself even harder.
She hates herself for not being able to cope after years of being sick. She hates herself for still feeling the pain as deeply as she did when it first came on. Hates herself for not getting better like she was supposed to. 
“I’m sorry,” she murmurs– the words are the only thing she believes in right now. “Kara… I’m so sorry.”
“It’s okay.”
Kara grabs one of the blue bags from Lena’s nightstand and unfolds it. Without a word, she moves behind Lena and sits so she can rest between her legs.
“Just breathe,” she says. “It’s okay.”
Lena does as she’s told and tries to focus on her uneven breaths. She watches the way Kara loosely wraps her arms around her stomach, where the heating pad is, and squeezes her thigh. 
“Is this okay?”
Lena swallows and nods. Her brow furrows when the stabbing starts to grow again. Saliva fills her mouth. 
“Am I hurting you?” 
Lena shakes her head. 
“No, it just generally hurts,” she says. She gets the words out as quickly as she can before she needs to swallow again. 
Kara nods. She leans a bit closer and presses her front ever so slightly into Lena’s shivering spine. She lifts the bag just a bit so Lena won’t have to move if she needs it– something about the gesture only makes Lena cry harder. It overwhelms her so strongly the pain almost takes a backseat. She can feel the weight of Kara’s body hovering over hers, feel her breath on her neck, see her arm extending in front of her. The woman who’s always told her “I don’t do throw up,” is now waiting to catch her vomit. 
Lena almost wants to tell her she doesn’t have to stay– she doesn’t want Kara to be feeling shitty too. So she keeps quiet, not wanting to risk her leaving.
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roseworth · 11 months ago
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Hey, hey, was wondering if you could share your thoughts on the ending of Fresh Hell⚔️❄️
YES i love it so so so much
i LOVE the monologue at the end. i really like her struggle throughout the whole book with whether or not shes a Good Person because she doesnt see herself as a hero but shes still not a villain, and i really like how it basically culminates in her deciding that shes not a good person but shes still not bad
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not to mention!!! the fact that she thinks of killing as making her like deathstroke but then she still does it through the whole book... ough. AND the fact that she wasnt even planning on killing will !!! she wanted to make him suffer but even though he was her Big Bad for this book she didnt want to kill him UNTIL one of the girls died. GOD.
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and then. ohhhh my god. the narration at the ending <333333 the fact that after years of defining herself only by what the people around her think of her she says "actually what only matters is what i think of me" but then what she thinks of herself is just as bad as how she thinks other people see her. oh my god
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WHAT MATTERS IS THE CHOICES I MAKE AND WHETHER OR NOT I CAN LIVE WITH THEM. i love that line so much. i love this ending so much
i have mixed feelings on her epinephrine addiction (i hate how it started because terror titans sucks so bad. it felt so out of nowhere and it didnt seem like something she would do at all in terror titans, so the fact that it carried over bothered me bc i didnt like the plot line in general. but ignoring that it was fine in fresh hell ig) but GOD i love the thought behind this ending
i think that the idea that shes spent this whole book trying to grow from self destructive habits then at the end shes like "actually you can pry my self destructive habits from my cold dead hands" is sooooo her. she knows that shes making herself worse and shes choosing to do it!!! she hates being a killer but chooses to do it anyway, she hates using the epinephrine but she takes it again anyway. ough
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scarlettmurphy · 3 months ago
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STARCROSSED +ੈ✩‧₊˚ LOGAN HOWLETT.
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logan and y/n — where you are completely in love with a man older then your father by a good 100 years.. and whose in love with another.
- content warning age gap. nsfw. sh. angst. not really happy endings! pairings: older!logan howlett x xaiver!reader
spoiler: horrible yearning!
note this is my first piece of work so i hope it’s okay! i love logan sm i had to write something for him — and this is really angsty :) pls ignore if there’s any bad grammar! i’m a bit lazy rn, also with the timeline for this fic i have no idea when im going for. im saying 2000s-2010s just remember its a bit scrambled timeline wise cos i wanted my favs here!🤭 enjoy!
you hated when he was around. you couldn’t stand it anymore. your longing glances to him, the yearning looks you gave him which were never returned and only thrown back into your face when you saw how he was looking at jean the way you looked at him.. it had all been getting too much. at first you acted like it didn’t bother you and part of your school-girl crush deluded brain pretend you were just seeing things but as the weeks / months had passed you realised that was the furthest thing from the truth.
recently you couldn’t even bring yourself to glance at him because it hurt too much and that wasn’t even being dramatic, the aching feeling in your heart wasn’t worth getting a glimpse of his timeless beauty so every time he was around you bit down the urges swallowed your pride and acted as if he was nobody to you, just a good friend. a father figure, a teammate.
it felt rude at first, to you since you were the only one noticing it, how you just stopped all those little things you were doing but you couldn’t help it or stop yourself from being like that because it was too hard to deal with — loving someone so much with all your heart but you knew you couldn’t have them. you hated to admit it but it destroyed you and that little part of you right now was falling into a full blown rage as you sat on the sofa alongside logan and wade — charles, hank, scott and rogue being present in the room too.
“i just don’t get her.” scott said out, repeating the same line over again, still bitching about the fight him and jean had after they all got back from the mission — everyone could hear the screaming and scott’s harsh gaze when he entered the room just confirmed it all and the second,of course, logan asked a question after wade made a snarky comment that set off scott and he hadn’t stopped mansplaining it since.
“yea’ well certain people don’t.” logan gruffly spoke out as y/n couldn’t stop her eyes from moving over to him at his words, feeling a sense of hurt coarse through her like it usually did whenever he spoke about jean or implied her. everyone knew what logan’s comment meant and y/n could see how scott was biting his tongue, clearly pissed off like he always was around logan. for good reason.
the tension only grew worse when scott couldn’t help himself and made a comment right back at him, his eyebrows raised as he stood from his seat. charles attention turning right to scott instead of logan, “and what’s that supposed to mean, asshole?” scott spat out like his words were venom.
rogue rolling her eyes at his words as hank shared a little glance with y/n who was cursing the entire situation in her brain as she couldn’t stop herself from looking at logan — those very same feelings boiling in her body as she saw the way his mouth twitched and his jaw clenched. how protective he was getting over jean, a feeling y/n couldn’t help have been wishing for the past two years of knowing the man he would get like over her — sure in a friends way he might’ve done it before, at least that’s how she saw but it never like this.
y/n swore she could physically feel her heart aching.
“pretty sure you know what that means pal.” logan bit back harshly, his words falling to the same tone as scott’s did as scott scoffed at what he said as he bit back with full frustration as charles clearly wanted to get involved - a little grimance pictured on his face as y/n studied her fathers expression, him clearly knowing what jean meant to logan, as y/n looked away before her dad could catch her staring her eyes falling onto a pissed off scott who downed the drink he had in his hand, placing it on the table.
“she picked me.” was all scott needed to say as the weight in the room shifted heavily on logan’s end as everyone could see the way logan’s face dropped a little, that comment taking the little coy expression he had right away but y/n didn’t even bring herself to look, scott’s eyes taking her in as if he knew what she was feeling in this moment. his eyes meeting her own as y/n felt a lump form her throat — the tightness almost burning — as he tutted at how silent logan was before he walked out the room without another word.
with this the room fell silent. everyone knowing the feelings logan must’ve been harbouring right now, y/n especially, as she glanced over to him not expecting to be met with his brown eyes looking back at her as he took in her expression before he roughly got up without another word — going right over to the door.
chaeles couldn’t help himself as he spoke up firmly the second he watched logan head for the door, “logan—“
“just goin’ for a piss, wheels.” he roughly said back before the door shut right behind him.
“more like a bitchless weaping session.” wade couldn’t help say as he had left the room, hank and rogue not being able to help their little laughs from coming out as y/n bit down on the inside of her cheek limiting the feelings she was experiencing as much as she could before she stood up.
“—i’m going to shower.” y/n said out lowly, her words slipping out quickly as the others nodded or hummed in agreement, wades eyebrows furrowing as he clearly felt he knew more of the situation then the rest did but he kept that to himself.
“take some pics for me!” wade called back to her, earning a little look from charles as hank scoffed in reply.
— +ੈ✩‧₊˚
that shower was more like watching a re run of singing in the rain which y/n couldn’t help watch the entirety of for no specific reason before she eventually hoped in the shower. the faint sounds of her speakers being heard as she hummed along to the lyrics of the specific song as she felt the cold water glide down her naked body.
swallowing the pain-filled whimpers that were aching to escape her wet lips as she acted as if the water gracing against all those marks and burns on her skin wasn’t killing her inside despite her ‘little’ case of immortality. immortality sadly didn’t mean you never experienced pain and y/n was clearly the leading case proving that matter as she soon got out the shower after washing her hair and her body.
wrapping the towel around her dainty body as she took in herself in the mirror, the thoughts forming in her brain being within the ‘self loathing’ category as she exited her bathroom. her face falling once she was met with the gruff expression on logans face which turned to one of shock as his eyes scanned over y/n immediately. him swallowing his own spit as y/n hands immediately wrapped around her towel just to make sure it wouldn’t fall.
“lo— shit, i didn’t know you were here.” she quickly managed out, her face a bright shade of red as she watched as logan didn’t move his gaze off her figure.
“—wait.” not a single word escaping his lips as y/n walked over to her bed where her clothes were laid out for her.
y/n’s breath was hitched and she swore she felt all the heat rush to her face as she took in the way logan was just staring at her as she grabbed her clothes with her other hand, taking a few steps back into the bathroom before she swiftly shut the door. her mind a mess as she quickly put on her pajamas before she sprung over to the mirror to double check her appearance before she walked back out to her bedroom.
logan being in the exact same place she had left him — not a single word had left his lips and his facial expression was the exact same as y/n nervously smiled at him.
“what are you doing— uh, here?” y/n asked him swiftly, her words rushed as she swore she could hear her heartbeat in her ears as she saw logan slowly seem to come back to reality, scratching the back of his neck as his lips parted as he tried to say something.
yet it took a little for something to come out as y/n swore she felt something growing in the air as logan finally spoke, his gruff tone a little knocked back then usual, “was coming here to bitch about scott. didn’t mean to see anything i shouldn’t have.”
his words sent a little chill through y/n’s spine as she managed a little smile on her lips, no matter how fake it was she still managed it, as she looked at him. his first words being all the confirmation her heart needed in this moment as she held back her feelings as she felt her heart tense.
“it’s okay.” y/n rolled out quietly, her attention falling over to her bed as she walked over to the foot off it — sitting down on the edge of the bed as logan stayed in place, his arms crossed as he leaned against the fireplace in her room now.
“so scott, you wanna bitch?” y/n trailed off into as logan looked out the window, seemingly lost in his thoughts as he shrugged his shoulders.
“nah, not anymore.” he said, his voice low as y/n took in his hush voice — his words only adding to the building up tension that was making the air thick as y/n looked at him. her eyes taking in every inch off him and how he looked, her mind wondering how he’d feel.. how’d he’d taste.
yet her thoughts were immediately cut short.
“—you seen jean about?”
his words were like a harsh hit round the face as she felt a lump for her in throat, her mind tingling a little as she glanced over to the door. she hated this, every inch of this. she wanted to scream, punch him in the face. confess right there and there at him but she didn’t. she couldn’t.
no matter how much it killed her inside. every second without him being like a gun shot to the heart as she plainly looked back at him, a soft smile growing on her face which was so fake it was indescribable as she nodded to her bedroom door.
“her room, i guess.”
her low words were enough to make anyone know she was hurt yet of course logan didn’t, or he didn’t show he knew as he gave her a playful wink.
“thanks bub.” he said with a nod as he went to walk out the room — his hand on the door when y/n heard his muttered words.
“sleep well y/n.”
his words fell into silence as y/n watched him leave, the door closing behind him being the utmost reminder of how her feelings will probably never be acknowledged. and that harsh reality left her alone in her bedroom for the entire night and with every toss and turn her mind was on one thing and one thing only. him.
— +ੈ✩‧₊˚
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genericnam · 1 year ago
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Why, out of GF, Amphibia, and TOH, only Luz didn't have to leave her new world behind:
I've seen people complain about Amphibia and to a lesser extent, Gravity Falls, for having their series end with a goodbye; the main characters having to leave their found families and this world they've grown to love and return to regular life. But the thing is, the three shows all have MASSIVELY different morals, that each fit in with how the goodbyes (or lack thereof) work into the finales.
Gravity Falls has a large theme of temporary goodbyes and reconciling. Stan and Ford being the primary example. But there are others: Soos and Melony, Wendy and Robbie, even Dipper and Mabel to an extent. The show builds upon this with Gravity Falls being a VACATION, they aren't trapped there, they could theoretically go home at any time. Episodes such as Summerween and Dipper and Mabel Vs. The Future also build on the tone, telling that it's okay to both grow up and move on, but you don't have to leave behind what you once loved in doing so.
The final conflicts (Wierdmaggedon) are caused because of characters not being able to let go. Stan couldn't let go of Ford, Mabel couldn't let go of Gravity Falls, Gideon couldn't let go of Mabel.
Gravity Falls teaches the viewer that even if you love something, you have to let it go, and eventually it will return. In the words of Bill Cipher: "We'l meet again. Don't know where, don't know when. I just knew we'll meet again, some sunny day."
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Amphibia has a similar theme of Gravity Falls, but it takes it further. Amphibia tells you that if you don't let go, sometimes things will only get worse. The primary example for this is the show's catalyst event: Marcy getting Anne to steal the Music Box. Marcy chose to go to Amphibia, rather than move away, and she dragged her friends into it with her. Instead of having a long distance friendship with Sasha and Anne, she took them to an alternate dimension in order to spend eternity on a massive adventure, and it got her killed. Marcy and Anne died and Sasha tried to kill herself.
And that's only Marcy. Sasha was a control freak that bordered on yandere at the height of her villain arc. Sasha couldn't accept that Anne was beginning to move on from the toxic friendship that the Calamity Trio had locked themselves into.
The trio were horrible to eachother, pre-character arcs, and they needed to focus on self improvement before they could even hope to be good friends. In the time between 'All In' and the epilog, the Calamity Trio would not have actually been able to be good for eachtoher. They say they forgive eachother, but that was forgiveness given during a WAR. Post show, the real feelings would start to bubble up. Anne's resentment for the betrayals, Marcy’s abandonment issues, Sasha's definite self hatred. The trio HAD to split up to have any semblance of a friendship.
Amphibia tells its audience that not all good things can last, and if you obsess and force it to stay, it can destroy you.
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The Owl House has a completely opposite moral. It tells you to find your people, and fight for them.
Luz lived in the Human Realm, but it was never her home. Her home was with Camila and Manny, but when Manny died, Camila and Luz's relationship began to falter. That world wasn't her home. When Luz found the Boiling Isles, she was always supposed to be able to leave. This wasn't a summer trip she didn't want at first, or a one way portal. The Boiling Isles was HER choice.
Luz picked Bonesburrow. Luz picked Hexside. Luz picked The Owl House. Her home was always meant to be The Boiling Isles. She only started trying to find a way back to Earth because the choice was taken from her. Luz no longer had the choice to go back to the Human Realm. In fact, the only time Luz chose Humans over Isles was when she was PUNISHING herself for helping Belos.
Luz got to stay in the Boiling Isles because TOH tells its audience that where you start isn't where you should always stay. Find your place and find your people. And when you do, hold it dear and never let go. "Us weirdos have to stick together."
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roosterforme · 6 months ago
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Covering the Classics Part 11 | Bob Floyd x OC
Summary: When Anna hits rock bottom, she knows she needs to figure out how to put herself back together. But she also knows that leaving Kevin behind once and for all will require her to give up the only thing she wants from him. Maybe a shot at happiness with Bob would have been worth it.
Warnings: Fluff, angst, adult language, 18+
Length: 4400 words
Pairing: Robert "Bob" Floyd x Female OC (this story is part of the Beer Boy/Sugar and Jake/Jessica universe)
Covering the Classics masterlist. Check my masterlist for more!
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If this wasn't rock bottom, Anna didn't want to know what was. She spent Sunday night laying on the floor next to her bed alternating between crying and hyperventilating. Apparently she couldn't do both at the same time, because her body kept giving each activity its full attention before switching again. When she finally started to fall asleep around three o'clock, her ribs were aching so much, she didn't see how she would be able to teach in a few hours. But it didn't matter. She wouldn't be going to campus anyway.
When she woke up at six, she crawled to her computer and emailed everyone in her classes, informing them that she would not be in today and to work through the syllabus independently until their next class with her. All of the other professors pulled this kind of thing all the time, but she still felt guilty which triggered more tears. If Kevin somehow cost her a full time tenure position along with her happiness, she didn't know what else she had that he could possibly take from her.
When she thought about Bob, it hurt so badly she had to run to the toilet. And when she thought about Advanced Calculus and Advanced Physics, it hurt almost just as much. She was in love with so many things in San Diego, but she'd dragged her past here along with her even if she didn't want to acknowledge that fact. She'd brought this dark shadow along that tainted everything and left her wondering if she could fix any of it at this point. If she could even figure out how to start.
As she hiccupped alone in her bathroom, she knew she needed to mentally backtrack to New Jersey for the first time in a long time before she could focus on San Diego. When she crawled back toward her bed, she located her phone and found the contact information for her lawyer's office. It was late enough on the east coast that someone answered after one ring, and soon Anna had to use her scratchy, raw voice to try to communicate.
"When will my divorce be final?" she managed to ask as she propped herself against the wall. She left herself hungry every day, and she was living in this tiny room simply so she could pay these people to help her sort out her life, but the response she got was not ideal.
"Ms. Webber... your husband still has three days left to comply, but he has not done so yet."
Anna wanted to scream, but her throat felt like it was constricting. Why wouldn't he just let her have the one thing she wanted? She wasn't asking for anything extra, just the thing she worked so hard to make her own. She didn't even care about all of the money. But he wouldn't let her have it. Even though she didn't want to fight for anything else in the house, he still wouldn't comply. He was making hundreds of thousands of dollars now, and she wanted none of it back, but he knew that her manuscript was the one thing meant something to her. He would happily drag this out until she had nothing left.
She knew she needed to wait it out. It was her fault she hadn't filed sooner. She let Kevin's words destroy her even when she knew he was sleeping with Alyssa. She let him convince her that she needed him for way too long. "What happens in three days?" she finally asked.
"If he doesn't comply, then you can restructure your end of the divorce agreement, and we can try again."
Anna knew what that meant for her, but she didn't know if she could pull the trigger. Restructure it? There was only one thing she could remove. Kevin would come out clean as a whistle, and she would lose everything she hadn't already.
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When Bob knocked on the door at seven in the morning after barely sleeping at all, Jessica looked concerned when she opened it, and Jake looked annoyed. "What's wrong?" she asked, reaching out and running her hand along his stubbled cheek. "Why haven't you shaved? Why do you look so upset?"
"Why are you even here?" Jake called from the kitchen where he was cooking breakfast in his uniform.
"I need to talk to you," Bob croaked, and Jessica pulled him inside and gently guided him toward the couch. She rubbed his back and didn't rush him as he sat there, and Jake even stopped turning to glare from in front of the waffle iron.
"Did you know Anna's married?"
Bob could tell by the sharp intake of breath and the way Jessica's hand came to a screeching halt on his back that she had no idea.
"She's what?"
"Married," he repeated without any feeling whatsoever. The handful of hours he'd spent around her were some of the best of his life, but he would have never let his friends try to push them together if he'd know. He should have let her keep him in the friend zone when she tried to let him know that's what she wanted. Mutual attraction be damned, she'd made marriage vows to someone else. He just wished he would have known.
"No," Jessica said adamantly. "How? She's got no rings, and she said she lives alone. She mentioned an ex before, but I'm virtually certain he's still in New Jersey. She... struggles with certain things, and if she was married, someone would be helping her make ends meet. I don't know where you came up with this, but no."
Bob took his glasses off and set them down on the arm of the couch while he ran his hands over his exhausted eyes. "Jessica. She told me she was."
"Well," his friend said as she wrapped her arm around his shoulders, "I'll ask her about it at lunchtime today. There must be some sort of miscommunication."
"I don't think so," he groaned softly. "We... slept together, and those were her parting words as she ran out of my house."
"You slept together?!" Jessica practically shrieked. 
"It's about damn time!" Jake called from the kitchen, clanging his spatulas together and whooping loudly.
But Bob was shaking his head and staring at the floor through his slightly fuzzy vision. He had his phone in his hand all night, trying to decide if he should call or text her, wondering if she went home to climb into bed with her husband. Scared that this was the reason why she squeezed herself into her apartment door before closing it abruptly when he drove her home.
"I should have backed off when she friend zoned me the first time. I should have never believed that I could be with a woman like her." A woman that inspired the best poetry he'd ever written in his life. A woman who made him want everything.
It finally dawned on Bob that there might be an irate husband in his future, and he would just have to take whatever came his way. Because there wasn't a chance that Anna didn't have her spouse wrapped around her fingers. Even if she had a lapse of judgement when it came to Bob, Anna's husband would know how good he had it and want to fight for her. Bob would just have to take it on the chin.
When Jessica kissed his cheek and whispered, "I'll try to sort this out," he just nodded with his shoulders slumped and his elbows digging into his thighs. But there was nothing to sort out. Anna would never be his, and now he would have to pay the price for the way she told him she was married about an hour too late to take it all back. Honestly, he never thought accidentally sleeping with a married woman was something he would ever have to deal with in his wildest dreams, and now that he was forced to do it, he was getting pretty mad.
-----------------------------
Anna managed to give her Classics lecture on Tuesday morning with a sore throat after screaming into her pillow off and on for most of Monday afternoon. She hadn't eaten in days, and if anyone noticed her puffy, red eyes, they didn't mention it to her. She had quizzes to grade and reports to read, but when she went back to her office, the overwhelming scent of bread from the cafeteria made her gag.
There was a pack of peanuts in her desk along with a room temperature can of ginger ale, but she had no appetite yet. She was just in survival mode until she decided what to do when Kevin's time was up. Until she worked up the courage to talk to Bob and apologize.
He was the sweetest man she had ever known, and her lapse of judgement was going to cost her any chance with him in the future as well as her friendships. In fact, none of them were ever going to want to speak to her again, and that's what she deserved. If she would have just been honest with Bob, she wouldn't be in this mess. But San Diego was like a balm for her senses, making her feel normal where she knew she wasn't. Maybe Bob would have been willing to wait a few more months until she figured out her next steps. Maybe he would have accepted that she was legally separated from Kevin if her husband would just sign the fucking paperwork.
Tears were burning her eyes again just as someone knocked on her office door. She sat perfectly still, silently begging them to go away, praying that everyone would leave her alone until she could sneak out and go home later.
"Anna?"
She knew that voice so well, and she was shocked to find that it sounded more concerned than angry.
"It's just us," came the second voice, and without another thought, Anna was on her feet, wrenching the door open as she started to sob. "Oh, Anna," whispered Jessica as she collected her into her arms.
Anna stood in the middle of her tiny office and cried and cried in Jessica's arms while her other friend studiously locked the door and dimmed the lights before reaching for the box of tissues on the shelf. "Here," she whispered, and Anna accepted a wad of tissues from her.
She tried to mop at her face, but it was a lost cause. Jessica pushed the loose strands of her red hair back from her eyes as she said, "Anna, we're here for you, but I think we need to talk. For real."
"We have some... concerns."
Anna tried to take huge gulps of air into her burning lungs as she gasped, "I'm really not okay. I hurt Bob."
Her friends looked at each other before Jessica said, "I think it's time you backtracked a little bit. Maybe all the way back to New Jersey."
"I hated it there," she told them immediately, wiping at her eyes as she sat on the edge of her desk, bracing herself for the interrogation to come. 
Advanced Calculus eyed her sympathetically before a look of steel locked in her gaze. "Are you married?"
Anna nodded slightly, cringing as she pictured Kevin's face. "Technically, yes."
"Anna!" Jessica exclaimed. "You slept with Bob!"
They knew. They knew everything. Bob told them, and they knew what she'd done. She cradled her forehead in her hands and said, "I didn't mean for any of this to happen. I hate Kevin. I don't think we were even married two years before he started cheating on me. I'm trying my best to divorce him, but he just won't fucking let me."
"What do you mean he won't let you?" Advanced Calculus asked, cutting off Jessica before she could screech again.
"He is ruining my life," Anna whispered, finally starting to feel more anger than anything else. "Like an idiot, I've let him ruin my life. I put him through medical school. I dropped out of Princeton to work two jobs to put my husband through medical school." Her voice faded into a soft yet harsh whisper. "Kevin promised he'd take care of me after that so I could finish my Ivy League PhD. But then he started cheating on me because I was always tired and boring and no fun. Because all I was doing was working to pay his tuition for four years straight while he fucked another medical student between classes. I caught them having sex in my car."
"No," both women gasped at the same time. But she just nodded as the memories she had tried so hard to keep at bay since she moved to California came roaring back.
"That's not a marriage," Jessica practically growled, reaching out for Anna's hand that she hadn't even been aware was shaking. "Not really."
"You're right," Anna agreed. "I'm a joke." She honestly felt like one. Images of Bob's face and the memory of his kind voice flooded her system. The way he looked at her and touched her felt like love. The things he wrote about her had her almost convinced he could love her back.
"You're not a joke, Anna," her friend told her. "You're a smart, capable woman who should have come to her friends months ago with all of this information."
"I hate Kevin!" Jessica shrieked before biting down on her own fingertips, and it was so comical, Anna might have laughed if she was in a better frame of mind.
"Yes," Advanced Calculus agreed. "Kevin sounds like an asshole. But you know who isn't an asshole? Bob. But right now, he kind of feels like one."
Anna closed her eyes as the tears started welling up faster. "I tried so hard. You have to believe me. But Bob is perfect. And he didn't think I was boring. But I wasn't planning on falling in love ever again."
"You love him?" Jessica snapped loudly. "You love him? Because Bob thinks you are in a loving marriage with your spouse!"
"Jessica, go sit in the desk chair and calm down," the other woman commanded, and Anna watched the petite, bespectacled blonde stomp around her desk. "Now, Anna, why didn't you explain this all to Bob before you rocked the man's whole world and then ran off into the night like Cinderella?"
"I freaked out," Anna whispered, swallowing hard. "He's the perfect man. He did everything exactly right, and he was exquisite." She looked down at the floor as she said, "I haven't been touched like that in years. Like I was worth something. I'm not even thirty yet, and my husband ditched me for someone else while actively bankrupting me." She was mortified by what she was telling them, but she couldn't stop herself now. "Kevin always said I should dye my hair, and he loved it when I wore makeup. But Bob... he likes my hair and my freckles. He likes the books I read. He thinks I'm smart." She felt her face warm up as she thought about his poems. "We had sex, and then he was looking at me, and he started talking about us. I can't be an us with someone when I can't shake Kevin."
Anna could practically feel Jessica freaking out in the chair behind her, but she kept her eyes on the floor. "If you need help with Kevin or money for a lawyer or something-" Jessica said, but Anna cut her off.
"No. I'm fine. But he's going to force me to decide if I'd rather have my freedom or my self worth. And right now, I can't decide what I want to let him get away with when he already took so much."
"Hey," her much calmer friend said softly, and Anna finally met her eyes. "We're here for you. Anything you need, okay? But I need you to promise you'll talk to Bob. The sooner the better." Then Anna watched her reach for her tie dye lunch box which she apparently brought in with her and pulled out one of her fancy containers. "Bradley made you some hummus, and I packed you crackers and veggies to go with it. Please make sure you're eating. And please talk to Bob. I need to go teach Differential Equations, but I'll text you later. Jess, you have Physics III in fifteen minutes."
Anna received two hugs that she barely returned, and when the two women were gone, she sank into her chair and managed to eat some of the hummus without gagging. Then she texted Bob, because if nothing else, she needed him to know how sorry she was for running out on him. How sorry she was for all of it.
---------------------------
Anna wanted to talk to him on Thursday evening. Bob had to fight the urge to offer to pick her up on campus and save her from having to take an Uber to his house, especially after the few details that Jessica told him about her finances. She confirmed that Anna was married. She also promised him that there was no angry spouse waiting to jump him in the In 'N Out parking lot. She also told him that he needed to give Anna a chance to clear the air. So he agreed. He was free on Thursday. It wasn't like he'd been doing anything except going to work and coming straight home all week, even avoiding Suzanne as much as he could. And he wasn't going to break his promise to Jessica, even though Nat told him to delete Anna's number.
Bob sat in his living room, staring at his new bookshelf in disgust. He'd let himself fall into a fantasy where he imagined someday Anna's books would get mixed up with his on the shelves. Where all of her dog eared novels would live alongside his pristine ones. He'd been subconsciously thinking about it since he met her.
His insides were churning with anxiety. Part of him wanted to scream at her that none of this was fair to him, but the other part knew that no matter what, he still didn't want to see tears in her brown eyes. He couldn't let her take all of the blame for this anyway. He'd even told Jessica that she pushed a little too hard and that she shouldn't do that again in the future.
When there was a knock on his door, it was hard for him to stand up. How was he supposed to do this? He dragged himself across his living room to his front door and carefully opened it to find Anna with the saddest expression imaginable on her face. She looked somehow smaller and paler than she should. She looked like she hadn't slept. And that's when Bob realized he must look the same way to her.
"Hi," she whispered, brown eyes darting around his face nervously. She held out a small bouquet of blue flowers and the books she had borrowed in his direction, and Bob noticed her hands were shaking. "Um, I got these for you. They look like the flowers on the cover of the Whitman poems, and I thought of you when I saw them at the store."
"Anna," Bob groaned as he took them from her along with the books. He moved out of the doorway so she could come inside, and somehow he still couldn't decide if he was angry at her or not.
"I'm sorry," she gasped, turning to look at him once she was halfway across the room. There were several feet of space between them, but he could smell her hair. She was wearing the jeans she wore last time she went to the Hard Deck. He knew what that shirt felt like between his fingers. He could tell she was trying not to cry as she said, "I'm just really sorry."
"Why didn't you tell me you're married?" he snapped, unable to hold back. He knew his tone was harsh as he added, "Why didn't you tell anyone?"
"Because I should have been divorced by now!" she practically shouted, and Bob was instantly more soothed by that sentence than he should have been. "You think I want to be married to the worst man I know?" He had so many questions already, but something told him to just let her keep going. "That's why I'm here. In San Diego. He was supposed to sign the papers so I could get on with my ridiculous life, but he won't!" She sucked in a deep breath before she said, "And it's eating me alive knowing what I kept settling for when you exist! Knowing that I could have been with a man like you."
Her lips were moving like she was shivering, and her eyes were wide and watery. Red blotches covered her freckled cheeks, and Bob just knew she was going to panic again. She made a helpless noise and rushed forward, ready to run, but this time he caught her in his arms, the books and flowers falling to the floor. He let her struggle for a few seconds as she cried, but he held on tight.
"Anna," he said softly. "You can't keep running."
Her body slumped against his. She looked up at him as he held her, and a few seconds later, she let her cheek come to rest against his chest. She nodded against him as she whispered, "I don't really have anywhere to go anyway."
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Bob kept his distance while also somehow always being nearby. Anna knew he was probably expecting her to vanish again if he turned his back for too long, but she was too mentally and physically exhausted to move from his living room couch while he fixed some tea. It was getting dark outside, and it was nearly impossible to try to think about anything other than Sunday night when she felt truly free for the first time in years. 
Similar thoughts must have been on Bob's mind, because he was still occasionally looking at her like he used to. Then his cheeks would turn pink, and he'd duck his head before showing her a completely neutral expression. She took the mug of tea he handed her and whispered, "Thank you," as he sat down as far away from her as he could. She cleared her throat as she looked into her drink and said, "You're one of the kindest, most generous people I've ever met." She forced her gaze to his face. "I'm sorry I took that for granted. And I'm sorry I wasn't honest with you and the ladies."
Bob nodded but didn't speak for a minute. His voice was as gentle as always as he eventually said, "I'd like it if we could talk."
"Yeah," she agreed softly now that she felt like the fight inside her was gone and the tears had finally dried up.
"Where's your husband?"
She pictured Kevin standing in the perfect kitchen in the beautiful house on the cul-de-sac. "In New Jersey."
"Right," Bob replied in a reassuring tone. "You said you should have been divorced by now, so does that mean you don't want to be married to him?"
"I hate him," she whispered, back to staring into her mug. "And I'm sure he hates me, too. No, I don't want to be married to him any longer."
"You're separated?" he asked softly.
Anna shrugged, wishing more than anything that she could scoot a little closer to Bob and feel his hand on hers. "Not legally. He won't sign anything."
"Right," Bob repeated again. "Would it be too much for me to ask what happened? Because I really don't understand. I'm trying, but I'm still so confused, Anna."
Her brain was screaming at her to start crying again, begging her to fall apart or hyperventilate, but she didn't even have the energy for it. She took one long sip of her perfect cup of tea before setting it aside and turning to look at him. Even now, he had sympathy in his eyes. Whether that was because he now knew she and Kevin weren't really together or because he was always this sweet, she couldn't say. But he was everything she wanted and would never have again. 
"The short version is that I put him through medical school while he cheated on me. The long version is that he used up every bit of my money, let me work myself ragged, prevented me from finishing my PhD at Princeton, belittled me, and flaunted his extramarital relationship in my face. It was humiliating knowing he was cheating. It's humiliating eating sandwiches and peanuts for every meal now. But the worst thing is that he is holding my manuscript hostage, and no matter what I do, he won't let me have it back."
"Jesus, Anna," he gasped, making the slightest move like he wanted to reach for her before pulling back.
She slowly stood, and he looked up at her, trying to gauge what she was going to do, but she just looked down at him as she tucked her shaking hands behind her back. "You're perfect," she whispered. "You're Sky Writing. You're the handsome man from the bookstore who smells like tea and soap. You're Bob, the guy my friends knew I would fall in love with as soon as I met them." She took a step back, barely able to handle how he was looking at her like she still mattered. "But I don't know how to be an us with you. I know that's what you want, but I never wanted to fall like this again. I tried my best not to. I can't do this with Kevin's shadow behind me all the time. And I'm just really sorry I let it go as far as it did. Because now that I know so much about you...."
That's when the tears arrived, and that's also when Bob stood up. "Anna, I feel like-"
When he cut himself off, leaving the sentence hanging in the air for a few seconds, she took one long, last look at him and whispered, "I'm going to go." He didn't stop her from stepping over the flowers, walking out the door, and heading to the end of his street where she waited for a ride as the night air made her shiver, and her tear streaked cheeks finally started to dry again.
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Oh, they both fell for each other. I'm not sure if Bob feels better or worse now. Kevin is an absolute dick, and we will hear from him in the next chapter. Keep fighting, Anna. Thanks @beyondthesefourwalls
PART 12
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kujousgf · 9 months ago
Text
WUNDAGORE. 18+. mdni.
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pairing: villain!wanda maximoff + avenger!reader
summary: wanda gets rid of that pesky memory block of yours
warnings: angst, emotional and mental manipulation, mentions of murder, pet names, reader is overwhelmed and confused, one (1) mommy, allusion to smut at the end
wc: 1.6k~
a/n: кошечка (koshechka) = kitty
The wind that blows past is frigid and the rocks underneath your hands are sharp-edged and cold as you stare up at the Scarlet Witch or whatever the hell Wanda was calling herself these days from your place on the ground. You’re tempted to try and kick her feet out from under her where she’s standing above you, catch her off guard and send her tumbling down the cliff, but you don’t. You just glare up at her, knowing that even if you managed to catch her off guard, she would never fall that easily. She would rise up like the most beautiful archdemon you’ve ever seen and deal whatever damage you’d dealt to her tenfold. To anyone who might be watching, lurking in the shadows but not daring to interrupt either of you, the look in your eyes is one of pure hatred, disgust in its purest form that mirrors the look in Wanda’s eyes. But you both know it’s not true, that the hatred disguises something much worse. Something you’d never admit even in the emptiest of places, something Wanda would only ever admit in your dreams. Something that would destroy you both if you’re not careful. 
“You’re disgusting.” You spit, icy and cold. “Destroying those universes like it’s nothing, like they’re nothing.” You finally get your bearings back, standing up and clenching your fists at your side, trying your best not to just hit her, punch her, shove her down, anything. “All for what? So you can get back a man who tried to kill you?” Jealousy. “A man who wanted to destroy the universe and start over to create the perfect humanity? You know, the more I think about it, the more I think maybe the two of you really are meant for each other.” 
“Shut the fuck up!” Wanda hisses, and you think she might push you down again, but instead she pulls you closer to her by your collar. You can feel her warm breath against your skin and you have to repress a shiver. “You think that you know everything about everyone, don’t you? You think I’m doing this for that man? You think any of this is for him?” She laughs like you’ve just said the most absurd thing she’s ever heard. “You really are stupid, aren’t you?” It’s almost comical to her that you really think that, that you’re so god damn blind that you can’t see what’s right in front of you. She knows why you can’t see it, of course, but she hadn’t always realized how susceptible you were. You can’t see that she’s been trying to find another universe, any other universe where you don’t hate her anymore, where she didn’t fuck everything up and the Avengers didn’t take you away from her. 
She knows she should stop talking, she knows she should shut her mouth before she makes things worse, but she can’t stop herself. She knows how to play the role of the villain to a T now, and if the only way she gets to be close to you again is to make you cry then so be it. “You think you’re better than me because you kill people in the name of the Avengers instead of your own?” She laughs, her grip on your shirt tightening. “I have some news for you, little hero, you’re certainly no better than I am. What is it that keeps you there, anyway? You know you don’t belong there.” It’s a low blow, but she knows how true it is even if you no longer do, “Is it the Russian? Do you stay so you can see the look of approval in her eyes whenever you kill someone for her?” Jealousy. “But you’d do it even if she didn’t ask. I’d say you and I are rather the same, wouldn’t you?”
“Fuck you!” The smirk that curls on her lips makes you nauseous and you push her away from you. You know that she let you, loosened her grip on your shirt so you could feel like you’re even half as strong as she is, but you don’t care. “I think that I know everything? What about you! Acting like you know anything about me besides what my blood looks like on your hands.” Your hands are shaking both because of the look Wanda gives you and because you’re upset that she would ever bring up Natasha. Upset at the possibility that this encounter would taint your relationship with the Russian redhead, that Wanda’s words would burn at the back of your mind like acid. Because it’s not true, what she said is not true. You don’t like killing those people, you don’t like seeing their blood on your hands or seeing the light drain from their eyes. You don’t like it. You don’t. 
Wanda doesn’t have to look into your mind to know what you’re thinking, it’s written all over your face. She knows she hit a sore spot with that comment. “I don’t know anything about you?” She tilts her head, taking a step towards you as you take one away from her. “You always talk,” another step forward, “like you know,” and another, “what you’re saying” and then another, you try to take another step backward, but your back hits the jagged wall of the cave, “but you don’t, do you?” Wanda hadn’t been this close to you since she had nearly torn your heart out of your chest and it was making you dizzy. Had she always smelled this familiar and good? You’re very purposefully avoiding eye contact, not wanting to see the satisfaction in her eyes at having cornered you. Suddenly you feel Wanda’s hand gripping your face and forcing you to look at her, “No, you don’t. I’ll fix it, don’t worry.”
Wanda’s eyes glow red for just a minute and you feel like there’s a fog in your brain being lifted before your memories crash down on you like a tidal wave. Wanda’s eyes go back to their regular green color and her hand moves to cup your cheek, her darkened fingertips tapping against your skin. She gives you a second, knows this is going to be a lot for you. She did just unlock over 5 years of forcefully forgotten memories after all. She wasn’t going to do this, it will result in everything the Avengers have at their disposal being thrown at her for taking away their leverage over her, but they shouldn’t have let you come alone and she was growing rather tired of hearing you hurl insults at her and seeing the way you beamed up at Natasha whenever she caught the two of you together. This was poor planning on the Avengers’ part, that’s all. 
Suddenly you feel nauseous, every memory you’ve ever had with Wanda hitting you with full force. You feel like you’ve just gotten a metal bat to the gut and then again to your head. You don’t know what to think. Was this real? Did Wanda plant those in your head? No, that didn’t seem right. This would certainly explain the way certain Avengers acted around you and the way you felt when Wanda was near. You were explaining that away as anxiety, nervousness over being so close to someone to dangerous and vile. You lean into the warmth of Wanda’s touch before you can even think about stopping yourself. She can see the way your mind is racing, how your pupils are blown as you try to piece everything together. Eventually, you look up at her with those doe eyes you used to use on her and she almost tears up. “Wanda?” There you are. 
“Hi, кошечка. You must be so confused, huh? I know it’s a lot, but I promise things will be better now.” Your head spins at her words and her tone, that tone… everything is too much and not enough all at once. Too much information, but at the same time not enough. Why didn’t you remember any of that before? Why were you ever trying to hurt Wanda? Why was she hurting you back? Was she hurting you back? Why had she been doing all of those horrible things? Your Wanda would never do those things. Except, well, this was your Wanda, so surely that makes it excusable, right? But if she was your Wanda, why weren’t you with her? Wanda taps against your cheek to catch your attention again, noticing how unfocused your eyes are as you spiral in your own mind. “Those Avengers were so mean to take you away from me like they did, trying to turn you against me.” 
“I don’t… I don’t understand. Why would they do that? I thought they were supposed to be nice, why would they take me from you? Why would… why?” You’re slowly putting the pieces together while trying to cope with the fact that for the past two years you’ve been treating your… your Wanda like an enemy. Your tough exterior is cracking and crumbling as each second goes by, no longer being kept back by the mental barrier you didn’t even know was there. “Oh, my sweet girl, because they’re not nice. They’ve been keeping you like a caged animal, using you like a weapon and tricking you into trusting them.” Wanda’s voice soothes you if only slightly, but the thought of being used like that has you so angry and overwhelmed with all the emotions clashing in your head that you can’t help but let out a quiet whimper, tears forming in your eyes. Wanda coos, bringing you closer and holding you against her chest. She strokes your hair, humming softly before she speaks again, “It’s okay, mommy’s got you. I’ll make it all better, don’t worry.”
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simpingforheros · 2 months ago
Text
Bring Me To Life
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Pairing: Arkham Knight!Jason Todd x Female! Reader
Summary: Destroy the Batman and get his companion back? Jason almost didn't believe Slade until... Warnings: Usage of female pronouns, Nudity (NO smut), Swearing, Character Death, Angst, Resurrection, Infantization ( I didn't know how to better describe this), Unhealthy relationship dynamics, Kinda Dark/Obsessive! Jason, Mentions Electroshock therapy, Implied Brainwashing, Slade being a creep, Mentions of Drug Abuse, Mentions of Child Neglect, Mentions of Child Homelessness and unsafe situations, SPOILERS for Death in the Family (Comic 1988) and Arkham Knight.
Author's Note: Hiya Everyone, This is the first fanfic I've written in a while and the christianing fic for this account. I may start a casual little series with this, but I don't know yet. Also any comic and game inaccuracies are either because I forgot or I adjusted it to fit the story.
Also while this post is mostly safe for work, MINORS DNF AND PLEASE READ WARNINGS. I DO NOT AUTHORIZE ANYONE TO STEAL MY WORK OR REPOST IT ON OTHER SITES.
+++++++++++++++++++++++++++++++++++++++++++++++++
It was supposed to be him...
Those dark nights he had spent alone on the streets as a child didn't seem so bad looking back on it. Jason understood struggle even when he had lived with his parents who spent grocery money on alcohol and drugs. Living on the streets didn't feel so much worse, especially since he had... "Jason, Mr. Accetta gave me some scraps from dinner rush today! There's even a whole pizza in here!"
Her. His one friend had since he was thrown into this harsh world. She was the only person he knew at the time to never stop smiling or finding a positive outlook on things. He couldn't even remember when they met, but he could hardly remember them being apart.
Whether he was stealing or fighting, she was there as a faithful lookout or a willing accomplice. She taught him how to take tires off of cars like her granddad taught her and he taught her how to throw a punch like his dad used to throw. An unstoppable duo who ran the alley as well as two 11-year-olds could.
The harsh winter nights they spent crowding together were his favorite memories from that time. Even with the bite of Gotham's winds at their toes, his partner would never falter to talk about anything and everything as he listened. She would talk about her dead grandparents a lot and all the stories she had with them before they passed away, but his mind couldn't recall them at all. He just remembers the constant dream that she told him every night.
"One day, Jay, I'm gonna have enough money and get an apartment in Old Gotham..." Jason's nose turns up as he listens to his friend as he bites on his food. "Why Old Gotham? Isn't it just falling apart?"
She giggles as she pulls the oversized coat closer to her shivering body. The jacket was from a relative but the fabric lost those memories as its fibers were now bones. She still had it even after she left the streets...
"Because it's the most beautiful place in the world...I will get an apartment someday and you and I will live there. We can even get like a cat or something."
The familiar burn on Jason's face blooms as he asks, "Why would you want me there?"
"Because it wouldn't be my dream home unless you're there with me."
He wouldn't find out until a few years later that her grandparents used to live in Old Gotham until her grandfather died and her grandmother had to move as she would unknowingly follow her husband not even a year later...
Those nights in the streets melted into nights spent in the warmth of Wayne manor. As the two thieves became kings after a faithful night with the Batmobile, Jason was brought into the world of crime fighting along with his closest friend. As they trained and donned their capes, She would show a new side of herself to Jason. The overly happy young girl from the streets became an anxious teenager as he became angerier.
"Jason..." Her voice woke him up in the darkest of nights. His body ached from the nightly fights from the previous day as he turned to see a familiar sight.
A now 14-year-old Y/N standing in the crack of the door. Her fidgeting figure indicated all he needed to know before he raised his blanket as she scurried to get in the bed. This was a ritual that started when they moved in. Both would grow anxious at night as they went from the open streets to a large, confining manor. Alfred almost had given up on trying to scold the teens as they were found sharing a bed more times than being separated.
As she curled into his side as much as she could without hurting him, he could practically hear her mind tinkering as her E/C eyes stared into his chest.
There wasn't the need to discuss what was on her mind. At least not right now. She was concerned about the growing tension between Bruce and Jason. He was becoming reckless and Bruce was having none of it with her often getting dragged into the middle of the fights.
He hated that he never tried more...
It shouldn't have surprised him when all the conflict had finally caused a break in the family. Especially when Jason began looking for his birth mother. Y/N tried to be supportive of him as he investigated his leads. Those leads eventually led to Jason reuniting with Bruce as he investigated a possible arms trade in Lebanon. The reconciliation and the prospect of finding his mother left him blind to any form of common sense, but what kind of common sense could a fifteen-year-old make in the life they lived?
He should have listened to her concerns when they finally found Sheila Haywood, his real mother. Y/N had a bad feeling from the start but he dismissed her worries. Jason had no clue that the night he was supposed to meet with Sheila was gonna end up being one of the worst nights of his life....
"Jason, maybe you should wait for Bruce to be here so he can come with you." She suggested softly.
His eyes roll as he adjusts his costume. "Because it's none of his business. I'm just meeting with my mom and talking out some stuff..."
He didn't tell her about the blackmailing he witnessed earlier that day between his mother and the Joker. But, he would find out later that she already knew about it through Bruce.
Her hand reaches for his shoulder and pulls him around to face her. "I'm serious. You shouldn't meet with a woman you barely know in some fucking warehouse in the middle of nowhere!"
Jason can remember the hurt he felt when he heard her snap at him, Oh, how angry he got with her when all she wanted was to protect him. He remembers yelling at her the worst thing he thought he could say to her.
Why the fuck did he ever say that to her?
"I'm sorry your parents didn't want anything to fucking do with you, but I'm not gonna let your bitter ass ruin my shot to be with mine."
He remembers the hurt that filled her eyes and the string of regret pooling in his gut. With a fake smile on her face and tears pooling in her eyes, Y/N says softly,
"Okay...I'm sorry," The sharp sting in his neck as she pressed the vial of sedatives Bruce gave her into his veins. "I'm sorry to do this, Jason, but Bruce said you wouldn't go down that easily."
Jason couldn't remember what he said after the spark of betrayal hit him, but he hated himself that the last time he saw those eyes they were clouded with the tears he caused....
"Y/N! Please talk to me!" Jason begs into the coms as he rod on the back of the motorbike with Bruce.
He should have known. Her instincts are never wrong and he doubted her.
When Bruce found him unconscious and told him about how Joker was involved in all of this, Jason should have known that it was all a trap. His mother wasn't a poor blackmailed soul, she was a conniving bitch who profitted.
He also should have known that Y/N was gonna go meet with Sheila instead of him. Where the Joker was waiting for her.
"Y/N, please. Please be okay...." He begged to the coms as he can only think about what he said to her the last time they spoke.
"J...Jason...."
"Y/N!" Relief washed over him like a wave as he heard her voice. Her broken pained moaned of his voice made him sick as he tried to at least rationalized that at least she was alive. "Don't worry, honey. We know where you are and we're coming to help you."
He didn't know that she was laying battered and broken against the locked door as she stared at the bomb that was ticking away on the wall. Her labored breaths blocked out the ticking on the comms as she whispers out.
00:12
"Do you remember the apartment?..."
"What apartment? The one you talked about in the alley? Why are you-?"
She interupts him, he can hear the familiar curl of her smile in her pained voice as she whispered,
"I wanted it to have a window facing the east end...the stars always looked pretty over there..."
00:10
"Y/N, what are you-"
"I wanted one of those Tabby-looking cats like the ones we saw in the alleyway outside of Mr. Accetta's restaurant...Name it Frank after that old Italian fucker...I was hoping we could go back and actually buy dinner in that restaurant someday..."
00:08
"Are you okay? Why are you talking like this? We are almost there. I can see the building! We are almost here. I'M COMING TO SAVE YOU."
Jason's desperation was palpable as he heard his beloved talk like she was on her deathbed. His panic causes Bruce to drive faster as the Batcycle inches closer to the warehouse. "Jason"
00:04
"Jason, I love you...I have since I was 13..." She admits as her voice trembles. "I used to dream we would become the family we always wanted with each other...Thank you for being in my life and I'm sorry I let you down..."
00:03
"Y/N, I -"
00:02
"Wait!"
00:01
"Goodbye, Jason..."
.
.
.
It should have been him who died that night... It was supposed to be him. NOT HER.
Jason blamed himself for her death as soon as he helped pull her broken corpse out of the rubble. He tried to convince himself that it wasn't her. This wasn't his Batgirl. Not his best friend who would run around the manor with him or help him pickpocket pedo freaks on the street. This broken little girl that was in his adoptive father's arms wasn't his first love. She was a bright, kind light who protected her loved ones, not this broken shell who wore her skin...
But, it was her...
He blamed Bruce for it too. He was the one gave her the orders to keep Jason away from the warehouse. He had to have known that she was gonna go instead. Bruce should have known she was because she wanted to be wrong about Sheila so Jason could be happy...
He also blamed the Joker. He wanted that Clown dead... His opportunity presents itself after he tracks Joker down to an abandoned wing of Arkham trying to flee from blowing up a children's hospital.
Blinded by his rage and bloodlust, Jason went in alone and without any communication. Y/N would scold him in her grave as he fell for the trap, sealing him in a cycle of hell for a year.
++++++++++++++++++++++++++++++++++++++++++++++++++++
"What if I could?"
"Do what?"
"Bring her back. Would you be willing to work for Crane if I could bring back the little Batgirl?"
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He knew it was bullshit.
Bringing back someone from the dead was impossible.
Jason would have been satisfied if his pseudo-partner/ prisoner, Deathstroke, just told him that he would be able to kill the Batman and wipe the hell hole that is Gotham off the face of the earth. He already dedicated a full year after his escape from Arkham to building his army.
His only regret during this time was not killing Joker himself. Even after all the torture and pain that clown did to him, he regretted not bashing the Joker's skull in after their last encounter as Slade helped him escape. It wouldn't have mattered to him at the time that Slade would have killed him because it wouldn't have been revenge for his own torture.
it would have been for Y/N. For the hell she faced that night. After a few months in Arkham, Jason almost accepted his torture as punishment for not dying that day for her because he experienced everything she felt. Every day he experienced everything she had to feel those short agonizing hours for an entire year. She must have been so scared and Jason couldn't save her.
The only thing that kept him from giving up was the memories he had of her and the burning hatred for those who caused her light to be snuffed out too soon.
He just wanted to feel that warmth again...
++++++++++++++++++++++++++++++++++++++++++++++++++
"If you can do that, then I'll burn the whole world to the ground for that fucking lunatic."
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"Please Jason. Let us help you!" Barbara Gordan begged from her cell as Jason snaps at her.
"THERE IS NO HELPING! I CAN FIX IT!"
Jason was manic. His men were being tugged around like dog toys by Batman and Slade had left him hours ago to attend some matter he didn't care to ask about. His time was running thin and he knows he needs to end this soon. It didn't help that those he didn't want involved are here as well like Barbara.
"Sir..." A militia soldier says as he nervously walks into the room. HIs men were already aware how stupid it was to come near him when he's in a crazed anger. Jason's head whipped at him like a feral man as he grits out.
"What is it?"
"Deathstroke is here...and he uh..."
Impatience reaches a boiling point as Jason raises his gun and shoots the militia solider in the head as Barbara shrieks. The red puddle of death fills the sterile room with lead as Deathstroke walts in. Jason turns his back towards him as places his helmet back into place.
"My, what a mess you made." Deathstroke mockingly scolds. The hidden smirk almost causes Jason to snap again.
"Where have you been? Batman is out there taking down my tanks faster than my men can repair them. You told m-!"
The Arkham Knight's monologue was intruppted as he turns to scold Slade by his heart dropping to his stomach at the sight before him. He swore that if he didn't hear Barbara's gasp and the whisper of fate's name, he would have woken up back in that dreaded wing of Arkham Asylum.
Slade chuckles as he rattles the chain in his hand as he says coyly, "What? Am I not allowed to go fetch your payment?"
Standing behind Deathstroke was a naked woman. Her tangled up (H/C) hair ran down her shoulders as her wide innocent eyes shined through the now white tendrils framing her face. Her body seemed more mature but all muscle mass she had was faded. Her face seemed aged but he recognized the curve of her nose and those lips he imagined smiling at him through his darkest moments.
"Y/N?" He helplessly calls out to her as he feels himself pulled towards her like a magnet.
If it wasn't for the stark white streak and gnarly, painful-looking scars on her body, Jason would have thought this was Scarecrow's fear toxin. It couldn't be possible, right? She was dead. He knew she was because he held her body. He felt how cold she was and watched how her lifeless eyes looked up to the ash ridden sky.
Those eyes now looked at him with no familiarity, but a childlike wonder as she naively smiles at him.
"How?" Was all the Arkham Knight could muster as he reaches to grab her. To pull her into his arms and never let her leave.
Deathstroke grabs the collar that was wrapped around her neck and yanks her back behind him as she chokes on her breath. He chuckles as he looks back into Jason's voiceless mask.
"The Lazarus Pit brought back her body." He explains as he hauntingly twirls the chain in his hand. "Of course, after you agreed to work with Crane, I brought her back immediately. Unfortunately, the poor thing suffered from Pit Madness."
A cruel smirk appears on Deathstrokes lips as he pushes the girl's hair back to reveal circular scars on her temples. Jason felt rage bubbling up in his throat as he recognized what those scars were.
Prolonged Electroshock Therapy
"You sick!" Before Jason could throw a punch, Slade places his gun on Y/N's forehead as he chuckles. The woman didn't even sense the danger as she continued to observe everyone with a curious eye. Jason immediately backs off as Slade continues.
"Of course. Her treatment did cause her to be cured of the madness but at the cost of her memories. She barely remembers how to take care of herself so you make it like that. Especially when you want to fuck her."
Jason was thankful for his mask as he would have killed him from his glare. To imply that she was just a potential fucktoy made him itch to bury this man in the deepest bowels of hell. As he quietly glares at him, Slade finally offers him the chain. The Arkham Knight accepts the chain as the assassin warns him,
"Now since you got your payment. You better keep your end of the deal..." His voice becomes threatening as he says.
"Because I can easily kill her just as I brought her back.'"
+++++++++++++++++++++++++++++++++++++++++++++++++
AN: I was gonna write more, but I got exhausted so this is all I got. Let me know if it's a vibe or not.
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@simpingforheros fanfic. I DO NOT AUTHORIZE THE COPYING, STEALING, OR REPOSTING OF MY WORKS ON OTHER WEBSITES WITHOUT CREDIT.
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galedekarios · 10 months ago
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gale & curing the orb - early access
writing my current series of cut content from early access made me think a lot, especially about how curing gale of the orb might have originally worked out if larian had kept to what had been set up in early access. it's no secret that a lot of things were changed or cut entirely, big and small, like for instance halsin's involvement with ketheric's fall, isobel and the shadow curse.
gale's condition, too, seemed different then.
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what exactly was different in early access?
while only a few body models were unique in early access, gale's key art showed his left arm in bandages.
in early access, auntie ethel had vicious mockery lines, which hinted what might be beneath those bandages:
Auntie Ethel: I can smell what's under those bandages, wizard. You're all rot and ruin. Come to greet death early? You'll be a lovely spectacle.
we also had information from gale directly as to what happened to karsus in the aftermath of casting his spell:
Player: I was wondering about that “mighty lord” you told me about in your story. Gale: Ah, yes. Karsus Karsus was perhaps the most powerful wizard that ever lived. The child-who-would-be-a-god, the elves called him. And he tried. With a spell of his own devising he endeavoured to usurp in one fell swoop the power of the goddess of magic.  Mystryl, she was called then. Imagine what it must have felt like. To be a god. To know yourself to be untouchable. To be mistaken. As Karsus aimed his spell at her she began to unravel, and with her, the entire Weave. Too late did he realize what he had unleashed. It would have been the end of everything had not Mystryl sacrificed herself.  Gale: The goddess of magic is all magic. By dying, the entire weave was lost, and the spell that challenged a god failed. It was the end of Mystryl, the end of Karsus, and the end of an entire civilization. As the child-who-would-be-a-god was turned to stone, his empire came crashing down around him. The floating cities of Netheril were no more. An event that came to be known as Karsus’ folly.
which is in accordance with the lore:
Unfortunately, his choice was a terrible mistake, for one of the responsibilities of the deity of magic was to regulate the flow of magic to and from all beings, spells, and magic items in the world. Lacking the ability to do so properly, magic surged and fluctuated. With her last remaining bit of power, Mystryl sacrificed herself to block Karsus's access to the Weave, causing all magic to fail. The flying cities of Netheril plummeted to the earth. The severing of the link also killed Karsus and transformed him into stone, and the last thing he saw was his entire civilization being destroyed because of his actions. This was to be known as Karsus's Folly. The stone form of Karsus eventually landed in a part of the High Forest, now called the Dire Wood. The city of Karse was built around its base. Karsus was never accepted as a petitioner by any god, nor did he go to the Fugue Plane when he died. Instead, his soul was bound to the Material Plane. Those with experience in pact magic could call up his vestige, where he appeared as a giant blood-red boulder, like the one found in the High Forest where his petrified form landed. Blood burbles up from the top of the stone, trickling down the side facing the summoner, pooling at the base. When he spoke, the pool fountained upwards, its height varying on the volume of his voice.
the netherese orb then seemed to have a immediate visible physical effect on gale, in addition to the ones that carried to the full release version of the game.
so putting these clues together, i think it's safe to say that the orb caused gale in early access to be afflicted with some form of corrupted petrification, which makes sense given that it's a piece of magic unleashed during karsus's folly.
at that point, this corruption seemed to be affecting his left arm the most, perhaps either from opening the book containing the netherese magic with it, or trying to shield himself with it - but that's just speculation on my part.
so what did the early access set up in terms of curing gale from his affliction?
gale in early access showed a great interest in the astral plane, especially in the absence of time there. he has several banters with lae'zel, which are still in the game now and showing his vested interest in the astral plane as well as any knowledge or insight lae'zel might offer on it:
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Gale asks Lae'zel about the Astral Plane. Has she been there? Gale: Tell me, Lae'zel, what is it like on the Astral Plane? Your home realm intrigues me. Lae'zel: Githyanki lay their eggs on other planes. They cannot mature in the Astral. Lae'zel: I will only be welcomed once I obtain a mind flayer's head.
lae'zel notices gale's interest and initiates a banter of her own:
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Lae'zel asks Gale what his interest is in the Astral plane, and he equivocates Lae'zel: Tell me, Gale: what is your interest in the Astral Plane? Gale: Time. Or rather: the absence of it. In the Astral Plane, everything is eternal. Lae'zel: It will be my home soon enough, should Vlaakith will it.
in addition to these banters, which clearly show gale's interest in the astral plane - which now in the full release seems merely academic - hinted at another solution to ridding himself of the orb.
what points to that quite conclusively is gale's dialogue when he reveals the truth about the orb to the protagonist.
this reveal differs quite significantly from the full release version. most notably, the protagonist was able to ask him about his own ideas for a what might be able to cure him from the orb.
gale had something very interesting to say to that question:
Player: What would permanently rid you of the orb? Gale: The orb was kept safe and inert in a pocket of Astral Plane, suspended in time. If I can somehow manage to expel it from my body while in the Astral Plane, it will be rendered inert again. Alternatively, I could learn to control it’s chaotic magic, that is; to succeed where I failed before. But without Mystra’s favour, I don’t see how that may come to pass. Of course there could be different answers as well. Faerun brims with more magic than any one wizard could fathom, let alone comprehend. Who knows what outlandish solutions may yet present themselves?
so what does this all mean?
in conclusion, i believe originally there were either more ways to cure gale from the orb - or maybe even in a different manner entirely - than there are in the full release version of the game (begging mystra to remove it, ascension, or accepting/keeping the orb).
perhaps even one that would circumvent having to beg mystra for forgiveness entirely, without gale having to sacrifice his mortality to do so.
i think these banters and lines of dialogue show that the astral plane, which would have rendered the orb inert and stopped the corrupted petrification of his body, would have played a bigger role in gale's quest.
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erideights · 1 year ago
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Little pieces here and there (4)
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Pairing: Buggy x Fem!Reader (One Piece Live Action)
Parts: one, two, three, five
Word Count: 4,2K, i should ask for forgiveness
Warnings: flirting, pinning, (FUCKING) FINALLY, unprotected sex, buggy detaching parts of his body during sex like the freak he is
A/N: i've been building this moment so long that i was, once more, inspired by god to make this chapter the longest ever, i hope you all enjoy and that the awaited smut doesn't disappoint and delivers (let me know, anxiety is killing me, love u all, see you in chapter 5, the final (until season 2) of this series) (again i'm really really sorry for any grammatical mistake!)
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Day 5 after what happened during the Arlong Park fight, or what is the same for her = 5 AAP, (Y/N) is sure about three things:
1. With the choice of leaving her mercenary life behind, comes her new position as the ''strategist'' of the Straw Hat crew, a group of very unique people that after a couple of stops along the way, would arrive at the Grand Line.
2. Their next destination is Loguetown, which excited her; she loved the city, she never turned down an assignment that involved working there. They would arrive in a couple of days and stock up on everything they would need before beginning the greatest adventure of their lives.
3. Buggy's nose was real. Very real. And she missed him. Just a bit.
To be more precise, that bit of tension and constant sarcasm around her. She knew he was a pain in the ass, and that his staying on the ship wouldn't have lasted much more than an extra day and a half because one of her crewmates -Zoro- would have unceremoniously thrown him overboard anytime.
But it was really fun for her, so from time to time and in particular, when she passes by the helm, she finds herself remembering that annoying talking head and smiling a bit.
And so, after an entire week, they arrive at the famous Loguetown, the tomb of the most famous pirate of all time, a refuge for mercenaries, pirates and bounty hunters from all corners of the East Blue! No matter what, everything your heart could desire -except for the One Piece- you could find there. Jewelry, weapons, food, alcohol, a good bed to sleep and rest in, or other darker, macabre and adult types of entertainment.
Ah, what a city. Anyone could get lost among its endless alleys packed with people. That's why when the crew splits up, they do it in pairs, making sure that Zoro, who they had already discovered, lacked complete and utter sense of direction, wouldn't be left alone and lost among the city's infinite tide of pirates. (Y/N) is the one who goes with him, both heading to the largest armory in the city to replace his destroyed katanas while Sanji and Luffy take care of the food, and Usopp and Nami go around to do… she doesn’t really remember what. Trying clothes she believes.
She must say, however, that this swordsman is not exactly the most talkative person in the world even though their friendship has considerably grown and deepened during their little journey. Apart from sharing small notes about the city, how many people there are, or what they should do, they don't really talk that much; in her case, because she is absorbed in her surroundings, soaking in every possible detail. Him, silent because his reputation as a pirate hunter is famous around all the East Blue, and of course, in Loguetown there are only pirates. He prefers to stay alert to avoid future conflicts and have a peaceful morning. Not for him, but for his crew.
That's why when a gloved hand flies out of a dark alley, and violently covers the girl's mouth and nose, preventing her from screaming, while another grabs her by the waistband of her pants and yanks her back, forcing her to get in said alley, Zoro doesn't even notice, he continues calmly walking, minding his own fucking business, heading to only God knows where.
Farewell, mosshead.
In a blink, (Y/N)'s back collides with a strong torso, and with her heart in her mouth and adrenaline running wild in her veins, she stretches her right hand to reach the knife she has in the holster on her right thigh to destroy the asshole that dares to try to steal from her. Or murder her. Or that's her idea until she hears a familiar voice murmuring an “I got you” behind her, before turning her head and discovering the biggest, reckless buffoon she's ever met.
Buggy.
Eyes wide open, she screams against his palm, pissed off by the way he scared the shit outta her. Extremely angry, she yanks his hand away from her mouth, turns her entire body around and looks at him with what he would swear, is the most annoyed expression he ever saw in his entire life. Before the clown can excuse himself and his lack of manners, just as she begins to see that stupid smile appear on his stupid face, she slaps him so hard that for a second, he thinks his head will detach from the rest of his body.
Then, and pushed by an outburst of passion that comes out of she doesn’t even understand where, a mixture of adrenaline, surprise, her desire to kill him with her own hands and the -sexual- frustration with which he abandoned her the last time, she grabs his vest, pulls and kisses him. Again, all before Buggy can even react.
The kiss is brief. Really quick, but intense as hell, and she manages to leave him breathless. Yes, him. Only him. Because the moment they separate, when (Y/N) pushes him back, she spits out a heartfelt “You're an idiot!”
What a fucking rollercoaster. He doesn't even remember what he was about to say anymore to greet her. He's in fact, too stunned to speak. Did she slapped, kissed, and insulted him in less than a minute? Oh, she's a freak, just like him. The only difference between them is that she knows how to pretend the opposite. But she can't hide it from him. Not to the king of the freaks.
''I missed you too, baby'' he admits with an amused smile, moving his jaw a little from side to side, as well as his neck; that woman is stronger than he expected.
''Yeah? Because I really didn’t.’’ she spits once again, taking a deep breath. ''Liar'' he retorts, eyeing her up and down. ''Liir'' she instantly mocks, still recovering from the tsunami of emotions that just passed through her. ''What the fuck are you doing in Loguetown?''
''I came looking for my sorry excuses for a supporting cast,'' his crew. Were they still alive? Would have sworn Zoro destroyed all of them but who knew. ''and turns out I found the perfect, shiny, little new supporting star for my show'' he adds, as flirtatious as always around her, approaching (Y/N) again.
''Oh, I feel flattered but as I already told you, I don't like being in the spotlight. I relate way more to the shadow around it.”
He rolls his eyes but nods in understanding, reaching out to grab the girl's waist. ''Mhm. What about a private show, then? We have a play to finish, If my memory's not betraying me.'' He whispers honeyed, closing the distance between the two just a bit more. Cannot stop himself, neither he wants to. He knew as soon as he recognized her on the street, he would not let her go without putting order in their outstanding matters.
She’s about to add her usual sarcastic and smartass remark saying something among the lines of ‘without inviting me to dinner first?’ but she chooses not to. Just for once. ''I could agree to that.'' The girl admits, tilting a smile. ''Not here, tho.'' Pressing the clown's chest with her index finger, signaling for him to stay still, (Y/N) runs her tongue over her upper teeth, taking a couple of seconds to think.
In the end, she raises an eyebrow, and with an amused smile, she asks: “Do you trust me?”
''Not in a million years''
''I knew you would say that.'' She still takes one of his hands, that was still on her waist, and starts walking quite fast towards the other end of the alley, pulling him with her. He doesn’t object at all, despite not knowing where the hell is she taking him, and simply follows her lead, unconsciously squeezing her hand to not to lose her in the crowd.
Not many minutes later, after climbing some stairs and turning a few streets, there they are, in front of a beautiful tavern with windows decorated with ornate dark wooden planks, designing patterns of small squares, offering a beautiful view of its interior. The building was not one of the largest in the area, but it was not one of the smallest either. She knew from experience* that the floors above the tavern were rooms rented to the pickiest pirates. They had enough space to rest comfortably after a long voyage at sea, with a good bed and several locks on the doors and windows to prevent intrusions, attempts at robbery or murder, or a drunken idiot making a mistake and entering the wrong room.
*She knows this because a couple of years ago she needed to sneak in during the night to steal a jade seal from a famous pirate captain, who had previously stolen it from the temple it belonged to a few months before. Getting in wasn't easy at all.
Walking to the side of the building, where the windows of the rooms can be seen better, (Y/N) looks right, then left, making sure there’s no one nosing around.
‘’Here we are.’’ She announces, looking at him with a devilish smirk on her face. ''Now pay attention, here's my brilliant, unique and exceptional plan. It will absolutely blow your mind.’’ He cracks a genuine smile after hearing how she praised herself. She sounded almost like him. 
“First step: Throw your head up to that window over there,” she points said window with her index finger, two floors above their heads, “and tell me if there’s someone sleeping inside. Or if you see any sign someone rented the room.’’
Confusion is the feeling that crosses his beautiful face for a second, looking at her with a raised eyebrow and lips pressed into a small incredulous smile. She wants to sneak through the window without being seen and not pay a single berry? Exactly what a true pirate would do. He was starting to fall in love with her.
Without a second thought, his head separates from his body and floats to the open window, slightly sneaking in to check as she asked. And as fast as it goes up, it returns back down, just like a yo-yo. ''Clear'' He confirms, amused. 
''Perfect, second step: now throw your right hand, same window, and leave it there.'' And he does as she says, no questions asked, because he could not do otherwise. Because he wouldn't want to do otherwise. He was not made to follow orders and still, deep down, he knows he would follow hers. Or better said… he would follow her around. She was, maybe, not a theatre kid like him, but to his eyes, she shines brightly.
Not as much as him, tho.
Once Buggy's right hand waits patiently on the window frame, (Y/N) grabs the clown by the shoulders and strategically positions him under the window. Then she takes his left hand, bringing it forward. "Third step: with this hand you propel me into the air, with the other you grab me and you help me sneak in."
''And the final step?'' Getting very close to his face, the girl rubs her nose against his and whispers, voice low and lustful, ''You float to the window and meet me inside for that private show you mentioned before.'' He already knew the goal of that whole improvised plan, but he almost purrs when he hears her say it.
Then Buggy throws her upwards without prior notice, way stronger than she expected, and a sweet, genuine laugh escapes (Y/N)'s lips at the lack of gravity and that distinctive tickle in her stomach that rises to her throat. Not even when he uses that floating hand to catch her and guide her to the room, her feet on solid ground again, she’s able to stop laughing.
She expected this whole forbidden getaway to be entertaining, but not so, so fun. There was no point in denying the obvious: the complicity, the chemistry between them is criminal, asphyxiating, palpable, and so, so /real/. It's not only about physical attraction and sexual tension anymore, they were actually really compatible, which could only, and is already, making things one hundred times better.
As soon as she's inside, still giggling a bit, she's quick to reach the door and securely close it, fitting the bolt with a pair of lockpicks that she had on her. On the other hand, as soon as Buggy gets inside the room he chooses not to lose a single second, because every second he wastes is one less that he can enjoy that fantastic woman who is driving him crazy; before she can return to the center of the room, he has already recovered his right hand, thrown his hat to the floor along with his coat, and has rushed towards her, kissing her again, this time without a hurry, but voraciously, passionately, with the irresistible yearning he has been suffering for almost two weeks. He wants-- no, he needs to make her his. The desire making his blood boil. Her warmth, her smell, the taste of her lips-- even her laugh. It was too much. Too intoxicating.
(Y/N) welcomes him, sighing deeply against his lips, tilting her head a little, melting in the kiss, her hands flying to his hair to take out the bandana and pull at his blue locks, to which Buggy responds by grabbing her from the back of her thighs, lifting her up and carrying her to the bed, near the window. He lets some of his weight fall onto her, loosely holding himself on his knees on the mattress. She closes her legs around his waist, pressing him even a little closer against her body, excitement coursing through her veins like poison.
All that little game with the clown was just flirting, huh? Yeah, sure.
For a minute, everything is kisses, stealing each other's breaths, strong caresses on arms, legs, and back over clothes. There are bites at each other's lips, seemingly incapable of getting enough of the other, the attraction between them driving them both so absolutely insane than getting some distance to get naked seems impossible.
“Baby,” raspily, he press his crotch between her legs to let her feel his growing erection under his pants. ''I suggest you getting naked before I rip your clothes off by myself.''
She moans in response, wetter, more aroused by every second passing, unable to even think about playing hard to get this time. ''Aye aye captain'' she manages to whisper back mischievously, separating her hands from his body in order to pull her own shirt up and throw it somewhere in the room.
He grunts, but makes the titanic effort to separate himself from her, standing on his knees in front of her laying body, licking his lips, breathing heavily, eyes half-closed, already fucking her in his thoughts. Of course, seeing her undress for him is quite a show.
After her shirt comes the button and zipper of her pants. Although before getting rid of these, she pulls the scarf around the clown's neck, forcing him to lean over her again, and after it goes his vest. Given the girl's haste, he lets escape a hoarse laugh that reverberates inside his chest and decides to help her with whatever’s left between them; shoes, pants, gloves, and underwear.
''You're gorgeous'' he breathes, taking in her image in front of him. “You’re almost making me feel guilty for what I'm about to do.”
Before she could even ask, or threaten with a ‘don't you fucking dare’ or something among those lines, one of Buggy's hands flies to her own, and pins her wrists against the bed with such force, she hisses, heart in her throat, deafening her ears. She remembers herself, this was all too good to be true, and that damn clown promised to make her beg. He wasn't going to forgive her so easily, was he?
Her fault.
''Sweetheart, open your beautiful legs for me, will you?'' Returning to the bed, the clown settles between the girl's thighs, running -with the only hand still attached to his body-, one of her legs, from the knee to the hip bone in a slow and tortuous caress.
''Now, I'm pretty sure I warned you about what's about to happen last time you took advantage of my... uncomfortable, kinda-hostage situation on your stupid little boat. When you decided to push me to my limit.''
She is too aroused, too turned on to think clearly, her mind clouded by the same rush of hormones that’s making her incredibly wet. Having him now naked between her legs, threatening her in that low tone of voice, exposed helplessly in front of him, doesn't help at all; it is, as a matter of fact, making things way worse.
''You wanted me to beg, right?’’
''Exactly. It's that easy.'' After a couple of strokes, he grabs his erection and runs it slowly through her wet folds, both of them barely containing a moan in their throats at the sensation. He, perhaps, better than her, because (Y/N) involuntarily pushes her hips upwards, trying to get some more. ''Ah-ah. Want me to fuck you, sweetheart? Just beg for it. Beg for /me/.''
Being the proud woman she is, it's not exactly easy for her to seriously beg for something. Joking? Of course, any time, even sarcastically, but something is telling her, her sixth sense probably, he won't settle with a sarcastic remark and dove eyes.
Closing her eyes tightly, she lets herself be carried away by pure and absolute desperation every time he runs his erection through her, lubricating himself with her fluids. He is silent, already tasting the sweet victory he’ll feel when he manages to break her and make her beg. Although this doesn't happen as quickly as he would have preferred.
''(Y/N)'' He warns, and it's the first time he says her name out loud. The first time she hears him, with his raspy voice and his beautiful accent, pronouncing her real name instead of some compliment or silly nickname to call her.
Welcome, breaking point.
''Beg--'' 
''I need you,'' she interrupts him in a low whimper, lifting her hips. ''Bugs-- Buggy, I need you to fuck me. Now.”
Usually, it's moments like this particular one in which the clown enjoys recreating himself, making others beg a little more, -sex, mercy, forgiveness- doesn’t matter-, taking his good time listening to her moans and cries of desperation. But he can't help it, the second he hears the girl call him by his name, telling him how much she needs him, and that silly attempt of an order at the end, he knows it’s game over, and he decides to give her exactly what she wants, penetrating her suddenly the last time he runs slowly through her folds. A sweet moan of relief and pleasure escapes from (Y/N) chest along with a "Fuck, Buggy--". From him, a hoarse grunt. A shiver runs down their spines, and quickly, Buggy recovers his other hand, freeing her from his grip, to aggressively pull both of her thighs to bring her closer to him, and begins to thrust hard, all shreds of self-control escaping from his body lightspeed.
He pushes into her as deep as he can in no time, burying himself between her legs, face hidden in the crook of her neck, hands keeping her legs open, close to his hips.
She doesn't know what she likes more, the erratic sound of his breathing and panting in her ear, the desperation with which his whole body seems to search for hers or each penetration sending an ecstasy shock through her nerves, but she soon becomes a puddle of sweet moans, whimpers and breathing as heavy as his, one hand pulling hard at his blue hair, the other resting on his abdomen, nails digging slightly his skin with each thrust.
''Oh god, Bugs--’’
''Moan my name louder baby,'' he breathes before biting her shoulder, leaving the mark of his teeth imprinted on her skin. ''I want them to catch us. I want them hearing you scream my name.”
And she does. She moans his name again, just not as loud as he wants. Which means there is something, something he can do better. Something to push her to her limit, to make her a believer, and make her /his/.
Summoning all his willpower, and not before one last, violent thrust, the clown stops and suddenly pulls out of her. (Y/N) complains with a loud cry, opening her eyes to ask what the fuck is he actually doing, how dares he to stop. Thank God, she doesn't have time to threaten him before he speaks.
''On your knees.'' And of course she obliges, on all fours, the simple idea making her completely lose her mind. Only thing, Buggy doesn't intend to keep her like this for a long time; as soon as she exposes herself for him again, he buries himself once more inside her as deep as he can and starts thrusting again, slowly but strongly, ending each thrust with a loud slam. This time, both hands separate from his body, one reaching for her delicate neck, which he circles with his fingers and presses to lightly cut off her breathing. The other one flies to her mouth, pushing between her lips with two fingers that she soaks in her saliva.
(Y/N), unable to articulate a single complaint, sucks, bites and licks them, muffling against them every sound that escapes her throat.
A pleasure shock, like a lightning bolt, forces her to arch her back the moment that same hand flies to her clitoris and starts masturbating it, overstimulating her.
Buggy is really determined to make her his, to not let her forget about him, to become the legitimate protagonist of each of her erotic fantasies, so to finish driving her crazy, the hand he has around her neck lifts her up, pulling her until he forces her back against his torso in a beautiful reference to the day they met and the first time he felt that magnetic attraction inevitably pulling him towards her.
''So. Much. Better,” he manages to whisper between grunts and raspy moans, surrounding her abdomen with one of his arms to keep her in place, close to his chest, sacrificing penetrating her as deeply as he would like but without caring in the slightless because he knows, she is quickly reaching her orgasm. He can feel it in the way her walls contract around his cock, in the beating of her heart in her throat against his hand, and in how her hands reach for anything, trying to support herself; in this case, his arm around her, nails scratching his skin.
''C'mon baby, cum for me.'' He groans, refusing to fall headfirst to his own orgasm because he doesn't plan to finish before her. Under other circumstances he would have done it, he has never been the kind of generous lover who thinks of his partner's pleasure before his own. This woman is breaking some old habits and patterns just being the way she is. And he doesn't care at all.
A few more thrust, the lack of enough oxygen in her lungs and that wonderful pressure on her clitoris, and (Y/N) explodes in an orgasm so strong she begins to breathless moan Buggy’s name over and over again like a mantra, which obviously feeds his ego so, so much, it ends up sending him over the same edge, moaning her name under his breath, resting his forehead on her shoulder, hugging her body tightly as they ride their climax.
                                        …
''Told you I would make you beg'' he cracks a devilish smirk, wrapping his right arm around her shoulders when he finally lies on the mattress.
''Yeah'' she giggles, although sarcastically, recovering by the second, enough clarity to recompose her own ego. ''You also told me you would make me find the One Piece without going to the Grand Line and I cannot see it anywhere yet.''
What a subtle way of asking for a second round, he thinks to himself, clearly pleased -instead of offended- for the way his smile stretches even more, looking intently at her.
“You're right.” He would have liked to lie on the bed for a while, getting back some energy and attack again, but damn him if he ever dares to reject a provocation as bold as that one. He wouldn't forgive himself.
Getting out of bed almost as quickly as he lay down a few minutes ago, Buggy cracks his neck from side to side, and taking one of the chairs next to the table in the room, he turns it in the air, leaving it pointing towards the girl.
He then sits down, leaning on the backrest, relaxed, exhaling an erotic, slow sigh as he exaggeratedly separates his legs in a clear invitation for her to come closer and sit on them.
"What did you say the other day? About liking a man with his entire body, capable of fucking you in his lap and making you scream his name?"
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novelconcepts · 1 year ago
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There’s a line from American Gods I keep coming back to in relation to Yellowjackets, an observation made early on by Shadow in prison: “The kind of behavior that works in a specialized environment, such as prison, can fail to work and in fact become harmful when used outside such an environment.” I keep rotating it in my head in thinking about the six survivors, the roles they occupy in the wilderness, and the way the show depicts them as adults in society.
Because in the wilderness, as in prison, they’re trapped—they’re suffering, they’re traumatized, they’re terrified—but they’re also able to construct very specific boxes to live in. And, in a way, that might make it easier. Cut away the fat, narrow the story down to its base arc. You are no longer the complex young woman who weighs a moral compass before acting. You no longer have the luxury of asking questions. You are a survivor. You have only to get to the next day.
Shauna: the scribe. Lottie: the prophet. Van: the acolyte. Taissa: the skeptic. Misty: the knight. Natalie: the queen. Neat, orderly, the bricks of a new kind of society. And it works in the woods; we know this because these six survive. (Add Travis: the hunter, while you’re at it, because he does make it to adulthood).
But then they’re rescued. And it’s not just lost purpose and PTSD they’re dealing with now, but a loss of that intrinsic identity each built in the woods. How do you go home again? How do you rejoin a so-called civilized world, where all the violence is restricted to a soccer field, to an argument, to your own nightmares?
How does the scribe, the one who wrote it all out in black and white to make sense of the horrors, cope with a world that would actively reject her story? She locks that story away. But she can’t stop turning it over in her head. She can’t forget the details. They’re waiting around every corner. In the husband beside her in bed. In the child she can’t connect with across the table. In the best friend whose parents draw her in, make her the object of their grief, the friend who lives on in every corner of their hometown. She can’t forget, so she tries so hard to write a different kind of story instead, to fool everyone into seeing the soft maternal mask and not the butcher beneath, and she winds up with blood on her hands just the same.
How does the prophet come back from the religion a desperate group made of her, a group that took her tortured visions, her slipping mental health, and built a hungry need around the very things whittling her down? She builds over the bones. She creates a place out of all that well-intended damage, and she tells herself she’s helping, she’s saving them, she has to save them, because the world is greedy and needs a leader, needs a martyr, needs someone to stand up tall and reassure everyone at the end of the day that they know what’s best. The world, any world, needs someone who will take those blows so the innocent don’t have to. She’s haunted by everyone she didn’t save, by the godhood assigned to her out of misplaced damage, and when the darkness comes knocking again, there is nothing else to do but repeat old rhymes until there is blood on her hands just the same.
How does the acolyte return to a world that cares nothing for the faith of the desperate, the faith that did nothing to save most of her friends, that indeed pushed her to destroy? She runs from it. She dives into things that are safe to believe in, things that rescue lonely girls from rough home lives, things that show a young queer kid there’s still sunshine out there somewhere. She delves into fiction, makes a home inside old stories to which she already knows the endings, coaxes herself away from the belief that damned her and into a cinemascope safety net where the real stuff never has to get in. She teaches herself surface-level interests, she avoids anything she might believe in too deeply, and still she’s dragged back to the place where blood winds up on her hands just the same.
How does the skeptic make peace with the things she knows happened, the things that she did even without meaning to, without realizing? She buries them. She leans hard into a refusal to believe those skeletons could ever crawl back out of the graves she stuffed them into, because belief is in some ways the opposite of control. She doesn’t talk to her wife. She doesn’t talk to anyone. It’s not about what’s underneath the surface, because that’s just a mess, so instead she actively discounts the girl she became in the woods. She makes something new, something rational and orderly, someone who can’t fail. She polishes the picture to a shine, and she stands up straight, the model achievement. She goes about her original plan like it was always going to be that way, and she winds up with blood on her hands just the same.
How does the knight exist in a world with no one to serve, no one to protect, no reason propelling the devastating choices she had grown comfortable making? She rechannels it. She convinces herself she’s the smartest person in the room, the most capable, the most observant. She convinces herself other people’s mysteries are hers to solve, that she is helping in every single action she takes. She makes a career out of assisting the most fragile, the most helpless souls she can find, and she makes a hobby out of patrolling for crimes to solve, and when a chance comes to strap her armor back on and ride into battle, she rejoices in the return to normalcy. She craves that station as someone needed, someone to rely upon in the darkest of hours, and she winds up with blood on her hands because, in a way, she never left the wilderness at all.
How does the queen keep going without a queendom, without a pack, without people to lead past the horrors of tomorrow? She doesn’t. She simply does not know how. She scrounges for something, anything, that will make her feel connected to the world the way that team did. She moves in and out of a world that rejects trauma, punishes the traumatized, heckles the grieving as a spectacle. She finds comfort in the cohesive ritual of rehabilitation, this place where she gets so close to finding herself again, only to stumble when she opens her eyes and sees she’s alone. All those months feeding and guiding and gripping fast to the fight of making it to another day, and she no longer knows how to rest. How to let go without falling. She no longer wears a crown, and she never wanted it in the first place, so how on earth does she survive a world that doesn’t understand the guilt and shame of being made the centerpiece of a specialized environment you can never explain to anyone else? How, how, how do you survive without winding up with blood on your hands just the same?
All six of these girls found, for better or worse, a place in the woods. All six of them found, for better or worse, a reason to get up the next day. For each other. And then they go home, and even if they all stayed close, stayed friends, it’d still be like stepping out of chains for the first time in years. Where do you go? How do you make small choices when every decision for months was life or death? How do you keep the part of yourself stitched so innately into your survival in a world that would scream to see it? How do you do away with the survivor and still keep going?
They brought it back with them. Of course they did. It was the only way.
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bunnylove1 · 9 months ago
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.•Velvette HC!•.
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•.~Velvette x model!reader
•.~WARNINGS: smut! Velvette being velvette! Fluff! Sickness
•.~Love vel she’s so perfect and she’s mother
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•Velvette definitely favourites you over all the other models
•She’ll even say it straight up “What your my favourite out of all these snooze bags”
•She lets you help her pick the fabrics for her next line 
•Definitely asks you if you wanna get coffee before work 
•Same with the coffee thing she will definitely text you “What do you want? Your normal or somethin new”
•Makes you stay late because she’s “Not done for the night” but really wants to hang out with you more 
•Let’s you do her hair and make up and feel lucky this girl doesn’t let anyone do her hair nor even touch it 
•Nicknames: “Baby cakes”, “Baby”, “Princess”, “Sweetie”, “Peach”, “Sweet cake”, “My fashion baby”, “My little girl”, “Doll”
•Her contact name for you in her phone is “Model baby”, why your her model and her baby so 
•Definitely makes you go everywhere with her
•NEVER EVER lets you around Val maybe Vox but vals to touchy and no one’s allowed to touch her baby
•She finds the way you let her move you around like a doll cute and adorable 
•She’s definitely doesn’t mind letting you be a little bit more ruff with her BUT she prefers to dom you 
•She likes feeling in power of you, she likes making you feel small and owned by her 
•SHE GOES HEAVY ON THE HICKEYS “Why’s everyone staring at you?” “Idk velvette maybe cause im a human fuckin grape!” “Oh well not my problem huh baby”
•Velvette is definitely into bdsm, she likes tying you up, overstimulating you anything really 
•Same with leaving marks she’ll tie the rope tight enough to leave rope marks, she finds them hot
•Definitely into using toys on you especially if your tied up
•She likes you to wear shiny leather clothes finds it super hot “damn did I make those, fuck baby you look hot” she definitely spins you around and bites her lip
•She’s that woman that destroys you until your makeups ruined your voice is no longer there you can’t even think straight and say things like “What baby did mommy fuck you dumb huh” 
•Calls herself mommy, and totally has a mommy/mistress kink
•Likes to sit you on her lap at meetings she’ll look the people staring at you guys and just go “What?” In her bratty tone 
•She finds it funny when you boss around people, she likes the way you stick your index finger out and put and hand on your hip and yell at whoever fucked something up 
•She’s a waist mover if your in her way of something she’ll grab your waist and move you over “Sorry baby you were in the way” 
•Quick kisses in the modelling room, I can totally see her sowing the dress on you and just casually give you kisses 
•Likes when you leave lip stick marks on her especially black lipstick marks 
•Post small little appreciation things of you on her social media 
•Your the only model she posts on her media 
Caption would be like “Best model there tonight” or “Stunning girl breaks the media again” always praises you in the posts 
•Dates with her are always fun, amusement park dates definitely to loo loo land, but she also just likes to watch movies at home and bake cupcakes or something 
•She LOVES coming home seeing you in her clothes all snuggled up in your guys bed she just loves seeing you look all fluffy and adorable “Awwwww sweet cakes look at you, so adorable”
•Velvette knows how to take care of you when your sick she makes you homemade soup and brings you water and medicine, she holds your hair back while you throw up and definitely puts your head on her chest after, your her best model and girlfriend she has to take care of you “Shhh it’s okay baby cakes I’m here don’t worry”
•She feels lost when your not there at the modelling studio your the only thing keeping her from snapping at the other girls 
•Makes you playlist its titled “Perfect princess” your perfect to her no matter what you do 
•She’s a thigh girl, likes seeing you in thigh highs makes your thighs look so juicy and delicious she could just eat you up “Ugh baby I love your look today, The thighs look delicious too”
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•.~AND WERE DONE she’s finally done, I love velvette down on my knees for her 
Also 
Credit to my edited!: @chiiyuzz thank you for helping me edit so many of my things!
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apoloadonisandnarcissus · 1 month ago
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Megathread: All Clues concerning “Elrond = Sauron” in “Adar meeting/Kiss scene” (2x07) - Part II
Part I
III) The Aftermath
"What do your Maiar eyes see?"
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In the night after the tent scene, we have a scene of Sauron looking over the Orc camp, with anxiety and worry on his face.
No one is watching Sauron doing this (he has his back turned on Celebrimbor). Why is he looking so worried? We know for sure he isn’t concerned about the battle because everything is happening according to his plan... except for one thing (Galadriel wasn't suppose to be Adar's prisoner). Or... is he trying to see if the “seeds he planted” at the Orc camp are finally breaking free? 
He's also strangely emotional in this whole scene:
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"Arondir Ex machina":
At the beginning of the “Sauron’s worried sick” scene, we see him with his eyes closed, as if he’s performing some sort of sorcery. But we aren’t shown what he was doing. Celebrimbor is working on the Nine, so he wasn’t doing anything to him.
When Galadriel finally breaks free, it’s Arondir who shows up to “save the day”.
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And Galadriel says the strangest thing: “Whatever force it was that brought you here, soldier, I am grateful for it. Come, I know a hidden way into the city. We must find Sauron." Hmm...
Adar's Death
Adar's death scene in 2x08 appears to parallel a scene we already saw on "Rings of Power". And I'm not talking about the opening scene of 2x01, which is the obvious answer.
In 2x06, when Halbrand/Sauron wants to kill Adar, for the first time, in the middle of the woods, but is stopped from doing so by Galadriel. During this scene, Adar tries to make sense of why this "mortal man" wants to kill him:
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"A woman? A child?" Adar asks Halbrand/Sauron.
At this moment, in particular, this interaction was meant to be a clue towards Halbrand’s true identity (“he is Sauron”), because of Adar being the one responsible for destroying his previous physical form in betrayal. Halbrand wants to kill Adar with a spear (Sauron’s weapon of choice). 
However, in 2x07, Adar really does causes pain to the woman (she-elf) that Sauron loves. At the Battle of Eregion, Adar displays Galadriel trapped in a cage, and has one of his Orcs pierce and bled her neck with... a spear. 
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And how does Sauron have Adar killed, at the end? In the middle of woods, like he meant to in 1x06. Using his children to cause him pain, and kill him. And Sauron does it in front of Galadriel, the woman he loves and was, previously, hurt by Adar. 
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There are more references to 1x06 in 2x08, because when Sauron appears as Halbrand, he repeats to Galadriel his words to her in those same woods he wished to kill Adar.
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Hence: this parallel can mean that Sauron, in fact, witnessed Adar flaunting and hurting Galadriel on the battlefield.
"What did you expect, mate?"
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Galadriel: All this... was your design from the beginning. Sauron: Please. You think too much of me. The road goes ever winding. Not even I can see all its paths.
As I’ve already theorized on my “last temptation” post, Sauron went up there to collect everything that belongs to him: Morgoth’s crown and sword, the Nine, Nenya and Galadriel herself. However, he somehow believes that Galadriel will just accept him.
Sauron’s reaction to Galadriel trying to kill him, in 2x08, is actually hilarious, because he looks outraged: "why are you trying to kill me?
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Is Sauron this self-deceiving and lacks so much self-awareness that he was really expecting Galadriel to forgave all of his recent atrocities with Celebrimbor (mostly) and bind herself to him, freely? This doesn’t make any sense, unless he already asked for Galadriel’s forgiveness in advance and proved himself in someway.  
And Sauron might think that Galadriel recognized him in that tent. But she didn’t. And what does she says to Elrond when he asks for her forgiveness? 
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And, so, Sauron arrives all victorious and ready to reclaim his “reward”. Only to find Galadriel is not going to join him, let alone bind herself to him, freely. And then, he goes for plan B.  
Glûg's Death
Glûg's death has "well, well, well, if it isn't the consequences of my own actions" vibes for having betrayed Adar and sided with Sauron, instead.
Tolkien never specifically wrote about the Orcs lifespans: we know they aren’t immortal like the moriondor (Adar and the other Elves corrupted by Morgoth) and they reproduce like every other “humanoid” being. Meaning, Glûg has never met Sauron before, and has only heard the tales. He was already suspicious that Adar was sacrificing the Orcs for nothing, with other Orcs believing he was chasing a ghost. Well, when Glûg meets Sauron for the first time, he’s shocked to discover that he’s not terrible or cruel like he was told, but rather “nice” and soft-spoken (even asking his name). And, so, Glûg has the confirmation that Adar was, in fact, wrong and killing off his children for nothing... (well, he came to regret that at the end). 
However, Glûg is the one who places a blade at Galadriel’s neck during the “Adar and Elrond tent scene” in 2x07, and we see Elrond’s reaction to it. And so, if Adar was to give the order, it would have been Glûg who would kill Galadriel in that scene.
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In 2x08, Sauron kills Glûg after Galadriel throws herself off a cliff.
Many assume this was done in a rage fit, but this isn’t Sauron’s character. And he already lost control with Celebrimbor in this episode and that’s why, according to Charlie Vickers, he cries in that scene: Sauron recalls his time at Morgoth’s side and doesn’t want to end up destructive and nihilist like his master was.
So I would argue the “rage fit” explanation is not it. Could it be, that Sauron - who is always gaslighting others and in self-denial trying to find justifications for his own actions and project them onto others (as Celebrimbor told him in 2x07) - kills Glûg because this Orc was the last being he saw threatening Galadriel’s life? And projects his own guilt onto him? And how could he know that, unless he was the “Elrond” in the room? Because Sauron is powerful, but he isn’t able to see everything just yet. 
IV) Plot holes:
Plot holes from 2x06 and 2x07 that only make sense if it's Sauron and not Elrond in that tent with Adar.
What did the corpse that showed up at Eregion in 2x06 truly said for Sauron to react in such way (when no one was looking at him)?
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Clearly it didn't say "Where is he?" because Halbrand/Sauron was the one who told Adar that "Sauron" was in Eregion, in 2x01, to plant the seeds for the Battle of Eregion.
This could also explain where Sauron got the pin. We know Galadriel loses her cloak and pin in 2x04, when she faces the Orcs and gets captured by Adar. If Sauron was keeping an eye on her (pun non intended), he could have retrieved her pin there. And this would also explain Sauron's reaction to the corpse in 2x06: it was a message from Adar revealing that he had Galadriel in captivity. 
Why didn't Adar take Nenya (nor even checked) from Elrond in that scene?
It was the ring he wanted to destroy Sauron. Why sacrifice more Orcs and waste time? And what guarantee did Adar have he would see Elrond again, alive or even with the ring on his possession? Was it only because Adar had a "flair for the dramatics"?
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And why does Adar looks into Elrond's eyes before lifting him up (to make sure it's actually him?)?
Why, after obsessing over her for the whole season, we, the audience, didn’t get to see Sauron’s reaction to Galadriel being locked in a cage?
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Sauron was at the walls of Eregion with Celebrimbor and the guards when the Elven army arrives, and the scene shows him looking in their direction. Are you telling me the "mastermind" behind this battle wasn't interested in knowing what would happen next!?
Note:
If the only the argument against this theory is that Robert Aramayo and the showrunners already gave interviews explaining the kiss, I would like to recall that Charlie Vickers spent the whole of Season 1 promotion saying that “Halbrand is just a man”, or them saying that “Haladriel wasn’t romantic” for two whole years. And, apparently, Galadriel has been in love with Halbrand, all along (and this was only revealed after Season 2 finale).
I would advise my fellow fans not to placed too much trust in interviews concerning this theory, or any other, really. “Rings of Power” follows the “Game of Thrones” formula: it’s a show full of mystery boxes and plot twists, sometimes from one season to the next.
The only question here is: will Season 3 reveal it or it will be an abandoned plot, or left ambiguous.
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hubristicassholefight · 1 year ago
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Swordswoman showdown FINALS
Hornet (Hollow Knight) vs Xena (Xena: Warrior Princess)
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(Better here in a "preferred character" sense, not "who would win in a fight")
Propaganda below cut
Hornet
Technically its not a sword but she wields a needle in a setting where swords do not exist and she wields it in an exceedingly swordlike fashion so. She counts; Girlboss demigoddess spider lady. She's been protecting an entire kingdom for longer than many of the other characters have been alive. She systematically kills her siblings for being too weak. She's simply the best.
#im pretty sure hornet can beat like. anyone in a fight.#have you ever fought hornet#its so fucking hard getting past her every time i play hk i go literally insane.
#i remember getting stuck on the first hornet fight on mt first play through and bring likr#''omg the boss fights in this are so hard!!!''#like what. you're not even half way through what are you talking about#you can't even DASH honey. you don't know what's diffcult or not in this game.
So, SPOILERS
but I feel like the "she systematically kills her siblings" part needs a little clarification. See, one of her siblings was used as a living prison for an angry god and that uh. Didn't work out for the sibling in question or anyone else.
This account is itself heavily abbreviated but it's likely that any other sibling Hornet encounters will be trying to take over as the god's new prison. She appears to challenge any sibling she sees to battle, in order to test their resolve against herself and her needle - would they actually have a chance against that god?
We never actually see her kill any siblings, but she does quite pointedly tell one of them that (to paraphrase) "My needle is lethal and I would feel no sadness in a weakling's demise."
Feels like a relevant quote. In any case, if they can't beat Hornet, it seems like her needle would be a far more merciful end than what the god would grant.
Anyway, a bit of additional material for @swordswomanshowdown :
As is the case for any cool swordswoman, it's not just her sword that's lethal, it's her with it. And Hornet's needle was custom made for her - the creators have said that, while other needles exist, hers was made specifically for her to wield, and its construction allows her to use her spider silk better in combat.
And another thing that I think makes her a good swordswoman: she's actually pretty thoughtful about how she uses it. There's a least one instance where she tries to warn someone off before fighting them! At the same time, when she does fight, she seems to enjoy it - during her boss battles, you can hear her laugh sometimes, as if exhiliarated. She's really got it all, as a swordswoman!!!
#HORNET SWEEP CMON PLEEEEEEASE#shes gay. shes the only sibling with a gender. shes a spider named HORNET. look like croissant. whats not to like
Xena
Warrior Princess
She wields a sword and chakram. Just had to submit a biconic swordswoman.
i love her. she made me gay as a kid. Anyway, her weapon of choice is her sword, she is obviously very good with it
#unfortunately i have to choose and i have to choose xena#a) utena had no warcry. b) xena fought gods. c) xena has kickass goofy comic book combat which is my favorite
xena didn’t just fight gods. she fucked up a girl’s life so bad that she (calisto) devoted her entire being to destroying everything that xena loved that ended up with calisto becoming a god in order to destroy xena, which didnt work because xena entombed her in lava. and then when xena and gabrielle encountered calisto in the (christian) afterlife (different from the greek one which they also fought her in), calisto dragged gabrielle to hell so xena became an archangel in order to save gabrielle and then sacrificed herself in order to undo all the harm that she did in calisto’s life and then when not!jesus (played by timothy omundson) revives xena and gabrielle, calisto impregnates xena with the reincarnation of calisto’s soul in order to end the cycle of hate. xena doesnt just fight gods. she creates and destroys them
#this isnt even mentioning her fighting julius ceasar several times#telling brutus that caesar is not his friend#xena and gabrielle’s souls reincarnating across centuries in order to kick ass and fall in love all over again#or the time xena became a god but tbh that ep is kinda ‘uhhhhh…..’ even if they did hire a consultant for it
#I think everyone here knows to vote for Xena. I think a couple people here might have some propaganda for Xena saved already#everyone remember that Xena/Gabrielle is CANON and that's a pretty big deal also#(does anyone have that Xena Loves Trans People interview around because that would also make good propaganda)
I love Xena ❤️ 😍 💖 ❣️
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theriverbeyond · 1 year ago
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some meandering thoughts on Lyctoral reproduction, contraception, and why I DON'T think Pyrrha hit it raw
this was originally a reblog of another post but it became SO LONG i am just posting it by itself. anyway cracks knuckles:
I think from a reproductive health standpoint the Lyctors are, despite having been exposed to extreme pre-ressurection levels of radiation, not sterile per say, but homeostatically fixed at the point of ascension with any changes made to themselves after that being a concious theorem. See: Cytherea is frozen as sick as she was when she ascended, but when she wanted to fight she could walk around fine, and Harrow when cold, can pad her fat reserves. So they CAN change their bodies, but it's still a Thing They Have To Do vs. a truly autonomous bolidy process.
Also, we know Lyctoral Healing is a thing dependant on nerve fibers -- why a severed limb (Nona/Gideon-in-Harrow aside) is not supposed to automatically regrow (but can be intentionally regrown, with thought and effort), and why in order to imbue Ianthe's bone arm with regenerative power Harrow had to make sure it was properly innervated
(The reason I believe they are not inherently sterile despite having been exposed to massive amounts of radiation is simply because that radiation does not discriminate and would have destroyed the rest of their physical bodies as well. basically, I think any radiation induced infertility would have been fixed in the Ressurection Process, same as the radiation induced. death.)
At the same time, the biological changes a human body must undergo to fertilize an egg and then bring a pregnancy to term are many (on a physical and physiologic level) and all must happen in the correct sequence at the correct time. the adult unaltered, non-Lyctoral body (most of the time) naturally knows how to follow this path, but in order for a Lyctoral Body to bring a pregnancy to term all those minute changes would have to be done manually, lest the Lyctoral Body revert to its homeostatically frozen state.
Therefore, my thoughts are: a Lyctor wouldn't really be able to become pregnant on accident to begin with, much less carry a pregnancy to term unwillingly. Every minute step or shift or change in hormone levels, uterine stretch, etc would have to be manually preformed and then monitored 24/7 which just seems incredibly exausting if not annoying. Then, of course, you have the reality that the Lyctor is going to outlive their child by thousands of years if not forever, and after the catastrophic grief they all carry for their cavaliers I cannot imagine any of them willingly putting themselves in that situation.
why, then, did Pyrrha think Gideon was her child?
WELL! the above theoretical process is specific to a Lyctor becoming pregnant, either from Lyctor or non-Lyctor. For Pyrrha/G1deon, the person who may have become pregnant from their encounters was WAKE, a (as far as we know) physiologically normal human, whose body would be able to like. in the presense of viable sperm, get pregnant the usual way without need for necromantic initiation and maintenence. Not only that, but at the time, Wake could NOT have been taking any sort of continuous contraceptive, as the planning/execution/impregnation of Dios Apate Major/Project Bomb was happening at the same time as Wake was fucking Pyrrha and G1deon. Like I know Mercy gave her the dolls but like Wake was able to turkey baster herself pretty quickly after their failure which means there was an open window of time where Wake was fucking PyrrhaG1deon and definitely fertile.
I could see G1deon as being able to tie off his ductus deferens, or whatever, while he is having sex to prevent physical ejaculation but as we know from Gideon-in-Harrow and Pyrrha-in-G1deon and Cam-when-Pal-Was-Inside, the cavalier's soul cannot preform necromancy whilst in the driver's seat. SO, following that, Pyrrha would be unable to necromantically prevent herself from ejaculating whilst doing the deed.
and finally, we have come to the part where I explain why I do NOT believe Pyrrha was having unprotected sex. as funny it is to imagine them all hitting it raw with a huge breeding kink, given Pyrrha and not to mention WAKE'S general competency (and also like if Wake is trying to get pregnant with the key to the Emperor's Tomb, being already pregnant would have been really inconvinient!!! considering again that the impregnation of ProjectBomb happened at the same time as she was fucking PyrrhaG1deon, Wake HAS to have been taking steps to prevent an unwanted, competing pregnancy), I have to take the controversial position that the condom broke.
Imagine you are a soul fragment, 10,000 years old, and you are betraying your God and Emperor AND your other half, by fucking a rebel comander (using your other half's body) while both of them are unaware. and then the condom breaks. wyd
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penguinkyun · 12 days ago
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Been seeing quite a few takes that Aqua's death makes this story "a tragedy like its always been" but the thing is. Oshi No Ko, excluding the final four chapters is not a tragedy. Almost every single arc has an optimistic ending, a silver lining through the clouds that plague the events that occur.
Ai dies but she fulfils one of her greatest desires as she does, she says "i love you" to her kids and is fulfilled when she knows that it is not a lie even though she dies, Ai still realises one of her dreams, arguably her greatest one. Sweet Today could have been a terrible drama leaving Kana, Yoriko and the fans of that manga in universe disappointed that it turned out so badly but through Aqua and Kana's efforts they manage to make the final episode a good one, bringing the best scene to life and satisfying everyone.
Love Now could have ended in tragedy with Akane, if not dead, having a ruined career but by the entire cast coming together, they manage to repair her reputation, giving her career back to her. Tokyo Blade would have been cancelled outright, leaving both author and scriptwriter hurt and disappointed (and referring to the events of the play Kana and Akane without closure and Kana continuing to diminish herself in her acting) but Aqua manages to jumpstart events that make the play better along with the efforts of the actors to make the play a good one.
Scandal could have ended with Kana going the same route as Ai or having her career destroyed but thats prevented by Aqua and even though the twins relationship was broken, Kana and Aqua do still come out of it with a saved career and stronger friendship. Even Private Arc with Ruby going black hoshigan mode still had the silver lining of Aqua getting a break for once (even the looming hammer of Hikaru Kamiki in the background). Only Mainstay arc really has an all around bad ending, with both the twins in revenge mode and Aqua and Akane with a terrible breakup but thats because it leads into Scandal and is set up for the Movie arc (we all saw how that went but this post isn't for that) so it's excused.
If I wave away the numerous and heavy complaints surrounding the Movie arc for a second, I can say that Ruby deciding to step out of her mother's shadow and move to the future deciding to be her own person and an idol in her own merit is a silver lining through that arc along with the RBKN conflict being uh. resolved (i have many issues with that part but again not the post for it. in theory this is silver lining though.). And subsequently Kana gathering the courage to resolve her feelings for Aqua (oshi no jokering rn). Even Aqua himself is filled with hope for the future as of 157.
Oshi no Ko was ultimately a story of moving forward and giving hope to the people around you, which is why this ending is so incredibly jarring. Aqua dying is inconsistent with every theme of hope and future that OnK puts forward along with desecrating the final wish of Ai herself.
This story wasn't a tragedy but Aqua's death is. There's no other way to read it, it is very much a horrific, senseless and preventable tragedy. He receives no fulfilment for any of his dreams, dies believing his only purpose was to be his sisters guard dog as his only divine duty and theres basically no respite, no silver lining for him (and possibly anyone else in the next two chapters).
Aqua's death makes this story a tragedy when it previously was not one and sends terrible messages as it does so which is why this is so shocking and jarring for everyone.
This story was not a tragedy, but now there isn't anything else you can call it.
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hazarambling · 4 months ago
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Ok that Stonehearts trailer is making me think more about the IPC and I need to yap
The thing that struck me the most while i was watching it was this sequence of events where the resources bleeding out from the colonized planets was the thing that healed the cornerstone, but then opal says that "we will follow the preservation to the end"
this violent colonization (look at boothill's planet) inherently goes against everything the preservation stands for, so why are the stonehearts even able to call themselves followers of the preservation, much less draw power from it like the cornerstones themselves?
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it could be linked to the IPC voracity theory but i dont like that theory so i won't go too in depth on it. it makes sense, but it's a bit boring tbh.
instead, let's get bogged down in semantics and interpretations of what 'preservation' can be seen as
because i think that's more interesting and can explain why the ipc follows the preservation and why qlipoth is fine with the ipc using their power.
the word preservation means "maintaining something in it's original state", "retaining a state of affairs", "maintaining a quality of something", "keeping something safe from harm or injury" and those are just 4 contexts where the meaning of the world is a bit different.
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as we know, people can follow a path but not agree with all of it's ideals (lan was born to destroy the abundance, yet galaxy rangers, who don't care about the hunt-abundance feud, exist and can draw power from the path of the hunt). and since we know there are so many interpretations of the WORD preservation, it makes me wonder if the stonehearts do care about 'preservation', but fix it to suit their own need.
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i think the clearest example of these extraordinary interpretations of preservation come with obsidian.
(notice how the stones of the more scheming, bloodthirsty stonehearts are right next to diamond (opal and obsidian), while amber (who "prefers to remain neutral") and topaz (who is seen as the least controversial) are much further away?)
obsidian's interpretation of preservation
aside from being another gorgeous dangerous lady voiced by the wonderful Erin Yvette (yay!!), obisidan is clearly a bit loopy. BUT, she draws power from the preservation (she has a cornerstone, and is a high rank in the ipc, p46, only being under diamond, a confirmed emanator, at p47.) so how does she interpret "preservation" to exist as such a contradictory state to the safety that qlipoth wants to provide?
i think her form of preservation is the preservation of the selfish part of humanity and the preservation of human indulgence.
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firstly, we can see from her luxurious home, with everything enlaid with obsidian and covered in blood, shows the materialistic and violent side of obsidian's selfishness. she's here when making a decision about aventurine's fate, and her only comment about it is that SHE would "like everything to become more of a bloodbath". she doesn't care about him individually, she just cares about manipulating the status quo to suit herself - which she can easily achieve in the selfish and greedy ipc.
obsidian, as a stoneheart, being a famous person within the ipc, and an important ipc representative in the cosmos, can also serve as a personification for the cruellest parts of the ipc - the colonization, the violence. its important to recognize that obsidian is pretty, but that's just meant to MAKE us like her, so we ignore the wrongdoings of the ipc.
this wish of her's to maintain the status quo and only manipulate it when it suits her also links her to opal, who seems eager to rush off and get more power from diamond in the upcoming war among the aeons. opal seems to be selfish and manipulative too. i imagine they're quite the devilish pair when they want something.
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i also think obsidian has something to do with life, considering the pomegranates (which represent life) we see next to her bath of blood, and also that obsidian blades were used in the distant past, and that obsidian is formed by volcanos (something destructive that also keeps life in check. the aftermath of volcanic eruptions is death, but also fertile lands).
considering these links to life (pomegranates), death (her love for bloodbaths and watching prey suffer), and pleasure (her extravagant home and preference to indulge in her violent hobbies), it seems that her view of preservation is one that encourages the preservation of the self indulgent, selfish side of humanity.
i think her having so many links to life, death and pleasure can also link to the ipc's motto "all for the amber lord" - everything, life, death and pleasure are all the domain of qlipoth and can be manipulated as much as anyone likes, as long as it suits the ipc and therefore qlipoth.
her viewpoint is that things should remain as they are, and that humanity should remain selfish and self-indulgent (which obsidian relates to, she has her obsidian bath of blood and her wine in her goblet, she wants to relish in the thrill of the hunt of her prey).
(of course, i'm going off of 2 pieces of symbolism, but stick with me. i wonder if any of this will turn out to be right? also HOORAY ERIN YVETTE VOICING SOMEONE IN HSR!!!)
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