#sherlock/original female character

[aziraphalianfangirl]

Mycroft and Sylvia have the "relationship talk". Or do they?

Chapter 22 - The Morning After

i finally updated my fic!! I hope you enjoy <3

[queeringclassiclit]

Irene Adler

from the Sherlock Holmes series (A Scandal in Bohemia) by Arthur Conan Doyle

[ashbrat488]

Ashbrat488 Fanfic Masterlist

Chris Evans

Ransom Drysdale - State of Grace - Complete

Grace Carson was friends with Ransom Drysdale throughout school. Best friends actually, but only in private, their friendship breaking apart after graduation. She went to college, coming back to Boston to work at Harlan's publishing company as an editor. But when Harlan dies, she's thrown back into Ransom's life at the bequest of Harlan himself. Will they be able to get along well enough to carry out Harlan's wishes or will their differences just be too much, leaving Ransom without his inheritance.

Henry Cavill

Henry Cavill AU - Foul Play - Complete

Millicent "Milly" Bailey loses her mother just before her high school graduation and decides to move to England with her newly found father, Darren, she didn't know about until she turned 16. Now she's an American from a small town in Iowa, thrown into a new country and a new culture at one of the most prestigious colleges in the world. She's quiet and mostly likes to keep to herself until she catches the eye of a handsome rugby player, Henry Cavill. Henry thinks it's funny to tease Milly, bullying her with the help of his friends. That is until his last year of school where he really needs to buckle down and obtain the proper grades if he wants to be scouted for the England Rugby Team. Neither of them are happy when the dean, Milly's father, puts them together in their last year for Milly to help him graduate. Can they learn to see eye to eye and get along or will everything fall apart before graduation?

Captain Syverson - Flower In The Desert - Complete

Violet Becker is the daughter of the Major General, and despite her ranking, she refuses special treatment when she gets sent to the middle east in the midst of war. Constantly underestimated her whole life, she finishes medical school and is itching to put her new skills to work. She is left under the command of Edward Syverson who has sworn to her father to protect her. Can he keep his promise or is having to take care of a woman in the middle of a warzone too much for even him?

August Walker - Candy - Ongoing

August Walker, the CEO of a renowned Security Firm located in the bustling streets of Washington DC. His life is a constant juggling act, burdened by the weight of stressful responsibilities. The strain on his marriage is palpable, with his relationship barely holding itself together. However, he remains tethered to his wife primarily for the sake of their son, whom he adores dearly. To find solace amidst the chaos, August forms a unique bond with an escort who goes by the name "Candy." Their clandestine meetings become a refuge for him, an escape from the pressures of his daily existence. For over nine months, their encounters grow in frequency, and August finds himself becoming increasingly possessive of Candy's time, although he strives to keep their interactions as casual as she desires. However, their relationship takes an unexpected turn when August accidentally discovers Candy's true identity. Intrigued by this revelation, he begins to interfere in her life and even meddles in the affairs of her boyfriend, who coincidentally works for him. As August's feelings deepen, he wrestles with the idea of whether he can make Candy choose him over her current life.

Drabbles

Calahan Skogman (Baseball AU) - Sliding Into Home

Sebastian Stan AU - Hope In Love

Bucky Barnes - Torn Pages

Cole Turner (Chris Evans) - Codename: Turtledove

Ransom Drysdale - Speak Now

Steve Rogers - Happy Birthday Captain

Jake Jensen - Dessert

Ari Levinson/Steve Rogers MFM - Pure Smut

Lloyd Hansen/August Walker MFM - Pure Smut

Sherlock (Henry Cavill) - Sherlock And His Cane

Ewan McGregor - Better Than Revenge

Author's Note: I only write for readers over 18. I write a lot of smut. Please do not engage or read if you are under 18. I *do* take requests... I also have a lot more stories on Wattpad (including a lot of Chris Evans) if you would like to check them out there.

Also, all my female characters are always original. No, I do not write y/n or reader stories. I prefer to create actual characters. Just my preference

[darkwitch1999]

☕🥱A Random Headcanon: How Marc Got The Coffee Part I 🥱☕

Collège Françoise Dupont: Boiler Room

Nathaniel: (visibly annoyed) So we’re really doing this, huh?

Nino: Yep.

(Down in the boiler room, Nino had set up a small desk with a desk lamp, a radio that played what sounded like the soundtrack of an old detective movie, a stack of books, and a manila file folder. The teen wore a fake mustache and an old-style detective costume. On each opposing side of the desk stood two chairs, the one on the right being currently occupied by an exhausted Marc Anciel. The poor, tired writer was suffering from the effects of his caffeine crash and could barely keep his eyes open. His make-up was a dreadful mess from when he had his breakdown earlier, his hair was a frazzled mess, the dark circles encased around his eyes looked as though they had gotten deeper and darker, and his body that had before trembled and twitched so terribly now struggled against the intense feeling of exhaustion. Out of earshot in a corner, Nino and Nathaniel discussed Nino’s plan, which Nathaniel found to be very unnecessary, and annoying, and he would have been against taking any part in this ridiculous plan if the artist was not worried about his partner’s well-being.)

Nino: I’m sorry, Nath, but this is the only way.

Nathaniel: There are more than one, much better ways we could handle this! I don’t think this is best for Marc’s well-being right now. Just look at him! (points to the exhausted writer) He needs sleep!

Nino: Look, I get it. Marc’s crashing down from the caffeine and needs rest. But we have to do this for his own good! We need to find out where or more specifically, who did he get that coffee from! (starts counting off his fingers) The first time this happened he asked you to buy the coffee for him because he knew you didn’t know he couldn’t have it. The second time he took advantage of Rose’s kindness and trusting nature to secure the coffee. This time, however, he must have gone to someone who didn’t know that he couldn’t have coffee, and since no one is fessing up, we will have to find out who the guilty culprit is.

Nathaniel: But couldn’t we just ask him after he’s had time to rest and recover? Interrogating him when he’s in this state just seems too cruel. It feels like we’re treating him like some dangerous criminal. 

Nino: (puts a reassuring hand on Nathaniel’s shoulder) Nath, I don’t want to watch him suffer any more than you do, but I’m afraid it has to be this way to prevent another episode from ever happening again. If we let him sleep first, he’ll have more energy and focus to come up with a lie or ID a scapegoat, and it will be even harder to get Marc to confess the truth. Marc may be more reasonable when he’s off the coffee, but he definitely wouldn’t give up his supplier willingly, especially if he knows that the rest of us don’t know who gave him his fix.

Nathaniel: (shoots Nino an incredulous look) “Supplier”? Really, Nino?

Nino: (defensively) Hey, technically caffeine is considered a drug! I looked it up!

Nathaniel: (crosses his arms) Not an illegal one. Hence why I feel like you are treating Marc like a dangerous criminal.

Nino: Oh come on, Nath! The last thing I want to do is treat Marc like a criminal! 

Nathaniel: (raises an eyebrow) Then what’s with the Sherlock Holmes cosplay?

Nino: Because we’re trying to solve a mystery and I thought it would fit the aesthetic! (sighs and pinches the bridge of his nose).

Nathaniel: (appears hesitant) I still don’t like this….this feels like torture.

Nino: Nath, please trust me. I swear we’re not going to torture Marc. Just give us thirty minutes or so to question him, an hour at most. If he doesn’t confess within that amount of time, we’ll back off and let him get some sleep. On the other hand, if he tells us who supplied him with the coffee before the time is up, we’ll let him sleep sooner. And I promise, I’ll back off if he reaches his limit. Whatever happens during this, I won’t make Marc suffer more than he already has.

(Nathaniel pondered for a moment, considering Nino’s plan and compromise. The artist still felt conflicted about putting his partner through an interrogation while he was so sleep-deprived. He knew how physically exhausting the combination of caffeine withdrawal and insomnia from the previous night was on the writer along with the mental and emotional exhaustion of the pressure that Marc was clearly under mixed in with the aftermath of his breakdown from earlier. Nathaniel wanted Marc to rest. He wanted Marc to get better. He wanted to see that beautifully contagious and unburdened smile spread across his partner’s face again and never to see that strained and unhinged smile or the exhausted frown again. However, as guilty as Nathaniel felt for even considering going along with Nino’s plan, he also knew that Nino made some truthful points to defend his plan. Nathaniel didn’t want to admit it, but Nino was right when he argued that Marc wouldn’t easily name whoever gave him the coffee. Rose and himself were willing to own up to mistakes those times they had given Marc coffee, but this time no one is willing to admit that they had given Marc coffee. And knowing the writer, he would try to play off that “everything was fine” and there was no need to worry about who gave him the coffee, desperately trying to avoid talking about what had been bothering him so much and what was causing all the stress and pressure that he was under in the first place. Marc was never one to be willing to talk about his problems with others and always tried to appear as if everything was okay as best he could because he didn’t want to make others feel worried about him. If they were going to have any chance of finding out how Marc got coffee, now was their best and possibly only time while the writer didn’t have the energy to resist telling the truth.)

Nathaniel: (sighs) Forty minutes. We’ll question him for forty minutes and no more. And when I say “that’s enough”, I mean that’s enough. We won’t push him any farther than he can handle.

Nino: (nods in agreement) Alright, deal! Now that that’s settled, let’s get to it. Get ready to assume your role, good cop!

(Nino took a deep breath in and out as he adjusted his usual demeanor into a more serious demeanor as he now bore a stoic expression on his face. As Nino started walking towards the desk, Nathaniel rolled his eyes in annoyance.)

Nathaniel: (annoyed) Right, forgot that Nino wanted to do “Good Cop, Bad Cop” too.

(The two boys approached the desk where the exhausted writer now had his head face down on the desk, moaning in discomfort. Nino sat in the desk chair opposite the writer while Nathaniel stood next to the cosplaying detective. The “detective” then reached into his coat pocket and pulled out a tube of bubble solution and a bubble wand.)

Nino: (blows bubbles from the bubble wand with a stern look) Rise and shine, Marc.

Nathaniel: (smiles nervously) H-Hey Marc…um…how are you feeling?

(Marc rolls his head to the side, revealing his dreadfully exhausted face to the other two boys.) 

Marc: (moans) My head…feels like it's going to split open…

Nino: (blows another bubble) Mhm. That would be the caffeine withdrawal hangover for you. Though we both already know that you are well familiar with the feeling.

Nathaniel: (shoots Nino a warning look) Nino…

Nino: (clears his throat, unfazed by Nathaniel’s glares) Anyway, enough beating around the bush. It’s time we all talk.

(Marc lifted his head off the table to give the “detective” an annoyed, tired look. His expression then turned into one of confusion as he took notice of the outfit that the young boy was wearing. The writer turned to look at Nathaniel with an eyebrow raised in confusion.)

Marc: Nath, why is Nino dressed as Sherlock Holmes?

Nathaniel: (sighs heavily and pinches the bridge of his nose) I have asked the same question, Marc. 

Marc: Wait, does that mean you are supposed to be Watson?

Nathaniel: (shakes his head and glances annoyed at Nino) No, apparently I’m supposed to be “good cop”.

Marc: (tilts his tired head in confusion) Wait…(yawns)...I’m confused….(points to Nathaniel) If you’re “good cop”...(points to Nino) and you’re “Sherlock Holmes”....then who’s “bad cop”...or…what’s even going on here? What are you guys even doing?

Nathaniel: (smirks) Actually, Nino’s supposed to be the “bad cop”. The Sherlock Holmes cosplay is just Nino doing his own thing.

Marc: (gives Nino an incredulous look) You do realize your “Sherlock Holmes” cosplay doesn’t make any sense if you guys are doing “Good Cop, Bad Cop”, right? I mean, for one thing, Sherlock Holmes was far too intelligent and dignified to resort to such a cliche interrogation tactic that wasn’t even developed during his time! Not to mention that Sherlock Holmes didn’t even work for the British Police! Yes, they did work together on a few cases, specifically with Inspectors Lestrade and Gregson the most, but still-...

Nino: (slams his hand hard on the desk, startling Marc with a jump) That’s enough out of you! Nathaniel and I are the ones asking the questions here, Anciel!

Marc: (rolls his eyes) And I thought Jean was over dramatic…

Nino: (regains his composure and clears his throat again) Anyway, I hardly think that you’re in any position to judge my choices right now. After all, you’ve made some rather “questionable” decisions yourself recently, now have you?

Marc: Not more questionable than your choice of interrogation methods…or fashion…

Nino: Got nothing to say, huh? That’s fine, we’ll start things off then. (opens the manila folder) I don’t care to mince words with you, so I’m just going to come out and say it. (picks up three pictures from the folder) We all know that someone gave you coffee and we know that someone had to be someone who didn’t know that you couldn’t have coffee for reasons that we all know too well, i.e. one of these three prime suspects.

(Nino places all three photos in front of Marc. The first photo was of Zoé Lee, the second was a photo of Devin Nolan, and the third photo was of Noelle Odeja. Marc takes a brief look at the photos and averted his gaze away from the pictures.)

Marc: You don’t know what you’re talking about, Nino. You couldn’t even be more wrong. (smirks tiredly) That ridiculous hat you’re wearing might be too tight.

Nino: (smirks, unfazed by Marc’s remark) Seeing as though you still have enough energy to be cheeky, you’ll have no problem naming your supplier.

(Nathaniel rolls his eyes at Nino using the word “supplier” again.)

Marc: What makes you think that someone gave me the coffee? How do you know I didn’t just get the coffee myself?

Nino: You mean other than the fact that you’ve done this before?

Nathaniel: (places a hand gently on the writer’s shoulder) Marc, we know you didn’t get the coffee yourself. We know your moms won’t let you have coffee and for good reasons, too. (The writer shifted his eyes away from Nathaniel, but the artist continued.) We also know that the coffee you’ve been drinking is from your mama’s shop since you would never betray the family business by drinking coffee from a different coffee shop, which brings us to the ultimate reason why we know that someone bought the coffee for you. You would never even think of trying to steal coffee from your mama because too good of a person. 

(Marc remained silent, knowing he couldn’t argue with their reasons given that they were right. Marc was raised too well to steal anything and would feel like a traitor if he tried to buy coffee from anywhere other than his mama’s shop. Nino noticed how quiet the writer had become and smiled a satisfied smirk.)

Nino: (smugly) I’ll take your silence as proof that we’re right. Now then, as we speak, our three prime suspects are currently being interrogated by my lovely partner and her best friend…

Marc: (rolls his eyes in annoyance) Great…Alya and Marinette are doing this too, huh? Let me guess, is Alya dressed up as well? Is she Watson? Or maybe she’s that reporter from New York who always writes about Majesta?

Nathaniel: (raises an eyebrow) C’mon Marc, it’s Alya. 

Marc: Yeah, you’re right, Nath. (smirks at Nino) She doesn’t quite share the same flair for the overdramatic as other people do (snickers).

Nino: (slightly offended) Mock me all you want, Anciel. One way or another, we are going to find out the truth. We don’t care how long it takes. We’ll keep going all day and night if we have to.

Marc: (smiles smugly) We can’t stay on school grounds past five.

Nathaniel: And we’re not doing this any longer than forty minutes.

Nino: We’ll keep going till five if we have to.

---------------------------------------------------------------------------------------------------------------------

Detective Nino is on the case (whether anyone asks or not)! Anyway, hope you guys enjoyed this continuation of the "Why Marc Shouldn't Have Coffee" saga. I was going to do a full headcanon, but I decided to split it into parts since it was getting rather long. Probably a bit out of character for Marc to be a sarcastic, smart mouth in this headcanon, but in his defense, he's exhausted. Stay tuned for part two when we read about Alya interrogating the three suspects. Who do you think did the crime? Share your thoughts, opinions, and theories about the guilty party.

@andromeda612 @artzychic27 @username8746489 @nerd-chocolate @imsparky2002 @msweebyness

[hyper-fics-sationn]

I'm also thinking of continuing this fic too and turning it into some wild out-of-control love story where they really get to know each other and fall in love with each other and dine in fancy London restaurants, drink in the highest class of London bars, spend days desperate to see one another without the intrusion of the press or public eye, hiding in the back of overly expensive coffee shops, walks in the middle of nowhere, stupidly expensive gifts for her, nights unable to get enough of each other in his gorgeous London apartment and finally realising that they just cannot be without each other... did I just basically explain the pretty woman plot? idk man just imagine living your fancy London dream with Benedict on your arm

[ashleykeetonart]

Who are these cuties?!?! Why, it's Strudel and Sherlock! I drew this image as part of Art Fight 2023! I love @sadl040s character Sherlock, so I got permission to draw him with my bunny gal, Strudel! I wrote up a cute little story for this image below ~<3

Sorry for my inactivity. I've been through quite a lot in the few years since my last post, but I hope this is my permanent return to creating art!

After a long and tumultuous day, Sherlock makes his way to Strudel's house. She said she wanted to make a 'special surprise' for him, but that she needed his help. As he entered the kitchen he saw her busily gathering ingredients.

"Oh, you're just in time!" Strudel squeals with joy. She takes his hand and leads him towards the counter, quickly opening up a cookbook and pointing to a delicious mint-flavored chocolate cake.

The two spend their time together preparing a delicious cake, laughing and joking with one another. After hours of preparation, baking, and a couple of snack breaks, the two get to marvel at the fruits of their labor. Strudel makes the first slice into the cake, gently lifting a dollop of the handmade icing she crafted to his lips. Sherlock happily laps it up, surprised by how intense the flavor is.

"So, was this a nice surprise?" Strudel teases him.

"Absolutely!" Sherlock nods, a warm and genuine smile on his lips.

[jyuu-daime]

i will never forgive tumblr for what they did to cbs elementary you're telling me that in 2012 we had by far one of the most interesting and accurate depictions of a MODERN sherlock holmes with cute little easter eggs and characters from the original stories with great characterisation, INCREDIBLY written female characters (PLURAL), and one of the best platonic relationships that i've ever seen in media, SEVEN WHOLE SEASONS 154 EPISODES and you still chose bendysnap crunchyback. you were all too obsessed with english people and bad yaoi to see

[savvy-devine666]

Chapters: 2/2 Fandom: Sherlock (TV), Sherlock BBC Rating: General Audiences Warnings: No Archive Warnings Apply Relationships: Mycroft Holmes/Original Female Character(s) Characters: Original Female Character(s), Mycroft Holmes, Mary Morstan, Anthea, Mrs Holmes, Mr Holmes Additional Tags: Romance, Fluff, Friendship, wedding fic, Oneshot, How Do I Tag, what do i tag? Series: Part 14 of Roads Less Walked Summary:

While helping Mary make preparations for her wedding to John, Melody Holmes recounts her wedding to Mycroft

[afteriwake]

I know I don't normally post fic that aren't mine/related to my fic here, but my friend has been having a rough time this year and she's really proud of this fic, and I have a lot of BBC Sherlock fans on my account so I figured I'd share. It's Sherlock/OFC but @sobeautifullyobsessed just writes the everloving shit out of OFCs so give it a chance for some Christmas fluff? I'm going to treat myself to it tonight, too.

Happy Christmas, Mr. Holmes

Sherlock Holmes x OC, established relationship, some fluff, some romance, humor, and sweet holiday feels🎄❤️🎄 four chapters, complete

Christmas comes to Baker Street in a form Sherlock Holmes had never envisioned. There's a sweetness in seeing the holiday through someone else's eyes, and there are lessons in holiday spirit and the nature of giving--as well as how Love makes the season even brighter--to be learned.

(One of my oldest fics, this is also one of my favorites ~ for it was motivated not only by my love for BBC Sherlock, but even more so by my love of Christmas. I put a lot of my heart into this one, and if you should give it a read, I hope you find it pleasing, and in keeping with the season! Excerpt under the cut.)

Somehow, without even meaning to, Sherlock's path had taken him here: Notting Hill, Saint Mary of the Angels Church. He certainly had not intended to end up here, not as he left the shoppe (its final customer of the day), his hot food wrapped up to be consumed along the way. Had he been woolgathering so much that he'd moved without thinking to the place he knew Tessa to be? Or, he asked himself truthfully, had he intended to get here all along, knowing that his heart really did long for the comfort of community which the brightly lit church represented, the warmth that seemed to flow out with the strains of music coming from within? The thought of Tessa inside, joined in prayer and song with others of her faith--was that the magnet that drew him here? A man who stood outside of everything this building represented, yet now wanted nothing more than to do as he was doing--opening the door to feel the tide of shared and simple Christmas gladness wash over him.

Sherlock allowed himself to enter the vestibule, but stopped there, feeling it was enough for now. He knew, not just from what he could hear (and remembering similar services he had attended as a boy), but from the time itself, that the service was almost over. It was quite enough to imagine her inside, singing joyfully, and most likely wishing he was there to share it with her. He felt a sense of peace that had eluded him all day long, a sense of belonging that had for so many years been out of reach. He thought of those who had made it possible for him to feel he finally fit in somewhere--of John and Mrs. Hudson, of Lestrade and Molly, and of his Tessa, who had worked a minor miracle of sorts; they had gotten him to this marvelous threshold, and she had managed to carry him across it at last. Sherlock felt such a swell of love for all of them, that he was grateful to be alone, fearing the light of it would shine so obviously upon his face that he might be taken, by strangers, for a fool...

tagging: @strangedreamings (who may have seen this a few times before😉) @ben-locked (putting the 'ship' aside, just for the Christmas feels?) @mousedetective @darsynia (because you 'get me' enough to appreciate this fic) @aphroditesdilemma @hithertoundreamtof23 (dunno if you like Sherlock, but I'm betting you like Christmas stories) @aeterna-auroral-avenger (for the Faith we share & which makes you a Christmas person 365 days a year)

[aziraphalianfangirl]

Mycroft and Sylvia end their passionate session on a different note than expected. tw: dom/sub smut

Chapter 21 - Unwise, my dear

welp here we are guys i need to move the plot along but apparently all i can write are smut scenes so here have 3 whole ass chapters of sex my mind is in the gutter.

have some of Mycroft's fierce photoshoots

[beekeaper]

Sherlock Holmes became an adaptation of an adaptation.

By watching several adaptations, it is possible to see how Holmes' personality begins to change over time, and how some adaptations are very similar to each other, not because they are based on the same book, but because they are based on each other instead of being based on the canon.

For example, the stereotype that Holmes is cold and emotionless, even though in the book Watson indeed says that Holmes is "a machine", Watson still describes him as sensitive, gentle, Holmes compassionate towards the clients who need it most. In addition to the explicit affection he has for Watson and how he respects Watson's feelings.

In older adaptations, Holmes has a personality and attitudes that are more faithful to the books, until the 2000s, Holmes' personality was consistent with the canon.

From the 2000s onwards, the adaptations became increasingly distant from the canon and began to be based on existing versions of the character instead of the canon, and thus a whole new perception of the character was created that did NOT match AT ALL with his original counterpart.

(very long post)

And it's not just Holmes' personality that is affected, but his dynamic with Watson and the history and personality of the other characters ends up being affected. For example, Irene Adler.

Although the interpretation of Irene as Holmes' romantic partner has existed for decades, since the 19th century, and even though she appeared in ONE short story, and was the only woman to beat the great detective, her relevance in having been a woman at that time and having been smarter than Holmes was transformed and reduced to her being Holmes' love interest, BUT even then, there isn't THAT many adaptations where Irene is portrayed this way how people think

First, there is Alice Faulkner, Holmes' romantic partner created by William Gillette, an original character inspired by Irene Adler, but very different from Irene. Holmes helps her and falls in love with her, kinda cute. (almost everyone knows) William Gillette is also responsible for the image of Holmes with the big pipe and the famous phrase never said by the canon Holmes "Elementary, my dear Watson". This is where the first influence on the other adaptations begins.

William Gillette's Holmes inspired the adaptations by Clive Brook and John Barrymore. Brook's version Holmes has a wife like Alice, and Barrymore's version is an adaptation of Gillette's film.

‼️This is all referring specifically to visual media such as movies and tv shows.

From decades before until the 1950s (not included), there is no Irene Adler. Of the more than 30 adaptations, four of them have an original female character as a romantic partner to Holmes. From the 50s to the 80s (not included), there are 30 other film and television adaptations. Where Irene only appears in 1976 in “Sherlock Holmes In New York” with Roger Moore as Holmes, and I believe that this is perhaps the FIRST version where Irene and Holmes really have a romance.

In this movie, half of the time, it is shown how Holmes loves Irene Adler and misses her, until a case ends up taking him to New York, to meet the woman he loves so much, BUT in the end, after he discovers that he has a son with Irene, he simply decides that he cannot stay with her and their son, because he has a whole life in London and cannot leave everything like that. Father of the year.

Before that, of course, there is “The Private Life of Sherlock Holmes” in 1970 by Billy Wilder, where he has the character of Gabrielle, which may have been the starting point for Irene Adler's transformation.

There were two adaptations in the 1970s where a man ends up in a type of psychosis that makes him believe he is Sherlock Holmes and a doctor named, by coincidence of course, Watson, and she is the one who helps him. In the first film, “They Might Be Giants,” Holmes and Dr. Watson fall in love.

At this time, it has the movie “The Seven Per-Cent Solution,” where Freud helps Holmes overcome his “aversion to women” and at the end of the movie, Holmes meets a potential female love interest.

Of all the 33 films from this period [50s-80s], there is ONE movie where Holmes is implicitly homosexual, ONE movie where H&W fall in love, ONE movie where Holmes has an original female romantic partner and ONE movie where Holmes and Irene Adler were a couple.

Irene only appears then in the “Soviet Holmes” series from (1979), where although it seems that Holmes may have feelings for her, she is not a love interest.

From the 80s to the 2000s (not included), of the almost 40 film and television adaptations, Irene Adler only appears THREE TIMES.

In 1984 in the film with Peter Cushing “The Mask of Death”, where Holmes seems grumpy with the mere presence of Irene and complains about how he lost to a woman. In the same year also Irene appears in “Granada Holmes” which is probably the most faithful adaptation of the tale of the Scandal in Bohemia.

Irene only appears AGAIN in 1991 in “The Leading Lady” with Christopher Lee, where Irene has no self-respect whatsoever and has only one mission in this movie, which is to marry Holmes. She literally says that she DOESN’T CARE IF HOLMES DOESN’T LOVE HER, she wants to marry him and ends baby trapping him.

In 1994, there was the pilot episode of the series that would be called “Baker Street: Sherlock Holmes Returns”, which is a remake of the 1987 pilot episode “The Return of Sherlock Holmes”. In the first version, Holmes wakes up from cryogenics and meets Watson’s granddaughter, Jane, and from her, he learns that it is okay to be gay in the 80s. In the second version, Holmes is found by a doctor named Winslow who falls in love with him, but Holmes shows no interest in her.

In the late 90s, there is “Shirley Holmes”, who is Holmes' great-great-granddaughter-niece (?), her father is a Holmes and her mother is a doctor named Joanne. There is also “My Dearly Beloved Detective” where H&W kiss, the movie is mainly about love.

From this period, of the three times that Irene appears, only once she is a love interest and other THREE adaptations that put H&W in a romantic position.

So until the 2000s, of the more than one hundred adaptations, Irene is Holmes' love interest ONLY TWICE.

Of about 61 film and series adaptations produced since the 2000s till this day, EIGHT adaptations have Irene Adler as Holmes' romantic partner and another EIGHT adaptations where Holmes has other originals female characters as romantic partners.

And just because I'm a math teacher:

It's worth noting that the number of adaptations (movies and tv shows) in 25 years is almost equivalent to the number of adaptations (movies and tv shows) in ONE CENTURY.

From the first sample of adaptations (movies and tv shows) from the period 1900-1999, there were 104 adaptations.

Irene as a romantic partner: 2 (± 2%)

Original Female Character: 4 (± 3.8%)

H&W in a romantic situation (corresponding or not, explicit or not): 4 (± 3.8%)

From the second sample of adaptations (movies and tv shows) from the period 2000-2025, there were 61 adaptations.

Irene as a romantic partner: 8 (± 13%)

Original Female Character: 8 (± 13%)

H&W in a romantic situation (corresponding or not, explicit or not): 7 (± 11.5%)

Irene Adler as love interest from the 2000s onwards:

“The Royal Scandal” with Matt Frewer, their relationship is implicit, this movie sucks, but other Frewer movies are good, as is Clive Merrison, Frewer is one of the only actors who has a voice that most closely matches the description of Holmes' voice in the canon. Also in the television film “Sherlock Holmes and the Baker Street Irregulars”, where Irene spends most of the movie disguised as a man, because of course that the ONLY WOMAN Holmes could fall in love with, dresses as a man. And then we have the Robert Downey Jr. films where despite explicitly showing the romantic relationship between Holmes and Irene at the same time it implicitly shows the romantic feelings between Holmes and Watson. And then we have “Elementary” (2012-2019), “Шерлок Холмс” (2013), “Sherlock Gnomes” (2018) and the most recent “CBS Watson” (Holmes is dead but they still made sure to let us know that Irene and Holmes had an affair.)

So, it was here, in the 2000s that the adaptations really began to change and became adaptations of each other. Holmes lost his personality and became another character. The canon stories were replaced by “fanfics” of other adaptations. (Irene Adler case)

I consider that three adaptations are mainly responsible for the CURRENT image of Sherlock Holmes, and that it is from these three adaptations that the image that we have (in the contemporary era) of Sherlock Holmes was perpetuated and is the basis for the adaptations produced more recently.

The first is House M.D. (2004-2012). Although the general public does not know that it is based on Sherlock Holmes, House influenced other adaptations, especially the personality that Holmes has today. The cliché of the super-intelligent, cold, calculating, emotionless male character begins here. Even though House is not exactly that trope. The image of Holmes being insensitive to clients/patients, his arrogance and being an ASSHOLE starts in House. Including the way he treats or mistreats Watson/Wilson.

The second adaptation is the Robert Downey Jr. films as Holmes (2009-2011). He turns Holmes into an action hero, which Holmes is not, his personality does not match the canon at all (in these movies, this is not a problem). But the main influence of RDJ Holmes is Holmes as an action hero, and being SLOPPY. He dresses badly and does not keep a clean appearance. It looks like he has not showered in months. I know he STINKS.

And then we have the third adaptation, which is where the adaptations of other adaptations begin: BBC Sherlock (2010-2017). BBC Sherlock could almost be an adaptation of “The Private of Sherlock Holmes” considering the amount of similarities and references to Billy Wilder's film and the number of times Moffat and Gatiss said that this was their favorite film and INSPIRATION. BBC Sherlock is set in the modern era as Basil Rathbone's film series was then, it also makes references to the 1965 BBC series with a background appearance by Douglas Wilmer, they made reference to “Granada Holmes” in “The Abominable Bride”. And considering that RDJ Holmes is (I believe) the FIRST adaptation that decided to have Irene Adler working for Moriarty, it can be considered that Irene Adler from BBCSH, besides being an adaptation of Gabrielle from “Private Life of Sherlock Holmes”, is also inspired by Irene from the movie.

Still, controversy, but BBC Sherlock also suffers from the influence of House, mainly in Sherlock’s PERSONALITY. He has a personality quite similar to House’s.

So we have BBC Sherlock that is inspired by other adaptations and other adaptations that are inspired by BBC Sherlock. They are adaptations based on others adaptations, where the original Holmes gets lost and it is no longer possible to recognize him.

House influenced BBC Sherlock, Elementary and CBS Watson. Although Elementary suffered from the obvious comparisons to BBC Sherlock, it clearly follows a House approach style, including the opening of the show is inspired by the 1965 BBC series. And even with the influences of other adaptations, Elementary managed to maintain a personality more in keeping with Holmes, despite the sexual appeal that Elementary Holmes has (I believe it's House's fault). This Holmes has character development and takes a more serious approach to being neurodivergent and queer, and to his addiction. Unlike both House and BBCSH, which do not fully address Holmes' autistic, or his sexuality, and in the case of BBCSH at no point does it seriously address Sherlock's addiction problem.

And again, possibly influenced by Irene from the Warner Bros. films, we have an Irene Adler who works with Moriarty, and spoiler alert, not only does she work with Moriarty but is actually Moriarty herself. In addition to having a romantic involvement with Holmes, and Moriarty (her own counterpart) being an obstacle in their relationship (as in the film).

CBS Watson series has a big problem, being from the same producers as Elementary, even though Elementary managed to maintain consistency and a certain fidelity to Holmes' personality, CBS Watson ends up having almost no personality, being similar to House, and with a Watson that seems trying to be Holmes at all times. In a way, CBS Watson is an adaptation of another adaptation: House, which is inspired by Sherlock Holmes.

RDJ Holmes has influenced two Russian adaptations, “Sherlock Holmes” from 2013, where despite expectations that it was inspired by the Soviet series from 1979, the new Russian Holmes is very similar to the ways of RDJ Holmes, sloppy and careless. The series plot is that Watson narrates the adventures of Sherlock Holmes, but the Holmes he writes about is not the same as the real Holmes he lives with. Even though in this context, fidelity to the canon somehow does not need to exist. It still shows the influence of RDJ's films. And again, Irene Adler here is Holmes' romantic partner.

As for the NEW Russian series “Sherlock in Russia” (2020), despite its originality and very well produced, we have an almost sloppy Holmes, long hair and a goatee, that yes, is RDJ's fault.

Being the most influential of the post-2000s adaptations, BBC Sherlock influenced several other adaptations, such as: “Miss Sherlock” (2018) which is not only inspired by BBC Sherlock, but clearly an adaptation of BBC Sherlock in a modern Tokyo setting where Sherlock and John are women. (An adaptation of another adaptation that was inspired by other adaptations). “Sherlock Untold Stories” (2019-2022) which is also heavily inspired by BBC Sherlock visually, but unlike Miss Sherlock it manages to be more original.

Moriarty the Patriot's Sherlock. Both the manga and the anime are, in my opinion, the best adaptation of Sherlock Holmes, both in the original plot and in how they adapted Moriarty and the canon to the context of the manga universe. However, Sherlock is clearly inspired by BBCSH's Sherlock. Some parts of the manga are also very similar to the events of BBC Sherlock.

And the most controversial one: Sherlock and Co. And I say this not as if they deliberately decided this. It's undeniable the impact that BBC Sherlock had on the general public's perception of WHO SHERLOCK HOLMES IS. Considering that the producer himself said that they had three audiences that they had to balance when making this adaptation, one of them being the "Johnlocker Community". Evidencing the HUGE impact that BBC Sherlock has even on the general Sherlock Holmes fandom, and yet, the producer said that he didn't know about queerbaiting when the allegations started that SH&Co. could be queerbaiting, remembering that no adaptation is obligated to make H&W a couple. This fact happened precisely because of the public's perception of how SH&Co. is similar to BBCSH and not just because it is set in the modern era. Observing the fandom, especially in the beginning, it was perceptive that SH&Co. was being treated as an extension of BBC Sherlock. So by EXTERNAL CONSEQUENCES, I will consider that SH&Co. Whether willingly or not, he suffers from the direct influence of BBCSH (and its fandom).

And then there's the Netflix problem. I haven't read the Enola books (yet), and I have no idea how Holmes is adapted in her books. But Henry Cavill Holmes is a consequence of BBCSH and RDJ. It's as if they had a son, but he clearly pulled Sherlock's hair more (BBCSH).

And Irregulars, only Netflix know where they got their inspiration from to do that. And Holmes is sloppy again, it's RDJ's fault. And taking inspiration from Sherlock in New York, Netflix's Holmes also abandons his daughter even though he says he loves the child's mother more than anything. Eleven worse, Irregulars Holmes neglects his daughter for FIFTEEN YEARS, but her mother is the love of his life and could let the world end if they could be together. And for some reason Watson loves that jerk.

(also is like benedict and jonny lee miller had a child)

And the light at the end of the tunnel came, unexpectedly, from the CW. Finally an adaptation that is not based on another adaptation, that despite the original approach, it is still noticeable that it is in fact based on the canon and does not suffer from the influence of other adaptations.

This is based on a twitter discussion, but mostly on a comment from an oomf.

English is not my first language, I am smarter in Brazilian Portuguese

[ashbrat488]

Henry Cavill Masterlist

You will find all Henry Cavill (and his characters) related fics

Flower In The Desert (Captain Syverson)

Complete

Foul Play (Henry Cavill Rugby AU)

Complete

Candy (August Walker)

Ongoing

[therealsaintscully]

The year is 2025, and here I am, still very troubled about BBC Sherlock. Now, it's been a while since I wrote any Sherlock meta, but there's something that's been bugging me, and I’d love to get people’s input and thoughts.

I'm a screenwriter—not a professional one, but an autodidact. I haven’t had anything produced, but I have written several original screenplays. One of the most basic things you learn as a writer in general, and especially in screenwriting, is the concept of the character arc. It’s the art of starting a character off as one thing, taking them through a process of deconstruction or challenge, and letting them emerge as something different.

An exercise I enjoy is watching films or TV shows and analysing a character’s arc. I try to spot hints of how a character will change by the end of an episode, a season, or the entire series. That’s part of why I particularly love Michael Schur’s shows—Parks and Recreation, The Office, Brooklyn Nine-Nine. In the Michael Schur universe, character arcs are blatantly laid out for you in the pilot episode. There’s absolutely no need to philosophize or guess: the characters often state it themselves, or it’s clearly expressed through others.

Take, for example, Michael Scott.

In the Office pilot, he’s genuinely a terrible boss and a trashcan of a person. But we’re immediately shown his arc via one simple prop: a coffee mug. “World’s Best Boss.” That’s his journey—to become that boss, if not in the world, then at least in Dunder Mifflin.

Or take Jake Peralta. In B99’s pilot, Terry introduces the squad to Captain Holt with:

“Jacob Peralta is my best detective — he likes putting away bad guys, and he loves solving puzzles. The only puzzle he hasn’t solved… is how to grow up.”

From that alone, you know where Jake is headed. By the end of the show, he’ll still be the squad’s best detective, but he’ll also be a grown-up: a dad, a partner, someone who takes his job seriously and earns the respect of his captain.

In the Parks and Rec original pilot script, Leslie outright declares that she’ll be America’s first female president. In the aired pilot, the message is softened a bit when Leslie says:

“You know, government isn’t just a boy’s club anymore. Women are everywhere. It’s a great time to be a woman in politics. Hillary Clinton, Sarah Palin, me.”

There it is: Leslie’s arc will involve her rising through the boys’ club of American politics and becoming a truly great public servant (and maybe—even if it’s never clearly stated—the first female president).

So now that I’ve set the scene a bit—understanding how a character arc is seeded in a pilot—let’s talk about Sherlock.

What are we told about John and Sherlock in the pilot that sets up their character arcs?

Let’s start with Sherlock, because that one is spoon-fed to the audience—by none other than Lestrade. In response to John’s question, “Why do you put up with him?”, Lestrade says:

“Because Sherlock Holmes is a great man. And I think, one day, if we’re very, very lucky, he might even be a good one.”

That’s it. That’s Sherlock’s arc. The writers are telling us outright: here’s a brilliant but emotionally disconnected man. And the journey ahead of him isn’t about intellect, but about goodness. About connection, humanity, compassion. Becoming not just great, but good. And, if I might add a bit of Johnlock, not just to anyone—but through John, with John, and ultimately because of John.

Now, John’s arc is a little less obvious in my opinion, though just as important—and it’s given to us by Mycroft, who says:

“You’re not haunted by the war, Dr. Watson—you miss it.”

To me, this says: here is a traumatized soldier who never fully came back from war. He’s unmoored, disconnected, half-alive. "Nothing ever happens to me." And the arc we should expect? A man who, over time, things happen to him and he finds peace. Who finds meaning in his civilian life—back in London, in friendship, in purpose, in (perhaps) love. Who, by the end of the series, no longer misses the war.

That’s the setup. That’s what we were promised. Or at the very least, that's what I feel I was promised.

Only… whatever I feel was promised never actually happened.

In fact, Sherlock ends up delivering the complete opposite. In Seasons 3 and 4, the show leans into Sherlock as a mythic, near-supernatural figure—the “adult who never was a child.” This directly contradicts the idea of humanising him. The sudden introduction of Eurus shifts the focus from internal growth to external spectacle. His evolution becomes a reaction to trauma, not a conscious transformation toward goodness.

By the end of The Lying Detective, Sherlock is still fundamentally isolated and emotionally unavailable. Despite supposedly learning to “connect,” he doesn’t share emotionally in any meaningful way—not with John, not with Eurus, not with Molly. The “I love you” scene is a puzzle to be solved, not a moment of genuine vulnerability. John and Sherlock’s confrontation at the end of TLD achieves absolutely nothing in terms of their openness or intimacy.

Sherlock's arc—of becoming a good man—is never achieved. Now, we can argue about that, because Sherlock is a softie at times. He is kind. And don’t get me wrong—when Michael Scott leaves Dunder Mifflin, he’s by no means a perfect boss. But he’s loved by Pam, he’s missed by Jim, and the Dunder Mifflin team has learned to respect him in their own way.

I know some of you are itching to shout that Sherlock's arc won't be complete without S5 and in theory, I agree! But! Lest we forget, Lestrade’s “prophecy” (supposedly) comes full circle in The Final Problem:

"No, he’s better than that. He’s a good one."

This, supposedly, is the great moment of The Payoff. Here stands Sherlock, A Good Man™.

Which… always makes me scratch my head.

Is he, Lestrade? Really? What is it, exactly, in those last few days that convinces you of that? What moment between The Six Thatchers and The Final Problem gives you that impression?

Nothing. Really—nothing. This, for me, is absolutely zero character arc payoff.

Now, what about John—who was supposed to come back from the war, or at most, get his adrenaline kicks chasing criminals with Sherlock through the streets of London?

Mary’s death completely hijacks John's growth as a character. Rather than showing John finding stability in his marriage and family (or with Sherlock, in whatever shape that takes), the show strips it all away. And worse, it distances him from Sherlock once more—throwing him into another spiral of guilt and rage, effectively rebooting his trauma rather than resolving it.

The finale gives John no closure. We don’t know where John is emotionally by the end of The Final Problem. Is he at peace? Are we supposed to believe that a happy montage fixes everything? Does he still crave danger? Does he still feel violent impulses toward Sherlock?

I can’t even begin to think when or how Mycroft’s seed of John’s arc—“you miss the war”—comes full circle in The Final Problem. Unlike Lestrade’s line about Sherlock, there’s nothing that brings that theme to any kind of resolution. It’s as though Moftiss forgot to give John a conclusion altogether.

I’ve sometimes wondered if Sherlock’s words to John in TLD—“We might all just be human”—were meant to gesture at John’s arc. But… why would it?

John never struggled to understand that he was human. That wasn’t his arc. That wasn’t his flaw. He knew he was human and he always craved for that humanity from Sherlock. So what, then, was that line supposed to resolve?

I can play devil's advocate here. Character arcs can be negative. A character doesn't always have to have a happy ending, and had Moftiss boldly done that, I would have appreciated it. But they hadn't- they give us a weird ass montage with John and Sherlock happily giggling at Rosie. It's just feels like there's absolutely no conclusion for John, whether negative or positive.

Adding insult to injury, Mary’s 'speech' during the final montage is actually dismissive of their "growth":

“There are two men sitting arguing in a scruffy flat. Like they’ve always been there, and always will.”

Which completely negates the idea that they’ve changed. At that point, they’re not like they’ve always been. John's quite possibly worse than when we met him.

“The best and wisest men I have ever known.”

Again—what’s with the John erasure? Let’s say, for the sake of argument, Sherlock is better now—what makes him wise? And John’s arc was never about becoming wise, so what does that even mean?

“My Baker Street boys.”

Are they? Are they still the Baker Street boys (I hate that nickname)? We’re never told if John and Rosie move back in. In fact, in a Q&A Moftiss declare John does not return to Baker Street.

And that’s just it, isn’t it?

The Final Problem finale doesn’t fail because it was mysterious or ambiguous or hilariously bad or tragic. It fails because it abandons the emotional contract it made with its viewers in the very first episode. It forgets the arcs it promised, the healing it hinted at, the people these characters were meant to become.

We didn't need a happy ending. But we did need a real one.

[thethirdromana]

Things I like about reading original novels written by fanfiction authors:

Gripping, dramatic, character-driven plotlines

Convincing romances with well-written sex scenes

Three-dimensional, morally grey characters with fascinating backstories

Things I don't like about reading original novels written by fanfiction authors:

The bizarre lack of female main characters, wtf is with that, you're not writing Sherlock fanfic any more, you are ALLOWED TO PUT WOMEN IN IT

[hyper-fics-sationn]

IN CELEBRATION OF GETTING 6TH ROW LETTERS LIVE TICKETS FOR NEXT YEAR IM BRINGING BACK MY FAVOURITE BEN DRABBLE FROM LAST YEAR 🫶🤤🤤🤤

The thought of Ben all worked up in the wings/backstage of an awards show but being denied the one thing he wants is so stupidly sexy I just had to jot down this random bit of drabble… enjoy 😶

“Give me…” Benedict spoke out of breath from how badly he wanted it, “One good reason why I shouldn’t have you right here.”

“I’ll do better than that,” She responded, sliding her hands up his chest and onto his shoulders while remaining pressed up against the wall, “I’ll give you two.”

“Go ahead.” He swallowed hard, trying to ignore her fingertips now dancing along his belt.

“The first is that we’re in the wings of a live television broadcast, anyone could approach us at any moment,” She spoke tauntingly close to his lips, “The second being that you’re due to accept or present an award at any moment, too.”

“Fuck that,” He shook his head, opening his heavy eyes briefly before leaning in, in an attempt of kissing her lips and groaning when she turned her head, resulting in his lips just skimming her cheek, “Want you now.” He whimpered into her ear.

“Ben, you can’t even talk in full sentences…” She exhaled a soft giggle, hooking her index fingers into his belt loops and purposely pulling him closer.

“Your fault…” He hissed through his teeth as their bodies touched.

“Getting out there will make it stop.” She shrugged, lightly tugging on his belt loops a coupe of times.

“Don’t want it to stop,” He leaned in again to try and kiss her lips but only kissing the air as she moved back again, “Don’t want you to stop.”

She grinned from his several attempts at both trying to kiss her or form a full sentence — enjoying having the upper hand and enjoying his reaction even more. She let out a shaky breath from the sound of his teeth clattering together from his failed attempts of nipping her bottom lip between them. He dipped his head forward several times as his trembling hands moved up and down her sides, desperately trying to grasp onto her clothing and getting evidently more and more worked up each time she denied him a kiss.

“Ben,” she smirked, turning her head again, “Ben,” she repeated, unhooking one of her hands from his belt loop and pressing her index finger against his pursed lips, “Ben.” She spoke in a more firm tone as he brushed his lips against her finger.

“Hm?” He parted his lips, pushing the tip of her finger into his mouth before whining in frustration as she pulled it back.

“Behave yourself.” She spoke lowly, gazing up at him as she pressed her index finger against his lips with a little more pressure this time.

—

I don’t know what to continue with or whether to continue at all… so if you have any comment or input, feel free to let me know 😂♥️

[tremendously-crazy]

"You can't hate on an entire Sherlock Holmes adaptation just because of how they interpret Irene Norton (nee Adler)-" SHUT UP.

I will hate on an adaptation if it does the following:

makes Irene a love interest for Sherlock Holmes (whether realized or not).

First of all, Holmes is NOT attracted to women, and never experiences a smidgen of attraction towards them in the original stories. ACD could have very easily written him a love interest, but CHOSE NOT TO because it went against the idea of his character. He was never attracted towards women.

Second of all, Irene Adler isn't even Irene Adler. Her name is Irene NORTON. Do you want to know why? Because she's LITERALLY MARRIED. TO A LAWYER NAMED GODFREY NORTON. She already has a husband who she loves very much! She does not love Holmes!

Thirdly, a man can feel admiration for a woman without being attracted to her. Watson literally says in the first part of A Scandal in Bohemia that he didn't feel any emotion akin to love for Irene Adler!!

2. makes Irene into some sort of femme fatalle/sexually appealing

This implies that women can only be smarter than men if they are attractive/hot. That, in order for a woman to be successful, she has to provide something for a man.

Edit: this doesn't mean that she ISNT attractive. She is beautiful and enthralling, which is what makes the king fall for her in the first place. What I mean is when Irene becomes a SEXUALIZED character.

Doing this means she can't just be a smart woman, but that she has to be sexually attractive and mysterious, too! DOING THIS REDUCES HER INTO AN OBJECT OF DESIRE!!!

3. makes her weak/makes her get outsmarted by Holmes

Im not sure if any adaptations have actually done this. But if so. Absolutely not. She challenges Holmes's misogynistic ideals and to reform his views. Because Holmes views women as softer, weaker, and less intelligent (when they are NOT!!) And Irene helps to teach him this. Her lesson is effective!! Because Holmes stops making fun of women. And he changes his ways. Why would you make her weaker? She's SUPPOSED to beat Holmes.

If it does this or anything else I will NOT view the adaptation. You can tell a lot about the adaptors, their respect and accuracy while depicting the original stories, and how they view women, through their interpretation of Irene Norton. She is the most famous female character in the series, after all. Do her RIGHT! READ A SCANDAL IN BOHEMIA BEFORE YOU ADAPT! And if you still make these amateur mistakes, you shouldn't be adapting Sherlock Holmes at all.