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changbunnies · 10 months ago

Text

Scent Of You (18+)

♡ Pairing: Wolf Hybrid!Bang Chan x Fem Bunny Hybrid!Reader x Wolf Hybrid!Changbin

♡ Genre: dubcon, little red riding hood au, fantasy/supernatural au, hybrid au, vague allusions to omegaverse dynamics, porn with plot

♡ Word Count: 7.8k (oops)

♡ Summary: In which a sweet, naive bunny hybrid nicknamed 'little red' becomes lost in the forest at night, and finds herself face to face with the big, bad wolves her grandmother always warned her about.

♡ Warnings: uses the little red riding hood fairytale as a base for inspiration before it devolves into smut, words like "alpha" and other omegaverse terms aren't used but the vibes are There lol

♡ Smut Warnings (contains spoilers): dubcon, pet names (though mostly as a title- such as bunny, little red, and sweetheart), the word slut is used a few times, gendered language such as "dirty girl", scent stuff lol, dom/sub dynamics (dom!chan, sub!reader, allusions to switch!bin), a lot of kissing, size difference, size kink (i'm sorry if you're tall just pretend ur small and they're huge because ur a rabbit and they're a wolf fsdgsdf), oral (m + f rec), spitroasting, some manhandling, some banter and mild rivalry between bin and chan, unprotected piv, dacryphilia, multiple orgasms and multiple creampies

♡ Notes: so i intended to take a small break from writing after finishing crave but inspo struck me as i was trying to fall asleep and i NEEDED to write it so i literally shot up and wrote all of this in one sitting in a cold sweat fsdgdsf so here we are, one last surprise upload before my break <3 it's easily the most self indulgent fic i've written to date dfdgh bunny is my fave petname and this is basically just my excuse to be called bunny in a wolf binchan sandwich lmao this is not as proofread as my other stuff given how quickly i wrote it, and it's my first time writing a threesome, but i hope you enjoy! edit: there is now a sequel you can read here !

♡ Disclaimer: please read responsibly, and remember that this work is fiction and meant strictly for imaginative fun. the idols used in fics are more accurately faceclaims and personality outlines for imaginary characters, and should not be interpreted as factual representations of existing people.

"Please, take care sweetheart. Don't stay out too long," your grandmother warns with a tender kiss to your forehead as you prepare to head out for the day, pulling the hood of your long, red cape up over your head, tucking in your hair and covering your lopped ears.

"I know, grandmother, I know! I'll be back before you know it, I promise," you assure her with a smile, hooking your twine basket into your arm, empty and ready to be filled with treats of the forest.

Your grandmother heaves a soft sigh, as she falls back against the bed, and you give her hand a reassuring squeeze and a soft goodbye before you make your way out of your quaint cottage, a long line of intimidating, tall standing trees before you. Grandmother always worries for your safety, as the woods aren't entirely safe for a rabbit like yourself, but so long as the sun hangs bright in the sky, you'd be perfectly fine.

Really, it's only at night that the woods near your home become truly dangerous, as all manner of nocturnal predators leave their dens in search of their next meal. For a rabbit such as yourself, lingering in the woods at night is assuredly a death sentence; your diminutive stature and weak limbs would cause you to easily fall victim to the beasts that stalk through the forest with the moon's aid.

The only thing on your side would be your speed, but even then it's no guarantee of safety once a predator has you in their sights. And so your grandmother always instilled a proper fear of the dark within you, in the hope that you'd never find yourself in a situation in which you'd have to flee in the first place.

Entering the forest brings with it countless anxieties for your species, but it's not like you can simply not go. The gifts of nature are what sustains you, and you have to enter the woods, even live near them, if you want to have food in your tummy and herbal medicines on your shelves.

As such, you are always very conscious of the amount of time you spend in the forest, only ever entering when the sun is brightly illuminating your surroundings, always careful and alert as you gather what you need. You observe the sun's position in the sky, use it to determine how much time you have left before it begins to set, always heading back well before it starts to sink behind the trees.

And you'd never stay longer than necessary, especially not when you have grandmother waiting at home praying for your safe return! But well.. grandmother is quite ill these days, and you spent more time than you usually would gathering the berries and leaves you’ll need to make her sweet, healing brews of tea.

Soon enough, winter's chill would cause all the greenery to frost and wither, and you wanted to stock up now to ensure you had enough to last 'til the end of the season. It was for grandmother's health! Surely she'd understand and forgive you if you stayed out just a little longer than usual.

But as dusk started to settle over the trees, and you realized how precious few moments of sunlight you had left to make it home with, panic began to accumulate in the pit of your stomach. You tried your best to take deep breaths, to not allow your heart to race– as long as you remained calm, you could get back before dark, you were sure of it.

The more the sun sank however, the more you lost your clarity; you found yourself stumbling in circles, the encroaching dark causing the forest to become unrecognizable, leading you blindly in circles. You'd long since lost sight of the path you always followed home, and the moon and stars, which were normally such a beautiful sight, now came with a sense of foreboding.

It was dark, you were lost, and grandmother was now all alone, probably worrying herself half to death wondering where you could be and if you're even still alive. You continue blindly weaving your way through the trees, just praying that you're moving in the direction of home; you can't afford to hide away and wait until morning, not when a beast could be around any corner.

Using your speed to your advantage, you dart past a near endless sea of trees, praying, praying, and praying the clearing will come into view and you’ll see your cottage in the middle, with orange light from the fire peeking through the windows and smoke billowing from the chimney.

Suddenly you stop, entire body freezing as your hair stands on end, nose twitching as an unfamiliar scent fills your nostrils; someone is near– someone that you should avoid at all costs. It’s so heavy, overwhelming beyond comprehension– the scent of the forest itself is still identifiable, but mixed now with something akin to leather, black coffee, and hot iron.

The scent is actually quite pleasant, so that's not what causes you to freeze; it’s the unfamiliarity that is the true root of the problem, evoking a deep rooted, innate fear response. You know all the “safe” smells– that of other prey animals such as yourself, for instance, are recognizable, comforting, and bring about a sense of calm.

To be met with the unfamiliar is to be met with danger; it means that whatever is near is something you’ve never encountered during your safe treks through the forest, it means that a predator likely has you in their sights. And as grandmother has told you, if you smell them it’s already too late– they’ve found you.

“Now, now, what do we have here?” A deep voice calls, hidden from your sight. Your heart erupts in an erratic rhythm, a chill running down your spine as your eyes desperately search the darkness for the source of the voice. And there, you finally see it– or rather, him. A man, standing much, much taller and bulkier than you, sharp fangs exposed with his smile, fangs that you are sure will be used to rip you apart.

You see pointed ears and dusky blue-silver fur, a long tail that swishes with intrigue and delight, a fur coat with the arms cut off, an exposed chest laden with scars both fresh and faded. He’s a wolf, you realize with dread, the thing you were taught to fear most of all.

You unconsciously take a step back as he approaches, the moonlight illuminating him in a way that evokes both fear and reverence; as beautiful as he is dangerous. “What’s a little thing like you doing in the forest at night, hmm? Don’t you know it isn’t safe, little red?” he says with a sickeningly sweet smile, referencing the caped hood you’re wearing, a gift from your grandmother meant to keep you safe from men like him.

You clutch your basket tighter as your legs begin to tremble, lowering your head and pulling your hood down further, trying your best to ensure your ears and other features are completely covered. He probably knows by smell alone you’re a prey animal, but you vainly hope he’ll let you go if he doesn’t realize you’re a rabbit– a stupid hope, but it’s the only one you have.

“Poor thing, don’t be scared. You got lost, didn’t you, little red?” With each step towards you he takes, you take another step back, until your back meets that of a thick tree, the erratic rhythm of your heart building to a speed you thought otherwise impossible.

“Tell me– where did you come from?” The wolf asks with an intimidating smile full of fang, “I recognize you from somewhere. Where was it I’ve smelled you before..?”

With nowhere to go, caged against the tree as the wolf closes in, all you can do is tremble as you watch him sniff the air, licking his lips as if tasting your scent. Most prey animals are generally the same, but there’s only one place he’s gotten the scent of sugar and cream from..

“Ah, I know,” he says suddenly, smile growing wider as he speaks, “That little cottage in the clearing– that’s it, isn’t it? That’s your home?” You swallow as you timidly nod, your nerves much too frayed to attempt to lie– you’ve never been a good liar anyways, your grandmother having raised you to be honest and good.

“You’re quite far from home, little red. But I can help you,” he offers, but you know better than to trust a wolf– they’re liars, all of them. “N-No, I.. I can get there by myself,” you say, finally finding your voice (shaky and timid though it may be.)

The man hums, seemingly amused by your brave display; he knows how scared you are, can quite literally taste it, but he has to commend you for trying, at least. “I’m not sure that’s true. Do you know which way home is?”

“W-Well, uhm, I.. I– I, I don’t–” you stutter and fumble, and he chuckles, a smug look of “thought-so” clear on his face as he grins at you. His hand finds your cheek, and you look up at him with glassy, teary eyes, heart thumping out of control as he strokes your skin with his thumb.

He smiles sweetly, almost boyishly– a look that would be endearing if he wasn’t a wolf, and you weren’t afraid for your life. His clawed hand travels from your cheek to the top of your hood, and you quickly reach your hands up to clutch the fabric, keeping it fully tugged down in a vain attempt to continue to hide your identity.

The wolf laughs, clearly amused at your reaction. “Come now, little red, show me what sort of ears you’re hiding under there,” he coos and you shake your head, eyes squeezing shut and knuckles turning white as you desperately cling to your hood.

At this point it probably no longer matters what you are exactly– no matter the answer, it’s clear the wolf before your eyes has plans for you that won’t go unfulfilled. But still, your survival instincts are in overdrive, and you can’t help but try your best to protect yourself, even if the endeavor proves to be worthless.

He tugs at your hood, not yet trying to fully pull it off, but rather playing with you– he could easily pull it off in one quick swipe, his claws could tear the fabric to ribbons, but he chooses to instead have his fun, watch you panic and struggle with the hood in your tiny hands.

You look at him, unfallen tears blurring your vision; you don’t know what else to do. Grandmother always said if you found yourself cornered by wolves, your only option would be to run and pray for the best, but is that really the best you can do? And while you’re fast, wolves are faster– you’re sure the man would be able to catch up with you easily, especially given that the moon is his ally and he is likely extremely familiar with the deep woods.

Further still, he clearly stated he knows your home; even if you escape, he knows exactly where to go to find you. It fills you with dread, knowing that even if you do make it home, your grandmother would be there too; and you’d never forgive yourself if something bad happened to her because of you.

It’s an impossible choice you are being dealt– surrender to your fate now, or try your best to flee and risk dragging your precious grandmother down with you. But as he finally tugs down your hood, your white, snow-like lopped ears are fully exposed, and the wolf’s fangs shine as he gleefully smiles, you find yourself unconsciously making a choice– you run, as fast as your legs will carry you.

The cape gets caught and snags on stray branches from the myriad trees, tearing as you continue to run, adrenaline coursing through your veins, chest aching from the erratic, forcefully thumping of your heart, breath coming out quick and harsh.

You barely make it 10 feet ahead through the trees before you’re crashing into something, the sudden impact causing you to let out an involuntary shout as you stumble back and fall ungracefully on your backside. Looking up, tears fall from your eyes when you realize it’s another wolf– shorter than the one who’d cornered you previously, but bulkier, with fur as dark as obsidian and a scent that matches it.

You suspect that he was there the entire time, and you just didn’t notice due to the panicked focus you held on getting away from the blue-silver wolf. “Where do you think you're going, little red?” the new wolf speaks, affirming your fears; he was there for the entire exchange, witness to the moniker you’d been given and now using it for himself.

“Oh Changbin, you caught her,” you hear the previous wolf say from somewhere behind you, leaves and twigs snapping beneath his feet as he approaches your spot on the ground. “Course,” the dark wolf evidently named Changbin speaks, kneeling down to look directly in your teary eyes, “I’d never let such a sweet little thing get away from us.”

He reaches to the side of your body, where your twine basket has fallen from your arms and spilled its contents, all the berries and leaves you gathered now decorating the dirt. “Hmm, most of these are herbal. What a sweet girl you are, gathering until late into the night! Your grandmother must be proud of you, hmm?” Changbin smiles, looking up to the previous wolf once he stands again, your basket in his hands, “Don’t you think so, Chan-hyung?”

The blue-silver wolf that the dark wolf calls Chan hums in agreement, once again calling you a “sweet thing.” Chan offers you a hand to help you stand, and you hesitate, swallowing as your eyes dart nervously between them. Their eyes on you make you nervous beyond just the predator-prey relationship you share; they’re both so impossibly ethereal in the light of the moon, and it makes you wonder if all wolves are such divine creatures.

Maybe that’s why the rest of the forest view them reverently; beautiful, powerful, utterly intimidating in all aspects– they offer no choice from a rabbit such as yourself but submission simply from presence alone. “What’s your name, little red?” is Chan’s next question, and again, you find yourself unable to lie; against your own sense of self-preservation, you tell him your name.

He hums, repeating your name as if testing the way it falls from his tongue before diverting back to his nickname for you. “Let’s make a deal, little red,” the wolf says, still holding out his hand, waiting for you to take it. You finally do so cautiously, letting Chan help you to your feet, your legs still trembling but not yet buckling in the face of fear.

“W-What kind of deal?” you ask hesitantly, looking between the two wolves who smile and lick their lips, tongues ghosting over their fangs as they do. Beautiful, powerful, intimidating, your mind repeats.

“We want to play with you,” Chan says smoothly, the answer coming natural to him, “play with us for a little while, and then we’ll take you home. We promise.” You look at the other, younger wolf who nods, backing the sentiment of his superior.

Here you are, confronted in the deepest reaches of the forest by two wolves, and instead of devouring you they just want to “play”..? What does playing entail with them? You’re not sure how much you truly want to know, but the promise of home dangling in front of you makes you consider their offer despite how foolish it may be.

“You’re not.. tricking me, are you?” you ask, voice small, full of naivety and hope. “Of course not, sweetheart, we would never,” Changbin affirms, even going so far as to pick up the spilled contents of your basket and nestle them carefully back inside– a promise that by the time you’re done “playing”, you’ll be reunited with your sickly grandmother and able to care for her again.

“You just smell so sweet,” Chan says, his clawed fingers once again tracing over your cheek, “and we’ve always wanted to play with a sweet little bunny like you.” You nervously exhale the breath you unconsciously held when his hand traced your skin, searching his eyes for any sort of deceit.

If you’re being honest, you’re not entirely confident in your ability to tell if the wolves are lying to you– they’re masters of manipulation, after all; lying is second nature to them. Still, you want to trust them– trust that after you play with them for a little while, they’ll keep their promise of taking you home with your basket in your arms and everything you need to get through the winter.

“If you really promise, then.. I’ll play with you,” you answer, and the wolves both smile eagerly, with the elder wolf taking you in his arms, swiftly lifting you up off your feet. You squeak in surprise, instinctively clutching tightly to his fur coat, scared of being dropped.

“Let’s go have some fun then,” Chan grins at you, making sure his hold on you is secure before he starts to move, “but not here. The floor here’s too dirty for you, isn’t it?” It’s a rhetorical question in which he expects no answer; instead he starts winding through the trees quickly, a destination clearly in mind.

You vaguely see the other wolf trailing behind before you squeeze your eyes shut, the blur of trees and wind whipping through your hair and past your ears making you dizzy as you’re carried further and further into the forest, likely towards its center. It takes you a few moments to open your eyes once you’ve realized you’re no longer moving at high speeds; Chan, who still has you in his arms, is now walking at a leisurely place through what you assume is his den.

The smell of other wolves is distinct but distant– evidently, the three of you are the only ones home for the night. It makes you breathe a small sigh of relief to know the rest of his pack is absent, attending to their own matters. It makes you feel safer, somehow; as if you’re not literally inside a wolf's den, at the mercy of whatever it is the two before you want with you.

Eventually you are carried into a bedroom– one that smells more of Chan than the other wolf, which leads you to believe this is his room specifically. Changbin doesn’t seem to mind that the “playing” will take place here, a smile still clear on his face as he shuts the door behind himself, locking the door behind him as Chan sets you on his rather large bed.

Your ears lie flat against your head, your nerves eating away at you as you fiddle with your hands. You watch them both carefully, taking note of where Changbin sets down your basket before he meets you and Chan at the bed.

The two of them standing over you makes you feel impossibly small, affirms how much better they are than you in every evolutionary aspect; speed, strength, size– they have it all. And you, one measly little rabbit with no significant qualities in comparison to them, who has no choice but to put her life in their hands if she wants to survive. How unfair.

“Tell me, little red,” Chan starts as he sits next to you on his bed, one large hand enough to cup your entire face and direct your complete attention towards him, “are bunnies as slutty as they say?” Your eyes widen as you gulp in shock, having not expected such a forward, explicit question.

“Yeah, I’m curious,” Changbin follows up, sitting firmly on your other side, caging you in between the both of them, “they don’t say ‘fucking like rabbits’ for no reason, right? So what are you? A slut?”

“I-I’m not!” you sputter out; it’s true that rabbits have a reputation for promiscuity but you live a rather sheltered life with your grandmother– you hardly even know other rabbits your age, much less male rabbits. That being said, you have been a little.. intense during your heats– but you rode those out with toys, not with the help of men.

And you don’t think there’s any shame in promiscuity, but that’s simply not the life you lead; you live modestly, simply taking care of your grandmother to the best of your ability. You barely even have time to masturbate these days– fucking is entirely out of the realm of possibility, as busy as you are.

“But you’ve taken cock before?” Changbin asks from behind you rather shamelessly, and Chan looks at you expectantly, waiting for your answer with a cocked brow. “W-Well, yes, but–” you start and Chan is smiling again, another happy hum leaving his lips. ..Does your virginity status really matter here..?

Your eyes widen again when the reality of what you’ve agreed to clicks, and Chan chuckles at your delayed reaction. “You’re not very smart, are you, bunny? But that’s okay– you don’t need to be smart to have fun, isn’t that right?”

Changbin is the next to speak, his hot breath coming out against one of your lopped ears, his hands tracing your hips, “Mhm, sweet, dumb bunnies are cute, don’t you think? I bet they have lots of fun,”

It’s vaguely condescending, how they speak of you– sweet and dumb, as if your intelligence pales next to theirs, as if you are an object designed for their pleasure and no other. And somehow, it adds to the tremble in your legs, your breath hitching when Chan squeezes your cheeks between his fingers and thumb, forcing your mouth to open.

You overtly whine, the wolf’s obscenely long tongue sliding into your mouth, exploring with another eager hum, his fangs catching on your lip with each kiss. As he kisses you, his fingers tug at the knot of your caped hood, leaving the task of discarding it to the other wolf once the knot is undone.

Goosebumps once again rise on your skin, with Changbin kissing and licking your neck after your cape has been tossed aside, deeply inhaling your scent as Chan continues to abuse your lips with his tongue and teeth. “Chan-hyung wasn’t kidding when he said you smell so sweet,” he whispers against your skin as he continues to trail his kisses down towards your shoulder, “it’s intoxicating.”

It’s shameless and almost embarrassing, the way arousal pools in your underwear despite all preconceived notions of how a rabbit should behave in the face of a predatory animal; but the more they kiss and lick, the more fear ebbs away, and becomes replaced by pleasure and yearning.

It’s been so long since you last felt the touch of someone else, having been stricken to solitary heats since becoming your grandmother’s carer. It almost humiliates you to admit how good their touch feels on your burning skin.

They can quite literally feel your body release its tension, Changbin’s strong arms being the ones to hold you up as you melt into their touch, and the smell of your leaking arousal obviously doesn’t go undetected by either of their noses. Chan pulls away from your lips, a smirk visible on his features when you open your eyes to look at him. “What a dirty girl you are, excited already,” he says, another whine escaping you not only from his words, but from the feeling of Changbin’s teeth grazing your neck.

Chan, who could quite easily rip your dress from your body, instead opts to tug the fabric away much more carefully than you’d have anticipated– perhaps they really mean to return you home after this? Changbin, whose torso was substantially more covered than his elder’s, removes his top, leaving you to feel his bare, muscular chest against your now exposed back.

He wastes no time in latching back to your neck, licking, sucking, teeth grazing the skin, but not biting down– whether to spare you the shame of returning home with the clear mark of a predator, or because he doesn’t have permission from lead of the pack however, is unclear.

Your breasts, which you’ve always considered quite full despite your diminutive frame, easily fit within Chan’s large palms. Their ability to not only make you feel, but look small leaves you dizzy. You should be afraid of how they eclipse your frame with their size, but instead you find it exciting, your brain unraveling everything you’ve been taught about self-preservation in favor of experiencing utmost pleasure from two hulking wolves.

Shame, it seems, has entirely left you, as slick leaks from you easily, drenching your underwear with each touch from their rough hands. Chan’s fingers play with your sensitive nipples, pulling and tugging until you’re writhing against Changbin’s body, who has his own hands tracing your hips and thighs, pressing lingering kisses to any patch of skin he can reach.

Chan lowers himself to take one of your hardened nipples into his mouth, tongue swirling around it as his hand continues to play with the other. Meanwhile, Changbin’s hand slinks around, brushing over your stomach before his hand dips between your legs, rubbing your heat over your soaked underwear.

“Fuck, this messy for us already? You have to feel her, hyung, touch her pussy,” Changbin speaking such filthy words right next to your ear makes you shudder, a whimper leaving from deep in your throat when Chan obliges, his hand quick to replace the younger wolf’s.

Instead of touching you over your clothes however, he opts to completely tear them from your body, in stark contrast to how he treated your dress– you suppose the underwear is less important to remain intact, or maybe he just can’t help it after having gotten this far?

“Oh, look at that Binnie, you’re right,” Chan grins as his fingers rub along your folds, spreading the slick around to create even more of a mess between your legs, “You’re such a dirty bunny underneath, hmm?”

Your face burns red, another whine escaping as shame finally returns to you, your hands reaching to cover your face. The pair of them coo, finding the display cute, whilst simultaneously making their cocks throb– what a treat, to have found a bunny that is both incredibly sweet and effortlessly sexy all at once.

Chan pushes Changbin’s hands away from your body, and quickly turns you around. Your back is now against Chan, and he hooks your legs over his knees, spreading you open for the younger wolf to see. “Let’s give Binnie a look at your dripping pussy, don’t you think he deserves it after being so sweet to you?” More slick dribbles its way out of you, soaking the mattress beneath, a treat for Changbin’s eager eyes.

Peeking between your fingers, you see his dark tail swishing behind him in delight, very clearly excited by the sight he’s met with. “Can I taste her, hyung? I want to so bad,” he asks, licking his lips, his eager, sparkling eyes not leaving you for even a second. “Mm, what do you think, little red? Should we let him have a taste?” Chan asks, and though you can’t see him anymore, you can practically hear the smile in his voice– playful and fun.

You nod quickly, though Chan doesn’t seem content with that response– he tsks, once again grabbing your face and making you twist your neck to look at him. “You gotta use your words, sweetheart, you understand?” You start to simply nod again, but then quickly follow up with a small “yes”, to which the wolf smiles. He diverts your gaze back to Changbin, forcing you to hold the darker wolf’s gaze. “Good bunny, go ahead and tell him, then. Tell him you want him to eat you.”

He can feel your face burn beneath his fingers, and though you can’t see it you’re sure there’s a smug smile gracing his perfect face as he waits for you to properly address Changbin. “I-I.. I want you to eat me, please,” you force yourself to mumble out, not missing the way Changbin’s cock throbs in his torn shorts. With one last lick of his lips, he’s diving between your thighs, looking up at you with a grin, “I’ll devour you, sweetheart.”

You gasp when his tongue licks between your folds, a loud moan unintentionally falling from your lips as he eagerly laps away at you. You can’t help but squirm in Chan’s hold, his legs continuing to hold yours open and preventing them from closing around Changbin’s head.

Changbin moans as he licks and sucks on your clit, as if the act is more pleasurable for him than you; and eventually he alternates between giving his undivided attention to your clit, to sliding his tongue as deep into your hole as it’ll go, letting his nose bump your clit instead.

Chan’s erection digs into your back, sometimes groaning when your squirming and twitching causes friction; but he’s not content to just sit behind you and watch– he wants to add to the fun. So his hands come up to the soft base of your ears, expecting it to be as erogenous of a zone for you as it is for them– and by your reaction, he can tell it is.

Your head falls back against him, and he can just catch a glimpse of your eyes rolling to the back of your skull, mouth hanging open as more moans and desperate whimpers leave you. “You getting close, sweet bunny? You wanna cum?” Chan asks, grinning when you once again quickly nod your head, a near endless stream of whimpery moans leaving you as your high approaches.

“Answer properly,” he reminds you, though his tone isn’t as strict as before– it’s almost playful, amused; he’s having fun. “W-Wanna cum, please, please let– hah– please let me cum,” you beg between harsh breaths, your entire body feeling like a wire on the verge of snapping.

“You heard her Bin, make her cum,” you hear Chan say as he becomes harsher with your ears, his calloused fingers now rubbing in rough circles. Your entire body jolts and convulses as the wire finally snaps, cry after cry of white pleasure spilling from your lips as you release on Changbin’s waiting tongue. He hums as he licks up all you offer him, not separating himself from his spot between your legs until he’s sure he’s got it all and you’re shuddering from the overstimulation.

Changbin takes your face in his hands, pulling you just slightly away from Chan as he drags you into a kiss, his tongue shoving its way into your mouth. Your taste is all over his tongue, his mouth stealing away all the breath you’ve just barely managed to breathe into your lungs after the intensity of your orgasm. Your eyes are hazy when he pulls away, fogged over by lust and needs for the wolves you are sandwiched between.

You just barely register Changbin looking past you to Chan, as if asking what to do next; though the exchange is silent, it seems like Changbin knows exactly where to go from here after receiving a certain look– have they done this before, you wonder?

Changbin scoots back just a bit before grabbing your legs, unhooking them from Chan’s knees before he’s pulling you down, closer to him. You gasp, your head falling straight onto Chan’s lap– well, more accurately to one of his thighs, before he’s closing his legs to act as a pillow for you.

His cock, though still obscured by the fabric of his shorts, is right next to your face and impressive in its size, just as Changbin’s is. The two of them, in almost practiced unison, pull down their shorts, though the task is harder for Chan, who has your head resting on his lap. He still manages well enough, and you’re met with the sight of his hard, leaking cock right in front of your eyes, almost close enough to touch your cheek.

You look up at Chan, who looks down to meet your gaze with a grin. “Hope you’re ready, bunny,” is all the warning you get before you’re flipped around to your front, another squeak of surprise as you’re manhandled to your knees, bent to where Changbin wants you, with your face still squarely in Chan’s lap.

One of Chan’s hands holds his cock at the base while the other reaches under your chin, lifting your face up to look directly at him. “Show me what you can do while you’re taking cock,” he instructs, your body trembling as you feel Changbin’s cock rub between your folds, slicking himself up.

You whine when his cock presses against your hole, Changbin’s hands holding your hips up while Chan’s guide you to take his leaking cock into your mouth. You never imagined you’d be in a scenario where you’re taking in the cocks of two wolves at once, but you welcome the challenge.

Changbin enters you first, the stretch the most intense you’ve ever taken– you can’t help but gasp, the sting pricking up every inch of your body. Chan, thankfully, doesn’t force you to take him entirely into your mouth in this state– he lets you instead kiss and lick the tip, recognizing your need to adjust to a size you’re entirely unused to taking.

They both praise you, though Changbin’s voice is significantly more strained and breathy as he continues his slow push inside your tight heat. Your nails dig into Chan’s thighs for support, and he doesn’t scold you for taking pauses in giving him attention, instead just watching as you squeeze your eyes shut and do your best to control your heavy breathing.

“Big stretch, isn’t it bun?” Chan ends up asking, which causes you to nod with teary eyes. “‘s so big,” you exhale, and Changbin whines from behind you– you wonder if he likes hearing how big he is? You can also hear the loud swishing of his tail, almost like a whip with how quick it snaps from side to side; it’s an undeniable truth that Changbin has been very, very excited to play with you the entire night.

Changbin hisses once he’s fully aside, while Chan takes this time to rub your back in a soothing gesture you wouldn’t typically expect from a wolf. You look up at him, eyes full of equal parts gratitude and lust, and he simply smiles, hunching his back down to meet your lips in a kiss.

“Not fair, I wanna kiss her too–” Changbin protests from behind you and Chan scoffs when he pulls away from your lips. “Your dick is literally inside her Bin, shut the fuck up,” he says and to your surprise, you giggle– Changbin is kind of cute, isn’t he? At least, in a weird, wolfy sort of way.

“Are you laughing at me?” he asks, and you can almost hear the playful sort of pout in his voice. “S-Sorry, didn’t mean to,” you mumble, hoping you didn’t offend him. You take a cautious peek at him from over your shoulder, relieved to find that he’s actually smiling once he stops his dramatic pouting. Cute, you think again, but he doesn’t let you feel that way for long.

He pulls out to the tip and presses back inside in one, swift motion, causing a moan to erupt from you as your nails once again dig into Chan’s skin. “Won’t be laughing by the time I’m done with you, bunny,” Changbin says as he repeats the motion, and it takes everything in you to not utterly collapse onto Chan’s lap.

He hits your spot every time, and you swear you can feel it all the way in your stomach– but Chan doesn’t let you stay idle in your pleasure for very long. “C’mon, sweet bunny, you know what to do,” he says, his hand under your chin directing you back to his own neglected length.

Unable to control yourself much after Changbin starts picking up his pace, you simply open your mouth and stick out your tongue, allowing Chan to enter your mouth however much he wishes to, completely handing your control to him. Changbin’s thrusts cause you to take more of Chan into your mouth than you’d initially take all at once, and it causes Chan to curse, his cock hitting the back of your throat within seconds of entering your mouth.

It doesn’t take long for your eyes to well with tears, and then for those tears to cascade down your cheeks, trying your best not to choke and gag as Changbin, voluntarily or otherwise, forces you to take more and more of Chan’s cock down your throat. You can hardly even breathe between the pleasure of Changbin drilling you from behind and Chan’s cock obstructing your primary airway, but it makes you dizzy in the best way possible.

You feel floaty, every cell in your body knowing nothing but intense pleasure. Chan strokes your head, sometimes petting your ears for that extra burst of pleasure that makes you clench tighter and causes Changbin to curse from behind you each and every time.

Changbin, who is observing the way his cock looks sliding in and out of your tiny hole, gets a flash of inspiration when he looks at your cute, fluffy cottontail. Experimentally, he takes it into his hands, rubbing your tail between his fingers, and you keen, a shiver traveling throughout your entire body.

“Oh, you like that?” he asks, a bit smug as he continues to rub and gently tug at your tail, a loud whine escaping you that is muffled only by the cock lodged in your mouth. Chan can see your eyes rolling back, and decides to double the pleasure, not letting his hands leave your ears for even a second.

Your noises tumble freely now, quick and constant, rising in volume despite how muffled they are. It’s overwhelming being played with like this, but it feels so fucking good you’d never think to complain– you may become addicted to this sensation when it’s all said and done.

You’re so wet and warm, and now squeezing impossibly tight– Changbin isn’t going to last, and you can feel him throbbing and twitching as his pace begins to stutter. “Shit- fuck, ‘m gonna cum,” he whines, letting go of your hip with his other hand to reach under you and find your clit with his fingers. “Cum with me, pretty bunny, c’mon, I know you’re close too,” he says, quickly rubbing your clit between two of his fingers.

Chan guides your head off of him, letting you suck in the breath you desperately need before he’s lifting you up just enough to meet his lips, capturing your moans with his mouth. You cum again with a succession of loud whimpers, your hands squeezing at Chan’s body desperately. “Oh my god, yes, ‘m cumming, c-cumming–” Changbin gasps, his cum shooting inside you in quick spurts, his bottom lip tucked between his sharp teeth as he groans.

Chan lets you fall back to his lap, breathless and almost entirely spent, with Changbin breathing heavily behind you. He pulls out when he finally starts to soften, and you glance behind you the best you can to see him pouting at his elder again.

“You did that to make me jealous!” he accuses Chan in reference to kissing you, and the other wolf simply shrugs with a smirk. “I can kiss you too, Binnie,” you mumble, just loud enough for the two of them to hear.

He whines again, and you realize it’s the first time you’re actually using one of their names. “You should’ve said my name while cumming, bunny,” he grunts as he scoops you up, pulling you back to his chest. “I don’t think she could’ve–” Chan starts to interject, laughing when Changbin glares at him, capturing your lips in a possessive kiss.

They’re not actually fighting over you, but you find the dynamic fun– maybe that’s why they like to share; and you don’t think you’ve ever felt this desired before. Changbin’s tail is swishing again as he kisses you, and you giggle when you hear it– he’s like a puppy, you think; eager, and easily excitable, with a hint of jealousy that makes him fun to tease.

When he pulls away, he looks at Chan and then back at you, “Can you handle one more, sweetheart? Channie-hyung still needs a turn with you.”

“I can take it, I’m a good bunny,” you affirm and they both grin, Chan reaching out to you and pulling you away from Changbin’s arms, into his own. “Such a good girl,” he hums as he lays you down on the mattress, taking his place between your legs while Changbin lays down next to you, rubbing his hand over your soft tummy.

Changbin’s cum is leaking steadily out of you, but Chan doesn’t seem to mind the mess it’s making on his mattress– you've made your own mess of his bed too, after all. He instead uses his fingers to gather up what has leaked and spread it over his own length, using it as lubrication for his own push inside of you.

Changbin presses kisses to your heated cheeks, licking away the tears that fall as Chan starts to push his cock inside you. Chan, who has been entirely composed up to this point, finally breaks just a bit– enough for his breath to start coming out harsher as you feel him twitch and throb inside you.

His tail doesn’t swish as fast and erratically as Changbin’s but it is nonetheless moving happily side to side, a clear indicator that you’re actually affecting him, and he’s not all confidence and smug charisma. “Can I play with you while Channie-hyung fucks you, bunny?” Changbin asks, his hand creeping up to your chest, smiling when you quickly nod at him.

Chan should scold you for not answering properly, but he’s focusing on his own pleasure now– taking your legs into his hands and holding them open while he fucks in and out of you. Changbin plays with your nipples, his hand taking turns between them while the other is used to keep himself propped up to watch.

“You’re making him feel good, can you tell?” he asks, and you look at Chan, who has sweat trailing down his brow and his plump bottom lip sucked between his teeth, face scrunched in pleasure. It makes butterflies erupt in your stomach, and you turn back to Changbin, a small pout on your lips.

“I-I wish I–” a deep breathy moan interrupts your dialogue as Chan hits your spot, but you continue, “I wish I could’ve s-seen you too.” You bet he looked absolutely divine, just as Chan does. Changbin groans, your sentiment evidently having an affect on him.

“God, you’re the fucking sweetest, bunny,” he tells you, leaning forward to kiss you some more, his tongue once again shoving it’s way into your mouth. You tangle your fingers in Changbin’s curly hair as he kisses you, and he whines when you unintentionally tug during a particularly harsh thrust from Chan.

Changbin simply watches your face in awe for a moment when you pull away to breathe and let yourself fall back against the mattress, finding you incredibly cute, beautiful even, even with your hair a mess and drenched in sweat. “B-Binnie, Channie, think ‘m gonna cum again–” you whine, eyes rolling back once more when it causes Chan’s thrusts to become harsher.

“Yeah? Gonna cum again, slutty bunny?” Changbin smiles, egging you on with his voice. You nod quickly, pleas starting to fall from your lips effortlessly, “I-I can, right? Been a good girl, a good bunny? Good bunnies can cum?”

They both smile, endless encouragement leaving them such as “yes pretty, go ahead and cum for us,” and “good bunny, good girl, cum sweetheat.” Changbin pulls you back to his lips as you cum, wanting to kiss you as you cum since he missed the chance earlier, and he eagerly swallows your noises, his fingers finding your clit once more to drag out your orgasm.

Chan as well starts to become louder, his grunts becoming more successive with each thrust, not losing speed even as his hips start to lose their rhythm. He grabs your face and tears you away from Changbin, kissing you in a display that is either meant to make Changbin jealous again, or is simply for his own pleasure.

Or maybe it serves both purposes at once, because as Changbin whines in protest, you can feel Chan smirk against your lips before he’s losing himself again. His groans are muffled against you as his hips stutter once, twice more before he’s spilling inside you, ropes and ropes of cum filling you to the brim.

You reach out to Changbin’s hand, squeezing it in a gesture that is meant to stop his jealousy, and he smiles at you, calling you a “sweet little thing” once more, giving you a peck to your forehead. Your eyes close, not opening even as Chan softens and slips out of you, exhaustion having clearly seeped into every molecule of your body.

“Poor thing’s tired,” you vaguely hear Changbin say as he wipes the sweat off your brow. Chan responds, though it’s hard to make out what he says as you unconsciously slip into sleep, unable to prevent it with how heavy your entire body has become, rest quickly claiming you.

The sound of birds loudly chirping wakes you, and you blink slowly awake, eyes straining as you realize you’re in the sunlight. You sit up quickly, looking down at yourself and then your surroundings; you’re out of the forest proper, in the clearing where your home sits quaintly in the middle. You're dressed back in your prior clothing and with your hood over your ears– barring the underwear you lost.

You’d think last night was a dream if it wasn’t for the fact that you could feel yourself bare underneath your dress; so they really upheld their promise and brought you back home..? You see your basket, sitting neatly in arm’s reach, a small note resting atop the berries and leaves you gathered yesterday that simply reads, “Last night was fun, wasn’t it, little red? Come play with us again sometime,” with a cutely drawn heart at the end, signed ‘Binnie and Channie.’

#skz x reader #bang chan x reader #changbin x reader #skz smut #bang chan smut #changbin smut #werewolf au #skz scenarios #skz imagines #skz fanfic #mdni + divider graphic credit: @cafekitsune

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comixandco · 1 year ago

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The four Sages were called back into the past by Terrako and they remember it happening

Tulin got to meet his hero, Revali, and decided to be just like him, adopting his idol’s brash personality and drive. He practises Revali’s Gale and eventually comes up with his own way to show off his mastery of wind, and when trouble hits his home he rushes to fix it on his own to prove how strong he has become and because, like Revali, he can’t stand idly by while he knows there’s still things he can do.

For Yunobo, when he goes back and meets his ancestor Daruk, he is a very timid and reactive Goron. He needs a push from others to come up with ideas and carry plans through, and when bad things happen to him his first instinct is to use his fire magic as a shield, to wait until the threat has passed by or somebody else has come to save him. But when he is sent back in time to Divine Beast vah Rudania, for the first time he has to be the one doing the saving. Daruk encourages Yunobo and is proud of him from the moment they meet, and it’s this support that gives Yunobo the confidence to help fight against Calamity Ganon, and to start YunoboCo when he gets home.

For Sidon, meeting his family from 100 years ago is bittersweet. He is proud that he was able to protect his sister, and it’s a comfort to know there is a version of him who will grow up alongside Mipha because of his bravery and fighting prowess. But as much joy as he got from seeing her, hugging her, and hearing her voice again, it just reminds him of how unfair her death was, of just how young she was when she died and how he is now older even though he’s the younger sibling. And at the end of the war, when he’s returned to their original time, he has to readjust to her absence all over again, and in light of that is it really a shock he’d have her statue moved further away from his home? And it also explains why he’s so desperate to protect Yona from the sludge.

Riju in AoC still a new ruler to her people, despite her accomplishments in BotW, she still feels guilty over the temporary loss of the Thunder Helm and isn’t sure if she can lead the Gerudo. She has a lot of confidence but is quick to falter when things go wrong. Urbosa treats Riju as a capable fighter despite her young age, and teaches her that she should never give up, to keep trying even when her resolve falters. There is always something you can do, even when it’s just stalling for time until help can arrive. Urbosa guides her in mastering the Thunderhelm, and possibly begins teaching her to summon lightning herself after Kohga attempts to steal it, and at the end of their time together Urbosa tells Riju she’s certain she’ll lead the Gerudo well. Riju treasured her time being mentored by Urbosa so much that she considers what Urbosa would do during the Upheaval in her diary in TotK.

I think the entire reason Tulin was added to the DLC was because the TotK team had already decided that Tulin was going to be the Sage of Wind, and that since the other sages were going to meet their Champions Tulin had to as well.

At some point in the years between Botw and TotK Teba, Tulin, Sidon, Yunobo, Riju and Patricia were summoned back in time by Terrako to aid the Champions during the Calamity, and even though those events took place in a parallel timeline and had no bearing on the world they returned to, the Sages’ personalities at the beginning of TotK are because of their experiences during the Calamity and the bonds they made with the Champions.

#totk #totk spoilers #botw #riju #yunobo #sidon #tulin #aoc zelda #age of calamity #bonus thought i cbb to make into it’s own post for all the tag reading girlies:#since the light dragon is canonically present during the calamity because zelda was sent back thousands of years..#technically the light dragon is present for both botw!calamity and the aoc!calamity #and there is now a timeline in which totk!ganondorf will emerge in a completely different way because of timeline shenanigans #and there are two zeldas except one of them is a dragon #my belief is that in the aoc!verse since you can play as calamity ganon a part of it survived and like. it’s main goal is to find a way #to excavate the cave it’s creator is in and like maybe it lures link and zelda down there or maybe nobody even notices until it’s too late #idk. because there weren’t two zeldas in the past the aoc!zelda can’t travel back in time so like. either her character development means #her secret stone manifests her light powers instead of her time powers or she never gets the secret stone idk #what’s important is that aoc’s version of totk in my head takes place a few years after the calamity and by the end of it the light dragon #turns back into zelda and suddenly there are two zelda’s who are practically twins and this alternate time-twisted botw!zelda gets to see #the champions and her father again at the cost of losing her link and her friends in the future and having no idea whether her original tim #line is safe or not. and link gets to doublewield the master swords or smth.#if we’re keeping the aoc-style gameplay rauru is one of the jokey-warriors like the great fairies were and it’s just his arm and like. mayb #a bit of his shoulder or something because it’s 100 years ago and there’s a bit more of him left

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i-hear-a-sound · 10 months ago

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Drakengard/NieR: Twin Theory, Part 1

The post ahead is… long. Insanely fucking long, and I’m certain half of it is incoherent. Oh well. It’s a Tuesday.

So, to preface:

This is all just theory.

Spoilers for NieR and Drakengard.

Homework:

(post regarding copied & cathedral city)

(post comparing adam, eve, and a secret third thing)

Good luck down here.

NieR Automata: Ending D.

It’s the ending you get if you choose to play as 9S in the final boss. 9S kills A2 and incidentally gets himself killed when he falls on her sword. Dumb hoe.

However, when his memory data starts performing an emergency evacuation, he, and we, find ourselves fading into…

an “Ark.”

He first sees the red girl, N2, who explains to him the vague purpose of this ark.

To take the memories of the “foolish machine life forms” and send them to another world, after they’d seen the androids and contemplated their own existence as machines.

9S also sees Adam and Eve there, the ladder asleep and the former holding him. Adam asks 9S a simple question,

“Will you come with us?”

And If you choose to go onto the Ark, it’s assumed 9S’s memory & consciousness data become “part” of the Ark, traveling off to whatever… “world” they may be heading to.

And if you stay.

9S does not get on the Ark. the Ark flies off, without him.

And we actually get a follow-up to this ending. “Farewell” is a script that takes place sometime after Ending D, in which 2B wakes up but 9S does not.

Though she tries everything she can to find a way to revive him, she eventually just… shuts down on her own, due to grief.

(Except for in the final reading of this script, where the ending was changed and 9S wakes up— but you know what? Fuck you. I’m not making this any more complicated than it’s immediately about to get in like, 5 sentences.)

(Edit: we then got a follow up to that script that follows this scenario. talk to your parents about it)

So… the Ark. About everything I just told you is about all we have on the Ark itself.

The most we know is this: The Ark was created by Machines. It carries memory data that it will take to a different world. It

Memory data.

…Memory data.

Sorry. It’s just that… typing this all out right now, it’s starting to ring a bell. But I don’t know where that bell is, why it’s ringing.

Holding memories.

Storing memories.

Machines storing memories This sounds familiar.

But where else could I have heard this from?

I remember now.

The Seeds.

In YoRHa: Dark Apocalypse, the NieR:Automata Final Fantasy 14 raid, something returned after over a decade and a half that totally took me off guard: the Seeds of Destruction.

Introduced in the first Drakengard, they were “tools of the gods” that would appear when all seals were broken. While they were believed by humans to be holy items that would bring all living creatures, man or monster, to them in times of great peril, to guide them down a path of salvation— in reality, they just kinda did this

Creating extremely powerful monsters capable of carrying out the god’s one motive: the destruction of humanity.

But back to the raid. In this collaboration the Seeds returned, and not only that, but they… well.

In the 3rd raid, N2, the red girl I was talking about earlier and the “ego of the machine network”, goes up into a seed that’s inside of a portal, and becomes this… False Idol.

Clearly meant to be derivative of the designs of The Queen Beast/Mother Angel & the Intoners. Always these gray bitches.

Anyways. After you fight her, she makes this weird… light thing? which goes up into the sky, into the portal I mentioned earlier, and then…

We are dropped into a copied Tokyo, straight out of Drakengard 1.

But…

Question. How?

How did we get here. Is it really just a copied Tokyo? How did it get copied?

And if not, did we like… Time Travel? Did we…

Oh, I got sidetracked. My bad. We were talking about the seeds.

So at first, we see the seeds transform someone, this time a non-human. Nothing new, although I do find it strange how differently it changed N2 in comparison to how Furiae became… that.

Perhaps it works differently for machines? …Put a pin in that for now.

Anyways. I didn’t swerve this car just to talk to you about how stuff we already fucking knew was just used AGAIN.

No, the very reason I brought up this whole raid at all, and got so sidetracked I nearly transitioned into a different topic, was because of this singular excerpt.

Maybe I’m reading this wrong. Maybe I’m not. And if I’m not, then

these seeds are storing people’s memories. Hundreds of them.

(Edit: I wasn’t reading this wrong :) )

Isn’t that just like what I described with the Ark? The Ark stores memory data, the seeds hold memories…

I mean, the description of what the Seeds were believed to be by humanity, along with Drakengard’s usage of various themes regarding religion, has always reminded me of one specific thing: Noah’s Ark.

Noah’s. Ark.

Ark. Seed. Seed. Ark.

Perhaps, they are one and the same.

Perhaps… The Ark is a Seed.

Surely not though, right? I mean… yeah, this is solid evidence, but it’s really the only evidence I can give you guys. There’s not much we know about the Seeds in all honesty, and there’s even less regarding the Ark, so it’s nearly impossible to find any other lead in

Wait.

Let’s go back for a second.

“Let the light in?” What light?

What the hell is this referring to? The whole raid finished like, two years ago, and for that same amount of time I’ve genuinely had no idea what this “light” is.

I mean, she does conjure up this sort of light that goes into the portal, and… then we go to Tokyo. Maybe that’s what it’s referring to?

Let the light in…

Light…

Light.

Do not bring back the light. Do not bring back the vessel. Do not bring back the future. Do not bring it back.

Every beam of light is an invitation to death.

I’ve heard this before.

These two excerpts are from the World of Recycled Vessel DLC, in the diary of Nier/The Protagonist’s deceased mother.

These are the last two lines in the diary. Both referencing this “light” with a… negative connotation?

Why.

And… wait, why am I going off on this? When I was talking about the Ark and The Seeds and whatnot I never once mentioned their connection to any sort of light.

Because I never thought there was. Because I looked over it.

I lie collapsed in a space of blinding white. The pain is... gone. The light envelops me. It's so warm.

My damage worsens. I start to lose my memories. The space fills up with pure white light. It's like being buried in snow.

These two excerpts are from 9S’ dialogue during Ending D— you know, the one where the Ark makes its “appearance.”

“A space of blinding white”, “the light envelops me”, “the space fills up with pure white light”.

…

Hm.

I’m beginning to wonder if this “light” is, in some way… connected to memories? And a “space of pure white light”… that feels familiar. Really familiar.

Real fucking familiar.

After being encroached upon, the light overflowed. Poured into, we overflowed, the connection has AWAKENED.

This is from decoded text in Automata, taking place after Ending A/B. I think it’s meant to describe Eve briefly connecting to 9S’ consciousness in some way? (Given there is a mention of a brother who “learned a lot from books.” Fact-check me though.)

The Pods decide to abandon the body after the personality data has been completely restored, and to destroy any machine life forms in the surrounding area. And at the very bottom of this story…

Do not bring back the vessel.

The infection spreads through 2B's consciousness. She prays. Before death's footsteps reach her, she screams. Even if nobody hears me. 9S saved me. Within a crumbling memory, she bids farewell to 9S's consciousness data. I did feel a little bit lonely but now my h eart is filled with such wa rm li ght

Then there’s this. It’s the final line of “Voices from the Verge”, a short story from a Nier Fan-Festival in 2022.

I think it’s meant to take place in the copied city— no, not the one we see in game, at least I don’t think— a different one. A different memory.

A place to celebrate life and send off the deceased. A place of prayer. The city's records can be gleaned from within the tranquil light. A record of humanity's end. A history of machines copying a city. And also... the hesitance they felt. This city is a replica. A city built by machine lifeforms based on the siblings' memories of where they lived. And even the very siblings themselves were nothing but imitations born from memories.

“The city’s records can be gleaned from within the tranquil light”… “a city built by machine life forms based on the siblings’ memories of where they lived.”

“A history of machines copying a city. And also… the hesitance they felt.”

…um. How?

If you’re thinking the “siblings” being referred to in this script are Adam and Eve… no. This city is meant to be a replica of Nier and Yonah’s memories. Hell, they themselves in this script are replicas made out of their own memories.

God this shit’s fucking stupid to type

But… thing is. Again! How? How did the machines know what this city looked like? Sure, maybe it’s in one of their “records”, but even then.

…Well. If we go back to the screenshot I showed you all earlier from the Dark Apocalypse raid, it mentions how the data in these Seeds are stored by “machines bearing the names of gods.”

These machines are possibly using the seeds to store people’s memories.

And— hey. I mentioned earlier how the seeds can transform whatever enters it, but do you know what I neglected to add?

They also

Copy.

Maybe this “light” can be connected to the seeds and the Ark as well. But what that means I… don’t really know right now.

So we have one connection. And now, possibly two. Are there any more connections I should know about?!

In NieR: Replicant ver 1.22, Ending E, the— if I’m correct— “canon” ending, was finally added after only being contained in the guidebook “Grimoire Nier.”

And this is the achievement you receive at the very start of it.

It’s in hexadecimal. And thankfully, it’s already been translated.

“Memory server”

“I can see the light”

Memory… server.

I can see the light.

Memory. Server. I can see the light.

The light. Memory server.

Light. Memories. Memories. Light.

Light…

Light

A SPACE OF BLINDING WHITE.

Fucking… finally. I get to talk about Drakengard 1. Most of the talk regarding this game is being saved for the part 2 of this post I’ll get to… eventually, but what I want to focus on here is this game’s ending D, and “The Great Time.”

In this ending, Seere breaks his pact, unleashing the Queen Beast’s time(?) and enveloping the world with this… light. The great time. From it, a black tower also emerges. A tower. A… I’m gonna stop. Nope. Back on topic.

But it wasn’t until the novella, “Magnitude Negative”, was fully translated that we finally got a better understanding of what this “time” is.

It is everything.

Every living creature. Every structure. Everything, everywhere, past, present, future.

And every

single

ending.

“He could see the shadows of crowds, coming and going. It was loud, all indifferent to all around them, and full of different interests. There were tall buildings whose likes he had never seen before, and vehicular machines that ran faster than horses. … Caim is crying, clinging to the dragon. ‘I have never seen you weep before.’ … The dragon states its name. ‘Angelus. My name is Angelus.’… Caim and the dragon are going to kill each other. ‘Caim. Our pact ends here.’ … ‘Miracles cannot be asked for.’ The Goddess, revived with the Seed of Resurrection, is destroying humanity. … Seere rests within a giant womb. In a strange place, but rather familiar all the same, the dragon fights against a song.”

“A strange place, but rather familiar all the same”…? That’s for part 2.

But case is, everything is the Great Time.

And it is

light.

EDIT: FUCKING HELL I TOOK SO LONG TO FINISH THIS THAT REINCARNATION GOT ANOTHER UPDATE. AND I CAN ADD THIS SHIT.

10H states that “The Cage”, which IIRC is where “all” of NieR: Reincarnation takes place, is inside of that… egg. It’s supposed to hold the “data” (memories asshole!!!!) of humanity until the time comes for them to… you know. Reincarnate. But it’s not meant to be there, it’s supposed to be on the Moon, why is it now on Earth. And

I FUCKING KNEW IT. I called it. I never verbalized it but I CALLED THIS BULLSHIT DAY… um…. While ago. Source: trust. 😁

Time is light. Light is memories. Memory server. Memories are recorded in the seeds. Memories are recorded in the ark. The ark is light. The seeds are light. The ark is a seed.

Hang on.

Who records the memories in the ark again? Machines… “Machines with the names of gods.”

I don’t recall us ever meeting a machine of that kind of name? The closest would be Adam and Eve, of course, but one 1. They died and 2. Neither’s name derivations were gods. Adam and Eve were not gods.

And, hell, how the fuck did machines get their hands on the Seeds anyways? Even looking past the theory part, them being what is messing with the seeds is canon.

And— hang on! New question coming through, how the fuck did the Seeds get here?!

This is thousands of years after Drakengard 1. Not only that, but these are TWO SEPARATE FUCKING UNIVERSES. Two timelines!

The seeds are intrinsically tied to the watchers. Hell, watchers gradually transform into them over time in one of the novellas.

How are the machines putting memories into the seeds? How did the seeds get here in the first place? With all this time talk, where does Ac

The aliens.

I need to talk about the aliens.

The aliens of Automata are… fucking weird.

Sit down, and listen. Look here look listen. Basically, in a franchise where giant scary gray babies exist, one’s that devour scary bitches and wreck havoc and shit, it’s not them that fully take out humanity— well, they likely do in their universe, but in NIER’S? It’s…

It’s fucking FETUS SHAPED ALIENS

Aliens who time, and time, and TIME AGAIN we are told FUCKING SUCK!! They are traaaashh!!!

Their heads look like an asscrack. They look like if you fucked up a perfectly good turtle. And in all seriousness, they created machines so much smarter than them that they essentially doomed themselves by creating their own exterminators. Sure, they got control over the Kingdom of Night/North and South America, said control which only grew larger and larger as they began rapidly producing machines, but… that was honestly their only W. These fuckers suck. Clutch or kick.

And Adam, the machine who, along with his brother, killed off the rest of the aliens, describes them as being… “infantile.”

And I paused.

Infantile?

Out of everything… that’s such a specific word. Infantile.

Infantile. Infant…ile.

Infant.

Like a baby.

baby.

Wait. What did I say they looked like?

Fetuses. The aliens… they look like fetuses.

But not natural fetuses, no… no. Like if you took an infant and forced it to revert back into what it looked like in the womb. Gross, I know, but… just look at them.

Just.

Look.

At.

Them.

Look at their skin. It’s… bumpy. Scaly.

Scaly.

I’m not trying to imply that they’re dragons. At least… not exactly.

No, what I am trying to imply, is that the answer as to what these things are has been staring me in the face the whole fucking time.

When the flower descended at the beginning of this story, dragons were not the only things that came down with it.

Infantile, you say?

This idea is, out of everything in “Twin Theory”, the one I’ve held onto the longest. It’s stupid, yeah— but just like with the Ark and the Seeds, and a certain third theory that still waits after this section— I started scripting, and evidence manifested*.

*I looked shit up and fact-checked myself🦅🦅🚬

Anyways. Do I think the aliens are the watchers? NO. No, no, no. One fucker is a tentacle ass bitch and the other belongs in a crib at the tenth circle of hell. But i do absolutely believe that a connection can be made.

First of all, I want to look at the aliens’ ship. Look at it good and hard. Does it remind you of anything?

Maybe… A FUCKING FLOWER?

Because that’s exactly what this looks like. Hell, the big ball in the middle would obviously remind one of a Seed itself… but that’s a little too silly for me. (Edit: You will soon see that I should’ve never doubted my gut.) Then again, the first time we see the seeds in the final fantasy collab is in the aliens’ ship and I… am going to stop myself from having a hernia :3. (Edit: You will soon see that I should’ve never doubted my gut)

Second. I want to look at Drakengard 1.3, specifically its ending. The whole novella is kinda… well, weird, and not in a good way weird most of the time, but its ending has always struck me as being particularly interesting.

The dragons, who I will again mention are connected to the watchers— like— genetically, devour humanity. Their size increases in number and over time they begin to change shape. First slowly taking on the forms of “lumps of meat”, then the forms of babies, then a whole bunch of them fuse together to become… a seed.

(This moment isn’t the only time we’ve seen entities fuse together to create a seed-like object, but… I’ll hold that thought off for now.)

Anyways. What does any of this have to do with the Aliens?

Well.

Take into consideration that the dragons only transformed because they were devouring humans. They had shit to eat. And given the fact that these dragons transformed into Watchers, I doubt it would be too much of a stretch to ponder whether or not Watchers themselves have this similar capability.

But what about in Automata? A part in the timeline where… there are no humans left. There’s nothing to feed off of. Most of all, there’s no Queen.

The Watchers’ entire “goal” in the first game was to break the seals and free the Queen Beast. There’s no humans left. What would they do now?

…Start a pointless war between the next best thing? Build machines they can control with ease. Forge a logic virus that will perpetuate this war for as long as it can, with a notable trait of it being: red eyes. And create a manifestation of the machine’s own egos in the form of a little girl, so akin to the girl they made their high priestess so long ago.

Edit: I continued to take too long to finish this theory and the nier concert happened. While the full script isn’t out yet, I was able to read an (I think) fairly decent summary that one part of caught my eye.

2B and 9S discover a place known as “Eden”………. hehehehehheheheheeeeee… and it’s basically just a huge alien ship, iirc. Inside they find a transporter that opens into a white city, and after walking through it a lil bit they find a copied YoRHa bunker.

Continuing their disastrous walkalong they find a bunch of dead machines in a… church…

ok….

(l was real!)

And also there, is a circle of Android corpses, surrounding a black orb.

It’s said that they formed this place as a “place of worship in their final moments”, and that the black orb likely comes from the aliens ship.

And we know this.

Black orb! Never doubt your gut ever!

But given what I’ve already said about the aliens… hm. The thing powering their ship being in a place of worship in one’s final moments…

speak not the watchers, write not the watchers…

Just a little idea.

I may have explained all this “evidence” poorly, so sorry for that. But anyways.

If the aliens were connected to the watchers (and the dragons?), so many weird connections in Automata could possibly be explained.

The cult of the watchers’ emblem appearing on either of the twins’ tattoos? Connection.

N2 resembling Manah? Connection.

Logic virus being derivative of the Red Eye Disease? Connection.

The Seeds of Destruction being in the NieR universe, specifically at the time of Automata, at all? C word. Connection.

It could even explain why no other aliens ever… you know, showed up. These aliens were the only ones, because no more could be formed with the Queen dead, the dragons gone, and a lack of food.

“The aliens look like if you took an infant and forced it to revert back into what it looked like in the womb.” And gave it… tentacles and scales. 😁

But even with all that, this is still a theory that I’m going to continue working out the kinks in. Could the Aliens have ties to the Watchers? Maybe, but I still need a lot more evidence to fully make that conclusion.

But for right now, it’s moreso food for thought.

I wish I could say the same for the final theory I’m going to be discussing today.

So we’ve talked about the Ark. Its existence is shrouded in mystery, but the conclusion I came to is that it is, in some form, a Seed of Destruction, used by machines to record memories and travel worlds. Both seem to be connected with this… “Light”, which I concluded is connected to “the Great Time”.

Hell… just typing this out, I forgot another physical example of this light in action—

This whole large group of machines merge to form a “seed”, and as light begins to build up inside of it, Adam is created.

Does this light… create, as well? Put a pin in that… maybe. I don’t know.

(Edit: I think it do..)

Anyways. Then, we discussed the Aliens. I theorized that they could have some connection to the Watchers of Drakengard, looking at all the strange ties the two species have with each other— from how the aliens’ ship suspiciously resembles a flower, to how the watchers’ most likely have the ability to change forms over time when strong enough. The conclusion I came to is that the possibility of the Aliens being the weakened remains of the Watchers after the extinction of both their Queen and humanity as a whole, is… well. It’s there.

But there’s one thing we haven’t talked about yet, and I’m sure you all have an idea of what exactly that is.

We’ve discussed two very perplexing entities in the Drakenier universe today, but there’s one last character I chose to leave as my final topic. One that, funnily enough, also has an A name. And is more mysterious than the two topics I’ve already gone over combined.

Accord.

Accord is by far the most “mysterious” character in the entire Drakenier franchise, despite being one of the only characters to be mentioned by name in multiple games.

It’s why it’s so hard to theorize about her. But there’s enough we do know about her that tells us she might as well be the most important character in the series.

Accord is a recorder android, one who… well… records. Riveting script writing ☝️

She records singularities, entities with the capability of creating branches by altering timelines. Normally she doesn’t intervene and just records the singularity once the branch has been made. Her goal in this endeavor is to prevent a “Fall-Down”, the collapse of all timelines.

She can time travel, as while we first see her in the beginning of the timeline, Drakengard 3, she was actually created during the time of NieR: Automata, around 6230 or so, in the Kingdom of Night. She also has multiple clones of herself, all of which hold the same goal as the one we follow in D3.

She also works a weapons shop and presumably even writes the weapons’ stories. She collects minerals from the old world(?) which she came from, and wields a large suitcase and phone.

In Automata, it’s mentioned she supplied weapons to the resistance; in Replicant, it was added that Yonah actually met Accord; in the Automata anime, hidden(?) text is likely from Accord, aaaaaand…

That’s it. That’s all we know about this girl.

Yes, it sounds like a lot but it’s really… not.

Specifically, two key things are unknown to us. Them being:

•How does Accord time travel?

•Who created Accord?

And for so long, these two questions just kinda sat there in my mind. I had ideas but… nothing that big.

I just assumed that, maybe, we haven’t seen how Accord time travels yet. And that Accord could just be a product of the Army of Humanity, connecting her back to YoRHa.

But then… in a NieR: Reincarnation update…

10 years after we last, physically saw her…

We got this:

These three images are what prompted me to finally, finally, put this theory in its entirety into words.

Because it got me thinking.

Puppet? Why puppet?

Yeah, stuff like “puppets” and “dolls” have been used in reference to androids, machines whatevs in this series before, but for some reason… reading it made me recall a very small detail. Something I’d always overlooked.

The final fantasy collab… puppet… puppets’… What was the title of the 2nd raid again?

Ah. The Puppets’ Bunker.

Now, why am I making such a big deal over Accord simply being referred to as “puppet” in this small section of a game? Why am I focused more on that than the fact that this is most likely teasing her return at all?

Well… it’s the same reason I bring up the collab again.

2P.

She & the other P units are the primary antagonists of this specific raid. She’s a machine copy of 2B, with an inverted palette.

And I’ve always been curious as to what the P in her name meant. Of course, it initially just meant “Second Player”— but Yoko Taro himself has since stated that there’s a double meaning to it.

And after a while of thinking and thinking, someone suggested the P to mean…

Puppet.

And shit blew my mind. It totally works! So I went with it, and then…

It made me remember another thing. Back to Accord.

Do you remember the post I made on Adam and Eve? Yes, the post where I dropped the maybe-possible-bombshell that Eve (and his brother, likely) could possibly have some sort of connection to Mikhail of Drakengard 3, at least visually— but do you know what I mentioned in kind of a side comment?

Adam distinctly looks like Accord. And that was that. For a while, the only question I had regarding that was: “Why does Adam look like Accord?”

But what I realized after lots and lots of thinking… is that I should’ve been asking a different question.

“How does Adam look like Accord?”!

Adam’s a machine. He was created by machines, created by aliens. If Accord was with the Army of Humanity, why does this machine share so much resemblance to her?

I mean, fuck— if the Copied City he creates really does have ties to the Cathedral City in Drakengard 3,

why is Accord at the fucking Mercurius Gate?

You know, the place where all the world’s “knowledge” is stored, as well as… oh I don’t know, the fucking Flower.

“Receptionist?” Strangely, that isn’t even the weirdest thing Accord’s been referred to.

Just think back to that Reincarnation update. Accord is called a “puppet.”

Why?

I already just talked about “puppet” being possibly the double meaning of the P in “2P”, connecting the term to the mock androids/machines, but I didn’t even mention the usage of the word in Drakengard 3.

In one of the novellas, the dragons, specifically Michael, fought entities described as “Puppets”. This novella is one I’ve seen occasionally brought up in discussions regarding the Kingdom of Night, due to the existence of “dragon-like machines.”

Hell JUST LOOK AT THEM SIDE BY SIDE.

The first is the mechanical interior(?) of a YoRHa android, 2nd is… of course, what we see of Accord’s. Look at the rib area. For a while I assumed it looked like that because her arm had been blown off but… no. Shit’s clean and smooth. It was built that way. It also seems as though Accord’s body is connected via… ball joints?

Why is an Android from the future so… I don’t know. Old-fashioned? Mechanic?

Especially when compared to YoRHa androids. They bleed, she doesn’t.

But. But but but.

She’s… confirmed to be made DURING the period between Replicant and Automata, during the machine war. It’s one of the only things confirmed about her backstory, and yet every little thing about her would make you think otherwise.

She’s built like a legitimate doll, not an Android. As such, she gets called a puppet. There are multiple identical copies of her and from what I’ve read it isn’t because she’s a line of… idk, Accords. Take a shot every time I say her name btw

She can time travel seemingly with as much ease as the universe allows her, and yet has to self engage special abilities like… run fast mode.

Stuff that other Androids of her time period are shown to do naturally.

But… that’s the only case for her. The only answer we have of who exactly created the first Accord is in YoRHa, the Army of Humanity.

But.

Don’t.

Know.

None of this makes sense, right? None of it. Nothing that I’ve just discussed should logically make sense if she was made by the Army of Humanity.

But that’s the only option for her, right? That we know of? Right?

Why is she closer to a machine than she is to any of the androids?

Who? Is? Accord?

Then it hit me. A realization.

Didn’t I… wait. What was the estimated year of Accord’s creation?

…6230?

Okay. And we know she was created in the Kingdom of Night…

But.

What?

Hang on. Kingdom of Night… do we know anything about the kingdom of night?

I mean… we know what it is. It’s North and South America, cast in an eternal state of Night. It’s the reason why in every NieR game, the sun never sets— it’s always set in the Kingdom of Day.

We’ve never seen the Kingdom of Night. All we know is that Accord was made there… dragon machines fought against the machines inside there, and… oh… oh.

Oh.

The Kingdom of Night.

North and South America?

…where the first machines were being mass produced. The first machines were made in the Kingdom of Night, in 5100.

The Army of Humanity never managed to gain control over that kingdom. In fact, in 7645 the aliens’ control over the kingdom of night had increased to 80%.

And Accord was created in 6230.

In the kingdom of night.

In the kingdom of night

WHICH THE ALIENS HAD TOTAL OCCUPATION OVER, AND WERE USING TO BEGIN PRODUCING THEIR FIRST MACHINE LIFEFORMS.

Accord isn’t a product of the Army of Humanity. Isn’t a product of humanity at all.

Accord didn’t come from YoRHa.

Accord is a product of the aliens.

She’s a machine!

I want to go back to the tower. Don’t worry, no more talk about time and seeds and light and arks and useless crap like that

At least, not for the next… I don’t fucking know. 1,000 words. Lol. Lol😬

Do you remember what was inside the tower, aside from the ark itself? Aside from the countless copiesof B/E models?

The library.

An exact replica of Popola’s library, all the way back from Replicant.

And I always saw this moment at its face value. Oh, it’s THE library. The library that holds all the records for the machines is a copy of the one from the other game. Cool.

Same thing with when Popola’s office appeared in both the game and the anime, though they both served mildly different purposes.

But when I looked at these moments as I was writing this theory I thought… hm. Why here?

So I did what every normal fan does and

I read the Drakengard 3 complete guide.

4/5ths of it.

Long day. Thank you Accord’s Library.

But among the things I took note of, this page caught my eye:

A page that’s Basically an outline of the timelines in Drakengard 1, 2 (told you it’s technically canon, bitch), and the first NieR. Done by accord.

Let’s zoom in on NieR’s, actually.

Atta boy. First of all, fucking banger of an image. Second of all, so… did…

Did an Accord meet Devola & Popola? Because if so…

… it makes a lot more sense as to why the machines’ archives are stored in an identical copy of their library.

What I’m getting at is that I think Accord had some involvement with the data recorded in the tower, or at least… the tower itself.

Second of all. Let’s go back to the complete guide, and narrow our focus on its documentation of the games’ events— specifically, the branching phenomena.

Something interesting that I noticed is that everything regarding either

Accord

Branch activity at all

Is labeled as “Top Secret.”

And yeah, this is probably just for some cool flare or whatnot, but I really want to narrow down the Accord stuff in this.

From what I was able to get translated off this page, I actually found some very interesting things.

To start, it’s described that the fact Accord is an android/machine/whatever the fuck at all is… prohibited information. That she was a “machine made from an advanced civilization in the Old World. Specifically… prohibited to be published.” It’s also described as being “an embarrassing secret.”

The “embarrassing secret” thing could honestly just be in Accord’s own words, but I don’t think the “prohibited” part is.

After all, it was also prohibited for Accord to intervene like she did in Ending D.

So she’s prohibited from interfering with events in a timeline, as well as ever disclosing her identity as an Android/machine…which she also considers an “embarrassing secret.”

And we should also talk about the… the fucking… NieR Desktop PCs that have lore on them. I fucking hate this franchise.

4198 AD Humanity's extinction is confirmed. All records relating to humans are moved to maximum-pirority folders, and backups are sent to regional quantum servers for safekeeping.

5012 AD An Attack by aliens from outer space is recorded. Numerous buildings and androids are destroyed, and some quantum servers are catastrophically damaged.

5155 AD Machine lifeforms created by these unidentified alien visitors launch an ark into space, resulting in a new divergence. An attempt is then made to sync up with servers from the past.

2021 AD Synchronization with past server is successful. As the original network was small and designed for personal use, expansion will be required. - Accord

First of all, quantum servers. Server. COUGH COUGH. Memory server.

(Also, it’s mentioned that there is a quantum server in the Forest of Myth in another one of these… most likely being, Sleeping Beauty itself. Obvious.)

Anyways.

Second of all… the ark launching causes a “divergence.”

Not a branch, a divergence. There’s a difference between the two.

It’s kind of hard to explain in words, but thankfully— the Complete Guide has a trusty visual aid.

So the ark did breach off into separate timelines… and Accord doesn’t at all sound concerned.

In fact, she sounds like she fucking contributed to it.

I might be totally tripping as I’m sure I’ve been this entire post but this all makes it sound like she herself was the one, or one of the ones, who recorded & stored all the records we see in Automata into the Ark.

especially when you read what the other PC had to say.

2021 AD A certain manufacturer releases a high-spec personal computer. This model of PC, designed to receive perpetual updates via the network, is soon adopted across the globe.

2025 AD These PCs, now spread the world over, begin to link up and share data as part of a neural-networking experiment conducted by the manufacturer without the knowledge of its users.

2032 AD Large-scale data breaches and acts of cyberterrorism are carried out over the network, during which time information regarding Replicant technology is leaked. The experiment is soon halted, and the computers stop receiving updates.

3021 AD A thousand years after the experiment, consciousness data from these computers is detected on the network. The Collection and merging of this data is performed by the quantum server located in the Forest of Myth.

Hey, look. The times match up. 2021 AD, 2021 AD.

But if we carry over the fact that this is all coming from Accord…

“These PCs, now spread the world over, begin to link up and share data as part of a neural-networking experiment conducted by the manufacturer without the knowledge of its users.”

Hm.

Go back to Reincarnation. What did it say Accord’s purpose was?

This puppet’s goal

is to observe how humans live their lives.

Maybe it’s just me. That’s a new one.

One of the few things we’ve known about Accord, for sure, is her goal of recording singularities, branches, etc., all in order to prevent the collapse of all timelines.

I don’t think we ever got “study human lives” in the equation.

And so I thought. Maybe we did. Maybe I just looked over that answer, too. Maybe…

It was her original purpose?

Okay.

I’m sure one thing has been lingering in your head as you’ve read all this.

I’m gonna lead up to a big reveal that Accord is secretly a big bad evil, who is recording the world and beyond for the machines,and that we should watch out for her or some shit.

I think the complete opposite.

Because while I said that she’s prohibited from ever interfering with events in a branch… which she is.

Here’s the kicker.

She does it anyway.

In ending D, Accord breaks that “rule” and runs in at the last second, ensuring that the flower would be sealed off in that branch.

Why did she do this? Is she stupid?

And the best answer we’re given is… firstly, Zero.

Whatever feelings Zero made Accord feel while recording the events of Drakengard 3 were so strong that she went against that prohibition just to help her, even if it meant getting herself killed.

And do you remember the “embarrassing secret” comment I brought up when discussing the information in the Complete Guide? How I concluded that that phrasing was likely coming from Accord’s own perspective?

Perhaps she considers her identity as a “puppet from the old world” an “embarrassing secret”… because Accord isn’t affiliated with the machines anymore.

She’s been working against them.

The most recent Reincarnation update as of this script revealed a shit ton of really, really important lore.

The Cage is inside of a Seed. Humanity is planning on Reincarnating.

But out of everything there’s one thing that I… genuinely did not see coming. It was probably the most obvious reveal out of everything, but still.

After the Ark leaves, the machines who left on it begin assimilating everything.

They start collecting data to an almost catastrophic degree, eradicating androids. Building a kingdom, taking over earth.

Not just earth— If I read it right, their goal is to completely dominate all timelines, all earths. That is, until a civil war between machines breaks out.

And what occurs sometime after this is, presumably, NieR:Reincarnation. Inside of The Cage, a repurposed Seed of Destruction perhaps taken from the machines & used now to store the data of humanity so that they may one day resurrect.

But here’s the real kicker. A seed taken from the machines?

Yes. If I’m correct, the machines have access to the seeds. It could just be what is giving them the power to assimilate on such a catastrophic scale.

And they’re bringing them across timelines… ah! You know what that sounds like?

Exactly what I fucking said about the Ark. Shit’s clicking. I think. I could totally be wrong about this and if I am my bad.

But let’s go back, back to Accord. Samurai Jaccord. Or something idk

When I brought up the two biggest questions regarding her mere existence, I skipped over one.

“How does she time travel?”

And the question always kind of nagged at me. It felt like an obvious answer but it just… wasn’t.

Until I asked a different question. How does she copy herself?

It’s brought up time and time again that there is no given answer as to how Accord just has so many… identical copies of herself.

And while it would lead me to just believe she’s a line of machines, I… no. Because that’s not what it sounds like at all.

It always just reads as though the original Accord found a way to copy herself on her own.

Copying herself… copy, copy… wait. We’ve seen something that copies. We’ve seen something capable of storing data. We’ve seen something capable of traveling across worlds.

And just like that, I found my answer. She uses the Seeds to time travel and copy herself.

And how might she have initially gotten her hands on one of these seeds?

Well… perhaps, the machines. Whom she was very likely affiliated with, before this war.

She collected the data from humanity and stored it in the ark. Surely it wouldn’t be so hard for Accord to snatch it all back and put it into the Cage, right?

After all… she’s said to come from the old world. Perhaps whatever was the first iteration of the Ark breaching… is the “Old World.” It’s said the machines built a kingdom.

And at the end of this update, we see Pod fly towards a city in white.

And do you know what this city fucking looks like? Guess. Just. Fucking. Guess.

IT’S FUCKING CATHEDRAL CITY.

It’s a time loop. It’s a time loop, and it’s not a new time loop— it’s been a time loop. And who the hell knows how long this shit has been going on.

The Complete Guide mentioned that one specific entity was causing altercations to the “flow of time”— Accord! And no, that’s not a theory— the book legitimately states that Accord is causing changes in time itself.

Hell, if we’re going with the possibility that Accord uses the Seeds in some way to traverse time and space, perhaps she copies herself for every time she does it. For every jump in time, she’s replicated.

And given the ending of Drakengard 3… Girl’s been going at it for a while.

A couple more things I’d like to bring up before we reach the “conclusive statement” of this post.

I say Accord is a machine… what do I mean by that? Earlier I compared her appearance to Adam, does this mean I think Accord is moreso akin to him & Eve?

No. Because like I also pointed out earlier, Accord isn’t organic like we see they are. She doesn’t bleed. Not even when Zero drives that sword straight through her abdomen in order to kill One. One bleeds, a fucking lot, nothing from Accord. I’m gonna quit talking about fictional characters bleeding. Anyways.

No, I think it’s more likely that she’s closer to something like 2P and the P(uppet) units I mentioned earlier, or just… any regular machine.

Secondly, let’s go back to Utahime Five. She’s only in it for like, what, a panel? But I feel as though this singular panel says a lot.

First of all, the Mercurius Gate is what “holds the knowledge of the world” in Drakengard 3. Accord is its “receptionist”, as we see, and she noticeably looks “younger” here. As young as, you know, a machine CAN be.

And if we take into consideration the Copied City’s connection to the Cathedral City, and perhaps now the Ark’s connection to the Mercurius Gate, it would make sense as to why Accord here is its receptionist.

Perhaps this was her original function. A puppet who observes how humans live their lives, storing that data & then serving as its receptionist. Which would give her such an easy out to snatch some of that data back when the time came.

But there’s another thing. How come she looks so much younger here? She’s a machine, I don’t think machines age like… people do? Unless there’s like… Robots 2005 logic you can apply here…

which I doubt. I don’t know the answer to this one. And I don’t wanna just spew more bullshit I’ll probably be pulling out of my asshole. Continuing.

Thirdly. What about in Automata? If Accord’s… you know… giving out weapons to the Resistance, as told to us in this line:

“Oh, the lady who owns the place sends ‘em over every once in a while. Her name’s Accord, and she’s the proprietor of this here business. I just tend to customers and keep all the repair devices humming. I only see her every few years, to be honest. She mostly just uses delivery drones to drop things off. I don’t know where she gets this stuff, but most if it’s in pretty good condition! Say, if you ever happen to run into her, say hello for me, all right?”

how could she be affiliated with the machines?

Well. Like I said, the most likely answer to the time loop is that we aren’t seeing its first go-through. It’s been happening, and there are already a possible infinite amount of Accords in the… whatever zone.

I wanna focus on two lines here.

“I only see her every few years, to be honest. She mostly just uses delivery drones to drop things off.”

Her using delivery drones is… interesting. It makes sense. I imagine that in timelines that are, at least in certain ways, “going strong” she wants to minimize her interactions with the world to as limited as possible.

Meanwhile in Drakengard 3, as shit was going to shit, Accord was just outright toying with Zero until eventually intervening during the fight with One.

(Why she then was then showing things in her bag to Yonah I… don’t really know.)

Fourthly.

Group B.

From Sinoalice:

August 2 The origins of Group B is still largely unknown. It is believed they come from an undiscovered branch. I suspect the reason why they remained unnoticed for so long is because they have set up Recorders near Singularities to keep us away from them.

March 12 The last time there was a Cataclysm, it gave rise to a large number of Group B. They even have weaponry capable of countering our aerial weapons… things are getting out of hand. We’ve managed to keep them at bay so far, but if this situation continues, we will be completely overpowered.

June 5 It seems that we Recorder models, will need to adapt. The development of replaceable armament parts is progressing, but more investment is needed. Weapons distribution needs to be increased to facilitate memory recollection. There is lot of work to do.

August 8 The previous Recorder was destroyed by Group B. Since there is a possibility that it was captured, I’ll have to request assistance from the Association.

This Group B is something I didn’t really touch on ever due to having literally no fucking clue what it could be, but recently it was brought up again in the anime, so I’m bringing it up now. Because I think I might have an idea.

The first bolded line. “I suspect the reason why they remained unnoticed for so long is because they have set up Recorders near Singularities to keep us away from them.”

I think that Group B, in some way or another… is Accord. At least, variants of her that are more malicious.

Variants of her that are… still affiliated with the machines? Time is most likely all happening at once, in separate universes/timelines, and therefore while one group of accords are on our side, the other still is with the machines, from the “past.” I sound like a fucking flatlining heart rate monitor I’m so sorry.

Anyways… shit. You know what just clicked? Everything in this makes sense.

Do you remember Michael’s novella, when he and the other dragons were battling “puppets”/“insects”?

That was Group B. It had to have been, given that we know there is some weird kind of connection between the dragons of Drakengard and the Dragons from the “Kingdom of Night”, and that these dragons in the kingdom were deployed to fight against machines and aliens inside the kingdom.

And wanna know something? It’s parroted information, but the first of the Dragon machines and Accord were created around the same time, same area. But no matter how hard I try and convince myself otherwise, everything points to these two entities having not been originally created by the same entity.

And guess the fuck what? I’m not even theorizing about Accord being both group A and B, I’m just rewording actual canon.

In Sinoalice, there are two characters, these two:

That Accord is said to be the “ancestor” of. Fucking. They’re puppets. They are puppets with red eyes. And they’re fucked up little assholes.

And not only, but these two characters are also “mutated variants” of, what? Group B. Two characters are descendants of Accord & simultaneously variants of Group B, what conclusion does that leave? Accord and Group B are connected. Accord is Group A, the Accords still with the machines are Group B, Group A and Group B are both Accords. Circle A on your SpongeBob SquarePants punnet square worksheet and meet me after class

Going off of this, it’s said that Group B also has the capability to change forms based off parts they assimilate from other entities. And… hm. Hm!

If we apply that this same power hasn’t changed for Group A, then we just answered two questions regarding Accord.

First thing. How I mentioned that she looks younger in Utahime Five compared to her appearances in everything else. If she has the ability to change forms due to whatever she “assimilates”, then that explains why she looks slightly older now.

(Could also possibly explain the existence of male accords too, like in the stage play? I don’t know bro…….. I’m deep but not that deep)

Secondly. Ancestors… ancestor… hm…

Could she be. Um.

Could Accord have been the first “android-like” machine? And it’s because of this that she’s not as “advanced” as the ones we see, like Adam and Eve who are all but virtually organic beings?

Perhaps that’s why Adam resembles her so fiercely. And fuck, I just realized— it’s not just Adam. It’s N2.

And this time I promise I’m not just talking about black hair and pronouns.

I’m talking about narrative framing.

They’re basically inverses of each other. One’s trying to resurrect humanity while the other is actively pushing for its decimation on a dimensional scale.

Actively pushing back against one another. Constantly observing. Constantly… watching. And both possibly created by entities who once did the same.

Fifthly. And at last, finally.

What does Accord have to do with the Cage?

Well. It’s something very, very interesting.

The Cage, formerly situated on the moon before… for some reason… being found on Earth, is what’s keeping humanity alive.

At least, their data. Their data from all timelines, if I recall. And from cameos we are given little breadcrumbs that tell us Accord is very likely its creator.

And this Cage, inside of a seed, is revealed to be what is intended to bring humanity back— to resurrect them.

If this seed, this Cage, is destroyed— everything is destroyed. Humanity dies.

I fully believe that this event, the destruction of the cage— if it happens, this will be the Fall-Down. The destruction of all timelines. The destruction of humanity.

And think about all the characters we see from the games in Reincarnation. 2B, A2, 9S. Nier, Kaine, Emil. Even fucking Zero herself.

It’s all their data. It’s not them, per se— just their data. Why’s Joker Persona 5 there? Ummmmmm shhhhhhhhhh 🤫 🤫🤫🤫🤫🤫🤫🤫🤫🤫🤫🤫🤫🤫

And you know what? I think I just solved another question I’ve had for ages.

We know who took Angelus’ body.

During the legion war, Angelus’ body is stolen from where it’s being kept and we just… genuinely do not know where the fuck it went. At all. Not a fucking clue.

But do you know what I’m wondering now? Maybe Accord took it, and she’s in the cage. Because look at THIS. FUCKING. SCENE.

While Yuzuki and Hina are going through this weird “gallery” of paintings (WHY IS IT ALWAYS FUCKING PAINTINGS BY THE WAY. maybe accord & adam were in the same art class), a FUCKING DRAGON FLIES OUT OF NOWHERE, GOES INTO THE PAINTING, AND DIES. Obviously it’s just a reference to the only thing in Drakengard 1 that ever gets referenced— but we’re already so fucking deep I can’t see shit. I’m going with it.

And finally… finally, finally… I think I have everything. And if I’ve just confused the fuck out of you all for the last 7000+ words, allow me to attempt to amend that with my concluding…. bullet points

•The Ark the machines use to traverse time & space is a Seed of Destruction, in some shape or form, which we’ve seen them possess before. Seeds can also be used to store memories & “data”.

•The “light” frequently referenced throughout the series is most likely in reference to The Great Time.

•The Aliens of Automata are most likely connected to the Watchers of Drakengard in some genetic way.

•Accord is a machine, who stole data from humanity without their knowledge for the machines’ server.

•She later rebelled when their assimilation began and created the Cage.

•Accord uses the Seed(s) to copy herself & possibly time travel as well.

•The humans of Midgard were always right; there is an Egg of Resurrection.

And. That’s. EVERYTHING.

Shit. Sorry if this all kind of fell apart near the end, this took waaaay too long to finish up and every time I got close new shit got revealed that I could add. YAY.

But anyways. Hope you guys liked my nonsense, and until next time,

Hold on.

I just realized something.

…I think I was wrong.

Like, completely wrong, about something. One thing. Completely wrong about one, small thing.

Accord… isn’t the only character we see in these games that can travel across time and space.

…So does Caim.

At the end of Drakengard 1, ending E, he and Angelus send themselves and the Mother Angel (Queen Beast) across time into modern day Tokyo. This event is what would cause the NieR timeline to kickstart at all, bringing the origin of MASO as well as…

This event is what… caused NieR to occur.

This… event… caused… NieR.

This event caused NieR Replicant, which caused NieR Automata, in which the Ark was formed, in which the first Accord was created, in which assimilation began and kickstarted the time loop.

And the real kicker? Remember when I brought up “Singularities”? Entities with the capabilities to cause branches and alter timelines. The ones that we know of include Zero, Two, and recently, Kaine—

but with information given by Drakengard 3’s Complete Guide, we were given three more. These being,

Nier,

Nowe,

And CAIM.

It’s confirmed. Thank fuck, by the way— one of the biggest portions of the original twin theory was me trying to prove that he was a Singularity at all, but little did I know the truth was right under my nose. Waiting. For ten years. I’m the smartest bitch on planet earth

But there’s something… off, I feel.

In every instance of a singularity taking effect that we’ve gotten to see they always stay on the same… I guess, “Earth.” The branch changes, I guess, but the earth really doesn’t.

I’m saying this, because

Caim branches into an entirely different world, and he brings the two beings that shall end yet another humanity with it.

I’d bet the Gods were sure happy about that. More humans to…

I’d bet the Gods were sure happy about that.

What? Hang on.

Look at that.

These birds show up right before the Queen Beast falls into Tokyo. Birds have always been common imagery in these games, usually for symbolic purposes.

But every time Drakengard 1 uses this kind of imagery it’s… weird. The birds are weird.

Especially inverse of this, the very beginning of the game:

It’s in the opening cutscene of Drakengard 1. Furiae says, “It begins.”

(What begins? What does she already know…?)

And after a fade to white, we cut to a bird circling in the sky over the battlefield Caim is currently in. The very same one where he will be fatally wounded, forcing him to forge a pact with Angelus, the beginning of the end.

It always struck me as odd as to why this shot was included. Why include such seemingly meaningless imagery as… you know, a bird flying. Like a bird can do.

Well, that’s the thing with Drakengard 1. It’s by far the entry in this series with the heaviest religious imagery and theming.

And thus, with that in mind…

I looked it up.

What is the significance of a bird circling in the sky?

Oh.

So… It’s an Omen.

It’s an Omen.

A bird circling in the sky is considered an omen in certain religions.

A bird circling in the sky is considered an omen that God is either sending a message from beyond, or is watching over you.

God is watching over you.

God is watching you.

(watching me, watching you)

Hm. Hm! In the context of this series, that’s kind of…

interesting.

#MY BULLSHIT INACCURATE TEDIOUS AWFUL STUPID FUCKING THEORY IS BACK ON THE MENU #nier #drakengard #drakenier #square enix #yoko taro #drakengard 3 #drag on dragoon #dod #nier replicant #nier automata #nier reincarnation #twin theory #drakenier twin theory

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bunny-dr34ms · 4 months ago

Text

the love fate demands of us - prologue

- mystical!txt x angel!reader

summary. flora was the land of magic, where fantasy thrived. now, in the hands of humans, it has become a land where the enchanted had to hide in shadows in order to survive. you, neither human or angel, an abomination to both, knows better than anyone how cruel this world can be. fate has failed you time and time again but when she leads you deeper into flora, you'll find that your hardships are shared by others. will you and your new companions be able to restore what has been oppressed in flora? more importantly, will you be able to find the love fate demands of?

cw/ tw; f!reader, fae!yeonjun, vampire!soobin, werewolf!beomgyu, wizard!taehyun, elf!kai, fantasy au, royalty au

features; txt, names of other idols that i decide as i go

wc; 1.8k

Prologue: Flora: The land of magic

Flora, the land of magic and all things fantastical. There was truly nothing like it. From the mystical forests to the flourishing river channels, from the tiniest twinkling pixies to magnificent beasts, Flora was a land of legends. Creatures of all and every kind roamed freely, building little communities and towns of their own. Whole civilizations existed but no matter how they continued to advance, the peace was never disturbed, they were all Florians after all, united under their nation. Truly, there was nowhere else promising more beauty and adventure.

And then the humans arrived.

Nothing could've prepared Flora for humans. No seer, omen, or prophecy could've prepared Flora for the shattering ruination that would come with humans. Albeit there was no early premonition that they were even coming at all but a place like Flora would've welcomed them anyway.

Welcome she did.

When the first group passed through the fog, they spent weeks wandering and building camps in the forests, dryads and nymphs passing word that something new has entered Flora. A new kind of people for the first time in almost 1000 years, the most recent being the first group of leprechauns that came along(they were quickly found out to just be odd fairies) The humans wandered and wandered, lost in Flora’s great forests until one day they stumbled upon a little town of dwarves. The dwarf king of that town graciously let them in, already catching wind of the new friends that have been lost for weeks. Dwarves were stubborn, prideful people who really only acknowledged other by their work but humans were equally crafty with their shiny metal armors. Just like that, the dwarves and the humans became good friends and even better partners.

Now, if it wasn't for greed.

If it wasn't for the human's greed for more--more power, more riches, more land. If it wasn't for the thirst that they had to conquer, maybe...no, Flora definitely wouldn't be what it is today.

In just a month's time, hundreds, thousands of humans started entering the forest. All of them flooding Flora's forests from all sides, clambering up into the mountains, into plains, anywhere that had land for them to take. Still, without question where all of them came from, Flora took them in with open arms. The interactions the dwarves had made the other groups believe that humans were similar to the already residing citizens of Flora. Kind, generous, humans were just another race of goodhearted people joining Flora, right?

Oh, how wrong they were.

The first 5 years of humans just inhabiting Flora were the most destructive years that this land has ever faced. Not even the Great Forest War could compared to the monstrous crimes committed by the humans. Forests were torn down and burned within just weeks. There were houses being built everywhere the eye could see in almost every meadow. Mountains were chipped away until wide paths ran up and down the sides from bottom to top. All water sources became awfully contaminated or redirected into their new little residential areas. The entire landscape of Flora changed in those 5 years.

That was just the landscape; the creatures of Flora suffered far, far worse.

The population of the forest animals cut down by half, unicorns, jackalope, and even dragons alike. Humans had no sympathy for those who couldn't talk to them it seemed. The elves were wearing of these newcomers but reluctantly allowed them in their kingdoms after hearing praises from the dwarves. What a mistake that proved to be because soon the humans began to chase them out of their very homes. Elves were always more closed off in all aspects of their cultures. History books of elven society hardly had any of their spells, traditions, or magic. Humans didn't like that and took it all by brute force instead, fire seeming to be their favorite to burn down whole communities. After the elves, news began to spread about these humans once again. This time about how they were tyrannical, heartless monsters that killed with no remorse.

From nymphs to mermaids, centaurs to witches, fairies to vampires, they were all slaughtered at the hand of insatiable humans. After all, Florians didn't know what to do at the face of cold massacres. They've been living in tranquility for eons and eons. The Great Race War was recorded in history to be at the very start of time, when Flora just a clearing of trees. Just the sight of humans with weapons in their hands were enough to send all life forms running and hiding. In the last 3 years, the entire population of Flora, apart from the dwarves, was once again halved.

Then came the Human Flora War.

After 5 years of taking the cruelty of humans, all the fantastical beings decided enough was enough. They were done with letting the humans take what they want. Another 5 years were spent planning, preparing, training for this battle. Florians knew that humans were a tough opponent, having seen their brutality first hand. And prepared they were. It was thousands upon thousands of mystical beings that had magic and power coursing through their veins, victory was essentially guaranteed. On the battlefield, it was clear who was going to win, the humans with their flimsy iron tools stood no chance against the mages. Fire no longer scared the water nymphs, werewolves and vampires haunted their bases at night, picking them off like flies. Yes, victory was in sight.

The humans were enraged, they've never lost so pitifully before it seems. So they had to play their dirty tricks once more. They turned to the only race that they treated as equals: the dwarves. It was already bad enough that some dwarf towns didn't participate because they believed that humans weren't all bad. The humans made a deal to the dwarves. They promised that in return for the dwarves to join their side, they would provide them all with riches for the rest of their lives. Dwarves were never wealthy, not like vampires or elves, so this prospect made them eager. They were convinced when the humans apparently brought a ship that was filled to the brim with golds and gems that the dwarves have never seen before. The humans somehow constantly replenished their man power and with the betrayal of the dwarves, which were at full force, already having years and years of weaponry stored up and being spared the humans' wrath, Flora ended up losing.

The next 10 years was spent by the humans raising their own cities and kingdoms. In the utmost center of Flora was the main kingdom called Roseria, where the Esor Forest, the largest forest in Flora, originally was. Now there were only a few acres of it left surrounding the kingdom. There were neighboring kingdoms too. Magnia towards the mountains and Asteria near the oceans. Here and there were little human towns with some being mixed in with dwarves. At this point of time, the human population alone was enough to equal almost all the magical beings and creatures.

Flora, ever wondrous and ever adapting, was still able to heal after all it went through.

All the flora and fauna found its way to thrive again, growing back lush and healthy. The were only two major changes. One of them was the new hierarchy in place, where humans stood at the very top. Every one, every thing else had to obey, otherwise they'd face severe punishments. Ears would be clipped, wings were cut, anything that set one apart from humans would be eliminated with so much as a word out of line.

The second change, was a decree made by humans, banning all magic.

Humans were not as intelligent as they say they are. Trying to make home in a land of magic just to ban it, which is impossible by the way, was like stepping outside and banning the sun from ever shining because it was too hot. They always hated magic anyway, hated how those who could wield it made them so much more powerful and just better in every way. Magical beings are naturally more beautiful, more alluring. Humans couldn't accept that with their own greed to be the best. Really, they were just scared of how strong and otherworldly magic was. Still, even with this nonsense ban, creatures of their own environments worked hard to nurture Flora, allowing it to continue prospering under human rule.

So that's where Flora is as of now. Still the land of magic and all things fantastical despite the green-hearted humans' intervention. In spite of this, odd and new definition of peace, there is always something new and unheard of that could happen here. The Kingdom of Esor, ruled by the Hwang Dynasty's 3rd generation, is about to recieve their first princess. This princess is going to be the result of not only infidelity, but also a child of a human and an angel. Interracial families were inevitable, no amount of hate or disgust for the other race could've prevented love from getting in the mix. Not every human was evil and not every mystical Florian held grudges against them. Though the marriage between them was made legal, they were still shunned by society, from both sides. Forgiveness was hard to earn and forgetting was essentially impossible with all the recorded history of the crimes committed by humans. How terribly unfortunate.

Anyways, back to our princess.

She will be the first hybrid royal to ever exist. In a year, we will get to see how she fares in this magical world. In a year she will be born to the royal family and in a year, after 200 years of peace with the humans, Flora's tranquility shall be once more disrupted.

Simultaneously, deep in the forest, a brutal path of betrayal awaits 5 individuals. A misunderstood vampire who wanted nothing more than to protect his own. An exploited fae who longed to experience what love was for himself. A forsaken werewolf who was sacrificed by his own blood. An incriminated wizard who dreamt of helping those in need with his talent. A ridiculed elf who wanted to use his powers for good.

Fate was unkind to you and them, forcing all of you to fend for yourselves in a fight where the world has turned their backs on you. Will the red string weaving through your heart help you find your soulmates? When push comes to pull, will they stand next to you? Come, as Flora awaits its saviors, the suppressed magic straining against its chains, let us discover what fate has in store for us.

Let us face together, the love fate demands of us.

author note: posting after who knows how long.. i really enjoy the concept of world building as hard as it is so i decided to give it a shot! i haven't had a chance to proof read this yet so please forgive whatever blemishes there are, i'll fix it as soon as i can! should i make a masterlist for this, i've never made one before but im willing to try >< chapter 1 is already in the making but i wanted to post this to see how we feel about it. i can't wait to release the next chapter !!!! let me know what you think !! all reposts, likes, and shares are appreciated! my inbox is open!

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originalaccountname · 3 months ago

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Hiiiiiii...

Ok, so! Sorry to bother you, but you are one of my favorite bsd meta account on this platform, and while I know that Mori isn't really your focus, I had a question.

Is it true that Mori based Elise on Yosano? And if so, do you know why?

Hello!! Thank you for your nice words! ✨

I don't think there's a single definitive hard truth about how Elise is for now. We don't know in what capacity Mori controls her besides being able to order her to attack or protect. I won't get too in detail about it in case it's a spoiler for you, but Elise in BEAST still has her strong attitude... while being an adult, which makes her much more suited to her current role. We don't know if Mori's the one to choose her personality and age or if it just... happens despite himself.

What we can see is that, during the war, Elise was dressed in a cutesy frilly nurse/maid outfit and answered "yes master" to Mori without showing a shred of attitude. Since it's the only time we see her at that time, this has to be a relevant detail.

The Elise we know in canon is a bratty spoiled little girl who loves sweets and hates how pathetic Mori is and therefore refuses to listen to him in casual settings. However, in battle situations, she becomes a lot closer to what we see her be during the war.

The way Mori treated Yosano during the war is similar to how he treats Elise now. He finds their attitudes cute, but wants them to obey him. The main difference between the two is that, while Elise is an ability and functionally a doll, Yosano was a real person with her own wants and needs, which Mori didn't care at all about. It's only fun and cute when Elise has an attitude because when he needs her to do something, she will never say no. He is only playing pretend.

Mori told Yosano that he "has a hard time not granting a little girl's wish". Maybe this entire thing is about Yosano. Maybe Yosano just happened to be exactly the kind of little girl Mori likes to gush over. both are likely.

and btw, if you want more on the subject of Mori and Elise, I recommend this read about the inspiration behind them! There's also something to be said about the relationship between irl Mori and his daughter Mari (who idolized him), but I don't know enough about that subject to confidently tell you more about it.

#ask answered #apparently i talk sometimes #bsd #bungou stray dogs #bsd mori #bsd yosano #bsd elise #bsd meta

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aspoonofsugar · 24 days ago

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Hi! I didn't know you liked Oshi no Ko. Have you read the latest chapters? I would love to know what you think about Kamiki and his relationship with Ai. I love your blog ❤️

Hi!

Sorry for the very long wait!

So, I actually like Hikaru Kamiki a lot as a villain, as he reminds me of Johan Liebert from Naoki Urasawa's Monster:

As a matter of fact both are built on two premises:

They are satanic archetypes

They are difficult to understand

Johan embodies the Devil in juxtaposition to Tenma's God. He is the beautiful and brilliant angel, who fell and turned into a Demon, who opposes God's ideals. So, if Tenma (symbolically his father) believes all lives are equals, Johan (symbolically his son) believes people are equals only in death. So, life itself has no value. As a result, Johan is associated many times to demonic imagery. For example, he is compared to the Beast of the Apocalypse.

Hikaru is the Devil to Ai's Goddess. He is the child, who is loved wrong and lied to, so he loves wrong and lies. If Ai embodies the theme of true love (she loves both her fans (the macrochosm) and her children (the microchosm)), Hikaru embodies the theme of fake love (he uses his love for Ai to justify his crimes). Symbolically, he is the black star to Ai's white one. Not only that but his own name is a play on words for Lucifer aka the Devil.

Monster's thematic heart is Tenma and Nina's journey to understand who Johan is, so that they can understand themselves. It is a difficult quest, where every archetype, which is usually used in stories to explain "monstrosity" is subverted and deconstructed. Is Johan like this because he has a double personality? Nope. Is he like this because he was experimented on? Nope. Is he the "evil twin" who was mistreated in favor of the "good twin" Nina? Nope. So, why is Johan a monster? In the end, Tenma and Nina have a moment of realization, which is both about Johan and themselves. After all, who is Johan, but a person, like Tenma and Nina? Him being a person does not excuse his crimes and it does not even fully explain them. And yet, it is enough for Tenma, Nina and the reader to understand Johan. To understand him and to realize they can never fully understand him. Because you will never 100% understand another person. But you can empathize with them.

Oshi no ko's story is Aqua and Ruby's journey to understand both Ai and Hikaru, two sides of the same coin. Two idols. Two deities, who reacted to this god-like status in opposite ways. Ai stepped into this role by becoming love. She is a god, so her love must be the purest, most powerful one possible. She must love the world. Hikaru embraced this role by manipulating people's love and turning it into hate. He is a god, so he can live detached from other people, disregard their lives and manipulate them:

That is why he manipulates also the reader by making use of medias. As a matter of fact the story is rather clear on who Hikaru is. I mean, he is literally introduced as a murderer:

And a victim:

So, the question is "how are these two things intertwined"? This is what the reader wants the story to tell them. However, the story offers an answer through the specific medium of the movie "15 Year Lie". The title itself says it all. In the end, the movie is a lie:

How close to the truth is Hikaru's portrayal in the movie? Was he really an innocent child corrupted by the world? Did he really not mean for Airi and her husband to die? Or was their death his very first murder through manipulation? I think the story implies his portrayal in the movie is the truth, but at the same time one is free to interpret it all, as he wants. After all, it is just a movie and not a flashback or a deep dive into Hikaru's mind.

Hikaru himself says the movie did not portray his relationship with Ai correctly:

And at the same time he uses his portrayal in the movie to trick both the twins and the readers:

He acts as his character in the movie would. A tragic victim turned unwillingly into a murderer. A shameful and regretful criminal. A sympathetic one even. Except the character is the character and the person is the person:

So, who is the person? A serial killer sure, but other than this? Did he kill Ai willingly or did he really not think things would degenerate this far? Is he the cold genius manipulator Nino describes or is he deep down a broken person like her? Or both? The answer to this... we'll never know because Aqua has the brilliant idea to fail his arc and kill himself!

Aqua and Hikaru are foils. To be precise Hikaru is Aqua's shadow, which means he is the part of himself Aqua needs to recognize and integrate, if he wants to grow. Except he doesn't, so he dies. Not only that, but he kills Hikaru, so we don't get to truly empathize nor to understand him. Just like Aqua gives up on trying to understand both him and Ai. As a matter of fact he disregards Ai's last wish and kills both himself and Hikaru. Two of the three people Ai loved the most. A final spit in the face of Ai's love.

This isn't surprising, though, because the trait Hikaru and Aqua share is their objectification of others. This is evident in their deaths. Both men die idolizing a woman in opposite ways:

Hikaru dies idolizing Ai. He reduces Ai and their bond to his sin. He could choose to honor her memory and wishes, but instead he gives in to violence. He could celebrate the existence of their children, their shared act of creation and love. He decides to venerate his own act of destruction and violence instead. He is selfish to the end.

Aqua dies idolizing Ruby. He sacrifices himself to protect Ruby's life, so that she can have her dream future and inspire others with her light. All noble and good, right? Except I am pretty sure this goes against everything Ruby wants. Ruby wants to be an idol sure, but more than anything she wants her loved ones happy and safe. Aqua decided he cared more about Ruby the idol, than Ruby the person. Just like the stalker who killed Ai only loved Ai the idol and could not care less about Ai the person. Even Aqua's final narration objectifies Ruby completely:

He makes his and Ruby's second chance at life all about himself. Ruby is HIS twin, so that HE can protect her, so that HE can die before her this time. All so that HE can solve the martyrdom complex he has had as Gorou all his life. Ruby and Ai become two idols that must shine forever and ever, always bright and happy, so that Aqua can feel good about himself. Hence why his last vision of them is as idols:

Except it is only a fantasy. Ai died and wished for his children to be happy with her dying breath. All so that Aqua could make both of them miserable by killing himself. Sarina died and is given a new chance at life as Ruby. All so that Aqua could trap her into an even bigger tragedy by killing himself.

Aqua kills himself, so that Ruby the idol can keep on shining. Who cares if Ruby the person meanwhile goes through hell?

So, in the end Hikaru corrupts Aqua as his shadow and there is no integration nor salvation for anyone.

This is symbolically shown by Aqua choosing an ideal love (Ai, Sarina, Ruby) over a real one (Kana). Aqua states out loud he is in love with Kana. And yet, in his final moments he does not spare her any thoughts. Why? Because a real relationship with a real person is way less perfect, romantic and epic than a fantasy one with a perfect idol.

In the end, Aqua is unable to build a real relationship because he is unable to accept himself. Similarly, Hikaru is unable to truly build a genuine and healthy bond with Ai because he is unable to see both her and himself as people.

Here are my thoughts on the character! I went on a tangent with Aqua because by the end Hikaru is mostly used in his arc, so I thought it was important to explore him too!

I will also add I don't think my interpretation of Aqua is the one the story is going for. Still, I dislike his woobyfication, so I am interpreting him this way, which I feel it hits closer to the main theme the story set up to explore.

Thank you for the ask!

#oshi no ko #onk spoilers #onk #onk meta #kamiki hikaru #aqua hoshino #asksfullofsugar #dallina17 #tw: suicide

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maahtigor · 7 months ago

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Okay. First of all.

WOAH THAT'S A LOT OF PEOPLE.

I did NOT expect 74 people to vote in the poll 😭🙏🙏🙏 (what the hell, where the fuck did y'all come from?????)

Second of all,,

TIME TO TALK ABOUT THESE FUCKERS 😈🔥🔥🔥🔥‼️💯

Just to state it here before I start yapping my ever living soul out, Shiver is an eastern tall-man, Frye is a beast-man (like Izutsumi) and Big Man is a kobold. I can get a bit more into their designs and headcanons in another post, but today I want to focus on the lore.

It allllllll roots back to Shiver and Frye's fathers, who were friends since lord knows when. They were a team of burglars, looters, thieves, whatever you may call them, but in the end of the day just let it be clear that they were BAD. And they engaged in BAD shit, like looting corpses in dungeons and stealing from people's houses.

One day, they hit a huge one, they got into the house of this really rich dude that turned out to traffic beast men and other illegal creatures. And the rich being rich and caring about their richness, the security was top notch, and let's just say they struggled to get out of the place alive. BUT!!!!!!!!!!!!!!!!!!!!!!!! They left in NO WAY empty handed.

While looting the place, Frye's father found a kobold cub, chained up inside a cage in the corner beside other creatures likely being sold illegally. He brought the cub with him, and after almost getting their asses turned into kebabs by traps everywhere, the two companions were like "holy FUCK i ain't ever ever ever doing this shit again man.,.,. Wgart the ehll,,,,,, I'm getting too old for this, hell naw!!!!!!!" and decided to settle down as (this time legal) and functioning members of society. Shiver's father opened a dojo, while Frye's father opened a restaurant.

However, the rich guy who owned the house was PISSED (and also happened to be a black magic user......... woah how unlucky of them) and as revenge for stealing his wealth and freeing their beast men, cursed Frye's expecting father, mending the soul of his firstborn with the soul of a monster. And alas, that's how the critter was born😋🙏🔥💯😭

So yeah!!!!!!! Frye is a beast man just like Izutsumi is a beast man. They're the same typa monster, pretty much, except that Frye is a leopard instead of a housecat.

Anyway, back to the kobold pup; you guessed it, BIG MAN (or Big Dog?), being raised in the Onaga's restaurant, was always raised around the kitchen, both because he was genuinely interested in watching people cook and because he hoped to get food that fell from the floor lmfao-- as years went by, he started working as a server, apprentice, and eventually assistant chef of the family-ran restaurant. (So yeah, Biggie is the party's chef!!!!!!!!!!!!!! He also has an incredible sense of smell when it comes to cooking btw, both because of genuine talent and because of his race).

Ironic to his early years as a burglar, Shiver's dad grew to become quite the overprotective father once his daughter started growing up, wanting her to do anything but follow his steps and become a criminal before the age of 20. That backfired though, because she started running off to hang out with Frye causing all sorts of trouble (and eventually dragged Big Dog into it all too). The three were raised almost like siblings, and later on joined together as a party and continued to cause all sorts of troubles inside dungeons, where they eventually bumped into the other idols and started this whoooole story years later.

(They weren't all like their fathers though, instead of keeping the money they got from dungeons to themselves they gave it to the poor, much like their canon bandit dynamics.)

Anyway, that's the end of the yapping session, I hope y'all enjoyed (and if you did, please enjoy this page I doodled while blasting ToyBox in my headphones 🦄🙏 perhaps I'll outline and color this one day, but not now because it's 1:30 in the morning while I'm typing this out.)

#splatoon #dunmeshi #splatoon au #dungeon meshi #dungeon meshi au #splatmeshi #I finally fucking wrote the loredrop I promised y'all 😭🙏🙏🙏 sorry for the wait guys!!!!!#hope y'all enjoyed me rambling til i couldn't breathe anymore i loved it i should do this more often 😋🤞#pLEASE please please ask any questions you may have OR any lore requests/ideas. be super welcome to make your own twist into my stories too #i loooooooved writing this oh my godddddddddddddd #tell me if y'all want more details about their lives as young adults 😁🙏🙏🙏 i'll gladly make a whole another post yapping just about that #special thanks to sofia for listening me yap this whole thing in her dms before I polished and posted it here btw. thanks sofia 🤞🤞🤞#frye onaga #frye splatoon #big man #big man splatoon #shiver hohojiro #shiver splatoon #deepcut #maah's yapping sessions

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raxistaicho · 7 months ago

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just saw a post stating that edelgard starting a war is 100% wrong, essentially stating that being a revolutionary is Evil no matter the context

it really is incredible just how absurd theyre willing to go with this narrative that shes a bad person, as if a good percentage of media doesnt inherently glorify revolutionaries as heroes and idols to be celebrated. but when edelgard does this, it suddenly becomes wrong, a crime. how curious is that, right?

like its really clear that these people just dont give a damn about the story of fodlan at all because its VERY CLEAR that this is a country on the brink of collapse. i dont know how you can look at fodlan in any capacity and not see the cracks beginning to form. this is a country where child soldiers are not only encouraged, but REQUIRED in order to keep up with bandit attacks and slaying demonic beasts. multiple paralogues state that children with crests are married off, to the point where sylvain literally calls himself a studhorse at one point. ingrids paralogue is about defending ingrid from being KIDNAPPED and likely forced to marry a man at knifepoint. multiple cultures like sreng and duscur have been stomped on and treated like dirt, treated like "cared for" slaves at best and violent savages at worst, to the point where a man escaping back to his homeland is seen as "refusing kindness". FODLAN IS A BAD PLACE.

but no! apparently war is ALWAYS evil, even when the alternative is letting this state of affairs continue. war is ALWAYS evil, even when it saves innocent lives from the machinations of those who would do us harm. war-- No, let me be clear about what this person means. When they say "War", what they actually mean is "Violence." Violence is always Evil. That's what this means. It's that old adage of "Violence never solved anything", except that this is a statement used by pacifists to demean all violence rather than just cruelty.

If you look me in the eyes and tell me that you wouldn't hurt anybody, ever, then all it tells me is that you haven't got the heart to actually care about people. Is violence tragic? Yes. Absolutely. But denouncing it entirely is... It's beyond inhuman. It's apathetic about human life to the point of insanity. There are stories dating back centuries - Millenia, almost certainly - about how men and women will fight against gods and demons just to save one person from a fate they didn't deserve.

"Violence is Evil." No. Violence is Emotion. It can be used to attack and it can be used to defend. It is not, and cannot, be evil of its own accord. It is a tool to be used at the discretion of its wielder.

Evil, TRUE Evil, is Apathy. Evil is when you have all the power in the world to help people, to change the world, and you don't. When you see genuine human suffering and you don't feel the urge to step in and help. Evil triumphs when good men do nothing.

just saw a post stating that edelgard starting a war is 100% wrong, essentially stating that being a revolutionary is Evil no matter the context it really is incredible just how absurd theyre willing to go with this narrative that shes a bad person, as if a good percentage of media doesnt inherently glorify revolutionaries as heroes and idols to be celebrated. but when edelgard does this, it suddenly becomes wrong, a crime. how curious is that, right?

Generally speaking, Edelgard detractors try to deny that she's revolting at all through some description pedantry, even though ultimately what she's doing is fighting the very social groundwork upon which Fodlan rests, and,

So yeah. They get so hung up on the part where she's a person in power herself and ignore that she intends to change Fodlan utterly, and for the better. Rhea and Seteth frequently call her a traitor or other synonyms. She is a revolutionary.

Also, people just become enamored with the ideal of peaceful protest, when the reality is... sometimes things gotta get bloody.

Yup. It's been said time and again, but for a setting in an FE game, Fodlan's in a remarkable state of turmoil long before the war kicks off. Usually things are peaceful before the aggressor nation makes it move.

So Fire Emblem as a series is in a weird place in how it treats war, because frankly it wants to have things both ways. Obviously the writers don't want to extol the "virtues" of warfare so on the face of things, the series tends to portray an anti-war message, but this is an SRPG at the end of the day, so while Emmeryn's appeals to peace were powerful and cause a good number of Plegia's soldiers to dessert, you still use violence and war to stop Gangrel, Walhart, and Grima. The writing rejects violence for a good cause even though violence is how you fix everything.

One of the Edelcrits runs a whole-ass thing picking out anti-war lines from Heroes as though this somehow throws shade on Three Houses, when the reality is it's throwing shade on how things are done throughout the whole series. They behave as though self-defensive violence is always justified and never spirals out of proportion.

Exactly. It's all about what the violence is doing and how severe it goes. Edelgard fights to bring rights to the people; Rhea fights to maintain her power and Fodlan's status quo. The fact that Rhea is the one defending herself doesn't change that she's fighting for a bad cause.

Very true, and Fodlan is a case study in that.

Thanks for the excellent ask!

#ask #fire emblem three houses #edelgard von #edelgard positive #edelgard discourse

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kozachenko · 9 months ago

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I think an underrepresented part of Keiki's personality is the fact that she tends to hold people to their decisions and values decisiveness a lot. The best way I can descibe it is like the saying, "You've made your bed and now you'll lie in it." Like, in Youmu's scenarios, Keiki consistently gets fed up with Youmu's indecisiveness and is willing to ruin her life for it.

Not only that, but in all scenarios the things that annoys her the most is the fact that in the end, the beast spirits and the protagonists all run away from her after putting together this whole plan to confront her (again, using Youmu scenario because the dialogue is right there).

Keiki herself is also a very decisive character. I keep thinking about why the hell Yachie never used her ability on Keiki to just get her to go away, and I feel like the reason why is because of Keiki's personality just being very hard for Yachie to manipulate (and also maybe because like Haniwa, Keiki could maybe have an immunity to attacks on the spirit but that's getting into headcanon territory now so ehhhh). Hell, even in this dialogue she decides very quickly that the protagonist is going to become another one of her idols. She really only changes her mind on this after she's defeated.

I feel like more people need to play around with this idea for more morally grey Keiki because I really like the idea of a morally grey Keiki, I love morally grey characters because they're so fun to think about. I also think that this trait of hers could also play into her relationship with the human spirits. The human spirits prayed for someone, anyone, to give them protection, and Keiki did just that. She's only done exactly what the human spirits have asked her to do, she's given them every single thing they've asked for. They never asked for an escape, nor did they ever ask for their freedom back, so why should she give that to them? They're doing just fine with her in charge, so they're better off that way.

They prayed for a god to save them, and that's exactly what they got.

#touhou project #keiki haniyasushin #long post

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scummy-writes · 4 months ago

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Types of Gilbert & Various Hcs

I enjoy thinking about my favorite characters on a daily basis, if my brain allows for it. This generally leads to different versions of my favorite characters forming in order to explore AUs and other 'what if' scenarios. For Gilbert specifically, it's a scale of Normal Gilbert, More Obsessed Gilbert, and Fucked Up Gilbert. I said months ago I'd like to make a list compiling some different versions of Gilbert I think about, and share some Hcs with each type. People seemed interested, so I've decided to make a post for each version and just periodically update over time. This is all just for fun, so leave me alone if you dislike/disagree with stuff on this list. Otherwise, I'm happy to chat about them!

This post will focus on:

╰❧ Normal/default/'canon' Gilbert

This list will dive into spoilers, as well as some minor NSFW topics and topics of self harm.This is the type of Gilbert I write in The Beast's Torment, Gilbert in the Bath, This Is Love, Dousing Pervasion, and similar works. In my mind, this is what we see in canon content, but interspersed with personal hcs that I enjoy. I also use some versions of this Gilbert for when I discuss Gilbert/mc/Silvio, Gilbert/Silvio, Chevbert, Gilbert/Roderic.

➺ Some contamination ocd. I don't think its a fully blown thing, however in one eng event, where him and Mc go to that bar, and he ends up kicking a table away to show a hidden door, he has an odd moment where he goes to grab Mc and then jerks his hand back due to it being dirty from when he fought with a dude there.

Its a small odd moment, which showcased an issue with getting her 'dirty' in more than the physical sense. I believe that he has issues with this even further into their relationship, where if hes had to dispose of some troubling nobles, he will refuse to touch her until he's in clean clothes/bathed. I don't know if this would extend to him sometimes avoiding her in general, due to his own issues with being a monster. I think his love for her would trump over that.

It's an odd thing because, going through his route loosely, this isn't present but there doesn't seem to be many moments where it Could be present. He's more focused on trying to deduce how corrupted she may already be, as well as deducing other factors for his 'final judgement' wish.

➺ I like to think that writing was an escape for him with life in general as a child, but it kickstarted heavily the more he learned about Mc. Then, the writing became centered around wanting to leave a series behind for her, whether she knew he wrote it or not, with the hopes that she would find courage in how the protaganist sticks to her ideals and never seems to give up hope. (I believe thats what it's loosely about, anyway)

It would be a final comforting thought he would mock himself for, if he had chosen to die without meeting her.

➺ has trouble sleeping the first few nights theyre officially a couple and sharing a bed. Occasionally does later on too but not as bad. Sinks into touch more, leans against mc more. He's not used to relying on someone such as her, and trust is a fickle thing in Obsidian. It wouldn't really be a concious action, either, and he would have to ease himself into it even when he wants to do this.

➺ When first intimate, he has bouts of getting very quiet and focusing more on Mc's reactions to xyz scenario. Not always in sexually intimate settings, but would be more noticeable during them. He'd want to etch everything he could in his mind, stemming from the mild obsession and idolization with her. (i will call it 'mild' since he still seems to control himself regarding it, it could be so much worse in comparison to other obessed otome characters)

➺ selfharms. In particular, I don't believe it's typically with a weapon of sorts, but I believe that he has had random moments of fits regarding him becoming more and kore of a beast. It lessens over time, especially when he gets into a relationship, but I believe it still happens for years. It's tied to his trauma, tied to thinking how his mother and albert would be disappointed in him or disgusted, and tied to his own feelings trying to come out.

Specifically, I think he will sometimes starve himself, or physically hurt himself by scratching himself up with his nails. He doesn't like anyone to see it or address it if they see it, but unfortunately Mc would see it and it would prompt a few discussions, which would be... difficult... because he hates addressing it.

➺ in terms of nsfw, vaguely (since this is a smth that is consistently always being added onto, its harder to have a firm and solid set list for me). Switch & bi. I feel like he loves topping mc for various reasons, and he has a penchant for wanting to try out anything she may want to do even if he's not 100% fully into it, and trying out various things in general, because of his obsession skewing a bit towards wanting to be her first in multiple, multiple, ways that in return make him feel that they are more intertwined. (That is not specific just to sex).

He makes comments about not liking just passive submissive women, and I believe this may be tied to personal preferences but also just due to the role he plays as a villain. He *wants* the willing nature of the participant. He wants it clear that they want him back. Otherwise I feel that it could lead to him having a nagging suspicion that they feel coerced into it, when that's....not what he wants. I think this is also why he makes comments about wanting mc to dom at times (even though cybird will never have her do so...), because the very blatant and clear display of want turns him on and makes him feel, well, wanted for Him and not an object to be feared by someone he loves. (I think this is why he also seems to fluster a bit when mc does things like bite him or teases a sensitive spot). Yet due to trust issues he has trouble relinquishing control fully.

He would be a powerbottom fyi

It's been proved he is just also a little gross. Trying to drink from her glass where her lips were, even outside of a relationship. Licking his thumb to taste her saliva/crumbs left on her lips. Smaller moments like that where you realize he's a lil gross (appreciative). I do believe this still ties into obsession, at the end, however.

Last updated: 07202024

#gil posting #gilbert notes

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alovelyburn · 1 year ago

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I was introduced to Berserk by a guy/(boy) I was involved with last year. He - attempting to grow his manga collection last summer - regretfully, turned out to be complete scum. How telling that he ended up becoming bored with the story after the Golden Age. After reading Berserk myself…what a red flag lol. ANYWAY - at least for me, a straight woman - Guts is the quintessential, most perfect and exemplary man written for the “female gaze”. His general disposition, unwavering love for Casca, fiercely masculine nature (both protective and healthy) and tenacity are exquisitely woven together. This behavior extends beyond Cacsa too - in due respect to Farese, Schierke, Flora, Danaan…even just in modeling proper masculinity to Isidro.

I officially committed to Berserk in June. (Context: The beginning of 2022 was the first time I began seriously exploring anime in general, and since have started reading manga.) But I ,as a woman who has always loved any escapist story with depth, have never come across a character like Guts - aside from one other male character. Prior to discovery of Berserk, Jamie Fraser from Outlander was the exemplar of perfection in this category. However, upon diving into this manga - albeit a series whose readership is mostly comprised of by men - Guts is superior above all men I have come across in literature.

Additionally, I will add that the men in this fandom (with exception to the bad apple I mentioned) who vocally idolize Guts, as well as ALSO consider Berserk a love story - give me hope that good men do exist. Thank you, Kentaro Miura.

I posted this on Reddit and got backlash, I did not write this to say he is the most perfect character….I am saying he is perfectly written FOR THE FEMALE GAZE. Please look up the ‘female gaze’ because there have been a few useless comments by people who missed the point of what I said. Even more confusing are the comments by some people who completely missed the point of the entire story Miura wrote too???????

Feminists love to bring up how he choked Casca. Respectfully, here are my thoughts.

First, he literally choked her during Golden Age. Casca’s resolution and grace towards that assault is universally praised and yet people talk about her acceptance of him/his trauma as if it would be an isolated incident???????

Second, the beast of darkness emerging in that moment in the later arc is to serve for Guts to realize, and be horrified/fearful of the evil within him. Casca is the most precious thing to him - so for him to assault her in that moment is (in my view) a device to establish how serious the darkness in him is.

There are two reasons I hate when this is brought up to me. As a woman, if I raise concern about it regardless of context and ignore the numerous merits Guts has - it’d be written off that I don’t understand his depth of character. On the opposite side - if I don’t bring it up, or even better, others think they need to remind me….then I’m something of an SA apologist if I lack concern. It that suggests that women can’t and/or choose not to recognize complex male characters. Something of a catch 22

Genuinely, I wasn't sure whether to answer this. I don't really understand what it is about me or any G/G type person that inspires Gutsca fans/Casca fans to write us these long lectures about opinions you must know we're not going to agree with, and I'm not sure I want to encourage that. And also because any argument that Guts sexually assaulting Casca just proves how important she is to him makes me want to die, and I do find the refernece to "feminists" to be a little strange.

That said, I guess I do want to address this attempt to counter the idea that Guts trying to kill and rape Casca is perhaps bad for their relationship.

First of all, there is a difference between the strangling in the meadow scene during the Golden Age and the one where he's trying to kill her after having a chat with the Beast over the campfire. Specifically, the Golden Age incident was a ptsd/trauma flashback that involved him lashing out at a hallucination that brought out his rape trauma, whereas the second incident is him literally trying to kill her because he's frustrated that she holds him back from chasing Griffith.

This is literally what is happening. It's enabled by the possession, yes, but Guts himself acknowledges that the feelings/impulses come from within himself. They are motivated by his exhaustion, his frustration, the fact that while he cares about her, he also resents her because he'd rather go chase Griffith around like he had been doing before Conviction.

This is not a PTSD flashback that she gets caught in, it's him venting his anger at her. That doesn't mean he doesn't care about her or that he actually wants her dead, but it is an impulse that exists inside him, and he's struggling to contain it under the circumstances.

Second, the sexual assault is again literally and explicitly him reenacting the Eclipse rape in an attempt to get closer to/more enmeshed with Griffith like the words are right there on the page, that's what he's doing.

Which brings me to the two-pointed root of this disagreement:

Casca isn't the most precious thing to him, Griffith is. I'm sorry, this comes up a lot. The Beast of Darkness tells him that he's carrying her around just so he won't heal and be forced to move on from Griffith. It also lumps her in with the rest of his current companions as fragile flames that he uses to sustain himself until he can chase Griffith, "the true light that burns (him)." The Beast is, let's remember, just Guts' subconscious/dark side. It's not some outside entity trying to lead him astray, it's the dark feelings he tries not to acknowledge. It also comes up in interviews, e.g. Miura stating directly that Griffith is the one that gives Guts his motivation to live. When she runs off alone, Guts' first instinct isn't even to go look for her - he only decides to do that after sitting in the dark moping about the Hawks, and he directly refers to her as abandoning the Band of the Hawk itself. In fact, every time he commits to staying with her and protecting her, it's directly in the wake of him being reminded/reminding himself that when he abandoned Griffith and the Hawks it resulted in him losing everything he cared about without even realizing it. And even then, the entire time he kept promising himself that he wouldn't abandon her, he also kept vacillating - should he find her a safe place and leave her there and go back to what he was doing, or should he try to make himself stay? When Griffith takes off with her, he literally doesn't think about her even once. And to be clear, I do think if Miura hadn't passed away he would have shown more concern about her. But that doesn't change the fact that when Miura relayed what was most important about this situation to Mori (who said he wouldn't make up or flesh out anything but would just put down what Miura told him), apparently what he said was something to the effect of "Griffith kidnaps Casca, Guts has a meltdown about being unable to hit Griffith." All the people saying he's melting down because he couldn't save Casca are living on Cope, I'm sorry there's no other way to put it. He's melting down because after all his years of growing stronger and obsessing over getting to Griffith when he finally got there he was completely powerless to do what he intended to do, which was fight Griffith on something like equal footing. While yes, this ended up resulting in his being unable to save Casca, it's just extremely evident from reading the book that what he's most bothered by is his inability to land a single hit on the man who he has, in a lot of ways, lived solely to try and catch up to ever since Promrose. Thus the callback to the first duel, when Griffith overwhelmed him, and he became "Griffith's." Which brings me to

Casca's importance to Guts is very complicated, and I'm not here to say he doesn't care about her or love her as a person or that he didn't have legitimate romantic feelings for her, or that he isn't motivated in large part by his self-imposed duty to protect her. But I *am* here to say a lot of what motivates him is that Casca is his path to redemption. Casca may be the woman he had intended to be with, but what she is more than anything else, is the embodiment of the Band of the Hawk - he literally refers to abandoning her in the cave as abandoning the Band of the Hawk itself, and the idea that she has come to represent the lost army is emphasized during the Eclipse itself when Judeau and Pippin declare that if she, their current leader, survives it means the Hawks are still alive in some form. With Guts, his decision to dedicate himself to protecting her is a direct result of his bad choices in the past: he abandoned Griffith, and it resulted in Griffith being imprisoned and broken, plus the Hawks being killed... and ultimately led to the Eclipse. He abandoned Casca and Rickert and Casca ended up running around loose without any protection (that he knew of). Hell even Godot died while Guts was off doing something else, and he didn't even bother to say goodbye. Guts' tendency to chase a goal at the expense of the people he cares about and how it results in him losing them before he understands what he's doing is a repeated theme in his character, and it ultimately resolves (for the most part) on the Hill of Swords when Griffith abandons him. This puts him on the receiving end of his own callousness for the first time - he realizes he hates it, and decides he has to change his approach. His decision to protect her, to dedicate himself to protecting her, is not a grand romantic gesture, though there is romance in it. It's his attempt to stop making the same mistake and make up for what he's done in the only way he can: by not letting it happen again.

#ask #anonymous #ariel talks about berserk #...this might be one of the people who sent me anti-griffith essays #not sure #but the spacing and writing style are very similar

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chilpilled · 7 months ago

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ive been bingeing survivor lately because the current season is really good (q sweep) and ngl i cant stop thinking about dunmeshi survivor. laios obvious challenge beast who keeps finding idols, not even on purpose he just likes exploring the island and stumbles upon them on accident. the kind of player who’s dogshit strategically and completely on the outs (doesnt even know theres any strategy happening) but becomes a threat due to constantly winning immunities and finding idols and being endearing so people go from thinking hes easy to take out later to desperate to get rid of him. probably a very polarizing figure for viewers, i think casual fans love him for being a nice and earnest quirky character while superfans hate him for his lack of strategic prowess. i dont see him winning but he probably gets at least a few votes if he makes it to final 3 and he gets asked back for sure because jeff loves his quirky characters.

chilchuck might be a sleeper individual immunity challenge beast (a lot of challenges are dependent on carrying your bodyweight or dexterity) and is probably also narrator of the season. every time a conversation happens it cuts to a chilchuck confessional where hes sitting on a log being like „i hate these people i want to drown myself in the ocean. i want to poison the rice.“ not quite a goat but hes probably too abrasive to win many jury votes, tho it depends on who hes sitting next to. i dont think he wins but he probably becomes a fan favorite due to his bluntness and gets asked to come back in a later season but refuses.

kabru is doing 4d chess and running laps around everybody both socially and strategically and would probably get taken to final 3 where he sweeps the jury if he didnt get weirdly focused on laios and end up alienating his alliances. kabru strong early beginning, obvious winner edit being able to run the game while keeping his threat level low midgame, to meltdown over laios literally just running around the island pretending to be a dog, and getting voted out shortly before final tribal. becomes an iconic figure comparable to the likes of angelina and is definitely asked back, but also for sure on a season where laios comes back too.

senshi has no strategy but everyone loves him for being the provider and also just a genuinely great guy. is probably making his tribe elaborate meals every day and comforting them after challenge losses. everyone loves senshi but unfortunately that makes him too big of a threat so he gets taken out during midgame but everyone is really upset about doing it, they just know they have no chance against him in final 3. it doesnt matter if senshi is left out of every vote, its senshi so the jury would vote for him anyways. after the votes are read he probably slaps his knee and goes „aww you got me good guys well played!“ without a hint of anger and everybody knows it was the right choice to vote him but they still feel awful. probably hugs everyone and gives them some words of encouragement before leaving. huge fan favorite and gets asked back on multiple seasons but is unfortunately always voted off rather early because hes simply too big of a threat. a messianic figure.

marcille probably hates the island and is only there because falin is. probably good strategically but lets be honest here she would suffer every single day shes on that island. kept in the game through sheer determination to make the merge and see falin again, but is probably voted out not long after, because her and falin are dangerous together and couples always get broken up. fierce falin advocate on ponderosa. falins strongest soldier.

falin is probably just a very strong social player. shes not the most strategic, but is probably brought into votes just due to how likeable she is. senshi also serves as a shield for her threat level, so i can see her making final 3 without having a vote cast against her. probably sweeps the jury, partly because marcille has been campaigning for her on ponderosa, partly because shes just genuinely likeable and people want her to have the money, partly because i cant think of any person potentially sitting next to her that people would rather vote for. just strategic enough that fans dont really have a problem with her win, and nowadays people are more open to social gameplay, plus shes beautiful and a great person so yeah. falin wins because everybody loves her and everybody loves her for winning. marcilles work is done.

itutsumi isnt part of the game shes just kinda hanging out on the island. nobody knows why or what shes doing there but shes laying in the sun and napping. there are probably a few votes for her at the final tribal so there needs to be a revote. you can NOT vote for izutsumi. stop booing

#dont ask me why i typed all of that out #i dont know. i dont

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unstable-samurai · 3 months ago

Note

Do you have smuts idea you finally scrap (like literally scrap no plan to write it again)? Can you give an example (the idol + kinks you supposed to write) Are you okay if other people write it?

I had a draft of a story about Seulgi. I was kind of inspired by the Japanese classic Blind Beast, an excellent erotic horror. She was basically going to take the reader into the depths of BDSM, and would make him addicted to it. I would try to explore the dynamics of her inner emptiness that lead her to use these practices as an escape valve. But I ended up being too lazy to study about it and I also didn't think the characters' motivations were that good in the end. It would be a thing of poetic self-destruction, but since I lost the connection with the plot, it would become something merely "extreme", which I wouldn't feel comfortable writing (and probably most people wouldn't like it). I wouldn't mind if another author wrote it, although I think it's really unlikely to happen 😹

#asks

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accirax · 4 months ago

Text

Disventure Camp All Stars Power Ranking (Round 16)

Ah, the sweet sixteenth. At this crucial final 5 vote-out, will I be able to rein my theories in, or will I just be horsing around? With this few players left in the game, it's harder to distinguish between yay and nay.

In case you haven't seen my previous power rankings, the Power Ranking Format is essentially a way of ranking how well each player is doing in the game. So, in essence, this is a long form way of predicting who I think will be eliminated from the competition in the next episode. There will be spoilers for last week's episode (obviously) and its power ranking, so make sure to read that first if you don't want to be spoiled on how I ranked our last boot. If you want more clarification on the rules, that first post will help you out as well. Furthermore, I'm going to be spoiling the preview for next episode, so if you want to go in TOTALLY blind, save this for later. Let's go!

Recap - Alec's Elimination

Current Score: 70 acquired/103 total

(Points versus @venus-is-thinking: 21 acquired/29 total)

"But, I really feel like it has to be Riya's time to go. If it isn't, well... I hope the rest of my list holds up well enough."

Given that Riya didn't get eliminated last week, I'm happy to report that I did put the correct boot in my second best spot. Makes me feel a little better, after my Gabby and Aiden blunders. What I'm not happy to report is that one of my favorite characters this season (and in Season 1) is now out of the game. That's quite saddening. But, I'm not too upset about it.

In the entire pre-merge portion of the game, I knew as I was watching Alec absolutely slay that he was going to have a downfall eventually. Now, I didn't know that said downfall would involve a romantic entanglement with Riya and getting idoled out, but I also didn't know that he'd be able to repair and reflect more on his relationship with Connor, so, pros and cons! Or, rather, cons and pros. And he gets to be in the Loser's Motel episode with Fiore now, hehehe >:)c

While I wish he could have had a nicer exit for his sake, I understand that villains need to be "punished" in shows like these-- and, y'know, at least he wasn't blown up and exploded at age 6 with no support! (/j) Plus, he did get some closure in the form of coming to terms with why his relationships were failing, and having hope for moving on in the future. It was kinda bs that he lost that puzzle challenge because he needed to not be immune for plot reasons in this episode, though. The Alec I know could have smashed a twelve piece jigsaw in seconds. (/j)

Trailer Analysis

Trevor and Emily are back at it again. Are the interns also not allowed to use their phones, or is that just the campers? Just looking out for Trevor's future employment potential, especially in light of Kristal potentially quitting as host.

I guess Riya is worried about appearing in front of a camera now? Perhaps Connor proving how pathetic she had become might have had a more profound impact on her than I might have assessed.

Ooooooh, are we doing letters from home? That would be so interesting. It could also factor into Riya looking nervous in front of the camera-- if the message from her family isn't so supportive of her actions. ...It's a good thing Alec went home before this episode, if true.

The women's alliance is real after all! It wasn't just a myth created and spread by me!!!!

horse

While I absolutely feel for the riggers in this situation... good lord these horse rigs are rough. Their legs just do not move as much/in the right way as they should. I wish the animators retroactive luck in animating this challenge. Also, Riya is the only one who seems to really be struggling with the horses in the preview.

Grett's entering her challenge beast era.

Who the fuck is throwing sticks at Jake? Is it Ally, or is it part of the challenge?

"Final three, let's go~!"

See, told you the women's alliance is real. This is definitely from the same scene we saw earlier of Grett, Riya, and Ally standing around. The real question is just whether or not this will remain as the plan for even this episode anymore.

Power Ranking

#1: Ally

Look, I know I keep putting Ally way above where Venus has her, but... well, it's worked out for me so far, hasn't it? At this point, my vibe check honestly says that Ally is more likely to be a finalist than not (and not just because everyone theoretically has a 60% chance of finalist at this point), even if I can't pinpoint exactly how she's going to get there. I'm sure part of the reason why is because Seasons 1 and 2 treated the Final 4 very differently-- Season 2 had a vote-out with idols fully permitted, while Season 1 had half of their competitors have immunity and choose between the two losers. But, I digress. This is about the Final 5.

The main reason why I think Ally will survive is because she has Grett's favor. I think that Grett will be looking to protect Ally this episode, even if the favor doesn't work the other way. Jake may very obviously want to gun for Ally, but Grett knows that she (and Ally) are the swing votes. Grett will want to take out Riya instead, and if Jake and Connor refuse to comply, she can always eliminate whichever one of them may not have immunity alongside Riya. And, if Grett chooses to work with Riya/the women's alliance in the first place, then Ally is totally fine, too!

The only way I see Ally going home is if Grett decides to abandon her, which I don't think is going to happen. As I see it, Grett currently views Ally as a pawn, and while that may cause Ally to rebel in the future, Grett doesn't seem too concerned by that at the moment.

To be clear, I really hate putting anyone anywhere near the top, because I do think that everyone has a genuinely good reason to be eliminated at this point. It's easy for that to be the case when there are so few competitors left. However, I think Ally has the least reason to go home at this point, so I feel most comfortable with her in the #1 position.

#2: Jake

Not going to lie, pretty much every reason why I don't think Jake is going home this episode is a meta one. If Grett and Ally decided to ride the women's alliance to the end, and if Jake doesn't have immunity, there is a high likelihood he could just die. They voted for him last time. Why not do it again?

That being said, there are a lot of meta reasons why Jake would stay in the game.

Under the assumption that the writers would plan for a mix of Season 1 and Season 2 characters in the finale, and for at least one man to make the finale (as they've already had an all-women Final 3), if Jake goes home, Grett has to be in the finale as the only other Season 1 remaining, and Connor has to be in the finale as the only other man remaining. It's a lot simpler if Jake just makes the finale.

On top of that, Jake's character arc just seems like it's been leaning winner as well. I won't explain all the reasons why, because that would take a long time, and I've been mentioning it in my Power Rankings and initial thoughts for a while now.

While their relationship does have nuance, overall, I think we're supposed to root for Jake and against Ally in their rivalry. Thus, I don't think that they'd want to let Ally actually eliminate Jake. He's a fan favorite, while Ally seems to draw in new haters with each episode.

Jake was already eliminated at Final 5 after being saved by an idol at Final 6 once before. I doubt they'd want him to get eliminated in the exact same way again.

There might be even more, but I'm not thinking of them right now. At any rate, all of those meta elements combined gives Jake enough power to survive being put at a lower placement for this round, at least. Whatever happens in this challenge, I think they'll find some way to save him, whether it's giving Jake immunity, Grett deciding to work with Connor and Jake, the girls deciding to target Connor this time, or whatever else. Still, though. It's scary having him this high.

#3: Connor

Once again, a character conveniently lands in the middle of the ranking because I think they have good reasons to stay or go. Or, at least, I think that's happened before? Possibly even with Connor. Kinda scary that that point is third place, though.

So, why would it make sense for Connor to stay in the competition? Well, like I said with Jake, I think that there'll be at least one man in the finale, so if Connor goes home, it would make it "pretty obvious" that Jake is locked in for the finals. He also still hasn't yet outplaced Riya in this season (or at all), which is something I've been predicting will happen for a while. I also think that Connor would make a very sensible last place finalist, as someone who we can root for but understandably get rid of (because he's already rich) in going from Final 3 to Final 2, opening the stage for a more dramatic showdown between Final 2 rivals. Uh, to be clear, at this point, I'm expecting a Jake/Ally/Connor Final 3 with placements in that order. I didn't really set out to put the three of them in the top 3 positions of this week, but, I guess my internal biases got the best of me?

Screw all that, though-- why would it then make sense for Connor to be the one going home? Well, even though he hasn't been there to see Riya voted out, the end of last episode and this trailer have made it pretty clear that he's already had a moral victory against Riya. Honestly, that might sting for Riya even more-- even though Connor didn't even outplace her, he still seems more content than she is. Why?! Eliminating Connor here could also create a very dramatic do-or-die scenario for Jake at the Final 4. If Jake then wins immunity to secure his spot in the Final 4, it could also lead to some intriguing drama at the Final 4 tribal. I'd love to see Riya going out in that fashion: voting out Connor actually leads to her downfall, as it exposes that her social game wasn't strong enough to save her at the eleventh hour.

Also, if Connor and Alec still need a final conversation at the Loser's Motel, Connor would need to be... well, in the Loser's Motel. To be honest, though, I could actually see the fact that Alec and Connor hugged it out already as being a good sign for the fact that Connor doesn't need to be in the Loser's Motel episode. For that reason and the ones listed above, I think Connor is decently safe... but even decently safe will land you in spot #3.

#4: Grett

After Ally started to sneakily pick up what Grett was discreetly attempting to put down last episode, Grett's life in this game definitely started to flash before my eyes. At this point, it seems to me like Grett is being set up for a pre-finale downfall. However, I think we might still need a little bit more time for Grett's threat level to rise enough for her to truly feel like a final boss archetype.

To quickly explain what I mean by that, modern Survivor (at least) has very frequently edited the show in a way that makes the Final 4 or 5 boot into a final boss that the true winner of the season has to defeat before rightfully claiming their crown in the finale. This is because, a lot of the time, the best strategic players of the season make it really deep into the game, but are such obvious threats to win that the rest of the players scramble to take them out before it's too late. If you've seen Survivor 42, 43, or 44, some names might jump to mind. I don't know if the ONC writers might have been trying to specifically emulate that phenomenon with Grett or if it's just something that could occur naturally, but either way, I think she may receive that treatment.

Part of it is just that I think she's decently likely to win immunity this episode. We've heard that Grett enjoys working out and being athletic in these past few episodes, and she seemed to be kicking ass on that horse. She also has a rich(?) background, so she might have more inherent knowledge of horses than some of the other competitors.

There's more I could specifically say about what I think might happen in these last few episodes involving Grett, but I'll save that for #5. But, if I'm so convinced that Grett will be safe this episode, why put her at #4?

Well, truthfully, I'm not. First of all, I said the final boss can be eliminated at 4th or 5th place, and this is 5th place. Granted, I think 5th place final boss is more warranted for Survivor, with their Final 4 firemaking twist, but it could still be the case here. I could also see Ally convincing everyone else that Grett is too threatening, and everyone working together to vote her out of the game. Even if Jake would hate to work with Ally, I don't know if anyone would be able to pass up such an obvious "as long as it isn't me" opportunity this close to the finale.

While I do still think Grett would be a deserving winner, she's entered into wide enough of a danger zone that I fear she won't make it to the finale. The debate in my eyes is whether it'll be this episode or the next that takes her out. I'm leaning next episode, but I'm unconfident enough in my prediction that Grett goes at #4.

#5: Riya

Alright, back to my direct predictions about what will happen. As long as Riya doesn't win immunity this episode, I think that what will happen is that Grett will decide to turn the tables this time, and plan to vote with Jake and Connor to take out Riya. That way, she can fulfill her personal vendetta against Riya, as well as prevent someone who almost won last season from getting a chance at a re-do.

Given that Grett is locked in with Connor and Jake as Riya votes, there isn't really much of a point to voting for someone else if Ally is in on the plan. But, that doesn't mean that Ally won't be mad about it. The line where Ally seems so happy about going to the Final 3 with Riya and Grett would factor into this. I think Ally might genuinely believe that that's the plan moving forward, before Grett goes "lol no of course we're taking Riya out this time." At that point, Ally will put two and two together, and be confident that Grett tipped Connor and Jake off about the idol play without telling her. Some super close ally she is!

Going into the Final 4, Ally will be sick and tired of Grett bossing her around, not taking her opinions into account when it comes to who to vote out (Jake still isn't out of the game!) and treating her as essentially a second vote. That rage will cause Ally to somehow get Grett out at the Final 4-- possibly in combination with a Jake immunity win or some other situation where Jake is immune from being voted out. Or, maybe Ally would put her hatred of Jake aside in seeing Grett as a bigger threat. Doubtful, though-- she really fucking hates Jake.

Anyways, I feel bad that I haven't actually talked about Riya much in this Riya section. Of course, I don't know if anything that I'm going to say about Riya will make me feel any nicer. I really don't think that Riya is going to be a finalist again. I think that Grett or Ally make more sense as a "villain" finalist for the series, between Grett being a former member of the villains' alliance and Ally being one of the most detestable characters at this point. (Not saying I personally detest her.) If Riya isn't a finalist, it's now or next episode.

And... really, the thing that makes me want to put Riya on the bottom this week the most is wondering what the hell she would be doing still in the Final 4. If she gets there, it's probably either a Connor or Jake boot that gets us there, possibly Grett in the "Ally convinces everyone to vote Grett" scenario. What does that get us?

If Connor is eliminated, Riya is just an awkward third wheel on the Ally/Jake and Ally/Grett scenarios.

If Jake is eliminated, I guess she continues beefing with Connor, but about what? Whatever they have to talk about will probably be talked about in this episode.

If Grett is eliminated, then... I mean, I guess we'll focus in on her and Ally? And she can keep beefing with Connor about whatever. I don't know about you guys, but to me, that feels... kind of fruitless?

The main issue is that, at least in my eyes, Riya has already lost. She's not going to win this season, and everyone in the audience knows it. With Alec's elimination, she lost any sort of power she could have had. She doesn't have Alec to order around, she's officially made a fool of herself in front of Connor, and she doesn't even seem to enjoy the presence of the cameras she's always loved in the trailer. I think Riya may kinda quietly go off into the night this episode, which is the saddest (/pos) method for eliminating her there is. TV's greatest villain, taken out by Grett as an obvious move with very little fanfare. Is this where her relentless ambition and manipulation has gotten her...?

Oh, and she still needs to talk with Alec in the Loser's Motel, probably. Kinda fitting if they're eliminated back-to-back, as well.

As we close out this Power Ranking, let me reiterate that I genuinely could see any of these competitors being eliminated this episode. I wound up having stronger opinions about Ally and Riya than I thought, but I really struggled with where to place everyone at the start. I don't want to get 1 point this week, but I wouldn't be all too surprised if I do. I just have to hope that the power of the horse is on my side.

... wait, Venus was born in the year of the horse! Dammit, I'm totally gonna lose! Unless we have the same person at #5...? As I write this, I haven't read hers yet, so I guess I'll have to wait and see. To the episode!

#disventure camp #disventure camp spoilers #dcas #dcas power rankings #i don't know why i think saying horse over and over again is so funny but i do #maybe it's because the rigs are kinda jank #or maybe it's just because horse is a funny word. horse #horse divorce. that would have been Alec if he was in this episode #okay i'll shut up now #ally disventure camp #jake disventure camp #connor disventure camp #grett disventure camp #riya disventure camp

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