#she's just such a jarring character it's great
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diseaseriddencube · 1 year ago
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god i just love this drawing of mimori
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fleshmetal · 2 months ago
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just watched the borderlands movie and the only good part was that krieg’s little harness thingo lowkey looked like a very skimpy little bra thing sometimes
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he needs some back support with those jugs ofc
#it wasn’t AS bad as I thought it would be#but it was not good#at all#idk why they changed so much of the story and just like Made It Worse#why did they make Tina’s dad head of atlas? why not just keep her parents killed off? why did they mischaracterise her so badly?#why was she annoying? why was she an experiment? why not use a more compelling villain than Guy Who Looks And Acts As Bland As Possible#the villain was simply. no good#I wish they used jack 😔#I also wish they didn’t do the Lilith’s mum subplot bc it was a little off??? somehow?#and Tannis and Lilith’s relationship wasn’t particularly fulfilling#claptrap was even more annoying#the jokes weren’t funny#the sfx were NOT as bad as everyone said they were I’m sorry I thought they were fine aside from a few weird shots in some chase sequences#another thing I don’t get that much was ppl hating Lilith’s hair bc it’s doesn’t look like in the games#ppl compared the wig to wigs that cosplayers use that look rly accurate and good but#u have to take into account#that it’s rly hard to stylise a live action movie to look something like boarderlands and most cosplays are made to look good statically#things that look good in cosplay and in the game will not look good in a live action action sequences#like if u gave her a cosplay wig it would look great and accurate but it also would be completely rigged in the wind and would not move#like real hair#which would probably be incredibly jarring to see in a live action film especially with all the action#was the hair great? no. I still think it could’ve been vastly improved on while remaining realistic for a live action movie#but I think some people hold it to unrealistic standards in their criticisms or whatever#also costumes have to be actually movable and breathable bc REAL people are shooting REAL scenes and doing stunts and shit in them#but. yeah. the costumes could definitely have had some improvement#I think that if u wanted to make a borderlands film that was accurate to the design of the characters it would be easier to do it animated#and the writing?#we do not speak about the writing good lord#borderlands movie#borderlands
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fearandhatred · 10 months ago
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itspileofgoodthings · 1 year ago
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Matthew MacFayden’s Darcy is a fascinating thing to unpack because I don’t believe it succeeds as a performance of Darcy or even as a performance in general (it kind of can't) but there are layers to it and it's not simple.
#the layers are: he’s a good actor. it’s a bad script.#okay simple enough but then it’s a bad script with several lines ripped directly FROM ONE OF THE GREATEST NOVELISTS OF ALL TIME#and so for a second he’s a good actor saying a great line and tbh it works in flashes#LOVE when he asks Caroline if he can defer her raptures til his next letter#Darcy dryness IN THE ROOM WITH US FOR A MOMENT#but then he’s also forced to stand up too quick and say ‘she’s upstairs’ in response to Lizzy asking about Jane#And it’s just. Giving Blurting? And I know he’s supposed to be flustered but it’s so not Darcy so it’s ooc and also jarring#and then there's his terrible haircut and the ill-fitting clothes and the strange blocking and direction#which add their own layers of bad#but then he ISN'T a bad actor and he's not not responding to Keira's beauty#there are moments where it's like.... yeah! that's a man who knows how to look at a woman!#he is not not connected to her. i know what people mean when they say they feel it#there's an energy! some glances! some warmth!#but then there's the thing where it's like. a) i don't think that he's the right choice for Darcy even in a better script#b) the script doesn't understand and has no interest in Darcy's true character and goes for the shy puppy/awkward/tumblr take on him#so both of those things are happening at once!!!!!!!!#and yeah it's just kind of so emblematic of the movie as a whole#not all the ingredients are bad but they are not well utilized at all#and also sometimes they are the wrong (good) ingredient#anyway do not mean to hurt any feelings or start any discourse i just am always trying to explain this to myself#and i don't think i've ever come so close tbh!!!!!#this was in my drafts from last night so i thought i would share it now#because I've always felt how much is wrong and how much is wrong as an Austen adaptation and yet there are glances#(that one gifset of them at Pemberley where they're talking about her playing and he's like 'no i said quite well')#(and she smiles and then he smiles and the light is golden and it's !!!!!)#but then there are moments that don't even work by that isolated measure!!!!#that just feel so weird and wrong!!!!! again. even by a sentimental measure#maybe even ESPECIALLY by a sentimental measure#so i'm always trying to unpack it more clearly (joe wright the clear villain being one takeaway) thank you for listening etc. more at 11.#2005 liveblog
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createandchaos · 1 year ago
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Honestly with all the praise she gets with her art, it surprises me that everyone forgot viria drew nsfw art of nico and percy and a few other characters.
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artekai · 2 years ago
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Have you seen her?
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Now you have :)
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swampjawn · 10 months ago
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God I love animation. I love it for the way it can bring anything to life beyond the constraints of boring ol' reality, but also the ways that it's inextricably linked to, and draws on the conventions of live-action film-making.
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So fuck it, let's look at how Hayao Miyazaki straight up copies some camera framing techniques from his predecessor and the other most influential Japanese filmmaker of all time, Akira Kurosawa! (Kurosawa really was the master of framing scenes around his characters, so he's a great source of inspiration)
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(btw, this is a screenshot from this TV special where the two met for the first time just after the release of Kurosawa's final film. It's pretty interesting, and also very cute how nervous Miyazaki seems to be to meet one of his idols.)
Specifically, how the two each choose to break the 180 degree rule (well, not technically 'break' in the case of Kurosawa) to show their protagonists' changing destiny in "Throne of Blood" and "Princess Mononoke".
For anyone who doesn't know, the 180 degree rule is a basic film-making rule of thumb which states that in any scene where two characters interact, you should draw an imaginary line between them and the camera should always stay on one side of that line.
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("In the Mood for Love" - Wong Kar-wai)
This way, one character is always looking to the right of the camera, the other is always looking to the left, and the audience doesn't get confused by the geography of the scene. Crossing this line can be disorienting, but when done intentionally, it can convey a paradigm shift of some kind in the scene.
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In this scene from "Throne of Blood," (a feudal Japanese retelling of Macbeth) Washizu's wife Asaji discusses tactics with him and tries to convince him to aspire to the throne and to assassinate his lord Tsuzuki while he sleeps.
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As two servants appear to notify them that Washizu's sleeping quarters are prepared, the camera dollies left and around the characters' backs. This camera movement is motivated by the motion of the servants' torches outside the room, but it also signifies a change in Washizu's outlook.
Washizu is completely silent for most of this scene, contemplating his wife's advice. But as the camera slides behind his back and across the line of action, the scene is now re-framed, illustrating his change in perspective.
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He's been convinced and the trajectory of his life is about to change - and now, facing away from the camera, is the time for action.
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Because the camera slides smoothly across the line, Kurosawa isn't technically breaking the 180 degree rule. Miyazaki on the other hand, takes it a little further.
The complimentary scene in Princess Mononoke comes near the start when the wise woman of the village reads Prince Ashitaka's fortune after he's cursed by the wild boar spirit. She tells him that it is his fate to leave the village and travel to the west, where he may be able to lift the curse on his arm. The trajectory of Ashitaka's life changes in this moment too. As he accepts his fate, the change is symbolized by him cutting off his hair, but also by the camera jumping the line.
Throughout this dialogue scene and even as he cuts his hair, the simulated camera sits just slightly to the side of Ashitaka's left shoulder.
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But once it's done, for the final shot, the scene is reframed and we jump to the other side, where Ashitaka is now looking to the right of the camera instead of the left.
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Making the camera dolly across a scene like Kurosawa's version in 2D animation is no simple task, so this transition with a simple cut is in a way subtler, in another way a bit more jarring, but it conveys the same meaning.
This is the moment when our protagonists make the choice to embark on a new destiny and re-frame their lives.
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This has been an excerpt from a short video essay I made a while back, which not many people watched. I think this is at least in part due to my failure to package it well, and it seems you tumblheads like this animation/cinematography analysis stuff, so this is an experiment to see if, with the help of y'all, and a new title and thumbnail, it's at all possible to give this video a second wind in the eyes of the Youtube Gods!
So if you found this interesting, I'd appreciate if you checked it out! Thanks for reading!
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susielesbianism · 1 month ago
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Sometimes I think back on when chapter 2 came out and there were people saying that Susie’s turnaround from ch1 to how she is in ch2 was too sudden and jarring. Hell, even back in ch1 people were saying that Susie’s character development happened too quickly.
then Spamton sweepstakes happened and so did the newest girl post, which I really think was partially meant to serve as a reminder to people entering the fandom with ch2 that this is how she used to be.
Not to mention the aftermath of the Lancer fight, with how quickly she went from seemingly wanting to tear Lancers fucking throat out to immediately wanting to reconcile with him and affirming their friendship. (which. the whole thing WAS a huge misunderstanding. but still)
besties I think this is just how she is. She’s a good person and great friend but she’s also a little bit emotionally unstable! And I love her for that!!
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helenofsparta2 · 6 months ago
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Percy, Nico, and Jason should have fallen into Tartarus together, while Annabeth should have remained with the rest of the Seven in House of Hades. Please hear me out.
1.
For one, this way Tartarus would have been much more intimidating. At least in my opinion, it has pretty much lost this aspect, especially after Sun and Star. Tartarus is the prison of the titans, a place so scary and so dangerous, that only the best of the best can make it through. Homer described it as being as far beneath Hades as heaven is above earth.  Overcoming it should be the ultimate challenge.
Yes, Annabeth is smart, incredibly so, but, I feel like, because Rick wanted her to be useful in Tartarus, he used a lot of cheap tricks in her POVs to get her and Percy over obstacles, which seem a bit too simple to really work against beings like Nyx. This took the heaviness away from them being down there and felt at times even anticlimactic. Don’t get me wrong, again, because I know this is a sensitive subject, Annabeth is smart, has a strong resolve and is great at hand to hand combat, but that’s it. And, in my opinion, that should not be enough to overcome Tartarus. If it would have taken a child of each of the big three working together to only barely make it out, it would have definitely reinforced that status, and also the gods’ belief that such children can become too powerful.
2.
Secondly, Percy not letting go of Nico’s hand, would have done wonders for the development of their relationship and for each character’s individual arc.
Imagine, Nico dangling from the edge, instead of Annabeth. Nico, who had only days prior pretended like he didn’t know Percy, who is so full of self-hatred, he thinks the entirety of camp half-blood hates him, who is already weakened by being imprisoned in the jar, and who is scared out of his mind by the idea of being alone in Tartarus again.
Imagine Nico staring up at Percy, clasping his hand, while Percy looks up at Annabeth, the love of his life, whom he had been separated from for months. Imagine Nico being convinced, that Percy is going to let Nico fall down to stay by her side.
But Percy refuses to let go.
He refuses to let go, even after Nico tells him he should do it, and decides instead to fall together with him into the worst place on earth, just so Nico doesn’t have to endure it alone again. It would have further reinforced Percy’s self-inflicted role as Nico’s protector which he already had in the original five books and his fatal flaw of loyalty. To Nico, it would have given him a worse inner conflict about having a crush on him, which could have been revolved while they were travelling together.  The confession scene would have been much more impactful and healthier, if it would have come from Nico himself, and if he and Percy would have had a more in depth talk about it.
And if Jason would have flown after them in a moment of desperation, it would have reinforced the sense of loyalty and protectiveness that he had already shown when he had saved Piper at the grand canyon. The scene with Polybotes could have also taken place in Tartarus instead, and him and Percy working together, and putting all of their differences aside would have been a much more interesting dynamic than the stupid, out of character, rivalry bit they’ve got going on in Mark of Athena.
And, to be honest, just having Nico, Percy and Jason go all out, would probably be one of the coolest scenes in the entire Riordan verse.  
3.
All the while, Annabeth could have really cemented her role as a leader. I love her character, but to say that she has more leadership capabilities than Percy is laughable to me after reading the original five Percy Jackson books. These books are, after all, about Percy’s hero’s journey from an inexperienced kid to a smart, powerful and wise hero and the leader of camp half blood.  Annabeth, in comparison, shows relatively little of that. (Obviously this makes sense, considering that the books are from Percy’s POV and revolve around him, but the complete switch-up to saying that Annabeth is the natural choice as leader of the seven just felt a bit out of the blue to me in Mark of Athena)
Her leading the rest, in a moment of such a tragedy and remaining strong would have really reinforced the strong resolve that she had already shown in holding the sky in titan’s curse and in remaining steadfast despite all the horrible things that happened to her with her father’s rejection and luke’s betrayal. Annabeth’s relationship to Piper, Leo, Hazel and Frank, which is painfully underdeveloped in the books, could have also been given some much needed attention. Like, I can’t remember a single scene where she and Hazel, or she and Leo really talk to one another, which is a shame, because they could have had really interesting dynamics with one another.
It also would have also been a powerful statement about Percy’s and Annabeth’s relationship, if they, while separated, still believed in each other and trusted that the other person would get the job done.
Without powerhouses like Jason and Percy on board of the Argo II, Hazel and Frank could have really shone as individual fighters. Hazel is probably the second, or third most powerful demigod in the entire franchise, but barely gets any attention, and for a guy, who is apparently so powerful his life had to be tied to a stick, Frank seems, outside of one or two scenes, also pretty underwhelming.  
Without Jason, Piper’s and Leo’s friendship could have also gotten some more attention, and generally the reunion scene at the end of House of Hades could have been much more impactful with these character dynamics. I mean, Hazel, and Nico being reunited, Jason, leo and Piper, and Percy and Annabeth, and Percy, Hazel and Frank.
One of the biggest problems, I have with Heroes of Olympus is the extreme focus on romantic relationships. Having some couples be separated from each other like this, would have also solved this and given the only couple still together, Frank and Hazel, more room to develop.
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hochsleep · 4 months ago
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Relationship with Daryl Dixon (headcanons)
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This is my first experience writing headcanons, but I have a lot to say! And yes, I used a gif from Beth, but we don't support that pairing here, guys.....
Also, thanks to the author of the gif!
Pronouns: she/her (fem!reader) / (I'll do headcanons for Daryl's relationship for gender-neutral readers later on)
Pairing: Daryl Dixon/fem!reader (Y/N)
Warnings: no, not this time. Everything is decent (underage readers can read)
• Daryl Dixon is far from stupid. I mean, he can certainly tell the difference between romantic interest and friendly sympathy. He has Carol, his best friend, and he knows that he feels for her the kind of platonic friendly love he usually feels for a family member. But that's not the case with you. Sure, you've most likely known Daryl for a long time (assuming you joined Rick's group at any point from Atlanta to Prison, can pick at your discretion). So since you've known each other for a while, Daryl has had time to realize that his feelings for you are far from friendly. All the tenderness and care that he feels for you hardly compares to friendship. Daryl definitely didn't feel like kissing Carol's lips every time she came into his field of vision. That's the difference.
• But realizing your feelings is only halfway there. Daryl isn't the type to make the first move and declare his love. He's a very insecure person because of his past, so it would be hard for him to believe that someone like you would want someone like him. Daryl will just watch over you from the sidelines, he will make sure you are safe and will always be there to protect you. Even if it's just a harmless fall down the stairs when you were arranging jars of canned fruit on the top shelf in the Alexandria pantry. He will notice that the stepladder beneath you is wobbling dangerously and will be there to catch you and prevent you from bruising any part of your body. He will take great care of you.
• Daryl is probably the type of man who idolizes and admires the girl he's in love with. Both her character and inner world, as well as her looks. He would spend hours just looking at your unconditionally beautiful face. Every mole, every freckle, every wrinkle in the corner of your eyes when you smile. God, he could never get enough. Every part of you is perfect. Daryl's not sure he's ever seen a more beautiful woman. I mean, he probably had a soft spot for women he personally thought were pretty in the past, but it was never more than a glance in their direction. Just trying to say that Daryl isn't a pristine and innocent man who never thought about women. Over the many years of his maybe not the most prosperous life, Daryl has definitely had his fair share of beautiful women. But it had always been respectful. Mental admiration from the sidelines. Daryl never "barked" or "bit" like Merle. Daryl is much more respectful of women.
• That's why he likes to watch from the sidelines and think about you. A lot of thinking. Daryl is indeed a man of few words, but he has more than enough to think about. And when he falls in love, you become the center. Except when Daryl has to think about survival or when he and Rick are making a plan of action to save the group. But rest assured, all of Daryl's free time is spent thinking about you. He's very observant and remembers every little thing about you so he can think about it later. Do you like to read? Daryl will listen to you talk about your favorite books and find them during one of your outings, rest assured. Do you like wildflowers? Great, a bouquet of a hundred of them will be waiting for you on the doorstep of your Alexandria home when you come home after a hard day's work. Maybe you like a certain kind of clothing? Like something knit? Daryl will either find it during the outing or ask Carol to help with it when she's not busy. He won't say who it's for, but Carol certainly knows. And after you get those little gifts, Daryl will watch you smile widely because you know who left them under your door. And Daryl will think about your smile until he falls asleep at night. But he'll only dream about you, too.
• Somehow you were the first to admit your feelings because Daryl is actually cowardly about these things. A man can take on walkers or hostile people with his bare hands (like the Saviors), but he definitely can't just go and tell someone he really likes how he feels. No, you have to push him. And hints aren't enough, you have to say it outright. And then probably prove the sincerity of your words of love for the rest of your life, because Daryl Dixon is a very insecure man. He knows in his brain that you really do love him and will be faithful to him, but those childhood traumas are really getting in the way of his life. Be prepared for that.
• Your relationship with Daryl will gain momentum gradually. I don't think Daryl really likes all these formalities and labels like "girlfriend" and "boyfriend". You're just his and he's just yours. There's no need to complicate it all, the world of the zombie apocalypse is already very complicated. But if you care about dates and formalities, surely Daryl can learn to take it seriously. Not right away, but he will. Just give him time and he'll lay the whole world at your feet. And he'll start marking your anniversary with a marker on his calendar so that he definitely won't miss this important day for you (he won't admit it, but for him too). Daryl will be learning and you'll have to be a good mentor in this relationship for the first few years. It will be worth it, trust me.
• Daryl Dixon gets attached to people easily. He's like a big loyal dog. I mean, have you seen how loyal he is to Rick and Carol? He bites at first, doesn't want to let anyone in, but eventually he gives in and lets you take his heart and soul under his protection. Take care of that. My point is that this is the same way love works in Daryl's case. I'm pretty sure Daryl doesn't believe in the concept of love at first sight and stuff, he rather believes that love only comes about through the process of a relationship. So at first he thinks you are just a pretty woman. Then a friend. Then a good friend. And yes, he may feel sympathy, affection and probably crush at this time, but not love. No, he falls in love with you gradually. It's a slow process, but in Daryl's case it will be forever. He's definitely a one-woman man. And when he allows himself to really love you and not just be a little bit in love, when his heart completely belongs to you and he finally says "I love you" with all seriousness and responsibility, rest assured that this is love. This man will show you what true love is. Safe, sincere, and endlessly committed. Just give him time. Let him love you.
• The following headcanon (though I think it's unqualified canon) about Daryl's loyalty follows from this. You may try to be jealous of him or think he'll fall in love with someone else (it all depends on your confidence), but Daryl will prove time and time again that he's only loyal to you. This man is serious about his and your feelings and your relationship. Therefore, he will not give not a single reason for jealousy. But there could be quite a few women around (and men probably too) who might like Daryl. He doesn't care, he will never look at anyone else. Why would he do that when he has you? You're perfect for him and his heart doesn't belong to him anymore. So if Daryl notices your jealousy and insecurity, he'll spend all his time trying to prove to you that you're the one for him. He's deeply committed. To Rick, to Carol, to Maggie, to Alexandria. He's eternally devoted to you.
• The relationship with Daryl will be full of complexities, let's not turn a blind eye to that. He's a complicated man with a lot of trauma behind him. The situation is more acute if you're a complicated person, too. There's a lot to put up with. Probably a lot of fighting at the beginning of the relationship, especially if we're talking about Daryl from the first seasons of the show. But if you're both willing to work on that relationship, it will work well. Again, not right away, but it will. Daryl is sure that his love for you will be enough for both of you and certainly for solving all your problems in this relationship. He will try his best for you and you will try your best for him too.
• Physical intimacy is probably going to be difficult. Daryl's not a fan of close physical contact, especially with someone he can't call his family. You know, the boy had a shitty childhood. But he feels the need to feel the warmth of your skin on his skin. So he may unknowingly touch you before your relationship even begins. It could just be a "casual" hand collision when you both reached for the same item on the shelf. Or he may lightly touch your shoulder when he needs to get your attention and say something to you. You shouldn't pressure him with this and force a hug or anything like that. He will definitely come to it on his own when he's comfortable and he sees that you're okay with it. As your relationship progresses, he will open up to new types of physical contact more quickly. Sure he'll hug you a lot, try to hold your hand in his, but it's all in private. And of course kissing. I think Daryl actually likes kissing, but he's not very good at it for lack of much experience. Teach him how to kiss well if you have enough experience yourself. He'll be a good student. Especially when it comes to lessons involving his lips on yours. I'm pretty sure Daryl will become very clingy as your relationship progresses. When you're alone together, he won't be able to feel comfortable unless his arms are around you in one way or another. He physically needs to hold you, to bump his nose into your neck and hair to smell your scent, which he loves so much. And of course kissing. Gentle kisses or passionate French kisses, he loves it all.
• Daryl definitely doesn't like the display of attachment on the publick. He considers it yours and his alone. Something private that needs to be kept out of the public eye. Well, he's also pissed off by those ambiguous looks Carol and Rick give him after you call him "baby" or "cutie" in public. But Daryl is willing to hold your hands and will even let you kiss him on the cheek in public if he's in a good mood. He'll save the rest for the two of you alone in your sweet home in Alexandria.
• As for intimacy, everything is ambiguous here. I think for Daryl it is not at all a mandatory aspect of the relationship. If you are asexual, he will have absolutely no problem with this. You are more than enough. The opportunity to see you smile, hug you and make you happy is all he needs. Sex is not necessary and Daryl can definitely live without it if you are not interested in sexual relations. But if you are not against it, then he will be happy to please you. I mean, he does it every day just by existing and loving you, but if he can please you in a sexual sense, he will be happy to do so. But again, not right away. You both will go to this gradually. Trial and error. Only when he completely opens up to you and is not ashamed of his scars, knowing that you love them completely and completely because they are a part of him. But most importantly, when you yourself tell him that you are also ready, then you can act. Daryl has some experience. Merle ordered Daryl... a prostitute for his twenty-first birthday and Daryl had to do it. I think he was the one feeling like a prostitute, not the woman. And maybe he's slept with random women from a bar a couple of times after drinking too much. But it was never anything special and not out of great desire. With you, it's different. Sex with you is his way of showing you love in a new way. Either way, he knows how it works, but you still need to guide him. Show him how you like it and help him the first few times. Daryl is a quick learner, especially if you help him. So pretty soon he'll memorize all the right places and positions to make you feel good as hell, nothing less. Daryl will make sure that you feel good first.
• Your comfort is Daryl's absolute priority. Over the years, he will learn to compromise and give in when necessary. Daryl loves you unconditionally and is ready to be on his knees in front of you, this is what you have done to him with your love and tenderness. Daryl Dixon has become soft and fluffy around you. Just for you. Merle would call him a pansy and laugh, but Daryl doesn't care. Not anymore. You're all he cares about.
• You're his safe place. His home. His heart and soul belong to you, take care of it. And then Daryl Dixon will move mountains for you, you bet he will.
~ A cute little headcanon as a bonus: I honestly think the soundtrack of the relationship with Daryl, is the song: The Goo Goo Dolls - Iris.
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chanlix-honey · 16 days ago
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Run It Again (Bang Chan)
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Warning: Smut (+18), pet names, daddy kink, fingering, fear of thunder, and a panic attack occurrence. Please let me know if I missed anything! Minors, please do not interact.
Word Count: 3.5k
A/N: Thank you all for your patience! Without further ado, here's my first Bang Chan x Fem Reader fic. I'm thinking of making this a series, but I have too many ideas and not enough time to write. Let me know if you would like me to continue this, and make it a series with all the boys!
It’s Friday night, and you’ve just come home from a long day of doing voiceovers. With your throat a little sore, you decide to boil some water for a honey tea and change out of your work clothes. Once you’ve changed into your sleepwear, your phone rings. Your manager, Delilah, is calling you.
“Hey Y/N, are you busy tomorrow?”
“Uh, no I don’t think so. Why, what’s up, Delilah?” You ask. You hear her sneeze, sounding distant from her phone. 
“-choo! I’m so sorry for calling so last minute, but the animation team just told me they finished the final scenes for the show,” she starts.
“Ah, ok.” Your kettle clicks off, signaling that your water is boiled. You return to the kitchen, grabbing a cup, spoon, and a honey jar. 
You shoulder your phone to multitask the call and your tea. “And you know what else is great? Cough cough—The director called just before I called you to say that the voices need to be done by Sunday morning so the team can review it.” 
You stop your movements, putting down the honey. 
“What?”
“Yeah…I know.” 
You both sigh on the call together. Delilah clears her throat.
“Could you come in tomorrow morning so we can make any necessary edits before the review?” Her coughs crunch on the other end of the line.
“Definitely, I’ll be there in the morning.” 
“Great! I’ll email you the script now so you can take a look at your lines beforehand. I’m so sorry for all of this, I’m—cough—sure this is inconvenient for you.”
“It’s okay, really! Like I said, I have no plans for tomorrow.” You reassure her. 
“Ok, thank you...I’ll see you tomorrow! I’ll send the script now. Good night, y/n!” 
“Got it. Good night Delilah.” You both hang up.
You stir the honey and hot water in thought. 
As much as you love voice acting, sometimes the job can be stressful. You’re grateful that this job lets you express yourself through characters and it pays your bills. And to be working with the company of your dreams—Stray Kids—is unreal. You remember watching Skzoo as a kid and the joy it brought you. And yet, you can’t help but think that there seems to be some lack of communication (and time management?) within some departments. Hyunjin–head of animation–often loses his head if Felix isn’t around to check in with him.
Finishing your tea, you put the cup in the sink. You head to the fridge to grab some leftovers and put them in the microwave to heat up. Once the food starts rotating, you hear your phone ding. Checking the notification, you read the email. It’s the script for tomorrow’s session.
The TV plays in the background, but you don’t really pay any mind to it until this moment. “Be sure to bring an umbrella if you’re planning to go out tomorrow, as there is a high chance of rain tomorrow…”
You skim through your lines until the microwave beeps. You take out your food and begin to read through the script carefully.
“Okay, let’s do this.”
You arrive in front of the production building. 
Dark clouds billow the skies, and the sound of thunder floods your ears. You scamper into the building quickly, umbrella in hand. When you enter the building the rain begins to pelt down on the ground. You jump, as lightning strikes outside. For a moment, you stop and breathe deep and shaky breaths. Once you’ve calmed down, you take the stairs to the second floor. All the recording booths are at this level, making it helpful for your trembling knees.
“Let’s hope it doesn’t last all day,” you mutter to yourself. 
You’ve always hated storms. They’ve terrified you ever since you were a kid. The strong winds always made you paranoid, thinking of the worst situations. When thunder breached your ears, you would always hide under a blanket to muffle the noise. Your parents used to let you hide in their closet to calm down, usually with a stuffed animal or blanket in hand. 
Even today, they stress you out. As if coming to work in the morning for a last-minute session wasn’t stressful enough.
Entering the recording room, you put your stuff down on the couch with a sigh of relief. Thank goodness for sound-proof rooms. Comfortable with the atmosphere, you head into the booth. You take some headphones sitting on a small table in the booth and put them on. Waiting for Delilah and the others to come in, you open your phone to review the script some more. After a few minutes, you get a text from her.
Hey Y/N, just wanted to let you know I can’t make it to the studio today. I woke up with a terrible cold. One of the other guys will come in to watch over your session.
Ah, ok. Thanks for letting me know! I’ll stop by to bring you some soup. Take it easy in the meantime!
One of the other guys? Who could it—
“—Y/N? Can you hear me?” A male voice takes you out of your thoughts. You widen your eyes as you’re familiar with that voice. Looking up, you see him.
“Oh good, you can. I’ll be filling in for Delilah, so just do your lines as if I wasn’t here.” He smiles.
The director is here? Why him, out of everyone? Your hands begin to clam up.
Changbin or Han is usually here to fill in if something happens. 
“Ahm, I got them working on other projects this morning, so their schedules are full.”
“Oh, I said that out loud, didn’t I?”
He nods, sheepishly. An embarrassing moment of silence passes and his voice fills my ears. 
“Right, go ahead and start from line 5, I’ll play the scene just two lines before yours, so be ready.” You nod in agreement.
The scene plays and you’re cued in to say your line. “Hello! I’m Joy, the host of this series, where the boys bake…”
You breeze through your lines and before you know it, you’re nearly done with this session. 
Until, this line. 
This is great! Mmm, this pastry is so good, mmm…
You tense up, forgetting that line felt a little lewd for your liking. You thought about it while reading through the script the first time. Realizing that Delilah would be there to listen in, the anxious thought went away quickly. 
But Delilah isn’t here. Chan is. The director of this whole project is here watching you voice your lines.
No way. No way I’m doing this line in front of the director. It feels weird…wrong even. I can’t do this! 
You’ve never really interacted with a guy in that way before. There is zero experience in that field. You never even touched porn or smut books to find out. You run away when guys flirt with you. The idea of interacting with someone to that extent terrifies you. Doing anything that even remotely puts yourself in a situation that could lead to uhm…doing more…sets you off. You’re worried you would mess up. Especially since you wouldn’t know what to do. You find that trying to function becomes quickly more difficult.
You curse to yourself at the cold that took over Delilah. 
The count-in starts, quickly realizing you're up. And the line is next. “This is g-great! Sorry, I stuttered.” He pauses the recording to talk to you.
“No worries, we can always cut it. Just try it again. I’ll give you the last line to prepare yourself.” He instructs, hearing the count-in tick in your ears.
“This is great! M–coughs” he pauses it again. “Is everything okay Y/N?”
“coughs, clearing throat y-eah, yeah. Sorry, I just had something caught in my throat *coughs* I-I’m fine.” You move away from the microphone to clear your throat some more. After a moment, you stretch and take deep breaths to calm down.
“I’m alright now, I can do it this time!” 
“Ok, let’s take it back to the last line.” You nod and hear the count-in once more.
The line plays and you’re ready. “This is grea-AH!” You jump back from the microphone and take your headphones off. Chan bursts into the booth concerned.
“What’s wrong?” He asks.
“A spider..” you pant. “I saw a spider on the mic…” He looks around the mic and the ground to find it. 
“Spider? I don’t see it anywhere.” He keeps looking around but to no avail. You could’ve sworn you saw it! Didn’t you? Or maybe was it just your hair in your face? 
He sighs and rubs his eyes. 
“I know we’re almost done, but let’s take a break. It’s still early, and we’re both clearly tired. We’ve been going at this for a few hours already.” His head tilts towards the door leading back to the recording space. You follow him begrudgingly.  
He must be so annoyed with me. Maybe he’ll fire me for this… You think to yourself.
Once exiting the booth, you see him back in the chair staring ahead, lost in thought.
After a few moments, he speaks again. 
“I’ve noticed you’re having trouble finishing the line.” He looks at you. Chan gets up from the chair and saunters over to you. 
“I-I just got it yesterday...I’m just flubbing over this one.” You reassure, avoiding eye contact. Keeping a distance, you walk backward as he continues coming towards you. 
“Honest. You just said yourself, it’s early. W-we’re tired. I-I’m tired.” You stammer. Unable to walk any further, your back presses against the wall. Chan places his hand on the wall, near your face, and leans in closer and closer, just until there’s a few inches of space between your noses.
“I don’t believe you. I think you’re nervous.” he sneers, picking up on your nerves.
“Is it…because of me?” He questions.
“That’s..I–” he gently grabs your chin and tilts it up, bringing your vision back to him.
“Delilah tells me you’re great at what you do. Am I wrong?” You feel your face getting hot.
“N-no, you’re not..” you mutter.
You hear your heartbeat travel from your chest to your ears. Blood continues to rush to your face. You start to feel your pussy thrum at the situation.
“Hm. Thought so.” The hand on your chin travels to your lips. His thumb brushes his thumb over your bottom lip.
So soft…I could kiss her right now. He thinks.
“Have you…have you been with someone before?” He looks down at your lips, licking his. Your eyes widen at the question.
“I-!” You close your mouth, trying to collect your thoughts. He looks back up to you, waiting for your response.
“I don’t think that question has anything to do with my work—”
“—Oh but it does. Have you ever felt a man’s touch before, Y/n?” Your brain short circuits. You struggle to find words.
“Have they…” his hand slinks down to your hip, his other hand still perched on the wall.
“Taken care of your needs?”
“Uh…” you begin to feel a wetness growing in your panties.
“Maybe…pleasured you before?” His hand shifts some more, resting on your thigh. His thumb rubs towards your inner thigh, fingers reaching close to your womanhood. You feel yourself vibrate under his touch.
“I…” his hand stops moving on your thigh, waiting for your response. 
“N-no..” you whisper. “You’re the first.” He hums in response, as his eyes darken.
“Then can I–no. May I, take care of you?”
All the lights were cut off, and all the electronics whirring in the room were powered down. Chan looked around in the dark room, realizing what had just happened.
“Eep!” You quickly grab onto Chan’s shirt and hide in his chest. 
“The storm must have knocked out the electricity. It’s alr–”
“–Please.” His attention is brought back to you. 
“Please, uhm…” You wrap your arms around his shoulders, combing your fingers into his hair. He smiles.
“At your service.” He leans in to kiss you, closing the gap. 
For the first time in your life, you feel so...aware of your body. Blood pumps to your fingers. Goosebumps lay atop your skin. You feel your hair standing up. You feel the fuzz on your soft sweater. The chill rushing up your back. The throbbing in your jeans. The warmth of his touch. His hands ride up under your sweater, just enough where he can feel the skin above your jeans. 
The smell of Chan’s cologne wraps around you, and it's so rich. It’s a light vanilla smell with a bite of cedar and a dash of cinnamon–it’s all you want to smell. And his hair is so plush. It’s like feeling a pillow. You want him, and yet you can’t do anything. You don’t know how.
Your lips move with tenacity, with caution. Anxiety prisons your well-being and you freeze, unsure of what to do next. Chan notices this and pulls back. He rubs his thumbs on your hips to help you calm down.
“Is this ok? Do you want to stop?” He asks.
“I-No. I’m sorry, this is ok…I just don’t know what to do.” Your mind is going a million miles per hour. You struggle to grasp where your head is. All the possibilities of what-ifs, hows, and should-I thoughts whir into the blender that is your mind. You’re slipping into the rabbit hole. A dark pit of void that is filled with racing thoughts. The void strangles you, seeping into your lungs. They continue to fill, ready to burst–
“—Y/N?” A pin drops. You hear your name breathe past his lips. 
“Hey. Hey, it’s alright. We can stop if you’re not feeling ok.”
“No, sorry I–I just need a second.” You shakily sigh. “Can I–is it ok if I hug you? Sorry, I–”
He pulls you into his chest, and a small poomf sound is heard, as he wraps his arms around you. Your body vibrates for a moment. Your anxiousness has nowhere to go, so it encapsulates your body. You take deep breaths to really try and calm down. Chan rubs the small of your back–ever so softly–you hum in response.
“Don’t apologize to me ever again. And you don’t have to ask if you need something from me. Just tell me, and I’ll make it happen.”
“Sor–I’ll-I’ll try.” You sink further into his chest as you feel your heart beating to a normal level. Your shoulders slump and you wrap your arms around him.
You start to hear his heart beating in his chest. It’s nearly all you can hear.
After a few minutes, you let go of him and he gently pulls away.
“How are you feeling?” He whispers.
“Better.” You sigh in contentment.
“..And about…?” He leads. You feel your face get hot again.
“Oh! Uh, y-es. I’m still–yes.” You nod. “Tell me at any point if you want to stop, ok?”
“Alright,” you respond. He leans down to your ear and whispers.
“Good girl. Listen to your body and let it talk for you. I’ll do the rest.” He brings his hands to your hips once more. He tilts down, his face breathing down your neck. Softly, he presses his lips to it. 
Again. 
Again. 
Again. 
He keeps at this to trail down your neck and a bit past your collarbone. He stops just above your sweater, where it lays. 
“I’m going to take this off of you, ok? Raise your arms for me, baby girl.” You do just as you’re told, and he pulls your sweater off of you, revealing your chest and baby pink bra. You’re itching to hide your chest as a habit but you’re more curious to see what else he does next. So you tame the itch. 
“Beautiful. Absolutely beautiful.” Chan takes you into his arms and kisses in between your breasts. He sucks and licks all around your exposed flesh, leaving marks. In the midst of this, he slips one of his hands onto your bra’s clasp and undoes the latch. Coming up to your shoulders, he slides the bands of your bra off them.
“Do you know how gorgeous you are?” You look away, blushing some more. You feel your lower region pulse. A soaking feeling sits in your panties once more and you moan quietly. Though not quiet enough. 
“Fuck baby girl,” Bangchan grabs your thighs and lifts you. “Daddy wants to hear that again.” You wrap your legs around his hips. Chan kisses you again, his tongue threatening to take dominance. He licks your bottom lips for entrance and you comply, letting him explore your tongue. 
He leans you on the wall to take a hand to one of your breasts. With his right hand free, he teases your nipples, pinching and pulling at his own discretion. You moan and whimper in his mouth and Chan can’t help but praise you. He pulls away from the intense kiss while continuing to play with your breasts.
“That’s it pretty girl, you’re so good for me.” Chan nuzzles himself into the other side of your neck, leaving kisses all over it. 
“Everyone should know you’re mine,” he growls. He sucks and bites your neck, intentionally bruising it. 
“O-oh Chan…” you whimper. Still on his hips, you feel his stiffness. You need more of him, this isn’t enough.
“Mmh..” you grind on him once and your pussy twitches. Both of you are still clothed. There’s so many layers between you two. But you can’t help it. You want him. You need him. 
Before you realize, you hear Chan groaning in your ear.
You grind on him again. And again. And again.
“Fuck baby, you’re so eager. You want my dick, huh? You want daddy’s dick in you, princess?” He growls.
You stop for a moment, feeling your body flutter in response to Bangchan calling himself “Daddy”. Rolling off his tongue so pleasantly, so confidently. You plead to yourself mentally, wishing he would say it again. You whine, melting into his body.
“Yes! P-please. I n-need it..daddy.” He coos.
“Aw, you're so cute. You like it when I call myself daddy, don't you princess?” Your face feels hot.
“Y-yes..I really like it..” you mutter, hiding your face in his neck.
“Such a sweet girl. I can’t deny you begging so nicely for me. Daddy will give you what you want…but first, I’m going to take your pants off ok?” He speaks softly.
“Ok.” You nod.
He puts you down to unzip your pants. Pulling them down enough to see your matching pink panties. Your damp spot is revealed and he hums at the sight.
“My, my, baby girl. All soaked, just for me.” He gets down on his knees.
Chan kisses your pussy between the panties and pulls them down, along with your pants. You step out of them, now completely naked. He looks up to you.
“Let me hear you more princess, ok?” Chan plants his face into your region and you squeal in surprise. It’s a new feeling. An odd feeling. A good feeling. Really good. He licks your clit slowly and you whine.
“Ah..d-daddy. That feels good,” you sigh. Chan licks a long stripe, close to your cunt. You feel the pit of your belly sink. At the same time, it feels like something’s unraveling, like a blooming flower. One by one petals peel away from its center. Your cunt pulsates, aching for more.
Chan speeds up, his tongue flattening and stretching between your folds. He alternates his pace, all in attempts to rile you up. This works, as you feel..something grow.
This bubbling feeling…feels like it’s going to burst…
“I’m–I’m–” 
Before you can form your sentence, your body shakes, erupting a wave of shock and pleasure throughout your body. He stops his actions to give you a moment.
“Good girl, let it all out for Daddy,” He brings a hand to your head, petting your hair gently.
Once your body relaxes, you feel something warm and wet come out of you. 
“Ah, you’re so pretty when you cum babygirl.” He kisses your temples gingerly. 
You could barely feel his kisses as your body felt like it was floating. You feel hazy, but good. All you’re thinking about is Chan and you feel butterflies in your belly. Your thoughts move slowly. Drifting around like clouds. Eventually, come back to yourself.
“Doing ok cutie?” He asks.
All you could muster up to say was “Mhm”. You smile up at him, laying a hand on his cheek. 
“We didn’t get to, um–” He interrupts.
“It’s ok, I came when you did. We can work up to it next time.” He grabs the hand on his cheek and kisses it.
“N-Next time?!” You blush.
“Of course…and we have some things to talk about before we get there. Would you like to get lunch together?”
Thunder dispels the sweet moment you both shared. “Can we order in?”
“Of course. We’re gonna be stuck inside for a bit.” He giggles.
“Let’s get you cleaned up first, yeah?”
135 notes · View notes
blueteller · 30 days ago
Note
I found this on reddit it's not my opinion but it's kind of funny and disconcerting.
What do you think?
( https://www.reddit.com/r/CharacterRant/s/uwKw63Cgoc )
"A rant on Trash of the Count’s Family
Alright before I begin I would like to preface by saying that I am a long time reader of the novel and love this novel to death. It kept me company during my darkest and lowest points of my life and I am forever grateful for it !
The rant also in no way affects the brilliance of the story. With that out of the way here it goes:
This is an amazing fantasy novel filled with great visuals, writing, story and top-notch characters. However it has TWO big problems that broke the story smooth sailing for me and I need to rant about it because where I am from I am pretty sure no one reads TCF in a 6000 mile radius.
One big problem was the romance. THERE IS ABSOLUTELY NONE OF IT. This is not a problem if the main character doesn’t want romance (he doesn’t nope) but NONE of the main/side characters that has been introduced so far also want nothing to do with romance. It was a little awkward to read the story based in medieval setting where characters are as pure as angels as they come.
Now, you can of course raise the point that romance was never the main focus of this novel (it’s not even a background focus or some D plot) but let’s analyse this novel here for a second okay? This novel is very gore and never ever shy away from very dark themes or stories.
- The main protagonist of the story (sorry forgot his name it’s been a long time) has his entire village with whom he has spent 20 years murdered and burned to ashes, all the men women and children are totally dead.
- The Prince story is also pretty dark and deals with some adult themes about race and identity.
- The dragon raon (is that the name?) backstory is…holy shit some hardcore torture and let’s not forget the revenge torture that happened later with raon eating steak.
- The butler and his butcher son
- The absolute crazy HUMAN EXPERIMENT arc that was happening in the Empire. I mean holy shit they really went into crazy detail about body mutilation and the scientists are absolute psychopaths in how they love their job.
And I am just scratching the surface about how dark this novel is and there’s plenty of it. The point is that it is very adult oriented novel with these stories but on the flip side their romance department is so negligible that even Tom and Jerry had more romance than this.
It actively avoids it like a plague. Why is this an issue? Let me explain.
Simple answer it feels a little jarring or disorienting when you read the novel like going back and forth between watching the looney tunes movie and switching immediately back to a Black Mirror episode.
But I have to give where credit is due. I didn’t notice the romance problem until after some 500+ chapters later (that’s how good the novel story is ) and how did I notice it?
After some battle trying to reclaim the south (north?) tower and this is the part where the Empire’s royalty is on the brink of collapse the redhead girl (I also forgot her name but she is part of the main gang) is extremely tired after a long battle and Cale tries to help her by giving her some healing potions (remember at this point she is the only female character that understands Cale the most and their relationship is the most developed of all) but she says she is so tired she can’t even lift her arms, so Cale (as logic would have it) offers to feed her the potion himself (see completely logical under the circumstances) but Raon the dragon out of nowhere says, “You are too weak Cale! Let me do it”. And I am like…say what? We know the main gang always comments that Cale is weak and all but come on guys we know he isn’t and in fact he’s been through crazy shit. During that battle he never had to fight and was in top condition so that remark from raon made even more less sense.
And then the redhead laughed it off and said “it’s okay I will do it myself” and she does…after a bit of struggle to lift the said bottle.
It’s a small thing but it did break my immersion (it was already broken before, I will explain later). It forced me as a reader to actually “think” about the author intentions something that should never happen when reading a fantasy novel. And it made me go “hmm wait a minute” and then I reflected back on all the 500+ chapters I have read and I came to a realisation that…forget main character romance there is hardly any romance of any proportions from any and every character in this whole novel! It was so impossibly impossible that it teared through the immersion completely.
The second reason for this rant and this is connected to when my immersion showed a small crack. And this reason is purely a preference thing so feel free to ignore this as you want.
I personally believe that when you make a “reborn in a fantasy world” story you absolutely must never collide “our” world with the fantasy world.
Don’t do that.
From page 1 you are setting up this fantasy life, fantasy way of living and thinking, fantasy people, fantasy stories and most importantly a fantasy you. Don’t break this immersion by literally making the world he (Cale) came from an integral part of the story.
When the main protagonist found out who Cale really is and confronted him about it by listing some Korean food items I was a little disappointed because it felt like a parent telling a child that role playing as a prince and over now put the castle made of pillows back in place and do your homework for school tomorrow.
Maybe it’s just a me thing but after that confrontation, every time Cale interacted with anyone be it the redhead, his dragon, butler or anyone it all felt so plastic and fake, like I was overly conscious of the fact that this is a fantasy land filled with fantasy people and well…it made me feel a little lonely."
Wow, this is quite interesting! Thanks for sending me this. Not because I agree – anyone who knows anything about my opinions on TCF would know that the very 2 points that the author of this post has "problems with" are the things that I embrace with great enthusiasm.
So, prepare for a long ride!
First of all, let me make this absolutely clear, the same way this person did at the beginning of their own post; they are allowed to have their own opinion on what they like or dislike. The same way I am allowed to like or dislike certain elements of stories. I don't claim that TCF is a flawless work either – it's just that all the flaws it does have, at least to me, are so minor I don't care about them in the slightest.
I might actually be "brave enough" in the future to actually make my own post about the "flaws" of the story for me, no matter how few. But not today. Today, let's focus on the reddit post.
Now, imagine a person (the author of this post) is given an apple pie in a restaurant.
This person very much enjoys apple pies. They continue to visit the same restaurant and keep ordering this apple pie. But after a while, they discover "two big problems" with the apple pie.
First of all, it does not contain cinnamon. So this person is like – why not! That is, they did not notice before, but it is SO jarring to them now that they know! Because they believe all apple pies should contain cinnamon. Secondly, this apple pie is made out of a species of apples they do not like. In fact, they are convinced this apple species is not fit for apple pies! So, they quit ordering apple pies at this restaurant.
Meanwhile, there's a second regular customer (me) who orders the apple pie at this restaurant. This customer, in fact, is kind of sick of cinnamon. They were so happy they discovered a restaurant that doesn't use it! This person also notices this apple pie has a very interesting texture to it, one they very much enjoy, because of the specific apple species this restaurant uses. It quickly became their all-time favorite dessert.
Obviously, neither customer here is wrong. "The customer is always right in matters of taste" is a saying for a reason (although people usually say only the first half of it, forgetting the second part), and just because I love the "apple pie" in question, I am not going to shame the other person for their own taste.
With all that said, please allow me to address to the post properly, step by step.
First, when addressing the lack of romance as a problem, this is this person's argument: they list major dark moments in the story, like Choi Han's village getting massacred, dark race racism, Raon's torture et cetera. Then they say, "The point is that it is very adult oriented novel with these stories but on the flip side their romance department is so negligible that even Tom and Jerry had more romance than this".
Correct me if I'm wrong, but I don't believe… Tom and Jerry had any romance either. That cartoon did not even have dialogue. So like, huh??? What kind of argument is that? Should I say that Tom and Jerry has a critical flaw that is has no talking despite being all about comedy? That it would have been better if it was dubbed or something? Well, there was that one movie I remember from childhood but – never mind, we're getting off track here. This argument kind of, completely falls flat for me.
I get the implication. "TCF is has so many dark themes, it should be mature enough to contain romance as well". Which is, completely off the mark for me, personally. Maturity and romance have NOTHING to do with each other.
There's also the statement that "It actively avoids [romance] like a plague." And I agree, kind of. This story avoids romance on purpose. But It never felt unnatural for me. I was kind of expecting it to pop up eventually, back when I first started reading. I thought for SURE Rosalyn would be somebody's love interest – because she had to be, right?? But it gradually dawned on me that there are so many cool, pretty, strong, independent female characters… And none of them are representing a specific fetish or exist solely to be somebody's wifu. The women are PEOPLE, they are fleshed-out, complex characters who have goals and ambitions and just like for the men, there is no thought about romance here because there is so much going on – most of it world-ending, in fact – that focusing in romance would actually DECREASE the maturity of the story instead of enhancing it.
The author of the post said, "It was so impossibly impossible that it teared through the immersion completely". What, do you need characters getting laid to be truly realistic mature adults or something? I think you have the wrong idea about adulthood… Let me say it again, those people are too busy in this story to focus on dating. Even if Cale himself wasn't so obviously ace, his life has been so crazy since he transmigrated, I have no idea HOW on earth he could have found the time (or anyone else for that matter: just look at poor Alberu, swimming in paperwork 24/7!). He can't even sleep for more than 4 hours per day during the war arc. What I personally would find jarring is exactly this: characters trying to freaking date or play off romantic subplots while the world was LITERALLY GETTING DESTROYED. That would have been so petty and ridiculous.
So, the expectation that there HAS to be romance, just because… I think it is a faulty expectation to have in the first place. And it is NOT unnatural that the characters don't do romance (especially with how many species there are among the cast and the age gaps between them, it would have been awkward to say the least; unless you're the type to like Twilight style of romance). The story put a lot of focus to forge familial bonds between the characters. It doesn't lack in the relationship department, just non-platonic one. And if this is a problem for someone and they find it jarring, well… Again, no cinnamon in apple pie, I guess.
Next, we have the argument that "when you read the novel like going back and forth between watching the looney tunes movie and switching immediately back to a Black Mirror episode". I don't know Black Mirror, but I get it. The author of the post claims that the comedic character interactions – the ones that had been very well established in the first 200 chapters of the story, covering full 2 years in the timeline – are… what, unrealistic? Inaccurate? Cartoonish? I’m not 100% sure what the exact issue is here.
They quote a scene where I assume Rosalyn is too tired to lift her arms and Cale offers to help and Raon says he's too weak and let him do it instead. The author of the post then acts confused, as if it was completely unreasonable, because Cale is not weak. Um…. I don't know if they were not paying attention, but that's just false. Cale is PHYSICALLY weak, despite all his Ancient Powers. That is exactly the whole reason why he keeps coughing blood and fainting and stuff. So it was funny, and in-character, and fitting with the rest of the story – at least in my opinion. If that broke this person's immersion, then fine I guess, but I really don't see the reason. I guess they don't enjoy the "texture" of this "apple pie".
Speaking of texture, the last point pf the post I want to address: the belief that you should not mix "real world" and fantasy. They say, "I personally believe that when you make a "reborn in a fantasy world" story you absolutely must never collide "our" world with the fantasy world. Don't do that". Excuse me, but uh… why? That is not the case at all, for many stories? I mean, you could approach it that way, nothing wrong with keeping it separate. But most classic isekai examples usually stray from that idea, actually. Are you familiar with Chronicles of Narnia, by any chance? Did you know that the magical lamppost that Lucy found in the woods actually came from England? It was a very fun bit of backstory from the Magician's Nephew.
"Don't break this immersion by literally making the world he (Cale) came from an integral part of the story." Why not, man??? It was so brilliantly done! In fact, it was so freaking cool, the way TCF did it! What, is "our world" so boring and terrible you must keep it separate from the fantasy at any cost? It was plot relevant, it gave Cale legit ties to the new world, it fleshed out his character, it was incredible! 10/10! If TCF lost that element, it would have been a great loss.
And even if you don't like the mixing of "fantasy and reality" as something "immersion breaking"… there is one problem with this kind of argument, in TCF at least.
Kim Rok Soo is NOT FROM OUR REALITY.
Let me repeat: the man is not from regular, modern Korea! HE IS FROM A FANTASY MONSTER APOCALYPSE DIMENSION!
The whole reveal of what kind of place KRS comes from is what make this story so good to me. It was an incredible twist. The "regular, normal man from modern world" was a red herring meant to hide the fact that he was an ability user from what is basically a superhero world full of monsters! It is not! Regular! Modern! World!!!
"When the main protagonist found out who Cale really is and confronted him about it by listing some Korean food items I was a little disappointed because it felt like a parent telling a child that role playing as a prince and over now put the castle made of pillows back in place and do your homework for school tomorrow." That… you really, REALLY missed the point here, man. That was not the vibe of the scene at all! Choi Han and Cale are both essentially war veterans, mentioning foods from their childhood! This the "Frodo and Sam talking about the flavor of strawberries from Shire at the foot of Mount Doom" from Lord of the Rings type of moment! Only, well, a bit more comedic. Still, it was so touching!! But, well… again, you don't like the taste of the pie, there is nothing I can do about it.
And lastly, there was this paragraph at the end of the post:
"Maybe it's just a me thing but after that confrontation, every time Cale interacted with anyone be it the redhead, his dragon, butler or anyone it all felt so plastic and fake, like I was overly conscious of the fact that this is a fantasy land filled with fantasy people and well… it made me feel a little lonely."
I never noticed such a thing. I do not know if more people felt that way. But I always thought that the characters were well-established and their behavior natural. I am sorry that the immersion break made the author of the post lonely. I hope they can spend time with their friends and feel a little better. Fantasy shouldn't just be a tool to "fill an empty void in your life and escape terrible reality". For me, stories are meant to create something beautiful, to inspire, and to make one consider the possibilities of reality. I mean, if Cale can stop world-ending threats by being brave and making good strategies, why can't I handle the minor problems that reality has to offer? It's all a matter of perspective.
So, that is it. That's my whole response. I hope it satisfies you! Have a great day!
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chuluoyi · 1 year ago
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UNHOLY MATRIMONY — 11
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✩°。 ⋆ transcendent truth
- fushiguro megumi x oc/reader - oc/reader's character name is hara sena, pronouns still refer to “you” and i won’t mention it often—just for the sake of aesthetic rather than repeatedly writing "y/n"
in another life, in which fate is still screwing his life over, Fushiguro Megumi finds himself in an arranged marriage―with you.
genre/warnings: arranged marriage au, drama, heavy angst, zen'in naoya <- hard warning! character death, mentions and descriptions of blood and major injury, profanities, violence, read with discretion!
notes: sorry for the long wait! :( i was on leave, work stuff were piling up, got sidetracked by gojo, and living my life and i have a lot to write for this so... oh and does naoya get to live, you ask? well, well... you may see his fate in this chapter :))
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series masterlist | next. the most twisted curse
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A week ago October 26
"My father has died."
You gazed in sheer horror at Maki's words, as she stood at your doorstep. Everything in your mind blanked out as you struggled to grasp the meaning behind her jarring words.
You could only utter an almost inaudible "Huh?"
Yet Zen'in Maki didn't seem like a daughter mourning the loss of her father. She looked like she had just won a war with how she stood tall, all with her scars and burns. And yet―
"Oh, and my sister too," she quickly added, looking away, and you could finally see the trace of grief in her voice. "Naoya has destroyed everything."
Somehow it was still hard for you to imagine that the whole Zen'in clan was now in tatters. You blinked, stuttering. "He did? How did he―"
Maki told you everything. It had started from a heated argument instigated by Naoya to demand his claim, but since Ogi wouldn't entertain him, things escalated into a gruesome fight that ended with his head rolling off.
Over the span of one night, he massacred several other clansmen, along with Maki's sister, Mai. Now, the Zen'in clan was without a head and forced into submission by him.
"Sena, I'm telling you this because he'll go after Fushiguro next," Maki's voice was firm and unwavering, and it made you almost recoil. "Having my father gone isn't so bad―I have had enough of him, but Naoya is still on his delusional rampage."
"Megumi won't come back to that place," you firmly stated. "Naoya can have it all by this point, why is he still looking for him?"
"He's now beyond reason. He will seek him out himself if he doesn't come."
After Maki left you with that warning, you were still reeling. This was such an abrupt change of situation, and you knew you had expected facing Naoya in the end, but you thought you'd have more time to think.
Now one thing was clear: Megumi was in danger. A grave one.
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October 28
Days with Megumi felt like light rain shower to Hana.
Domestic and cozy. She knew she was here just to cure his sister, yet the friendship that had blossomed between them felt just right.
"Please look after Tsumiki for me," Megumi said plainly, getting ready to leave the hospital. "I'm heading out for a mission."
She gave him a heartfelt smile. "Oh yes, as always, of course."
"Thank you."
Watching him go past the door, Hana smiled until the door sealed shut. Then she turned to the sleeping Tsumiki. She looked as peaceful as always, and the curse mark on her forehead had started to unravel too. Good, she did a great job then. It was taking a while, but Tsumiki was slowly and surely on the path of recovery.
It caused her spirits to deflate a bit, knowing that after this arrangement, she would have to part ways with Megumi, as there were no ties binding them together.
It was times like this that she envied you.
Tidying the hospital room and changing the wilted flowers with fresh ones, Hana easily considered this her comfort space. Everything was curated to how she liked it. She thought she would be having a slow day today, until a frenzied knock on the door startled her.
She couldn't fathom who the visitor could be until she warily opened the door and saw you.
. . .
You had anticipated Megumi to be the one opening the door, until it wasn't.
"Can I help you?" the girl in front of you asked hesitantly, seemingly puzzled. Your breath caught, as you realized that this was most likely Kurusu Hana the curse breaker―also the witness to your divorce.
"Is Megumi here?" you asked calmly, trying to even your heartbeats. No. You couldn't be petty against this woman. Your business was with Megumi, you couldn't get her in the crossfire―
But all that thoughts flew over your head when she retorted, "Why are you trying to find him?"
"I have to talk to him," you responded, still trying to be calm. Okay, no, she couldn't possibly be anything more than divorce witness. Megumi wasn't the type to―
Once again, your thoughts blanked when she replied, "He's out. Maybe I can leave your message to me and I'll inform him later?"
Something about her tone didn't sit that well with you. It was as if she was trying to show you that she was the one in charge... of what, exactly?
You had come to inform Megumi about Naoya's doing. It was as simple as that. Even though you knew that he most probably wouldn't give two shits regarding Zen'in anymore, you just had to make sure.
But seeing another woman in the doorstep, knowing that he spent most of his time with her now that you weren't around... yeah, you couldn't deny that it hurt you.
"Then, please give him this."
You handed the brown envelop to Hana with your jaw held high. Maybe Megumi was right after all, you had a talent to become an actress as your voice didn't even waver. "I've signed the divorce papers. Please let him know to proceed as he sees fit."
Hana appeared taken aback, evident from her widened eyes, but you continued. "Oh, and I've moved out of the apartment too. He can come back. Please tell him that I'm also grateful that he let me stay for this long."
"That's―"
"And one last thing... This is important, and please don't forget to tell him this."
You stared at Kurusu Hana squarely in the eyes, not even flinching as she blinked at you in total silence. "Don't let him come to Zen'in compound on October 31."
She frowned. "What do you mean? October 31? What's happening―"
"That's not for you to know," you interjected with precision, steel in your voice. "Just don’t let him go there, please."
Hana remained silent for a few moments before asking, "Are you... really going through with the divorce?"
"I don't appreciate you delving into our affairs," you spat in response. By now, you truly struggled to contain your own emotions—the hurt, the realization, the mere fact that she was here at all. "Just tell him what I just told you. You're an outsider. And since you've volunteered to inform him when he gets back later, then just do it."
And Hana seemed a bit offended by your snappy tone, but she chose to keep her mouth shut.
You bowed your head a little. "Well, then. Thank you. Have a good day."
As you spun around and stomped away from Tsumiki's room, that was when you finally let your facade crack. Biting your lower lip in frustration, your eyes watered once again.
How could he... get so cozy with her not long after you, just like that? Hana was talking as if she owned the place. It irked you, but above all, you felt so hurt that you wondered if what you were doing now was worth it at all.
But yes. You reassured yourself of the fact, because even if you weren't doing this for Megumi, then you definitely were still doing this for your own sake.
Zen'in Naoya was on your hitlist, and you were determined to see it through, even if it was the last thing you'd do.
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When Megumi got back to the hospital later that afternoon, he had noticed how strange Hana was.
"Did something happen?" he inquired with a frown.
"Oh, no... not really," she winced, seemingly uncomfortable with the question, but she quickly covered her strange expression with a smile. "Anyway, how was your mission?"
If he were to be honest, he would prefer if Hana didn't get too friendly with him, despite everything. Maybe it was his quiet nature, or whatever, but he liked to be left alone.
"It went alright."
It was when he glanced at the table that he noticed it. The divorce papers he had left in your desk at the headquarters were there, and his initial reaction was the sinking feeling in his heart.
"Why are these here?" he snapped almost instantly, asking Hana for clarification. "Has Sena come here?"
"Oh? Oh, yeah..." it was evident that she was flustered, but she quickly blinked her surprise away. "She dropped by to give these for you."
"Did she say anything else?"
"Oh yeah... she said... she has moved out of the apartment."
That, he didn't expect. You had moved out? Where? Where did you go?
It had been two weeks since he last saw you, and the feeling of betrayal was still there, gnawing at his soul. And yet, to see you really agreeing with the divorce he pulled out of impulse and and moving out of his place made it all feel undeniably real.
Deep in his hearts, he knew that he had been bantering back-and-forth with himself. Heck, ever since that horrid reveal about this marriage, he felt like he lost a sense of himself. He shouldn't, but it was hard not to.
He was about to return to his place―with futile hope to find you, perhaps, when his phone rang in his pocket. Yuji was calling him.
"Hello, Itadori? Uh, yeah... sure..."
He was called back to the headquarters for a follow-up mission. Megumi mildly cursed under his breath after ending the call.
"Are you going again?" Hana questioned in a hurry, and it made him turn to her.
"Yeah, I must go―"
"Whatever you do, don't get near Zen'in's family home."
He raised an eyebrow at her sudden statement. "Why?"
She stuttered. "Just... don't. I've heard... there are just some things happening there. It'd do you better to stay away from them."
When Megumi reflected on this moment a few days later, he would realize that her behavior had been quite strange. However, in the heat of the moment, he didn't dwell on it much as his main focus shifted to his sudden mission.
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October 31
His mission had taken him three days to sort out, with him and Itadori staking out at the site, and by the time he was finished, Megumi was at his wits end.
He was exhausted and only just now was he able to really go back to his apartment the first time ever since he left you here.
His place was so empty it felt jarring. The fact that the two of you used to live here not too long ago was bittersweet, especially when he saw the little pots of cactus he planted across the living room had all withered.
Megumi entered almost reluctantly, as with each step, the sting of pain in his chest intensified. He really did love you. And more often than not he found himself thinking why everything had to go this way.
Everything was left neat and tidy. You must have cleaned the place before you left. Megumi traversed through the living and dining areas before finding himself in what was initially his bedroom—the one you both had shared for the past two months.
No creases on the bedsheet, no more of your clothes hanging or cosmetics on the table. What remained was… a folded paper?
He had never jerked so fast in his life—he immediately unfolded it and could barely read.
Dear Megumi, How are you? Are you doing well?Ah, you must be still mad at me. I can’t really fault you for that though. If I were you, I wouldn’t take being played by someone who claims to love you lightly too. I know how you feel, or at least, tried to . . .
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Was this the right thing? Despite making this decision yourself, you couldn’t lie and say that you were wholeheartedly sure.
“Hara Sena— do you really wish to die?!”
All you know was blind rage when you saw Zen’in Naoya’s face.
He cackled, almost wheezing, while mocking you entirely. Your anger simmered, steadily rising, reaching a boiling point with certainty and intensity.
“Ah, this is too funny!” he wiped a tear out of his eyes, his cackles receded into huffs of barks. “Who are you to think that you can stand a chance against me? Me?”
You didn’t entertain his question. “How can you be so shameless about everything you have done?”
He burst into unhinged laughter once again.
“What’s there to shame? I can say that I’m proud while at it—”
"You murdered your own kin!" you cut, looking at him almost in disbelief, clenching your fists to keep them from trembling. "And yet... you stand there so proud. It's delusional."
"What I did―heh, I'd even go as far as saying that it's my greatest achievement yet. It’s beyond your comprehension, sadly.” Naoya threw his hands and sneered. “I wouldn't expect bastards like you or Fushiguro to understand.”
You scoffed. Talking to a wall never works, huh.
"What is sad is that you would go this far for... what? A clan of ruins?” you taunted, a derisive smile on your face. “Who is even left here? This is no achievement. You're just crazy.”
For a second, you could see that that smug grin falter, twitched even, before he hardened it with a manic grin.
“Say that again, woman—”
“You can pretend all you want, and glorify your delusional self while at it, but it won't matter.” You didn’t flinch, despite how intense the pounding of your heart was. “Today, you will lose, Zen'in Naoya.”
And that sealed your fate. Today is the day it ends.
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I tried to, but I’m also hurt, you know?
Megumi sprinted, bolting out of his apartment with pure terror. He had to, for the chance to find you was slipping with each second. After reading that letter, he realized just how messed up everything was.
I have thought many, many times about when you were going to find out the truth. I know the worst is that you wouldn’t believe me, but I really thought we could part in better terms than this.
What you did hurt him too, that’s true, and it was hard for him to forgive you. He couldn't ignore that reality.
Because I trusted you. I trusted you wholeheartedly when you said that you would stay with me. I thought that, maybe, even if we can no longer be together, at the very least you wouldn’t just go and leave me with a little to say for myself. Because that’s what I’d do if our positions were reversed.
But you trusted him. Until the end, until the moment you decided to sign the papers and moved out.
Something within him plummeted and shattered. He had really lost sight of the bigger things. Halfway through, he naively thought it had ended with him going away.
No, it hasn’t ended. He had overlooked one monumental aspect.
But I’m not you. And ultimately, I’m still in the wrong, and it’s hard to explain myself because I know it. No matter how much I try to justify myself, it’s still not enough. Because when I first started out, it was indeed my intention to use you.
Now, it didn’t matter that much. Not when he realized what you were about to do.
But, Megumi, there’s one truth in our relationship—even when there are many lies in it. That truth transcends all, and it’s this: I love you. I really do. Even now as I’m writing this, I still do.
Each breath he took, it scorched his lungs. Megumi thought he had known what heartbreak was like. But no, he didn’t really. Not until now.
In the short time we were together, I was the happiest. I love living with you. I love going through the day with you. Thank you for letting me know what love feels like.
Damn it. If something were to happen to you now, after this—
And I wish you the best. It hurts me to know, but if it's Kurusu Hana, then I only hope that this time, it's your own choice. This might be the last you're going to hear from me. I'm going to settle my debt with Zen'in Naoya. If you ever read this... one thing I ask from you is that don't find me. Let this be where it ends. With me.
"Idiot, you're an idiot!" he harshly grunted under his breath. How was it that you had asked him not to find you when he knew what you were doing?
Now it all made sense. October 31. The duel. Zen'in family home. Hana's warning. You were the one who told her that.
His chest constricted, the muscles in his legs had started to ache, and he was losing breath. But he pressed on. Megumi had to get to you, before it was too late.
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Your innate technique wasn't made for front lines.
Despite your father's pride―which you had long considered misplaced―your family's innate technique, in your and Naoya's eyes, were quite unhelpful, or useless even.
You couldn't even feel your lower body as you laid there on the hard ground, gurgling and tasting your own blood in your mouth.
"Now you see?" Naoya curled his lip in satisfaction, looking down on you with that disdainful eyes of his, once again believing he was far superior than you. "You have no chance against me, Sena. If Fushiguro can't, what makes you think you might have a shot, huh?"
True, he didn't even have a single scratch in his body. You stood no chance against him. Did you know that?
As a matter of fact, you did.
"What a pitiful sight you are," he uttered, firmly planting his feet on your chest, and a broken whimper escaped you. "Just die already."
When will this end? You had to wait out, or else— or else, you were doing all of this for nothing.
"This is the exact expression that whore you call a mother had too," Naoya suddenly retorted, prompting you to open your eyes in response.
Your mother. In her last moments, was she in this much pain too, because of him?
The thought made your rage boil once again. You gritted your teeth together. "You... b-bastard—!"
"Hah? What?" He dug his heels in your broken ribs and you whimpered, spitting out blood.
You didn't know how much longer you were going to be able to withstand this pain. Everything in your body was broken at this point. You are quite literally dying.
You thought you had accepted this. You figured that since you had nothing left, dying wouldn't be that bad, surely.
"Hmph, boring." Suddenly he kicked you and you rolled several ways from him, wincing in absolute agony. Naoya turned his back on you, walking away with deliberate loud steps.
He gestured at the cloth of his hakama. "You're going to dirty my clothes. Since you're going to die anyway, I'll be here to watch you."
Mad. Truly mad. You couldn't think of any other word aside of that to describe the Zen'in spawn. He was the craziest of all people you had ever met, had ever imagined you could encounter in this shitty life.
"I'm curious though, why are you here? Fushiguro would never ask you." Naoya regarded your form with narrowed eyes. "Is this love? Are you afraid that he'd die by my hand that you willingly went in his stead?"
"N-no..." you immediately replied in disdain. "You... h-have—"
"You are not making sense," he shrugged, shoulders shaking with laughter. "Ah, that's why. Love is the most useless of all. That love got you dying now, hmm?"
There was no need to entertain him. You unclenched your fist slowly, your fingers twisting in weird angle after Naoya broke them—but you readied yourself.
Just a little bit longer...
"If only from the very beginning, if you would just agree to be my wife instead of making a fool out of me—"
A bit... just a little bit more...
"—then perhaps, you'd be living the honored life as my wife—" he kept continuing with a stream of words that didn't quite register in your mind. Nevertheless, you remained fixated on the movement of your fingers.
"But you just had to go and drag that washed-up bastard to my doorstep, conspiring with that senile man and Gojo, and where does it get you now—"
Now.
"And your most moronic act is coming here, thinking that—hrrgk!"
Suddenly Naoya toppled over, clutching his throat, his breath coming in gasps. "W-what—"
A cruel smile curled on your lips, seeing the frightened look on his face. "I'm... telling you... you're going to... die today, Zen'in Naoya."
"W-what— did you do to me—!" Naoya squared on you with fury shining in his eyes. "You— wench!"
You kept your silence, closing your eyes. You felt tired. It was so tempting to go to sleep.
"Whore! You—bitch—urrgk!"
As the air slowly left his lungs, Naoya finally gained clarity. Your fingers. A hand sign...?
You had waited for this moment. For the very second he no longer pinned you and you had the freedom of the use of your hands.
It struck him like a bolt of lightning. Hara clan's cursed technique.
Manipulation of air density.
You were slowly choking him to death.
. . . It was somewhat of an irony, that you depended on your cursed technique in the end. For you who had always considered and known that your clan was a second-rate, believing that you hated yourself for being born with this cursed technique and made your mother suffer, you never really took pride in possessing this.
And yet today, you bet it all on this talent of yours. To finally make things right again.
You tuned out the rest of Naoya's last words. You only opened your eyes when you heard him thud to the ground, all pallid and blue.
A weight in your chest dissipated. You did it. You had avenged your mother, and perhaps, if the Gods were finally kind to you, after this you might be able to see her too...?
Regardless, now you could rest in peace, content with leaving everything behind.
And yet, despite thinking so, you couldn't help but to turn back to those days with Megumi, doing mundane things normal people did. Eating together, going on dates, his smile, laugh— you would never get to see him again, and that fact brought a tear to your eyes.
The only boy you ever loved. In this life, and in any potential other lives, you would undoubtedly wish to meet him again too.
The only consolation you had now was that, by doing this, you had also fulfilled your end of the binding vow with Gojo.
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"How unfortunate, and now you're dragging Megumi into this? What's it in for me and him?"
This is it. You have no other way and even this is also your last resort. To save your mother and yourself, you must drag an innocent soul into this complicated mess. Fushiguro Megumi is going to take a part in your game of survival, and you will make sure that he won't be just a mere sacrificial pawn.
"I believe the Zen'in has been bothering you quite a lot too, all these years," you met Gojo's eyes calmly, hiding your fear. "If you can install Fushiguro Megumi in Zen'in clan, wouldn't that be easier?"
"Well, well, you seem to know your way around here, yeah?" Gojo threw you a tight smile, visibly amused. "I'm not going to be a hypocrite and say that I don't want to do away with them, but Megumi? Do you realize what you're implying?"
"What if I told you that I can definitely remove Zen'in Naoya from the equation?"
"How?"
"From what I've heard, only a handful of the clansmen favor him."
"It's not going to be that easy, Sena-chan. You're going to put his life in danger."
"That's what I'm proposing to you. I will not let them harm him."
Gojo let out a scoff. "Two conditions for one in return? Aren't you getting desperate? Are you sure it won't be easier if you just resign yourself to a life with the Zen'ins?"
"No." You bit your lip. "My mother would rather die than seeing me being married off to that misogynist, and my father would continue locking her up if I refuse this marriage with the Zen'ins."
After pondering for a while, Gojo agreed with your proposition. To make sure that you'd be staying true to your convictions and he'd get Megumi instated as a part of Zen'in clan, he pulled you into an unbreakable vow.
"In exchange of Fushiguro Megumi becoming a part of Zen'in clan, Hara Sena would remove Zen'in Naoya from the succession war, and at the same time, ensure his safety."
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next : the most twisted curse
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🏷️ taglist
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some of you can't be tagged bc of the settings! :(
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drenched-in-sunlight · 4 months ago
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I contemplated a lot whether to reblog that post because i think most of it was wrong, but the addition is so great and refute pretty much everything while raising some amazing points so if i could reblog only the addition without the original posts i would.
It’s just funny to me how every time i see ppl “here are Marika’s crimes” they list like 50% is what she actually did, and the other 50% are things that either was during Radagon time (when Marika couldn’t even have a proper statue that depict her as being the one in control), done by some other guys, or after she got strung up inside the Erdtree. Y’know, literally impaled and knocked out cold ?
The ritual sword and shield talisman (which depict sword and shield of Crucible Knights too btw) pointed at Radagon’s face to say by his time, all ritual combats in honour of the Erdtree had died out, but in LoS it was maintained and Messmer even had a talisman of Godfrey in his castle. A talisman depicting Godfrey accepting the duty to be his Mother’s Lord. Without wavering.
The ritual combat is just another thing that will remind people of the first Elden Lord’s devotion to his Goddess, which would do Radagon no good. so that, along with the Crucible Knights, gotta go.
All this just show how by Radagon’s time, the Golden Order’s ideal no longer reflects the Erdtree’s - another testament at how far from each other his and Marika’s will have diverged.
Also, i really like the fact that the Zamor and Ice Dragons allied with Marika to fight the Fire Giants who had chased them from their home, because to me that means at the start of her age, Marika was extending her help to people who needed it (with ulterior motives, yes).
Her age wasn’t built in a vacuum. She was a healer Godling with no offensive spells, Messmer’s health just got a bit better, Godfrey with all the implications in SoTe, was probably just a simple bear hunter? What on earth those 3 could even do in a land where the Hornsent royalty reigned supreme?
Go somewhere else, recruit as many people and make as many alliances as they could. I have no doubt the world under the Hornsent was a violent one (hell, it still is now, every time i went into a Gaol i want to go back and smack the Hornsent inquisitors a few more times). And for a new God to appear, and instead of stuffing people into jars, delivering Death, entrapping their followers into watching over some flame for eternity, running away and leaving their Lord to get backstabbed by a tyrant, this new God… healed people? Big shock!
So of course people would flock to Godfrey’s banner, believing in a Goddess that could barely fight, but soothed away all of their pain and sorrow. Sounds fucking familiar isn’t it.
Btw, why do people like to invent a bunch of authority and power for Marika then at the same breath will say whatever her kids do is to… spite her and show kindness to the oppressed?
So she is an all-powerful tyrant that could kill whoever she dislikes, and by some ppl’s standards she dislikes literally everyone in Lands Between (💀), but Godwyn could just befriend a dragon and spread a cult about them within the Capital, Messmer could have an albinauric as his Commander (to command an army that she paid wads of cash to and bless them with her hammer’s power???), Miquella and Malenia could go their merry way and build a whole ass tree castle (where is the fund. Where is the fund) and she couldn’t do anything to stop them? Even though those actions directly affect the strength of her army? What?
I swear i can’t even see other people’s Marika as Marika. Because their Marika sounds dumb as hell and a doormat too. Like what is this???? 💀 do you think i sacrificed my back and wrist to draw Elden Ring characters as beautiful as possible, so they could go be devote to someone like the Marika some of y’all envision? The bar was on the floor for you but not for me.
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pigeonpeach · 1 year ago
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Genshin bachelorettes and bachelors proposing!
Characters: Jean, Diluc, Eula, Itto, Kuki Shinobu, Kujo Sara, Navia, Clorinde, Arlecchino
Cw: fem reader, fluff mostly, some suggestive themes.
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Arataki Itto
Oh this was a hard decision. Not that he didn’t want to spend his life with you but if now was the right time to propose. He isn’t exactly the most well off. His gang camps out in the wilderness and he knows your parent’s expect him to improve. And he wants to. With Shinobu’s help he starts to get a education much to your surprise. Slowly working himself up to have more than a basic reading level. When he can land a more steady income then he’ll propose. He wants to get you the best ring in all of Tevyat. Unfortunately he can’t afford that. But Shinobu advises him to aim for more affordable but still pretty rings.
As for the proposal itself. He’s definitely going for either the big party with friends or if he’s spent most of his mora on the ring already he’ll just ask you on a quiet little walk with just you present. But knowing Itto, you probably would’ve found the ring before all that.
Itto may not be the best in terms of providing money, but he’d never slack off elsewhere. His granny raised no coward! If you’re the breadwinner he’ll gladly take up the house chores. He is a bit dumb yes but he is the most loyal and devoted man you could meet. With unwavering support and loyalty. Never will he let you face anything alone.
Eula Lawerence
Marriage is a bit complicated for her. She has renounced her family yes, she is disowned yes. But the subject of last names is what gets her. Truth be told… her last name is a small price to pay for you. She knows the other option isn’t ideal. If you take her name it’ll ruin your reputation.
But.. she’s certain its you she wants. Its you she wants to come home to. Its you she wants to sleep next to every night. And its you she wants to grow old with and feed birds with. She decides to discuss it with you.
Her proposal is less romantic and more straightforward. She knows this is a serious discussion and doesn’t want any miscommunication or misunderstandings. She wants to know if you would take her last name or have her take yours. The decision is yours sure but eitherway she wants only you to be her bride. No one else. No matter how many letters her family sends.
Diluc Ragnvindr
Oh he’s shy! Diluc’s been thinking for so long. How the naked ring finger on your hands seems to irritate him. How he perks up, red and flustered like a schoolgirl when one of his business partners accidentally calls you Mrs Ragnvindr. Said business partner later told him he should consider getting a ring soon. With that he starts planning.
A romantic little date alone at the winery. He takes you out for a picnic near the lake. There is a great deal of preparation taken into this. The entire slime and hilichurl population nearby is turned to zero. Adelinde planting many flowers along the path he’s planning and in the spot he’s picked out. You can be certain Diluc has left nothing to chance here other than your answer. He prepares the finest suit and the finest dress for you. Afterwards there will be a engagement party.
Kuki Shinobu
She too is also more straight forward and less romantic. One night you two were cuddling as she just randomly asked if you want to marry her. Bit jarring sure but hey at least she asked in a semi romantic context.
She handles all the coordination. You two work like a team to save money for a court house wedding with a killer after party. Needless to say the Arataki Gang is heavily involved in throwing the best celebration ever for Kuki Shinobu.
Kujo Sara
For so long Sara believed she was undeserving of love. That her only place in this world was serving the shogun and keeping the peace. But you gave her something other than the shogun to report to. Her home felt more welcoming with you in it. You didn’t change much yet she felt more at ease. She lets you preen her wings, picking out old or damaged feathers to let new ones grow. But unlike the family who took her in you keep her feathers. You say it’s because you can’t throw away something that was apart of her. She secretly likes seeing you collect them. Maybe you’ll even have accessories made out of them and then that sends her to the conclusion that she needs to marry you. Her position is dangerous yes. But she can’t imagine a life without you.
She very much leans to the traditional methods. Asking your parents for their approval. Setting a nice dinner to ask you during.
The ceremony is quite special, she’s a nervous wreck as she worries about anything that could go wrong. But as long as she has you, she won’t have much. To worry about anymore.
Jean Gunnhildr
Oh she’s been planning this for awhile. She’s had the ring ready but she’s been too nervous. The romantic set up she prepares end up not being perfect enough for her so she plays it off. Until you end up proposing yourself, of course she agrees but she’s embarrassed she took too long.
A traditional and beautiful wedding. She ends up letting you plan most of it as she’s already busy but she’s more than eager to help. Its a biggggg event. The acting grandmaster getting married is treated almost like a festival. The people of Mondstadt send you their well wishes and plenty of gifts. To your surprise alot of businesses offered lower price’s because of Jean. She is well beloved by the nation so no doubt is no one going to overprice it. Catering, flowers, decorations, you used the extra money saved to tip the servers well. The Mondstadt Chapel being the location, it was like half of Mondstadt attended. And those who didn’t receive a invite would wait outside. Lord Barbatos seemed to pleased with your union, with clear skies and only a tickling wind. It’s intimidating walking down the isle to see half of Mondstadt looking at you. But when you see just how smitten Jean looks. How she wipes tears as she tries to maintain composure. You don’t feel as scared knowing just how happy she is. She can hardly keep her hands off of you either.
Your honeymoon is in a nice cottage far from the city as you two go together. Lisa left in charge, knights making sure to maintain the perimeter. Its perfect.
Navia
Her proposal will infact be a crazy set up. Sending you on a goose chase to meet with her, each location being a significant place in your relationship. The restaurant you had your first date at, the alley you had your first kiss in, etc etc. the clues hidden closely. Passerby’s participating by helping out or giving you clues as well. And when you finally find her its in Poission, with the flowers blossoming and the wind in your hair. The guards place a pillow on the ground before she gets on one knee, a ring displayed. The ring her father gave her mother. She wants you to have it. To be hers forever and for all eternity.
The wedding is no less complicated. Creative decorations, dozens of desserts, etc. the macaroons decorated to look like either yours or her face. The cake is beautiful. Youve never felt so pretty as when she takes your hand and showers you in praises that would have you marry again if you could. Just the look in her eyes alone has you under a spell. Pure and raw devotion. A lone tear as she knows she’ll never be alone again. Four seats are left empty. Two for her parents. Two for Melus and Silver. But she knows they’re cheering from the grave as she pulls you in for another kiss and another dance. Navia has been through so much heartbreak. You can tell she’s pained at the fact she cannot do her own father daughter dance, not with her dad or Melus. So you make extra sure to be close. But you… all dressed in white… its a great distraction for her. Reassuring her that she’ll never be alone again.
Clorinde
She is a sappy but subtle person. She goes through the effort of the surprise. Making sure you would say yes though. She prepares only the best, a reservation in a private table, the best foods for you to stuff yourself with. She smiles slightly wiping your face herself. The ring is hidden in a cake, with the box sitting ontop. Protected from the icing. You recognize it immediately.
She’d likely prefer a more small wedding. If you want something big then she’ll compromise but for the most part it is mostly close friends and relatives. Clorinde goes through the typical groom and bride stuff where she avoids seeing you in your dress. Walking in to your dressing room, blindfolded to give you a kiss to reassure you everything is fine. She has the finest of everything picked out. No accidents allowed. Her sword is also still hidden on her person at all times just in case. By the end of the reception your lipsticks have blended into one color as she just got too excited.
Arlecchino
She is a romantic at heart yes, but she’s also extremely business minded. She will make her intentions of marriage clear to you. Presenting the pros of it. She’s relieved when you agree but she decided to stage a proper proposal randomly. She wants to surprise you but not too much. There’s some red herrings for you for a little bit. False headings. Until Lyney and Lynette perform a private little magic show in which she magically appears to slip the ring on your finger. Of course the children are absolutely delighted!
The wedding happens in two parts. There’s the business one. With her harbinger colleagues and others. You got to meet the Tsarsita who bestows you with her blessing, a nerve wracking ordeal indeed. You spend the entire day at Arlecchino’s side trying to dodge the confusing questions the harbingers ask. They feel oh so scary but fear not, for she will not stand to watch her beloved wife be intimidated. If they get out of line she will not hesitate to put them back in their place.
The second one is for the orphanage. All of her children called to attend in the biggest ceremony. A large celebration filled with warmth and joy for you. Your family and friends can come to this one and only this one. It’s something you actually were more than fine with considering her colleagues. The children are so very happy to see their father so happy too. Her hand never leaves your side. You dance until your feet are sore. Unfortunately you teo don’t get to have a honeymoon but the kids will make sure you have no chores for a week straight while you and your husband wife relax.
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dragonnarrative-writes · 4 months ago
Text
Slasher Handler Part 11 - Slip Lead
Slasher Handler Masterlist
Read on AO3
NSFW under the cut.
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CW: Implied stalking/surveillance, implied kidnapping, physical injury, deception/emotional manipulation, physical violence, injury with knife, genuinely not enough information, hidden weapons
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Something about stabbing him, about meeting Price, has resulted in you being able to stray a bit farther from Simon’s orbit. You’re still on a rather short lead, there is a list of unspoken rules between the two of you as long as your arm. But you’re going out alone more. You don’t feel Simon’s eyes on you every moment he’s out of your sight. It’s weird.
But when it comes to Simon, it’s best not to look a gift horse in the mouth. So you start a routine of going to the cafe down the street twice a week or so to work and see other human beings. It’s surprisingly difficult, some days. More than once, you’ve felt too exposed and retreated back home. These days, you have more good days than bad. As long as people don’t talk to you too much, you’re fine.
So it’s a bit jarring when someone clears his throat while you’re wrangling spreadsheets.
The man is in a light jacket, tee shirt and jeans. Looks like he works out. Kind of a stupid haircut, but he’s at least committed to it. Very distinct looking, Simon’s voice says in your head, easy to track. Unlikely to cause problems.
Something about him makes the hair on your arms stand on end.
“D’ya mind?” he gestures to the chair across from you. At your skeptical look, he rushes to assure you, “ Jus’ fer mah coffee, ‘n t’read,” holding up a thick paperback. He gestures to the rest of the cafe. “Wouldnae bother you, but this’s the only open chair.”
The shop is unusually crowded. You frown up at him. “I’m really busy.”
“Willnae hear a peep from me,” he promises, setting down his coffee and pulling out the chair across from you. He turns the chair so he’s facing more of the room instead of the corner you’re in. And he opens his book.
You watch him for a minute, but he doesn’t look up. It’s hard to shake the feeling that something is wrong, but you do need to work. With a last wary glance at him, you settle your headphones over your ears - transparency on - and get back to organizing a data set that reminds you of a ball of duct tape.
It’s time for a break before you know it. Your companion, true to his word, hasn’t said a peep since he sat down, more than an hour ago. He barely looks up as you close your laptop before turning back to his book. He does look up when you flag down one of the servers.
“Lunch,” you say, inanely. To the server, you say, “Can I get the chicken sandwich today?”
“Chips ‘n a lemonade, yeah?”
“Yeah, thanks.”
They turn to your table mate. “And for you?”
“The same, ah guess?” He raises his eyebrows at you, like he expects you to give him permission or something. He looks back at the server. “Yeah, a chicken piece for me, as well. ‘Nd a juice?”
“Separate checks?”
“Aye, ta,” the guy says. When the server leaves, he blanches. “Hope you dinnae mind.”
You do mind, but it’s not like he can sit anywhere else right now. “It’s fine.”
He sets his book on the table, and your eyebrows shoot up. Whatever you thought he’d be reading, Jurassic Park wasn’t it. He grins. “Ah ken. It’s old, yeah? But it’s a damn sight better’n the movie.”
“Isn’t that how it goes,” you say, vaguely. 
But you’ve already fallen into his trap. He turns his chair to face you, crossing his arms and leaning into the table. His eyes are unnervingly blue - somehow even bluer than Simon’s - and bright with interest. “’M serious. It’s not just that a character yells in the movie and speaks softly in the book, aye? In fact, the movie made Dr. Sattler older, aye? Great choice, emphasize ‘er expertise.” 
Aging up a woman character? You’re reluctantly intrigued. “She was a less important character in the book?”
“Nae,” the man scoffs. “She’s probably the first o’em to realize how shite the whole thing is. Notices things. Stuff the other’s aren’t payin’ attention to because she’s the plant expert, an’ naebody pays attention to plants.”
You find yourself drawn in, in spite of yourself. Johnny, as he introduces himself, has obviously been waiting for a chance to talk about it, but he’s not pushy. He excitedly pulls a pen from his pocket to doodle along with his explanations. By the time your food has arrived, he’s convinced you to at least try the audiobook.
“I cannae pay attention stuff in mah ears,” he says with a grin as he starts to dig in. “But I hear good things, if you don’t ‘ave time to sit an’ read the text.”
As you nod along, you look up and almost choke on your next swallow. Simon is outside, looking at you through the window with raised eyebrows above his usual black surgical mask. His eyes flick to give the man at your table an obvious once over. And then he turns away and walks out of sight.
“Ye alrigh’?” Johnnys’ eyebrows are up near his hairline when you look back at him. “Ye look like ye’ve seen a ghost.”
“Y-yeah,” you say, torn between staying seated and the urge to run after Simon. You can’t help but look at the window again, but he’s gone, there’s nothing for it. “Sorry, I thought… Sorry. Yeah, I’ll get the audiobook.”
When you get home, Simon is on the couch, the TV on with the volume low. He watches you, like he always does, as you take off your shoes and shuffle around to put away your things. When you finally join him on the couch, you find that he’s watching a nature documentary. A crocodile slides under the water with barely a ripple.
“He was only sitting with me because there wasn’t anywhere else,” you rush to say.
Simon turns to cock his head at you. “You get ‘is name?”
“John. Johnny,” you answer. “He told me about his book, but I left as soon as we were done eating.”
“Good,” he says with a nod. He lifts the arm closest to you, pulling you close as you settle into his side. “’S good to have friends, Precious.”
“He’s not a friend. Just some guy out to lunch like everyone else.” 
“You let him stay,” Simon points out. He squeezes you in a rough approximation of a one armed hug. “Been nervous around people, but you’re gettin’ better.”
This isn’t what you expected. You can’t help but side-eye him. “You’re… proud of me?”
Simon’s lips press gently against your forehead. “’S long as you pick better this time, I don’t mind you ‘aving friends. Can’t keep you all to myself forever. ‘Sides, you’ve marked me proper, ‘aven’t you? Got me as your little pet. Johnny’s not gonna be a problem.”
The little pink scar around his ribs is little more than a raised line. You slide your fingers under his shirt to pet at it. Among all of his scars, it’s one of the smallest. You’d cried the first time he’d let you see under the bandages.
“You’re not a pet,” you grumble, leaning your head on his shoulder. “You’re an alligator who won’t leave my house.”
“Your alligator, now,” Simon agrees. He focuses back on the television, seemingly done with the conversation.
You could leave it at that. But you turn to face him, instead. “You’re not mad?”
“Not unless ‘e ‘urts ya.” Simon presses his lips against your hair. “An’ I wouldn’t let that ‘appen.”
The following week, though, he stands over you with an exaggerated grimace at how crowded the place is. “Och, d’ya mind?”
Johnny is there the next time you go to the cafe. He waves from his table, but ducks back into his notebook without waving you over. So you work from your own table in peace. When you take a break for lunch, he’s gone. Two days later, it’s the same. It’s easier to concentrate, now that you’re less worried that he’ll take the conversation from the other day as an invitation. 
With a sigh, you clear some space for him. But just like last time, he keeps to himself, reading and occasionally jotting things down in his notebook. It’s not until just before lunch that he breaks the silence.
“D’y’ve a boyfriend then?” You can’t keep yourself from cringing fast enough, apparently, because he laughs. “Sorry, sorry, shouldnae asked.”
“I don’t want to talk about it,” you grumble.
“Aw,” he coos. “Don’ worry hen. You’re right bonnie. Ah’m sure they’ll come around, whoever they are.”
That would be sweet, if it wasn’t so painfully off base. “Yeah. Sure.”
“Oh, you’re right done wit’ me,” he laughs. “Ah ken’t I shoulda kept mah mouth shut. Ma always said runnin’ mah mouth would get me into trouble. I won’t bother ye again.” 
You roll your eyes. “It’s fine. I just don’t want to talk about it.”
He doesn’t push, and you’re grateful. But when it comes time to pay for lunch, he insists on paying. It grates on your nerves. A gift from a guy is never just generosity, you learned that long before Brandon. But you clench your jaw and pack your bag up a bit more roughly than usual and say your goodbyes.
“They didn’t have the brownies you wanted,” you announce as you return home from the grocer, two days later. “I think it was a limited edi…tion…”
You notice Simon watching through the window, but he’s there and gone before you can get a read on his expression.
There’s a smattering of blood on the entryway carpet.
You don’t drop the bag with the eggs, but only because your muscles are locked up. Did someone break into the apartment? Was Simon here when they did, or next door? Did they leave? Did he take them?
A sound makes you gasp before you bite your tongue hard enough to taste blood. And then again, a muffled groan, close, from the direction of your couch. 
It’s not Simon’s voice.
You gently set your bags down and reach behind the coats for the blackjack Simon insisted on leaving there for security. There’s a rustling. Another groan. You stoop low, trying to make yourself a smaller target, and creep around the edge of the couch.
When you see Johnny, bound and gagged, shirt covered in blood where he lies on the floor, your stomach drops so fast you feel dizzy.
“No, no, no, no, no,” you whisper, dropping the jack with a thump. You crawl over to him, looking around frantically. Simon is nowhere to be seen. But he did this. He had to have done this. Right?
Johnny twitches, groans again, eyelids fluttering open. When he sees you, his eyes go wide, and he frantically tries to sit up.
“No, don’t! I don’t know where you’re hurt,” you hiss. You reach around his head to untie the cloth that’s gagging him. “Oh my god-”
“We gotta get out’f here, bonnie,” he grunts, leaning into your hands as you help him upright. He spits blood on the floor. “No tellin’ when that mental bastard gets back.”
“Oh god,” you whisper again, touching the front of his shirt. It’s dark and sticky in a bloom across his chest. “Where are you hurt? Did he stab you?”
“Ah’m okay,” he grunts. “A bit banged up, but ah’ll live.”
You swallow down the urge to vomit. “There’s a lot of blood, Johnny.”
“S’nae all mine,” he answers. “C’mon, untie me, before Simon gets back.”
You’re shifting to reach behind him before your mind catches up. You can feel the blood drain from your face. “W-what? What did you say?”
“We need to get out of here!”
“No, you said his name, you called him - ”
“Simon? That’s what ye called him when you came home,” he hisses. 
“No, I didn’t,” you whisper, body stuttering between frozen and electrified. You never call Simon’s name where others can hear. “And - and I - you - you were unconscious.”
Shining blue eyes stare into yours from two inches away. Johnny’s bloody mouth curls into a smile. “Oh, he’s trained you up good, he has.”
You scream when he lunges forward, huge arms grabbing at you. 
His weight crushes the air out of your lungs when your back hits the ground. You twist under him, using the arm he hasn’t trapped to grab his hair and yank. He swears, and loosens his hold just enough that you’re able to free your other hand and jab him in the throat.
You expect the way that he chokes, but the hand he’s twisted in the back of your shirt stays locked tight. He coughs out a frenzied laugh as you twist. Your heart races as he prevents you from getting your knees up between your belly and his. But he doesn’t expect you to hammer the heel of your boot against the back of his knee, or how you use the leverage against his leg to roll away onto your belly. 
He doesn’t let go of you, but that’s fine, that’s okay, as long as you can reach under the edge of the couch. Johnny pounces, body curling around you without quite pinning you down. His fingers twist into your hair in an echo of how you wrenched at him. But he doesn’t stop your hand, grabbing the leg of the couch and then reaching under and up and-
“Try again, Bonnie,” Johnny chuckles into your ear when your hand meets nothing but cotton and wood.
Your heart doesn’t have time to stop. The grinding pain between your hip bone and the floor makes you pop up your pelvis and reach down. The tiny knife, Little K, jumps to your hand. It’s so easy to flick it open, you think you almost cut your own belly as you heave. Johnny rides you for a moment, then pops up onto his knees to let you roll freely.
You don’t have time to decide, gut or femoral, you just swing. Denim parts, pressure - 
Johnny yelps.
His weight is suddenly gone, and the arc of your arm slams the back of your hand and your elbow onto the carpet. It’s a shock, almost hard enough to make you drop the knife. You flick your eyes around, nearly blind with tunnel vision, and see Johnny standing over you. His jeans are slashed, outer thigh almost to crotch, but you can’t see blood, fuck.
He sways, oddly. Is your vision swimming? He doesn’t descend on you again, though, just laughs and wiggles. One of his feet isn’t on the ground, his injured leg is dangling, did you get him?
You imagine you can see Simon’s face, a little angry and a little amused. If you die here, Johnny will live to see his own intestines, you know it. Even if you survive, he won’t. Simon might gift you another skull. The thought almost has a laugh bubbling out of you. 
“You stupid motherfucker,” you hiss. 
“Oh, now you’ve done it.”
Simon’s voice startles you into action. You’re off your back and scrabbling backward in and instant as he manifests behind Johnny. Except, you realize, that Simon is holding Johnny up, one arm snaked under Johnny’s and hand around the back of his neck. That’s why Johnny looks off balance, it’s because he is, because Simon is here, he’s going to save you-
“Did real good, Precious,” Simon says with a grin. “Knew you’d get along.”
What? “What?”
Simon says something else, but you can barely hear him over your heart pounding in your ears. But you hear it when Johnny laughs. You see when Simon releases him with a ruffle to his mohawk and a shove toward the armchair. Before you know it, Simon’s scooped you into his arms and taken his usual seat on the couch. He pries the knife from your hand and snaps it closed. 
“Told you I was thinkin’ of gettin you a dog,” Simon rumbles, sitting you in his lap so your back is against his chest. Before you can protest that no, he never once mentioned a fucking dog, he continues, “This’n’s mostly ‘ousebroken, already. Soap needs a firm ‘and, but you c’n ‘andle him. 
Soap? What the fuck does soap have to do with anything? What kind of a name is…
"Oi!” Simon barks. “Off the furniture.”
Your stomach drops as you remember John Price, two months ago now. “Soap’s supposed to be my troublemaker, not you.” Soap.
When your wide eyes swing to him,  Johnny’s face is split into a toothy grin. He tips his head back against the seat of the arm chair. One of his hands touches the blood blooming through his jeans and brings it up to his lips. He laves his tongue over his fingers. “Ah’m lookin’ forward to gettin’ to know you, Bonnie.”
A part of you wants to get up and slit his throat. The rest of you slumps back into Simon’s chest and bursts into tears.
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