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#she was also known as the goddess of autumn. which is pretty cool
ganymede-g · 2 years
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tiny hafnar being a happy lil guy with two parents who aren’t decidedly dead and unfairly incarcerated
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WAIT I GET A TAG I LOVE THIS !!!! u must tell me all about ur fantasy dr now omg
RAAAAH OKAY. Im working on a Notion thingy that I'll link when its "done", and i loath everyday that i havent figured out the magic system yet, but heres the super basic outline:
- Its a european medieval fantasy setting, magic and mythical creatures and such (the only humanoids are like. Elves and Humans though, so not quite high-fantasy)
- I live with my adopted dad + mentor, Cassius, on this collection of floating islands called the Peregrine Islands
- Dragons are a fairly big part of the world but are severely under researched, so we work in a government funded program to study dragons. but this usually means just dicking around with them lol
- Gods are real (though not all powerful). the two primary Gods are Celia of the Moon and her sister Seraphis. Seraphis is commonly known as the sun goddess but shes technically a god of twilight and dawn. Celia's followers are all very different with different styles of worship but generally Celia sends signs through dreams, where as Seraphis dormant because every few hundred years she makes these big "miracles" and exhausts all her power
- The 9 levels of hell are real and each level has a legendary weapon associated with it. In order to keep the 9 Hells closed, the weapons are sealed away in each of the 9 capitals of the world. Eventually one of them (I dont remember which weapon it was my b <\3) gets stolen by this shapeshifter mf and pawned off to pirates but idk where that plotline is going juuust yet 👀
- im Super Cool and also Arospec in this reality so in my dr i naturally have a love triangle goin on 🤘 plan is polyamory but we'll see how it goes lol. One is a boy-next-door type from an old-western-style town me + Cassius visit sometimes, other is from an arctic tribe with these cool seaglass beaches i found on pinterest and immediately adopted into the universe jdbsksbsj
- yeah generally Stuff Is Going On LMAO but 99% of my time in my DR is me going on research trips, special requests from the princess, and housekeeping for dragons lol. eventually im gonna have to write a wholeass BOOK on them and even defining what a dragon IS is going to be such a task oml. but i <3 my work
- other animals like jackalopes and unicorns and phoenixes and merfolk will exist for sure for sure for sure, but ive always been autistic about dragons and that WILL NOT change there
- My riding dragon is a pretty common one but hes my bestest friend ever ever everrrr. Hes an orange + white feathered wyvern called Solstice and I'd die for him a thousand times over. His species typically keep to family groups in these like, year-round autumn forests near the peregrine islands? but during certain times of year theres like. 30-50 of them hanging out in fields to even out the food sources yk. without the camouflage of the forests they just rely on strength in numbers :] i have to go every year but honestly its a vibe. theyre a very docile dragon lol
- Cassius' riding dragon is a very serious girlie called Juno !!! Cassius worships Celia of the Moon very dutifully so even his dragon is moon themed lol. Juno is like a SUPER DUPER rare kind of dragon where they have a really long life span because their eggs almost never hatch. they only hatch on eclipses, and theyre super fun too because if they hatch during a Lunar Eclipse you get the horned variant (Juno), and if they hatch during a Solar Eclipse you get the frilled variant :D!!!! I gotta sit down and properly design them one day but AAAA
- OH Familiars also exist here!! they basically work as like a reservoir of magic if that makes sense? The spell it takes to get one is super tedious and draining but Cassius helped me with like, support spells so i managed. Familiars basically either can double the strength of one spell, or allow you to cast an additional one. They can take on basically any shape so long as its mobile because magic isnt stationary. Mine is a blue tiger cub named Tybalt/Tibby (Hes based on my favourite stuffed animal lol). most familiars are semi-tangible and pretty small - Tibbys about the size of a small rabbit. Familiars natively make like. Wind chime/glass clinking noises :3
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generalfebruary · 4 years
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Some Miser Family headcanons!
As the Goddess of every element Mother Nature created all her children by herself.
Heat and Snow, Lightning and Thunder, The Tides are twins; Wind Siblings are quadruplets.
Heat Miser (element of fire and heat) – He may be very grumpy, short-tempered and rough but deep inside he’s a very sensitive person. He doesn’t like when people are afraid of him and hates being called the devil.
Heat Miser fears nothing, except the strictness of his mother.  
He controls the Sun and also makes the weather warm or hot. When Heat is mad, he can unintentionally cause large fires.
Snow Miser (element of ice and cold) – The most joyful guy in the family. He’s funny and charismatic. And he’s the one who is always ready to cheer up his family members. However, sometimes he can be too careless and may not notice how some of his jokes can too rough, even if he doesn’t want to hurt the feeling of others. Because of that he often argues with his brother Heat Miser.
His duty is to make the weather cold and to cover the earth and trees with snow so that they don’t freeze so much.
The North Wind (element of clouds and winter) – The leading wind among Wind Siblings. Prideful and snooty, he lacks consideration for others. He used to achieving his goals by deceiving others and has an inflated sense of self-importance and impunity.
He creates clouds for precipitations, controls the northern winds, makes air cold and dry and is in charge of the winter season.
His hobby is causing storms and cloud sculpturing, he loves to shape clouds into different forms of animals or objects.
The East Wind (element of rain, fog and autumn) – The fear of all animals and an extremely passionate hunter. The one who invented the hunting season.  She’s very strict and conservative, thinks that all creatures should live by established rules.
It is her duty to make the weather rainy and foggy. She often creates rain showers during the summer in order to save plants from hot winds of her sister South.
She controls the eastern winds, makes air cool and moist and is in charge of the autumn season.
The South Wind (element of sand, dust and summer) – Mistress of the deserts. For the hottest wind she’s pretty chill. She doesn’t like to be bothered by anything or anyone. The only things she really loves is dancing and singing.
South Wind creates dust and sand storms. She often causes drought around the world. She controls the southern winds, makes air hot and dry and is in charge of the summer season.
The West Wind (element of flora, fauna and spring) – Even if she’s the sixth child in the family all elements treat her as the youngest sister. She’s very loving and sympathetic.
Her duty is to regulate the population of each species. She also revives the nature after the winter and is in charge of the spring season. She controls the western winds and makes air warm and moist.
Lightning (element of light and lightning) – A perfectionist with very high standards which makes her worry a lot about diligent fulfillment of her duties. She’s self-disciplined and responsible, but sometimes she can be too nervous and fussy.
Lightning controls the sky; she charges the earth with the energy of light by throwing lightning bolts, so that plants can grow faster.
She has very strainer relations with her twin brother Thunder because of their different personalities.
Thunder (element of sound) – The smartest child in the family. His siblings often ask him for advice. He doesn’t like bustle and prefer to stay quiet. Some people see him as a very shy and slothful person.  He can play all types of musical instruments, but his most favorite is violin.
He’s jealous of Lightning and feels extremely underappreciated. He’s responsible for warning all living creatures on the Earth before his sister throws her bolts, but due to a lot of quarrels between them and Thunder’s bad reaction he does it too late. That’s why we always hear thunder clap after the lightning.
Earthquake (element of earth) – Very kind and sincere guy. Sometimes people consider him a tactless person, but he never had intentions to be rude to anyone on purpose.
His duty is to form the landscape and caves, to generally decide where which biome should be. He creates precious recourses such as gems and metals.
While making the earth shake he doesn’t care about living creatures at all, especially about people. In the past they made him cry a lot and so hard that his face cracked because of the tears. That’s why in some places seismic activity is a more common phenomenon than in others, because he doesn’t like people who live there for hurting him and his minions.  
He resolves territorial disputes of his siblings.
Ebb/The Low Tide and Flow/The High Tide (elements of ocean) – Known as The Tides. They have completely opposite personalities. If Ebb is gentle and soft, then Flow is pushy and stubborn.
Brothers control the water movements.
Ebb prefers to live deep in the ocean, because he doesn’t want to communicate with people who he sees as a threat to the aquatic world.
Flow likes to cause large tsunamis and floods. He gets mad when someone fishes on his territory. He also always fights with The South Wind for the costal lands.
______________________
I tried to explain some nature phenomena in their headcanons.
If you still have any questions you can ask me.
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grigori77 · 4 years
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2020 in Movies - My Top 30 Fave Movies (Part 3)
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10.  WOLFWALKERS – eleven years ago, Irish director Tomm Moore exploded onto the animated cinema scene with The Secret of Kells, a spellbinding feature debut which captivated audiences the world over and even garnered an Oscar nomination.  Admittedly I didn’t actually even know about it until I discovered his work through his astonishing follow-up, Song of the Sea (another Academy Award nominee), in 2015, so when I finally caught it I was already a fan of Moore’s work.  It’s been a similarly long wait for his third feature, but he’s genuinely pulled off a hat-trick, delivering a third flawless film in a row which OF COURSE means that his latest feature is, beyond a shadow of a doubt, my top animated feature of 2020.  I could even be tempted to say it’s his best work to date … this is an ASTONISHING film, a work of such breath-taking, spell-binding beauty that I spent its entire hour and three-quarters glued to the screen, simple mesmerised by the wonder and majesty of this latest iteration of the characteristically stylised “Cartoon Saloon” look.  It’s also liberally steeped in Moore’s trademark Celtic vibe and atmosphere, once again delving deep into his homeland’s rich and evocative cultural history and mythology while also bringing us something far more original and personal – this time the titular supernatural beings are magical near-human beings whose own subconscious can assume the form of very real wolves.  Set in a particularly dark time in Irish history – namely 1650, when Oliver Cromwell was Lord Protector – the story follows Robyn (Honor Kneafsey, probably best known for the Christmas Prince films), the impetuous and spirited young daughter of English hunter Bill Goodfellowe (Sean Bean), brought in by the Protectorate to rid the city of Kilkenny of the wolves plaguing the area.  One day fate intervenes and Robyn meets Mebh Og MacTire (The Girl at the End of the Garden‘s Eve Whittaker), a wild girl living in the woods, whose accidental bite gives her strange dreams in which she becomes a wolf – turns out Mebh is a wolfwalker, and now so is Robyn … every aspect of this film is an utter triumph for Moore and co, who have crafted a work of living, breathing cinematic art that’s easily the equal to (if not even better than) the best that Disney, Dreamworks or any of the other animation studios could create.  Then there’s the excellent voice cast – Bean brings fatherly warmth and compassion to the role that belies his character’s intimidating size, while Kneafsey and Whittaker make for a sweet and sassy pair as they bond in spite of powerful cultural differences, and the masterful Simon McBurney (Harry Potter, Mission: Impossible – Rogue Nation, Tinker Tailor Soldier Spy) brings cool, understated menace to the role of Cromwell himself.  This is a film with plenty of emotional heft to go with its marvels, and once again displays the welcome dark side which added particular spice to Moore’s previous films, but ultimately this is still a gentle and heartfelt work of wonder that makes for equally suitable viewing for children as for those who are still kids at heart – ultimately, then, this is another triumph for one of the most singularly original filmmakers working in animation today, and if Wolfwalkers doesn’t make it third time lucky come Oscars-time then there’s no justice in the world …
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9.  WONDER WOMAN 1984 – probably the biggest change for 2020 compared to pretty much all of the past decade is how different the fortunes of superhero cinema turned out to be.  A year earlier the Marvel Cinematic Universe had dominated all, but the DC Extended Universe still got a good hit in with big surprise hit Shazam!  Fast-forward to now and things are VERY different – DC suddenly came out in the lead, but only because Marvel’s intended heavy-hitters (two MCU movies, the first Venom sequel and potential hot-shit new franchise starter Morbius: the Living Vampire) found themselves continuously pushed back thanks to (back then) unforeseen circumstances which continue to shit all over our theatre-going slate for the immediate future.  In the end DC’s only SERIOUS competition turned out to be NETFLIX … never mind, at least we got ONE big established superhero blockbuster into the cinemas before the end of the year that the whole family could enjoy, and who better to headline it than DC’s “newest” big screen megastar, Diana Prince? Back in 2017 Monster’s Ball director Patty Jenkins’ monumental DCEU standalone spectacularly realigned the trajectory of a cinematic franchise that was visibly flagging, redesigning the template for the series’ future which has since led to some (mostly) consistently impressive subsequent offerings.  Needless to say it was a damn tough act to follow, but Jenkins and co-writers Geoff Johns (Arrow and The Flash) and David Callaham (The Expendables, Zombieland: Double Tap, future MCU entry Shang-Chi & the Legend of the Ten Rings) have risen to the challenge in fine style, delivering something which pretty much equals that spectacular franchise debut … as has Gal Gadot, who’s now OFFICIALLY made the role her own thanks to yet another showstopping and definitive performance as the unstoppable Amazonian goddess living amongst us.  She’s older and wiser than in the first film, but still hasn’t lost that forthright honesty and wonderfully pure heart we’ve come to love ever since her introduction in Zack Snyder’s troublesome but ultimately underrated Batman V Superman: Dawn of Justice (yes, that’s right, I said it!), and Gadot’s clear, overwhelming commitment to the role continues to pay off magnificently as she once again proves that Diana is THE VERY BEST superhero in the DCEU cinematic pantheon.  Although it takes place several decades after its predecessor, WW84 is, obviously, still very much a period piece, Jenkins and co this time perfectly capturing the sheer opulent and over-the-top tastelessness of the 1980s in all its big-haired, bad-suited, oversized shoulder-padded glory while telling a story that encapsulates the greedy excessiveness of the Reagan era, perfectly embodied in the film’s nominal villain, Max Lord (The Mandalorian himself, Pedro Pascal), a wishy-washy wannabe oil tycoon conman who chances upon a supercharged wish-rock and unleashes a devastating supernatural “monkey’s paw” upon the world. To say any more would give away a whole raft of spectacular twists and turns that deserve to be enjoyed good and cold, although they did spoil one major surprise in the trailer when they teased the return of Diana’s first love, Steve Trevor (Chris Pine) … needless to say this is another big blockbuster bursting with big characters, big action and BIG IDEAS, just what we’ve come to expect after Wonder Woman’s first triumphant big screen adventure.  Interestingly, the film starts out feeling like it’s going to be a bubbly, light, frothy affair – after a particularly stunning all-action opening flashback to Diana’s childhood on Themyscira, the film proper kicks off with a bright and breezy atmosphere that feels a bit like the kind of Saturday morning cartoon action the consistently impressive set-pieces take such unfettered joy in parodying, but as the stakes are raised the tone grows darker and more emotionally potent, the storm clouds gathering for a spectacularly epic climax that, for once, doesn’t feel too overblown or weighed down by its visual effects, while the intelligent script has unfathomable hidden depths to it, making us think far more than these kinds of blockbusters usually do.  It’s really great to see Chris Pine return since he was one of the best things about the first movie, and his lovably childlike wide-eyed wonder at this brave new world perfectly echoes Diana’s own last time round; Kristen Wiig, meanwhile, is pretty phenomenal throughout as Dr Barbara Minerva, the initially geeky and timid nerd who discovers an impressive inner strength but ultimately turns into a superpowered apex predator as she becomes one of Wonder Woman’s most infamous foes, the Cheetah; Pascal, of course, is clearly having the time of his life hamming it up to the hilt as Lord, playing gloriously against his effortlessly cool, charismatic action hero image to deliver a compellingly troubling examination of the monstrous corrupting influence of absolute power.  Once again, though, the film truly belongs to Gadot – she looks amazing, acts her socks off magnificently, and totally rules the movie.  After this, a second sequel is a no-brainer, because Wonder Woman remains the one DC superhero who’s truly capable of bearing the weight of this particular cinematic franchise on her powerful shoulders – needless to say, it’s already been greenlit, and with both Jenkins and Gadot onboard, I’m happy to sign up for more too …
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8.  LOVE & MONSTERS – with the cinemas continuing their frustrating habit of opening for a little while and then closing while the pandemic ebbed and flowed in the months after the summer season, it was starting to look like there might not have been ANY big budget blockbusters to enjoy before year’s end as heavyweights like Black Widow, No Time To Die and Dune pulled back to potentially more certain release slots into 2021 (with only WW84 remaining stubbornly in place for Christmas).  Then Paramount decided to throw us a bone, opting to release this post-apocalyptic horror comedy on-demand in October instead, thus giving me the perfect little present to tie me over during the darkening days of autumn. The end result was a stone-cold gem that came out of nowhere to completely blow critics away, a spectacular sleeper hit that ultimately proved one of the year’s biggest and most brilliant surprises.  Director Michael Matthews may only have had South African indie thriller Five Fingers for Marseilles under his belt prior to this, but he proves he’s definitely a solid talent to watch in the future, crafting a fun and effective thrill-ride that, like all the best horror comedies, is consistently as funny as it is scary, sharing much of the same DNA as this particular mash-up genre’s classics like Tremors and Zombieland and standing up impressively well to such comparisons.  The story, penned by rising star Brian Duffield (who has TWO other entries on this list, Underwater and Spontaneous) and Matthew Robinson (The Invention of Lying, Dora & the Lost City of Gold), is also pretty ingenious and surprisingly original – a meteorite strike has unleashed weird mutagenic pathogens that warp various creepy crawly critters into gigantic monstrosities that have slaughter most of the world’s human population, leaving only a beleaguered, dwindling few to eke out a precarious living in underground colonies. Living in one such makeshift community is Joel Dawson (The Maze Runner’s Dylan O’Brien), a smart and likeable geek who really isn’t very adventurous, is extremely awkward and uncoordinated, and has a problem with freezing if threatened … which makes it all the more inexplicable when he decides, entirely against the advice of everyone he knows, to venture onto the surface so he can make the incredibly dangerous week-long trek to the neighbouring colony where his girlfriend Aimee (Iron Fist’s Jessica Henwick) has ended up.  Joel is, without a doubt, the best role that O’Brien has EVER had, a total dork who’s completely unsuited to this kind of adventure and, in the real world, sure to be eaten alive in the first five minutes, but he’s also such a fantastically believable, fallible everyman that every one of us desperate, pathetic omega-males and females can instantly put ourselves in his place, making it elementarily easy to root for him.  He’s also hilariously funny, his winningly self-deprecating sass and pitch perfect talent for physical comedy making it all the more rewarding watching each gloriously anarchic life-and-death encounter mould him into the year’s most unlikely action hero.  Henwick, meanwhile, once again impresses in a well-written role where she’s able to make a big impression despite her decidedly short screen time, as do the legendary Michael Rooker and brilliant newcomer Ariana Greenblatt as Clyde and Minnow, the adorably jaded, seen-it-all-before pair of “professional survivors” Joel meets en-route, who teach him to survive on the surface.  The action is fast, frenetic and potently visceral, the impressively realistic digital creature effects bringing a motley crew of bloodthirsty beasties to suitably blood-curdling life for the film’s consistently terrifying set-pieces, while the world-building is intricately thought-out and skilfully executed.  Altogether, this was an absolute joy from start to finish, and a film I enthusiastically endorsed to everyone I knew was looking for something fun to enjoy during the frustrating lockdown nights-in.  One of the cinematic year’s best kept secrets then, and a compelling sign of things to come for its up-and-coming director.
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7.  PARASITE – I’ve been a fan of master Korean filmmaker Bong Joon-ho ever since I stumbled across his deeply weird but also thoroughly brilliant breakthrough feature The Host, and it’s a love that’s deepened since thanks to truly magnificent sci-fi actioner Snowpiercer, so I was looking forward to his latest feature as much as any movie geek, but even I wasn’t prepared for just what a runaway juggernaut of a hit this one turned out to be, from the insane box office to all that award-season glory (especially that undeniable clean-sweep at the Oscars). I’ll just come out and say it, this film deserves it all.  It’s EASILY Bong’s best film to date (which is really saying something), a masterful social satire and jet black comedy that raises some genuinely intriguing questions before delivering deeply troubling answers.  Straddling the ever-widening gulf between a disaffected idle rich upper class and impoverished, struggling lower class in modern-day Seoul, it tells the story of the Kim family – father Ki-taek (Bong’s good luck charm, Song Kang-ho), mother Chung-sook (Jang Hye-jin), son Ki-woo (Train to Busan’s Choi Woo-shik) and daughter Ki-jung (The Silenced’s Park So-dam) – a poor family living in a run-down basement apartment who live hand-to-mouth in minimum wage jobs and can barely rub two pennies together, until they’re presented with an intriguing opportunity.  Through happy chance, Ki-woon is hired as an English tutor for Park Da-hye (Jung Ji-so), the daughter of a wealthy family, which offers him the chance to recommend Ki-jung as an art tutor to the Parks’ troubled young son, Da-song (Jung Hyeon-jun). Soon the rest of the Kims are getting in on the act, the kids contriving opportunities for their father to replace Mr Park’s chauffeur and their mother to oust the family’s long-serving housekeeper, Gook Moon-gwang (Lee Jung-eun), and before long their situation has improved dramatically.  But as they two families become more deeply entwined, cracks begin to show in their supposed blissful harmony as the natural prejudices of their respective classes start to take hold, and as events spiral out of control a terrible confrontation looms on the horizon.  This is social commentary at its most scathing, Bong drawing on personal experiences from his youth to inform the razor-sharp script (co-written by his production assistant Han Jin-won), while he weaves a palpable atmosphere of knife-edged tension throughout to add spice to the perfectly observed dark humour of the situation, all the while throwing intriguing twists and turns at us before suddenly dropping such a massive jaw-dropper of a gear-change that the film completely turns on its head to stunning effect.  The cast are all thoroughly astounding, Song once again dominating the film with a turn at once sloppy and dishevelled but also poignant and heartfelt, while there are particularly noteworthy turns from Lee Sun-kyun as the Parks’ self-absorbed patriarch Dong-ik and Choi Yeo-jeong (The Concubine) as his flighty, easily-led wife Choi Yeon-gyo, as well as a fantastically weird appearance in the latter half from Park Myung-hoon.  This is heady stuff, dangerously seductive even as it becomes increasingly uncomfortable viewing, so that even as the screws tighten and everything goes to hell it’s simply impossible to look away.  Bong Joon-ho really has surpassed himself this time, delivering an existential mind-scrambler that lingers long after the credits have rolled and might even have you questioning your place in society once you’ve thought about it some. It deserves every single award and every ounce of praise it’s been lavished with, and looks set to go down as one of the true cinematic greats of this new decade.  Trust me, if this was a purely critical best-of list it’d be RIGHT AT THE TOP …
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6.  THE OLD GUARD – Netflix’ undisputable TOP OFFERING of the summer came damn close to bagging the whole season, and I can’t help thinking that even if some of the stiffer competition had still been present it may well have still finished this high. Gina Prince-Blythewood (Love & Basketball, the Secret Life of Bees) directs comics legend Greg Rucka’s adaptation of his own popular series with uncanny skill and laser-focused visual flair considering there’s nothing on her previous CV to suggest she’d be THIS good at mounting a stomping great ultraviolent action thriller, ushering in a thoroughly engrossing tale of four ancient, invulnerable immortal warriors – Andy AKA Andromache of Scythia (Charlize Theron), Booker AKA Sebastian de Livre (Matthias Schoenaerts), Joe AKA Yusuf Al-Kaysani (Wolf’s Marwan Kenzari) and Nicky AKA Niccolo di Ginova (Trust’s Luca Marinelli) – who’ve been around forever, hiring out their services as mercenaries for righteous causes while jealously guarding their identities for fear of horrific experimentation and exploitation should their true natures ever be discovered.  Their anonymity is threatened, however, when they’re uncovered by former CIA operative James Copley (Chiwetel Ejiofor), who’s working for the decidedly dodgy pharmaceutical conglomerate run by sociopathic billionaire Steven Merrick (Harry Melling, formerly Dudley in the Harry Potter movies), who want to capture these immortals so they can patent whatever it is that makes them keep on ticking … just as a fifth immortal, US Marine Nile Freeman (If Beale Street Could Talk’s KiKi Layne), awakens after being “killed” on deployment in Afghanistan.  The supporting players are excellent, particularly Ejiofor, smart and driven but ultimately principled and deeply conflicted about what he’s doing, even if he does have the best of intentions, and Melling, the kind of loathsome, reptilian scumbag you just love to hate, but the film REALLY DOES belong to the Old Guard themselves – Schoenaerts is a master brooder, spot-on casting as the group’s relative newcomer, only immortal since the Napoleonic Wars but clearly one seriously old soul who’s already VERY tired of the lifestyle, while Joe and Nicky (who met on opposing sides of the Crusades) are simply ADORABLE, an unapologetically matter-of-fact gay couple who are sweet, sassy and incredibly kind, the absolute emotional heart of the film; it’s the ladies, however, that are most memorable here.  Layne is exceptional, investing Nile with a steely intensity that puts her in good stead as her new existence threatens to overwhelm her and MORE THAN qualified to bust heads alongside her elders … but it’s ancient Greek warrior Andy who steals the film, Theron building on the astounding work she did in Atomic Blonde to prove, once and for all, that there’s no woman on Earth who looks better kicking arse than her (as Booker puts it, “that woman has forgotten more ways to kill than entire armies will ever learn”); in her hands, Andy truly is a goddess of death, tough as tungsten alloy and unflappable even in the face of hell itself, but underneath it all she hides a heart as big as any of her friends’.  They’re an impossibly lovable bunch and you feel you could follow them on another TEN adventures like this one, which is just as well, because Prince-Blythewood and Rucka certainly put them through their paces here – the drama is high (but frequently laced with a gentle, knowing sense of humour, particularly whenever Joe and Nicky are onscreen), as are the stakes, and the frequent action sequences are top-notch, executed with rare skill and bone-crunching zest, but also ALWAYS in service to the story.  Altogether this is an astounding film, a genuine victory for its makers and, it seems, for Netflix themselves – it’s become one of the platform’s biggest hits to date, earning well-deserved critical acclaim and great respect and genuine geek love from the fanbase at large.  After this, a sequel is not only inevitable, it’s ESSENTIAL …
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5.  MANK – it’s always nice when David Fincher, one of my TOP FIVE ALL TIME FAVOURITE DIRECTORS, drops a new movie, because it can be GUARANTEED to place good and high in my rundown for that year.  The man is a frickin’ GENIUS, a true master of the craft, genuinely one of the auteur’s auteurs.  I’ve NEVER seen him deliver a bad film – even a misfiring Fincher (see The Curious Case of Benjamin Button or Alien 3) is still capable of creating GREAT CINEMA.  How? Why?  It’s because he genuinely LOVES the art form, it’s been his obsession all his life, and he’s spent every day of it becoming the best possible filmmaker he can be.  Who better to tell the story of the creation of one of the ULTIMATE cinematic masterpieces, then?  Benjamin Ross’ acclaimed biopic RKO 281 covered similar ground, presenting a compelling look into the making Citizen Kane, the timeless masterpiece of Hollywood’s ULTIMATE auteur, Orson Welles, but Fincher’s film is more interested in the original inspiration for the story, how it was written and, most importantly, the man who wrote it – Herman J. Mankiewicz, known to his friends as Mank. One of my favourite actors of all time, Gary Oldman, delivers yet another of his career best performances in the lead role, once a man of vision and incredible storytelling skill whose talents have largely been squandered through professional difficulties and personal vices, a burned out one-time great fallen on hard times whom Welles picks up out of the trash, dusts off and offers a chance to create something truly great again.  The only catch?  The subject of their film (albeit dressed up in the guise of fictional newspaper magnate Charles Foster Kane) is to be real-life publisher, politico and tycoon William Randolph Hurst (Charles Dance), once Mank’s friend and patron before they had a very public and messy falling out which partly led to his current circumstances.  As he toils away in seclusion on what is destined to become his true masterwork, flashbacks reveal to us the fascinating, moving and ultimately tragic tale of his rise and fall from grace in the movie business, set against the backdrop of one of the most tumultuous periods in American history.  Shooting a script that his own journalist and screenwriter father, Jack, crafted and then failed to bring to the screen himself before his death in 2003, Fincher has been working for almost a quarter century to make this film, and all that passion and drive is writ large on the screen – this is a glorious film ABOUT film, the art of it, the creation of it, and all the dirty little secrets of what the industry itself has always really been like, especially in that most glamorous and illusory of times.  The fact that Fincher shot in black and white and intentionally made it look like it was made in the early 1940s (the “golden age of the Silver Screen”, if you will) may seem like a gimmick, but instead it’s a very shrewd choice that expertly captures the gloss and moodiness of the age, almost looking like a contemporary companion piece to Kane itself, and it’s the perfect way to frame all the sharp-witted observation, subtly subversive character development and murky behind-the-scenes machinations that tell the story.  Oldman is in every way the star here, holding the screen with all the consummate skill and flair we’ve come to expect from him, but there’s no denying the uniformly excellent supporting cast are equal to the task here – Dance is at his regal, charismatic best as Hearst, while Amanda Seyfried is icily classy on the surface but mischievous and lovably grounded underneath as Hearst’s mistress, Marion Davies, who formed the basis for Kane’s most controversial character, Arliss Howard (Full Metal Jacket, The Lost World: Jurassic Park, Moneyball) brings nuance and complexity to the role of MGM founder Louis B. Mayer, Tom Pelphrey (Banshee, Ozark) is understated but compelling as Mank’s younger screenwriter brother Joseph, and Lily Collins and Tuppence Middleton exude class and long-suffering stubbornness as the two main women in Mank’s life (his secretary and platonic muse, Rita Alexander, and his wife, Sara), while The Musketeers’ Tom Burke’s periodic but potent appearances as Orson Welles help to drive the story in the “present”.  Another Netflix release which I was (thankfully) able to catch on the big screen during one of the brief lulls between British lockdowns, this was a decidedly meta cinematic experience that perfectly encapsulated not only what is truly required for the creation of a screen epic, but also the latest pinnacle in the career of one of the greatest filmmakers working in the business today, powerful, stirring, intriguing and surprising in equal measure. Certainly it’s one of the most important films ABOUT so far film this century, but is it as good as Citizen Kane?  Boy, that’s a tough one …
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4.  ENOLA HOLMES – ultimately, my top film for the autumn/winter movie season was also the film which finally topped my Netflix Original features list, as well as beating all other streaming offerings for the entire year (which is saying something, as you should know by now).  Had things been different, this would have been one of Warner Bros’ BIGGEST releases for the year in the cinema, of that I have no doubt, a surprise sleeper hit which would have taken the world by storm – as it is it’s STILL become a sensation, albeit in a much more mid-pandemic, lockdown home-viewing kind of way.  Before you start crying oh God no, not another Sherlock Holmes adaptation, this is a very different beast from either the Guy Ritchie take or the modernized BBC show, instead side-lining the great literary sleuth in favour of a delicious new AU version, based on The Case of the Missing Marquess, the first novel in the Enola Holmes Mysteries literary series from American YA author Nancy Springer.  Positing that Sherlock Holmes (Henry Cavill) and his elder brother Mycroft (Sam Claflin) had an equally ingenious and precocious baby sister, the film introduces us to Enola (Stranger Things’ Millie Bobby Brown), who’s been raised at home by their strong-willed mother Eudoria (Helena Bonham Carter) to be just as intelligent, well-read and intellectually skilled as her far more advantageously masculine elder siblings.  Then, on the morning of her sixteenth birthday, Enola awakens to find her mother has vanished, putting her in a pretty pickle since this leaves her a ward of Mycroft, a self-absorbed social peacock who finds her to be wilfully free-spirited and completely ill equipped to face the world, concluding that the only solution is sending her to boarding school where she’ll learn to become a proper lady.  Needless to say she’s horrified by the prospect, deciding to run away and search for her mother instead … this is about as perfect a family adventure film as you could wish for, following a vital, capable and compelling teen detective-in-the-making as she embarks on her very first investigation, as well as winding up tangled in a second to boot involving a young runaway noble, Viscount Tewkesbury, the Marquess of Basilwether (Medici’s Louis Partridge), and the film is a breezy, swift-paced and rewardingly entertaining romp that feels like a welcome breath of fresh air for a literary property which, beloved as it may be, has been adapted to death over the years.  Enola Holmes a brilliant young hero who’s perfectly crafted to carry the franchise forward in fresh new directions, and Brown brings her to life with effervescent charm, boisterous energy and mischievous irreverence that are entirely irresistible; Cavill and Claflin, meanwhile, are perfectly cast as the two very different brothers – this Sherlock is much less louche and world-weary than most previous versions, still razor sharp and intellectually restless but with a comfortable ease and a youthful spring in his step that perfectly suits the actor, while Mycroft is as superior and arrogant as ever, a preening arse we derive huge enjoyment watching Enola consistently get the best of; Bonham Carter doesn’t get a lot of screen-time but as we’d expect she does a lot with what she has to make the practical, eccentric and unapologetically modern Eudoria thoroughly memorable, while Partridge is carefree and likeable as the naïve but irresistible Tewkesbury, and there are strong supporting turns from Frances de la Tour as his stately grandmother, the Dowager, Susie Wokoma (Crazyhead, Truth Seekers) as Emily, a feisty suffragette who runs a jujitsu studio, Burn Gorman as dastardly thug-for-hire Linthorn, and Four Lions’ Adeel Akhtar as a particularly scuzzy Inspector Lestrade.  Seasoned TV director Harry Bradbeer (Fleabag, Killing Eve) makes his feature debut with an impressive splash, unfolding the action at a brisk pace while keeping the narrative firmly focused on an intricate mystery plot that throws in plenty of ingenious twists and turns before a suitably atmospheric climax and pleasing denouement which nonetheless artfully sets up more to come in the future, while screenwriter Jack Thorne (His Dark Materials, The Scouting Book for Boys, Wonder) delivers strong character work and liberally peppers the dialogue with a veritable cavalcade of witty zingers.  Boisterous, compelling, amusing, affecting and exciting in equal measure, this is a spirited and appealing slice of cinematic escapism that flatters its viewers and never talks down to them, a perfect little period adventure for a cosy Sunday afternoon.  Obviously there’s plenty of potential for more, and with further books to adapt there’s more than enough material for a pile of sequels – Neflix would be barmy indeed to turn their nose up at this opportunity …
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3.  1917 – it’s a rare thing for a film to leave me truly shell-shocked by its sheer awesomeness, for me to walk out of a cinema in a genuine daze, unable to talk or even really think about much of anything for a few hours because I’m simply marvelling at what I’ve just witnessed.  Needless to say, when I do find a film like that (Fight Club, Inception, Mad Max: Fury Road) it usually earns a place very close to my heart indeed.  The latest tour-de-force from Sam Mendes is one of those films – an epic World War I thriller that plays out ENTIRELY in one shot, which doesn’t simply feel like a glorified gimmick or stunt but instead is a genuine MASTERPIECE of film, a mesmerising journey of emotion and imagination in a shockingly real environment that’s impossible to tear your eyes away from.  Sure, Mendes has impressed us before – his first film, American Beauty, is a GREAT movie, one of the most impressive feature debuts of the 2000s, while Skyfall is, in my opinion, quite simply THE BEST BOND FILM EVER MADE – but this is in a whole other league.  It’s an astounding achievement, made all the more impressive when you realise that there’s very little trickery at play here, no clever digital magic (just some augmentation here and there), it’s all real locations and sets, filmed in long, elaborately choreographed takes blended together with clever edits to make it as seamless as possible – it’s not the first film to try to do this (remember Birdman? Bushwick?), but I’ve never seen it done better, or with greater skill. But it’s not just a clever cinematic exercise, there’s a genuine story here, told with guts and urgency, and populated by real flesh and blood characters – the heart of the film is True History of the Kelly Gang’s George MacKay and Dean Chapman (probably best known as Tommen Baratheon in Game of Thrones) as Lance Corporals Will Schofield and Tom Blake, the two young tommies sent out across enemy territory on a desperate mission to stop a British regiment from rushing headlong into a German trap (Tom himself has a personal stake in this because his brother is an officer in the attack).  They’re a likeable pair, very human and relatable throughout, brave and true but never so overtly heroic that they stretch credibility, so when tragedy strikes along the way it’s particularly devastating; both deliver exceptional performances that effortlessly carry us through the film, and they’re given sterling support from a selection of top-drawer British talent, from Sherlock stars Andrew Scott and Benedict Cumberbatch to Mark Strong and Colin Firth, each delivering magnificently in small but potent cameos.  That said, the cinematography and art department are the BIGGEST stars here, masterful veteran DOP Roger Deakins (The Shawshank Redemption, Blade Runner 2049 and pretty much the Coen Brothers’ entire back catalogue among MANY others) making every frame sing with beauty, horror, tension or tragedy as the need arises, and the environments are SO REAL it feels less like production design than that someone simply sent the cast and crew back in time to film in the real Northern France circa 1917 – from a nightmarish trek across No Man’s Land to a desperate chase through a ruined French village lit only by dancing flare-light in the darkness before dawn, every scene is utterly immersive and simply STUNNING.  I don’t think it’s possible for Mendes to make a film better than this, but I sure hope he gives it a go all the same.  Either way, this was the most incredible, exhausting, truly AWESOME experience I had at the cinema all year – it’s a film that DESERVES to be seen on the big screen, and I feel truly sorry for those who missed the chance …
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2.  BIRDS OF PREY & THE FANTABULOUS EMANCIPATION OF ONE HARLEY QUINN – the only reason 1917 isn’t at number two is because Warner Bros.’ cinematic DC Extended Universe project FINALLY got round to bringing my favourite DC Comics title to the big screen.  It was been the biggest pleasure of my cinematic year getting to see my top DC superheroines brought to life on the big screen, and it was done in high style, in my opinion THE BEST of the DCEU films to date (yup, I loved it EVEN MORE than the Wonder Woman movies).  It was also great seeing Harley Quinn return after her show-stealing turn in David Ayer’s clunky but ultimately still hugely enjoyable Suicide Squad, better still that they got her SPOT ON this time – this is the Harley I’ve always loved in the comics, unpredictable, irreverent and entirely without regard for what anyone else thinks of her, as well as one talented psychiatrist.  Margot Robbie once more excels in the role she was basically BORN to play, clearly relishing the chance to finally do Harley TRUE justice, and she’s a total riot from start to finish, infectiously lovable no matter what crazy, sometimes downright REPRIHENSIBLE antics she gets up to.  Needless to say she’s the nominal star here, her latest ill-advised adventure driving the story – finally done with the Joker and itching to make her emancipation official, Harley publicly announces their breakup by blowing up Ace Chemicals (their love spot, basically), inadvertently painting a target on her back in the process since she’s no longer under the assumed protection of Gotham’s feared Clown Prince of Crime – but that doesn’t mean she eclipses the other main players the movie’s REALLY supposed to be about.  Each member of the Birds of Prey is beautifully written and brought to vivid, arse-kicking life by what had to be 2020’s most exciting cast – Helena Bertinelli, the Huntress, is the perfect character for Mary Elizabeth Winstead to finally pay off on that action hero potential she showed in Scott Pilgrim Vs. the World, but this is a MUCH more enjoyable role outside of the fight choreography because while Helena may be a world-class dark avenger, socially she’s a total dork, which just makes her thoroughly adorable; Rosie Perez is similarly perfect casting as Renee Montoya, the uncompromising pint-sized Gotham PD detective who kicks against the corrupt system no matter what kind of trouble it gets her into, and just gets angrier all the time, paradoxically making us like her even more; and then there’s the film’s major controversy, at least as far as the fans are concerned, namely one Cassandra Cain.  Sure, this take is VERY different from the comics’ version (a nearly mute master assassin who went on to become the second woman to wear the mask of Batgirl before assuming her own crime-fighting mantle as Black Bat and now Orphan), but personally I like to think this is simply Cass at THE VERY START of her origin story, leaving plenty of time for her to discover her warrior origins when the DCEU finally gets around to introducing her mum, Lady Shiva (personally I want Michelle Yeoh to play her, but that’s just me) – anyways, here she’s a skilled child pickpocket whose latest theft inadvertently sets off the larger central plot, and newcomer Ella Jay Basco brings a fantastic pre-teen irreverence and spiky charm to the role, beautifully playing against Robbie’s mercurial energy.  My favourite here BY FAR, however, is Dinah Lance, aka the Black Canary (not only my favourite Bird of Prey but my very favourite DC superheroine PERIOD), the choice of up-and-comer Jurnee Smollet-Bell (Friday Night Lights, Underground) proving to be the film’s most inspired casting – a club singer with the metahuman ability to emit piercing supersonic screams, she’s also a ferocious martial artist (in the comics she’s one of the very best fighters IN THE WORLD), as well as a wonderfully pure soul you just can’t help loving, and it made me SO UNBELIEVABLY HAPPY that they got my Canary EXACTLY RIGHT.  Altogether they’re a fantastic bunch of badass ladies, basically my perfect superhero team, and the way they’re all brought together (along with Harley, of course) is beautifully thought out and perfectly executed … they’ve also got one hell of a threat to overcome, namely Gotham crime boss Roman Sionis, the Black Mask, one of the Joker’s chief rivals – Ewan McGregor brings his A-game in a frustratingly rare villainous turn (my number one bad guy for the movie year), a monstrously narcissistic, woman-hating control freak with a penchant for peeling off the faces of those who displease him, sharing some exquisitely creepy chemistry with Chris Messina (The Mindy Project) as Sionis’ nihilistic lieutenant Victor Zsasz.  This is about as good as superhero cinema gets, a perfect example of the sheer brilliance you get when you switch up the formula to create something new, an ultra-violent, unapologetically R-rated middle finger to the classic tropes, a fantastic black comedy thrill ride that’s got to be the most full-on feminist blockbuster ever made – it’s helmed by a woman (Dead Pigs director Cathy Yan), written by a woman (Bumblebee’s Christina Hodson), produced by more women and ABOUT a bunch of badass women magnificently triumphing over toxic masculinity in all its forms.  It’s also simply BRILLIANT – the cast are all clearly having a blast, the action sequences are first rate (the spectacular GCPD evidence room fight in which Harley gets to REALLY cut loose is the undisputable highlight), it has a gleefully anarchic sense of humour and is simply BURSTING with phenomenal homages, references and in-jokes for the fans (Bruce the hyena! Stuffed beaver! Roller derby!).  It’s also got a killer soundtrack, populated almost exclusively by numbers from female artists.  Altogether, then, this is the VERY BEST the DCEU has to offer to date, and VERY NEARLY my absolute FAVOURITE film of 2020.  Give it all the love you can, it sure as hell deserves it.
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1.  TENET – granted, the streaming platforms (particularly Netflix and Amazon) certainly saved our cinematic summer, but I’m still IMMEASURABLY glad that my ultimate top-spot winner FOR THE WHOLE YEAR was one I got to experience on THE BIG SCREEN. You gotta hand it to Christopher Nolan, he sure hung in there, stubbornly determined that his latest cinematic masterpiece WOULD be released in cinemas in the summer (albeit ultimately landing JUST inside the line in the final week of August and ultimately taking the bite at the box office because of the still shaky atmosphere), and it was worth all the fuss because, for me, this was THE PERFECT MOVIE for me to get return to cinemas with.  I mean, okay, in the end it WASN’T the FIRST new movie I saw after the first reopening, that honour went to Unhinged, but THIS was my first real Saturday night-out big screen EXPERIENCE since March.  Needless to say, Nolan didn’t disappoint this time any more than he has on any of his consistently spectacular previous releases, delivering another twisted, mind-boggling headfuck of a full-blooded experiential sensory overload that comes perilously close to toppling his long-standing auteur-peak, Inception (itself second only by fractions to The Dark Knight as far as I’m concerned). To say much at all about the plot would give away major spoilers – personally I’d recommend just going in as cold as possible, indeed you really should just stop reading this right now and just GO SEE IT.  Still with us?  Okay … the VERY abridged version is that it’s about a secret war being waged between the present and the future by people capable of “inverting” time in substances, objects, people, whatever, into which the Protagonist (BlacKkKlansman’s John David Washington), an unnamed CIA agent, has been dispatched in order to prevent a potential coming apocalypse. Washington is once again on top form, crafting a robust and compelling morally complex heroic lead who’s just as comfortable negotiating the minefields of black market intrigue as he is breaking into places or dispatching heavies, Kenneth Branagh delivers one of his most interesting and memorable performances in years as brutal Russian oligarch Andrei Sator, a genuinely nasty piece of work who was ALMOST the year’s very best screen villain, Elizabeth Debicki (The Night Manager, Guardians of the Galaxy Vol. 2, Widows) brings strength, poise and wounded integrity to the role of Sator’s estranged wife, Kat, and Aaron Taylor-Johnson gets to use his own accent for once as tough-as-nails British Intelligence officer Ives, while there are brief but consistently notable supporting turns and cameos from Martin Donovan, Yesterday’s Himesh Patel, Dirk Gently’s Fiona Dourif and, of course, Nolan’s good luck charm, Michael Caine.  The cast’s biggest surprise, however, is Robert Pattinson, truly a revelation in what has to be, HANDS DOWN, his best role to date, Neil, the Protagonist’s mysterious handler – he’s by turns cheeky, slick, duplicitous and thoroughly badass, delivering an enjoyably multi-layered, chameleonic performance which proves what I’ve long maintained, that the former Twilight star is actually a fucking amazing actor, and on the basis of this, even if that amazing new teaser trailer wasn’t making the rounds, I think the debate about whether or not he’s the right choice for the new Batman is now academic.  As we’ve come to expect from Nolan, this is a TRUE tour-de-force experience, a visual triumph and an endlessly engrossing head-scratcher, Nolan’s screenplay bringing in seriously big ideas and throwing us some major narrative knots and loopholes, constantly wrong-footing the viewer while also setting up truly revelatory payoffs from seemingly low-key, unimportant beginnings – this is a film you need to be awake and attentive for or you could miss something pretty vital. The action sequences are, as ever, second to none, some of the year’s very best set-pieces coming thick and fast and executed with some of the most accomplished skill in the business, while Nolan-regular cinematographer Hoyte van Hoytema (Interstellar and Dunkirk, as well as the heady likes of Tinker Tailor Soldier Spy, SPECTRE and Ad Astra) once again shows he’s one of the best camera-wizards in the business today by delivering some absolutely mesmerising visuals.  Notably, Nolan’s other regular collaborator, composer Hans Zimmer, is absent here (although he had good reason, since he was working on his dream project at the time, the fast-approaching screen adaptation of Dune), but Ludwig Göransson (best known for his collaborations with Ryan Coogler Fruitvale Station, Creed and Black Panther, as well as career-best work on The Mandalorian) is a fine replacement, crafting an intriguingly internalised, post-modern musical landscape that thrums and pulses in time with the story and emotions of the characters rather than the action itself. Interestingly it’s on the subject of sound that some of the film’s rare detractions have been levelled, and I can see some of the points – the soundtrack mix is an all-encompassing thing, and there are times when the dialogue can be overwhelmed, but in Nolan’s defence this film is a heady, immersive experience, something you really need to concentrate on, so these potential flaws are easily forgiven.  As a work of filmmaking art, this is another flawless wonder from one of the true masters of the craft working in cinema today, but it’s art with palpable substance, a rewarding whole that proved truly unbeatable in 2020 …
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Violet Evergarden Gaiden: Chapter 6
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The Postal Company and the Auto-Memories Doll
   The current times were labeled as the era of postal business flood.
Within a continent that congregated small countries, the people who operated in the mail industry competed ruthlessly against one another. Putting it very simply, the situation of postal companies throughout the continent was of stealing each other’s customers.
Clients chose their mail agency of use and requested deliveries on their own. The reasons for the choices would be fees, deliverable areas, and of course, even the postmen’s degree of courtesy was a subject of deliberation. Taking all of those into account, they would pick one postal company from somewhere.
At present, as the management structure of postal corporations was becoming devoted to carrying the side-business of amanuensis “Auto-Memories Dolls” rather than only delivering mailed items, others were unable to establish a position in the market if their work leaned towards the latter. The more the competition increased, the more obvious the differences in services would become, and, as the superior and inferior ones would grow evident, the losing side would inevitably close down their company.
Within such harsh rivalry, in a certain country named Leidenschaftlich, located in the continent’s southern coast, there was a postal agency so-called CH Postal Service had boomed its name throughout the industry. Although it was a newly introduced company that had but a few years since being founded, its reputation was exceptional. The degree of customer satisfaction was high, and there was abundance of re-users.
On a general view, there were two motives behind its good results.
The first one was that the CH Postal Service had no restrictions to its areas of delivery. Should a client desire, it would deliver to any part of the globe. Of course, fees were imposed for remote places, yet that was the first attempt in the industry of pulling such a feat. Even existing postal agencies disputing for a leading position in the industry had determined delivery areas. The CH Postal Service delivered even to regions of conflict, therefore being a great help for customers whose family members or lovers found themselves in battlegrounds. Its patrons increasing in numbers was something logical. However, succeeding in doing such a thing as though it were extremely natural was terribly difficult for ordinary companies. The CH Postal Service was in condition to go anywhere for a client’s sake, as it had assembled the personnel and system capable of making it possible – therefore, it had managed to do so.
The second reason was that there existed a top star in CH Postal Service, who had come into sight in the Auto-Memories Doll business like a comet. Seeing her walk around the city would cause people to do double takes at her looks, and hearing her voice would paint their cheeks red out of fascination. She was a perfect beauty that seemed to have come out of a mythological legend. As of late, a play that the famous dramatist Oscar had written using her image had been announced and gained popularity, making her renowned even outside of the industry as per synergy.
People probably envisioned just what type of woman she was. Mostly, their expectations were betrayed in good ways. She was a woman that surpassed the categorical components of imagination.
Her name was Violet Evergarden.
The largest trading place of the continent was a port that served as a gate from and to the sea. It was a national interest of Leidenschaftlich’s, as well as a trigger for wars. Countless other countries had attempted to invade it, seeking its abundant resources and a privileged location.
Although the city was at financial ease with the prosperity of its economy, scars of old battles remained in some places. The symbols of long military service from the past had not been etched solely in protection walls or stone-paved roads. It could be said that the fountain built in the capital Leiden during the celebration of Leidenschaftlich’s hundredth anniversary was its most well-known marking.
Consisting of a total of nine goddess statues holding water vases on their shoulders, it worked in a way that groundwater poured out them. Despite it being a gem made by a nationally employed artist, the goddesses had their necks chopped off. It remained unfixed, for the sake of not letting anyone forget Leidenschaftlich’s disgrace in authorizing the invasion of another country’s castle town.
In spite of being a major commercial nation, it was a military state. There were armed soldiers amidst the lively cityscapes even during times of peace.
The members of the CH Postal Company had such country as their home.
“Oh, what’cha doing?”
“My.”
“It has been a while.”
Under a beautiful autumn sky, a group that rarely gathered met in front of the headless goddesses’ fountain. They were two women and one man.
“If it isn’t Cattleya and V. Have you come out to welcome the great me, unable to wait for my return?”
Leaving his motorcycle parked by the roadside and heartily eating grilled chicken was a postman clad in a glass-green shirt. His slender boots of cross-shaped heels gave out a devious sex appeal. Hidden behind sandy-blond hair, his light blue eyes were provocative. His unmanly, soft facial features were not gentle. It was Benedict Blue, who worked at the CH Postal Company.
“What’re you saying? I’m gonna ask again: what’re you saying? T-There’s no way I’d come pick you up! I just went out shopping as an errand for my beloved President. Violet, say something too. To this platform shoes man. Nobody called for you.”
The one who spoke as if to smooth things over with a moody voice was a beautiful woman of gracefully wavy dark hair. She had amethyst eyes and an hourglass shape. Brimming with enough sensuality to enslave the opposite sex, her body was enveloped in a carmine dress-coat with a waist ribbon, yet was about to burst out of it. She was Cattleya Baudelaire, who also worked at the CH Postal Company.
“You two, you are being too loud out in the street.”
Reproaching the duo with a voice of silver bells was an elegantly beautiful girl dressed up like a porcelain doll. Said person had a hairband made of embroidery lace sitting on her hair as it spread out in waves and was wearing a one-piece with plenty of such lace sewn to it, along with a chiffon trench coat.
“V.”
“Violet.”
She was Violet Evergarden, the top Auto-Memories Doll of the CH Postal Company, whose blue eyes enthralled those who looked at them, as did the emerald-green brooch sitting on her chest.
Benedict and Cattleya turned toward Violet, changing the addressee of their impressions in unison.
“What’s up with you?”
“Really, Violet, you’re pretty fired-up. You’re letting your hair down? Are you on a date?”
Pressed on by the two, the Auto-Memories Doll that the CH Postal Company had pride in, Violet Evergarden, cast her gaze to the ground. “Lady Tiffany... someone from my home arranged everything, but is it that strange?” Her voice sounded slightly embarrassed.
Cattleya observed Violet with a gentle look. “It’s not strange. You’re cute enough not to lose to me. Are you going to see the major?”
“Yes. It is still early for the meeting time, so I was going to buy a book for me to bring along.”
“That’s great; you’re looking forward to it, huh! Hey, she doesn’t look weird, right, Benedict?” Cattleya rejoiced without restraint.
“Tch,” Benedict clicked his tongue.
It had truly been a long while since the three of them had last gathered. That was only natural. At the CH Postal Company, everyone worked industriously every day. There were sporadic occasions in which they would be grouped on duty, but that was only when they managed to miraculously coordinate their schedules. They were mates who had been hired by their president at about the same time, so to say.
Benedict threw away the bones of the meat he had just eaten onto the road, peeking at Violet’s face while licking off the oil remaining on his hand. “Hu~n, well, isn’t it fine? Nice work.”
Although their faces were close, Violet stared back at him with her huge orbs without bending backwards.
Benedict flatly thrust a fingertip at her forehead in-between one big eye and another. “But the one who gets to walk you around gotta be me. As your older brother part, I can’t accept my little sister part getting eaten down by an old man. I’m better. ‘Cause I’m young and cool.”
It could be said that someone who had the nerve to say such a thing so imposingly was quite a rare type even amongst humanity.
With an aspect of irritation, Cattleya interjected, “A third party is gonna be telling you this, but Mr. Gilbert is super wonderful, is an adult man and I know Violet’s head-over-heels for him, so you’re the one who’s uncalled-for here!”
“What does ‘head-over-heels’ mean?” Violet immediately reacted to the term she was unused to hearing.
“It’s like being obsessed. Didn’t you say that the major was the only one for you?”
“I did say that, indeed.” Her brows furrowed as if she were troubled, her blue eyes slightly moist. She was most likely “embarrassed”. Perhaps becoming unable to say anything else, Violet wound up turning her face away.
The feeling of affection for that awkward girl, the envy towards her happiness and the complicated emotions from having a friend taken away by a man traveled across Benedict and Cattleya’s minds. Therefore, in order to dismiss it all, the two silently decided to ball their fists, pushing and kicking Violet left and right.
“Shit. Don’t go acting cute. You’re just a battlefield maniac.”
“Really, it pisses me off. You’re as strong as a bear! But you’re adorable.”
Perhaps not feeling any pain, or perhaps trying to figure out how to deal with such a situation, she resigned quietly and accepted the unwarranted violence. As seen from the sidelines, it looked like something close to bullying, but Violet was actually the one with highest combat capacity amongst them. When the physical strength of the three was put together, that sort of thing was no more than playing around.
“Listen, don’t let him touch you carelessly, all right? This is amazing, though. You’re like a fluffy dog. Cattleya, you try touching too.”
“Hey, don’t you go carelessly touching her with those hands either! Even the insolence of getting meat juices on a maiden’s hair has a limit! Stop it!”
“It’s fine, ain’t it? It’s not like I just got outta the toilet.”
“Eh, does that mean... you never wash your hands!? Right? That’s what it is, right? No waaay! Violet, hey, come here. Benedict, don’t you get near us! It’s my turf from beyond this point! I’ll beat the hell out of you for territory violation if you come over!”
As Cattleya swung her legs, enveloped in Suède boots, to draw a line on the ground, Benedict opposed to it in a level as low as the next person, not losing to her. He picked a dead branch from the root of a roadside tree and did the same as she had. “Haah~? Then I’ll make everything beyond this point into my turf! Speaking of which, the way to your beloved president’s head office is behind me, so don’t you go back to it either!”
“Ah~, that’s unfair! It’s. Not. Fair!”
“It’s not unfair~! You’re the one who came up with it first~!”
It was a child-like action for members of society to take. Violet, the youngest one, regarded them with interest as if she were watching a dispute between animals of a new species.
That was a short-lived period of peace before an uproar occurred.
   At the same moment, in the same country, within the same city, time flowed peacefully inside the head office of the CH Postal Company, nobody aware of the nightmare that would approach them a few minutes later.
The business firm was erected in an alley away from the main street, projecting itself in the very sense of the word over rows of small shops. It consisted of a spire with a light green, dome-shaped roof and a weathercock on display, a deep green roof that spread out as if to surround said spire, and outer walls made of red bricks that had been sunburned into a tasteful color. The iron plate on the arch-shaped front gate made known the name of the company with letters printed in gold.
Should one open the door, a cheerful-sounding bell would announce the arrival of a customer. Upon coming in, one would soon find the counter, which was the sector where the reception of postal items took place. The building had three floors, with the first being the reception desk, the second being the office and the spire in the third one being the president’s residence.
No matter how far it was from the main street, the building was quite expensive. Its owner – an individual referred by the members of the CH Postal Company as “President” and “Old Man” – was drinking black tea with brandy at a balcony that had an unbroken view of the city.
“I’m so brilliant that it’s scary.”
He was a lady-killer good-looking enough to display self-indulgent behavior. His age was around the thirties. He had droopy grayish blue eyes, red hair grown slightly long, a manly build, and although he was not young, he had soft facial traits that exuded sophisticated simplicity. His appearance seemed to earn the envy and jealousy from other men of the same generation as him. His leather boots shone lustrously without a single stain, polished perhaps out of obsession.
“President Hodgins!”
The one who had yelled into the room was a girl of innocent features. She was the possessor of velvety, evenly cut lavender-gray hair that stopped above her shoulders. She had large eyes, a small head and a petite body. It was still the physique of a young child, but the heterochromatic orbs from behind the glasses she wore bore a stunning suspiciousness that was mysterious even. She was a person who the word “lovely” fit perfectly.
“Please say so after you’ve finished work!”
However, her conduct had presence as the secretary of a self-centered chairman.
Hodgins retorted mildly, “Little Lux, what I need right now isn’t brutal working hours but relaxation time feeling the gentle autumn air and drinking tea.”
“Even if you say that with a nice voice, it sounds like nothing but running away from reality! Please; if you at least put the stamps, I’ll bring you as many cups of tea as you want! Tomorrow is the deadline! We have to clear up most papers today and submit to the concerned parties in lots of places tomorrow! It’s the Flying Letters all over again!”
“You’re already my Miss Secretary through and through. I’m so happy. You used to look like a scared little rabbit when you arrived here, but aren’t you a fine working lady now? This feeling that I was the one who raised you is exceptional, huh?”
“President Hodgins! Please! Take the stamp! If you hold it, I can move you to stamping it... I’ll also read out the documents to you...”
“Then, Little Lux, doesn’t it make no difference if you’re the one doing the stamping?”
“I’d do it if I could! All that’s left is the stuff that demands the president’s confirmation, so just get on with it!”
“That ordering tone with formal language coming from a teenage girl is giving me unbearable creeps... Hm, Little Lux, hey. You don’t look bad with a shirt-blouse and a long flared skirt, but why don’t you try changing your outfit? I think I’d recommend a black apron dress over a puffed sleeve shirt, black tights and red enamel shoes.”
“Please listen to what I say!” The figure that had once been worshiped as a demigoddess at the headquarters of a cultist organization was absent in Lux Sibyl – what was there instead was the figure of a half-crying subordinate attempting to convince her vain superior.
Lux had been working serious and untiringly ever since being brought over by Violet and hired into the CH Postal Company. Perhaps having incorporated a methodical personality, she was now entrusted with even the duty of president’s secretary, yet she always had a hard time with said easygoing president.
The competence that the man named Hodgins had for business was unquestionable, yet his self-amusement principles were extreme and he would not stop fooling around even when having piles of work to do. Keeping his day-by-day in check was Lux’s role. In worse times, she would have to search for him and pick him up at brothels in red-light districts.
“If you don’t put the stamps, the one who will die isn’t you, President, but myself.”
Lux was tired of it.
“No way. I’ll put the stamps. I’ll put them, I’ll put them. Don’t make such a depressed face. Little Lux, you’re too pessimistic. Also, you take everything too literally. I told you that eighty percent of the things I say are random, right? Poise yourself more at ease. Let’s enjoy everything. Even the troublesome stuff.”
“President... you seem like you’d say this even if you had a hole opened in your stomach... I’m jealous.”
“Thanks. I’m the type that grows through getting compliments.”
She had wanted to convey something that was no compliment, yet it did not turn into words as Lux wound up having her attention stolen by something else. Lux’s golden and reddish heterochromatic eyes caught a strange thing in the skies against the beautiful cityscape that was visible from the balcony.
“President Hodgins... Over there, something is...”
At the same time as she spoke, Hodgins forcefully dragged Lux’s body, held her up and jumped to the end of the room. Lux was squeezed tightly against Hodgins’s chest, not allowed to even scream or raise her voice in confusion.
A few seconds thereafter, the sound of an explosion ensued.
   “Do you not hear some sort of noise?” Violet’s leveled voice eventually came between Benedict and Cattleya, who were having a scuffle fight. Her blue orbs were looking up at the sky, sighting a black object that passed by in a flash.
And it struck one of the classy buildings among the cityscape of Leiden.
“The head office is under attack!” No sooner than she said so, Violet bolted from the place. She slipped through people standing still with their mouths open, their attention taken away by the explosion sound that had reverberated through the idyllic early afternoon.
“No way, no way! Eeh?! What about the President!?”
“Get on, you idiot.”
Benedict had mounted on his bike before long. After whispering lowly, he swung a hand around Cattleya’s back, all too easily lifted her up, sat her on his knees and simultaneously turned on the engine, taking off.
“Wai—! Doing that all of a sudden is scary! It’s scaryyy!” Cattleya shouted, clinging to Benedict’s neck.
“Move! Move! Y’all are in the way!”
A young woman who was selling flower bouquets with a mobile catering fell on the spot, the horse of her carriage letting out a neigh. Ignoring the situation of the traffic in the street, Benedict rampantly chased after Violet. He gradually got closer to her figure, which had already become the size of a bean grain.
Benedict stretched out his hand. “V!”
Violet had been running at an astonishing speed, but upon hearing Benedict’s voice, she nimbly hopped onto his motorcycle. The two of them, who had a mutual understanding without the invitation of “get on”, exchanged words while paying no mind to the scandalized Cattleya.
“That sound was of Leidenschaftlich style artillery.”
“Did you see the cannonball’s firing position?”
“There is no mistake that it came flying from the west side of the city. Look, smoke is coming out of the head office’s third floor. If we suppose that it was shot from somewhere just as high, we can restrict the location, right?”
“It struck Old Man’s apartment, so there’s too many suspects.”
“How can you be so calm!? The President might’ve died!” Cattleya glared daggers at Benedict and Violet, yet the expressions that two had on were different from normal times. She quieted down without thinking.
“No way we wouldn’t be worried, right...!?” Benedict spoke even for Violet’s part.
The motorcycle that the three of them rode let out a roar while going up the slope.
   Caught under a bookshelf, Hodgins was straddled over Lux with his hands so as not to squash her. Lux looked up at him, dumbfounded.
“Little Lux, you can... you can take it slow, but sneak off from under me.”
The glass of the windows had shattered and scattered all over the place. The president’s desk, which was an order-made one designed by a master craftsman, had been smashed to fragments. The carpet had turned into ember and the room was starting to envelope in flames.
“President Hodgins... I-I’m sorry!” Lux crawled out, attempting to somehow lift the shelf with her powerless arms. However, it did not even budge.
“I’m fine, I’m fine. Man~, I’d been skipping push-ups lately so this is taking a toll on me... Heave-ho.”
The instant he put on strength and lifted the bookshelf all at once, he rolled away and escaped from being crushed. He was the bearer of a considerable muscle strength.
Hodgins stood up and looked around the room. The look in his eyes was no longer the earlier one of a slacker chairman.
“Sorry; you okay?” Only the gentleness in his voice was the same as always.
“Why are you apologizing, President?”
“‘Cause this was an attack aimed at me, no matter how you think of it. If anything happened to you, I wouldn’t have any excuse to give your parents.”
“I don’t have parents.”
“That’s right. Then, I wouldn’t have any excuse to give you. Now, we gotta check if the other employees are all right...”
“Anyhow, let’s go downstairs; we’ll both burn to death if we stay like this!” Making a snap decision, Lux ran to the stairs that led to the lower floor.
Planning to go down through the balcony’s emergency stairs, Hodgins desperately called out to her, “Little Lux! Wait up!”
However, before Lux flew out the door, it opened automatically. Hodgins saw a brusque arm stretching before his eyes and taking ahold of Lux. She was dragged into the darkness and her frame disappeared.
“Little Lux...?”
By the moment that Lux reappeared before Hodgins, whose lips twitched, there was as a muzzle aimed at her temple. The one who pushed her forward while holding onto her shoulder was a man clad in a completely black suit. Six other men dressed the same way revealed themselves in succession. Hodgins’s gaze gradually became grimmer.
“How do you do, Claudia Hodgins?” The man referred to Hodgins by the name that he made sure not to call himself by. It was the name his parents had come up with while convinced that he was going to be born a girl.
Breaking into a distorted smile, Hodgins replied, “You’re truly one refreshing shitface, Salvatore Ridaudo.”
Salvatore smiled sarcastically as well. His hair was fixed with balm to the point there was not a single disheveled thread. He was the possessor of wood-brown droopy eyes, thick lips and skin as pale as wax.
“So, what is it you wanna do by shooting a cannonball into my office and thrusting a gun at my secretary?”
“My, good job figuring out that it was our doing.”
“I have a rough idea of it, but can’t you tell me… Mr. President of the Salvatore Postal Company? All that comes to me is that my academic background in the Military School was below yours.”
“How modest... What are you, an up-and-coming entrepreneur whose name everyone knows in the mail business nowadays, talking about? It’s very obvious what I’m after, right? The Salvatore Postal Company and the CH Postal Company. Two agencies competing for deployment in Leidenschaftlich. The fact that the other party is a nuisance certainly applies to you too, but I’m the one who’s been in this industry for the longest time. I can’t contain my frustration. Your way of doing things is... Anyway, I want you to obediently come with us. I wish to have a talk at a quiet place. If you do that, we’ll go home without inflicting a single injury on this cute lady and the rest of the employees.”
For someone running a postal firm, he was a disturbing individual. Calling him an underground chief would be more frankly agreeable. The men in all-black under his control did not seem to be respectful individuals either.
“Think you’ll get to live in peace after doing something like this? The military police’s coming over soon.”
“Seems like you have contacts in the military, but I myself have strong connections too. The military police monitoring this area won’t move an inch. I had them promise that they’d pretend not to hear anything the whole day, no matter how much noise we make. Claudia... Excuse me; is it okay to call you by your first name?”
Hodgins gritted his teeth to the point they let out a creak. “Go ahead. It’s the name that my beloved parents gave me.”
“Then, Claudia. If we keep talking so leisurely, we’ll both scorch. I want you to come along with us on your own feet.”
“Got it, I’ll go over there. But leave my secretary here.”
At those words, Salvatore went blank. He cast his gaze at Lux, who – perhaps from too much fear – had tears naturally welling up in her eyes, and broke into a smile that was rather merciful for an enemy.
And then suddenly punched her on the cheek.
His eyes open wide, Hodgins’s expression visibly dyed itself in rage. “You...! You laid your hand on a woman!!”
A man from the back gave her support as she seemed about to fall to her knees.
Side-glancing Hodgins as he shouted angrily, Salvatore wiped off the blood on his fist onto the sleeve of one of his subordinates’ suit. “I loathe women who think things will somehow work out if they cry. Sorry.”
His voice sounded as though he had not an ounce of pangs of conscience.
By the time that the trio had arrived, the people of the neighboring shops were helping put the flames down together with the firefighters.
Seeing that, Violet whispered quietly, “It is almost as if they knew there would be fire, isn’t it?”
Indeed, just as she said, the fire department’s performance was too well-executed. Thanks to it, only the third floor of the CH Postal Company received damage.
“You three! Over here!”
As they turned around upon being called, they found uniform-clad office workers of the CH Postal Company standing outside with burns showing and in a horrible state. A middle-aged man, presumably the oldest of that group, was waving his hand.
“Anthony, everyone, you okay? What’s all this?”
Anthony, the section manager of the reception desk at the CH Postal Company, had genteel facial features. He spoke with a demeanor and manner of talking that matched said features, “Every employee who attended work as of today is fine. However... the President and his secretary Lux have been taken away.”
“No way!” Cattleya let out a cry similar to a scream.
Benedict looked at Violet. She blinked several times. Her long eyelashes swaying widely displayed “shock” amongst her scarce emotions.
Her hand reached out to her brooch and gripped it tightly. “Who... and where... is the culprit...?” she asked in a low voice, still gripping it and not letting go, “Who... and... where?”
Her tone was an absolute zero.
It was so low and cold it went to the point of making whoever listened to it hallucinate that their temperature had dropped for a second. The air about her was bizarre, further enhanced by her usual robotic aspect.
Only one person moved within that freezing atmosphere. “V,” echoed the affectionate nickname by which Benedict alone called her.
Violet turned her head to the side.
“It’s okay.” That was a tone so gentle it was unimaginable coming from Benedict. “I’ll do something about this no matter what.”
Those words were almost like the ones that a true older brother would tell his younger sister.
Violet’s eyelashes once again flapped flutteringly. “I will do it.”
“You can’t. If we’re doing something, we’ll do it all together. Your plans for later gonna be okay?”
“The plans... No problem; Major will understand. Besides, Major would probably order me to rescue President Hodgins and Lux.”
Perhaps unamused by Violet’s attitude in demonstrating unwavering trust, Benedict ruffled her hair roughly. “Ah, that so?”
Her feathery, wavy streaks expanded even more. Unlike earlier, Violet protested with a “please stop” using her normal voice. The instability that had given a glimpse of her former self as a girl soldier was concealed and everyone in the surroundings exhaled relieved sighs.
“Hey, enough; I’m gonna ask about the rest. Anthony’s troubled, ain’t he?”
Having her shin kicked, Violet finally nodded.
Anthony resumed speaking, “The perpetrator is the Salvatore Postal Company. Its president who has the looks of a vampire and his followers dressed in black did this to the office… I tried to notify the military police with a detailed report of the circumstances, but they would not listen. It seems Salvatore has enormous support. I can’t think of anything other than information manipulation.”
Meaning that Hodgins and Lux had been taken by Salvatore and their whereabouts were unknown. It would seem that the employees left behind were first and foremost concentrating themselves on digesting the situation.
“When departing, President Hodgins told us, ‘I leave the rest to you’.”
“I’m so glad! They’re okay for now, huh!” Cattleya patted her own chest and welled up with tears.
“Salvatore’s the place that dispatches those postmen with black uniforms? If I’m not wrong, their head office was in Leiden, yeah? Those guys once went claiming a boundary to delivering territories, so I beat them into a pulp. Could it be… this was my fault?”
“Eh, what? The name sounds like a tongue-twist so I can’t remember just by hearing it one time. Salva… Sal… Salfa…”
“'Salvatore’, Cattleya.”
Imitating Violet, who pronounced it slowly, Cattleya uttered it as well, “'Salvatore’, 'Salvatore’… okay. Gotta be able to say it right. They’re the ones we’re knocking off into hell, after all. Well, when does the blood festival start? Of course, we’ll settle the accounts, right? We’ll go save the president and Lux, right?”
It was a crude statement, yet the people present nodded at Cattleya’s suggestion with an aspect that bore no sense of displacement whatsoever.
“Please pummel them.”
Benedict broke into a villainous smile at Anthony’s request. “Oh. We’ll do that. Old Man will be fine even on his own but we gotta save the midget.” Benedict vigorously hit his own chest with his fist.
Anthony let out a breath of relief at that attitude. “You three, what should we do, then? Should we call over the other employees? The Salvatore Postal Company owns countless branch offices, even abroad. Is this all right?”
Violet said after raising her hand, “We shall seize them simultaneously. In the national offices, there should be a spot by the windows with nothing but the reception desk. The three of us will take it over… However, the priority is to strike the head office first. Let us suppose that the location the two were kidnapped to is where the leader is. Depending on whether the people at work recruited as combatants are available, please notify them that we are seizing our neighbor agency, the Salvatore Postal Company. Hold a transmission for the combatant employees to grasp the entirety of the situation. We will entrust the information convergence… to you, Anthony.”
“Understood, Violet.”
She was the expected of a former warrior. With that, the chain of command was made clear.
Looking at Violet, Benedict asked, “V, ain’t you kinda coming back to being a soldier?”
Violet had on the same composed expression as always, yet the things she said were uncouth.
“I am not. However, counterattack for justifiable motives is permitted even during travels. We are merely going to resolve a quarrel between fellow post offices. The third floor is the one burning, right?”
Violet had a reason for confirming that.
   The trio stood in front of a thick iron door inserted unnaturally in the red brick wall at the back of the building. As Benedict squatted on the spot and dug up the ground, a small box covered in dirt appeared within not even a few minutes’ time. Inside it was a bronze key. Once he reverently brought it into the keyhole, the door greeted the visitors while ringing out a rusty sound. They took a built-in lantern and went down the stairs in the thin darkness. Soon, they arrived to their destination.
The basement illuminated by the faint light stored equipment that should not possibly be gathered in an ordinary company. They were firearms, swords, spears, axes, bows, shields and other fighting tools of all kinds. Even if that were the president’s hobby, such assortment of goods was not something an amateur could attain.
“He saw something like this coming and was getting himself ready, huh. He’s got actual self-awareness that people have a grudge against him,” Benedict said as if in admiration.
“Ah~! President got the tonfa that I said I wanted! The whip too!”
“One fist’s more than enough for you, ain’t it? Don’t go taking any more dangerous weapons other than that. V, what’cha picking? We got this opportunity so I’m gonna take the ones I’ve never used.”
“I...” Looking around the hidden weapons of the CH Postal Company, Violet reached a hand out to something wrapped in a tattered rag set against the farthest wall. “I have decided that this will be my weapon. Benedict, Cattleya.” Violet raised the object that was as tall as her with hand movements that did not allow one to perceive its weight. “Let’s go as discreetly as possible.”
The three stared at each other in silence for a moment.
“Impossible, ain’t it? I’m pissed.”
“Impossible, isn’t it? With this group, that is.”
“So that is really the case.”
As the result of a discussion, they arrived at the conclusion that leaving the enemies half-dead without killing anyone was passable.
   Salvatore Rinaudo stared down at Claudia Hodgins. The person he detested was currently on an imported bear leather carpet of his personal choice, feeble and with wrists tied.
They were in a room encircled with black furnishings. The fact that said room was decorated with the personality of its owner was apparent one way or another. There were portraits of himself and bookshelves with double glass doors that did not seem to be opened often. There were also butterfly specimens and vases filled to the brim with fresh white flowers. Quiet violin music was playing from a gramophone, but it did not relieve the restless atmosphere in the slightest. Having her cheek punched and swelled, Lux Sibyl was seated on a chair, but one of Salvatore’s underlings had a gun thrust at her head.
Lux was constantly concerned about the outdoors. From the balcony, she could see Hodgins’s office at just the same height in the far distance. Black smoke rising from it, the structure of the CH Postal Company’s headquarters and of that building were awfully similar.
There was one more thing to note about the balcony. It was the artillery that seemed unlikely to have been placed there as an antique.
“Shall I tell you the reason why I despise you?” He stretched his arm as though to embrace Lux, caressing her, who had her right cheek swollen, almost as though soothing a pet cat.
As the cheek that had been hit still throbbed, Lux shuddered as if in pain upon the touch.
“Above all, it’s you yourself. You were born to a well-off merchant family, and used to belong to Leidenschaftlich’s army. Even though you were promoted up to the rank of major, you quit the military immediately after the Great War ended and founded a post office next, succeeding splendidly at it. People like that do exist, huh? The kind that can carry out anything just fine no matter what they do. In most cases, they stomp over others’ efforts with the sole of their shoes. And with a nonchalant face, to boot. I may have all this, but I’m one of the people who face hardships, so I detest those like you.”
“If me being superior is a sin, then go complain to God.”
“My second reason for hating you is that you rebel against the principles and rules that our predecessors established. ‘The CH Postal Company delivers to anywhere’? You make me sick.”
Hodgins shot Salvatore’s hand a blazing glare. “High quality at a low price for the costumers... That’s the basics of business, isn’t it?”
“Won’t you just crush those who can’t do the same if you turn this into a standard?”
“You get tripped up because you sit on your hands like that. Y’know, I just happened to think back when I was a soldier that a post office like this would be great and am simply making it into a reality. Letters that can be sent to any sort of battlefield. Postmen who can deliver them. Auto-Memories Dolls who can come to you if you so wish, even if you live at the heart of a sea of trees. What’s so bad about doing something I like with my own money?”
“There are still other bad things... What’s that building? Isn’t it almost like claiming that you’re going to replace the Salvatore Postal Company? The fact that only the weather face stands high up is also irritating.”
Salvatore’s hand moved from her cheek to her silver hair, which emitted a glossy luster.
“Don’t touch my secretary... Yeah, that’s right, I declared war on you. I’ve known you before getting into the industry. You’re all over the country I protected, doing stuff that doesn’t favor it.”
“What, for example?”
A bundle of hair picked by Salvatore’s fingers flowed in-between them, producing a smooth sound.
“The fact that you’ve been selling weapons behind the face of post office... You were selling national weaponry abroad, weren’t you?”
“We’re a postal company that has gentleness and courtesy as our selling points, so we do deliver anything that people request. However, I don’t recall delivering anything to the North.”
“That’s not the issue. Even if you didn’t sell anything to them when battles were going on, it takes just a bit of thinking to figure that this kind of stuff makes rounds, right? It was so unbearably weird... How come the enemy had weapons made in Leidenschaftlich? How come my comrades were getting shot by the enemy with them and dying...? I finally got to investigate that mystery after the war.”
Lux’s had her hair forcefully pulled and her neck bent backwards. Her scarf was taken off, her collarbone peeking from underneath her blouse.
Salvatore took the gun from his underling and pointed it at her chest. “If you know this much, you also know that part of my proceedings went to the military, don’t you? It’s not something that I alone wished for. Some people from your country, which you’d devoted your life to, merely wanted to increase their retirement pay a little. Isn’t that a commonplace story? Can’t you drop the moralist act? It disgusts me.”
“I’m no moralist—hey... how many times do I have to tell you not to touch...”
“Claudia, it’s not like you have a respectable life style either, is it? You wagered your whole fortune on war gambles and earned a large sum, wasn’t that it? Funds gathered from gambling are a hotbed for underground organizations and black market groups. With those funds, they sell off weapons, drugs and abused women and children. Even if you’re on the side that just milked it out, from the moment you placed a bet, you also made rounds and became someone’s assailant.”
“That’s why I said... I’m no moralist! I did all of it because I wanted to. You and I are both pitch-black at heart. But y’know, my secretary over there is a respectable girl. Didn’t you hear when I told you not to touch my secretary?! If you get anxious unless you’re touching something, just hit me or whatever!”
Perhaps because such statements rubbed him the wrong way, Salvatore did as Hodgins proposed, leaving Lux and kicking Hodgins’s face with his shin. Crimson hair swaying, Hodgins collapsed onto the floor.
Regardless, he grinned. “Thanks; should I take my clothes off while we’re at it? It’d get you excited, right?”
Salvatore grabbed Hodgins’s collar with rage. “How filthy. Your company is your human nature itself. I’m a victim. I want you to give me back the clients, routes and everything that you’ve stolen from me. I think being a soldier suited you better than being a businessman. Lying on the ground like this is fitting of you. Why... I’m just going to have you write your name on a document. Promise not to trespass my routes... It’s hard to do stuff with you loitering around. Lots of stuff, you see.” He let go abruptly, Hodgins’s face banging onto the floor.
“President!” Lux’s tear-mixed voice leaked.
Hodgins immediately raised his head and smiled at Lux. He went as far as winking at her.
Salvatore harshly told his underling to call over the official scrivener who would bear witness to their contract. He most likely intended to crush Hodgins’s post office through leaving behind a legal document with unequal contents.
“Tepid; you’re tepid.” Hodgins’s tongue licked off the blood dripping from the corner of his mouth. “Compared to back in the battlefields, you really are dull...” As he coughed curt and subtly, his voice reached Salvatore. “My company isn’t just mine.” Hodgins looked out the window. He checked if something was coming and waited for it.
   “Salvatore Postal Company identified ahead,” Violet whispered.
Benedict was driving his motorcycle, Cattleya behind him. Holding onto Cattleya’s shoulders, Violet was standing on the edge of the passenger seat. Running through the cityscape in the early afternoon, the motorcycle carried not only three people but also uncovered armament.
“Hey~, there’s a huge tacky cannon in the balcony~.”
“All~ right, I was thinking about forcing our way through the front gate but change of plans. V, go off on that balcony,” Benedict said with a lightheartedness that one would invite another to go shopping with.
“Understood. Cattleya, please give me support.” Violet took into her hands a thick, long cylindrical object that had been placed on the motorcycle’s luggage carrier. It was something that could be called both a rifle and a rocket launcher. She rested it on her shoulder atop the running vehicle and determined her target.
Once Cattleya clung to her legs as to secure her body, Violet shot without mercy. Explosion sounds echoed throughout the city of Leiden for the second time that day.
“Impact confirmed.”
Pigeons fled into the sky, the townspeople darting their eyes about in search for the source of the noise. Meanwhile, the motorcycle that the trio was riding on gradually drew closer to the Salvatore head office.
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“Sca~ry! But ama~zing! I also wanna shoot tha~t!” Cattleya shouted in joy upon seeing the balcony destructed.
“Won’t let ya no matter what.”
“You cannot no matter what.”
Benedict and Violet shook their heads in sync. Both comprehended that it would be dangerous to let such a naïve woman hold onto firearm.
“What’s with that~?! I also wanna go wild big time~! Isn’t it okay?!”
“Then, let Cattleya be the first to charge in. Please be contented with that.”
“What’re you deciding on your own? The first at anything’s gotta be me.”
“You follow me from behind. ‘Cause the one who’ll save our captive princess of a president is going to be me. A~hn, wait for me, President! Where are you!?”
“You... As if such a huge dude could be a princess. What kinda princess is that?”
“If you were as tall as the President, you wouldn’t have to wear those heeled shoes, huh.”
“You’re wrong! That’s not why I wear them! It’s because they’re cool! You... Imma make you cry later! I’m dropping by your place today, so get ready for it!”
“Yo... Yo-Yo... You idiot! What’re you saying in front of Violet?!”
Silently listening to the exchange between the two, Violet slowly took from the luggage carrier the handle of the weapon jutting out of the tattered cloth. “Then, I shall take this opportunity and go.”
They had no idea what opportunity she was taking, yet Violet nimbly jumped midair after saying nothing but that. As she landed on the ground, the motorcycle also stopped right in front of the head office with good timing upon scoring an ostentatious drift.
“Here I go, Major.”
The one taken into Violet’s blue eyes was the Salvatore Postal Company – a building that looked exactly like the CH Postal Company. Although it was a weekday, a “closed” sign hung on the door and five postmen clad in black frock coats stood by the entrance smoking cigarettes.
The stunning woman, the man mounted on a motorcycle and the beauty behind him appeared before their eyes. Ashes fell down in lieu of their surprise at the mystery trio.
“Wh-Who’re you?!”
While the men froze on the spot at her exposed unpainted face and moonlight-colored hair, Violet swiftly tore off the tattered cloth wrapped around the weapon in her hands. A battle-axe of a size unfit for swinging around in a city road revealed itself.
“Pleased to make your acquaintance. I am an Auto-Memories Doll from the CH Postal Company; my name is Violet Evergarden.”
The name of the battle-axe wielded by that woman as ominously beautiful as a witch was Witchcraft. It had a silver blade, and the red rain that it dyed itself in from the number of people it had killed was a manifestation of its ill-omened existence.
“Apologies for you are in the middle of work, but could you allow us upstairs? Ever since our company’s president and secretary disappeared into your agency, we have not known of their whereabouts.”
As she held onto it, illuminated by the afternoon sunlight, her frame gave off quite a sense of misplacement.
“If you will not listen to our request, we shall exercise brute force based on the guiding precepts of our company.”
But as she wielded it, her figure looked appropriate. Rather, it was the contrary.
Raising the gigantic battle-axe blithely, Violet pointed the blade at the men. Instead of opening their mouths, the men took pistols out of their coats and pants and aimed them at Violet.
“The guys from the CH Postal Company are here! Don’t let them pass no matter what!”
“Violet!” Cattleya’s scream reverberated through the city roads.
However, the beautiful Auto-Memories Doll moved at the same time as the opponents readied themselves, dealing a preemptive strike in the blink of an eye. “Negotiations broken.”
A single blow from the battle-axe brushed away the postmen. It was an attack that did not cut them and merely struck their vitals using blunt weapon essentials, yet it caused three of the men to hit their heads against the outer wall of their company and collapse.
The remaining two men, who had dodged the appearance and disappearance of the axe, frantically aimed at Violet and pulled the triggers. Without any change in her facial expression, Violet twisted the battle-axe around and repelled the bullets with its blade. Switching hands, she pointed the tip of the handle at the opponents. It produced a ringing noise.
“Please forgive my rudeness.”
The flower bud ornament decorating the tip of the handle flew out together with a long chain. It knocked the two men’s pistols off their hands. She did not give the men, who held their hands down due to the collision, any opening to straighten their postures. This time, Violet rammed the battle-axe’s arm against the surface of the building’s wall and anchored it. While extending the chain and spinning midair, she dealt a flying kick to the face of one of them, made his face into her stepping stone and roundhouse-kicked the man next to him. There was no hesitation or mercy in her series of actions.
“Bu-But I was supposed to be the first one!”
“That was me!”
Indignant, Cattleya took a sack fastened to the luggage carrier, which contained her weapons. After thorough indecision between the tonfa, whip and other armory, the one she had chosen were iron knuckles.
Before anyone noticed, Benedict’s hands were gripping two pistols. He disabled the safety catch with practiced hand movements. “V! Don’t get too serious! If you’re angry, I can get angry for you!”
As if the people inside the Salvatore Postal Company had foreseen that someone would come raid it, postmen peeked out from the windows of the floors above with rifles in position. Bullets from Benedict’s pistols pierced their arms as he spoke, creating a rain of blood splashes.
“If this is the emotion called wrath, I want to rid myself of it quickly. Cattleya.” Violet pointed with her finger at the rocket launcher that had no more remaining ammo to Cattleya, who had put on her iron knuckles.
Agilely grabbing its handle with one hand, Cattleya threw it with heightened rotation speed after drawing it back once with much vigor. “One, two, the~re!”
Together with her adorable shout, the rocket launcher struck the postmen who had turned up in the upstairs floor, breaking through the window glass. Its destructive power was the same as a bullet shell.
The one who had flung it jumped up and down on the spot as if delighted. “Kyah~! I hit them~!”
It was not a deed that an average person, let alone a young woman, could normally manage. She was the possessor of tremendously strong arms.
“As expected of the Stupid Woman – or more like the Stupidly Strong Woman.”
“Shut up, Platform Shoes Man.”
“Ah, you on?”
“What, are you?”
The ringing of the chain on Violet’s battle-axe Witchcraft drowned out the duo’s little quarrel. One of the men screamed and threw himself out the window, falling onto a flowerbed in front of the company.
“Benedict, Cattleya. By the looks of it, the President and Lux are unmistakably inside this building. President Hodgins told me that he imitated Salvatore’s agency when our company’s office was under construction. If that is the case, then the highest position is probably the uppermost floor – the third floor. I am counting on you to follow the procedures.”
The two nodded in reply to Violet’s words.
“Let’s kick their asses at once and go celebrate.”
“We’re bothering the neighbors, after all.”
Before anyone realized, the city had gone quiet.
The Salvatore Postal Company was located in a completely ordinary shopping street in the city of Leiden. However, the passersby had fled within a few minutes, and the shopkeepers of the nearby buildings, as well as the buildings next to those, had closed their shops’ windows – the so-called display windows – and pulled down the iron shutters.
The fast action stemmed from their understanding that the city had become involved in the maelstrom of a fight. It was a particularity of citizens from a country that had long been shutting off invaders ever since its foundation. The people were silently waiting for the conflict to end.
“Well, then, let’s go in.” Violet’s figure as she gave the command with a clear voice was different from usual.
   Inside the chairman’s room at the top floor of the Salvatore Postal Company, the scenery visible from the balcony – an autumn sky where cirrocumulus clouds drifted high up and Leiden’s cityscape – had looked like it was inserted in a picture frame. Yet such beauty was something of a few seconds before, and now the artillery enshrined in it had received great damage from a sudden explosion attack, smoke rising from it.
Once ornamented with delicate sculptures, the rails were crumbling, and the balcony was in a state where one could fall straight to the ground if they put a foot on it. If the artillery were loaded with ammo, it was most likely not the only thing that would have been destroyed.
In that situation of settled chaos, Salvatore Rinaudo’s pale face went even paler and his mouth fell open as he spaced out, while Claudia Hodgins bit the inside of his cheeks to kill off his own laughter and trembled in opposition.
“What have they done?”
“Ahah—AHAHAHAHAH! Aah, I can’t anymore! Can’t hold back! This is the best!” Hodgins convulsed with laughter upon looking at Salvatore’s face. “What you so surprised about, Salvatore? Isn’t that what you did to us? Well, but... you wouldn’t think we’d do the exact same thing as you, huh! There’s no helping it! Ahahahah!”
Even Lux, who had all along been shaking with a darkened face, lit up with a sparkle of hope and laughed a little.
“Is this the work of you people from the CH Postal Company?”
“Who else is there? Our corporate philosophy is ‘an eye for an eye’.” Hodgins was in such a good mood that he seemed like he could break into song right then.
A few of Salvatore’s underlings went down to the floors below. Gunshots and screams soon echoed again. The fact that the screams had come from Salvatore’s subordinates increased his anxiety and impatience.
“They’re doing this even though you might be injured... What kind of training do you use on them?”
“Basically a principle of liberalism. Most of the personnel I gathered back when I was building my company happen to be guys with nowhere to go that I coaxed and took in... Don’t know if my preferences are biased, but it turned out that lots of them were absurdly strong fellows. The ones who’re here right now are definitely two of the Auto-Memories Dolls that were off-duty and... probably a postman that was scheduled to return to town today. They’re elite of the finest kind even among us. Salvatore, since it’s you, weren’t you supposed to investigate me through and through?”
“Your company’s employees are former soldiers and mercenaries, right? If that’s the case, so are our postmen...”
“They aren’t just former soldiers and mercenaries. Benedict is an ex-mercenary who had the nickname of ‘Battle-Hungry Freak’ in another continent. Cattleya was a boxer. She has arms so strong that no one can beat her by using force. And that beautiful girl whose name you can even say everyone knows in the Auto-Memories Doll business... my adorable Little Violet, used to be Leidenschaftlich’s most powerful female soldier. It’s in the past, though.” Hodgins smiled at Lux. “By the way, my secretary is a former demigoddess.”
“‘Leidenschaftlich’s most powerful female soldier’?”
“Didn’t your patrons tell you anything? Well, she was treated as a secret in a way, so it isn’t impossible for civilians not to know about her. The military went as far as creating a troop just for her and made her work for them, but they never gave her recognition or ranks. She didn’t have a surname back then and it seems people just called her ‘Violet’. My friend found and raised her... She was the leading figure of the Great War in the shadows.”
Salvatore reminisced to the photos of Hodgins’s employees whom he had made his underlings investigate. One that had been engraved in his mind remarkably vividly was a beautiful woman. She was a girl of exquisite, suave facial features. Even if one declared her to have been the strongest female soldier, nobody could believe it right away.
“How did you make a woman like that yours?!”
“She’s not mine.” Hodgins smirked defiantly. “And she doesn’t belong to the military anymore either. From the very start, she... Let’s stop here; telling this story to you is a waste.”
The battle’s tune gradually grew closer to the top floor. By the looks of it, the fuss was escalating to a direction where even angry yelling was ensuing. It seemed the owner of the voice was a young woman. Even amidst gunshots, the conversation between those two people did not cut short.
Hodgins’s smirk deepened, Salvatore’s face becoming grim.
“You guys, give polite greetings when coming in.”
Salvatore’s underlings readied their guns all at once. The tension reached its peak, everyone inside the room paying attention to the door. However, it was time.
“Lux, please cover your eyes,” a beautiful voice that did not match such a place, which had converted into a battlefield, could be heard from behind the staff members.
A black lump jumped from the balcony. It looked like a beast at first. A stunning and terrifying beast that moved its limbs gracefully and trampled over its enemies.
No matter how much the “hunters” who had taken notice of the beast’s existence made bullets rain on it, its feet did not halt by a single inch as it bared its fangs. It steadfastly ascertained the battlefield even as it danced in the air, wielding its weapon with astonishing precision, bringing everyone to the ground.
“A-Aaaah!!”
The arm released from the battle-axe pierced and gouged the shoulder of the man who had been thrusting a gun at Lux. The beast swung the battle-axe and stationed Hodgins and Lux to behind itself.
Salvatore took a few steps back, and exactly two factions stood in position separated at his right and left sides.
“Major Hodgins, we apologize for the wait.”
“I’m always telling you that it’s ‘President’, aren’t I, Little Violet?”
The beast – rather, the woman – shot a cold glance at the one that she perceived as the enemy.
“You—What are you?” Salvatore vented his confusion at the sudden intruder who held onto the completely red battle-axe.
She had white and smooth skin like that of porcelain dolls. Her blue eyes were as glass balls. Her hair of gold seemed to waft with a sweet fragrance. The girl was beautiful to a rare extent, but that was not the only thing that made one’s eyes widen at her.
A living legend that Salvatore did not know was standing there.
“Violet.”
The loveliness he had seen in the picture was concealed by a shadow, a turbulent atmosphere similar to madness surrounding her instead. An air of lethargic strategizing as to which of them would move first flowed by, but the stagnancy soon shattered.
“PRESIDENT———! LUX——!”
“OLD MAN!”
Callings could be heard in unison from outside the room. The massive door was then broken through as if it were as thin a paper sheet. The one who stepped onto the door as it collapsed with a tremor and entered the room while holding by the collar an enemy that she had defeated with her silver iron knuckles was Cattleya.
“Aa~hn! You two~! Found yoou!” She tossed the prey that she had nearly killed toward Salvatore and his group. Being able to fling a human being as if they were an object meant her arms were simply that great as blunt weapons.
Following her, a gun barrel appeared first, and after bullet sounds ensued, Benedict revealed himself. It was a shot meant for delivering the finishing blow to Cattleya’s offensive.
Shooting the legs of all the men in black except Salvatore, Benedict clicked his tongue at the gruesome scene inside the room. “What’s this? Hasn’t V eaten out most of them?” Together with a sigh, he threw away the gun he had been holding, taking out another one. “Old Man~, we’ve left only this important-looking old dude~.”
“Lux! Violet is protecting you, right? President! You’re tied up!” Cattleya ran towards Hodgins, who lay on the floor. Without cutting them with a knife, she ripped off the ropes that had been restricting him using the iron knuckles and embraced him boldly.
Hodgins patted her back with taps and hugged her lightly. “Sorry, Cattleya. Didn’t my adorable young lady get hurt?”
“I didn’t!”
“Atta girl.” Hodgins left a kiss on Cattleya’s forehead with a pop.
Cattleya’s cheeks flushed red and she turned her back to him looking embarrassed, stamping her feet onto her happiness on the spot.
Benedict tore Cattleya away from Hodgins and stood between them. Contrary to being angry, he aggressively hit Hodgins from face to torso, confirming that the latter was alive.
“Ouch, ouch, what’s this? A new way of expressing love?”
“You’re fine, huh, Captive Princess?”
“You were worried about me, Darling?” Hodgins merely replied with frivolous talk to Benedict’s cynicism, looking delighted.
Briefly biting his lip, Benedict faced the ground. Hodgins had a feeling that the eyes Benedict had directed at him before casting them downward were moist, and was inwardly surprised.
——Huh, could it be he really was worried?
��Hey, Darling. Benedict.”
His sandy-blond hair rubbed into a mess, Benedict finally resisted energetically as if to say, “Quit it”. Nothing that resembled tears could be seen in his eyes anymore.
“Who’s that ‘Darling’, Old Man...?!”
“Could it be you were pretty worried about me?”
He was fully convinced that Benedict would deny it.
“I was. Don’t make me.” Yet the latter directed his sky-blue eyes straight at him and said, “I was hella worried. Don’t ever make me worry again no matter what!”
As it was much too blunt, after Hodgins was taken aback, his face slowly turned red. He had anticipated they would come save him, but right now was his first time learning he was cherished to that extent.
“Ah... that so? S-Sorry, okay?”
“Damn... Don’t go getting kidnapped when you’ve got that huge body! Is Captive Princess #2 all good?”
“Fairly. Little Lux needs first-aid...!”
Violet undid Lux’s binding. The latter’s body, which had been trembling in fear, and the sound of her heartbeats, which had grown noisy, were regaining their calm.
“Thank you, Violet.” Enduring the pain in her cheek, Lux smiled at the friend who had come for her rescue. “I thought you were some noble prince.”
Violet furrowed her eyebrows as if troubled. She then resentfully held Lux’s hands and helped her up. “My apologies for not being able to protect you. But I will not let you go through terrifying times anymore.” Just like a knight, she made Lux retreat to behind her.
Albeit gripping his gun, Salvatore remained unable to fire a single shot at the mere three people who had taken control of his company. As he shifted his gaze to the side, he could see his underlings collapsed and moaning in the open corridor. “There was supposed to be... fifty of them,” once he opened his mouth, his voice shook.
“Ah? Your minions? Even if the numbers are big, it’s no use if the quality sucks. Actually, were there that many of them? I was counting, but... Stupid Woman, how many did you take down?”
“Stupid Benedict! Erm... ten. I probably beat up about ten people.”
“I got twenty. The rest was V, huh?”
“I simply came here by climbing the outer walls, so other than the beginning and now...”
“Didn’t anyone run away? The math ain’t adding up.”
They were chatting carefreely, yet the contents of the conversation were the number of people they had defeated. In addition, there was an overwhelming difference in combat power, for they were unharmed and not even their clothes had scratches. That was also a difference in corporation power.
Biting his lip as if in frustration, Salvatore barked at Hodgins, “They came late, and that’s why you’ve lost! I already had you write the contract! The official scrivener went to submit the contract we exchanged to the government office so that it’d serve as a demonstration of formal legitimacy. It’s probably already been accepted... Take your leave as you please. But I’m billing you for the internal damage caused by your subordinates and the injuries they inflicted on mine!”
Salvatore had intended to wreak both psychological and bodily pain on Hodgins for a while, instilling terror on him and making him lose the will to fight back, but now he had given up on it. What he desired most – the unequal contract – was in a state of legal effectiveness. As long as he had it, regardless of what anyone could say, the fact that Salvatore had the advantage would not change.
“Salvatore Rinaudo. What’re you on about?” However, Hodgins had a facial expression that denounced he was helplessly puzzled.
“As I said, your company can no longer enter our routes...”
“So?”
“No matter how much brute force we used, that’s nothing in the face of a validated official document!”
“Again... so what? The papers were indeed filed. Seems like they also were submitted before help came. What of it?” Claudia Hodgins, president of the CH Postal Company and former major from Leidenschaftlich’s army, generally had an easygoing personality, as well as a cheerful and frivolous attitude. However, he was now glaring at Salvatore without breaking into a smile, letting a glint shine sharply in his eyes. “Isn’t it a matter that’ll be solved if we crush down your company?” He rolled up his shirt’s sleeves and took off a wristwatch that one could tell was a high-grade product. Next, he squeezed the strap with his fingers so that the watch’s case would be on his knuckles.
Anybody who was used to fighting knew. If one was battling without a weapon, the object called wristwatch was an overly useful thing.
“Salvatore, if only you hadn’t hit Lux, I wouldn’t be this angry.”
Salvatore fired at Hodgins when the latter swung up his hand, yet it did not even graze him. Oddly enough, the bullet that had failed to kill a person shot through the middle of the forehead of Salvatore’s portrait sitting inside the room.
“S-Sto...” The word that Salvatore uttered were the end of it.
The fist swung by a 194cm-tall man who weighted 85kg struck into Salvatore’s face with a wind-cutting sound. As his nose was broken without mercy, Salvatore shed a large amount of blood. A few of his teeth tumbled onto the high-quality carpet as well. He had convulsions for a moment, but eventually became completely motionless.
“Did you kill him?”
At Benedict’s question, Hodgins put his ear against Salvatore’s chest, shaking his head after simply checking the other’s heartbeat. “He’s alive. Let’s leave him be.” By the instant he turned around, Hodgins had gone back to his usual self. “Everyone, you did well. I’m so happy; my employees sure are the best. And I’m also the best for having chosen you!” Hodgins sang praises gesturing exaggeratedly, embracing the employees who had come for his aid all at once. He then came closer to Lux’s side, planting a kiss on the cheek that had not been punched. “I’ve made you go through a lot, huh. I’m really sorry, Little Lux.”
“No, I’m the president’s secretary, after all.”
Seeing as she did not appear too bashful, that sort of kiss was likely not a rare action. As the thread of tension broke, Lux crumbled and shed large tears. Hodgins frantically apologized again.
“That’s not it... I’m frustrated... It’d be great if I were like everyone else, and also had strength to protect the president. If I hadn’t been taken hostage, things wouldn’t have turned out like...”
Cattleya gently caressed Lux’s arching back as she was unable to stop crying. “What’re you saying? Lux, you have it good exactly because you’re a normal fragile girl. Ah, but it’s not like I’m not normal either. I’m strong and pretty, but I’m a super normal girl...”
“Cattleya, what you say is inconsistent.” Violet handed Lux a silk handkerchief.
Perhaps due to their heights being about the same, despite their faces not resembling one another and their body types being different, the figure of the tree as they nestled close to each other strangely made them look like sisters.
“Seeing girls huddling together is kinda nice, right, Benedict?”
“Old Man, just hurry and do something about this place.”
“Should we huddle too? Shall we?”
“Don’t play around and give the instructions!”
As Benedict dealt him a strong lateral kick to the rear, Hodgins ceased joking. “Eeh~, then, all dismissed...! That’s what I’d like to do but I have a request. Anyone who doesn’t have any plans for later, please help me destroy Salvatore’s company!”
“He~y, Old Man.”
“What is it, Mr. Benedict?”
“You haven’t checked things out so you don’t know what’s been made of it, but we left the international offices to the rest of the fighter staff. The guys who stayed at the main office contacted them. Since it’s those fellows... they’ll take them out without worries.”
“Amazing! But we don’t have fighter staff! It’s not like I hired you with that intention! Well, since there have to be people who can go into battlefields, I didn’t not have that intention, but...”
“From the very start, that was our purpose, President Hodgins. So that there will not be such happenings after this, we believed that laying waste to everything and thoroughly annihilating them was a good plan.”
“Scary, scary. Your expression is getting scary too, Little Violet. Smile! It’s ruining your cute face!”
“President~! I want you to buy me a new choker after we’re done. Look~! The pearls on it got torn off... It was my favorite too.”
“Okay, Cattleya. Be it chokers, clothes or anything, this uncle will buy it for you!”
“Hum... President. What should I do?” the non-fighting staff member Lux tightly clutched her skirt, looking nervous.
“Little Lux, let’s go back to the head office. I’ll have you be treated there too. It’s all right; everyone in the head office contacted the other employees, so there should be people gathering there. It’s safer than you coming with us. Benedict, take Little Lux to the head office, and then regroup.”
“Roger; leave some for me to mess with too.”
“We aren’t sharing cake slices... Now, Little Violet and Cattleya are going with me to crush the branch offices just like this. Let’s decide on the rules for one. No hitting girls. Hitting bastards is fine.”
“Understood.”
“‘Ka~y.”
The members of the CH Postal Company continued their strategy meeting without paying mind to the people that they had defeated lying on the floor. When they were done at last, they exited the building while making so that those of Salvatore’s postmen who had stood up once again would be beyond recovery.
Lighting a cigarette, Hodgins started walking with it in his mouth, and everyone followed him as well.
On that day, within Leidenschaftlich, gunshots echoed throughout several areas of the capital Leiden, yet no one attempted to keep them under control. Additionally, the military police did not make a move regardless of how many reports it received.
   The nocturnal darkness deepened late into the night.
The lights were brightly lit in a bar at the corner of a business district. “Fully booked for the day,” said the clumsy letters on a paper pinned to the menu board in front of the shop. The figure of a seductive female dancer was drawn on said board. By the looks of it, that was a place where people enjoyed shows along with their meals.
The voices of people laughing pleasantly and lively music could be heard leaking from inside the bar. It seemed to be the feast of some company. The men and women were at a one-one ratio. Their ages varied and all of them differed in skin, hair and eye colors.
Even amongst them, there was an attention-catching few.
A young man was displaying splendid steps on a table with heeled boots that looked like womenswear. The dancers swayed their bodies together with him and danced purely as they pleased.
On another table, a beautiful woman was smiling while arm-wrestling with a man of fiendish facial features and plentiful muscles. Seeing as she twisted his arm in a matter of seconds, it could be that he let her win on purpose. However, the man who had lost rubbed his seemingly hurt arm with a strangely believable face.
A silver-haired young girl with a big gauze on her cheek was playing a card game with a blonde person of terribly tattered appearance. It was most likely poker. She looked troubled for not being able to read the other’s expression. While everyone else was emptying bottles of alcohol, only the two of them were making cups of tea into their nighttime company. Each was fixated with their own victory, playing in earnest.
“Ah~! I won~! I won enough to buy a kinda nice pair of shoes! Ah, Lux, aren’t those winning cards?”
“Women who can dance sure are great. V, you suck at playing this, don’t you?”
Benedict, who had had enough of dancing, and Cattleya, who had grown tired of arm wresting, came to sit at the peaceful table as if to intrude on it.
Lux put the cards that she had been hiding up to her lips on the table. “Want to quit poker, Violet?”
“That is right. The cards in our hands have been busted by a third party, after all.”
They did not have the will to get angry. If anything, Lux was so happy for being able to return to that trifling daily life with her companions that she wound up laughing. Perhaps due to the spot where she had been hit aching when she laughed, she arched her back with an “ow, ow, ow”.
“Are you okay? Is it not better for you to rest already...?”
“Yu~p, but I think it’s safer to be with everyone for the day... President Hodgins is here too so I can’t go home.”
Cattleya quickly reacted and looked at Lux’s direction with momentum. “What do you mean?”
“We’ve decided that I’ll be with the President today. See, it’s because the President’s home was in the company’s top floor. We have nowhere to sleep tonight, right? I also had that experience with being kidnapped... He was worried and got me a room at a hotel in the city. It seems President Hodgins will also be staying in it for a while. Until this mess is over, I’ll also be working from there. We’re going together today, so I have to wait for him.”
While Violet replied agreeably with a, “That is reassuring”, Cattleya became beet-red. One could tell from her face what she was imagining. She grabbed Lux’s arm and shook her violently. “You! Do you get what you’re saying?”
“E-Eeh? Our rooms are separated, y’know?”
“Cattleya, Lux is injured.”
“Not a chance. Dunno how many years it’ll last, but not even he is that shameless.”
“Hey! Don’t meddle into a girls’ talk!”
“Ah, you’ve said it. Then don’t barge into when I’m talking with the Old Man no matter what.”
Since another fight had decidedly began, as an accustomed form of coping, Violet and Lux left the two and started their conversation afresh.
“Speaking of which... Violet, are you okay? You’re dressed pretty cutely today... Could it be you were going to meet up with that person... with Mr. Major?”
The moment she received such question was exactly when Violet’s gaze had fixed on the bar’s entrance. “I am fine.”
Someone was heading her way.
Perhaps due to having come in a hurry, said person was out of breath. His sweat-dampened forehead was a proof of the efforts he had been spending until arriving there. He was caught by Hodgins and came to a halt, but even so, he aimed at and went toward her as fast as possible.
That person had soon spotted Violet from the bar’s entrance, and Violet had frozen in place the instant he had arrived as well. It was almost as if there were gravity between them that drew one to the other.
Violet stood up naturally and rushed to him.
——Ah, Violet.
Lux could tell.
——I see, so that’s how it is.
Anyone who was close by would be able to tell.
——The two of you are already like that.
After all, it was as though the air about her had changed completely the moment he had appeared.
“Colonel.”
The one standing there was Colonel Gilbert Bougainvillea from Leidenschaftlich’s army. Perhaps because he was on an off day, he wore only a jacket of fine tailoring and a shirt. Inquisitive stares from the people making a ruckus in the bar fell upon him all at once.
“Violet.”
After all, he was a man rumored within the company for moving the army in order to protect Violet. His existence was made known during the hijacking incident of the Intercontinental train, after which a year had passed not too long before. Of course, that was a story only told internally and Hodgins was publicly regarded as the main leader of such strategy.
The members of the postal company who had gathered up to save her had seen in person the man who came running while carrying her princess style. Back then, they had also witnessed Benedict being entrusted with Violet, his mouth open as if he had grown senile.
“Colonel, my apologies... I ended up breaking our arrangement.”
Her cottony hair was ruined. The outfit chosen for her and that her body was clad in had become like ragged cloths. Everything she had prepared for him had been reduced to misery today.
Nevertheless, seeing her dressed-up caused Gilbert’s heart to beat louder.
“You...”
“You look beautiful” was what he had started to say, but upon noticing a stare of pressuring quality to a fierce extent from the side, he trailed off.
Benedict seemed extremely unamused. He clicked his tongue as their eyes met.
“Anything the matter...?”
“Not really. There any law that says I can’t look at the bastard who snoops into V’s general area every once in a blue moon ever since that incident like he’s a rare sight?”
“You helped me out holding onto Violet back then. I’m grateful... And, I don’t know about any such law, but if it’s about putting up a watchdog act, I’m the one on top.”
Something like an electric shockwave ran between the two of them. Benedict remained not toning down his distrust regarding Gilbert until now, peeved by that man who seemed like he could become a love rival for Benedict’s significant other had he been in the same workplace as them.
“This was the curtain rise of their muddled battle!” just as the two had opened their mouths again, Hodgins cut in with a foolish commentary.
Silence. The two simultaneously glared at Hodgins as if looking at something deplorable.
Hodgins himself broke Gilbert and Benedict apart, coming in between them, putting his arms around each and laughing stridently, “Don’t fight for me! Man~, I wanted to try saying this once.”
“Shut up, Old Man!”
“Stay away, Hodgins. You’re reeking of booze.”
It was a conversation with a magnificent explosive power. By the looks of it, Gilbert and Benedict did not seem like they would get along, but their attitude towards Hodgins was similar.
“Old Man, tomorrow will be terrible for you if you drink too much. You’re at that age, aren’t you?”
“Darling... you’re saying that because you’re worried about me, right?”
“Hey, stop. Stop. I’m not a woman.”
As Benedict stepped away from Hodgins, who was attempting to give him a kiss, Gilbert and Violet were at last able to lock eyes with each other again. Violet had a face that denounced she had gone through a hellish time.
“Any injuries?”
“Minor ones. The same level as scratching a knee.”
“That’s good...” He was truly saying so from the bottom of his heart. Seeing Cattleya and Lux anxiously observing the two of them, Gilbert spoke further, “You too, any injuries? Aah... you need a medic.”
“No, no, I’m okay.”
Lux had already received treatment, yet it seemed like her wound might open the next day.
Perhaps always carrying it in his person, Gilbert took a fountain pen and small notebook from his jacket’s inner pocket, handing her a paper sheet that contained a certain address within Leiden. “This is the clinic where my home doctor is. You don’t need to pay if you give my name, so go there another day. You’ll probably need painkillers for a while. Even in the hotel you’re staying at, please give my name to the hotelman if you need anything. We’re on friendly terms, so he’ll treat you well.”
Lux acted uncertain when accepting the paper. “Ah. Thank you very much. You’re very generous... Could it be... that the hotel reservation... Mr. Bougainvillea, erm... Colonel Bougainvillea, was made by you?”
After glancing at Hodgins, who was entangling himself with Benedict, Gilbert nodded. “That thing asked me for it. I can’t say this aloud but I’ve also disposed of... the documents submitted to the government office in the name of your company. When I use my influence in places outside of my jurisdiction... I end up losing one card that I could otherwise use in the event of an emergency, but...” Perhaps as if remembering something, he furrowed his brows a little and chuckled. “Hodgins took care of Violet. I also won’t spare any efforts for you all in case something happens. If there’s any worrisome matter, it can even be through Violet, but do tell me.”
“Y-Yes.”
Cattleya and Lux mutely let their cheeks dye pink. Was there any girl whose heart would not throb at Gilbert as he displayed adult-man-like reliance in a different way from Hodgins?
“Colonel, you’re so cool.”
“Colonel, you are wonderful.”
No, there was not.
For whatever reason, the two had their fingers interlaced in front of their chests and were striking the same pose.
Gilbert replied levelly, “You aren’t my subordinates so you don’t need to refer to me by my rank.”
Violet pulled the hem of Gilbert’s jacket ever so lightly. “Colonel, hum... would you like to sit down? You must be tired.”
“Aah, no. I’m sorry but I’m taking my leave. You too, Violet. The two are at the Bougainvillea house and we’re making them worry. I already contacted them to say I’d bring you back, so come along. It stopped by a place a little far away, but I have a carriage ready, so let’s walk there. Miss Lux. You... were together with Hodgins for today, right? Miss Cattleya, what about you? We can send you home if necessary.”
“Y-You know my name?! Mine?!”
“Of course; I heard it from Violet. So, what will you do?”
Perhaps due to extreme happiness at that, Cattleya slapped Violet’s back with quite strong vigor countless times, making merry. “I’m fine! I’ll be here with everyone until morning today!”
“It’s probably better if you’re in big numbers. Well, my apologies since we’re in the middle of a pleasant talk, but I’m taking her along. Thank you... for always being so close to Violet. Let’s meet again somewhere else. Please let me at least treat you to a meal.” Gilbert all too naturally took off his jacket and placed it over Violet’s shoulders. He began escorting her away just like that.
“Ah! Bastard! Hold on! V is my little sister part!”
“Everyone, good night. Benedict too.”
“Wait! V~! Hey—Old Man!”
Binding Benedict’s arms behind his back, Hodgins sent Violet a wink. It was true that he was drunk, but his tactic was probably to keep Benedict away from Gilbert. He might have been paying for the sin of making the two of them miss out on the time they had to spend with each other because of his kidnapping.
Hodgins and Gilbert merely exchanged short goodbyes such as, “I’ll call” and, “See you”.
“Benedict’s had an overwhelming defeat, huh.”
“Old Man!”
“Man, he’s rivaling you... but he’s also not.”
The two young women left behind spoke while still staring at the bar’s entrance.
“To be honest, the President told me a lot about Violet’s past after that incident, and I didn’t not wonder if someone like him was okay for her... but, when you meet him, y’know...”
“Yup, its different when you get to meet him, right?”
“It’s because he really did cherish her that he made many mistakes, did his best to take back a lot of things, and now they’re like this, huh,” Lux whispered, deep in thought.
   Treading through an autumn night in which the nocturnal winds were gelid robbed the two a little of the body heat provided by the warm interior of the bar. Violet, who Gilbert had put his jacket over, looked at him with only his shirt on as if to question him.
He soon noticed her gaze and their eyes met. He then smiled at her. “Aren’t you cold?”
Just from him simply throwing those words at her, as Violet was still unused to it, her heart raced. “No; Major, what about you?”
The times that the two of them met up were still at a point where they could be counted with one hand, and during such instances, the restraint brought about by his long absence would manifest itself in the form of agitation. From the perspective of others, that could almost not be perceived. After all, her facial expressions were generally emotionless.
“I’m fine. I’ve run around and sweated a lot today, so I’m still warm.”
“My apologies, Colonel.”
“It’s nothing to apologize for. I did that because I wanted to. Violet. It was also for Hodgins’s sake.”
“All right, Colonel.”
“Let’s walk a little slower. Once we get on the carriage, the way home will last a blink of eye.”
“Is that bad...?”
The one who had made the request was Gilbert, and the words Violet was about to say wound up dying out before they could take form. That was because he sweetly added, “I don’t have enough time with you”.
“All right, Major.”
Her eyes spoke more eloquently than her expressionless self. Violet’s blue orbs were glued to Gilbert’s emerald ones.
“I want to chat a little too. Is everything okay with that young man called Benedict?”
“By that, you mean...?”
“He seems to favor you.”
“He has another woman that he fancies. It seems they are in a relationship, and they themselves are hiding it but everyone around them knows.”
“That so?”
“Yes, he is... in an older brother-like... position regarding... my person, he told me.”
“Told you? That man?”
Their eye and hair colors were certainly similar, and the man could be said to be an androgynous beauty, but his speech and conduct were much too different from Violet’s.
“He himself was saying so.”
“Aah, he indeed called you his ‘little sister part’... Should I interpret that as him showing affection for you...? But it doesn’t look like we will get along very well.”
“Is that so?”
“It will probably be difficult.”
As Violet had heard the story of Hodgins and Gilbert’s past, she estimated that such assumption would be disproved. Gilbert and Hodgins were also a duo that one would not think got along well.
“It seems he’ll get in the way when I’m with you.”
Since Gilbert made a face as if he had swallowed a bitter-tasting bug, Violet did not voice her opinion in the end. “Major.”
“What is it?” As Violet called him, the middle of his brows immediately softened.
“If you had managed to meet with me as planned today, where did you intend to go?”
“Aah, I had actually made an arrangement for us to go horse-riding.”
“Horses.”
“You can ride army horses, and I think long rides aren’t bad if it’s on fine autumn weather days... Did you not like it?”
“Colonel, there is nothing that I dislike if I am in your company.”
“That answer makes me happy, but I do believe I want to learn about your tastes little by little. Kukuh.”
As Gilbert suddenly laughed aloud, Violet tilted her neck. “Is something the matter?”
“You... probably haven’t noticed it, but you’ve been mixing up ‘Major’ and ‘Colonel’ when referring to me.”
As he had been promoted from major to lieutenant-colonel and from lieutenant-colonel to colonel, it could be said that referring to Gilbert with a lower rank was terribly inappropriate.
Violet corrected her posture and apologized again, “I... am sorry. My apologies, Colonel.”
“No, that’s not it. I’m not angry... Ever since you were little, you used to call me that. The first word I heard from you was this one, too. I’m saying that if you can’t get used to it, I don’t mind the ‘Major’.”
“‘Colonel’... Colonel, I will not mistake it anymore.”
Her figure as she attempted to memorize it, in order not to forget it, was lovably stubborn. Gilbert caught a glimpse of her past self from that immature aspect of hers.
At the beginning, the two of them had had an inept exchange. Almost like how children would do it, they had told each other their names.
“Ma... jor.”
“Can you understand what I’m saying, Violet?”
“Major.”
After learning words and coming to know discipline, she had become his weapon.
“If that is Major’s order...”
“It’s not an order...”
“If... it is your desire...”
He had wound up loving the girl-weapon.
“Major’s eyes are here.”
“I wonder... what this is called.”
It had been a one-sided love.
“I will become your ‘shield’ and ‘weapon’.”
“I shall protect you.”
“Please do not ever doubt this. I am your ‘asset’.”
Even so, he had loved her.
“I love you!”
“I don’t want to let you die! Violet!”
“I love you, Violet.”
The girl-weapon had wept that she did not understand what she had been bestowed with.
“What is... ‘love’?”
No one had taught her about it.
“What is... ‘love’? What is... ‘love’? What is ‘love’?”
“I do not understand, Major...”
She had also not understood why he had said such a thing to her.
“What is... ‘love’?”
She had searched for the meaning of those words and for him, who had disappeared, encountering them by chance at last.
And so, they had reached the present time.
“Violet.” Gilbert took her artificial fingertips as she stood still.
Her index finger made screeching sounds.
“Since we’re at it, won’t you call me by my name?” He pointed her finger at himself.
The fingertips that used to be soft and have body temperature in the past did not anymore. The same applied to one of Gilbert’s arms.
“I am Gilbert. Gilbert Bougainvillea.” He pointed at Violet next. “You are Violet. Violet Evergarden.” He moved the finger both ways, saying, “Gilbert, Violet... Gilbert, Violet.”
The two who had ended up with mechanical part had grown and changed. They were not parent and child originally. Not siblings, either. They had also ceased being superior and subordinate.
“Lord Gilbert.”
At Violet’s predictable response, Gilbert smiled bitterly. “The ‘lord’ part... isn’t necessary.”
He had supposedly spoken gently, yet Violet showed him an aspect of disconcertment. “My apologies... Have you... come to hate me...?”
“No. I don’t know how to feel anything but affection towards you... It appears that...” while thinking that it was also valid for himself, Gilbert stated, “hum... you become insecure about it every now and then, but I’ll never hate you.”
“How come?” Violet asked.
How great would it be if he were able to show the insides of his heart to her? Presenting with a form that “this is love” would be so simple. However, it was due to not being able to do such a thing that people uttered words to proffer their love.
“Because I love you most.”
Violet started searching for that term within the sea of words embedded inside her. “‘Love... most’...” As they rolled out of her tongue, what appalling yet passionate words those were.
There was no other sentence more fitting of Gilbert Bougainvillea.
“Love me... most?”
“I have eyes for nobody but you. You’re the only one I’m fond of.”
“That is... to love most?”
“I will hold you dear for eternity, and continue to love you.”
She did not ask “That is... to love most?” a second time. Violet’s cheeks were rose-dusted, her heart started palpitating to the point of aching, and her field of vision blurred. She was unable to look at Gilbert’s face. Unwittingly, she cast her head down, yet he wound up peering at it. The distance between their faces was just about enough for them to kiss.
It was currently nighttime and the two of them were alone in that place, so whatever they did, no one would be looking. Maybe they could manage to keep it a secret even from God.
“I had a phase of... liking you... then I fell in love with you, and now, it turns out I love you the most. Do you understand?”
“Does it never diminish?”
“The affection?”
“The love.”
“I wonder. But I don’t want that to happen and will probably reconfirm whether I do love you numerous times, so it’ll likely intensify, not decrease. You fill me up with it.”
“With love?”
“Yes. The reason why I believe I love you is because you granted me that feeling.”
Violet Evergarden, who had been learning and copying from him – from people –, was able to take in the meaning of those words.
“I do that to you, Major?”
Again, her manner of referring to him had changed. Gilbert thought it was fine either way.
“You do that to me.” Gilbert silently planted a kiss not on Violet’s cheek or lips but on the fingertips that he was holding onto.
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Silence.
Those were artificial fingers. She was unable to feel anything from them. Her arms were gone, and would nevermore return.
Placing a kiss on such a spot could transmit nothing.
Even so, he had deliberately kissed it in an affectionate manner. For some reason, that action – Gilbert’s feelings – caused Violet’s eyes to grow hot as if burning and produce tears.
Violet attempted to stop them. Those were incomprehensible tears. Why were they flowing at that moment? They would definitely trouble the man in front of her.
Nevertheless, tears were already pooling in her moist eyes until, finally, a single drop spilled down. Sure enough, the round tear that had fallen from one of her eyes left Gilbert distraught.
“Violet.” Seeing her reaction, he promptly let go of her fingers. “I’m sorry.” He stepped back, raising both hands as if to have her understand that he would not do anything else. “I’m really sorry.”
Violet did not answer. She stared at Gilbert without even wiping off the tear as if spacing out. Her attitude was not of anger. Her aspect was not of sorrow, either. He had no idea what she was thinking. She had the gaze of someone who seemed to be having a dream.
The two of them had lived separately, and he had thought that her facial expressions had become richer ever since they had reunited, but once she clammed up, he could not read her. Her lack of expression and well-featured doll-like traits did not allow Gilbert to study her emotions. However, the one thing he could fathom was that his action just now had been foolish.
——What am I doing?
He had told her that he would wait however long it took. The kiss on her fingers might have been a violation to that promise. He should have been the best gentleman for her, but he may have lost that right.
When she was by his side, she was unbearably endearing. The love towards her that lit up within his chest wound up overflowing.
“I swear I won’t do it anymore...”
The army colonel of Leidenschaftlich was losing face in front of the girl he was enamored with.
“Violet...”
What face was he making now? What did she think of it?
“Major, I...” Violet called him with her wind chime voice. She grabbed onto Gilbert’s fingers and took one step forward. The distance between them had shrunk once again. And then she took another step.
She was close enough to be embraced by Gilbert.
“Violet...”
“Major... please.” Violet peeked into Gilbert’s eye.
The emerald-green orb that had unchangeably borne beauty, kindness and a little bit of loneliness ever since they had first met was right there. Violet was now reflected in it.
Violet was inside his world.
“Do not swear so.”
Gilbert’s eyelid blinked at her straightforward words.
“Please, do not swear... that you will not do it.”
Seeing tears well up in Violet’s eyes once again, Gilbert impulsively reached an arm out to her. He caressed her golden hair as if to soothe her, earnestly listening to what she was attempting to tell him.
“Major, you explained it to me, right? That to love is to think of wanting to... protect someone the most.”
He wiped her tears with his fingertips.
Violet entrusted her cheek to his hand and shed more tears. “This has... applied to me since forever.”
She was attempting to replenish her lacking life. Rather, the truth was that the two of them could have done that from the moment they had met, for it was almost as if they made up for each other’s unskillfulness, but they had missed one another countless times and had not intersected well.
Violet’s chest was now being filled up with a warm feeling that she was experiencing for the first time.
“It always, always has, since long ago. I merely... did not know it...”
——This loud throbbing in my chest, this ecstasy, the fact that I end up swayed by your every action...
“I...”
——...the reason why I cried that I wanted to be by your side and asked you not to leave me anymore...
“Major... I...”
——...the reason why I am crying now...
“I, as of now...”
——...is that, once the “like” and the “love” fell and piled up like snow, and I became unable to melt them down, I had wanted to let you know that I wished the same to be valid for you.
“...have a feeling that I...”
People would declare it as if offering a prayer.
“...understand it better than before.”
“I love you”, that is.
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runeymoon · 5 years
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The Horai
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The Horai are the Greek goddesses of the seasons*. While the ancient Greeks only acknowledged three—Spring, Summer, and Autumn—this year I am including worship of these goddesses into my Wheel of the Year celebrations for the Equinoxes and Solstices also known as the cross -quarter days). I've always been really drawn to seasonal witchcraft, and as a Hellenic polytheist, this seems like a pretty natural fit to me!** Although there isn't a ton of readily available information about these goddesses and I personally haven't encountered many people who work with them, they are surprisingly multi-faceted. In addition to governing the natural order of the seasons, in some myths they are named the guardians of the cloud gates of Mt. Olympos, and they appear as midwives, nurses, and attendants to many of the Theoi. I am very excited to add them into in my practice, so I thought I would share what I have found so far regarding these Goddesses.
THE HORAI ON CROSS-QUARTER DAYS
🌱 Spring Equinox, 03/19 – Thallo
Goddess of Spring, buds and blooms, protector of youth
🌷Summer Solstice, 06/20 – Auxo/Auxelia
Goddess of Summer, protector of growth, fertility, vegetation and plants
🍁Autumn Equinox 09/22 – Carpo
Goddess of Autumn, harvesting and ripening.
🌬Winter Solstice 12/21 – Khione
While not officially an Horai, she was the daughter of Boreas, the north wind, and the goddess of snow and cold mountain winds. She was depicted as accompanying them, and many regard her as the goddess of Winter.
OFFERINGS TO THE HORAI
🍎Fruit: The Horai are very frequently depicted with baskets of fruit, and were worshiped mainly by those in agriculture, so it makes an excellent offering. Although I found mention of figs, pears, and apples being associated with them in myths, I think it would be a nice touch to use fruits that are in season for each goddess. If you have a seasonal altar, consider a rotating fruit basket as a decoration. Fruit juice would make a cheap and easy libation, also
💐Flowers: Similar to fruit, the Horai were often described as being wreathed in flowers, and in some myths were said to have clothed Aphrodite in clothes dyed with Spring flowers. Flowers are always awesome as offerings because there are so many ways to give them: fresh, dried and burnt as incense, libations of floral water or tea....
🍯Honey: Hand in hand with flowers, fruits, and the cycle of the seasons, bees and honey are also tied to many agricultural deities, and would make an appropriate offering.
🍃Incense/Perfume: As Ouranic(heavenly) deities, incense is always a proper offering. Considering their connection with fruit and flowers, and their frequent description as “fragrant,” I see perfume as an extension of this.
🎀Fabric/Cloth: There are a number of mentions of the Horai clothing and swaddling various deities, to the point that fabric seems like it would be a great offering, especially naturally dyed or fruit/floral/celestial prints. This could be an altar cloth, or scraps given as a gift.
💃Dance: The changing of seasons was called by some the “Dance of the Horai”, so dance can be an excellent way to honor them if you like to incorporate movement in your practice!
THE HORAI YEAR ROUND
Although I find it especially appropriate to honor on the Solstices and Equinoxes, those who want to follow a seasonal path might wish to honor these goddesses year-round. You can easily do this as a Hellenic Polytheist, since they are part of the retinue of quite a few of the Theoi:
💖Aphrodite – Clothed by the Horai upon her birth, they also her companions.
🥀Persephone – A heavily seasonal goddess herself, Auxo may in fact have begun as an epithet of Persephone. Either way, they were her attendants and companions.
💍Hera- Her attendants, and in some myths she was even raised by the Horai.
🌩 Zeus- Thallo, Auxo, and Carpo are daughters of Zeus and Themis in some myths, and additionally are sometimes names as the guardians of his cloud gates.
☀🌒Selene/Helios – According to other sources, the Horai were children of Helios and Selene.
🍇Dionysus – Midwives at his birth, and his nurses as a child.
🍓Hermes – Nurses as a child, they told him about Apollo's cattle!
If you worship/work with any of these deities, consider adding a small offering and thanks to the Horai as part of your regular rituals. This excerpt from Ovid's Metamorphoses is brief and might work nicely:
“Here Spring appears with flowery chaplets bound. here Summer in her wheaten garland crown'd; Here Autumn the rice trodden grapes besmear. And hoary Winter shivers in the rear.”
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Hopefully this was interesting/useful to some of you! Good luck and many blessings
(*The Horae can also refer to two other groups, one a triad of the goddesses of right order, and the other the twelve “hours,” for different times of the day.) (**I am a witch, and a revivalist Hellenic Polytheist, so this post is written through that lens. If you are reconstructionist based, some of this might not be for you. Which is cool! This is just how I will be building a practice with these goddesses)
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heccapeach · 4 years
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So remember when I said that I drew the Star Rod and Ideya in different forms in one of my more popular posts? Well, I’ve decided to share them with you. It’s not all of the pages yet so this is just a few of them. I’ll start with the ideya ones first:
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This is the first page that I made when I thought about taking the ideya and morphing them into various forms. This first one is drawn solely around food because I was in my whole quirk of the thought of devouring dreams and the ideya, being dream objects consisting of dream energy that have the ability to structure an entire dreamscape attracted my quirk. Also, don’t mind the character on this page. She’s Lunaria of the moon and an eater of dreams. She’s no OC based around a certain franchise. She’s just an original character/mascot/persona of mine. Anyways, here’s the list:
* Dream Bowl. A dog bowl filled with ideya and the Star Rod. I thought of Snoopy and his suppertime when it came to making this one.
* Bubble Ideya Tea. Based off of bubble tea and the miniature balls prominent in it.
* Ideya + Takoyaki = Ideyaki. Based off of takoyaki. Was the first drawing I made on the page and a cute pun I thought of. I never tried takoyaki, but I hear that it’s really good and I’d be willing to try it someday when the chance comes. I had also forgotten that they were only five ideya while drawing the concept so I made the sixth one a blue chip that’s also from the NiGHTS games. Lunaria is seen blissfully gulping them down like Kirby in a sense.
* Tsukimi Ideya is based off of the tsukimi dango. Dango that is made to celebrate the beauty of the moon and in Tsukimi or Otsukimi festivals that honor the autumn moon. The dango are also made as offerings to moon alongside other seasonal foods along with sake in order to pray for an abundant harvest.
* Shaved Ideya Ice. I just took an ideya and turned it into a scoop of shaved ice.
* Ideya crepe. The ideya is supposed to be the ice cream scoop in the dessert-based crepe. This was inspired off of the scene of Kanna from Miss Kobayashi’s Dragon Maid eating a crepe and stating that “It’s sweet, like Yatagarasu eggs.”
* Speaking of which, the Ideya Ice Cream was also inspired off of a scene of Kanna trying an ice cream cone and stating that “It’s cold. But good.” Perfectly scooped ice cream really fit the normal spherical form of the ideya.
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* The Ideya Dango or simply just the Ideyaki on a stick. “Ideyango” is also a pun off of both “ideya” and “dango”. They make a pretty long stack but it’s like heaven to Lunaria.
* Lastly on the page, the caramel ideya is based on a caramel apple on a stick and the ideya pop is based on a cake pop.
And that’s just page one!
Page 2:
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We now go from food to a few abilities. I was thinking of Touhou and danmaku (bullet hell) when it came to making this page.
* One of the blantant Touhou references in the picture is the ideya being used in the style of how the planet ornaments are used for Hecatia LapisLazuli, the Goddess of Hell. She has three bodies and the planet ornaments that are chained to her choker and surround the body she’s using represents her three bodies. They consist of Earth (blue hair), Moon (yellow hair), and Hell or otherworldly (red hair) which is also the body she most prominently uses, respectively. The three planet ornaments have now been replaced with three ideya so now she her three bodies represent whatever three ideya she has chained to her. Hecatia is my favorite Touhou character next to Yukari so I thought it’d be cool to reference her here.
* Pentagram. I took the ideya and formed a pentagram with it. Perhaps it can be used for some spells like summoning spells that summon things from the dream realm or well, the Night Dimension.
* I also thought that the pentagram formation could be used for some attacks like firing lasers. I got inspired by Marisa’s use of multi-colored orbs that she uses in one of her spell cards.
* Celestial Ideya Bodies is the ability of making the ideya act like celestial bodies and moving them around in combat leaving a trail of star bullets behind. This is inspired off of one of Clownpiece and Hecatia’s spellcards where they generate one or two moons that leave a trail of star bullets from behind.
* The Ideya Gap is another blantant Touhou reference being based off of Yukari’s gap. Two ideya are morphed into the red ribbons that are tied to both sides of the gap just like Yukari’s gap. And within Yukari’s gap lies multiple eyes that are said to represent the swirling desires of those outside of Gensokyo. The outsiders being from what is known by the inhabitants of Gensokyo as “The Outside World”. The eyes are also apparent in the Ideya Gap and can represent the swirling desires of visitors. The outsiders to the Night Dimension.
* The large combined laser is when you take the five ideya, combine them, and have them generate one big powerful laser. It’s more akin to a large energy blast that you would see mainly in anime like Dragon Ball Z being a prime example. It’s inspired off of the Master Spark, a signature move of Marisa Kirisame.
* Then finally there just sits Lunaria in the middle sitting on her crescent moon that has been morphed into a gap in the same fashion as Yukari, wielding the Star Rod, having the five ideya that are forming a pentagram surround and revolve around her, all while maintaining a smug face for her discovery and manipulation over these objects.
Page 3:
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This is only one object and it’s about the concept of taking the ideya of Courage, Hope, and Purity respectively and combining them to form the Star Rod itself.
I thought of taking the three ideya and stacking them together to give the impression of the form that they will take in two different patterns. Whatever on that you prefer. I’ll now translate the writing on the page:
* The Star Rod, along with the Fountain of Dreams, are symbols of HOPE and peace in Dream Land. (Extra) When the Star Rod is powering the Fountain of Dreams, the fountain is able to collect the hopes and dreams of the inhabitants. The Star Rod and the Fountain of Dreams are relied on by the inhabitants of Popstar, especially Dreamland, for the ability to dream and have restful sleep. The HOPE is represented through the star on the rod’s tip.
* The rod’s wielder can be viewed as an embodiment of HOPE in the eyes of a majority trapped in heavy conflict. Like a hero in a sense. Kirby is a good example of this.
* COURAGE comes from the wielder of the Star Rod themselves as does the ideya itself. The COURAGE is represented through the red stripes on the rod itself. Red stripes are a more suitable and stronger color for the Star Rod than the pink stripes in its other appearances like Smash for example. The red represents the rod’s raw power and the wielder’s willpower.
*The Star Rod bares a sense of PURITY, especially when it comes to its association with dreams. Possessing pure dreams, it is force to be reckoned with for a nightmare’s case.
* All of these points, especially the PURITY aspect that consists of the Star Rod possessing pure dream energy that is powerful enough to destroy nightmares as seen in Kirby’s Adventure/Nightmare in Dreamland, came to me being convinced that it can function as a border of dreams. If that wasn’t enough, its pure dream energy is able to serve as a boundary/barrier that only lets good dreams pass through while denying access to nightmares. Like a dream catcher in a sense. However, if you were to have a being that consists of pure nightmare energy, then it could prove to be a challenge for the Star Rod to take on. In fact, Nightmare himself could be seen as a pure nightmare that was powerful enough to attempt to corrupt the Star Rod and the Fountain of Dreams into nightmare-based objects instead.
* COURAGE, HOPE, AND PURITY are strong and prominent aspects of Kirby himself which makes him a rightful wielder of this Star Rod created from these three ideya.
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And now finally the last page for now, centering around the Fountain of Dreams and the ideya of GROWTH.
*The ideya of GROWTH is taken and morphed into the Fountain of Dreams itself.
* The Fountain of Dreams allows dreams and restful sleep to flourish throughout the land. It can collect and ensure the GROWTH of hopes and dreams of inhabitants, as long as the Star Rod is present to power it. Without the Star Rod, the fountain remains inactive, unable to provide GROWTH and eventually the inhabitants lose the ability to dream or to even cling onto HOPE itself the longer the Star Rod is absent and the Star Rod, possessing an aspect of HOPE, is the reason this HOPE is able to exist and flourish through the fountain.
* I know that the INTELLIGENCE ideya is not present on the last two pages since I couldn’t figure out what connection it would be appropriate to use it in terms of the Star Rod and the Fountain of Dreams. But now I figured that it would more likely remain in possession of the owner who would also become the wielder of the Star Rod depending on their strategies, knowledge of the Star Rod’s capabilities, and knowing how to tap into its powers. Overall, it comes down to the wielders knowledge on the Star Rod, the Fountain of Dreams, dreams, and what it means to dream as a whole.
*They say that nightmares will occur if the Star Rod is not present but this actually contradicts the fact that if the Star Rod is not in its place, then the inhabitants will lose the ability to dream entirely as made clear in the story of Kirby’s Adventure. They will lose the ability to dream neither good or bad dreams.
And can you ever imagine a world where dreams are nonexistent despite the fact of how much they allow the mind to sort out and process information and for the individual to reflect upon themselves? Also supporting the consciousness and being able to help a person discover their ambitions, purpose, and creativity. They are a good element to an artist when it also comes down to things like motivation and inspiration. Had dreams not exist, there would be no such things like growth or motivation. It would feel like a realm of the dead...
Anyways, that’s it for now! Don’t be afraid to tell me what you think about it or even willing to share your ideas on the matter. I had fun drawing and writing this and I will soon show and create more of it. I might also do this same kind of thing to the seven human souls from Undertale....
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rayonfrozenwings · 7 years
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Starfall and the Wild Hunt - a acotar/tog fan theory
Ok Guys… another theory… is coming…If I could animate I would make you a pretty video with me talking over the top, but I can’t - so it’s just lots of words.
Preface
Well it WAS Halloween here in kiwi land. (when I started writing this) And it got me thinking about it being the kind of night when spirits can pass through to our world. And I saw a post about faerie gates on tumblr Faerie and wyrd - both have an etymology to the word fate Same word the same/same type of thing Click goes my brain
Wyrd gates/Faerie gates
Ooooo I think
Then I remember on Calanmai where Rhysand said that - all creatures/beasts? get to walk the earth on that day - or some jazz like that. (I thought it was just in reference to Amarantha letting people out but what if it’s something more?)
So I started to wonder if Samhain in the TOG series was a later version of some more ancient ritual… because Elena is allowed to have a physical presence on that night.
REMEMBER I THINK TOG AND ACOTAR ARE LINKED SOMEHOW - SEE THIS ERILEA POST, @sparkleywonderful​ had some great points and I’m going to expand on one of them, use them in my discussion “think - Sliders; and parallel worlds.”
Ok. So now i’m on the thought path of …. what holidays are there in TOG/ACOTAR that could be linked….
Hopefully you are still with me…
Starfall and The Wild Hunt
Is Starfall a reference to “the wild hunt” in folk lore/mythology.
The wild hunt collects souls that are to be taken to the underworld.
We know that the night court is at- the end of the earth/world -
We know that Rhysand is referenced to as a Hades type in ACOMAF when he took Feyre away for 1 week out of 4 a month. (Hades and Persephone myth)
So if we view Rhysand as Hades and the night court as the edge of the underworld, we would be looking at the wild hunt and those it hunts/captures descending into the underworld.
The Wild hunt has many different leaders.
It’s never confirmed who is actually leading the hunt. But we know that the hunt is to take souls/spirits/people who are out when they shouldn’t be - to the underworld.
Here is a snippet from a wiki article:
The Wild Hunt is a European folk myth involving a ghostly or supernatural group of huntsmen passing in wild pursuit. The hunters may be either elves or fairies or the dead,[1] and the leader of the hunt is often a named figure associated with Woden[2] (or other reflections of the same god, such as Alemannic Wuodan in Wuotis Heer (“Wuodan’s Army”) of Central Switzerland, Swabia etc.), but may variously be a historical or legendary figure like Theodoric the Great, the Danish king Valdemar Atterdag, the Welsh psychopomp Gwyn ap Nudd, biblical figures such as Herod, Cain, Gabriel or the Devil, or an unidentified lost soul or spirit either male or female
The Wild hunt also “abducts” people to the underworld or fairy kingdom.
Seeing the Wild Hunt was thought to presage some catastrophe such as war or plague, or at best the death of the one who witnessed it.[3] People encountering the Hunt might also be abducted to the underworld or the fairy kingdom.[4] In some instances, it was also believed that people’s spirits could be pulled away during their sleep to join the cavalcade.[5]
Is this is why Amren hates starfall? @sparkleywonderful had a thought that perhaps starfall marked the day Amren arrived in Prythian. This post. I’m wondering if Is she afraid of being taken with the wild hunt? Does she think the Wild hunt will see her for what she really is and therefore does not want to risk it. Will this also mean that since Amren used her power in ACOWAR and is now just a “high fae”; she will attend starfall?
Obviously with a lot of these type of stories there are different variation depending on the myth you look at - and some of these variations are just as time passes and stories are told orally, changes are made. Others are what was tales were common to a certain region. So it is very hard to make direct links connecting all myths. But the general Idea is cool - I like the Idea that Starfall isn’t a “pretty holiday” and is a bit more sinister/creepy.
Some don’t view “the wild hunt” as a bad thing and could this be a category our inner circle fall into. Is this what Rhysand thinks of starfall?
Grimm believed that in pre-Christian Europe, the hunt, led by a god and a goddess, either visited “the land at some holy tide, bringing welfare and blessing, accepting gifts and offerings of the people” or they alternately float “unseen through the air, perceptible in cloudy shapes, in the roar and howl of the winds, carrying on war, hunting or the game of ninepins, the chief employments of ancient heroes: an array which, less tied down to a definite time, explains more the natural phenomenon."https://en.wikipedia.org/wiki/Wild_Hunt
Now I’m going to switch back to Throne of Glass Keep thinking of Starfall and the Wild hunt, in the back of your mind.
In Throne of Glass On Samhain (Halloween) Elena visits Celaena, she says she is not a ghost.  But She is also terrified that someone will find her (Celena says “is it the gargoyles - Elena neither confirms or denies this”) and says she doesn’t have much time. Is she afraid of the wild hunt? Is it because she is a Spirit walking the earth when she shouldn’t be. She says the hounds will find her. And Celena hears howling as she runs back to her room. (ch25TOG)
She also says that they are guarding a gate to another world - is this a gate to the underworld/hades? Dogs are known to guard entrances to the underworld (cerebrus), and we know that the clock tower is a pretty nasty “rift” because during Celeana’s battle with Cain, “spirits/demons” come out of it to torment her while she is in a state of delusion from the poison Kaltain gave her. (Also Rifthold, Ah! Times Rift, both weird “coincidences” from TOG)
In Queen of Shadows, Lorcan calls them Hounds/Dogs when he accuses Aelin of giving them his scent - side note he also refers to her, affectionately, as a bitch.
The wild hunt are known to hunt at different times depending on the tale/myth. But the general consensus is that they come out during winter - from the autumn solstice until the spring solstice. So it is possible that the “wild hunt” and hells dogs are linked.
In Welsh folklore, the Cŵn Annwn or "Hounds of Annwn” ride through the skies in autumn, winter, and early spring. The baying of the hounds was identified with the crying of wild geese as they migrate and the quarry of the hounds as wandering spirits, being chased to Annwn.
Source: Wiki article about “the wild hunt”
The idea of the Wild Hunt, hunting spirits on Samhain, and Amren being afraid of Starfall (this happens to coincide with Nynsar another holiday in spring) In british tradition of the wild hunt it is said that it lasts for 9 weeks ending on Easter (spring time in Britain), They are also known to hunt on holy days and from christmas until the twelfth night.
Then I investigated the Leaders of the Hunt…
And came across this in a wiki article:
Wales: Arawn or Gwyn ap Nudd, the Welsh god of the Underworld.
And I thought - hmmmm Arawn looks an awful lot like it could sound like Erawan.
So I looked up Arawn.
And he is king of the “otherworld”,
Click Click goes Renee’s Brain
He has hounds.
In one myth he is said to do this task with his wife (who turns out to be Hecate in modern paganism).
Hecate - a woman/goddess known for associations with dogs and keys and gates and opening gates. A motherly figure. A triple faced goddess. (I am not touching that theory)
So I also thought of EOS and a couple of Moments - because if I think that Erawan is the Leader of the hunt and therefore king of the “otherworld/underworld?” then his hounds are his “wild hunt”.
The ilken are called his “blood hounds”.
The hounds hunt Lorcan and Elide The ilken can break Lorcans shields (ch9 EOS)
Maeve is also associated with wolves/hounds. Maeve used to have the wyrd keys. Maeve is Erawan’s wife, and a co-leader of the wild hunt or another Victim of the Hunt, trapped in Erilea I haven’t decided. She’s a tricky character to pin down.
Maeve is called the bitch-queen (symbology of being a leader of dogs not just an “affectionate” term) though Hecate as a mother goddess also has these links.
The gods and goddesses who are trying to get home and are using their scions to do so, are terrified of Maeve. Anneith herself “fled” from maeve in EOS on the beach, Elide makes note that there is no tap on her shoulder to guide her. This supports the idea that Maeve is a part of the wild hunt, or at least a threat to Anneith.
So a quick summary of the points so far …
Arawan and Maeve are Leaders of a/the Wild Hunt
With the Loss of the Keys they are unable to “hunt” and move between worlds - though wyrd gates - to collect their spirits/ghosts/victims. Some of these victims are “trapped in Erilea”.
If they are Trapped In Erilea - the hunt are also  “trapped” . And trapped with the prey that that took from other worlds.
Amren hates starfall because Starfall is the night the hunt returns to the underworld with their catch. And she doesn’t want to be seen and taken. Perhaps this is because she escaped the hunt before and perhaps that is how a “arch-angel type of character” ended up in Prythian (a greek myth type of world) ACOMAF
Anneith Flees Maeve because Maeve would recognise her and there is a fear of being taken. EOS
Elena is scared of the hounds taking her away on Samhain. TOG (some rifts are said to open without keys - I cannot remember where or when though, it seems like something a stygian spider would say)
The guardians of the portals to other worlds are hounds - just like hounds guarding the underworld. Aka Cerebus?
So are Erilea and Prythian parallel worlds that the “wild hunt” runs through to collect the souls/spirits/and take them to the underworld/otherworld.
Rhysand explains that Starfall is spirits traveling. ACOMAF
And if this is the case
(remember it’s a theory, and I am not a scholar in “the wild hunt” or “welsh mythology” etc etc.just a tog/acomaf/sjm fan who loves seeing parallels in literature)
Then perhaps…
There are multiple versions of the gods because of parallel dimensions
we get reoccurring characters in different guises because of parrallel dimensions e.g. sin eater/bone carver - storytellers/the suriel, baba yellowlegs/the weaver
Perhaps each of SJM’s worlds are similar e.g. the geography matches but there is a subtle difference - and they are not the same because they each draw on a different mythology (prythian - Greek mythology, TOG - Welsh mythology, Amren’s world - Biblical) (kind of like “his dark materials” series and the use of parallel worlds in that. written  by Philip Pullman - another great book series, omg links to the subtle knife and acowar could be amazing but i’m not going there right now).
The world of Prythian and Erilea are similar because they have a time difference or one moment/point of difference that separates them (aka @sparkleywonderful ‘s sliders reference on the Erilea post also His Dark Materials and use of ice age to differentiate parallel worlds from Northern Lights and The Subtle Knife)
The Wild Hunt travels through wyrd gates to collect souls/spirits and takes them to the underworld. Possibly traveling across worlds through WYRD GATES.
Hecate (maeve) as the keeper of the keys opens and closes the gates for the leader of the hunt.
When Hecate (maeve) takes the keys the hunt can no longer continue - maybe the “prey and the hunt” are all stuck in the same place. What happened when Maeve and Erawan first came to Prythian? Are his brothers other versions of gods - if Erawan is king of the underworld/otherworld what would his brothers be kings of? (I am not going down that path today)
Stuck in Erilea
So they inter-breed or act as gods/goddesses in Erilea. Erilea has not seen these people before - no-one is like them. We can get “powerful magic uses” as descendants from other worlds. It also explains why the Fae are so different in each world and why our “heroes” power in TOG is so unique.
For Example - Elain + Lucien have children - generations pass (or not) and then this person is taken by the wild hunt from Prythian. Maybe Mala “a goddess” is taken from Prythian and is stuck in Erilea… Mala has the powers of that union to pass down to her children. E.g. flame and fire and light…a daughter of Fate  @iamthebonecarver - what do you think?
Or raw magic - can do anything, blue eyes like sapphire, black hair. Sounds an awful lot like a Feysand child or descendant - hmmm and a certain Dorian does have those qualities…
We know that the 12 gods and goddesses who appear to Manon and Aelin in the Witch Mirror in EOS are just trying to get home (to their world).
But if this is the case then perhaps each world has it’s own “mother goddess”, and Maybe Erilea’s mother Goddess is pissed off at another World’s mother goddess. Because there is a lot -a lot - a shit tonne! Of similarities between Maeve and Aelin and Hecate and the triple goddess motif. I’m not going into it because I have not researched/looked into that avenue yet. And I’m not sure I want to. I’ll just say that weird coincidences between wielder of keys/ wolves-dogs/ artemis-deana-anneith vs hecate.
OK if you stayed with me. Thank you and I’m done for the most Part. I’m not writing up a big summary. 
But basically - Parallel worlds - Wild Hunt vs our faves - a cluster F*ck of mythologies from everywhere all thrown together. :)
This all started with me having a look into STARFALL I thought talking about starfall could be fun and not too serious… *sighs* And then STARFALL as a representation of the wild hunt in Pyrthain could be cool… and I got away on myself.
*throws hands up*
All I wanted to say was that Starfall could be the wild hunt. I thought of this because I read a book series called the spiritwalker trilogy by Kate Elliott a few years ago (it’s good - I recommend it, first book is Cold Magic) and it had similarities that popped into my head.
So yeah. It’s a theory. A cobbled together theory - that would probably be better explained via video. 
A parallel worlds theory which would mean that Sarah’s quote about how the world’s in TOG and ACOTAR aren’t the same - but perhaps you could step through a wyrd gate to see them - would make sense. ALSO DID YOU KNOW SHE WINKED!!! SHE DID A WINKY FACE!!! SJM is Cheeky! haha.
Twitter quote
“Replying to @BookishlyAmber (on twitter)
.@BookishlyAmber TOG & ACOTAR are in the same Megaverse. So you could technically open a Wyrdgate between their worlds. ;) #ACOTARParty”
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A DAMN WINKY FACE!!!!
Ok and I am Done for Today! Done!
So Book recommendations from this theory
Spiritwalker Trilogy - Kate Elliot
Cold Magic
Cold Fire
Cold Steel
His Dark Materials - Phillip Pullman
Golden Compass/Northern Lights - depending on where you are in the world
The Subtle Knife
The Amber Spyglass
Also the lovely
@paperbacktrash
just told me Philip Pullman has a new book out! What?? - *Renee adds to the tbr pile*
Thank you to some people who have inspired/talked with me - seen me take notes - had a little discourse etc etc.
@sparkleywonderful - for reading my theories and commenting and that sliders reference!
@paperbacktrash - all the greek stuff :D and letting my thoughts run away with me. 
@rowaelinsmut and @propshophannah … this one is a parallel world theory, not a same world theory - I don’t know if that is better or worse because I still made a link and it’s not really crossover but still >.< please don’t hate me for finding a possible link. 
@iamthebonecarver, @crownedwithstarz for our shared fangirling/theorising
@rhysand-vs-rowan for the Aelin/Elain name thing that could still mean something - because SJM did a damn winky face.
xx
Renee
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greywalkerpi · 7 years
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I was tagged by @iliveinnarniaandstudyathogwarts 
If I were a…
Month: November; somehow Thanksgiving has always appealed to me more than Christmas. It’s about family and togetherness and it’s cool enough I can get away with wearing a sweater all the time.
Day: Whatever day is the day I spend with my friends, since we only get to do it once a week. At this current moment, that day is Saturday.
Planet: Jupiter, because I did a group project on it in the fifth grade and I still remember it. It was one of the least frustrating group projects I’ve ever been a part of.
God or Goddess: If we’re going with ones that exist within our Universe, then Athena. She’s one of the least rapey well known deities in the Greek pantheon and also interacts with the mortal realm like a lot, which I think is cool. 
If I’m allowed to look at different realities, then the Outsider from Dishonored. I haven’t been able to see how he is in Dishonored II yet, but I still like him. I think he’s cool and I love his personality.
Sea Animal: I mean, do I have to choose one? They’re all so cool, even the deep ocean ones that are super intense looking. The ocean is just a wild place, and the creatures in it even more so.
Piece of Furniture: Couch, or honestly maybe my bed? Somewhere I can be comfortably horizontal and doze.
Gemstone: Opal, because they’re all so varied and colorful. I’ve never not been mesmerized by an opal.
Flower: Lilac Roses, I love the way they smell and they’re really pretty. They remind me of coming home to my dad’s on a Friday afternoon, free from time related responsibilities until Monday.
Weather: Autumn weather is the best, like early/late morning before the heat of death is upon you. The sky is mostly clear with a few singular clouds floating around. Dead, dry leaves skitter across the ground because of a faint breeze. It’s chilly but not cold.
Color: Dark emerald
Emotion: That feeling you have when you’re with a group of really good friends and you’ve been hanging out for a few hours and it’s just been a really good time with lots of laughter and good-hearted verbal poking
Fruit: Cherries, so deep red the juice stains your fingertips and mouth
Element: Air
Place: The Oregon Coast, Yachats Oregon specifically; it’s a really beautiful place, and it’s not too far from a lot of good places to go check out and enjoy
Taste: Savory or Salty
Scent: Vanilla perfume, like the stuff my mom has used since before I was born that she uses every day she leaves the house, light and sweet and comforting
Body Part: The neck; it’s easy to relax as long as the neck is comfortable, easy to fall asleep, it’s an early warning sign of when I have a headache coming so I can be prepared and try to stop it
I’m tagging @zapkilikan, @alegriavida, @toast-ranger-to-a-stranger
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